What's on at National Media Museum - Vintage Sundays
Director: Milos Foreman.
Starring: Jack Nicholson, Louise Fletcher, Michael Berryman. USA 1975. 133 mins.
Jack Nicholson is the ingenious, heroic free spirit R.P. ‘Mac’ McMurphy, who leads an uprising in the men’s ward of a mental hospital, run by heartless Nurse Ratched (Fletcher). Adapted from Ken Kesey’s best-selling 1962 novel and produced by Saul Zaentz (Amadeus, The English Patient) and Michael Douglas (his first producer role), the brilliant supporting cast includes Danny DeVito – in his first major role – as Martini, Brad Dourif (Billy Bibbit), Christopher Lloyd (Taber) and Will Sampson as Chief Bromden.
Director: Roman Polanski.
Starring: Jack Nicholson, Faye Dunaway, John Huston. USA 1974. 125 mins.
Los Angeles, 1937. Private detective Jake Gittes discovers murder, corruption and enigma when he is lured into an apparently simple investigation of adultery and estrangement. Rooted in a palpable evocation of time and place and in a mordant sense of the dark underside of American history, CHINATOWN became the classic detective film of the 1970s.
Director: Dennis Hopper.
Starring: Peter Fonda, Dennis Hopper, Jack Nicholson, Antonio Mendoza, Karen Black. USA 1969. 95 mins. Colour.
Hopper’s low-budget movie of odyssey and alienation at the time of Vietnam, whose success brought Hollywood to its knees by initiating a disastrous cycle of imitative youth pictures. Great rock/folk rock score – and a star-making performance from Jack Nicholson as the drunken lawyer who hitches along for the ride.
Director: Stanley Kubrick.
Starring: Jack Nicholson, Shelley Duvall, Danny Lloyd. UK/USA 1980. 144 mins.
Stanley Kubrick’s masterpiece of modern horror is widely considered to be the most terrifying movie of all time. Based on Stephen King’s bestselling novel, this tale of a family man and would-be writer (Jack Nicholson) going mad as winter caretaker of the cursed Overlook Hotel is a seminal work of the genre. It is also – as Martin Scorsese has pointed out - like no other horror film ever made – ‘essentially unclassifiable, endlessly provocative and profoundly disturbing’.