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Director: Christopher Nolan.
Starring: Fionn Whitehead, Harry Styles, Cillian Murphy, Mark Rylance, Tom Hardy. Netherlands/UK/France/USA 2017. 106 mins.

The mass evacuation of more than 330,000 Allied troops from the beaches of Dunkirk in May 1940 was one of the most dramatic and pivotal episodes of the Second World War. In his latest feature, director Christopher Nolan (Interstellar, The Dark Knight trilogy) plunges viewers into the thick of it with what he describes as “the most visceral experiential two hours that audiences can hope for”.

Told from three points of view – land, sea and air – Dunkirk unfolds with a palpable sense of dread and tension, evoking the very human and immediate desire to survive.

With cinematography from Hoyte van Hoytema (Interstellar), a score from Hans Zimmer, and an all-star supporting cast that includes Tom Hardy, Cillian Murphy and Mark Rylance, this is the must-see spectacle of the summer.

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Director: Sofia Coppola. Starring: Nicole Kidman, Colin Farrell, Kirsten Dunst, Elle Fanning. USA 2017. 94 mins.

Academy Award-winner Sofia Coppola is one of those rare directors whose films feel like an event not to be missed. Her latest, a seductive drama with an all-star cast, is no different. A new adaptation of Thomas P. Cullinan’s Southern Gothic novel, A Painted Devil, the story unfolds at an all-girls boarding school in rural Virginia during the American Civil War. When the headmistress (Kidman) agrees to provide temporary refuge for a wounded Union soldier (Farrell), his sudden presence stirs up sexual tensions in the remote mansion. As each of the women falls for his charms, their tight-knit sisterhood buckles under the weight of deceit and jealousy, and taboos are broken in a dark and unexpected turn of events.

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Director: Matt Reeves.
Starring: Andy Serkis, Woody Harrelson, Judy Greer, Steve Zahn. USA 2017. 140 mins.

In the third instalment of the rebooted Planet Of The Apes franchise, a new threat looms over the peaceful simian civilisation built among the redwood trees: an army of humans led by the ruthless Colonel (Harrelson), who believes he is mankind’s last hope. After a battle in which the apes suffer devastating losses, Caesar (Serkis), their noble, hyper-intelligent leader, fears he may have to abandon the path of mercy he has so far shown to humans. Wrestling with his darker instincts, Caesar embarks on a quest to avenge his kind that brings him face to face with the Colonel in the ultimate battle for dominion over Earth. Director Matt Reeves raises the stakes with his second film in the critically acclaimed franchise, blending spectacular graphics and emotion to thrilling effect.

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Director: Jon Watts.
Starring: Tom Holland, Robert Downey Jr, Michael Keaton. USA 2017. 133 mins.

Tom Holland reprises his role as Peter Parker/Spider-Man following his sensational debut in 2016’s Captain America: Civil War. Several months after his thrilling web-slinging cameo with The Avengers, Peter tries to settle back into life as an ordinary high-school student in Queens, New York City. Desperate to prove himself and exercise his superpowers, he gets his chance when a new threat emerges in the shape of The Vulture (Keaton).

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Director: Edgar Wright.
Starring: Ansel Elgort, Lily James, Kevin Spacey. USA 2017. 113 mins.

Young getaway driver Baby (Elgort) relies on the beat of his personal soundtrack to be the best in the game. After he meets the girl of his dreams, he sees a chance to leave his criminal life behind. But one last heist puts his love, life and freedom on the line. With an eclectic soundtrack ranging from Queen and Martha Reeves to The Beach Boys, Edgar Wright’s musical crime caper rolls out one terrific tune after the other.

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Director: Christopher Nolan.
Starring: Fionn Whitehead, Harry Styles, Cillian Murphy, Mark Rylance, Tom Hardy. Netherlands/UK/France/USA 2017. 106 mins.

The mass evacuation of more than 330,000 Allied troops from the beaches of Dunkirk in May 1940 was one of the most dramatic and pivotal episodes of the Second World War. In his latest feature, director Christopher Nolan (Interstellar, The Dark Knight trilogy) plunges viewers into the thick of it with what he describes as “the most visceral experiential two hours that audiences can hope for”.

Told from three points of view – land, sea and air – Dunkirk unfolds with a palpable sense of dread and tension, evoking the very human and immediate desire to survive.

With cinematography from Hoyte van Hoytema (Interstellar), a score from Hans Zimmer, and an all-star supporting cast that includes Tom Hardy, Cillian Murphy and Mark Rylance, this is the must-see spectacle of the summer.

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Director: Sofia Coppola. Starring: Nicole Kidman, Colin Farrell, Kirsten Dunst, Elle Fanning. USA 2017. 94 mins.

Academy Award-winner Sofia Coppola is one of those rare directors whose films feel like an event not to be missed. Her latest, a seductive drama with an all-star cast, is no different. A new adaptation of Thomas P. Cullinan’s Southern Gothic novel, A Painted Devil, the story unfolds at an all-girls boarding school in rural Virginia during the American Civil War. When the headmistress (Kidman) agrees to provide temporary refuge for a wounded Union soldier (Farrell), his sudden presence stirs up sexual tensions in the remote mansion. As each of the women falls for his charms, their tight-knit sisterhood buckles under the weight of deceit and jealousy, and taboos are broken in a dark and unexpected turn of events.

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Director: Matt Reeves.
Starring: Andy Serkis, Woody Harrelson, Judy Greer, Steve Zahn. USA 2017. 140 mins.

In the third instalment of the rebooted Planet Of The Apes franchise, a new threat looms over the peaceful simian civilisation built among the redwood trees: an army of humans led by the ruthless Colonel (Harrelson), who believes he is mankind’s last hope. After a battle in which the apes suffer devastating losses, Caesar (Serkis), their noble, hyper-intelligent leader, fears he may have to abandon the path of mercy he has so far shown to humans. Wrestling with his darker instincts, Caesar embarks on a quest to avenge his kind that brings him face to face with the Colonel in the ultimate battle for dominion over Earth. Director Matt Reeves raises the stakes with his second film in the critically acclaimed franchise, blending spectacular graphics and emotion to thrilling effect.

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Director: Jon Watts.
Starring: Tom Holland, Robert Downey Jr, Michael Keaton. USA 2017. 133 mins.

Tom Holland reprises his role as Peter Parker/Spider-Man following his sensational debut in 2016’s Captain America: Civil War. Several months after his thrilling web-slinging cameo with The Avengers, Peter tries to settle back into life as an ordinary high-school student in Queens, New York City. Desperate to prove himself and exercise his superpowers, he gets his chance when a new threat emerges in the shape of The Vulture (Keaton).

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Director: Edgar Wright.
Starring: Ansel Elgort, Lily James, Kevin Spacey. USA 2017. 113 mins.

Young getaway driver Baby (Elgort) relies on the beat of his personal soundtrack to be the best in the game. After he meets the girl of his dreams, he sees a chance to leave his criminal life behind. But one last heist puts his love, life and freedom on the line. With an eclectic soundtrack ranging from Queen and Martha Reeves to The Beach Boys, Edgar Wright’s musical crime caper rolls out one terrific tune after the other.

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Quizzers, assemble! Since 2008, the Marvel Cinematic Universe has been smashing the box office (and the bad guys). Come celebrate the release of Spider-Man: Homecoming and all 16 Marvel releases in this powerhouse quiz!

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Director: Mohamed Diab.
Starring: Nelly Karim, Hany Adel. Egypt/France/Germany 2016. 97 mins. Arabic with English subtitles.

Egypt’s turbulent recent social upheavals, which saw Hosni Mubarak’s decades-long rule come to an end in a people-led revolution in 2011, is the focus of Mohamed Diab’s gripping new film, Clash. The nation’s most prominent cultural commentator, Diab co-wrote the screenplay for this powerful piece about his home nation’s troubles with his younger brother Khaled. Set almost entirely within the confines of a police truck, Clash is claustrophobic, hard-hitting and fuelled by an ambitious scope that belies its minimal setting. The emotionally and physically heated occupants of the police truck are made up of members of the Muslim Brotherhood, Army supporters and factionless troublemakers whose deep-seated differences are, unsurprisingly, exacerbated by the position they find themselves in. Set in 2013 during the period when the Muslim Brotherhood were ousted from power, Clash performed strongly at its domestic box office, and reaches these shores promising a confrontational, highly charged vision of contemporary Egypt.

The Discover Tuesday presentation of the film will be preceded by a short film in conjunction with Random Acts.

Wrath

Oscar-nominated composer Mica Levi and acclaimed choreographer Holly Blakey collaborate on this electric portrait of Nandi Bhebhe.

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Director: Bill Condon
Starring: Emma Watson, Luke Evans, Stanley Tucci, Ian McKellen. USA 2017. 129 mins.

Back in 1991, the Walt Disney Company released Beauty And
 The Beast, an exquisitely drawn feature animation that became a gargantuan hit, delighting both audiences and critics and spinning off a blockbuster Broadway musical. So who better to breathe new life into the beloved French fairy tale – with its very modern message of not judging people by their appearance – in a live-action telling than the studio that made it a movie classic in the first place? Veteran director Bill Condon (The Twilight Saga: Breaking Dawn Parts 1 & 2, Dreamgirls, Mr Holmes) has refashioned the characters for
a contemporary audience but stayed true to the animation’s music, with several new songs and an amended score by the original composer, Alan Menken. Get ready to be wowed all over again.

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Director: Christopher Nolan.
Starring: Fionn Whitehead, Harry Styles, Cillian Murphy, Mark Rylance, Tom Hardy. Netherlands/UK/France/USA 2017. 106 mins.

The mass evacuation of more than 330,000 Allied troops from the beaches of Dunkirk in May 1940 was one of the most dramatic and pivotal episodes of the Second World War. In his latest feature, director Christopher Nolan (Interstellar, The Dark Knight trilogy) plunges viewers into the thick of it with what he describes as “the most visceral experiential two hours that audiences can hope for”.

Told from three points of view – land, sea and air – Dunkirk unfolds with a palpable sense of dread and tension, evoking the very human and immediate desire to survive.

With cinematography from Hoyte van Hoytema (Interstellar), a score from Hans Zimmer, and an all-star supporting cast that includes Tom Hardy, Cillian Murphy and Mark Rylance, this is the must-see spectacle of the summer.

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Director: Sofia Coppola. Starring: Nicole Kidman, Colin Farrell, Kirsten Dunst, Elle Fanning. USA 2017. 94 mins.

Academy Award-winner Sofia Coppola is one of those rare directors whose films feel like an event not to be missed. Her latest, a seductive drama with an all-star cast, is no different. A new adaptation of Thomas P. Cullinan’s Southern Gothic novel, A Painted Devil, the story unfolds at an all-girls boarding school in rural Virginia during the American Civil War. When the headmistress (Kidman) agrees to provide temporary refuge for a wounded Union soldier (Farrell), his sudden presence stirs up sexual tensions in the remote mansion. As each of the women falls for his charms, their tight-knit sisterhood buckles under the weight of deceit and jealousy, and taboos are broken in a dark and unexpected turn of events.

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Director: Matt Reeves.
Starring: Andy Serkis, Woody Harrelson, Judy Greer, Steve Zahn. USA 2017. 140 mins.

In the third instalment of the rebooted Planet Of The Apes franchise, a new threat looms over the peaceful simian civilisation built among the redwood trees: an army of humans led by the ruthless Colonel (Harrelson), who believes he is mankind’s last hope. After a battle in which the apes suffer devastating losses, Caesar (Serkis), their noble, hyper-intelligent leader, fears he may have to abandon the path of mercy he has so far shown to humans. Wrestling with his darker instincts, Caesar embarks on a quest to avenge his kind that brings him face to face with the Colonel in the ultimate battle for dominion over Earth. Director Matt Reeves raises the stakes with his second film in the critically acclaimed franchise, blending spectacular graphics and emotion to thrilling effect.

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Director: Jon Watts.
Starring: Tom Holland, Robert Downey Jr, Michael Keaton. USA 2017. 133 mins.

Tom Holland reprises his role as Peter Parker/Spider-Man following his sensational debut in 2016’s Captain America: Civil War. Several months after his thrilling web-slinging cameo with The Avengers, Peter tries to settle back into life as an ordinary high-school student in Queens, New York City. Desperate to prove himself and exercise his superpowers, he gets his chance when a new threat emerges in the shape of The Vulture (Keaton).

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Director: Edgar Wright.
Starring: Ansel Elgort, Lily James, Kevin Spacey. USA 2017. 113 mins.

Young getaway driver Baby (Elgort) relies on the beat of his personal soundtrack to be the best in the game. After he meets the girl of his dreams, he sees a chance to leave his criminal life behind. But one last heist puts his love, life and freedom on the line. With an eclectic soundtrack ranging from Queen and Martha Reeves to The Beach Boys, Edgar Wright’s musical crime caper rolls out one terrific tune after the other.

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Director: Christopher Nolan.
Starring: Fionn Whitehead, Harry Styles, Cillian Murphy, Mark Rylance, Tom Hardy. Netherlands/UK/France/USA 2017. 106 mins.

The mass evacuation of more than 330,000 Allied troops from the beaches of Dunkirk in May 1940 was one of the most dramatic and pivotal episodes of the Second World War. In his latest feature, director Christopher Nolan (Interstellar, The Dark Knight trilogy) plunges viewers into the thick of it with what he describes as “the most visceral experiential two hours that audiences can hope for”.

Told from three points of view – land, sea and air – Dunkirk unfolds with a palpable sense of dread and tension, evoking the very human and immediate desire to survive.

With cinematography from Hoyte van Hoytema (Interstellar), a score from Hans Zimmer, and an all-star supporting cast that includes Tom Hardy, Cillian Murphy and Mark Rylance, this is the must-see spectacle of the summer.

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America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell.

Andrew Garfield (Silence, Hacksaw Ridge) plays Prior Walter along with a cast including Denise Gough (People, Places and Things), Nathan Lane (The Producers), James McArdle (Star Wars: The Force Awakens) and Russell Tovey (The Pass).

This new staging of Tony Kushner’s multi-award winning two-part play is directed by Olivier and Tony award winning director Marianne Elliott (The Curious Incident of the Dog in the Night-Time and War Horse). Part One: Millennium Approaches was first performed at the National Theatre in 1992 and was followed by Part Two: Perestroika the following year.

Part One: Millennium Approaches will be broadcast live on 20 July 2017.

Book for Part 1, NT Live: Angels in America - Millennium Approaches

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Director: Sofia Coppola. Starring: Nicole Kidman, Colin Farrell, Kirsten Dunst, Elle Fanning. USA 2017. 94 mins.

Academy Award-winner Sofia Coppola is one of those rare directors whose films feel like an event not to be missed. Her latest, a seductive drama with an all-star cast, is no different. A new adaptation of Thomas P. Cullinan’s Southern Gothic novel, A Painted Devil, the story unfolds at an all-girls boarding school in rural Virginia during the American Civil War. When the headmistress (Kidman) agrees to provide temporary refuge for a wounded Union soldier (Farrell), his sudden presence stirs up sexual tensions in the remote mansion. As each of the women falls for his charms, their tight-knit sisterhood buckles under the weight of deceit and jealousy, and taboos are broken in a dark and unexpected turn of events.

More details

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Director: Matt Reeves.
Starring: Andy Serkis, Woody Harrelson, Judy Greer, Steve Zahn. USA 2017. 140 mins.

In the third instalment of the rebooted Planet Of The Apes franchise, a new threat looms over the peaceful simian civilisation built among the redwood trees: an army of humans led by the ruthless Colonel (Harrelson), who believes he is mankind’s last hope. After a battle in which the apes suffer devastating losses, Caesar (Serkis), their noble, hyper-intelligent leader, fears he may have to abandon the path of mercy he has so far shown to humans. Wrestling with his darker instincts, Caesar embarks on a quest to avenge his kind that brings him face to face with the Colonel in the ultimate battle for dominion over Earth. Director Matt Reeves raises the stakes with his second film in the critically acclaimed franchise, blending spectacular graphics and emotion to thrilling effect.

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Director: Jon Watts.
Starring: Tom Holland, Robert Downey Jr, Michael Keaton. USA 2017. 133 mins.

Tom Holland reprises his role as Peter Parker/Spider-Man following his sensational debut in 2016’s Captain America: Civil War. Several months after his thrilling web-slinging cameo with The Avengers, Peter tries to settle back into life as an ordinary high-school student in Queens, New York City. Desperate to prove himself and exercise his superpowers, he gets his chance when a new threat emerges in the shape of The Vulture (Keaton).

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Director: Edgar Wright.
Starring: Ansel Elgort, Lily James, Kevin Spacey. USA 2017. 113 mins.

Young getaway driver Baby (Elgort) relies on the beat of his personal soundtrack to be the best in the game. After he meets the girl of his dreams, he sees a chance to leave his criminal life behind. But one last heist puts his love, life and freedom on the line. With an eclectic soundtrack ranging from Queen and Martha Reeves to The Beach Boys, Edgar Wright’s musical crime caper rolls out one terrific tune after the other.

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Messy goes to Okido’ is a comedy adventure, science-educational show following a curious, lovable monster called Messy.

Messy magically transports us from the real world to the land of Okido, where he finds the answers to his questions.

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The London International Animation Festival (LIAF) returns to Kids Club this July with an eclectic mix of wonderful animated shorts from all over the globe. Definitely not to be missed and don’t forget to vote for your favourites!

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Originally formed in May 1999, Sundance™ pay Tribute to the Musical Legacy of Jimi Hendrix.
You will not see any gimmicks at their shows - just well seasoned musicians playing pure, wild, authentic psychedelic sounds, delivering the classics you all know and love and then embelleshing them across new sonic frontiers - making every Sundance performance unique.
Take a pinch of pulsating Groove, wrap it up in a generous dollop of Feel, add a healthy splash Cosmic Guitar and you have Sundance ~ capturing the raw energy of Jimi’s live shows and bringing together one of the most authentic Hendrix guitar sounds you will hear live today from Simon Cassidy, soaring above one of the grooviest rhythm sections you are likely to come across generated by Martyn Bennett on Drums and Terry Sharp on Bass.
There was, and will only ever be, one Jimi Hendrix - so, as you will see, Sundance don't even try and to look like him. In any case there are other "Tribute" acts out there who do a far better job at looking like Jimi Hendrix.
Sundance recreate the sound and energy of Jimi's live performances, aiming to take his music, play it with total authenticity and then push it the limits of imagination and ability. Effortlessly slipping in and out of hypnotic extended improvisations, Sundance will transport you directly back to the Psychedelic 60’s. You might not see "Jimi" at a Sundance performance, but you will certainly hear his music and feel his spirit.

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Director: Lewis Gilbert.
Starring: Roger Moore, Barbara Bach, Curt Jurgens, Richard Kiel. UK, 1977. 125 mins.

The Bond film that created, in its day, the largest indoor set ever created for a UK produced film, The Spy Who Loved Me is a typically thrilling cinema experience that runs the full gamut of the hugely successful Bond franchise. Roger Moore delivers another finely tuned and suave performance as 007 with Curt Jurgens committing to celluloid one of the more memorably cunning and devious villains, Karl Stromberg.

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To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.

My Summer Of Love
Director: Pawel Pawlikowski. Starring: Emily Blunt, Natalie Press. UK 2004. 86 mins.

Pawel Pawlikowski's BAFTA-winning drama, a potent depiction of girlhood, young love and endless summers, finally returns to the big screen. A young Emily Blunt shines as bored rich kid Tamsin, who seduces working class Mona, to the dismay of the Christian community in their small Yorkshire village.

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An enterprising koala puts on the world’s greatest singing show in this hilarious animated comedy. Buster Moon is a koala whose pride and joy is his theatre. But the once grand building has fallen on hard times and looks set to close its doors forever unless Buster can find a way to revive its fortunes. The one idea he has is to put on the world’s greatest singing competition – but will he find the next Leona Lewis or the next Honey G? From acclaimed director Garth Jennings (The Hitchhiker’s Guide to the Galaxy, Son of Rambow) comes this charming and hilariously funny animated comedy featuring the voices of Matthew McConaughey, Reese Witherspoon, Seth MacFarlane, Scarlett Johansson, John C. Reilly and Taron Egerton.

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Director: Alfred Hitchcock.
Starring: James Stewart, Kim Novak, Barbara Bel Geddes, Tom Helmore. USA 1958. 128 mins.

Recently voted the greatest film of all time by Sight and Sound, Alfred Hitchcock's masterpiece Vertigo is typically idiosyncratic take on film noir (it takes place almost entirely in bright, Technicolor daylight). The film skilfully manipulates us into seeing the world through the eyes of reliable ex-cop Scottie (Stewart) as he pursues the apparently possessed Madeleine (Novak), then steadily unravels everything we thought we knew.

Part thriller, part ghost story, part Freudian nightmare – Vertigo is a multi-layered portrait of obsession and a haunting visual treat.

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Directors: Stanley Donen and Gene Kelly
Starring: Gene Kelly, Frank Sinatra, Jules Munshin, Ann Miller. USA 1949. 98 mins.

Producer Arthur Freed turned New York into a giant sound stage for this hectic 'sailors on leave' romantic comedy, which is notable not only for the superb Leonard Bernstein score but also for the musical numbers shot on location. Few dance sequences in film are as fresh, exhilarating and imaginative as the ballet on top of the Empire State Building.

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Launch of The Valley Press Anthology of Yorkshire Poetry. This terrific new anthology includes poems by leading poets including Carol Ann Duffy, Helen Mort, Clare Pollard, Ian McMillan, Andrew McMillan and many more.
The event will feature live music and readings by Miles Salter, Oz Hardwick, Antony Dunn, Robert Powell and more.

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Director: Hope Dickson Leach. Starring: Ellie Kendrick, David Troughton, Joe Blakemore. UK 2016. 84mins.

The 2014 flood that hit the Somerset Levels provides the backdrop for writer-director Hope Dickson Leach’s highly assured debut The Levelling, which features a superb central performance from Game Of Thrones’ Ellie Kendrick. After the mysterious death of her brother Harry (Blakemore), veterinary student Clover (Kendrick) returns to the Somerset family farm where she grew up. Against the backdrop of the floods that devastated her home, Clover confronts her estranged father, Aubrey (Troughton), in an attempt to uncover the truth. Troughton gives a finely tempered performance, perfectly matched by Kendrick’s extraordinary presence in the breakout role of the year. Dickson Leach gives the talented duo a complex, finely crafted script to work with, offering a drama that works on many different levels.

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An enterprising koala puts on the world’s greatest singing show in this hilarious animated comedy. Buster Moon is a koala whose pride and joy is his theatre. But the once grand building has fallen on hard times and looks set to close its doors forever unless Buster can find a way to revive its fortunes. The one idea he has is to put on the world’s greatest singing competition – but will he find the next Leona Lewis or the next Honey G? From acclaimed director Garth Jennings (The Hitchhiker’s Guide to the Galaxy, Son of Rambow) comes this charming and hilariously funny animated comedy featuring the voices of Matthew McConaughey, Reese Witherspoon, Seth MacFarlane, Scarlett Johansson, John C. Reilly and Taron Egerton.

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Doc about legendary writer and urban activist Jane Jacobs' battle to save historic NYC neighborhoods from the redevelopment plans of power broker Robert Moses in the 1960s.

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An enterprising koala puts on the world’s greatest singing show in this hilarious animated comedy. Buster Moon is a koala whose pride and joy is his theatre. But the once grand building has fallen on hard times and looks set to close its doors forever unless Buster can find a way to revive its fortunes. The one idea he has is to put on the world’s greatest singing competition – but will he find the next Leona Lewis or the next Honey G? From acclaimed director Garth Jennings (The Hitchhiker’s Guide to the Galaxy, Son of Rambow) comes this charming and hilariously funny animated comedy featuring the voices of Matthew McConaughey, Reese Witherspoon, Seth MacFarlane, Scarlett Johansson, John C. Reilly and Taron Egerton.

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Spurned by Tito, Vitellia seeks revenge. Besotted Sesto agrees to avenge her as a token of his love, but all does not go to plan. A brand new take on one of Mozart’s final works.

Vitellia’s path to the throne is thwarted by the man who deposed her father, so she presses her admirer Sesto to murder him.

Driven by love, Sesto does his worst. But in return, receives a lesson in forgiveness.

Conducted by Robin Ticciati and directed by Claus Guth, Mozart’s opera delivers all of the sublime musical beauty and heart-tugging humanity we expect of him.

Loosely based on the life of the Roman Emperor Titus, La clemenza di Tito distills the suspense of Don Giovanni, the warmth of The Marriage of Figaro, and the nobility of The Magic Flute into one powerful parable of love and friendship, vengeance and mercy.

Australian tenor Steve Davislim makes his Glyndebourne debut as Tito, with Alice Coote as Vitellia and Kate Lindsey as Sesto.

Sung in Italian with English supertitles.

Also on screen this summer: a timeless production of La traviata (captured live in 2014) and Brett Dean’s brand new Shakespeare-inspired opera, Hamlet (live).

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An enterprising koala puts on the world’s greatest singing show in this hilarious animated comedy. Buster Moon is a koala whose pride and joy is his theatre. But the once grand building has fallen on hard times and looks set to close its doors forever unless Buster can find a way to revive its fortunes. The one idea he has is to put on the world’s greatest singing competition – but will he find the next Leona Lewis or the next Honey G? From acclaimed director Garth Jennings (The Hitchhiker’s Guide to the Galaxy, Son of Rambow) comes this charming and hilariously funny animated comedy featuring the voices of Matthew McConaughey, Reese Witherspoon, Seth MacFarlane, Scarlett Johansson, John C. Reilly and Taron Egerton.

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Let's go back to a time where the wonder of the age was pictures that MOVED! Black and white beauties graced the silver screen in epic romances and we laughed along with the little tramp that is Charlie Chaplin. Join us in our celebration of moving pictures this March with all the icons of Silent Movies. Come along on the 19th and draw the great actors and actresses of the silent era with us. Bring your family, friends and your sketchpad but you can leave your colours at home! Featuring burlesque the incredible duo that is the DUSKY MAROONS!

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Cloudbabies is a beautiful animated series about four enchanting characters, Baba Pink, Baba Blue, Baba Yellow and Baba Green. Their job is to look after the sky and their Sky Friends, Sun, Moon, Rainbow, Fuffa Cloud and Little Star. They live together with Bobo White, a mischievous little Sky Imp, in a house on a big fluffy cloud. Every morning, they jump on their Skyhorsies and begin their day's work of looking after the sky.

The series promotes caring for others and the world around us and also introduces children to notions such as day and night, sun and moon, rainbow and the stars.

Created by award winning art director, Bridget Appleby, the series is produced by Hoho Entertainment.

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The Basement Jazz Club
A new monthly Jazz Club in the Basement
If you have to ask what jazz is, you'll never know. - Louis Armstrong
The Basement Jazz Club is a monthly night which wants to put York’s amazing jazz scene front and centre. We pride ourselves on excellent sound and an intimate atmosphere, giving over our stage to the finest musicians from York, as well as the odd featured act from further afield. Expect a variety of styles, from the gypsy stylings of Django Reinhardt, to the passionate blues of the Deep South.

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Director: Wolfgang Reitherman. USA. 1967. 77 mins.

Abandoned after an accident, baby Mowgli is taken and raised by a family of wolves. As the boy grows older, the wise panther Bagheera realizes he must be returned to his own kind in the nearby man-village. Baloo the bear however thinks differently taking the young Mowgli under his wing and teaching that living in the jungle is the best life there is. Bagheera realizes that Mowgli is in danger, particularly from Shere Khan the tiger who hates all people. When Baloo finally comes around, Mowgli runs off into the jungle where he survives a second encounter with Kaa the snake and finally, with Shere Khan. It's the sight of a pretty girl however that gets Mowgli to go the nearby man-village.

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A new monthly Open Mic Night to showcase those with the creative buzz. For any kind of performer-poetry, comedy, musings, music, monologue and miscellaneous! DOORS 7:30PM, FREE ENTRY

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Director: Richard Thorpe. Starring: Elvis Presley, Judy Tyler, Mickey Shaughnessy, Vaughn Taylor. USA 1957. 95 mins.

One of the best of Elvis Presley's pre-Army films, Jailhouse Rock offers us the sensual, ‘dangerous’ Elvis that won the hearts of the kids and earned the animosity of their elders. Presley plays Vince Everett, a young buck who accidentally kills a man while protecting the honour of a woman. He is thrown into prison, and following his performance in the prison show, where ol' swivel-hips score a hit, he decides to stay in showbiz after his release. He sets up his own record company but success goes to his head, and he is deserted by his flunkeys and hangers-on. Everett learns the value of friendship and slowly rebuilds his reputation and career. Seldom would Elvis be so well showcased in the future.

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Director: Wolfgang Reitherman. USA. 1967. 77 mins.

Abandoned after an accident, baby Mowgli is taken and raised by a family of wolves. As the boy grows older, the wise panther Bagheera realizes he must be returned to his own kind in the nearby man-village. Baloo the bear however thinks differently taking the young Mowgli under his wing and teaching that living in the jungle is the best life there is. Bagheera realizes that Mowgli is in danger, particularly from Shere Khan the tiger who hates all people. When Baloo finally comes around, Mowgli runs off into the jungle where he survives a second encounter with Kaa the snake and finally, with Shere Khan. It's the sight of a pretty girl however that gets Mowgli to go the nearby man-village.

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Director: Wolfgang Reitherman. USA. 1967. 77 mins.

Abandoned after an accident, baby Mowgli is taken and raised by a family of wolves. As the boy grows older, the wise panther Bagheera realizes he must be returned to his own kind in the nearby man-village. Baloo the bear however thinks differently taking the young Mowgli under his wing and teaching that living in the jungle is the best life there is. Bagheera realizes that Mowgli is in danger, particularly from Shere Khan the tiger who hates all people. When Baloo finally comes around, Mowgli runs off into the jungle where he survives a second encounter with Kaa the snake and finally, with Shere Khan. It's the sight of a pretty girl however that gets Mowgli to go the nearby man-village.

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To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.

Prick Up Your Ears
Director: Stephen Frears. Starring: Gary Oldman, Alfred Molina. UK 1987. 110 mins.

Stephen Frears and screenwriter Alan Bennett depict the realities of gay life in ’60s London in this classic ’80s drama. Gary Oldman and Alfred Molina star as controversial playwright Joe Orton and his partner Kenneth Halliwell. As Orton scales literary heights and Halliwell struggles to keep up, they descend into an increasingly tumultuous relationship, with devastating consequences.

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The decay of Rome reaches violent depths in Shakespeare’s bloodiest play. Blanche McIntyre (The Two Noble Kinsmen) returns to the RSC to direct Shakespeare’s brutal revenge tragedy.

Titus is a ruler exhausted by war and loss. He relinquishes power, but leaves Rome in disorder. Rape, cannibalism and mutilation fill the moral void at the heart of this corrupt society.

Shakespeare presents us with murder as entertainment and, as the body count rises, poses questions about sexuality, family, class and society.

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Director: Wolfgang Reitherman. USA. 1967. 77 mins.

Abandoned after an accident, baby Mowgli is taken and raised by a family of wolves. As the boy grows older, the wise panther Bagheera realizes he must be returned to his own kind in the nearby man-village. Baloo the bear however thinks differently taking the young Mowgli under his wing and teaching that living in the jungle is the best life there is. Bagheera realizes that Mowgli is in danger, particularly from Shere Khan the tiger who hates all people. When Baloo finally comes around, Mowgli runs off into the jungle where he survives a second encounter with Kaa the snake and finally, with Shere Khan. It's the sight of a pretty girl however that gets Mowgli to go the nearby man-village.

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Directors: Hideaki Anno, Shinji Higuchi, Cris George.
Japan 2016. Japanese with English subtitles.

A god incarnate. A city doomed. Shin Godzilla is a refreshing and entertaining return to the kaiju’s creature-feature roots. One peaceful day in Japan, a strange fountain of water erupts in the bay, causing panic to spread among government officials. At first they suspect only volcanic activity, but one young executive dares to wonder if it may be something different... something alive. His worst nightmare comes to life when a massive gilled monster emerges from the deep and begins tearing through the city, leaving nothing but destruction in its wake. As the government scrambles to save its citizens, a rag-tag team of volunteers cuts through a web of red tape to uncover the monster’s weakness – and its mysterious ties to a foreign superpower.

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The Basement Jazz Club
A new monthly Jazz Club in the Basement
If you have to ask what jazz is, you'll never know. - Louis Armstrong
The Basement Jazz Club is a monthly night which wants to put York’s amazing jazz scene front and centre. We pride ourselves on excellent sound and an intimate atmosphere, giving over our stage to the finest musicians from York, as well as the odd featured act from further afield. Expect a variety of styles, from the gypsy stylings of Django Reinhardt, to the passionate blues of the Deep South.

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Director: Wolfgang Reitherman. USA. 1967. 77 mins.

Abandoned after an accident, baby Mowgli is taken and raised by a family of wolves. As the boy grows older, the wise panther Bagheera realizes he must be returned to his own kind in the nearby man-village. Baloo the bear however thinks differently taking the young Mowgli under his wing and teaching that living in the jungle is the best life there is. Bagheera realizes that Mowgli is in danger, particularly from Shere Khan the tiger who hates all people. When Baloo finally comes around, Mowgli runs off into the jungle where he survives a second encounter with Kaa the snake and finally, with Shere Khan. It's the sight of a pretty girl however that gets Mowgli to go the nearby man-village.

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Directors: Bonni Cohen, Jon Shenk. Featuring: Al Gore, Barack Obama, Donald Trump. USA 2017. 98 mins.

Ten years after his original Inconvenient Truth, Al Gore remains deeply committed to publicising the oncoming perils of climate change and, as this movie demonstrates, doing something practical about it. Taking over from original director Davis Guggenheim, directors Bonnie Cohen and Jon Shenk follow Gore as he travels the globe tutoring eco-activists as well as demonstrating to his global warming-denying critics that his original, dour predictions are already proving correct – Miami Beach’s regular floods, Hurricane Sandy putting Manhattan’s Ground Zero underwater, anybody? Footage of Barack Obama and Donald Trump’s efforts conversely to address and refute the fact of climate change are equally chilling, which is ironic considering that the fifteen hottest years on record have occurred since 2001. Sobering and heartening in equal measure.

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HEY DUGGEE- a place for children (and their parents) to have fun, be energetic, and most of all to DO THINGS!

Featuring epsiodes: Camping, Tadpole, Honey, Fossil and Shape.

The show is based around a children’s playgroup called The Squirrel Club. Its run by a big dog called DUGGEE. The Squirrel Club is a place where kids have adventures and earn badges for their accomplishments.

There are five children who go to the Squirrel club. HAPPY, NORRIE,TAG, BETTY & ROLY. Their parents drop them off every day and they spend a couple of hours having fun and adventures with DUGGEE, in his clubhouse, and outside in his fantastical world before being picked up again at the end of the show.

It’s all about doing things, and DUGGEE likes to do a lot, and go to lots of places.

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Welcome to the Laugh Out Loud Comedy Club - bringing the best live stand-up to York!
Four top professional comedians Enjoy brilliant comedy A great night out! Book in advance and save money or pay on the night
Each show has four top professional comedians from all over the world to make you LOL!
Wherever possible we'll be bringing you comedians off the telly from such shows as BBC2's Mock The Week, Shooting Stars, Channel 4's 8 Out of 10 Cats, BBC1's Michael McIntyre's Comedy Roadshow, Have I Got News For You, QI, and Paramount's Live at The Comedy Store etc.
Previously we've booked the likes of Jason Manford, John Bishop and Sarah Millican before they hit the big time. So come and see more brilliant comedians!
There's also a full bar and two breaks for get more drinks and chatting to your friends!
'Ace night' Julie Lovatt
'Fantastic night yet again' Fleur Spafford
'Great night, everyone must try going, very funny' Lee Evans (not the Lee Evans!)
There are all real reviews from real customers so get booking now if you fancy a laugh!
Please note we do not allow bookings for Hen or Stag parties of any size and such parties will be refused admission to the venue.

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Director: Bill Condon
Starring: Emma Watson, Luke Evans, Stanley Tucci, Ian McKellen. USA 2017. 129 mins.

Back in 1991, the Walt Disney Company released Beauty And
 The Beast, an exquisitely drawn feature animation that became a gargantuan hit, delighting both audiences and critics and spinning off a blockbuster Broadway musical. So who better to breathe new life into the beloved French fairy tale – with its very modern message of not judging people by their appearance – in a live-action telling than the studio that made it a movie classic in the first place? Veteran director Bill Condon (The Twilight Saga: Breaking Dawn Parts 1 & 2, Dreamgirls, Mr Holmes) has refashioned the characters for
a contemporary audience but stayed true to the animation’s music, with several new songs and an amended score by the original composer, Alan Menken. Get ready to be wowed all over again.

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Join international cabaret star Velma Celli for an evening of cabaret.
Ian Stroughair (the man behind the makeup) is a West end and cabaret star who has appeared in hit Musicals such as Chicago, Cats, Fame and Rent where he received critical acclaim.
"A Stand out turn" Mark Shenton, The Guardian & The Stage magazine.
He has enjoyed a varied career in film and TV and even appeared on BBC's Eastenders as himself.
"A sensational performer at the height of his game" West End Frame.
This year he fronted the U.K commercial campaign for McDonalds and starred opposite Danny Dyer in the music short Nebraska for recording artist Lucy Rose.
"An impressive performance" What's On stage.
Also he makes his silver screen debut this Autumn in Feature film Night of the Lotus:
"A musical extravagant that hits all the right spots" This Is Cabaret.
This is a musical theatre review including classic show tunes, jazz standards, Bassey to Beyoncé and everything in between.
Switching from hysterical impressions of some of your favourite divas such as Britney Spears and Cher to stripped back acoustic arrangements of popular pop songs in ways you have never heard them this roller coaster of a cabaret really hits every spot!
There is something for everybody in this expertly written cabaret revue so do not miss out!

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One of Merchant Ivory"s undisputed masterpieces, this adaptation of E.M. Forster"s classic 1910 novel is a saga of class relations and changing times in Edwardian England. Margaret Schlegel (Emma Thompson) and her sister Helen (Helena Bonham Carter) become involved with two couples: a wealthy, conservative industrialist (Anthony Hopkins) and his wife (Vanessa Redgrave), and a working-class man (Samuel West) and his mistress (Niccola Duffet). The interwoven fates and misfortunes of these three families and the diverging trajectories of the two sisters" lives are connected to the ownership of HOWARD"S END, a beloved country home. A compelling, brilliantly acted study of one woman"s struggle to maintain her ideals and integrity in the face of Edwardian society"s moribund conformist values.

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Director: Bill Condon
Starring: Emma Watson, Luke Evans, Stanley Tucci, Ian McKellen. USA 2017. 129 mins.

Back in 1991, the Walt Disney Company released Beauty And
 The Beast, an exquisitely drawn feature animation that became a gargantuan hit, delighting both audiences and critics and spinning off a blockbuster Broadway musical. So who better to breathe new life into the beloved French fairy tale – with its very modern message of not judging people by their appearance – in a live-action telling than the studio that made it a movie classic in the first place? Veteran director Bill Condon (The Twilight Saga: Breaking Dawn Parts 1 & 2, Dreamgirls, Mr Holmes) has refashioned the characters for
a contemporary audience but stayed true to the animation’s music, with several new songs and an amended score by the original composer, Alan Menken. Get ready to be wowed all over again.

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To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.

Victim
Director: Basil Dearden. Starring: Dirk Bogarde, Sylvia Syms. UK 1961. 100 mins.

Early ’60s London, and gay men across the city are being blackmailed, threatening exposure at a time when consensual homosexual acts could still result in imprisonment. Basil Dearden’s classic thriller stars Dirk Bogarde in his most daring role, as a gay lawyer fighting back against the blackmailers who dare to target him.

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Tipped as the voice of punk‘s next generation, Louise Distras plays a socially conscious and insightful brand of protest poetry that, in a spiritual sense, is also firmly descended from the Clash bloodline. Having released debut album ‘Dreams From the Factory Floor’ only this September, she is already gaining wide-spread acclaim, and was hailed by The Guardian as “putting punk and protest back into the mainstream”.

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Director: Bill Condon
Starring: Emma Watson, Luke Evans, Stanley Tucci, Ian McKellen. USA 2017. 129 mins.

Back in 1991, the Walt Disney Company released Beauty And
 The Beast, an exquisitely drawn feature animation that became a gargantuan hit, delighting both audiences and critics and spinning off a blockbuster Broadway musical. So who better to breathe new life into the beloved French fairy tale – with its very modern message of not judging people by their appearance – in a live-action telling than the studio that made it a movie classic in the first place? Veteran director Bill Condon (The Twilight Saga: Breaking Dawn Parts 1 & 2, Dreamgirls, Mr Holmes) has refashioned the characters for
a contemporary audience but stayed true to the animation’s music, with several new songs and an amended score by the original composer, Alan Menken. Get ready to be wowed all over again.

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This fender and genre-bending film takes us into the not-too-distant machine-driven future. Kokone should be diligently studying for her university entrance exams, but she just can’t seem to stay awake. Aside from stealing precious study time, her napping is even more distracting, as it brings on strange dreams with warring machines that hint at family secrets that have been dormant for years. She can’t ask her father, a hipster mechanic more talented and artful than his job requires, as he’s always busy modifying motorcycles and cars in flights of fancy. What are these visions that lead Kokone at once closer to and further away from her family?

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Director: Bill Condon
Starring: Emma Watson, Luke Evans, Stanley Tucci, Ian McKellen. USA 2017. 129 mins.

Back in 1991, the Walt Disney Company released Beauty And
 The Beast, an exquisitely drawn feature animation that became a gargantuan hit, delighting both audiences and critics and spinning off a blockbuster Broadway musical. So who better to breathe new life into the beloved French fairy tale – with its very modern message of not judging people by their appearance – in a live-action telling than the studio that made it a movie classic in the first place? Veteran director Bill Condon (The Twilight Saga: Breaking Dawn Parts 1 & 2, Dreamgirls, Mr Holmes) has refashioned the characters for
a contemporary audience but stayed true to the animation’s music, with several new songs and an amended score by the original composer, Alan Menken. Get ready to be wowed all over again.

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Director: Bill Condon
Starring: Emma Watson, Luke Evans, Stanley Tucci, Ian McKellen. USA 2017. 129 mins.

Back in 1991, the Walt Disney Company released Beauty And
 The Beast, an exquisitely drawn feature animation that became a gargantuan hit, delighting both audiences and critics and spinning off a blockbuster Broadway musical. So who better to breathe new life into the beloved French fairy tale – with its very modern message of not judging people by their appearance – in a live-action telling than the studio that made it a movie classic in the first place? Veteran director Bill Condon (The Twilight Saga: Breaking Dawn Parts 1 & 2, Dreamgirls, Mr Holmes) has refashioned the characters for
a contemporary audience but stayed true to the animation’s music, with several new songs and an amended score by the original composer, Alan Menken. Get ready to be wowed all over again.

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Tractor Ted, the farming superhero for children aged 2-6 years (and parents and grandparents too) is all about real life fun on the farm!

This gorgeous new DVD introduces us to life on a Somerset dairy farm and shows us how cheese is made. We go behind the scenes on the farm and meet the clever cows who even know when it’s milking time! We see lots of machines at work on the farm too from the milk tanker and the loader to the feed wagon feeding the young cows in the barn. There is plenty of real life farm footage and plenty of real life farm fun to be had – perfect for a summer holiday treat!

Sneaky Peek! Have a sneaky peek of the film by clicking here... Such a treat!

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BARE MINIMUM

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PEACH

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LUKE RICHARDSON

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Carl Fredricksen, a 78-year-old balloon salesman, is about to fulfill a lifelong dream. Tying thousands of balloons to his house, he flies away to the South American wilderness. But curmudgeonly Carl's worst nightmare comes true when he discovers a little boy named Russell is a stowaway aboard the balloon-powered house.

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An indie rock 4 piece hailing from Stockport. During our time performing as a live band, we've quickly become known as one of the most energetic bands on the circuit.

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Directors: Ron Clements, John Musker. Voices: Auli’i Cravalho, Dwayne Johnson, Rachel House. USA 2016. 113 mins.

On the mythical and mystical island of Motuni in the South Pacific lives the titular Moana (delightful newcomer Cravalho), daughter of the tribal chief and last in a long line of navigators. Her family have long since abandoned their fabled oceanic adventuring, but with encouragement from her grandma (House), the teenage Moana sets off to sea in search of a mysterious island, accompanied by a spiky demigod (Johnson) and a pet rooster. In their first digital animation – which involved much specially written software – and with a starry voice cast including actors with Pacific island roots, legendary Disney directors Clements and Musker (Aladdin, The Little Mermaid) have created a visually stunning work, adding music and humour to the tale of an unlikely but endearing friendship.

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Alfred Hitchcock's stunningly realised tale of gruesome murders and sly verbal sparring at the Bates Motel. Bernard Herrman's famed all-strings score enriches the film considerably and provides some of the most famous music in cinema history, with the innovative, nerve-jangling, violent 'screams' which accompany the stabbing of Janet Leigh in the shower.

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Directors: Ron Clements, John Musker. Voices: Auli’i Cravalho, Dwayne Johnson, Rachel House. USA 2016. 113 mins.

On the mythical and mystical island of Motuni in the South Pacific lives the titular Moana (delightful newcomer Cravalho), daughter of the tribal chief and last in a long line of navigators. Her family have long since abandoned their fabled oceanic adventuring, but with encouragement from her grandma (House), the teenage Moana sets off to sea in search of a mysterious island, accompanied by a spiky demigod (Johnson) and a pet rooster. In their first digital animation – which involved much specially written software – and with a starry voice cast including actors with Pacific island roots, legendary Disney directors Clements and Musker (Aladdin, The Little Mermaid) have created a visually stunning work, adding music and humour to the tale of an unlikely but endearing friendship.

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Directors: Ron Clements, John Musker. Voices: Auli’i Cravalho, Dwayne Johnson, Rachel House. USA 2016. 113 mins.

On the mythical and mystical island of Motuni in the South Pacific lives the titular Moana (delightful newcomer Cravalho), daughter of the tribal chief and last in a long line of navigators. Her family have long since abandoned their fabled oceanic adventuring, but with encouragement from her grandma (House), the teenage Moana sets off to sea in search of a mysterious island, accompanied by a spiky demigod (Johnson) and a pet rooster. In their first digital animation – which involved much specially written software – and with a starry voice cast including actors with Pacific island roots, legendary Disney directors Clements and Musker (Aladdin, The Little Mermaid) have created a visually stunning work, adding music and humour to the tale of an unlikely but endearing friendship.

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Directors: Ron Clements, John Musker. Voices: Auli’i Cravalho, Dwayne Johnson, Rachel House. USA 2016. 113 mins.

On the mythical and mystical island of Motuni in the South Pacific lives the titular Moana (delightful newcomer Cravalho), daughter of the tribal chief and last in a long line of navigators. Her family have long since abandoned their fabled oceanic adventuring, but with encouragement from her grandma (House), the teenage Moana sets off to sea in search of a mysterious island, accompanied by a spiky demigod (Johnson) and a pet rooster. In their first digital animation – which involved much specially written software – and with a starry voice cast including actors with Pacific island roots, legendary Disney directors Clements and Musker (Aladdin, The Little Mermaid) have created a visually stunning work, adding music and humour to the tale of an unlikely but endearing friendship.

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Join Timmy and his friends for three fun adventures in this collection of classic Timmy Time episodes where Timmy learns the importance of friendship – whether it’s teaching Ruffy how to ride a tricycle, helping Apricot get over her fear of thunder or just waiting his turn to have a go on the brand-new go kart.

Featuring the episodes Timmy On Wheels, Timmy Goes Bang and Go Kart Timmy.

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Living Body is the new project from Leeds-based Chicagoan Jeff T. Smith (formerly, Juffage) featuring longtime collaborators Katie Harkin (Harkin, Sky Larkin, Wild Beasts, Sleater-Kinney) and Tom Evans (Vessels). Rising from the ashes of their acclaimed “Sonic Cauldron” concert at Left Bank Leeds in 2013, the group is now augmented by new and additional live members Alice Rowan (Mayshe-Mayshe) & Sarah Statham (Esper Scout). Expanding on the need for music to bring joy into the lives of others, and Smith’s fascination with the contortion of the pop song into a uniquely imaginative and immediate form, Living body aims to exist in a world of skin and information overload in 2016.

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Remy lives in Paris and dreams of becoming a chef. The only problem is that Remy is a rat.

With his passion for cooking, he forms an unlikely alliance with a young, inexperienced chef at one of the most famous restaurants in the city.

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Director: Wolfgang Reitherman. USA. 1967. 77 mins.

Abandoned after an accident, baby Mowgli is taken and raised by a family of wolves. As the boy grows older, the wise panther Bagheera realizes he must be returned to his own kind in the nearby man-village. Baloo the bear however thinks differently taking the young Mowgli under his wing and teaching that living in the jungle is the best life there is. Bagheera realizes that Mowgli is in danger, particularly from Shere Khan the tiger who hates all people. When Baloo finally comes around, Mowgli runs off into the jungle where he survives a second encounter with Kaa the snake and finally, with Shere Khan. It's the sight of a pretty girl however that gets Mowgli to go the nearby man-village.

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Director: Hayao Miyazaki. Japan 1988. 83 mins.

Miyazaki’s superbly animated tale is considered to be one of the best-loved family films of all time. The story follows Satsuki (Hidaka) and Mei (Sakamoto), two young girls who find their new home is by a mystical forest inhabited by a menagerie of fantastical creatures called Totoros. They befriend O-Totoro, the biggest and eldest of them, and king of the forest. While the girls' mother lies sick in hospital, O-Totoro takes them on a magical adventure and helps them to understand the realities of life. Containing a powerful ecological theme, this is a lovingly crafted work of depth, import and beauty.

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Director: Alfred Hitchock.
Starring: James Stewart, Grace Kelly, Thelma Ritter, Raymond Burr. USA 1954. 112 mins.

When James Stewart’s photojournalist is confined to his apartment with a broken leg in a sweltering summer in New York, he begins to observe constantly the lives of those around him. Passive activity evolves into voyeuristic obsession, until he thinks he has witnessed a murder… One of Hitchcock’s most celebrated and morally complex films, with the camera restrained as tightly as the incapacitated protagonist and aligned to his privileged and restricted point of view. Mordant wit, nail-biting suspense and a gallery of superb performances, not least from Raymond Burr as the victimised murderer across the way.

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Director: James Cameron.
Starring: Arnold Schwarzenegger, Linda Hamilton, Robert Patrick, Edward Furlong. USA/France 2017. TBC mins.

He’s only gone and done it. James Cameron has talked about converting T2: Judgement Day into 3D for years, and now he’s given his 1991 masterpiece – one of the greatest action films of all time –the 21st century treatment. Digitally restored before conversion to 3D, this re-release brings the battle for tomorrow to life in spectacular fashion.

10 years after the events of The Terminator, Sarah Connor’s ordeal is only just beginning. A new cyborg, the T-1000, has been sent back to eliminate her now ten-year-old son, John, the future leader of the human resistance. The T-1000 is more advanced and powerful than its predecessor, but Sarah and John won’t face this new terror alone…

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Director: Hayao Miyazaki. Japan 1988. 83 mins.

Miyazaki’s superbly animated tale is considered to be one of the best-loved family films of all time. The story follows Satsuki (Hidaka) and Mei (Sakamoto), two young girls who find their new home is by a mystical forest inhabited by a menagerie of fantastical creatures called Totoros. They befriend O-Totoro, the biggest and eldest of them, and king of the forest. While the girls' mother lies sick in hospital, O-Totoro takes them on a magical adventure and helps them to understand the realities of life. Containing a powerful ecological theme, this is a lovingly crafted work of depth, import and beauty.

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Director: Hayao Miyazaki. Japan 1988. 83 mins.

Miyazaki’s superbly animated tale is considered to be one of the best-loved family films of all time. The story follows Satsuki (Hidaka) and Mei (Sakamoto), two young girls who find their new home is by a mystical forest inhabited by a menagerie of fantastical creatures called Totoros. They befriend O-Totoro, the biggest and eldest of them, and king of the forest. While the girls' mother lies sick in hospital, O-Totoro takes them on a magical adventure and helps them to understand the realities of life. Containing a powerful ecological theme, this is a lovingly crafted work of depth, import and beauty.

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The incredible Billie Piper (Penny Dreadful, Great Britain) returns in her Evening Standard Best Actress award-winning role. A young woman is driven to the unthinkable by her desperate desire to have a child in Simon Stone’s radical production of Lorca’s achingly powerful masterpiece. The unmissable theatre phenomenon sold out at the Young Vic and critics call it “an extraordinary theatrical triumph” (The Times) and “stunning, searing, unmissable” (Mail on Sunday). Billie Piper’s lead performance is described as “spellbinding” (The Evening Standard), “astonishing” (iNews) and “devastatingly powerful” (The Daily Telegraph). Set in contemporary London, Piper’s portrayal of a woman in her thirties desperate to conceive builds with elemental force to a staggering, shocking, climax. Please note that this broadcast does not have an interval.

★★★★★
“Brutal yet ferociously funny” - Metro

★★★★★
“Billie Piper makes a shattering Yerma in Simon Stone’s inspired reworking of Lorca” - The Observer

★★★★★
“A shatteringly powerful reinvention of a familiar classic” - The Independent

Encore screenings at select Picturehouses

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Director: Hayao Miyazaki. Japan 1988. 83 mins.

Miyazaki’s superbly animated tale is considered to be one of the best-loved family films of all time. The story follows Satsuki (Hidaka) and Mei (Sakamoto), two young girls who find their new home is by a mystical forest inhabited by a menagerie of fantastical creatures called Totoros. They befriend O-Totoro, the biggest and eldest of them, and king of the forest. While the girls' mother lies sick in hospital, O-Totoro takes them on a magical adventure and helps them to understand the realities of life. Containing a powerful ecological theme, this is a lovingly crafted work of depth, import and beauty.

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Forget about da bass! In this trio of Rastamouse adventures it's all about cheese - Zoomer's favourite!

Featuring episodes: Da Rollin’ Cheese, Da Mouseland Cheese Hunt and Rainin’ Cheese

Author Michael De Souza says of his creation, “Rastamouse has a positive message for young children, promoting the need to understand what is right from what is wrong, and why, in a meaningful context.” If you want to have more fun when you get home from the cinema, go to www.rastamouse.com to find out all about the nation’s favourite reggae-playing mouse, play games or just listen to Da Easy Crew’s crucial tunes. Rastamouse and Da Easy Crew also want to hear all about how you made a bad ting good – so send any pictures or stories in to them at goodtings@rastamouse.com.

“Through understanding, love an' respect; Rastamouse will always make a bad thing good.”

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Comedians of Art is a comedy tour of two comedy friends presenting two comedy shows as one comedy separately. So for the price of two, you will get:

Ben Target - a critically acclaimed, award-baiting absurdist sensation. Expect exquisite prop comedy, inadvisable performance art and this stuff:

"One of very few comics who manage to do something new with the art form while keeping an audience thoroughly entertained" Guardian

"Impressively funny" Scotsman

"Oddball genius" Sun

John Hastings - a fence sitting former drag queen. He will yell. He will shout. He will be proving the following people right:

"This fast-growing comic is a pleasure to watch" ★★★★ Times

"Hastings' bold dramatic delivery is what really stands out when he is hammering a point home" ★★★★★ Mirror

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Graced with passionate performances and featuring one of the greatest kisses in cinema history, this classic romantic espionage thriller is amongst Hitchcock’s very finest.

At the end of World War II, American military intelligence drafts the alluring daughter (Bergman) of a convicted Nazi to infiltrate a band of nefarious Germans who have fled to Brazil.
She is teamed with a dashing but chilly agent (Grant) with whom she falls deeply in love. Because of her past, however, the rigid and judgemental agent refuses to trust her - and their relationship falls apart completely when she agrees to marry the ringleader of the Germans in order to have better access to information.
Suspenseful to the very end, the film has been beautifully restored by the British Film Institute.

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Café Scientifique is a place where, a cup of coffee or a glass of wine in your hand, you can come to explore the latest ideas in science and technology. Meetings take place in cafes, bars, restaurants and even theatres, but always outside a traditional academic context. AGE 14+

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In aid of Médecins Sans Frontières / Doctors without Borders (MSF) 7 September 2017

Join us for a unique celebration of John le Carré’s work as he discusses the full breadth of his career – from his extraordinary Cold War novels to his powerful descriptions of the arms trade and the war on terror – and reflects on the continuing story of his most famous creation, the tubby, bespectacled spy, George Smiley.

Featuring readings from his new novel A Legacy Of Spies, and a rare Q&A session, this will be an unmissable opportunity to experience the author direct and in his own words.

The event will be broadcast live to cinemas across the UK and Europe from London’s Royal Festival Hall.

In support of MSF, the leading emergency medical humanitarian aid organisation, John le Carré is donating his speaker’s fee, and the producers of the live cinema broadcast, The Ink Factory, are donating their share of the profits to the charity.

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Sarah And Duck follows seven-year-old Sarah and her endearing best friend Duck. During each episode, the pair embarks on simple but exciting adventures. Whether they are trying to reach a rainbow or help an umbrella to stay dry, Sarah and Duck explore everyday moments in an engaging, imaginative way.

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Perpetual Motion Machine are an exciting fusion of jazz, rock, ambient and free form textures, played by a collective of some of the UK's finest jazz musicians. The Debut album 'Ignition' has been recorded in Jan 2017, UK national tour September 2017.

Sam Dunn & Jamie Taylor - Guitars, Riley Stone-Lonergan & Ben Lowman - Saxes, Garry Jackson - Bass & Steve Hanley - Drums.
The Basement Jazz Club is a new project which wants to put York’s amazing jazz scene front and centre. We pride ourselves on excellent sound and an intimate atmosphere, giving over our stage to the finest musicians from York, as well as the odd featured act from further afield.

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Join international cabaret star Velma Celli for an evening of cabaret.
Ian Stroughair (the man behind the makeup) is a West end and cabaret star who has appeared in hit Musicals such as Chicago, Cats, Fame and Rent where he received critical acclaim.
"A Stand out turn" Mark Shenton, The Guardian & The Stage magazine.
He has enjoyed a varied career in film and TV and even appeared on BBC's Eastenders as himself.
"A sensational performer at the height of his game" West End Frame.
This year he fronted the U.K commercial campaign for McDonalds and starred opposite Danny Dyer in the music short Nebraska for recording artist Lucy Rose.
"An impressive performance" What's On stage.
Also he makes his silver screen debut this Autumn in Feature film Night of the Lotus:
"A musical extravagant that hits all the right spots" This Is Cabaret.
This is a musical theatre review including classic show tunes, jazz standards, Bassey to Beyoncé and everything in between.
Switching from hysterical impressions of some of your favourite divas such as Britney Spears and Cher to stripped back acoustic arrangements of popular pop songs in ways you have never heard them this roller coaster of a cabaret really hits every spot!
There is something for everybody in this expertly written cabaret revue so do not miss out!

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45 years after Pink Floyd’s David Gilmour filmed ‘Live At Pompeii’ in the legendary Roman Amphitheatre there, he returned for two spectacular shows, part of his year-long tour in support of his No.1 album ‘Rattle That Lock’. The performances were the first-ever rock concerts for an audience in the stone Roman amphitheatre, and, for two nights only, the 2,600 strong crowd stood exactly where gladiators would have fought in the first century AD.

‘David Gilmour Live At Pompeii’ is an audio-visual spectacle, featuring lasers, pyrotechnics and a huge circular screen on which specially-created films complement selected songs, but paramount above all is the astonishing music and stellar performances from an all-star band. The show includes songs from throughout David's career, as well as many Pink Floyd classics, including 'One Of These Days', the only song that was also performed at the band’s 1971 show.

Both concerts also saw very special performances of 'The Great Gig In The Sky' from 'The Dark Side Of The Moon', which David rarely plays as a solo artist. This concert performance film includes highlights from both shows, filmed in 4k by director Gavin Elder . ‘David Gilmour Live At Pompeii’ shows an artist at the top of his artistic game, performing incredible material with his world-class band, in a unique setting, on one very special occasion.

Songs include the title tracks of his two most recent No. 1 solo albums: Rattle That Lock and On An Island, as well as other solo and Pink Floyd classics, including Wish You Were Here and Comfortably Numb.

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Performed on the spectacular water stage of Lake Constance in Bregenz (Austria), George Bizet’s CARMEN is a story of passion, destiny and obsession. The French composer’s opera is most famous for its Spanish melodies, including the Flower Song, Habanera and the Toreador Song.

On 14 September, experience Carmen like never before – recorded live on the floating stage during the Bregenz Festival. As with their previous spectacular productions, you can expect the staging of this classic tale to have an extravagantly original and innovative design, with the waters of the lake being used as an extension of the stage.

This production of Carmen will be directed by Kasper Holten, Director of Opera at the Royal Opera House in London, with the set designed by the British artist Es Devlin. Her past work includes sets for such stars as Adele, Take That, U2, Pet Shop Boys and Kanye West.

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The Basement Jazz Club
A new monthly Jazz Club in the Basement
If you have to ask what jazz is, you'll never know. - Louis Armstrong
The Basement Jazz Club is a monthly night which wants to put York’s amazing jazz scene front and centre. We pride ourselves on excellent sound and an intimate atmosphere, giving over our stage to the finest musicians from York, as well as the odd featured act from further afield. Expect a variety of styles, from the gypsy stylings of Django Reinhardt, to the passionate blues of the Deep South.

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Welcome to the Laugh Out Loud Comedy Club - bringing the best live stand-up to York!
Four top professional comedians Enjoy brilliant comedy A great night out! Book in advance and save money or pay on the night
Each show has four top professional comedians from all over the world to make you LOL!
Wherever possible we'll be bringing you comedians off the telly from such shows as BBC2's Mock The Week, Shooting Stars, Channel 4's 8 Out of 10 Cats, BBC1's Michael McIntyre's Comedy Roadshow, Have I Got News For You, QI, and Paramount's Live at The Comedy Store etc.
Previously we've booked the likes of Jason Manford, John Bishop and Sarah Millican before they hit the big time. So come and see more brilliant comedians!
There's also a full bar and two breaks for get more drinks and chatting to your friends!
'Ace night' Julie Lovatt
'Fantastic night yet again' Fleur Spafford
'Great night, everyone must try going, very funny' Lee Evans (not the Lee Evans!)
There are all real reviews from real customers so get booking now if you fancy a laugh!
Please note we do not allow bookings for Hen or Stag parties of any size and such parties will be refused admission to the venue.

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Siobhan Wilson was brought up in Elgin, Morayshire and after some time absorbing the French culture in Paris returned to Scotland to the city of Glasgow where she currently resides. Since returning to Scotland Siobhan self-realised an EP, receiving critical praise and radio play across the BBC network (Radio 1, Radio 2, Radio 6 Music, BBC Scotland) and been championed by Lauren Laverne (BBC Radio 6 Music) as one of her Headphone Moments. As well as playing many major venues and festivals in the UK (Celtic Connections, Cambridge Folk Festival, Wickerman), Siobhan Wilson has toured in the USA, France, Sweden, Belgium and Poland. She's performed with Willy Mason at T in the Park and supported the likes of Idlewild, Martha Reeves and Sophie Ellis-Bextor.

Press: "We played this very track on Monday and, to be honest, the reaction to it was huge. Her voice, that instrumentation, those melodies!" - Lauren Laverne’s BBC 6Music Blog

“Swoonsome, jazz-inflected melodies in abundance” - Vic Galloway, BBC Radio Scotland

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Hosted by the York Branch of Script Yorkshire, Script Factor is open to all writers, regardless of previous experience. Brand new 15 minute scripts. Some with a theme, some without. Performed Script-in-Hand by local actors from York Settlement Community Players. AGE 14+

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Tom Millar is a London-based jazz pianist and composer, and chair of the musicians’ collective Way Out West. He plays at the main London and UK jazz venues, as well as at the London Jazz Festival, and has toured the country as part of the Lyric Ensemble, playing the music of Michael Garrick. He leads both a quartet and a nonet which play his original music, and has recently been awarded the Jazz Services Recording Support Scheme to record his debut album with the quartet, as well as funding from the Touring Support Scheme.

The Basement Jazz Club is a new project which wants to put York’s amazing jazz scene front and centre. We pride ourselves on excellent sound and an intimate atmosphere, giving over our stage to the finest musicians from York, as well as the odd featured act from further afield.

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Mozart’s glorious opera 'The Magic Flute' is brought enchantingly to life in David McVicar’s production with beautiful sets by John Macfarlane. Prince Tamino promises the Queen of the Night that he will rescue her daughter Pamina from the enchanter Sarastro. He begins his quest, accompanied by the bird-catcher Papageno – but all is not as it seems…

David McVicar’s classic production embraces both the seriousness and comedy of Mozart’s work. The audience is transported to a fantastical world of dancing animals, flying machines and dazzlingly starry skies. The setting provides a wonderful backdrop for Mozart’s kaleidoscopic score, from the Queen of the Night’s coloratura fireworks to Tamino and Pamina’s lyrical love duets and Papageno’s hearty, folksong-like arias.

As well as being a comedy 'The Magic Flute' is an expression of Mozart’s profound spiritual beliefs: Enlightenment concerns with the search for wisdom and virtue are at the heart of this enchanting tale. The Magic Flute was an instant success with audiences and Mozart’s supposed rival Salieri described it as an ‘operone’ – a great opera.

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John Murry was adopted at birth into the family of William Faulkner. Some have speculated that the Faulkner blood might also run in his veins, but that should be left for a Southern Gothic novel yet to be written (or perhaps re-written). Raised in Tupelo, Mississippi, in the shadow of Elvis, his undiagnosed autism led to troubles at an early age which led to prescribed medication, which led to unprescribed medication which led to being institutionalised for addiction and mental health issues at a too young age. Eventually, discarded onto the streets of Memphis, he found music, which became the one constant positive force in his life. Memphis led to San Francisico and San Franciso led to heroin and heroin led to a near fatal overdose on the corner of 16th and Mission, so harrowingly memorialized in his song Little Colored Balloons.
Music again came to his rescue and led him to Tim Mooney (American Music Club) and the group of musicians that helped create his 2012 masterpiece “The Graceless Age”. The album was hailed by MOJO magazine and received a 5 out of 5 rating, UNCUT called it a “masterpiece”, both magazines included it in their Top 10 albums of the year; American Songwriter put it in their Top 5 of the year and The Guardian included it in their best of the year as well. The accolades rolled in and John toured the world. He entranced and devastated audiences with his raw, unfiltered live performances, and it looked like his trajectory was set, that music had won and would have the final word. And then Tim Mooney, John's mentor, his beacon, his bedrock, died suddenly and unexpectedly... and John's world fell back in to chaos.
Over the next few years, John would lose the footing that he had struggled so hard to establish. He would lose his wife, his daughter, temporarily his freedom and ultimately his country.
Somewhere along this journey, John crossed paths with Michael Timmins of Cowboy Junkies. John had opened for the band at a show in Glasgow and Michael watched side-stage transfixed by John's performance. Over the next few years the two of them kept in touch, they talked about the music business, politics, books, but most of all they talked about music. And they talked about making an album together. Michael wanted to capture the rawness of John's songs, capture the vibe that he experienced that night in Glasgow and was even more convinced of this approach when John came through Toronto opening for Chuck Prophet and did a solo set at The Horseshoe Tavern, which was as disarming and emotional as the set of music that he had experienced in Glasgow a couple of years earlier. “On The Graceless Age you can hear John’s affinity to artists such as Mark Linkous and Mark Lanegan, but seeing him on stage, with just his guitar and his songs reminded me of Townes (Van Zandt), that raw-boned, exquisite beauty, so real that it borders on the uncomfortable, you feel you should look away, but it's just too compelling to do so. The pain, the intensity, the honesty just draws you deeper”.
Eventually John completed his descent and landed in Kilkenny, Ireland where he found some solid ground as part of a welcoming arts community. Michael then convinced him to travel to his Toronto studio where Michael put a band together consisting of brother Peter Timmins (Cowboy Junkies) on drums and Josh Finlayson (Skydiggers, Gord Downie, Lee Harvey Osmond) on bass. John brought along Cait O'Riordan (The Pogues, Elvis Costello) whom he had met in Ireland and who wanted to be a part of John's journey. The five of them put aside five days to record all bedtracks and overdubs, with the brief that they would let the songs dictate where the journey took them, spontanaity was the order of the week. Michael Timmins describes the sessions, “I felt that it was important that John got out of his own way and that we set up a situation where he would just play and sing and the rest of us would just react, no second guessing, just react and capture the moment. It was a very inspired and inspiring week of playing and recording. Very intense. And I think we captured the raw essence of John's writing and playing”.
A Short History Of Decay is an intensely personal document of an artist's fall from grace. It contains all the tragic elements of that unwritten Southern Gothic novel: the revelations of a man coming to terms with the personal shortcomings, the flaws and the perverse twists of fate that led him to the end of one journey and the beginning of another.

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King Lear (Kevin McNally) decides to divide his kingdom amongst his three daughters, but fails to anticipate the consequences of his actions. His generosity is cruelly repaid. As he comes to realise the false values by which he has lived, he finally encounters his own humanity. Broadcast live to cinemas from the iconic Shakespeare’s Globe, this brand new retelling of one of the Bard’s greatest plays will capture your heart on September 21.

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Director: Richard Thorpe. Starring: Elvis Presley, Judy Tyler, Mickey Shaughnessy, Vaughn Taylor. USA 1957. 95 mins.

One of the best of Elvis Presley's pre-Army films, Jailhouse Rock offers us the sensual, ‘dangerous’ Elvis that won the hearts of the kids and earned the animosity of their elders. Presley plays Vince Everett, a young buck who accidentally kills a man while protecting the honour of a woman. He is thrown into prison, and following his performance in the prison show, where ol' swivel-hips score a hit, he decides to stay in showbiz after his release. He sets up his own record company but success goes to his head, and he is deserted by his flunkeys and hangers-on. Everett learns the value of friendship and slowly rebuilds his reputation and career. Seldom would Elvis be so well showcased in the future.

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EXHIBITION ON SCREEN open its fifth season with Canaletto & the Art of Venice, an immersive journey into the life and art of Venice’s famous view-painter. No artist better captures the essence and allure of Venice than Giovanni Antonio Canal, better known as Canaletto.

The remarkable group of over 200 paintings, drawings and prints on display offer unparalleled insight into the artistry of Canaletto and his contemporaries, and the city he became a master at capturing. The film also offers the chance to step inside two official royal residences - Buckingham Palace and Windsor Castle – to learn more about the artist, and Joseph Smith, the man who introduced Canaletto to Britain.

Cinema-goers will embark on their very own 21st century Grand Tour, visiting the sites enjoyed by their 18th century counterparts and immortalised in Canaletto’s views - from the Rialto Bridge to the Piazza San Marco, and the Palazzo Ducale to the Church of Santi Giovanni e Paolo. Guided by Royal Collection Trust curators and the world’s leading experts in Venetian history, the film is not only a wonderful way to see the exhibition, but an opportunity to get closer to Canaletto and the city that inspired him.

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When Rodolfo, a penniless poet, meets Mimì, a seamstress, they fall instantly in love. But their happiness is threatened when Rodolfo learns that Mimì is gravely ill.

Acclaimed director Richard Jones (Boris Godunov, Il trittico) directs a new production of Puccini’s 'La bohème'. Irresistible in its witty, passionate blend of comedy and tragedy, the opera focusses on the lives of a groupof young artists as they eke out an existence on the bohemian fringes of Paris, the capital of the 19th century. Jones brings his characteristically acute insight to this much-loved classic, visualized in Stewart Laing’s spectacular, stylized 1850s setting.

Puccini’s romantic depiction of bohemian Paris, with memorable music and a love story drawn from everyday life, has captivated audiences around the world, making La bohème one of the best-loved of all operas. It was first performed in Covent Garden in 1897 and has had more than five hundred performances there since.

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EXHIBITION ON SCREEN open its fifth season with Canaletto & the Art of Venice, an immersive journey into the life and art of Venice’s famous view-painter. No artist better captures the essence and allure of Venice than Giovanni Antonio Canal, better known as Canaletto.

The remarkable group of over 200 paintings, drawings and prints on display offer unparalleled insight into the artistry of Canaletto and his contemporaries, and the city he became a master at capturing. The film also offers the chance to step inside two official royal residences - Buckingham Palace and Windsor Castle – to learn more about the artist, and Joseph Smith, the man who introduced Canaletto to Britain.

Cinema-goers will embark on their very own 21st century Grand Tour, visiting the sites enjoyed by their 18th century counterparts and immortalised in Canaletto’s views - from the Rialto Bridge to the Piazza San Marco, and the Palazzo Ducale to the Church of Santi Giovanni e Paolo. Guided by Royal Collection Trust curators and the world’s leading experts in Venetian history, the film is not only a wonderful way to see the exhibition, but an opportunity to get closer to Canaletto and the city that inspired him.

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Their music is coated with a sheen of pop sensibilities, delivered with the snarl of a punk band and 90's indie-rock influences.

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Bellini’s masterpiece boasts one of the most famous arias in all of opera, the beautiful “Casta diva”. Directed by Sir David McVicar, this evocative new production sets the action deep in a Druid forest, where nature and ancient ritual rule. The priestess Norma is torn between loyalty to her oppressed people and love for a Roman soldier. On the eve of a Druid revolt, she must choose between two agonising betrayals – only to learn that she herself has already been betrayed. Sondra Radvanovsky as Norma and Joyce DiDonato as her rival Adalgisa lead a cast of bel canto heavyweights, with Joseph Calleja as Norma’s unfaithful lover, Pollione, and British favourite Matthew Rose returning to the Met as Norma’s father, Oroveso.

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Phil Wang Presented by the Burning Duck Comedy Club
‘Certain belly laughs’ ★★★★ Sunday Times
Phil is a 27-year old stand-up comedian on his first tour of the UK. He has appeared on Have I Got News For You, Live at the Apollo, 8 Out of 10 Cats Does Countdown, and Would I Lie To You? He is very excited to be performing here, in [INSERT TOWN NAME] - a place he often calls his second home.
‘Talented up-and-comer’ The Guardian
'One of the more appealing – and cerebral – stand-ups to have emerged in recent years’ The Telegraph'

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Bellini’s masterpiece boasts one of the most famous arias in all of opera, the beautiful “Casta diva”. Directed by Sir David McVicar, this evocative new production sets the action deep in a Druid forest, where nature and ancient ritual rule. The priestess Norma is torn between loyalty to her oppressed people and love for a Roman soldier. On the eve of a Druid revolt, she must choose between two agonising betrayals – only to learn that she herself has already been betrayed. Sondra Radvanovsky as Norma and Joyce DiDonato as her rival Adalgisa lead a cast of bel canto heavyweights, with Joseph Calleja as Norma’s unfaithful lover, Pollione, and British favourite Matthew Rose returning to the Met as Norma’s father, Oroveso.

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A full-throttle war play that revels in the sweat of the battlefield, Coriolanus transports us back to the emergence of the republic of Rome.

Caius Martius Coriolanus is a fearless soldier but a reluctant leader. His ambitious mother attempts to carve him a path to political power, but he struggles to change his nature and do what is required to achieve greatness. In this new city state struggling to find its feet, where the gap between rich and poor is widening every day, Coriolanus must decide who he really is and where his allegiances lie.

Rome Season Director, Angus Jackson, completes the Royal Shakespeare Company’s collection of Shakespeare’s Roman plays with a visceral production which sees Sope Dirisu (One Night in Miami, Donmar Warehouse, 2016) take on the title role.

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Experience Mozart’s irresistible fantasy in all its glory! Will brave Prince Tamino rescue Princess Pamina from the clutches of the evil Sarastro, and will Papageno the foolish bird catcher learn wisdom enough to help him? The Queen of the Night’s aria, with its stratospheric high notes, is just one of the countless highlights in this tale of love and magic, mysterious secrets, and whimsical fantasy. Julie Taymor’s (The Lion King) enchanting production captures both the opera’s earthy comedy and its enlightened nobility. Met Music Director Emeritus James Levine conducts a cast of rising young stars.

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Experience Mozart’s irresistible fantasy in all its glory! Will brave Prince Tamino rescue Princess Pamina from the clutches of the evil Sarastro, and will Papageno the foolish bird catcher learn wisdom enough to help him? The Queen of the Night’s aria, with its stratospheric high notes, is just one of the countless highlights in this tale of love and magic, mysterious secrets, and whimsical fantasy. Julie Taymor’s (The Lion King) enchanting production captures both the opera’s earthy comedy and its enlightened nobility. Met Music Director Emeritus James Levine conducts a cast of rising young stars.

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The award winning stand-up and star of BBC Radio Four’s Mae Martin’s Guide to 21st Century Sexuality presents her debut UK tour. Mae Martin is comedy’s most naturally charismatic young storyteller, fresh from sell-out seasons in Australia, Edinburgh and London.
In her new show Dope, she examines a lifetime of obsessions, fandom and addiction and shines a light on that one weird shrimp we all have in our brains that is happy to pursue short-term pleasure despite long-term consequences.
As seen on BBC3’s Russell Howard’s Good News, BBC2’s Live From The BBC, Comedy Central and more. As heard on BBC Radio Four’s The Now Show, as well as her own award-nominated series in 2016.
‘Effortlessly amusing – Mae’s gentle charm is highly watchable’ **** The Times
‘Quietly radical - expertly splices comedy, opinion and enlightenment’ The Guardian
‘An intelligent bag of cartoonish energy’ ***** The Mirror
‘She has mass appeal, is interesting, hugely likeable, and above all else is very funny’ **** Chortle
‘Infectious laughs – deftly delivered’ **** Evening Standard
Presented by Show and Tell & Burning Duck Comedy Club

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Amidst a bustling market, the pirate Conrad falls in love at first sight with the beautiful Medora, the ward of the slave merchant Lankedem’s bazaar. Conrad kidnaps Medora when Lanquedem decides to sell her to the Pasha.

Inspired by Lord Byron’s epic poem and reworked by Alexei Ratmansky from Petipa’s exotic 19th century classic, this miracle of the repertoire is one of the Bolshoi’s most lavish productions. Complete with a magnificent awe-inspring shipwreck and dramatic scenery, this grand romance allows enough dancing for nearly the entire company and made especially for those who seek miracles in theatre.

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At a garden party on a sunny afternoon, Alice is surprised to see her parents’ friend Lewis Carroll transform into a white rabbit. When she follows him down a rabbit hole events become curiouser and curiouser… As Alice journeys through Wonderland, she encounters countless strange creatures. She’s swept off her feet by the charming Knave of Hearts, who’s on the run for stealing the tarts. Confusion piles upon confusion. Then Alice wakes with a start. Was it all a daydream?

Christopher Wheeldon’s 'Alice’s Adventures in Wonderland' burst onto the stage in 2011 in an explosion of colour, stage magic and inventive, sophisticated choreography. Joby Talbot’s score combines contemporary soundworlds with sweeping melodies that gesture to ballet scores of the 19th century. Bob Crowley’s wildly imaginative, eye-popping designs draw on everything from puppetry to projections to make Wonderland wonderfully real.

Alice encounters a cast of extraordinary and instantly recognizable characters, from the highly strung Queen of Hearts – who performs a hilarious send-up of The Sleeping Beauty's famous Rose Adage – to a playing-card corps de ballet, a sinuous caterpillar and a tap-dancing Mad Hatter. But the ballet does not avoid the darker undercurrents of Lewis Carroll’s story: a nightmarish kitchen, an eerily disembodied Cheshire Cat and the unhinged tea party are all here in vivid detail. The delicious result shows The Royal Ballet at its best, bringing together world-class dance with enchanting family entertainment.

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Grace Jones: Bloodlight & Bami - Live with Friends promises to be thrilling and enlightening evening with the inimitable icon, as she discusses her life and work with some of her closest collaborators from the worlds of music, fashion, art and film. The discussion follows an exclusive preview of Sophie Fiennes’ highly anticipated new film Grace Jones: Bloodlight And Bami.

Grace Jones: Bloodlight And Bami takes the viewer on an intimate and electrifying journey that moves between four cinematic layers – performance, family, artist and gypsy – to explore the fascinating world of a pop-culture phenomenon. Here we see the daughter, mother, sister and grandmother behind the mask, and she takes to the stage for a specially commissioned performance that showcases legendary hits like Pull Up To The Bumper and Slave To The Rhythm. Larger than life, bordering on cartoon, wild, scary and androgynous – Grace Jones plays all these parts.

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UNDER THE INFLUENCE & DANCE TO THE RADIO PRESENTS FLING

Bradford’s FLING provide the previously unsearched-for missing link between T-Rex and the Fat White Family. Forging together Glam Rock, Punk, and Psych with a solid sense of Northern irony and an ever-present aura of late night haziness FLING have created a sound which captivates, entertains and stands out from the crowd gaining support at Beats 1, 6music, and a rapidly growing fanbase of ‘Flingers’

Riotus Psych-Punk from Bradford...In a hazy smoke filled kinda way..." CLASH

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Welcome to the Laugh Out Loud Comedy Club - bringing the best live stand-up to York!
Four top professional comedians Enjoy brilliant comedy A great night out! Book in advance and save money or pay on the night
Each show has four top professional comedians from all over the world to make you LOL!
Wherever possible we'll be bringing you comedians off the telly from such shows as BBC2's Mock The Week, Shooting Stars, Channel 4's 8 Out of 10 Cats, BBC1's Michael McIntyre's Comedy Roadshow, Have I Got News For You, QI, and Paramount's Live at The Comedy Store etc.
Previously we've booked the likes of Jason Manford, John Bishop and Sarah Millican before they hit the big time. So come and see more brilliant comedians!
There's also a full bar and two breaks for get more drinks and chatting to your friends!
'Ace night' Julie Lovatt
'Fantastic night yet again' Fleur Spafford
'Great night, everyone must try going, very funny' Lee Evans (not the Lee Evans!)
There are all real reviews from real customers so get booking now if you fancy a laugh!
Please note we do not allow bookings for Hen or Stag parties of any size and such parties will be refused admission to the venue.

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Leaving the world of J-pop behind her, Mima Kirigoe begins life as an actress on a crime drama show called Double Blind. When offered a lead role in the show as a rape victim, Mima accepts in spite of her manager’s reservations. However, the backlash from fans over her career change and a strange website called ‘Mima's Room’, written by a fake Mima, begin to worry her. When a stalker appears and people involved in Double Blind begin turning up dead, with all the evidence pointing to her, Mima is thrown into a state of confusion, madness and paranoia.

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Jonny ‘Itch’ Fox began The King Blues as a solo project on ukulele and vocals and evolved in to ‘rebel street music’ inspired by Public Enemy, Clash and The Specials fusing punk and hip hop together with influences from ska and spoken word.

Welcome to an exclusive intimate small venue show with Itch’s unique mix of King Blues and solo material, spoken word, poetry and social commentary!

New book ‘One Hundred and One Haikus’ out Sept 12.

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'Blue Rose Code is as slippery as an eel; a genre dodger; a mess of influences and contradictions. This rare display of soul and emotion will not be boxed, a sign of something special.' - Spiral Earth

‘An affirmation of love that links human relationships with the natural world. As sublimely paced as Astral Weeks-era Van Morrison.’ - Folk Radio UK

Edinburgh born Ross Wilson spent his creative formative years in East London, then moved to South England “to be by the sea’s energy” but it is in his homecoming that he has found where his heart is. Life wasn’t always simple for Wilson. “I have swapped one type of chaos for another” says Wilson. “On my darkest day I found my benediction”.

Now a committed enthusiast and creative whirling dervish, Wilson has seen the past few years produce his most exciting work including the album ‘The Ballad of Peckham Rye’, which was nominated for the prestigious Scottish Album Of The Year Awards in 2014 and featured a roll-call of remarkable talent, including Danny Thompson, Karine Polwart, John Wetton, Aidan O’Rourke and Kathryn Williams.

'Grateful', the first single from the new album, was released at the end of 2015 and was playlisted on BBC Radio Scotland for a full five weeks. In unprecedented fashion, the following two Blue Rose Code singles were playlisted by Radio Scotland, making three in a row.

Further praise has come from the most unexpected of quarters in Hollywood A-lister, Ewan McGregor. Ewan explained, “My uncle Denis Lawson, gave me a copy of The Ballads Of Peckham Rye, it’s beautiful and I can’t stop listening to it.”

Speaking about the album, Wilson says “It’s an album for music fans and musicians, a challenging record. I’m passionate about that fusion of folk and jazz and where it intersects with songwriting. Working with these musicians has been a game changer.”

Live performance is where Blue Rose Code connects strongly with their audiences; having toured the length and breadth of the UK, selling out venues wherever they go and leaving a trail of fans in their wake.

Ross Wilson has spent most of his musical life curating; he sculpts his band to every mood and temperament in order to create the perfect happening. From attrition to intense moments of ecstatic love, Wilson’s lyrics challenge the ear and soften the heart.

As the man at the helm of Blue Rose Code, he is, part director, part sculptor…total chameleon.

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Baptista struggles to marry off his tempestuous daughter Katharina, a shrew who denies that any man could possibly be her match. However when she meets Petruchio, who is as ill-tempered as she, the two forces of nature ignite an unexpected and explosive encounter.

Acclaimed choreographer Jean-Christophe Maillot brings out the wit, fast-paced athleticism and vibrancy from the Bolshoi Ballet dancers in Shakespeare’s rowdy comedy. Principals Ekaterina Krysanova and Vladislav Lantratov clash, challenge and eventually give themselves to one another in a wonderfully entertaining production that can only be seen at the Bolshoi!

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Stephen Sondheim’s legendary musical is staged for the first time at the National Theatre and broadcast live to cinemas. New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves. Tracie Bennett, Janie Dee and Imelda Staunton play the magnificent Follies in this dazzling new production. Featuring a cast of 37 and an orchestra of 21, it’s directed by Dominic Cooke (The Comedy of Errors). Winner of Academy, Tony, Grammy and Olivier awards, Sondheim’s previous work includes A Little Night Music, Sweeney Todd and Sunday in the Park with George.

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Welcome to the Laugh Out Loud Comedy Club - bringing the best live stand-up to York!
Four top professional comedians Enjoy brilliant comedy A great night out! Book in advance and save money or pay on the night
Each show has four top professional comedians from all over the world to make you LOL!
Wherever possible we'll be bringing you comedians off the telly from such shows as BBC2's Mock The Week, Shooting Stars, Channel 4's 8 Out of 10 Cats, BBC1's Michael McIntyre's Comedy Roadshow, Have I Got News For You, QI, and Paramount's Live at The Comedy Store etc.
Previously we've booked the likes of Jason Manford, John Bishop and Sarah Millican before they hit the big time. So come and see more brilliant comedians!
There's also a full bar and two breaks for get more drinks and chatting to your friends!
'Ace night' Julie Lovatt
'Fantastic night yet again' Fleur Spafford
'Great night, everyone must try going, very funny' Lee Evans (not the Lee Evans!)
There are all real reviews from real customers so get booking now if you fancy a laugh!
Please note we do not allow bookings for Hen or Stag parties of any size and such parties will be refused admission to the venue.

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Take a seat at the strangest dinner party of your life. The servants have absconded; the ragout is all over the floor; there’s a bear in the garden; your fellow guests are rapidly descending into savagery; and most mysteriously of all, no one seems able to leave. British composer Thomas Adès (The Tempest) conducts the American premiere of his latest opera. Co-commissioned by the Met and sung in English, this black comedy, with shades of JG Ballard/Ben Wheatley’s High-Rise, is based on the screenplay of Luis Buñuel’s 1962 surrealist film. The cast is filled with established British names including Sally Matthews, Sophie Bevan, Alice Coote, Christine Rice, Ieystn Davies and John Tomlinson. “Inventive and audacious… a major event” (New York Times).

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Take a seat at the strangest dinner party of your life. The servants have absconded; the ragout is all over the floor; there’s a bear in the garden; your fellow guests are rapidly descending into savagery; and most mysteriously of all, no one seems able to leave. British composer Thomas Adès (The Tempest) conducts the American premiere of his latest opera. Co-commissioned by the Met and sung in English, this black comedy, with shades of JG Ballard/Ben Wheatley’s High-Rise, is based on the screenplay of Luis Buñuel’s 1962 surrealist film. The cast is filled with established British names including Sally Matthews, Sophie Bevan, Alice Coote, Christine Rice, Ieystn Davies and John Tomlinson. “Inventive and audacious… a major event” (New York Times).

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Widely considered Britain’s most popular artist, David Hockney is a global sensation with exhibitions in London, New York, Paris and beyond, attracting millions of visitors worldwide.

Now entering his 9th decade, Hockney shows absolutely no evidence of slowing down or losing his trademark boldness.

Featuring intimate and in-depth interviews with Hockney, this revealing film focuses on two blockbuster exhibitions held in 2012 and 2016 at the Royal Academy of Art in London.

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Widely considered Britain’s most popular artist, David Hockney is a global sensation with exhibitions in London, New York, Paris and beyond, attracting millions of visitors worldwide.

Now entering his 9th decade, Hockney shows absolutely no evidence of slowing down or losing his trademark boldness.

Featuring intimate and in-depth interviews with Hockney, this revealing film focuses on two blockbuster exhibitions held in 2012 and 2016 at the Royal Academy of Art in London.

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As the clock strikes midnight on Christmas Eve, Marie’s wooden nutcracker doll comes to life and transforms into a prince! Soon joined by her other toys that have also come to life, Marie and her prince embark on a dreamy unforgettable adventure.

A holiday tradition for the whole family, The Nutcracker sweeps the Bolshoi stage for two hours of enchantment and magic. Along with Tchaikovsky’s cherished score and and some of the Bolshoi’s greatest artists, The Nutcracker remains a treasure not to be missed!

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The young Clara creeps downstairs on Christmas Eve to play with her favourite present – a Nutcracker doll. But the mysterious magician Drosselmeyer is waiting to sweep her off on a magical adventure. After defeating the Mouse King, the Nutcracker and Clara travel through the Land of Snow to the Kingdom of Sweets, where the Sugar Plum Fairy treats them to a wonderful display of dances. Back home, Clara thinks she must have been dreaming – but doesn’t she recognize Drosselmeyer’s nephew?

Peter Wright’s nigh-on definitive production for The Royal Ballet ranks as one of the most enduring and enchanting versions of 'The Nutcracker'. With its festive period setting, dancing snowflakes and enchanting stage magic, Lev Ivanov’s 1892 ballet has become the perfect Christmas entertainment, with Tchaikovsky’s sumptuous, sugar-spun music the most recognizable of all ballet scores.

Loosely based on the story by E.T.A. Hoffmann, the ballet opens with a lively Christmas party, its Victorian setting captured in opulent detail by Julia Trevelyan Oman’s designs. Wright’s choreography ingeniously incorporates surviving fragments of the ballet’s original material, including the sublime pas de deux for the Sugar Plum Fairy and her Prince. But in emphasizing the relationship between Clara and the Nutcracker Prince, the production also gains a touching subtext of first love.

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Rory Kinnear (The Threepenny Opera, Penny Dreadful, Othello) is Marx and Oliver Chris (Twelfth Night, Green Wing) is Engels, in this new comedy written by Richard Bean and Clive Coleman. Broadcast live from The Bridge Theatre, London, the production is directed by Nicholas Hytner and reunites the creative team behind Broadway and West End hit comedy One Man, Two Guvnors. 1850, and Europe’s most feared terrorist is hiding in Dean Street, Soho. Broke, restless and horny, the thirty-two-year-old revolutionary is a frothing combination of intellectual brilliance, invective, satiric wit, and child-like emotional illiteracy. Creditors, spies, rival revolutionary factions and prospective seducers of his beautiful wife all circle like vultures. His writing blocked, his marriage dying, his friend Engels in despair at his wasted genius, his only hope is a job on the railway. But there’s still no one in the capital who can show you a better night on the piss than Karl Heinrich Marx.

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Welcome to the Laugh Out Loud Comedy Club - bringing the best live stand-up to York!
Four top professional comedians Enjoy brilliant comedy A great night out! Book in advance and save money or pay on the night
Each show has four top professional comedians from all over the world to make you LOL!
Wherever possible we'll be bringing you comedians off the telly from such shows as BBC2's Mock The Week, Shooting Stars, Channel 4's 8 Out of 10 Cats, BBC1's Michael McIntyre's Comedy Roadshow, Have I Got News For You, QI, and Paramount's Live at The Comedy Store etc.
Previously we've booked the likes of Jason Manford, John Bishop and Sarah Millican before they hit the big time. So come and see more brilliant comedians!
There's also a full bar and two breaks for get more drinks and chatting to your friends!
'Ace night' Julie Lovatt
'Fantastic night yet again' Fleur Spafford
'Great night, everyone must try going, very funny' Lee Evans (not the Lee Evans!)
There are all real reviews from real customers so get booking now if you fancy a laugh!
Please note we do not allow bookings for Hen or Stag parties of any size and such parties will be refused admission to the venue.

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The corruption of innocence is at the heart of Verdi’s potent tragedy in David McVicar’s production for The Royal Opera. Rigoletto, court jester to the libertine Duke of Mantua, is cursed by the father of one of the Duke’s victims for his irreverent laughter. When the Duke seduces Rigoletto’s daughter Gilda, it seems the curse is taking effect…

David McVicar’s production highlights the cruelty at the heart of the court of Mantua. Richly dressed courtiers engage in orgies and revelries to Verdi’s heady, spirited dances. The opera’s many musical highlights include the ebullient ‘La donna è mobile’, in which the Duke boasts of his disregard for women; Gilda’s exquisite, plangent duets with Rigoletto and the Duke; and the gorgeous Act III quartet that beautifully weaves the voices together as the story quickens to its shattering conclusion.

Giuseppe Verdi wrote in 1855 that Rigoletto was his ‘best opera’. He had had to overcome state censorship to stage it – the censors objected to its depiction of an immoral ruler – but he was vindicated by the premiere’s huge success in 1851. Rigoletto was performed 250 times in the next 10 years and has remained one of the most popular of all operas.

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In Verona, Romeo and Juliet fall madly in love while their respective families, the Montagues and the Capulets, are caught in a bitter rivalry ending in heart-wrenching tragedy…

Alexei Ratmansky, former artistic director of the Bolshoi Ballet, stages the company’s premiere of his production with dramatic urgency and a fresh re-telling of Shakespeare’s beloved classic. His brilliant and detailed adaptation set to Prokofiev’s romantic and cinematic score, reignites the story of literature’s most celebrated star-crossed lovers like no other classical ballet choreographer today.

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Puccini’s thrilling Tosca is a story of love, terror, the abuse of power, and the unquenchable longing for freedom. When an escaped political prisoner takes refuge in a church, an opera singer and a painter are drawn into a twisting plot that puts them at the mercy of the secret police and its network of torturers and spies. Rivalling the splendour of Franco Zeffirelli’s Napoleonic-era sets and costumes, Sir David McVicar’s ravishing new production offers a splendid backdrop for extraordinary singing. Kristine Opolais stars as the titular prima donna, alongside Vittorio Grigolo as her artist lover and Bryn Terfel as the villainous police chief – one of his signature roles. Andris Nelsons conducts.

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EXHIBITION ON SCREEN open its fifth season with Canaletto & the Art of Venice, an immersive journey into the life and art of Venice’s famous view-painter. No artist better captures the essence and allure of Venice than Giovanni Antonio Canal, better known as Canaletto.

The remarkable group of over 200 paintings, drawings and prints on display offer unparalleled insight into the artistry of Canaletto and his contemporaries, and the city he became a master at capturing. The film also offers the chance to step inside two official royal residences - Buckingham Palace and Windsor Castle – to learn more about the artist, and Joseph Smith, the man who introduced Canaletto to Britain.

Cinema-goers will embark on their very own 21st century Grand Tour, visiting the sites enjoyed by their 18th century counterparts and immortalised in Canaletto’s views - from the Rialto Bridge to the Piazza San Marco, and the Palazzo Ducale to the Church of Santi Giovanni e Paolo. Guided by Royal Collection Trust curators and the world’s leading experts in Venetian history, the film is not only a wonderful way to see the exhibition, but an opportunity to get closer to Canaletto and the city that inspired him.

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Puccini’s thrilling Tosca is a story of love, terror, the abuse of power, and the unquenchable longing for freedom. When an escaped political prisoner takes refuge in a church, an opera singer and a painter are drawn into a twisting plot that puts them at the mercy of the secret police and its network of torturers and spies. Rivalling the splendour of Franco Zeffirelli’s Napoleonic-era sets and costumes, Sir David McVicar’s ravishing new production offers a splendid backdrop for extraordinary singing. Kristine Opolais stars as the titular prima donna, alongside Vittorio Grigolo as her artist lover and Bryn Terfel as the villainous police chief – one of his signature roles. Andris Nelsons conducts.

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EXHIBITION ON SCREEN open its fifth season with Canaletto & the Art of Venice, an immersive journey into the life and art of Venice’s famous view-painter. No artist better captures the essence and allure of Venice than Giovanni Antonio Canal, better known as Canaletto.

The remarkable group of over 200 paintings, drawings and prints on display offer unparalleled insight into the artistry of Canaletto and his contemporaries, and the city he became a master at capturing. The film also offers the chance to step inside two official royal residences - Buckingham Palace and Windsor Castle – to learn more about the artist, and Joseph Smith, the man who introduced Canaletto to Britain.

Cinema-goers will embark on their very own 21st century Grand Tour, visiting the sites enjoyed by their 18th century counterparts and immortalised in Canaletto’s views - from the Rialto Bridge to the Piazza San Marco, and the Palazzo Ducale to the Church of Santi Giovanni e Paolo. Guided by Royal Collection Trust curators and the world’s leading experts in Venetian history, the film is not only a wonderful way to see the exhibition, but an opportunity to get closer to Canaletto and the city that inspired him.

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As he arrives in Paris for the first time, the young and naive Armand is utterly captivated after meeting the ravishing and most desirable courtesan Marguerite Gautier. Their encounter gives birth to a passionate yet doomed love…

Alexandre Dumas fils’s novel comes to life on the Bolshoi stage, with prima Svetlana Zakharova as the ailing Marguerite seeking love and redemption from her life as a courtesan. The Bolshoi brings choreographer John Neumeier’s work of rare beauty and tragic depth to new emotional heights, accompanied by Chopin’s romantic piano score.

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'Tosca' is one of the great evenings of opera, and from its strident opening chords conjures up a world of political instability and menace.

Jonathan Kent’s production for The Royal Opera captures the dangerous political turbulence of Rome in 1800. The Chief of Police, Scarpia – one of the most malevolent villains in opera – ruthlessly pursues and tortures enemies of the state. His dark, demonic music contrasts with the expansive melodies of the idealistic lovers, Tosca and Cavaradossi, who express their passion in sublime arias, including ‘Vissi d’arte’ and ‘E lucevan le stelle’. Giacomo Puccini’s dramatic work was a hit with audiences on its 1900 premiere and it remains one of the most performed of all operas – with its gripping plot and glorious music, it’s easy to see why.

A candle-lit church, Scarpia’s gloomy study with its hidden torture chamber and the false optimism of a Roman dawn: this handsome production throws into relief the ruthlessly taut drama, as the tension is wound up towards a fateful conclusion. Puccini’s meticulously researched score is infused with the same authentic detail, from distant cannon fire during the Act I Te Deum to tolling church bells and the sounds of a firing squad.

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The poor country boy Nemorino is in love with Adina, a confident landowner, but she is way out of his league – financially and otherwise. But when he buys a “love potion” from a travelling quack, the results are rather more than he bargained for. Charmingly staged by Bartlett Sher, Donizetti’s beloved masterpiece combines deft comic timing with touching emotional depth. The production stars Matthew Polenzani, who enthralled Met audiences as Nemorino in 2013 with his moving “Una furtiva lagrima.” Rising South African soprano Pretty Yende is the spirited Adina, Davide Luciano makes his Met debut as the arrogant soldier Belcore, and Ildebrando D’Arcangelo is the potion-peddling Doctor Dulcamara. Domingo Hindoyan conducts.

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The poor country boy Nemorino is in love with Adina, a confident landowner, but she is way out of his league – financially and otherwise. But when he buys a “love potion” from a travelling quack, the results are rather more than he bargained for. Charmingly staged by Bartlett Sher, Donizetti’s beloved masterpiece combines deft comic timing with touching emotional depth. The production stars Matthew Polenzani, who enthralled Met audiences as Nemorino in 2013 with his moving “Una furtiva lagrima.” Rising South African soprano Pretty Yende is the spirited Adina, Davide Luciano makes his Met debut as the arrogant soldier Belcore, and Ildebrando D’Arcangelo is the potion-peddling Doctor Dulcamara. Domingo Hindoyan conducts.

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'I am all the daughters of my father's house,
And all the brothers too.'

Twelfth Night is a tale of unrequited love – hilarious and heartbreaking. Two twins are separated in a shipwreck, and forced to fend for themselves in a strange land. The first twin, Viola, falls in love with Orsino, who dotes on OIivia, who falls for Viola but is idolised by Malvolio. Enter Sebastian, who is the spitting image of his twin sister...

Christopher Luscombe, Director of the ‘glorious’ (Daily Telegraph) Love’s Labour’s Lost and Much Ado About Nothing (2014 and 2016), returns to the Royal Shakespeare Company to tackle Shakespeare’s greatest comedy, a brilliantly bittersweet account of "the whirligig of time".

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After the huge success of his 2016 tour, that gobby little toerag Ed Gamble is back with a brand new lumbering beast of a comedy show.
Off of Mock the Week (BBC2), Drunk History (Comedy Central), Conan (TBS), Almost Royal (E4), Russell Howard’s Stand Up Central (Comedy Central), Edinburgh Comedy Fest Live (BBC3), Man Down (C4) as well as countless other things (3 other things).
“… He is on irresistible form” ★★★★ The Telegraph
“… a master of unlocking the humour in everything” ★★★★ The List
“Creative and clever humour that leaves the audience in stitches.” ★★★★ Edinburgh Festivals Magazine

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The world’s most popular opera returns with an exciting young cast in Franco Zeffirelli’s legendary production. Poverty-stricken poet Rodolfo and his artist friends eke out a precarious existence in bohemian Paris, alternately practising their art, laughing, quarrelling, dodging the landlord, and living it up in their local cafe. When Rodolfo meets the delicate Mimì, the pair instantly fall in love. But Mimì is ill, Rodolfo is jealous, and their romance is doomed from the start. Opera superstars Sonya Yoncheva and Michael Fabiano play the heart-breaking couple, singing two sublime Puccini favourites – “Sì, mi chiamano Mimì” and “Che gelida manina.” Zeffirelli’s stupendous onstage recreations of 19th-century Paris are sure to take your breath away.

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The world’s most popular opera returns with an exciting young cast in Franco Zeffirelli’s legendary production. Poverty-stricken poet Rodolfo and his artist friends eke out a precarious existence in bohemian Paris, alternately practising their art, laughing, quarrelling, dodging the landlord, and living it up in their local cafe. When Rodolfo meets the delicate Mimì, the pair instantly fall in love. But Mimì is ill, Rodolfo is jealous, and their romance is doomed from the start. Opera superstars Sonya Yoncheva and Michael Fabiano play the heart-breaking couple, singing two sublime Puccini favourites – “Sì, mi chiamano Mimì” and “Che gelida manina.” Zeffirelli’s stupendous onstage recreations of 19th-century Paris are sure to take your breath away.

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Christopher Wheeldon, Artistic Associate of The Royal Ballet, created his adaptation of Shakespeare’s late great romance 'The Winter’s Tale' for The Royal Ballet in 2014. Building on the success of 'Alice’s Adventures in Wonderland', T'he Winter’s Tale' received ecstatic praise at its premiere, acclaimed by critics and audiences alike for its intelligent, distinctive and emotionally powerful story, told through exquisite dance. It is now widely judged to be a modern ballet classic.

The story follows the destruction of a marriage through consuming jealousy, the abandonment of a child and a seemingly hopeless love. Yet, through remorse and regret – and after a seemingly miraculous return to life – the ending is one of forgiveness and reconciliation. With powerful designs by Bob Crowley and atmospheric music by Joby Talbot, The Winter’s Tale is a masterful modern narrative ballet.

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In the era of the French Revolution, Jeanne and her brother Jérôme leave Marseille for Paris in support of the revolutionary effort that is taking over the capital. While fighting for freedom, they both encounter love along the way…

Very few ballets can properly depict the Bolshoi’s overflowing energy and fiery passion as can Alexei Ratmansky’s captivating revival of Vasily Vainonen’s The Flames of Paris. With powerful virtuosity and some of the most stunning pas de deux, the Bolshoi Ballet displays an exuberance almost too enormous for the Moscow stage.

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'Carmen' is the best-known work by French composer Georges Bizet, and one of the most famous operas in the entire art form – numbers such as the Habanera and the Toreador Song have permeated the popular consciousness as little else has. The opera’s heady combination of passion, sensuality and violence initially proved too much for the stage, and it was a critical failure on its 1875 premiere. Bizet died shortly after, and never learned of the spectacular success his Carmen would achieve: the opera has been performed more than five hundred times at Covent Garden alone.

This ever-popular opera is given a fresh point of view in Barrie Kosky’s highly physical production, originally created for Frankfurt Opera. The Australian director is one of the world’s most sought-after opera directors, whose Royal Opera debut with Shostakovich’s The Nose in 2016 was greeted with delight. For Carmen he has devised a far-from-traditional version, incorporating music written by Bizet for the score but not usually heard, and giving a new voice to the opera’s endlessly fascinating central character.

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Against the backdrop of the Hanging Gardens, Semiramide, Queen of Babylon, defies bad omens and supernatural threats in her quest to find a worthy successor to her late husband. But she harbours more than one dark secret, and whoever gains the throne may find that he has lost more than he has won. Based on a story by Voltaire, this rarely performed tragic opera reveals The Barber of Seville composer Giaochino Rossini in a whole new light. The title role – composed for Rossini’s wife, Isabella Colbran – features some of the most demanding vocal music he ever wrote. Angela Meade takes on the challenging vocal fireworks in this revival of a production last seen at the Met 25 years ago.

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Against the backdrop of the Hanging Gardens, Semiramide, Queen of Babylon, defies bad omens and supernatural threats in her quest to find a worthy successor to her late husband. But she harbours more than one dark secret, and whoever gains the throne may find that he has lost more than he has won. Based on a story by Voltaire, this rarely performed tragic opera reveals The Barber of Seville composer Giaochino Rossini in a whole new light. The title role – composed for Rossini’s wife, Isabella Colbran – features some of the most demanding vocal music he ever wrote. Angela Meade takes on the challenging vocal fireworks in this revival of a production last seen at the Met 25 years ago.

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Perhaps more than any other artist, Van Gogh’s life has long captured the imagination of storytellers. Delving deep into his fascinating and sometimes deeply troubled world comes this definitive, award-winning documentary directed by David Bickerstaff.

Showcasing Van Gogh’s iconic works like never before and featuring exclusive interviews with the curatorial team at the Van Gogh Museum, this EXHIBITION ON SCREEN favourite from Season 2 makes a welcome return to the big screen.

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Leonard Bernstein was one of the first classical composers in America to achieve both popular and critical acclaim. He was eclectic in his sources – drawing on jazz and modernism, the traditions of Jewish music and the Broadway musical – and many of Bernstein’s scores are remarkably well suited to dance. He was particularly associated with Jerome Robbins, their credits together including Fancy Free and West Side Story. To celebrate the centenary year of the composer’s birth, The Royal Ballet has united all three of its associate choreographers to celebrate the dynamic range and danceability of Bernstein’s music.

The programme includes two world premieres by Resident Choreographer Wayne McGregor and Artistic Associate Christopher Wheeldon, marking each artist’s first foray into Bernstein. At the heart of the programme is the first revival of Artist in Residence Liam Scarlett’s The Age of Anxiety, created in 2014 to Bernstein’s soul-searching Second Symphony. Both symphony and ballet are inspired by W.H. Auden’s masterful modernist poem, itself written in response to the atmosphere of disillusionment and uncertainty that followed the end of World War II.

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Goaded by their cynical friend Don Alfonso, soldiers Ferrando and Guglielmo decide to test their fiancées’ fidelity. Pretending to leave with their regiment, they return in disguise and pay court to each other’s lover. Will the young women succumb to the charms of these two handsome ‘foreigners’? A co-production with English National Opera, this clever vision of the battle of the sexes is set in a carnivalesque environment inspired by 1950s Coney Island. The cast features Amanda Majeski and Serena Malfi as the sisters put to the test, with Broadway star Kelli O’Hara as their feisty maid, Ben Bliss and Adam Plachetka as their fiancés, and Christopher Maltman as Don Alfonso. David Robertson conducts Mozart’s delightful score.

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Goaded by their cynical friend Don Alfonso, soldiers Ferrando and Guglielmo decide to test their fiancées’ fidelity. Pretending to leave with their regiment, they return in disguise and pay court to each other’s lover. Will the young women succumb to the charms of these two handsome ‘foreigners’? A co-production with English National Opera, this clever vision of the battle of the sexes is set in a carnivalesque environment inspired by 1950s Coney Island. The cast features Amanda Majeski and Serena Malfi as the sisters put to the test, with Broadway star Kelli O’Hara as their feisty maid, Ben Bliss and Adam Plachetka as their fiancés, and Christopher Maltman as Don Alfonso. David Robertson conducts Mozart’s delightful score.

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Verdi’s life-long love affair with Shakespeare’s works began with Macbeth, a play he considered to be ‘one of the greatest creations of man’. With his librettist, Francesco Maria Piave, Verdi set out to create ‘something out of the ordinary’. Their success is borne out in every bar of a score that sees Verdi at his most theatrical: it bristles with demonic energy.

The warrior Macbeth fights on the side of the King of Scotland – but when a coven of witches prophesy that he shall become king himself, a ruthless ambition drives Macbeth and his wife to horrific acts.Murder makes Macbeth king, and intrigue and butchery are the hallmarks of his brief, doomed reign. The witches make another prediction, which also comes true: Macbeth and his lady lose their lives, and justice is restored.

Phyllida Lloyd’s 2002 production for The Royal Opera is richly hued, shot through with black, red and gold. The witches – imagined by designer Anthony Ward as strange, scarlet-turbaned creatures – are ever-present agents of fate. Lloyd depicts the Macbeths’ childlessness as the dark sadness lurking behind their terrible deeds. The Royal Opera’s production uses Verdi’s 1865 Paris revision of the opera, which includes Lady Macbeth’s riveting aria ‘La luce langue’.

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When Giselle learns that her beloved Albrecht is promised to another woman, she dies of a broken heart in his arms. While Albrecht grieves, she returns from the dead as a Wili, a vengeful spirit meant to make unfaithful men dance until death…

Prima ballerina Svetlana Zakharova personifies this ultimate ballerina role in the classical repertoire, alongside the sensational Sergei Polunin as Albrecht, in this chilling, yet luminous ballet that continues to captivate audiences for over 150 years at the Bolshoi.

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James Levine and Plácido Domingo add yet another chapter to their legendary Met collaboration with this rarely performed Verdi gem, a heart-wrenching tragedy based on Friedrich Schiller’s novel Intrigue and Love. The young maiden Luisa loves Rodolfo, unaware that he is actually the son of the local lord. An unscrupulous rival for her affections tells her father of Rodolfo’s true identity, turning the old man against him. Jealousy, suspicion, and betrayal tear the lovers apart, but Luisa remains loyal to her father to the last. In the first Met performances of the opera in more than ten years, Sonya Yoncheva sings the title role opposite Piotr Beczała as Rodolfo, with Domingo as Luisa’s stern-yet-loving father.

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James Levine and Plácido Domingo add yet another chapter to their legendary Met collaboration with this rarely performed Verdi gem, a heart-wrenching tragedy based on Friedrich Schiller’s novel Intrigue and Love. The young maiden Luisa loves Rodolfo, unaware that he is actually the son of the local lord. An unscrupulous rival for her affections tells her father of Rodolfo’s true identity, turning the old man against him. Jealousy, suspicion, and betrayal tear the lovers apart, but Luisa remains loyal to her father to the last. In the first Met performances of the opera in more than ten years, Sonya Yoncheva sings the title role opposite Piotr Beczała as Rodolfo, with Domingo as Luisa’s stern-yet-loving father.

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A fairy godmother, a glass slipper, an opulent ball, an enchanted forest, and a Prince Charming who loves her – did all that really happen, or was it just a dream? Long-suffering Cendrillon lives a life of drudgery with her good-natured father and his imperious wife, until fate, romance, and a touch of fairy magic intervene. For the first time ever, Massenet’s sumptuous version of the Cinderella story comes to the Met in this imaginative storybook production directed by Laurent Pelly. Superstar Joyce DiDonato sings the title role, alongside British mezzo-soprano Alice Coote in the trouser role of Prince Charming, Kathleen Kim as the Fairy Godmother, and Stephanie Blythe as the archetypal wicked stepmother.

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A fairy godmother, a glass slipper, an opulent ball, an enchanted forest, and a Prince Charming who loves her – did all that really happen, or was it just a dream? Long-suffering Cendrillon lives a life of drudgery with her good-natured father and his imperious wife, until fate, romance, and a touch of fairy magic intervene. For the first time ever, Massenet’s sumptuous version of the Cinderella story comes to the Met in this imaginative storybook production directed by Laurent Pelly. Superstar Joyce DiDonato sings the title role, alongside British mezzo-soprano Alice Coote in the trouser role of Prince Charming, Kathleen Kim as the Fairy Godmother, and Stephanie Blythe as the archetypal wicked stepmother.

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Manon’s brother Lescaut is offering her to the highest bidder when she meets Des Grieux and falls in love. They elope to Paris, but when Monsieur G.M. offers Manon a life of luxury as his mistress she can’t resist. With the Lescauts’ encouragement Des Grieux cheats at cards in an attempt to win Monsieur G.M.’s fortune. They are caught. Manon is arrested as a prostitute and deported to New Orleans, followed by Des Grieux. On the run, Manon dies from exhaustion.

Kenneth MacMillan’s source for Manon was the 18th-century French novel already adapted for opera by Massenet and Puccini. The premiere was given on 7 March 1974, with the lead roles danced by Antoinette Sibley and Anthony Dowell. The ballet quickly became a staple of The Royal Ballet’s repertory, and a touchstone of adult, dramatic dance.

MacMillan found new sympathy with the capricious Manon and her struggle to escape poverty. Designs by his regular collaborator Nicholas Georgiadis reflect this, depicting a world of lavish splendour polluted by miserable destitution. MacMillan’s spectacular ensemble scenes for the whole Company create vivid, complex portraits of the distinct societies of Paris and New Orleans. But it is Manon and Des Grieux’s impassioned pas de deux – recalling the intensity of MacMillan’s earlier Romeo and Juliet – that drive this tragic story, and make Manon one of MacMillan’s most powerful dramas.

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Exhibition On Screen: I, Claude Monet

“My head is bursting – I want to paint it all.” Award-winning director Phil Grabsky presents a fresh new look at arguably the world’s favourite artist, Claude Monet, using the painter’s own words.

Based on letters and other private writings, I, Claude Monet provides new insight into the man who not only painted the picture that gave birth to Impressionism, but who was perhaps the most influential and successful painter of the 19th and early 20th centuries.

In spite of this, and perhaps because of it, Monet’s life is a gripping tale of a man who, behind his sun-dazzled canvases, suffered from bouts of depression, loneliness and even suicidal thoughts. Then, as his art developed and his love of nature led to the glories of his garden at Giverny, his letters reveal his humour, insight and love of life.

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Swanhilda notices her fiancee Franz is infatuated with the beautiful Coppélia who sits reading on her balcony each day. Nearly breaking up the two sweethearts, Coppelia is not what she seems and Swanhilda decides to teach Franz a lesson…

The Bolshoi’s unique version of Coppélia exhibits a fascinating reconstruction of the original 19th century choreography of this ebullient comedy involving a feisty heroine, a boyish fiancee with a wandering eye, and an old dollmaker. The company’s stunning corps de ballet shines in the divertissements and famous “dance of the hours,” and its principals abound in youthful energy and irresistible humor in this effervescent production.

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'Swan Lake' has had a special role in the repertory of The Royal Ballet since 1934. This Season The Royal Ballet creates a new production with additional choreography by Artist in Residence Liam Scarlett. While remaining faithful to the Petipa-Ivanov text, Scarlett will bring fresh eyes to the staging of this classic ballet, in collaboration with his long-term designer John Macfarlane.

Prince Siegfried chances upon a fl ock of swans while out hunting. When one of the swans turns into a beautiful woman, Odette, he is enraptured. But she is under a spell that holds her captive, allowing her to regain her human form only at night.

'Swan Lake' was Tchaikovsky’s first ballet score. Given its status today as arguably the best loved and most admired of all classical ballets, it is perhaps surprising that at its premiere in 1877 Swan Lake was poorly received. It is thanks to the 1895 production by Marius Petipa and Lev Ivanov that Swan Lake has become part of not only ballet consciousness but also wider popular culture. That success is secured not only by the sublime, symphonic sweep of Tchaikovsky’s score, but also by the striking choreographic contrasts between Petipa’s royal palace scenes and the lyric lakeside scenes created by Ivanov.

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