Description

Director: David Lowery.
Starring: Casey Affleck. Rooney Mara. USA 2017. 92 mins.

The latest film from acclaimed director David Lowery (Ain’t Them Bodies Saints, Pete’s Dragon) is a singular exploration of legacy, loss, and the essential human longing for meaning and connection. A white-sheeted ghost (Affleck) returns to his suburban home to console his bereft wife (Mara), only to find that in his spectral state he has become unstuck in time, forced to watch passively as the life he knew and the woman he loves slowly slip away. Increasingly unmoored, the ghost embarks on a cosmic journey through memory and history, confronting life’s ineffable questions and the enormity of existence. An audacious, unforgettable meditation on the passage of time, A Ghost Story emerges ecstatic and surreal – a wholly unique experience that lingers long after the credits roll.

Contains infrequent strong language, images of dead bodies.

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Director: Aisling Walsh.
Starring: Sally Hawkins, Ethan Hawke, Kari Matchett. Ireland/Canada 2016. 116 mins.

A beautifully realised biopic of Canadian artist Maud Lewis. Impoverished and disabled with chronic arthritis, watercolourist Maud (Hawkins) lives with her mean-spirited spinster aunt in Nova Scotia. When she accepts a job as a housekeeper for Everett (Hawke), a gruff fishmonger whose home is a tiny, one-room shack, she seems to escape one set of fetters for another. However, despite Everett’s surly selfishness, Maud perversely finds him attractive and inspiring, and he allows her to do her own painting when she’s through with the housework. With echoes of My Left Foot’s triumph over impairment and her role in Mike Leigh’s Happy-Go-Lucky, Hawkins brings perky optimism to a character who eventually blossoms after one of her almost child-like paintings is bought by a Manhattan socialite (Matchett) and her relationship with Everett becomes infused with a strange tendresse.

Contains infrequent moderate violence, sex.

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Director: Michael Showalter.
Starring: Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano, Anupam Kher. USA 2017. 119 mins.

Based on the true story of the film’s writers (and real-life couple), Emily V. Gordon and Kumail Nanjiani, this modern culture clash shows how Pakistan-born Kumail and his American girlfriend, Emily, have to overcome the expectations of his family and their 1,400-year-old traditions. As his parents relentlessly set him up with potential brides for an arranged marriage, Kumail navigates treacherous waters in the worlds of both dating and stand-up comedy.

Produced by Judd Apatow, The Big Sick features a sterling collection of comedy talent in front of and behind the camera, with Michael Showalter directing the hilariously insightful film that shrewdly puts the spotlight on its writer/star Kumail Nanjiani (HBO’s Silicon Valley). A revered comedian, Nanjiani shines in the lead role, bringing his singular voice to center stage. Mining his personal stories for comedy gold, he shares his experiences that are uniquely Pakistani but will resonate for everyone who has ever fallen in love.

“The Big Sick is scoring points on familiar rom-com territory, so when it suddenly morphs into a completely different film — a bracingly sophisticated one — you’ll want to cry with happiness.” - Time Out ★★★★★

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Director: Christopher Nolan.
Starring: Fionn Whitehead, Harry Styles, Cillian Murphy, Mark Rylance, Tom Hardy. Netherlands/UK/France/USA 2017. 106 mins.

The mass evacuation of more than 330,000 Allied troops from the beaches of Dunkirk in May 1940 was one of the most dramatic and pivotal episodes of the Second World War. In his latest feature, director Christopher Nolan (Interstellar, The Dark Knight trilogy) plunges viewers into the thick of it with what he describes as “the most visceral experiential two hours that audiences can hope for”.

Told from three points of view – land, sea and air – Dunkirk unfolds with a palpable sense of dread and tension, evoking the very human and immediate desire to survive.

With cinematography from Hoyte van Hoytema (Interstellar), a score from Hans Zimmer, and an all-star supporting cast that includes Tom Hardy, Cillian Murphy and Mark Rylance, this is the must-see spectacle of the summer.

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Director: Bill Condon
Starring: Emma Watson, Luke Evans, Stanley Tucci, Ian McKellen. USA 2017. 129 mins.

Back in 1991, the Walt Disney Company released Beauty And
 The Beast, an exquisitely drawn feature animation that became a gargantuan hit, delighting both audiences and critics and spinning off a blockbuster Broadway musical. So who better to breathe new life into the beloved French fairy tale – with its very modern message of not judging people by their appearance – in a live-action telling than the studio that made it a movie classic in the first place? Veteran director Bill Condon (The Twilight Saga: Breaking Dawn Parts 1 & 2, Dreamgirls, Mr Holmes) has refashioned the characters for
a contemporary audience but stayed true to the animation’s music, with several new songs and an amended score by the original composer, Alan Menken. Get ready to be wowed all over again.

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Directors: Bonni Cohen, Jon Shenk. Featuring: Al Gore, Barack Obama, Donald Trump. USA 2017. 98 mins.

Ten years after his original Inconvenient Truth, Al Gore remains deeply committed to publicising the oncoming perils of climate change and, as this movie demonstrates, doing something practical about it. Taking over from original director Davis Guggenheim, directors Bonnie Cohen and Jon Shenk follow Gore as he travels the globe tutoring eco-activists as well as demonstrating to his global warming-denying critics that his original, dour predictions are already proving correct – Miami Beach’s regular floods, Hurricane Sandy putting Manhattan’s Ground Zero underwater, anybody? Footage of Barack Obama and Donald Trump’s efforts conversely to address and refute the fact of climate change are equally chilling, which is ironic considering that the fifteen hottest years on record have occurred since 2001. Sobering and heartening in equal measure.

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Director: Stanley Tucci.
Starring: Geoffrey Rush, Armie Hammer, Clémence Poésy. UK 2017. 90 mins.

Returning to the director’s chair after a decade-long absence, Stanley Tucci sketches the frustrations of creative genius with a fascinating and witty glimpse into the workshop and personality of Swiss sculptor and painter Alberto Giacometti (Rush). In Paris in 1964, Giacometti bumps into an old friend, American writer and art-lover James Lord (Hammer), and invites him to sit for a portrait. Assured that it would take half a day at most, Lord accepts. A half-day turns into days. Days turn into weeks. Giacometti rages at the canvas, unconvinced of his talent. Both flattered and frustrated, Lord cancels a series of flights home. With no end in sight, he’s a prisoner to the artist’s whims. But as the brushstrokes ebb and flow, Lord ultimately sees logic in the chaos, and painter and subject develop an unusual bond.

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Tractor Ted, the farming superhero for children aged 2-6 years (and parents and grandparents too) is all about real life fun on the farm!

This gorgeous new DVD introduces us to life on a Somerset dairy farm and shows us how cheese is made. We go behind the scenes on the farm and meet the clever cows who even know when it’s milking time! We see lots of machines at work on the farm too from the milk tanker and the loader to the feed wagon feeding the young cows in the barn. There is plenty of real life farm footage and plenty of real life farm fun to be had – perfect for a summer holiday treat!

Sneaky Peek! Have a sneaky peek of the film by clicking here... Such a treat!

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Director: David Lowery.
Starring: Casey Affleck. Rooney Mara. USA 2017. 92 mins.

The latest film from acclaimed director David Lowery (Ain’t Them Bodies Saints, Pete’s Dragon) is a singular exploration of legacy, loss, and the essential human longing for meaning and connection. A white-sheeted ghost (Affleck) returns to his suburban home to console his bereft wife (Mara), only to find that in his spectral state he has become unstuck in time, forced to watch passively as the life he knew and the woman he loves slowly slip away. Increasingly unmoored, the ghost embarks on a cosmic journey through memory and history, confronting life’s ineffable questions and the enormity of existence. An audacious, unforgettable meditation on the passage of time, A Ghost Story emerges ecstatic and surreal – a wholly unique experience that lingers long after the credits roll.

Contains infrequent strong language, images of dead bodies.

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Director: Mark Gill. Starring: Jack Lowden, Jessica Brown Findlay. UK 2017. 94 mins.

Self-absorbed miserablist or uncompromising observer of shifting cultural values? Both may be said of Steven Morrissey, singer-songwriter and former frontman of seminal ’80s band The Smiths. This striking docu-drama contextualises his career by chronicling his troubled adolescence in 1970s Manchester – a time when he was still finding his musical mojo. Jack Lowden (Dunkirk) stars as the young Morrissey, a restless teenager struggling to escape his working-class roots, taking a string of dead-end jobs as his parents’ marriage disintegrates. Yet after meeting art student Linder (Brown Findlay), his courage and sense of purpose grow, marking the start of his journey to become the artist that he knows, deep down, he is destined to be. An evocative and often amusing portrait, England Is Mine is as compelling and at times heart-rending as Morrissey’s own back catalogue.

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Director: Aisling Walsh.
Starring: Sally Hawkins, Ethan Hawke, Kari Matchett. Ireland/Canada 2016. 116 mins.

A beautifully realised biopic of Canadian artist Maud Lewis. Impoverished and disabled with chronic arthritis, watercolourist Maud (Hawkins) lives with her mean-spirited spinster aunt in Nova Scotia. When she accepts a job as a housekeeper for Everett (Hawke), a gruff fishmonger whose home is a tiny, one-room shack, she seems to escape one set of fetters for another. However, despite Everett’s surly selfishness, Maud perversely finds him attractive and inspiring, and he allows her to do her own painting when she’s through with the housework. With echoes of My Left Foot’s triumph over impairment and her role in Mike Leigh’s Happy-Go-Lucky, Hawkins brings perky optimism to a character who eventually blossoms after one of her almost child-like paintings is bought by a Manhattan socialite (Matchett) and her relationship with Everett becomes infused with a strange tendresse.

Contains infrequent moderate violence, sex.

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Director: David Soren.
Voices: Ed Helms, Kevin Hart, Thomas Middleditch. USA 2017. 89 mins.

Noted Dreamworks animator David Soren (Shrek, Turbo) directs the first film of a potential franchise based on author Dav Pilkey’s weirdly wonderful children’s adventures featuring elementary-school troublemakers George (Hart) and Harold (Middleditch). Rather than studying in the classroom, George and Harold prefer sitting in their tree house chronicling the exploits of their unlikely superhero, Captain Underpants, in their homemade comic books. However, when their stern headmaster Mr Krupp (Helms) finally catches them out, they accidentally hypnotise him into thinking that he is the caped tighty-whitey crusader. The faux Captain is then tormented by a new history teacher, Prof. Poopypants (Nick Kroll), prompting a slew of fast-paced misadventures that Soren and his team energise with an array of animation formats.

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Director: Christopher Nolan.
Starring: Fionn Whitehead, Harry Styles, Cillian Murphy, Mark Rylance, Tom Hardy. Netherlands/UK/France/USA 2017. 106 mins.

The mass evacuation of more than 330,000 Allied troops from the beaches of Dunkirk in May 1940 was one of the most dramatic and pivotal episodes of the Second World War. In his latest feature, director Christopher Nolan (Interstellar, The Dark Knight trilogy) plunges viewers into the thick of it with what he describes as “the most visceral experiential two hours that audiences can hope for”.

Told from three points of view – land, sea and air – Dunkirk unfolds with a palpable sense of dread and tension, evoking the very human and immediate desire to survive.

With cinematography from Hoyte van Hoytema (Interstellar), a score from Hans Zimmer, and an all-star supporting cast that includes Tom Hardy, Cillian Murphy and Mark Rylance, this is the must-see spectacle of the summer.

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BARE MINIMUM

+

PEACH

+

LUKE RICHARDSON

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Directors: Bonni Cohen, Jon Shenk. Featuring: Al Gore, Barack Obama, Donald Trump. USA 2017. 98 mins.

Ten years after his original Inconvenient Truth, Al Gore remains deeply committed to publicising the oncoming perils of climate change and, as this movie demonstrates, doing something practical about it. Taking over from original director Davis Guggenheim, directors Bonnie Cohen and Jon Shenk follow Gore as he travels the globe tutoring eco-activists as well as demonstrating to his global warming-denying critics that his original, dour predictions are already proving correct – Miami Beach’s regular floods, Hurricane Sandy putting Manhattan’s Ground Zero underwater, anybody? Footage of Barack Obama and Donald Trump’s efforts conversely to address and refute the fact of climate change are equally chilling, which is ironic considering that the fifteen hottest years on record have occurred since 2001. Sobering and heartening in equal measure.

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Director: Stanley Tucci.
Starring: Geoffrey Rush, Armie Hammer, Clémence Poésy. UK 2017. 90 mins.

Returning to the director’s chair after a decade-long absence, Stanley Tucci sketches the frustrations of creative genius with a fascinating and witty glimpse into the workshop and personality of Swiss sculptor and painter Alberto Giacometti (Rush). In Paris in 1964, Giacometti bumps into an old friend, American writer and art-lover James Lord (Hammer), and invites him to sit for a portrait. Assured that it would take half a day at most, Lord accepts. A half-day turns into days. Days turn into weeks. Giacometti rages at the canvas, unconvinced of his talent. Both flattered and frustrated, Lord cancels a series of flights home. With no end in sight, he’s a prisoner to the artist’s whims. But as the brushstrokes ebb and flow, Lord ultimately sees logic in the chaos, and painter and subject develop an unusual bond.

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Carl Fredricksen, a 78-year-old balloon salesman, is about to fulfill a lifelong dream. Tying thousands of balloons to his house, he flies away to the South American wilderness. But curmudgeonly Carl's worst nightmare comes true when he discovers a little boy named Russell is a stowaway aboard the balloon-powered house.

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Director: David Lowery.
Starring: Casey Affleck. Rooney Mara. USA 2017. 92 mins.

The latest film from acclaimed director David Lowery (Ain’t Them Bodies Saints, Pete’s Dragon) is a singular exploration of legacy, loss, and the essential human longing for meaning and connection. A white-sheeted ghost (Affleck) returns to his suburban home to console his bereft wife (Mara), only to find that in his spectral state he has become unstuck in time, forced to watch passively as the life he knew and the woman he loves slowly slip away. Increasingly unmoored, the ghost embarks on a cosmic journey through memory and history, confronting life’s ineffable questions and the enormity of existence. An audacious, unforgettable meditation on the passage of time, A Ghost Story emerges ecstatic and surreal – a wholly unique experience that lingers long after the credits roll.

Contains infrequent strong language, images of dead bodies.

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Director: Mark Gill. Starring: Jack Lowden, Jessica Brown Findlay. UK 2017. 94 mins.

Self-absorbed miserablist or uncompromising observer of shifting cultural values? Both may be said of Steven Morrissey, singer-songwriter and former frontman of seminal ’80s band The Smiths. This striking docu-drama contextualises his career by chronicling his troubled adolescence in 1970s Manchester – a time when he was still finding his musical mojo. Jack Lowden (Dunkirk) stars as the young Morrissey, a restless teenager struggling to escape his working-class roots, taking a string of dead-end jobs as his parents’ marriage disintegrates. Yet after meeting art student Linder (Brown Findlay), his courage and sense of purpose grow, marking the start of his journey to become the artist that he knows, deep down, he is destined to be. An evocative and often amusing portrait, England Is Mine is as compelling and at times heart-rending as Morrissey’s own back catalogue.

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Director: Aisling Walsh.
Starring: Sally Hawkins, Ethan Hawke, Kari Matchett. Ireland/Canada 2016. 116 mins.

A beautifully realised biopic of Canadian artist Maud Lewis. Impoverished and disabled with chronic arthritis, watercolourist Maud (Hawkins) lives with her mean-spirited spinster aunt in Nova Scotia. When she accepts a job as a housekeeper for Everett (Hawke), a gruff fishmonger whose home is a tiny, one-room shack, she seems to escape one set of fetters for another. However, despite Everett’s surly selfishness, Maud perversely finds him attractive and inspiring, and he allows her to do her own painting when she’s through with the housework. With echoes of My Left Foot’s triumph over impairment and her role in Mike Leigh’s Happy-Go-Lucky, Hawkins brings perky optimism to a character who eventually blossoms after one of her almost child-like paintings is bought by a Manhattan socialite (Matchett) and her relationship with Everett becomes infused with a strange tendresse.

Contains infrequent moderate violence, sex.

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Director: David Soren.
Voices: Ed Helms, Kevin Hart, Thomas Middleditch. USA 2017. 89 mins.

Noted Dreamworks animator David Soren (Shrek, Turbo) directs the first film of a potential franchise based on author Dav Pilkey’s weirdly wonderful children’s adventures featuring elementary-school troublemakers George (Hart) and Harold (Middleditch). Rather than studying in the classroom, George and Harold prefer sitting in their tree house chronicling the exploits of their unlikely superhero, Captain Underpants, in their homemade comic books. However, when their stern headmaster Mr Krupp (Helms) finally catches them out, they accidentally hypnotise him into thinking that he is the caped tighty-whitey crusader. The faux Captain is then tormented by a new history teacher, Prof. Poopypants (Nick Kroll), prompting a slew of fast-paced misadventures that Soren and his team energise with an array of animation formats.

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Director: Christopher Nolan.
Starring: Fionn Whitehead, Harry Styles, Cillian Murphy, Mark Rylance, Tom Hardy. Netherlands/UK/France/USA 2017. 106 mins.

The mass evacuation of more than 330,000 Allied troops from the beaches of Dunkirk in May 1940 was one of the most dramatic and pivotal episodes of the Second World War. In his latest feature, director Christopher Nolan (Interstellar, The Dark Knight trilogy) plunges viewers into the thick of it with what he describes as “the most visceral experiential two hours that audiences can hope for”.

Told from three points of view – land, sea and air – Dunkirk unfolds with a palpable sense of dread and tension, evoking the very human and immediate desire to survive.

With cinematography from Hoyte van Hoytema (Interstellar), a score from Hans Zimmer, and an all-star supporting cast that includes Tom Hardy, Cillian Murphy and Mark Rylance, this is the must-see spectacle of the summer.

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An ailing Broadway director returns to produce one final show, but his leading lady is injured and must be replaced by a novice.

Featuring the dazzling choreography of Busby Berkeley, this classic musical from 1933 has aged to perfection. The final twenty minute sequence will leave you tapping your toes, with a smile on your face and a song in your heart.

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Director: Kathryn Bigelow.
Starring: John Boyega, Algee Smith, Anthony Mackie. USA 2017. 143 mins.

Never afraid to tackle tendentious subjects, director Kathryn Bigelow and writer Mark Boal (Zero Dark Thirty, The Hurt Locker) now set their sharp sights on the events of 1967 Detroit, which sparked the worst race riots in American history. The action is centred on the Algiers Motel on a sweltering hot July night, where a random shot from a starting pistol brought in the National Guard and a large number of police sharpshooters. Three black men were left dead and several more brutally beaten; a black security guard, Melvin Dismukes (John Boyega, Star Wars’ Finn), tried desperately to mediate between his white superiors and an enraged African-American community. Freighted with characteristic dramatic intensity and shot with a gritty realism, Bigelow’s latest is a timely reminder of the deep and potentially lethal divisions in American society.

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Directors: Bonni Cohen, Jon Shenk. Featuring: Al Gore, Barack Obama, Donald Trump. USA 2017. 98 mins.

Ten years after his original Inconvenient Truth, Al Gore remains deeply committed to publicising the oncoming perils of climate change and, as this movie demonstrates, doing something practical about it. Taking over from original director Davis Guggenheim, directors Bonnie Cohen and Jon Shenk follow Gore as he travels the globe tutoring eco-activists as well as demonstrating to his global warming-denying critics that his original, dour predictions are already proving correct – Miami Beach’s regular floods, Hurricane Sandy putting Manhattan’s Ground Zero underwater, anybody? Footage of Barack Obama and Donald Trump’s efforts conversely to address and refute the fact of climate change are equally chilling, which is ironic considering that the fifteen hottest years on record have occurred since 2001. Sobering and heartening in equal measure.

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Director: Stanley Tucci.
Starring: Geoffrey Rush, Armie Hammer, Clémence Poésy. UK 2017. 90 mins.

Returning to the director’s chair after a decade-long absence, Stanley Tucci sketches the frustrations of creative genius with a fascinating and witty glimpse into the workshop and personality of Swiss sculptor and painter Alberto Giacometti (Rush). In Paris in 1964, Giacometti bumps into an old friend, American writer and art-lover James Lord (Hammer), and invites him to sit for a portrait. Assured that it would take half a day at most, Lord accepts. A half-day turns into days. Days turn into weeks. Giacometti rages at the canvas, unconvinced of his talent. Both flattered and frustrated, Lord cancels a series of flights home. With no end in sight, he’s a prisoner to the artist’s whims. But as the brushstrokes ebb and flow, Lord ultimately sees logic in the chaos, and painter and subject develop an unusual bond.

More details

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Director: David Lowery.
Starring: Casey Affleck. Rooney Mara. USA 2017. 92 mins.

The latest film from acclaimed director David Lowery (Ain’t Them Bodies Saints, Pete’s Dragon) is a singular exploration of legacy, loss, and the essential human longing for meaning and connection. A white-sheeted ghost (Affleck) returns to his suburban home to console his bereft wife (Mara), only to find that in his spectral state he has become unstuck in time, forced to watch passively as the life he knew and the woman he loves slowly slip away. Increasingly unmoored, the ghost embarks on a cosmic journey through memory and history, confronting life’s ineffable questions and the enormity of existence. An audacious, unforgettable meditation on the passage of time, A Ghost Story emerges ecstatic and surreal – a wholly unique experience that lingers long after the credits roll.

Contains infrequent strong language, images of dead bodies.

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Director: Mark Gill. Starring: Jack Lowden, Jessica Brown Findlay. UK 2017. 94 mins.

Self-absorbed miserablist or uncompromising observer of shifting cultural values? Both may be said of Steven Morrissey, singer-songwriter and former frontman of seminal ’80s band The Smiths. This striking docu-drama contextualises his career by chronicling his troubled adolescence in 1970s Manchester – a time when he was still finding his musical mojo. Jack Lowden (Dunkirk) stars as the young Morrissey, a restless teenager struggling to escape his working-class roots, taking a string of dead-end jobs as his parents’ marriage disintegrates. Yet after meeting art student Linder (Brown Findlay), his courage and sense of purpose grow, marking the start of his journey to become the artist that he knows, deep down, he is destined to be. An evocative and often amusing portrait, England Is Mine is as compelling and at times heart-rending as Morrissey’s own back catalogue.

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Director: Aisling Walsh.
Starring: Sally Hawkins, Ethan Hawke, Kari Matchett. Ireland/Canada 2016. 116 mins.

A beautifully realised biopic of Canadian artist Maud Lewis. Impoverished and disabled with chronic arthritis, watercolourist Maud (Hawkins) lives with her mean-spirited spinster aunt in Nova Scotia. When she accepts a job as a housekeeper for Everett (Hawke), a gruff fishmonger whose home is a tiny, one-room shack, she seems to escape one set of fetters for another. However, despite Everett’s surly selfishness, Maud perversely finds him attractive and inspiring, and he allows her to do her own painting when she’s through with the housework. With echoes of My Left Foot’s triumph over impairment and her role in Mike Leigh’s Happy-Go-Lucky, Hawkins brings perky optimism to a character who eventually blossoms after one of her almost child-like paintings is bought by a Manhattan socialite (Matchett) and her relationship with Everett becomes infused with a strange tendresse.

Contains infrequent moderate violence, sex.

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Director: David Soren.
Voices: Ed Helms, Kevin Hart, Thomas Middleditch. USA 2017. 89 mins.

Noted Dreamworks animator David Soren (Shrek, Turbo) directs the first film of a potential franchise based on author Dav Pilkey’s weirdly wonderful children’s adventures featuring elementary-school troublemakers George (Hart) and Harold (Middleditch). Rather than studying in the classroom, George and Harold prefer sitting in their tree house chronicling the exploits of their unlikely superhero, Captain Underpants, in their homemade comic books. However, when their stern headmaster Mr Krupp (Helms) finally catches them out, they accidentally hypnotise him into thinking that he is the caped tighty-whitey crusader. The faux Captain is then tormented by a new history teacher, Prof. Poopypants (Nick Kroll), prompting a slew of fast-paced misadventures that Soren and his team energise with an array of animation formats.

More details

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Director: Christopher Nolan.
Starring: Fionn Whitehead, Harry Styles, Cillian Murphy, Mark Rylance, Tom Hardy. Netherlands/UK/France/USA 2017. 106 mins.

The mass evacuation of more than 330,000 Allied troops from the beaches of Dunkirk in May 1940 was one of the most dramatic and pivotal episodes of the Second World War. In his latest feature, director Christopher Nolan (Interstellar, The Dark Knight trilogy) plunges viewers into the thick of it with what he describes as “the most visceral experiential two hours that audiences can hope for”.

Told from three points of view – land, sea and air – Dunkirk unfolds with a palpable sense of dread and tension, evoking the very human and immediate desire to survive.

With cinematography from Hoyte van Hoytema (Interstellar), a score from Hans Zimmer, and an all-star supporting cast that includes Tom Hardy, Cillian Murphy and Mark Rylance, this is the must-see spectacle of the summer.

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To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.

Victim
Director: Basil Dearden. Starring: Dirk Bogarde, Sylvia Syms. UK 1961. 100 mins.

Early ’60s London, and gay men across the city are being blackmailed, threatening exposure at a time when consensual homosexual acts could still result in imprisonment. Basil Dearden’s classic thriller stars Dirk Bogarde in his most daring role, as a gay lawyer fighting back against the blackmailers who dare to target him.

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Directors: Bonni Cohen, Jon Shenk. Featuring: Al Gore, Barack Obama, Donald Trump. USA 2017. 98 mins.

Ten years after his original Inconvenient Truth, Al Gore remains deeply committed to publicising the oncoming perils of climate change and, as this movie demonstrates, doing something practical about it. Taking over from original director Davis Guggenheim, directors Bonnie Cohen and Jon Shenk follow Gore as he travels the globe tutoring eco-activists as well as demonstrating to his global warming-denying critics that his original, dour predictions are already proving correct – Miami Beach’s regular floods, Hurricane Sandy putting Manhattan’s Ground Zero underwater, anybody? Footage of Barack Obama and Donald Trump’s efforts conversely to address and refute the fact of climate change are equally chilling, which is ironic considering that the fifteen hottest years on record have occurred since 2001. Sobering and heartening in equal measure.

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Director: Stanley Tucci.
Starring: Geoffrey Rush, Armie Hammer, Clémence Poésy. UK 2017. 90 mins.

Returning to the director’s chair after a decade-long absence, Stanley Tucci sketches the frustrations of creative genius with a fascinating and witty glimpse into the workshop and personality of Swiss sculptor and painter Alberto Giacometti (Rush). In Paris in 1964, Giacometti bumps into an old friend, American writer and art-lover James Lord (Hammer), and invites him to sit for a portrait. Assured that it would take half a day at most, Lord accepts. A half-day turns into days. Days turn into weeks. Giacometti rages at the canvas, unconvinced of his talent. Both flattered and frustrated, Lord cancels a series of flights home. With no end in sight, he’s a prisoner to the artist’s whims. But as the brushstrokes ebb and flow, Lord ultimately sees logic in the chaos, and painter and subject develop an unusual bond.

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Director: David Lowery.
Starring: Casey Affleck. Rooney Mara. USA 2017. 92 mins.

The latest film from acclaimed director David Lowery (Ain’t Them Bodies Saints, Pete’s Dragon) is a singular exploration of legacy, loss, and the essential human longing for meaning and connection. A white-sheeted ghost (Affleck) returns to his suburban home to console his bereft wife (Mara), only to find that in his spectral state he has become unstuck in time, forced to watch passively as the life he knew and the woman he loves slowly slip away. Increasingly unmoored, the ghost embarks on a cosmic journey through memory and history, confronting life’s ineffable questions and the enormity of existence. An audacious, unforgettable meditation on the passage of time, A Ghost Story emerges ecstatic and surreal – a wholly unique experience that lingers long after the credits roll.

Contains infrequent strong language, images of dead bodies.

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Director: Aisling Walsh.
Starring: Sally Hawkins, Ethan Hawke, Kari Matchett. Ireland/Canada 2016. 116 mins.

A beautifully realised biopic of Canadian artist Maud Lewis. Impoverished and disabled with chronic arthritis, watercolourist Maud (Hawkins) lives with her mean-spirited spinster aunt in Nova Scotia. When she accepts a job as a housekeeper for Everett (Hawke), a gruff fishmonger whose home is a tiny, one-room shack, she seems to escape one set of fetters for another. However, despite Everett’s surly selfishness, Maud perversely finds him attractive and inspiring, and he allows her to do her own painting when she’s through with the housework. With echoes of My Left Foot’s triumph over impairment and her role in Mike Leigh’s Happy-Go-Lucky, Hawkins brings perky optimism to a character who eventually blossoms after one of her almost child-like paintings is bought by a Manhattan socialite (Matchett) and her relationship with Everett becomes infused with a strange tendresse.

Contains infrequent moderate violence, sex.

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Director: David Soren.
Voices: Ed Helms, Kevin Hart, Thomas Middleditch. USA 2017. 89 mins.

Noted Dreamworks animator David Soren (Shrek, Turbo) directs the first film of a potential franchise based on author Dav Pilkey’s weirdly wonderful children’s adventures featuring elementary-school troublemakers George (Hart) and Harold (Middleditch). Rather than studying in the classroom, George and Harold prefer sitting in their tree house chronicling the exploits of their unlikely superhero, Captain Underpants, in their homemade comic books. However, when their stern headmaster Mr Krupp (Helms) finally catches them out, they accidentally hypnotise him into thinking that he is the caped tighty-whitey crusader. The faux Captain is then tormented by a new history teacher, Prof. Poopypants (Nick Kroll), prompting a slew of fast-paced misadventures that Soren and his team energise with an array of animation formats.

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Director: Christopher Nolan.
Starring: Fionn Whitehead, Harry Styles, Cillian Murphy, Mark Rylance, Tom Hardy. Netherlands/UK/France/USA 2017. 106 mins.

The mass evacuation of more than 330,000 Allied troops from the beaches of Dunkirk in May 1940 was one of the most dramatic and pivotal episodes of the Second World War. In his latest feature, director Christopher Nolan (Interstellar, The Dark Knight trilogy) plunges viewers into the thick of it with what he describes as “the most visceral experiential two hours that audiences can hope for”.

Told from three points of view – land, sea and air – Dunkirk unfolds with a palpable sense of dread and tension, evoking the very human and immediate desire to survive.

With cinematography from Hoyte van Hoytema (Interstellar), a score from Hans Zimmer, and an all-star supporting cast that includes Tom Hardy, Cillian Murphy and Mark Rylance, this is the must-see spectacle of the summer.

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Colin is 42 and a gardening journalist. He’s starting to suspect his wife, Freya, of harbouring secret yearnings for her ex, the ageing pop star Gordon ‘Midge’ Midgely, best known for the novelty hit "Be My Bear". But that’s not all. Tomorrow morning, the eccentric colonoscopist Dr Woolf will insert a camera and tell him whether he has bowel cancer. Colin has, however, made a solemn vow. If he gets the all clear, he will sing in a rock group at Freya’s 40th birthday party. Only one small detail can prevent him stealing the show – he doesn’t actually have a band. But with help from Freya’s dad, Erwin, a former session musician, he gets his oddball group of friends to help him out. Can Colin overcome all the odds? His band has little talent and the path to rock and roll glory has not gone smoothly. When step-son Jake takes the mike and announces: ‘Please welcome on stage…’ Will Colin’s mouth go dry? Will he be able to go through with it? What if he falls flat on his face? Or what if there’s a twist in the tale that no one has seen coming?

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Directors: Ron Clements, John Musker. Voices: Auli’i Cravalho, Dwayne Johnson, Rachel House. USA 2016. 113 mins.

On the mythical and mystical island of Motuni in the South Pacific lives the titular Moana (delightful newcomer Cravalho), daughter of the tribal chief and last in a long line of navigators. Her family have long since abandoned their fabled oceanic adventuring, but with encouragement from her grandma (House), the teenage Moana sets off to sea in search of a mysterious island, accompanied by a spiky demigod (Johnson) and a pet rooster. In their first digital animation – which involved much specially written software – and with a starry voice cast including actors with Pacific island roots, legendary Disney directors Clements and Musker (Aladdin, The Little Mermaid) have created a visually stunning work, adding music and humour to the tale of an unlikely but endearing friendship.

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Alfred Hitchcock's stunningly realised tale of gruesome murders and sly verbal sparring at the Bates Motel. Bernard Herrman's famed all-strings score enriches the film considerably and provides some of the most famous music in cinema history, with the innovative, nerve-jangling, violent 'screams' which accompany the stabbing of Janet Leigh in the shower.

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Directors: Bonni Cohen, Jon Shenk. Featuring: Al Gore, Barack Obama, Donald Trump. USA 2017. 98 mins.

Ten years after his original Inconvenient Truth, Al Gore remains deeply committed to publicising the oncoming perils of climate change and, as this movie demonstrates, doing something practical about it. Taking over from original director Davis Guggenheim, directors Bonnie Cohen and Jon Shenk follow Gore as he travels the globe tutoring eco-activists as well as demonstrating to his global warming-denying critics that his original, dour predictions are already proving correct – Miami Beach’s regular floods, Hurricane Sandy putting Manhattan’s Ground Zero underwater, anybody? Footage of Barack Obama and Donald Trump’s efforts conversely to address and refute the fact of climate change are equally chilling, which is ironic considering that the fifteen hottest years on record have occurred since 2001. Sobering and heartening in equal measure.

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Director: Stanley Tucci.
Starring: Geoffrey Rush, Armie Hammer, Clémence Poésy. UK 2017. 90 mins.

Returning to the director’s chair after a decade-long absence, Stanley Tucci sketches the frustrations of creative genius with a fascinating and witty glimpse into the workshop and personality of Swiss sculptor and painter Alberto Giacometti (Rush). In Paris in 1964, Giacometti bumps into an old friend, American writer and art-lover James Lord (Hammer), and invites him to sit for a portrait. Assured that it would take half a day at most, Lord accepts. A half-day turns into days. Days turn into weeks. Giacometti rages at the canvas, unconvinced of his talent. Both flattered and frustrated, Lord cancels a series of flights home. With no end in sight, he’s a prisoner to the artist’s whims. But as the brushstrokes ebb and flow, Lord ultimately sees logic in the chaos, and painter and subject develop an unusual bond.

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Director: David Lowery.
Starring: Casey Affleck. Rooney Mara. USA 2017. 92 mins.

The latest film from acclaimed director David Lowery (Ain’t Them Bodies Saints, Pete’s Dragon) is a singular exploration of legacy, loss, and the essential human longing for meaning and connection. A white-sheeted ghost (Affleck) returns to his suburban home to console his bereft wife (Mara), only to find that in his spectral state he has become unstuck in time, forced to watch passively as the life he knew and the woman he loves slowly slip away. Increasingly unmoored, the ghost embarks on a cosmic journey through memory and history, confronting life’s ineffable questions and the enormity of existence. An audacious, unforgettable meditation on the passage of time, A Ghost Story emerges ecstatic and surreal – a wholly unique experience that lingers long after the credits roll.

Contains infrequent strong language, images of dead bodies.

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Director: Mark Gill. Starring: Jack Lowden, Jessica Brown Findlay. UK 2017. 94 mins.

Self-absorbed miserablist or uncompromising observer of shifting cultural values? Both may be said of Steven Morrissey, singer-songwriter and former frontman of seminal ’80s band The Smiths. This striking docu-drama contextualises his career by chronicling his troubled adolescence in 1970s Manchester – a time when he was still finding his musical mojo. Jack Lowden (Dunkirk) stars as the young Morrissey, a restless teenager struggling to escape his working-class roots, taking a string of dead-end jobs as his parents’ marriage disintegrates. Yet after meeting art student Linder (Brown Findlay), his courage and sense of purpose grow, marking the start of his journey to become the artist that he knows, deep down, he is destined to be. An evocative and often amusing portrait, England Is Mine is as compelling and at times heart-rending as Morrissey’s own back catalogue.

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Director: Aisling Walsh.
Starring: Sally Hawkins, Ethan Hawke, Kari Matchett. Ireland/Canada 2016. 116 mins.

A beautifully realised biopic of Canadian artist Maud Lewis. Impoverished and disabled with chronic arthritis, watercolourist Maud (Hawkins) lives with her mean-spirited spinster aunt in Nova Scotia. When she accepts a job as a housekeeper for Everett (Hawke), a gruff fishmonger whose home is a tiny, one-room shack, she seems to escape one set of fetters for another. However, despite Everett’s surly selfishness, Maud perversely finds him attractive and inspiring, and he allows her to do her own painting when she’s through with the housework. With echoes of My Left Foot’s triumph over impairment and her role in Mike Leigh’s Happy-Go-Lucky, Hawkins brings perky optimism to a character who eventually blossoms after one of her almost child-like paintings is bought by a Manhattan socialite (Matchett) and her relationship with Everett becomes infused with a strange tendresse.

Contains infrequent moderate violence, sex.

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Director: David Soren.
Voices: Ed Helms, Kevin Hart, Thomas Middleditch. USA 2017. 89 mins.

Noted Dreamworks animator David Soren (Shrek, Turbo) directs the first film of a potential franchise based on author Dav Pilkey’s weirdly wonderful children’s adventures featuring elementary-school troublemakers George (Hart) and Harold (Middleditch). Rather than studying in the classroom, George and Harold prefer sitting in their tree house chronicling the exploits of their unlikely superhero, Captain Underpants, in their homemade comic books. However, when their stern headmaster Mr Krupp (Helms) finally catches them out, they accidentally hypnotise him into thinking that he is the caped tighty-whitey crusader. The faux Captain is then tormented by a new history teacher, Prof. Poopypants (Nick Kroll), prompting a slew of fast-paced misadventures that Soren and his team energise with an array of animation formats.

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Odd Horizon Presents // Kapil Seshasayee // Yoshika // Quip

Taking our first trip down to the Basement in York for a night of expressive, alternative music, Odd Horizon are proud to host Kapil Seshasayee on his tour, with support from LUUNA's Yoshika, and local artist Quip.

Kapil Seshasayee is a polymath, and a true original talent, both as a songwriter and as a soundsmith, a one man combination of Scott Walker, Mark Hollis, Bjork, and Richard Dawson, creating something wholly unique. Combining Big Black style drum machine beats with thundering baritone guitar, stunning vocals and a penchant for unorthodox instrumentation such as the aquaphone, Kapil manages to be truly experimental yet still accessible, weaving in subtle pop songcraft to his avant-garde textures. Subtle hooks are juxtaposed with eerie drone, punchy riffs, clanking percussion and eerie sound effects. Caustic Wit is a beautiful example of all he does well, combining each element of his music seamlessly, creating an unprecedented sonic journey over its four minutes.

Tickets £7 ADV // £9 OTD

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When Europa skips class and meets a magnetic young man named Jupiter, she embarks on an unexpected and magical journey. Travelling aboard Jupiter’s eight-wheel truck, they arrive in a mythical land inhabited by powerful gods who can transform humans into plants or animals in the blink of an eye. Europa watches, listens, and plays in their immortal home, becoming acquainted with Jupiter’s friends, Bacchus and Orpheus. As the confrontation between seductive, yet vengeful gods and innocent mortals unfolds, Europa grasps a greater sense of life and love in this revelatory modern-day retelling of Ovid’s Metamorphoses.

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Director: Christopher Nolan.
Starring: Fionn Whitehead, Harry Styles, Cillian Murphy, Mark Rylance, Tom Hardy. Netherlands/UK/France/USA 2017. 106 mins.

The mass evacuation of more than 330,000 Allied troops from the beaches of Dunkirk in May 1940 was one of the most dramatic and pivotal episodes of the Second World War. In his latest feature, director Christopher Nolan (Interstellar, The Dark Knight trilogy) plunges viewers into the thick of it with what he describes as “the most visceral experiential two hours that audiences can hope for”.

Told from three points of view – land, sea and air – Dunkirk unfolds with a palpable sense of dread and tension, evoking the very human and immediate desire to survive.

With cinematography from Hoyte van Hoytema (Interstellar), a score from Hans Zimmer, and an all-star supporting cast that includes Tom Hardy, Cillian Murphy and Mark Rylance, this is the must-see spectacle of the summer.

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Directors: Ron Clements, John Musker. Voices: Auli’i Cravalho, Dwayne Johnson, Rachel House. USA 2016. 113 mins.

On the mythical and mystical island of Motuni in the South Pacific lives the titular Moana (delightful newcomer Cravalho), daughter of the tribal chief and last in a long line of navigators. Her family have long since abandoned their fabled oceanic adventuring, but with encouragement from her grandma (House), the teenage Moana sets off to sea in search of a mysterious island, accompanied by a spiky demigod (Johnson) and a pet rooster. In their first digital animation – which involved much specially written software – and with a starry voice cast including actors with Pacific island roots, legendary Disney directors Clements and Musker (Aladdin, The Little Mermaid) have created a visually stunning work, adding music and humour to the tale of an unlikely but endearing friendship.

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Directors: Bonni Cohen, Jon Shenk. Featuring: Al Gore, Barack Obama, Donald Trump. USA 2017. 98 mins.

Ten years after his original Inconvenient Truth, Al Gore remains deeply committed to publicising the oncoming perils of climate change and, as this movie demonstrates, doing something practical about it. Taking over from original director Davis Guggenheim, directors Bonnie Cohen and Jon Shenk follow Gore as he travels the globe tutoring eco-activists as well as demonstrating to his global warming-denying critics that his original, dour predictions are already proving correct – Miami Beach’s regular floods, Hurricane Sandy putting Manhattan’s Ground Zero underwater, anybody? Footage of Barack Obama and Donald Trump’s efforts conversely to address and refute the fact of climate change are equally chilling, which is ironic considering that the fifteen hottest years on record have occurred since 2001. Sobering and heartening in equal measure.

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Director: Stanley Tucci.
Starring: Geoffrey Rush, Armie Hammer, Clémence Poésy. UK 2017. 90 mins.

Returning to the director’s chair after a decade-long absence, Stanley Tucci sketches the frustrations of creative genius with a fascinating and witty glimpse into the workshop and personality of Swiss sculptor and painter Alberto Giacometti (Rush). In Paris in 1964, Giacometti bumps into an old friend, American writer and art-lover James Lord (Hammer), and invites him to sit for a portrait. Assured that it would take half a day at most, Lord accepts. A half-day turns into days. Days turn into weeks. Giacometti rages at the canvas, unconvinced of his talent. Both flattered and frustrated, Lord cancels a series of flights home. With no end in sight, he’s a prisoner to the artist’s whims. But as the brushstrokes ebb and flow, Lord ultimately sees logic in the chaos, and painter and subject develop an unusual bond.

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Director: David Lowery.
Starring: Casey Affleck. Rooney Mara. USA 2017. 92 mins.

The latest film from acclaimed director David Lowery (Ain’t Them Bodies Saints, Pete’s Dragon) is a singular exploration of legacy, loss, and the essential human longing for meaning and connection. A white-sheeted ghost (Affleck) returns to his suburban home to console his bereft wife (Mara), only to find that in his spectral state he has become unstuck in time, forced to watch passively as the life he knew and the woman he loves slowly slip away. Increasingly unmoored, the ghost embarks on a cosmic journey through memory and history, confronting life’s ineffable questions and the enormity of existence. An audacious, unforgettable meditation on the passage of time, A Ghost Story emerges ecstatic and surreal – a wholly unique experience that lingers long after the credits roll.

Contains infrequent strong language, images of dead bodies.

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Director: Mark Gill. Starring: Jack Lowden, Jessica Brown Findlay. UK 2017. 94 mins.

Self-absorbed miserablist or uncompromising observer of shifting cultural values? Both may be said of Steven Morrissey, singer-songwriter and former frontman of seminal ’80s band The Smiths. This striking docu-drama contextualises his career by chronicling his troubled adolescence in 1970s Manchester – a time when he was still finding his musical mojo. Jack Lowden (Dunkirk) stars as the young Morrissey, a restless teenager struggling to escape his working-class roots, taking a string of dead-end jobs as his parents’ marriage disintegrates. Yet after meeting art student Linder (Brown Findlay), his courage and sense of purpose grow, marking the start of his journey to become the artist that he knows, deep down, he is destined to be. An evocative and often amusing portrait, England Is Mine is as compelling and at times heart-rending as Morrissey’s own back catalogue.

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Director: Aisling Walsh.
Starring: Sally Hawkins, Ethan Hawke, Kari Matchett. Ireland/Canada 2016. 116 mins.

A beautifully realised biopic of Canadian artist Maud Lewis. Impoverished and disabled with chronic arthritis, watercolourist Maud (Hawkins) lives with her mean-spirited spinster aunt in Nova Scotia. When she accepts a job as a housekeeper for Everett (Hawke), a gruff fishmonger whose home is a tiny, one-room shack, she seems to escape one set of fetters for another. However, despite Everett’s surly selfishness, Maud perversely finds him attractive and inspiring, and he allows her to do her own painting when she’s through with the housework. With echoes of My Left Foot’s triumph over impairment and her role in Mike Leigh’s Happy-Go-Lucky, Hawkins brings perky optimism to a character who eventually blossoms after one of her almost child-like paintings is bought by a Manhattan socialite (Matchett) and her relationship with Everett becomes infused with a strange tendresse.

Contains infrequent moderate violence, sex.

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Director: David Soren.
Voices: Ed Helms, Kevin Hart, Thomas Middleditch. USA 2017. 89 mins.

Noted Dreamworks animator David Soren (Shrek, Turbo) directs the first film of a potential franchise based on author Dav Pilkey’s weirdly wonderful children’s adventures featuring elementary-school troublemakers George (Hart) and Harold (Middleditch). Rather than studying in the classroom, George and Harold prefer sitting in their tree house chronicling the exploits of their unlikely superhero, Captain Underpants, in their homemade comic books. However, when their stern headmaster Mr Krupp (Helms) finally catches them out, they accidentally hypnotise him into thinking that he is the caped tighty-whitey crusader. The faux Captain is then tormented by a new history teacher, Prof. Poopypants (Nick Kroll), prompting a slew of fast-paced misadventures that Soren and his team energise with an array of animation formats.

More details

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Director: Christopher Nolan.
Starring: Fionn Whitehead, Harry Styles, Cillian Murphy, Mark Rylance, Tom Hardy. Netherlands/UK/France/USA 2017. 106 mins.

The mass evacuation of more than 330,000 Allied troops from the beaches of Dunkirk in May 1940 was one of the most dramatic and pivotal episodes of the Second World War. In his latest feature, director Christopher Nolan (Interstellar, The Dark Knight trilogy) plunges viewers into the thick of it with what he describes as “the most visceral experiential two hours that audiences can hope for”.

Told from three points of view – land, sea and air – Dunkirk unfolds with a palpable sense of dread and tension, evoking the very human and immediate desire to survive.

With cinematography from Hoyte van Hoytema (Interstellar), a score from Hans Zimmer, and an all-star supporting cast that includes Tom Hardy, Cillian Murphy and Mark Rylance, this is the must-see spectacle of the summer.

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Director: Paul Sng, UK, 2017, 82min.

For some people, a housing crisis means not getting planning permission for a loft conversion. For others it means, quite simply, losing their home. Dispossession: The Great Social Housing Swindle is a feature documentary directed by Paul Sng (Sleaford Mods – Invisible Britain) and narrated by Maxine Peake, exploring the catastrophic failures that have led to a chronic shortage of social housing in Britain. The film focuses on the neglect, demolition and regeneration of council estates across the UK and investigates how the state works with the private sector to demolish council estates to build on the land they stand on, making properties that are unaffordable to the majority of people. Dispossession is the story of people fighting for their communities, of people who know the difference between a house and a home, and who believe that housing is a human right, not an expensive luxury.

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Directors: Ron Clements, John Musker. Voices: Auli’i Cravalho, Dwayne Johnson, Rachel House. USA 2016. 113 mins.

On the mythical and mystical island of Motuni in the South Pacific lives the titular Moana (delightful newcomer Cravalho), daughter of the tribal chief and last in a long line of navigators. Her family have long since abandoned their fabled oceanic adventuring, but with encouragement from her grandma (House), the teenage Moana sets off to sea in search of a mysterious island, accompanied by a spiky demigod (Johnson) and a pet rooster. In their first digital animation – which involved much specially written software – and with a starry voice cast including actors with Pacific island roots, legendary Disney directors Clements and Musker (Aladdin, The Little Mermaid) have created a visually stunning work, adding music and humour to the tale of an unlikely but endearing friendship.

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Mitsuha and Taki are two total strangers living completely different lives. But when Mitsuha makes a wish to leave her mountain town and for the bustling city of Tokyo, they become connected in a bizarre way. She dreams she is a boy living in Tokyo while Taki dreams he is a girl from a rural town he’s never been to.

What does their newfound connection mean? And how will it bring them together?

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Director: Geremy Jasper. Starring: Danielle Macdonald, Bridget Everett, Siddharth Dhananjay. USA 2017. 109 mins.

Patti Cake$ introduces Australian native Danielle Macdonald in a breakout role, as aspiring rapper Patricia Dombrowski, a.k.a. Killa P, a.k.a. Patti Cake$. Fighting an unlikely quest for glory in her downtrodden hometown in Jersey where her life is falling apart, Patti tries to reach the big time in the hip hop scene with original and affecting music. Cheered on by her grandmother (Cathy Moriarty) and only friends, Jheri (Siddharth Dhananjay) and Basterd (Mamoudou Athie), Patti also shoulders her mother"s (Bridget Everett) heartaches and misfortunes.

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Directors: Bonni Cohen, Jon Shenk. Featuring: Al Gore, Barack Obama, Donald Trump. USA 2017. 98 mins.

Ten years after his original Inconvenient Truth, Al Gore remains deeply committed to publicising the oncoming perils of climate change and, as this movie demonstrates, doing something practical about it. Taking over from original director Davis Guggenheim, directors Bonnie Cohen and Jon Shenk follow Gore as he travels the globe tutoring eco-activists as well as demonstrating to his global warming-denying critics that his original, dour predictions are already proving correct – Miami Beach’s regular floods, Hurricane Sandy putting Manhattan’s Ground Zero underwater, anybody? Footage of Barack Obama and Donald Trump’s efforts conversely to address and refute the fact of climate change are equally chilling, which is ironic considering that the fifteen hottest years on record have occurred since 2001. Sobering and heartening in equal measure.

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Director: Stanley Tucci.
Starring: Geoffrey Rush, Armie Hammer, Clémence Poésy. UK 2017. 90 mins.

Returning to the director’s chair after a decade-long absence, Stanley Tucci sketches the frustrations of creative genius with a fascinating and witty glimpse into the workshop and personality of Swiss sculptor and painter Alberto Giacometti (Rush). In Paris in 1964, Giacometti bumps into an old friend, American writer and art-lover James Lord (Hammer), and invites him to sit for a portrait. Assured that it would take half a day at most, Lord accepts. A half-day turns into days. Days turn into weeks. Giacometti rages at the canvas, unconvinced of his talent. Both flattered and frustrated, Lord cancels a series of flights home. With no end in sight, he’s a prisoner to the artist’s whims. But as the brushstrokes ebb and flow, Lord ultimately sees logic in the chaos, and painter and subject develop an unusual bond.

More details

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Director: David Lowery.
Starring: Casey Affleck. Rooney Mara. USA 2017. 92 mins.

The latest film from acclaimed director David Lowery (Ain’t Them Bodies Saints, Pete’s Dragon) is a singular exploration of legacy, loss, and the essential human longing for meaning and connection. A white-sheeted ghost (Affleck) returns to his suburban home to console his bereft wife (Mara), only to find that in his spectral state he has become unstuck in time, forced to watch passively as the life he knew and the woman he loves slowly slip away. Increasingly unmoored, the ghost embarks on a cosmic journey through memory and history, confronting life’s ineffable questions and the enormity of existence. An audacious, unforgettable meditation on the passage of time, A Ghost Story emerges ecstatic and surreal – a wholly unique experience that lingers long after the credits roll.

Contains infrequent strong language, images of dead bodies.

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Director: Mark Gill. Starring: Jack Lowden, Jessica Brown Findlay. UK 2017. 94 mins.

Self-absorbed miserablist or uncompromising observer of shifting cultural values? Both may be said of Steven Morrissey, singer-songwriter and former frontman of seminal ’80s band The Smiths. This striking docu-drama contextualises his career by chronicling his troubled adolescence in 1970s Manchester – a time when he was still finding his musical mojo. Jack Lowden (Dunkirk) stars as the young Morrissey, a restless teenager struggling to escape his working-class roots, taking a string of dead-end jobs as his parents’ marriage disintegrates. Yet after meeting art student Linder (Brown Findlay), his courage and sense of purpose grow, marking the start of his journey to become the artist that he knows, deep down, he is destined to be. An evocative and often amusing portrait, England Is Mine is as compelling and at times heart-rending as Morrissey’s own back catalogue.

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Director: Aisling Walsh.
Starring: Sally Hawkins, Ethan Hawke, Kari Matchett. Ireland/Canada 2016. 116 mins.

A beautifully realised biopic of Canadian artist Maud Lewis. Impoverished and disabled with chronic arthritis, watercolourist Maud (Hawkins) lives with her mean-spirited spinster aunt in Nova Scotia. When she accepts a job as a housekeeper for Everett (Hawke), a gruff fishmonger whose home is a tiny, one-room shack, she seems to escape one set of fetters for another. However, despite Everett’s surly selfishness, Maud perversely finds him attractive and inspiring, and he allows her to do her own painting when she’s through with the housework. With echoes of My Left Foot’s triumph over impairment and her role in Mike Leigh’s Happy-Go-Lucky, Hawkins brings perky optimism to a character who eventually blossoms after one of her almost child-like paintings is bought by a Manhattan socialite (Matchett) and her relationship with Everett becomes infused with a strange tendresse.

Contains infrequent moderate violence, sex.

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Director: David Soren.
Voices: Ed Helms, Kevin Hart, Thomas Middleditch. USA 2017. 89 mins.

Noted Dreamworks animator David Soren (Shrek, Turbo) directs the first film of a potential franchise based on author Dav Pilkey’s weirdly wonderful children’s adventures featuring elementary-school troublemakers George (Hart) and Harold (Middleditch). Rather than studying in the classroom, George and Harold prefer sitting in their tree house chronicling the exploits of their unlikely superhero, Captain Underpants, in their homemade comic books. However, when their stern headmaster Mr Krupp (Helms) finally catches them out, they accidentally hypnotise him into thinking that he is the caped tighty-whitey crusader. The faux Captain is then tormented by a new history teacher, Prof. Poopypants (Nick Kroll), prompting a slew of fast-paced misadventures that Soren and his team energise with an array of animation formats.

More details

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Director: Christopher Nolan.
Starring: Fionn Whitehead, Harry Styles, Cillian Murphy, Mark Rylance, Tom Hardy. Netherlands/UK/France/USA 2017. 106 mins.

The mass evacuation of more than 330,000 Allied troops from the beaches of Dunkirk in May 1940 was one of the most dramatic and pivotal episodes of the Second World War. In his latest feature, director Christopher Nolan (Interstellar, The Dark Knight trilogy) plunges viewers into the thick of it with what he describes as “the most visceral experiential two hours that audiences can hope for”.

Told from three points of view – land, sea and air – Dunkirk unfolds with a palpable sense of dread and tension, evoking the very human and immediate desire to survive.

With cinematography from Hoyte van Hoytema (Interstellar), a score from Hans Zimmer, and an all-star supporting cast that includes Tom Hardy, Cillian Murphy and Mark Rylance, this is the must-see spectacle of the summer.

More details

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Directors: Ron Clements, John Musker. Voices: Auli’i Cravalho, Dwayne Johnson, Rachel House. USA 2016. 113 mins.

On the mythical and mystical island of Motuni in the South Pacific lives the titular Moana (delightful newcomer Cravalho), daughter of the tribal chief and last in a long line of navigators. Her family have long since abandoned their fabled oceanic adventuring, but with encouragement from her grandma (House), the teenage Moana sets off to sea in search of a mysterious island, accompanied by a spiky demigod (Johnson) and a pet rooster. In their first digital animation – which involved much specially written software – and with a starry voice cast including actors with Pacific island roots, legendary Disney directors Clements and Musker (Aladdin, The Little Mermaid) have created a visually stunning work, adding music and humour to the tale of an unlikely but endearing friendship.

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Living Body is the new project from Leeds-based Chicagoan Jeff T. Smith (formerly, Juffage) featuring longtime collaborators Katie Harkin (Harkin, Sky Larkin, Wild Beasts, Sleater-Kinney) and Tom Evans (Vessels). Rising from the ashes of their acclaimed “Sonic Cauldron” concert at Left Bank Leeds in 2013, the group is now augmented by new and additional live members Alice Rowan (Mayshe-Mayshe) & Sarah Statham (Esper Scout). Expanding on the need for music to bring joy into the lives of others, and Smith’s fascination with the contortion of the pop song into a uniquely imaginative and immediate form, Living body aims to exist in a world of skin and information overload in 2016.

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Join Timmy and his friends for three fun adventures in this collection of classic Timmy Time episodes where Timmy learns the importance of friendship – whether it’s teaching Ruffy how to ride a tricycle, helping Apricot get over her fear of thunder or just waiting his turn to have a go on the brand-new go kart.

Featuring the episodes Timmy On Wheels, Timmy Goes Bang and Go Kart Timmy.

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Remy lives in Paris and dreams of becoming a chef. The only problem is that Remy is a rat.

With his passion for cooking, he forms an unlikely alliance with a young, inexperienced chef at one of the most famous restaurants in the city.

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Director: John Waters.
Starring: Ricki Lake, Divine, Debbie Harry, Sonny Bono, Pia Zadora. USA 1988. 92 mins.

Baltimore, 1962. The heyday of hair-dos and hair-don’ts, and teen dance crazes like The Bug, The Roach and The Mashed Potato. Overweight teen Tracy Turnblad (Lake) lands a spot on a local TV dance show, using her newfound fame to champion the cause of racial integration. But in doing so she earns the wrath of the show’s former star, Amber Von Tussle, as well as Amber’s manipulative, pro-segregation parents.

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Director: Wolfgang Reitherman. USA. 1967. 77 mins.

Abandoned after an accident, baby Mowgli is taken and raised by a family of wolves. As the boy grows older, the wise panther Bagheera realizes he must be returned to his own kind in the nearby man-village. Baloo the bear however thinks differently taking the young Mowgli under his wing and teaching that living in the jungle is the best life there is. Bagheera realizes that Mowgli is in danger, particularly from Shere Khan the tiger who hates all people. When Baloo finally comes around, Mowgli runs off into the jungle where he survives a second encounter with Kaa the snake and finally, with Shere Khan. It's the sight of a pretty girl however that gets Mowgli to go the nearby man-village.

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Director: Hayao Miyazaki. Japan 1988. 83 mins.

Miyazaki’s superbly animated tale is considered to be one of the best-loved family films of all time. The story follows Satsuki (Hidaka) and Mei (Sakamoto), two young girls who find their new home is by a mystical forest inhabited by a menagerie of fantastical creatures called Totoros. They befriend O-Totoro, the biggest and eldest of them, and king of the forest. While the girls' mother lies sick in hospital, O-Totoro takes them on a magical adventure and helps them to understand the realities of life. Containing a powerful ecological theme, this is a lovingly crafted work of depth, import and beauty.

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Director: Alfred Hitchock.
Starring: James Stewart, Grace Kelly, Thelma Ritter, Raymond Burr. USA 1954. 112 mins.

When James Stewart’s photojournalist is confined to his apartment with a broken leg in a sweltering summer in New York, he begins to observe constantly the lives of those around him. Passive activity evolves into voyeuristic obsession, until he thinks he has witnessed a murder… One of Hitchcock’s most celebrated and morally complex films, with the camera restrained as tightly as the incapacitated protagonist and aligned to his privileged and restricted point of view. Mordant wit, nail-biting suspense and a gallery of superb performances, not least from Raymond Burr as the victimised murderer across the way.

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Director: James Cameron.
Starring: Arnold Schwarzenegger, Linda Hamilton, Robert Patrick, Edward Furlong. USA/France 2017. TBC mins.

He’s only gone and done it. James Cameron has talked about converting T2: Judgement Day into 3D for years, and now he’s given his 1991 masterpiece – one of the greatest action films of all time –the 21st century treatment. Digitally restored before conversion to 3D, this re-release brings the battle for tomorrow to life in spectacular fashion.

10 years after the events of The Terminator, Sarah Connor’s ordeal is only just beginning. A new cyborg, the T-1000, has been sent back to eliminate her now ten-year-old son, John, the future leader of the human resistance. The T-1000 is more advanced and powerful than its predecessor, but Sarah and John won’t face this new terror alone…

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A forgotten European song contest singer, fading away in a pate factory, falls in love with a young aspiring boxer. Together they decide to attempt her comeback.

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Director: Hayao Miyazaki. Japan 1988. 83 mins.

Miyazaki’s superbly animated tale is considered to be one of the best-loved family films of all time. The story follows Satsuki (Hidaka) and Mei (Sakamoto), two young girls who find their new home is by a mystical forest inhabited by a menagerie of fantastical creatures called Totoros. They befriend O-Totoro, the biggest and eldest of them, and king of the forest. While the girls' mother lies sick in hospital, O-Totoro takes them on a magical adventure and helps them to understand the realities of life. Containing a powerful ecological theme, this is a lovingly crafted work of depth, import and beauty.

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Director: Hayao Miyazaki. Japan 1988. 83 mins.

Miyazaki’s superbly animated tale is considered to be one of the best-loved family films of all time. The story follows Satsuki (Hidaka) and Mei (Sakamoto), two young girls who find their new home is by a mystical forest inhabited by a menagerie of fantastical creatures called Totoros. They befriend O-Totoro, the biggest and eldest of them, and king of the forest. While the girls' mother lies sick in hospital, O-Totoro takes them on a magical adventure and helps them to understand the realities of life. Containing a powerful ecological theme, this is a lovingly crafted work of depth, import and beauty.

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The incredible Billie Piper (Penny Dreadful, Great Britain) returns in her Evening Standard Best Actress award-winning role. A young woman is driven to the unthinkable by her desperate desire to have a child in Simon Stone’s radical production of Lorca’s achingly powerful masterpiece. The unmissable theatre phenomenon sold out at the Young Vic and critics call it “an extraordinary theatrical triumph” (The Times) and “stunning, searing, unmissable” (Mail on Sunday). Billie Piper’s lead performance is described as “spellbinding” (The Evening Standard), “astonishing” (iNews) and “devastatingly powerful” (The Daily Telegraph). Set in contemporary London, Piper’s portrayal of a woman in her thirties desperate to conceive builds with elemental force to a staggering, shocking, climax. Please note that this broadcast does not have an interval.

★★★★★
“Brutal yet ferociously funny” - Metro

★★★★★
“Billie Piper makes a shattering Yerma in Simon Stone’s inspired reworking of Lorca” - The Observer

★★★★★
“A shatteringly powerful reinvention of a familiar classic” - The Independent

Encore screenings at select Picturehouses

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Director: Hayao Miyazaki. Japan 1988. 83 mins.

Miyazaki’s superbly animated tale is considered to be one of the best-loved family films of all time. The story follows Satsuki (Hidaka) and Mei (Sakamoto), two young girls who find their new home is by a mystical forest inhabited by a menagerie of fantastical creatures called Totoros. They befriend O-Totoro, the biggest and eldest of them, and king of the forest. While the girls' mother lies sick in hospital, O-Totoro takes them on a magical adventure and helps them to understand the realities of life. Containing a powerful ecological theme, this is a lovingly crafted work of depth, import and beauty.

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Forget about da bass! In this trio of Rastamouse adventures it's all about cheese - Zoomer's favourite!

Featuring episodes: Da Rollin’ Cheese, Da Mouseland Cheese Hunt and Rainin’ Cheese

Author Michael De Souza says of his creation, “Rastamouse has a positive message for young children, promoting the need to understand what is right from what is wrong, and why, in a meaningful context.” If you want to have more fun when you get home from the cinema, go to www.rastamouse.com to find out all about the nation’s favourite reggae-playing mouse, play games or just listen to Da Easy Crew’s crucial tunes. Rastamouse and Da Easy Crew also want to hear all about how you made a bad ting good – so send any pictures or stories in to them at goodtings@rastamouse.com.

“Through understanding, love an' respect; Rastamouse will always make a bad thing good.”

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'Promoting original music and art through York’s impeccable talent’

A monthly Open Mic Night to showcase those with the creative buzz. For any kind of performer- poetry, comedy, musings, music, monologue and miscellaneous! Guest headliners, up-n-comers and first-timers meet in the chilled surroundings of The Basement to take the stage!

We recommend that performers arrive in time for doors at 7:30pm to avoid disappointment - slots are allocated on the evening and are no longer than 10 mins.

All ages welcome. Anyone under the age of 16 must be accompanied by an adult.

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Comedians of Art is a comedy tour of two comedy friends presenting two comedy shows as one comedy separately. So for the price of two, you will get:

Ben Target - a critically acclaimed, award-baiting absurdist sensation. Expect exquisite prop comedy, inadvisable performance art and this stuff:

"One of very few comics who manage to do something new with the art form while keeping an audience thoroughly entertained" Guardian

"Impressively funny" Scotsman

"Oddball genius" Sun

John Hastings - a fence sitting former drag queen. He will yell. He will shout. He will be proving the following people right:

"This fast-growing comic is a pleasure to watch" ★★★★ Times

"Hastings' bold dramatic delivery is what really stands out when he is hammering a point home" ★★★★★ Mirror

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Director: Dir. Stanley Donen and Gene Kelly. USA. 1952. 102 mins.

Hollywood’s troubled transition from silent to talking pictures at the end of the 1920s provided the inspiration for perhaps the greatest of movie musicals.

“The most enduring film musical to have come out of Hollywood. In all these years not a frame of it has dated; it still retains all its freshness and sparkle.” Clive Hirschhorn, Gene Kelly: A Biography, 1984

To follow the acclaim for An American in Paris, which won him the 1951 Oscar for best picture, songwriter-turned-producer Arthur Freed charged screenwriters Betty Comden and Adolph Green with writing a musical based around some of his own most popular early songs. The result was a nostalgic tribute to the Hollywood of a bygone era starring Gene Kelly as Don Lockwood, the swashbuckling silent star at a film studio grappling with the coming of sound.

From the iconic scene in which Lockwood, smitten with young actress Kathy Selden (Debbie Reynolds), dances home during a downpour singing the title song, to the extended ballet sequence featuring Cyd Charisse in a parody of the gangster film, Singin’ in the Rain represents the musical genre at its most energetic and ambitious.

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Graced with passionate performances and featuring one of the greatest kisses in cinema history, this classic romantic espionage thriller is amongst Hitchcock’s very finest.

At the end of World War II, American military intelligence drafts the alluring daughter (Bergman) of a convicted Nazi to infiltrate a band of nefarious Germans who have fled to Brazil.
She is teamed with a dashing but chilly agent (Grant) with whom she falls deeply in love. Because of her past, however, the rigid and judgemental agent refuses to trust her - and their relationship falls apart completely when she agrees to marry the ringleader of the Germans in order to have better access to information.
Suspenseful to the very end, the film has been beautifully restored by the British Film Institute.

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Director: Matthew Heinemann. 2017. USA. 92min.

A real-life international thriller, City of Ghosts exposes a new type of warfare: a battle over ideas, a fight for hearts and minds, a conflict over clicks and views. Captivating in its immediacy, it follows the journey of “Raqqa is Being Slaughtered Silently”—a handful of anonymous activists who banded together after their homeland was taken over by ISIS in 2014. With astonishing, deeply personal access, this is the story of a brave group of citizen journalists as they face the realities of life undercover, on the run, and in exile, risking their lives to stand up against one of the greatest evils in the world today. Directed, produced, and filmed by Academy Award–nominated and Emmy-winning filmmaker Matthew Heineman (Cartel Land, 2015 Sundance Film Festival Directing Award), City of Ghosts is a singularly powerful cinematic experience that is sure to shake audiences to their core as it elevates the canon of one of the most talented and exciting documentary filmmakers working today.

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Café Scientifique is a place where, a cup of coffee or a glass of wine in your hand, you can come to explore the latest ideas in science and technology. Meetings take place in cafes, bars, restaurants and even theatres, but always outside a traditional academic context. AGE 14+

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In aid of Médecins Sans Frontières / Doctors without Borders (MSF) 7 September 2017

Join us for a unique celebration of John le Carré’s work as he discusses the full breadth of his career – from his extraordinary Cold War novels to his powerful descriptions of the arms trade and the war on terror – and reflects on the continuing story of his most famous creation, the tubby, bespectacled spy, George Smiley.

Featuring readings from his new novel A Legacy Of Spies, and a rare Q&A session, this will be an unmissable opportunity to experience the author direct and in his own words.

The event will be broadcast live to cinemas across the UK and Europe from London’s Royal Festival Hall.

In support of MSF, the leading emergency medical humanitarian aid organisation, John le Carré is donating his speaker’s fee, and the producers of the live cinema broadcast, The Ink Factory, are donating their share of the profits to the charity.

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Sarah And Duck follows seven-year-old Sarah and her endearing best friend Duck. During each episode, the pair embarks on simple but exciting adventures. Whether they are trying to reach a rainbow or help an umbrella to stay dry, Sarah and Duck explore everyday moments in an engaging, imaginative way.

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Perpetual Motion Machine are an exciting fusion of jazz, rock, ambient and free form textures, played by a collective of some of the UK's finest jazz musicians. The Debut album 'Ignition' has been recorded in Jan 2017, UK national tour September 2017.

Sam Dunn & Jamie Taylor - Guitars, Riley Stone-Lonergan & Ben Lowman - Saxes, Garry Jackson - Bass & Steve Hanley - Drums.
The Basement Jazz Club is a new project which wants to put York’s amazing jazz scene front and centre. We pride ourselves on excellent sound and an intimate atmosphere, giving over our stage to the finest musicians from York, as well as the odd featured act from further afield.

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Join international cabaret star Velma Celli for an evening of cabaret.
Ian Stroughair (the man behind the makeup) is a West end and cabaret star who has appeared in hit Musicals such as Chicago, Cats, Fame and Rent where he received critical acclaim.
"A Stand out turn" Mark Shenton, The Guardian & The Stage magazine.
He has enjoyed a varied career in film and TV and even appeared on BBC's Eastenders as himself.
"A sensational performer at the height of his game" West End Frame.
This year he fronted the U.K commercial campaign for McDonalds and starred opposite Danny Dyer in the music short Nebraska for recording artist Lucy Rose.
"An impressive performance" What's On stage.
Also he makes his silver screen debut this Autumn in Feature film Night of the Lotus:
"A musical extravagant that hits all the right spots" This Is Cabaret.
This is a musical theatre review including classic show tunes, jazz standards, Bassey to Beyoncé and everything in between.
Switching from hysterical impressions of some of your favourite divas such as Britney Spears and Cher to stripped back acoustic arrangements of popular pop songs in ways you have never heard them this roller coaster of a cabaret really hits every spot!
There is something for everybody in this expertly written cabaret revue so do not miss out!

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Jonas Kaufmann, the celebrated German tenor, presents his personal tribute to Italian music and culture in this special concert documentary film, MY ITALY. Featuring songs from sold-out concerts in Turin and Milan, the star tenor’s stunning performances are interwoven with short films exploring his love of Italy, all set against a backdrop of breathtaking landscapes and evocative scenes of Italian life.

Music includes popular and familiar songs like ‘Parla più piano’ from the GODFATHER soundtrack, ‘Caruso’ by Lucio Dalla and the international hit ‘Volare’, performed at the Teatro Carignano in Turin. In addition fans will be able to relive some of opera’s most famous arias from Kaufmann’s ‘An Evening with Puccini’ concert at La Scala, Milan, including ‘Lucevan le stelle’ from TOSCA and ‘Nessun Dorma’ from TURANDOT. JONAS KAUFMANN: MY ITALY is a musical and visual treat coming to cinemas from Sunday 10 September.

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Director: Bill Condon
Starring: Emma Watson, Luke Evans, Stanley Tucci, Ian McKellen. USA 2017. 129 mins.

Back in 1991, the Walt Disney Company released Beauty And
 The Beast, an exquisitely drawn feature animation that became a gargantuan hit, delighting both audiences and critics and spinning off a blockbuster Broadway musical. So who better to breathe new life into the beloved French fairy tale – with its very modern message of not judging people by their appearance – in a live-action telling than the studio that made it a movie classic in the first place? Veteran director Bill Condon (The Twilight Saga: Breaking Dawn Parts 1 & 2, Dreamgirls, Mr Holmes) has refashioned the characters for
a contemporary audience but stayed true to the animation’s music, with several new songs and an amended score by the original composer, Alan Menken. Get ready to be wowed all over again.

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The hills are alive with the sound of nuns and lonely goatherds! One of the most successful screen musicals of all time, Rodgers and Hammerstein’s beloved tale is presented here in a gorgeous new digital restoration. Julie Andrews stars as the fun-loving Maria, bringing sunshine into the lives of the Von Trapp family amid the beautiful Bavarian Alps.

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You have my sword! And my bow! And my axe! And my answers! Test your knowledge of J.R.R. Tolkien’s mighty works, with questions focusing on Peter Jackon’s 6 films, from the sunny Shire through to the Gates of Mordor. Come win some precioussssss prizes.

Doors 7.30, quiz starts at 8. £1.50, maximum 5 people per team.

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45 years after Pink Floyd’s David Gilmour filmed ‘Live At Pompeii’ in the legendary Roman Amphitheatre there, he returned for two spectacular shows, part of his year-long tour in support of his No.1 album ‘Rattle That Lock’. The performances were the first-ever rock concerts for an audience in the stone Roman amphitheatre, and, for two nights only, the 2,600 strong crowd stood exactly where gladiators would have fought in the first century AD.

‘David Gilmour Live At Pompeii’ is an audio-visual spectacle, featuring lasers, pyrotechnics and a huge circular screen on which specially-created films complement selected songs, but paramount above all is the astonishing music and stellar performances from an all-star band. The show includes songs from throughout David's career, as well as many Pink Floyd classics, including 'One Of These Days', the only song that was also performed at the band’s 1971 show.

Both concerts also saw very special performances of 'The Great Gig In The Sky' from 'The Dark Side Of The Moon', which David rarely plays as a solo artist. This concert performance film includes highlights from both shows, filmed in 4k by director Gavin Elder . ‘David Gilmour Live At Pompeii’ shows an artist at the top of his artistic game, performing incredible material with his world-class band, in a unique setting, on one very special occasion.

Songs include the title tracks of his two most recent No. 1 solo albums: Rattle That Lock and On An Island, as well as other solo and Pink Floyd classics, including Wish You Were Here and Comfortably Numb.

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York Music For Refugees Presents Bella Gaffney + Dan Webster + Holly Taymar

Bella Gaffney “Great singer, great guitarist, really interesting songwriter” - Mike Harding, Podcast #67

2016 Celtic Connections Danny Kyle Award winner Bella Gaffney hails from Bradford. She writes folk inspired songs which she performs along with her own original arrangements of traditional pieces.

She has played at a great many folk and music festivals over the last few years, including Celtic Connections, Beverley, HebCelt, ButeFest, Dent,,Holmfirth, Otley, Southwell, BAAFest, & Filey to name just a few. She regularly supports international acts at Bradford’s prestigious folk venue SaltaireLive, and has done the same at a variety of venues around the country.

Bella now also performs with Midlands based band Bric-a-Brac, comprising Chris Elliott, Caitlin Jones, and Heather Sirrel, which is becoming well known and sought after by festivals and folk clubs, and who’s EP “Bits and Pieces” was extremely well reviewed by Yorkshire folk magazine Tykes’ News. 2017 brings the release of her new album “Heaven Knows” in July.

"Stunning performances...steeped in tradition and oozing talent her folk songwriting and performances will take her far." - NottsAboutMusic

“Bella Gaffney came to us highly recommended by others – now she comes highly recommended by us as well.” SaltaireLive

"Her treatment of the more well-known songs in her extensive repertoire is refreshingly different, and some of her own songs have a direct relevance to places and events of contemporary interest." Topic Folk Club

“Bella isn’t just an excellent folk singer or musician but, coupled with her ability to engage thoroughly with an audience, she has blossomed into a fine folk entertainer.” Morley Folk Club

Tickets £6 adv / £8 otd

All proceeds go to Refugee Action York and Safe Passage

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Director: Michael Cumming. Featuring: Chris Morris. UK 2017. 60 mins.

Twenty years after Brass Eye was first aired in 1997,Oxide Ghosts gives us the story behind the making of the legendary, provocative, and brilliant satirical TV series.

Part documentary, part artwork – this film is designed solely for cinema screenings and is made up almost entirely of never before seen footage taken from the personal archive of director Michael Cumming, who made both the pilots and the series. Oxide Ghosts carries the blessing of Brass Eye star Chris Morris, and provides a rare glimpse into his extraordinary working practices.

After the film we’re delighted to welcome Michael Cumming himself for a Q&A, where he will be spilling beans, shattering myths and letting a few cats out of bags.

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Performed on the spectacular water stage of Lake Constance in Bregenz (Austria), George Bizet’s CARMEN is a story of passion, destiny and obsession. The French composer’s opera is most famous for its Spanish melodies, including the Flower Song, Habanera and the Toreador Song.

On 14 September, experience Carmen like never before – recorded live on the floating stage during the Bregenz Festival. As with their previous spectacular productions, you can expect the staging of this classic tale to have an extravagantly original and innovative design, with the waters of the lake being used as an extension of the stage.

This production of Carmen will be directed by Kasper Holten, Director of Opera at the Royal Opera House in London, with the set designed by the British artist Es Devlin. Her past work includes sets for such stars as Adele, Take That, U2, Pet Shop Boys and Kanye West.

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Director: Stephen Frears. Starring: Judi Dench, Ali Fazal, Eddie Izzard. UK/USA 2017. 112 mins.

The year is 1887, and the British Empire is celebrating Queen Victoria’s Golden Jubilee. A young Indian clerk, Abdul Karim (Fazal), travels to England to present the monarch with a ceremonial coin. “Whatever you do, you must not look at Her Majesty,” he is told. But he does. And he smiles. And so begins one of the unlikeliest friendships in history. As the Queen (Dench) questions the constrictions of her long-held position, she forms a strong bond with her newest servant. Their devoted alliance provokes outrage and conspiracy within the Royal Household, but it also rejuvenates the cosseted ruler, who begins to see a changing world through new eyes. A lavish, heartfelt period drama with wit and charm, Victoria And Abdul allows us to peek beyond the portraits and imagine the hardships – and joys – of being the figurehead of the last true empire.

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The Basement Jazz Club
A new monthly Jazz Club in the Basement
If you have to ask what jazz is, you'll never know. - Louis Armstrong
The Basement Jazz Club is a monthly night which wants to put York’s amazing jazz scene front and centre. We pride ourselves on excellent sound and an intimate atmosphere, giving over our stage to the finest musicians from York, as well as the odd featured act from further afield. Expect a variety of styles, from the gypsy stylings of Django Reinhardt, to the passionate blues of the Deep South.

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Director: Stephen Frears. Starring: Judi Dench, Ali Fazal, Eddie Izzard. UK/USA 2017. 112 mins.

The year is 1887, and the British Empire is celebrating Queen Victoria’s Golden Jubilee. A young Indian clerk, Abdul Karim (Fazal), travels to England to present the monarch with a ceremonial coin. “Whatever you do, you must not look at Her Majesty,” he is told. But he does. And he smiles. And so begins one of the unlikeliest friendships in history. As the Queen (Dench) questions the constrictions of her long-held position, she forms a strong bond with her newest servant. Their devoted alliance provokes outrage and conspiracy within the Royal Household, but it also rejuvenates the cosseted ruler, who begins to see a changing world through new eyes. A lavish, heartfelt period drama with wit and charm, Victoria And Abdul allows us to peek beyond the portraits and imagine the hardships – and joys – of being the figurehead of the last true empire.

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Welcome to the Laugh Out Loud Comedy Club - bringing the best live stand-up to York!

Four top professional comedians
Enjoy brilliant comedy
A great night out!
Book in advance and save money or pay on the night
Each show has four top professional comedians from all over the world to make you LOL!
Wherever possible we'll be bringing you comedians off the telly from such shows as BBC2's Mock The Week, Shooting Stars, Channel 4's 8 Out of 10 Cats, BBC1's Michael McIntyre's Comedy Roadshow, Have I Got News For You, QI, and Paramount's Live at The Comedy Store etc.

Previously we've booked the likes of Jason Manford, John Bishop and Sarah Millican before they hit the big time. So come and see more brilliant comedians!

There's also a full bar and two breaks for get more drinks and chatting to your friends!

'Ace night' Julie Lovatt

'Fantastic night yet again' Fleur Spafford

'Great night, everyone must try going, very funny' Lee Evans (not the Lee Evans!)

There are all real reviews from real customers so get booking now if you fancy a laugh!

Please note we do not allow bookings for Hen or Stag parties of any size and such parties will be refused admission to the venue.

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Director: Stephen Frears. Starring: Judi Dench, Ali Fazal, Eddie Izzard. UK/USA 2017. 112 mins.

The year is 1887, and the British Empire is celebrating Queen Victoria’s Golden Jubilee. A young Indian clerk, Abdul Karim (Fazal), travels to England to present the monarch with a ceremonial coin. “Whatever you do, you must not look at Her Majesty,” he is told. But he does. And he smiles. And so begins one of the unlikeliest friendships in history. As the Queen (Dench) questions the constrictions of her long-held position, she forms a strong bond with her newest servant. Their devoted alliance provokes outrage and conspiracy within the Royal Household, but it also rejuvenates the cosseted ruler, who begins to see a changing world through new eyes. A lavish, heartfelt period drama with wit and charm, Victoria And Abdul allows us to peek beyond the portraits and imagine the hardships – and joys – of being the figurehead of the last true empire.

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Siobhan Wilson was brought up in Elgin, Morayshire and after some time absorbing the French culture in Paris returned to Scotland to the city of Glasgow where she currently resides. Since returning to Scotland Siobhan self-realised an EP, receiving critical praise and radio play across the BBC network (Radio 1, Radio 2, Radio 6 Music, BBC Scotland) and been championed by Lauren Laverne (BBC Radio 6 Music) as one of her Headphone Moments. As well as playing many major venues and festivals in the UK (Celtic Connections, Cambridge Folk Festival, Wickerman), Siobhan Wilson has toured in the USA, France, Sweden, Belgium and Poland. She's performed with Willy Mason at T in the Park and supported the likes of Idlewild, Martha Reeves and Sophie Ellis-Bextor.

Press: "We played this very track on Monday and, to be honest, the reaction to it was huge. Her voice, that instrumentation, those melodies!" - Lauren Laverne’s BBC 6Music Blog

“Swoonsome, jazz-inflected melodies in abundance” - Vic Galloway, BBC Radio Scotland

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Director: Vincente Minnelli.
Starring: Gene Kelly, Leslie Caron, Oscar Levant. USA 1951. 113 mins.

Gene Kelly plays Jerry Mulligan, a struggling American painter living in Paris who is discovered by a wealthy heiress on the streets of Montmartre. He soon meets and falls in love with a beautiful young dancer called Lise (Caron) who is already engaged to a famous cabaret artist. Jerry’s friend Adam Cook (Levant), an aspiring pianist/composer, offers a comically cynical take on matters as complications begin to arise. Winner of six Academy Awards in 1951, including Best Picture, Vincente Minnelli's An American In Paris is possibly the greatest achievement in movie musicals from the 1950s.

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Director: Stephen Frears. Starring: Judi Dench, Ali Fazal, Eddie Izzard. UK/USA 2017. 112 mins.

The year is 1887, and the British Empire is celebrating Queen Victoria’s Golden Jubilee. A young Indian clerk, Abdul Karim (Fazal), travels to England to present the monarch with a ceremonial coin. “Whatever you do, you must not look at Her Majesty,” he is told. But he does. And he smiles. And so begins one of the unlikeliest friendships in history. As the Queen (Dench) questions the constrictions of her long-held position, she forms a strong bond with her newest servant. Their devoted alliance provokes outrage and conspiracy within the Royal Household, but it also rejuvenates the cosseted ruler, who begins to see a changing world through new eyes. A lavish, heartfelt period drama with wit and charm, Victoria And Abdul allows us to peek beyond the portraits and imagine the hardships – and joys – of being the figurehead of the last true empire.

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Hosted by the York Branch of Script Yorkshire, Script Factor is open to all writers, regardless of previous experience. Brand new 15 minute scripts. Some with a theme, some without. Performed Script-in-Hand by local actors from York Settlement Community Players. AGE 14+

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Director: Stephen Frears. Starring: Judi Dench, Ali Fazal, Eddie Izzard. UK/USA 2017. 112 mins.

The year is 1887, and the British Empire is celebrating Queen Victoria’s Golden Jubilee. A young Indian clerk, Abdul Karim (Fazal), travels to England to present the monarch with a ceremonial coin. “Whatever you do, you must not look at Her Majesty,” he is told. But he does. And he smiles. And so begins one of the unlikeliest friendships in history. As the Queen (Dench) questions the constrictions of her long-held position, she forms a strong bond with her newest servant. Their devoted alliance provokes outrage and conspiracy within the Royal Household, but it also rejuvenates the cosseted ruler, who begins to see a changing world through new eyes. A lavish, heartfelt period drama with wit and charm, Victoria And Abdul allows us to peek beyond the portraits and imagine the hardships – and joys – of being the figurehead of the last true empire.

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Tom Millar is a London-based jazz pianist and composer, and chair of the musicians’ collective Way Out West. He plays at the main London and UK jazz venues, as well as at the London Jazz Festival, and has toured the country as part of the Lyric Ensemble, playing the music of Michael Garrick. He leads both a quartet and a nonet which play his original music, and has recently been awarded the Jazz Services Recording Support Scheme to record his debut album with the quartet, as well as funding from the Touring Support Scheme.

The Basement Jazz Club is a new project which wants to put York’s amazing jazz scene front and centre. We pride ourselves on excellent sound and an intimate atmosphere, giving over our stage to the finest musicians from York, as well as the odd featured act from further afield.

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Mozart’s glorious opera 'The Magic Flute' is brought enchantingly to life in David McVicar’s production with beautiful sets by John Macfarlane. Prince Tamino promises the Queen of the Night that he will rescue her daughter Pamina from the enchanter Sarastro. He begins his quest, accompanied by the bird-catcher Papageno – but all is not as it seems…

David McVicar’s classic production embraces both the seriousness and comedy of Mozart’s work. The audience is transported to a fantastical world of dancing animals, flying machines and dazzlingly starry skies. The setting provides a wonderful backdrop for Mozart’s kaleidoscopic score, from the Queen of the Night’s coloratura fireworks to Tamino and Pamina’s lyrical love duets and Papageno’s hearty, folksong-like arias.

As well as being a comedy 'The Magic Flute' is an expression of Mozart’s profound spiritual beliefs: Enlightenment concerns with the search for wisdom and virtue are at the heart of this enchanting tale. The Magic Flute was an instant success with audiences and Mozart’s supposed rival Salieri described it as an ‘operone’ – a great opera.

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Director: Stephen Frears. Starring: Judi Dench, Ali Fazal, Eddie Izzard. UK/USA 2017. 112 mins.

The year is 1887, and the British Empire is celebrating Queen Victoria’s Golden Jubilee. A young Indian clerk, Abdul Karim (Fazal), travels to England to present the monarch with a ceremonial coin. “Whatever you do, you must not look at Her Majesty,” he is told. But he does. And he smiles. And so begins one of the unlikeliest friendships in history. As the Queen (Dench) questions the constrictions of her long-held position, she forms a strong bond with her newest servant. Their devoted alliance provokes outrage and conspiracy within the Royal Household, but it also rejuvenates the cosseted ruler, who begins to see a changing world through new eyes. A lavish, heartfelt period drama with wit and charm, Victoria And Abdul allows us to peek beyond the portraits and imagine the hardships – and joys – of being the figurehead of the last true empire.

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John Murry was adopted at birth into the family of William Faulkner. Some have speculated that the Faulkner blood might also run in his veins, but that should be left for a Southern Gothic novel yet to be written (or perhaps re-written). Raised in Tupelo, Mississippi, in the shadow of Elvis, his undiagnosed autism led to troubles at an early age which led to prescribed medication, which led to unprescribed medication which led to being institutionalised for addiction and mental health issues at a too young age. Eventually, discarded onto the streets of Memphis, he found music, which became the one constant positive force in his life. Memphis led to San Francisico and San Franciso led to heroin and heroin led to a near fatal overdose on the corner of 16th and Mission, so harrowingly memorialized in his song Little Colored Balloons.
Music again came to his rescue and led him to Tim Mooney (American Music Club) and the group of musicians that helped create his 2012 masterpiece “The Graceless Age”. The album was hailed by MOJO magazine and received a 5 out of 5 rating, UNCUT called it a “masterpiece”, both magazines included it in their Top 10 albums of the year; American Songwriter put it in their Top 5 of the year and The Guardian included it in their best of the year as well. The accolades rolled in and John toured the world. He entranced and devastated audiences with his raw, unfiltered live performances, and it looked like his trajectory was set, that music had won and would have the final word. And then Tim Mooney, John's mentor, his beacon, his bedrock, died suddenly and unexpectedly... and John's world fell back in to chaos.
Over the next few years, John would lose the footing that he had struggled so hard to establish. He would lose his wife, his daughter, temporarily his freedom and ultimately his country.
Somewhere along this journey, John crossed paths with Michael Timmins of Cowboy Junkies. John had opened for the band at a show in Glasgow and Michael watched side-stage transfixed by John's performance. Over the next few years the two of them kept in touch, they talked about the music business, politics, books, but most of all they talked about music. And they talked about making an album together. Michael wanted to capture the rawness of John's songs, capture the vibe that he experienced that night in Glasgow and was even more convinced of this approach when John came through Toronto opening for Chuck Prophet and did a solo set at The Horseshoe Tavern, which was as disarming and emotional as the set of music that he had experienced in Glasgow a couple of years earlier. “On The Graceless Age you can hear John’s affinity to artists such as Mark Linkous and Mark Lanegan, but seeing him on stage, with just his guitar and his songs reminded me of Townes (Van Zandt), that raw-boned, exquisite beauty, so real that it borders on the uncomfortable, you feel you should look away, but it's just too compelling to do so. The pain, the intensity, the honesty just draws you deeper”.
Eventually John completed his descent and landed in Kilkenny, Ireland where he found some solid ground as part of a welcoming arts community. Michael then convinced him to travel to his Toronto studio where Michael put a band together consisting of brother Peter Timmins (Cowboy Junkies) on drums and Josh Finlayson (Skydiggers, Gord Downie, Lee Harvey Osmond) on bass. John brought along Cait O'Riordan (The Pogues, Elvis Costello) whom he had met in Ireland and who wanted to be a part of John's journey. The five of them put aside five days to record all bedtracks and overdubs, with the brief that they would let the songs dictate where the journey took them, spontanaity was the order of the week. Michael Timmins describes the sessions, “I felt that it was important that John got out of his own way and that we set up a situation where he would just play and sing and the rest of us would just react, no second guessing, just react and capture the moment. It was a very inspired and inspiring week of playing and recording. Very intense. And I think we captured the raw essence of John's writing and playing”.
A Short History Of Decay is an intensely personal document of an artist's fall from grace. It contains all the tragic elements of that unwritten Southern Gothic novel: the revelations of a man coming to terms with the personal shortcomings, the flaws and the perverse twists of fate that led him to the end of one journey and the beginning of another.

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King Lear (Kevin McNally) decides to divide his kingdom amongst his three daughters, but fails to anticipate the consequences of his actions. His generosity is cruelly repaid. As he comes to realise the false values by which he has lived, he finally encounters his own humanity. Broadcast live to cinemas from the iconic Shakespeare’s Globe, this brand new retelling of one of the Bard’s greatest plays will capture your heart on September 21.

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Director: Stephen Frears. Starring: Judi Dench, Ali Fazal, Eddie Izzard. UK/USA 2017. 112 mins.

The year is 1887, and the British Empire is celebrating Queen Victoria’s Golden Jubilee. A young Indian clerk, Abdul Karim (Fazal), travels to England to present the monarch with a ceremonial coin. “Whatever you do, you must not look at Her Majesty,” he is told. But he does. And he smiles. And so begins one of the unlikeliest friendships in history. As the Queen (Dench) questions the constrictions of her long-held position, she forms a strong bond with her newest servant. Their devoted alliance provokes outrage and conspiracy within the Royal Household, but it also rejuvenates the cosseted ruler, who begins to see a changing world through new eyes. A lavish, heartfelt period drama with wit and charm, Victoria And Abdul allows us to peek beyond the portraits and imagine the hardships – and joys – of being the figurehead of the last true empire.

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Seymour, a shy young man working for a tyrannical florist, finds a vehicle for private and public success in the form of a maneating plant from outer space. The carniverous shrub helps him to become a celebrity, gets rid of his boss and clears the way for him to woo the girl of his dreams. However, its cannibalistic eating habits become insatiable and it's up to Seymour to cut it down to size. This comedy musical is based on the stage version of the cult movie, and features a memorable cameo performance from Steve Martin as a sadistic dentist.

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Director: Richard Thorpe. Starring: Elvis Presley, Judy Tyler, Mickey Shaughnessy, Vaughn Taylor. USA 1957. 95 mins.

One of the best of Elvis Presley's pre-Army films, Jailhouse Rock offers us the sensual, ‘dangerous’ Elvis that won the hearts of the kids and earned the animosity of their elders. Presley plays Vince Everett, a young buck who accidentally kills a man while protecting the honour of a woman. He is thrown into prison, and following his performance in the prison show, where ol' swivel-hips score a hit, he decides to stay in showbiz after his release. He sets up his own record company but success goes to his head, and he is deserted by his flunkeys and hangers-on. Everett learns the value of friendship and slowly rebuilds his reputation and career. Seldom would Elvis be so well showcased in the future.

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The End of The End chronicles the final tour from the band who forged the sound of metal - Black Sabbath. After nearly 50 years together, the Birmingham band took to the stage for the last time in their home city, bringing down the curtain on their final tour ever. They performed generation-spanning songs that have defined a genre in front of a sold-out arena and, in exclusive new interviews, the band themselves tell it how they lived it. After half a century, this is your chance to hear the final word from the greatest metal band of all time.

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Yorkshire original Black Sabbath tribute are bringing their live, loud and in your face show to York. To coincide with the screening of Black Sabbath: The End of The End, a film documentary telling the story of the final concert of the Black Sabbath, Jack Sabbath will be playing the night after in The Basement with some classic Sabbath tracks, including War Pigs, Paranoid and Iron Man.

The screening of the film at City Screen will be on Thursday 28th September, and anyone who attends the film screen will get £2 off admission to the live show the night after. The band will be joined by special guests, Bone Orchids with their psychedelic rock influenced performance.

Tickets £5 ADV / £7 OTD

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Say Owt is back! Each poet gets 3 minutes to test their skills, get judged by the audience and win a special cash prize! One of the best, nosiest, funnest and rawest nights in the spoken word scene you'll find in the UK. Email info@sayowt.co.uk for a slot. Plus special guest, Jackie Hagan. Quite possibly the best one-legged bisexual Scouse poet in the whole world. Gobby, funny, political, her poetry is full of character, warmth and guts. Say Owt is supported by Arts Council England.

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Wubba-Lubba-Dub-Dub! Grab your portal gun and prove you’re the greatest mind in the Universe (and beyond) with a quiz looking at the misadventures of Rick & Morty. Unless you’re a Jerry, of course.

Doors 7.30, quiz starts at 8. £1.50, maximum 5 people per team.

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EXHIBITION ON SCREEN open its fifth season with Canaletto & the Art of Venice, an immersive journey into the life and art of Venice’s famous view-painter. No artist better captures the essence and allure of Venice than Giovanni Antonio Canal, better known as Canaletto.

The remarkable group of over 200 paintings, drawings and prints on display offer unparalleled insight into the artistry of Canaletto and his contemporaries, and the city he became a master at capturing. The film also offers the chance to step inside two official royal residences - Buckingham Palace and Windsor Castle – to learn more about the artist, and Joseph Smith, the man who introduced Canaletto to Britain.

Cinema-goers will embark on their very own 21st century Grand Tour, visiting the sites enjoyed by their 18th century counterparts and immortalised in Canaletto’s views - from the Rialto Bridge to the Piazza San Marco, and the Palazzo Ducale to the Church of Santi Giovanni e Paolo. Guided by Royal Collection Trust curators and the world’s leading experts in Venetian history, the film is not only a wonderful way to see the exhibition, but an opportunity to get closer to Canaletto and the city that inspired him.

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When his brother dies under mysterious circumstances in a car accident, London gangster Jack Carter travels to Newcastle to investigate.

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EXHIBITION ON SCREEN open its fifth season with Canaletto & the Art of Venice, an immersive journey into the life and art of Venice’s famous view-painter. No artist better captures the essence and allure of Venice than Giovanni Antonio Canal, better known as Canaletto.

The remarkable group of over 200 paintings, drawings and prints on display offer unparalleled insight into the artistry of Canaletto and his contemporaries, and the city he became a master at capturing. The film also offers the chance to step inside two official royal residences - Buckingham Palace and Windsor Castle – to learn more about the artist, and Joseph Smith, the man who introduced Canaletto to Britain.

Cinema-goers will embark on their very own 21st century Grand Tour, visiting the sites enjoyed by their 18th century counterparts and immortalised in Canaletto’s views - from the Rialto Bridge to the Piazza San Marco, and the Palazzo Ducale to the Church of Santi Giovanni e Paolo. Guided by Royal Collection Trust curators and the world’s leading experts in Venetian history, the film is not only a wonderful way to see the exhibition, but an opportunity to get closer to Canaletto and the city that inspired him.

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When Rodolfo, a penniless poet, meets Mimì, a seamstress, they fall instantly in love. But their happiness is threatened when Rodolfo learns that Mimì is gravely ill.

Acclaimed director Richard Jones (Boris Godunov, Il trittico) directs a new production of Puccini’s 'La bohème'. Irresistible in its witty, passionate blend of comedy and tragedy, the opera focusses on the lives of a groupof young artists as they eke out an existence on the bohemian fringes of Paris, the capital of the 19th century. Jones brings his characteristically acute insight to this much-loved classic, visualized in Stewart Laing’s spectacular, stylized 1850s setting.

Puccini’s romantic depiction of bohemian Paris, with memorable music and a love story drawn from everyday life, has captivated audiences around the world, making La bohème one of the best-loved of all operas. It was first performed in Covent Garden in 1897 and has had more than five hundred performances there since.

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Their music is coated with a sheen of pop sensibilities, delivered with the snarl of a punk band and 90's indie-rock influences.

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Academy Award® nominee Benedict Cumberbatch (BBC’s Sherlock, The Imitation Game, Frankenstein at the National Theatre) takes on the title role of Shakespeare’s great tragedy.

Directed by Lyndsey Turner (Posh, Chimerica) and produced by Sonia Friedman Productions, National Theatre Live will broadcast this eagerly awaited production live to cinemas.

As a country arms itself for war, a family tears itself apart. Forced to avenge his father’s death but paralysed by the task ahead, Hamlet rages against the impossibility of his predicament, threatening both his sanity and the security of the state.

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Newcastle based jazz band drawing on rock, R&B and other genres to create infectious grooves and melodies.

The Basement Jazz Club is a new project which wants to put York’s amazing jazz scene front and centre. We pride ourselves on excellent sound and an intimate atmosphere, giving over our stage to the finest musicians from York, as well as the odd featured act from further afield. Expect a variety of styles, from the gypsy stylings of Django Reinhardt, to the passionate blues of the Deep South.

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Bellini’s masterpiece boasts one of the most famous arias in all of opera, the beautiful “Casta diva”. Directed by Sir David McVicar, this evocative new production sets the action deep in a Druid forest, where nature and ancient ritual rule. The priestess Norma is torn between loyalty to her oppressed people and love for a Roman soldier. On the eve of a Druid revolt, she must choose between two agonising betrayals – only to learn that she herself has already been betrayed. Sondra Radvanovsky as Norma and Joyce DiDonato as her rival Adalgisa lead a cast of bel canto heavyweights, with Joseph Calleja as Norma’s unfaithful lover, Pollione, and British favourite Matthew Rose returning to the Met as Norma’s father, Oroveso.

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Directors: Kyle Balda, Pierre Coffin, Eric Guillon. Voices: Steve Carell, Kristen Wiig, Trey Parker. USA 2017. 90 mins.

At the end of Despicable Me 2, one-time dastardly supervillain Felonious Gru (Carell) seemed to have hung up his ‘evil’ cape for good. Having settled in the ‘burbs with his feisty super agent wife (Wiig) and three adorable, unicorn-loving, adopted daughters, he’s now out to actively fight crime, not cause it. Until, that is, a long lost, enviably hirsute twin brother (also Carell) pops out of the woodwork to tempt Gru back to the dark side… Eagerly anticipated by everyone from toddlers to adults, this animated threequel also voice casts Trey Parker (co-creator of South Park and The Book Of Mormon) as an ’80s-obsessed baddie with truly villainous shoulder pads. As if that wasn’t enough, one final word will sell it to you: Minions!

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Phil Wang Presented by the Burning Duck Comedy Club
‘Certain belly laughs’ ★★★★ Sunday Times
Phil is a 27-year old stand-up comedian on his first tour of the UK. He has appeared on Have I Got News For You, Live at the Apollo, 8 Out of 10 Cats Does Countdown, and Would I Lie To You? He is very excited to be performing here, in [INSERT TOWN NAME] - a place he often calls his second home.
‘Talented up-and-comer’ The Guardian
'One of the more appealing – and cerebral – stand-ups to have emerged in recent years’ The Telegraph'

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Bellini’s masterpiece boasts one of the most famous arias in all of opera, the beautiful “Casta diva”. Directed by Sir David McVicar, this evocative new production sets the action deep in a Druid forest, where nature and ancient ritual rule. The priestess Norma is torn between loyalty to her oppressed people and love for a Roman soldier. On the eve of a Druid revolt, she must choose between two agonising betrayals – only to learn that she herself has already been betrayed. Sondra Radvanovsky as Norma and Joyce DiDonato as her rival Adalgisa lead a cast of bel canto heavyweights, with Joseph Calleja as Norma’s unfaithful lover, Pollione, and British favourite Matthew Rose returning to the Met as Norma’s father, Oroveso.

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Tipped as the voice of punk‘s next generation, Louise Distras plays a socially conscious and insightful brand of protest poetry that, in a spiritual sense, is also firmly descended from the Clash bloodline. Having released debut album ‘Dreams From the Factory Floor’ only this September, she is already gaining wide-spread acclaim, and was hailed by The Guardian as “putting punk and protest back into the mainstream”.

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A full-throttle war play that revels in the sweat of the battlefield, Coriolanus transports us back to the emergence of the republic of Rome.

Caius Martius Coriolanus is a fearless soldier but a reluctant leader. His ambitious mother attempts to carve him a path to political power, but he struggles to change his nature and do what is required to achieve greatness. In this new city state struggling to find its feet, where the gap between rich and poor is widening every day, Coriolanus must decide who he really is and where his allegiances lie.

Rome Season Director, Angus Jackson, completes the Royal Shakespeare Company’s collection of Shakespeare’s Roman plays with a visceral production which sees Sope Dirisu (One Night in Miami, Donmar Warehouse, 2016) take on the title role.

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Busking since she left home aged 17, Martha Hill will be most known locally as multi-instrumentalist and key vocalist in carnival-rock troupe Holy Moly & The Crackers. She was joined by Ceitidh Mac on Cello in December 2016 and Martha Hill Young Team became a reality. The line-up was completed when multi-instrumentalist Sharon arrived in January 2017. Martha Hill Young Team create true journey music. Their roots firmly in soulful folk and seductive jazz, married to the eccentricities of modern electronic. Far from traditional, they fuse timelessness with alluring arrangements that have hooked and held peoples’ ears both in England and across Europe.

The Young Team are currently recording with producer Matt Terry (The Enemy, Wonderstuff, RSC etc.), and have a summer of festivals lined up, with slots at Solfest festival, Harambe Pasadia and Lindesfarne Mainstage. With their own tour for October mapped out; Martha Hill Young Team is a passionate outfit unafraid of hard work.

Support for this show comes from Robbie Thompson of Sheffield via Scarborough folk-rockers Buffalo Skinners.

“It comes from the heart.” - The Newcastle Courier. “At once exotically jazzy and soulfully sensual…” - Narc Magazine.

https://marthahillmusic.bandcamp.com/releases https://www.facebook.com/marthahillyoungteam/

Videos https://www.youtube.com/watch?v=glrQ7MGI4Vc Blindfold- Live at Curvy Sounds https://www.youtube.com/watch?v=QkKlDIc3QQk Blue Moon – Official Music Video https://www.youtube.com/watch?v=KATsf-H859E Boom- Sofar Sounds

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Experience Mozart’s irresistible fantasy in all its glory! Will brave Prince Tamino rescue Princess Pamina from the clutches of the evil Sarastro, and will Papageno the foolish bird catcher learn wisdom enough to help him? The Queen of the Night’s aria, with its stratospheric high notes, is just one of the countless highlights in this tale of love and magic, mysterious secrets, and whimsical fantasy. Julie Taymor’s (The Lion King) enchanting production captures both the opera’s earthy comedy and its enlightened nobility. Met Music Director Emeritus James Levine conducts a cast of rising young stars.

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Join international cabaret star Velma Celli for an evening of cabaret.
Ian Stroughair (the man behind the makeup) is a West end and cabaret star who has appeared in hit Musicals such as Chicago, Cats, Fame and Rent where he received critical acclaim.
"A Stand out turn" Mark Shenton, The Guardian & The Stage magazine.
He has enjoyed a varied career in film and TV and even appeared on BBC's Eastenders as himself.
"A sensational performer at the height of his game" West End Frame.
This year he fronted the U.K commercial campaign for McDonalds and starred opposite Danny Dyer in the music short Nebraska for recording artist Lucy Rose.
"An impressive performance" What's On stage.
Also he makes his silver screen debut this Autumn in Feature film Night of the Lotus:
"A musical extravagant that hits all the right spots" This Is Cabaret.
This is a musical theatre review including classic show tunes, jazz standards, Bassey to Beyoncé and everything in between.
Switching from hysterical impressions of some of your favourite divas such as Britney Spears and Cher to stripped back acoustic arrangements of popular pop songs in ways you have never heard them this roller coaster of a cabaret really hits every spot!
There is something for everybody in this expertly written cabaret revue so do not miss out!

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Experience Mozart’s irresistible fantasy in all its glory! Will brave Prince Tamino rescue Princess Pamina from the clutches of the evil Sarastro, and will Papageno the foolish bird catcher learn wisdom enough to help him? The Queen of the Night’s aria, with its stratospheric high notes, is just one of the countless highlights in this tale of love and magic, mysterious secrets, and whimsical fantasy. Julie Taymor’s (The Lion King) enchanting production captures both the opera’s earthy comedy and its enlightened nobility. Met Music Director Emeritus James Levine conducts a cast of rising young stars.

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Jeremy Pinnell grew up in Northern Kentucky just south of the Ohio River, where the towns are equal parts Southern hospitality, Northern attitude, and Midwestern charm. As a kid he sang in church and learned how to play the guitar with his dad, and as he got older he figured out he wasn't just carrying a tune; he could really sing. When Jeremy sang, the room got quiet. Heads turned. At 18 he left home and began writing and singing country music. His voice made him a hometown hero but his demons kept him a secret to the world.

“OH/KY” tells the story of the next 18 years of Jeremy's life, and it's a damn good story. It has all the things people love to read about. And most of all, it's a true story that's been recorded in the most honest way possible. The album was cut live over the course of three days ina recording studio located in the small river town of Covington, KY. The group of players on the album are The 55s, a honky tonk band out of The Queen City who lay the foundation so Jeremy's voice can shine and his story can come to life.

The second album from traditional country singer-songwriter Ags Connolly has been in the works for some time, being released, as it will be, three years after his debut ‘How About Now’. A notoriously slow songwriter, Ags wanted to present a selection of songs that would appeal to his existing followers and also catch the ear of the uninitiated.

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The award winning stand-up and star of BBC Radio Four’s Mae Martin’s Guide to 21st Century Sexuality presents her debut UK tour. Mae Martin is comedy’s most naturally charismatic young storyteller, fresh from sell-out seasons in Australia, Edinburgh and London.
In her new show Dope, she examines a lifetime of obsessions, fandom and addiction and shines a light on that one weird shrimp we all have in our brains that is happy to pursue short-term pleasure despite long-term consequences.
As seen on BBC3’s Russell Howard’s Good News, BBC2’s Live From The BBC, Comedy Central and more. As heard on BBC Radio Four’s The Now Show, as well as her own award-nominated series in 2016.
‘Effortlessly amusing – Mae’s gentle charm is highly watchable’ **** The Times
‘Quietly radical - expertly splices comedy, opinion and enlightenment’ The Guardian
‘An intelligent bag of cartoonish energy’ ***** The Mirror
‘She has mass appeal, is interesting, hugely likeable, and above all else is very funny’ **** Chortle
‘Infectious laughs – deftly delivered’ **** Evening Standard
Presented by Show and Tell & Burning Duck Comedy Club

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Chris Helme + Sam Griffiths & Bradley Blackwell + Mulholland + Katie Spencer + Waste Of Paint

Two Nights. Two Cities. Loads of Great Music.

York's alt-country duo Mulholland host a night in the Basement of the very best of acoustic music featuring some of Yorkshire's finest musicians. All ticket money will go to the organisations that support suffers of the lung disease that Ann from Mulholland has (Pulmonary Fibrosis).

Muholland: With their influence reaching back to the heyday of singer/songwriters in the 60/70s, York-based Mulholland bring their own take on acoustic americana with their close harmonies and self-penned country/rootsy material. "Mulholland paint the picture of America’s heartland." YORK CALLING "Are these people from Tennessee?" OUT IN THE CROWD

Chris Helme: Ex front man of John Squire’s post-Stone Roses band ‘The Seahorses’, now one of England’s finest singer/songwriters. “Delicate, folksy sounds that seem to conjure up England’s rolling green hills, swaying corn fields and shady woods…Helme captures sadness, soul and sincerity ... there are plenty of melancholic, electro-acoustic numbers, languid rhythms and picked-riffs.” LOUDER THAN WAR “The Rookery has a great, resonating energy that pulls from the huge pool of blues, folk, indie, psychedelia and Americana to make something altogether beautiful.” NORTHERN SKY “Echoing the fragility of Gram Parsons, while flirting with the rustic side of Neil Young.” UNCUT

Sam Griffiths & Bradley Blackwell: Sam Griffiths and Bradley Blackwell are one half of York band The Howl & The Hum (you decide which). These are the stripped back songs around which the entire project circulates, with a focus on intense lyrics and a dark melodic atmosphere. “We’re running out of superlatives to describe Sam Griffiths, the impossibly fresh-faced and prodigious talent now based in York – who has already caught the eye and ear of people in the know…” YORKMIX.

Katie Spencer: “Drawing on influences such as John Martyn, Roy Harper and Laura Marling, Spencer creates modern folk music which owes as much to East Riding as it does to the American greats, with her striking vocals and adept songwriting backed by evocative and complex acoustic guitar. Indeed, recent demo ‘Warehouse One’ boasts a formidable atmosphere … to create a Western soundscape of which Ry Cooder would be proud.” – WAKE THE DEAF "Her debut studio release ‘Good Morning Sky’ was released in May 2017 and saw Katie working with a number of outstanding musicians, namely Ted McKenna (Rory Gallagher, SAHB) and Foss Paterson (John Martyn, Jethro Tull). Recorded in Glasgow, the atmosphere of the Mini-Album “recalls some of the essence of [John] Martyn's best music. The songs are treated to a delicate and mature guitar style to go with her distinctively graceful voice” NORTHERN SKY

Waste Of Paint: Hull's Adam Brodie et al - Beautifully crafted songs made from outstanding, gut wrenching lyrics set against warm and emotive sounds. "Unflinching lyrics, nourished by colours which dance in the spaces between the hooks and highs. Ostentatious songs to be gorged upon. Innovative & Intelligent neo indie pop"

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Based out of London, Phoenician Blinds are a jazz-leaning instrumental quartet with blends of straight-ahead jazz, hip-hop and cinematic soundscapes.

The Basement Jazz Club is a new project which wants to put York’s amazing jazz scene front and centre. We pride ourselves on excellent sound and an intimate atmosphere, giving over our stage to the finest musicians from York, as well as the odd featured act from further afield. Expect a variety of styles, from the gypsy stylings of Django Reinhardt, to the passionate blues of the Deep South.

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Dapper's Delight + Joshua Burnell & Frances Sladen + Joska de Langen

Join three unique acts from the world of folk music for an evening that promises to sweep you back through the centuries with storytelling and song.

Dapper’s Delight formed in 2009 primarily to play music on the streets. However, following highly positive reactions from listeners, the duo soon found themselves playing concert halls across Europe & Canada. Their chosen repertoire focuses on the rich repertoire of 17th and 18th century English tune books and broadside ballads, which form a bridge between ‘art’ and ‘folk’ music – music that could have been performed on the street, in the tavern, at country fairs, at carnivals and that appears in both high and low cultural sources.

Joshua Burnell is York's own up-and-coming folk artist, whose debut album, Into the Green, earned him positive reviews from the UK music press. Along with his band, he has played at festivals around the UK & France. Joshua's current project, Seasons, features a new arrangement of a folk song being released every week, and now as he approaches the end of the project, he is joined by fellow singer Frances Sladen to present you with some of this material along with his original compositions. “A highly original concept, highly original songs, beautiful artwork, and completely brilliant in every respect.” – Fatea Magazine.

Singer and musician, Joska de Langen is one of the stars of the York busking scene. Hailing from the Netherlands, he studied music at the Steiner School of Music, where he concentrated on piano and flute. He has also studied in India and Srilanka learning the sitar and eastern singing techniques. His range of music extends from the Renaissance through to modern pop and classics.

Ticket price: £8 on the door; £5 advance

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Amidst a bustling market, the pirate Conrad falls in love at first sight with the beautiful Medora, the ward of the slave merchant Lankedem’s bazaar. Conrad kidnaps Medora when Lanquedem decides to sell her to the Pasha.

Inspired by Lord Byron’s epic poem and reworked by Alexei Ratmansky from Petipa’s exotic 19th century classic, this miracle of the repertoire is one of the Bolshoi’s most lavish productions. Complete with a magnificent awe-inspring shipwreck and dramatic scenery, this grand romance allows enough dancing for nearly the entire company and made especially for those who seek miracles in theatre.

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At a garden party on a sunny afternoon, Alice is surprised to see her parents’ friend Lewis Carroll transform into a white rabbit. When she follows him down a rabbit hole events become curiouser and curiouser… As Alice journeys through Wonderland, she encounters countless strange creatures. She’s swept off her feet by the charming Knave of Hearts, who’s on the run for stealing the tarts. Confusion piles upon confusion. Then Alice wakes with a start. Was it all a daydream?

Christopher Wheeldon’s 'Alice’s Adventures in Wonderland' burst onto the stage in 2011 in an explosion of colour, stage magic and inventive, sophisticated choreography. Joby Talbot’s score combines contemporary soundworlds with sweeping melodies that gesture to ballet scores of the 19th century. Bob Crowley’s wildly imaginative, eye-popping designs draw on everything from puppetry to projections to make Wonderland wonderfully real.

Alice encounters a cast of extraordinary and instantly recognizable characters, from the highly strung Queen of Hearts – who performs a hilarious send-up of The Sleeping Beauty's famous Rose Adage – to a playing-card corps de ballet, a sinuous caterpillar and a tap-dancing Mad Hatter. But the ballet does not avoid the darker undercurrents of Lewis Carroll’s story: a nightmarish kitchen, an eerily disembodied Cheshire Cat and the unhinged tea party are all here in vivid detail. The delicious result shows The Royal Ballet at its best, bringing together world-class dance with enchanting family entertainment.

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A collaboration between Wildgoose Theatre and Script Yorkshire (York Branch) brings you three or four brand spanking new short plays for one or two actors. Guaranteed to be a varied evening of drama, the plays will be fully developed by the writers, directors and actors in rehearsal, and performed here for the first time.

For full details of the plays and writers, please visit Wildgoose Theatre’s website – www.wildgoosetheatre.com

AGE RESTRICTION 14+

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Grace Jones: Bloodlight & Bami - Live with Friends promises to be thrilling and enlightening evening with the inimitable icon, as she discusses her life and work with some of her closest collaborators from the worlds of music, fashion, art and film. The discussion follows an exclusive preview of Sophie Fiennes’ highly anticipated new film Grace Jones: Bloodlight And Bami.

Grace Jones: Bloodlight And Bami takes the viewer on an intimate and electrifying journey that moves between four cinematic layers – performance, family, artist and gypsy – to explore the fascinating world of a pop-culture phenomenon. Here we see the daughter, mother, sister and grandmother behind the mask, and she takes to the stage for a specially commissioned performance that showcases legendary hits like Pull Up To The Bumper and Slave To The Rhythm. Larger than life, bordering on cartoon, wild, scary and androgynous – Grace Jones plays all these parts.

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UNDER THE INFLUENCE & DANCE TO THE RADIO PRESENTS FLING

Bradford’s FLING provide the previously unsearched-for missing link between T-Rex and the Fat White Family. Forging together Glam Rock, Punk, and Psych with a solid sense of Northern irony and an ever-present aura of late night haziness FLING have created a sound which captivates, entertains and stands out from the crowd gaining support at Beats 1, 6music, and a rapidly growing fanbase of ‘Flingers’

Riotus Psych-Punk from Bradford...In a hazy smoke filled kinda way..." CLASH

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Welcome to the Laugh Out Loud Comedy Club - bringing the best live stand-up to York!

Four top professional comedians
Enjoy brilliant comedy
A great night out!
Book in advance and save money or pay on the night
Each show has four top professional comedians from all over the world to make you LOL!
Wherever possible we'll be bringing you comedians off the telly from such shows as BBC2's Mock The Week, Shooting Stars, Channel 4's 8 Out of 10 Cats, BBC1's Michael McIntyre's Comedy Roadshow, Have I Got News For You, QI, and Paramount's Live at The Comedy Store etc.

Previously we've booked the likes of Jason Manford, John Bishop and Sarah Millican before they hit the big time. So come and see more brilliant comedians!

There's also a full bar and two breaks for get more drinks and chatting to your friends!

'Ace night' Julie Lovatt

'Fantastic night yet again' Fleur Spafford

'Great night, everyone must try going, very funny' Lee Evans (not the Lee Evans!)

There are all real reviews from real customers so get booking now if you fancy a laugh!

Please note we do not allow bookings for Hen or Stag parties of any size and such parties will be refused admission to the venue.

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Scruff of the Neck presents

Corella

"Tipped as being the next big Manchester band" - Imagine FM

Their explosive live set is not to be missed.

Follow The Giant

Blistering 3 piece Indie Rock band, creating catchy melodies and a true individual sound, not ones to miss

The Televangelists

York based indie-rock

Tickets £7 ADV / £9 OTD

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Leaving the world of J-pop behind her, Mima Kirigoe begins life as an actress on a crime drama show called Double Blind. When offered a lead role in the show as a rape victim, Mima accepts in spite of her manager’s reservations. However, the backlash from fans over her career change and a strange website called ‘Mima's Room’, written by a fake Mima, begin to worry her. When a stalker appears and people involved in Double Blind begin turning up dead, with all the evidence pointing to her, Mima is thrown into a state of confusion, madness and paranoia.

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Jonny ‘Itch’ Fox began The King Blues as a solo project on ukulele and vocals and evolved in to ‘rebel street music’ inspired by Public Enemy, Clash and The Specials fusing punk and hip hop together with influences from ska and spoken word.

Welcome to an exclusive intimate small venue show with Itch’s unique mix of King Blues and solo material, spoken word, poetry and social commentary!

New book ‘One Hundred and One Haikus’ out Sept 12.

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After almost two and a half years, The Savoy Ballroom is opening it's doors for one last dance. This special one off show is part of One For The Road's annual fundraiser for the Motor Neurone Disease Association, which is taking place in multiple venues across York between 2nd and 4th November.

The York based swing/folk/cabaret quintet will be joined by Leeds based hip-hop/performance poets Stray Weather, Selby's dark-folk duo Sing Ramona Sing and York's own piano-pop songstress Casee Wilson

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'Blue Rose Code is as slippery as an eel; a genre dodger; a mess of influences and contradictions. This rare display of soul and emotion will not be boxed, a sign of something special.' - Spiral Earth

‘An affirmation of love that links human relationships with the natural world. As sublimely paced as Astral Weeks-era Van Morrison.’ - Folk Radio UK

Edinburgh born Ross Wilson spent his creative formative years in East London, then moved to South England “to be by the sea’s energy” but it is in his homecoming that he has found where his heart is. Life wasn’t always simple for Wilson. “I have swapped one type of chaos for another” says Wilson. “On my darkest day I found my benediction”.

Now a committed enthusiast and creative whirling dervish, Wilson has seen the past few years produce his most exciting work including the album ‘The Ballad of Peckham Rye’, which was nominated for the prestigious Scottish Album Of The Year Awards in 2014 and featured a roll-call of remarkable talent, including Danny Thompson, Karine Polwart, John Wetton, Aidan O’Rourke and Kathryn Williams.

'Grateful', the first single from the new album, was released at the end of 2015 and was playlisted on BBC Radio Scotland for a full five weeks. In unprecedented fashion, the following two Blue Rose Code singles were playlisted by Radio Scotland, making three in a row.

Further praise has come from the most unexpected of quarters in Hollywood A-lister, Ewan McGregor. Ewan explained, “My uncle Denis Lawson, gave me a copy of The Ballads Of Peckham Rye, it’s beautiful and I can’t stop listening to it.”

Speaking about the album, Wilson says “It’s an album for music fans and musicians, a challenging record. I’m passionate about that fusion of folk and jazz and where it intersects with songwriting. Working with these musicians has been a game changer.”

Live performance is where Blue Rose Code connects strongly with their audiences; having toured the length and breadth of the UK, selling out venues wherever they go and leaving a trail of fans in their wake.

Ross Wilson has spent most of his musical life curating; he sculpts his band to every mood and temperament in order to create the perfect happening. From attrition to intense moments of ecstatic love, Wilson’s lyrics challenge the ear and soften the heart.

As the man at the helm of Blue Rose Code, he is, part director, part sculptor…total chameleon.

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Baptista struggles to marry off his tempestuous daughter Katharina, a shrew who denies that any man could possibly be her match. However when she meets Petruchio, who is as ill-tempered as she, the two forces of nature ignite an unexpected and explosive encounter.

Acclaimed choreographer Jean-Christophe Maillot brings out the wit, fast-paced athleticism and vibrancy from the Bolshoi Ballet dancers in Shakespeare’s rowdy comedy. Principals Ekaterina Krysanova and Vladislav Lantratov clash, challenge and eventually give themselves to one another in a wonderfully entertaining production that can only be seen at the Bolshoi!

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Burning Duck Comedy Club Presents Brian Gittins: Don't Feed The Monkey Man

David Earl’s alter ego, Brian Gittins is an utter prat and according to the Sussex Argus, ‘The World’s Worst Comedian’. However, Brian’s not having any of it and he’s back with a live show with the might of powerhouse sponsor Rampoo (Shampoo for rams) behind him.

This is a rare chance to catch one of the country's leading alternative comics outside of London. A true a virtuoso in the field of 'Wincemaking' and fully certified berk of a man, this is a comedy joyride with all the bells, whistles and monkey suits that go with it. Promising dancing, singing and Knock Knock jokes about an elderly lady called Joan McEnroe (sounds like John McEnroe).

David Earl is star of Derek (Channel 4), Gittins (Channel 4), Cumbo (Channel 4), Extras (BBC), star and co-writer of Rovers (Sky 1). Chortle Award Character Act nominee 2013 / 2014

‘One of the best comedy characters of the decade.’ Ricky Gervais

‘A true original, and breathtakingly funny with it’ The Guardian

‘Very funny and horrifically distressing’ The Independent

18+

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Princes, Princesses, Heroes and Villains, and talking crabs. This quiz looks at the vast catalogue of Disney films, featuring the return of the much-loved Bad Kazoo Round!

Doors 7.30, quiz starts at 8. £1.50, maximum 5 people per team.

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Riff Tour - York Presents: Tenements + Frank Grimes & The Disaster

Tickets £3 ADV // £4 OTD

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Stephen Sondheim’s legendary musical is staged for the first time at the National Theatre and broadcast live to cinemas. New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves. Tracie Bennett, Janie Dee and Imelda Staunton play the magnificent Follies in this dazzling new production. Featuring a cast of 37 and an orchestra of 21, it’s directed by Dominic Cooke (The Comedy of Errors). Winner of Academy, Tony, Grammy and Olivier awards, Sondheim’s previous work includes A Little Night Music, Sweeney Todd and Sunday in the Park with George.

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Welcome to the Laugh Out Loud Comedy Club - bringing the best live stand-up to York!

Four top professional comedians
Enjoy brilliant comedy
A great night out!
Book in advance and save money or pay on the night
Each show has four top professional comedians from all over the world to make you LOL!
Wherever possible we'll be bringing you comedians off the telly from such shows as BBC2's Mock The Week, Shooting Stars, Channel 4's 8 Out of 10 Cats, BBC1's Michael McIntyre's Comedy Roadshow, Have I Got News For You, QI, and Paramount's Live at The Comedy Store etc.

Previously we've booked the likes of Jason Manford, John Bishop and Sarah Millican before they hit the big time. So come and see more brilliant comedians!

There's also a full bar and two breaks for get more drinks and chatting to your friends!

'Ace night' Julie Lovatt

'Fantastic night yet again' Fleur Spafford

'Great night, everyone must try going, very funny' Lee Evans (not the Lee Evans!)

There are all real reviews from real customers so get booking now if you fancy a laugh!

Please note we do not allow bookings for Hen or Stag parties of any size and such parties will be refused admission to the venue.

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Take a seat at the strangest dinner party of your life. The servants have absconded; the ragout is all over the floor; there’s a bear in the garden; your fellow guests are rapidly descending into savagery; and most mysteriously of all, no one seems able to leave. British composer Thomas Adès (The Tempest) conducts the American premiere of his latest opera. Co-commissioned by the Met and sung in English, this black comedy, with shades of JG Ballard/Ben Wheatley’s High-Rise, is based on the screenplay of Luis Buñuel’s 1962 surrealist film. The cast is filled with established British names including Sally Matthews, Sophie Bevan, Alice Coote, Christine Rice, Ieystn Davies and John Tomlinson. “Inventive and audacious… a major event” (New York Times).

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Take a seat at the strangest dinner party of your life. The servants have absconded; the ragout is all over the floor; there’s a bear in the garden; your fellow guests are rapidly descending into savagery; and most mysteriously of all, no one seems able to leave. British composer Thomas Adès (The Tempest) conducts the American premiere of his latest opera. Co-commissioned by the Met and sung in English, this black comedy, with shades of JG Ballard/Ben Wheatley’s High-Rise, is based on the screenplay of Luis Buñuel’s 1962 surrealist film. The cast is filled with established British names including Sally Matthews, Sophie Bevan, Alice Coote, Christine Rice, Ieystn Davies and John Tomlinson. “Inventive and audacious… a major event” (New York Times).

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With an Americana Association UK ‘album of the year’ award nomination for ‘Mockingbird Lane’, a 28 date UK tour supporting the legendary Shakin’ Stevens, a new live album released in association with Vintage TV and invites to play prestigious festivals such as Cambridge Folk, Tønder, Denmark and AmericanaFest, Nashville… 2017 is shaping up to be a very good year for Danni Nicholls.

From a young age, Danni was soaking up American folk, country and rock n roll music from her Grandmother’s record collection in her small home town of Bedford, UK. When she inherited her Uncle Heathcliff’s 1963 Burns London Shortscale Jazz guitar (rumoured to have belonged to Billy Fury!) aged 16, all those influences came pouring back out in the form of her own original material and has been flowing ever since.

Fast forward to 2011 when Danni met bassist/producer Chris Donohue (The Civil Wars, Elvis Costello, Robert Plant) in London through a mutual friend whilst Chris was in the UK playing bass with Emmylou Harris as one of her Red Dirt Boys. The pair have now made two critically acclaimed albums together with some of Nashville’s finest musicians featuring on the tracks.

Debut ‘A Little Redemption’ was released July 2013 and award nominated ‘Mockingbird Lane’ in October 2015. Credits on the albums include the legendary Al Perkins on Dobro (Bob Dylan, Gram Parsons, The Rolling Stones) Steve Fishell on Pedal Steel (Willie Nelson, Linda Ronstadt) and Will Kimbrough (Jimmy Buffett, John Prine)

“My time in Music City working with these great, great musicians was a hugely inspirational and surreal experience. It forced me to raise my game and push my boundaries. I’ve come away with two albums which I’m immensely proud of”. Armed with her trusty, ‘weathered and worn’ Tanglewood parlour guitar, Danni has been touring relentlessly far and wide, honing her craft and wooing audiences. A vibrant, spell-binding performer, she has been invited to support many artists such as Sturgill Simpson, Todd Snider, Jolie Holland, Kim Richey, Jim Lauderdale, Angus and Julia Stone, Bobby Bare Jr, Mark Olsen, Nell Bryden, Tift Merrit and Diana Jones. With performances guaranteed to melt your heart into the soles of your cowboy boots, her passionate delivery, captivating velvet voice and charmingly engaging between-song banter compel you to fall under her spell.

An artist with the elegance and imagination to restore your faith in the visceral power of an original song - Paul Sexton, BBC Radio 2 and freelance print/broadcast journalist

I absolutely love the elegance and beauty of her music - Bob Harris, BBC Radio 2

Smoky soul, folk-pop and heart-wrenching alt-country, all in a rich voice - Q Magazine

Sumptuous…a warm wry line in confessional songwriting - UNCUT

One in a million… - Maverick Music Magazine

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Widely considered Britain’s most popular artist, David Hockney is a global sensation with exhibitions in London, New York, Paris and beyond, attracting millions of visitors worldwide.

Now entering his 9th decade, Hockney shows absolutely no evidence of slowing down or losing his trademark boldness.

Featuring intimate and in-depth interviews with Hockney, this revealing film focuses on two blockbuster exhibitions held in 2012 and 2016 at the Royal Academy of Art in London.

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Widely considered Britain’s most popular artist, David Hockney is a global sensation with exhibitions in London, New York, Paris and beyond, attracting millions of visitors worldwide.

Now entering his 9th decade, Hockney shows absolutely no evidence of slowing down or losing his trademark boldness.

Featuring intimate and in-depth interviews with Hockney, this revealing film focuses on two blockbuster exhibitions held in 2012 and 2016 at the Royal Academy of Art in London.

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As the clock strikes midnight on Christmas Eve, Marie’s wooden nutcracker doll comes to life and transforms into a prince! Soon joined by her other toys that have also come to life, Marie and her prince embark on a dreamy unforgettable adventure.

A holiday tradition for the whole family, The Nutcracker sweeps the Bolshoi stage for two hours of enchantment and magic. Along with Tchaikovsky’s cherished score and and some of the Bolshoi’s greatest artists, The Nutcracker remains a treasure not to be missed!

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The young Clara creeps downstairs on Christmas Eve to play with her favourite present – a Nutcracker doll. But the mysterious magician Drosselmeyer is waiting to sweep her off on a magical adventure. After defeating the Mouse King, the Nutcracker and Clara travel through the Land of Snow to the Kingdom of Sweets, where the Sugar Plum Fairy treats them to a wonderful display of dances. Back home, Clara thinks she must have been dreaming – but doesn’t she recognize Drosselmeyer’s nephew?

Peter Wright’s nigh-on definitive production for The Royal Ballet ranks as one of the most enduring and enchanting versions of 'The Nutcracker'. With its festive period setting, dancing snowflakes and enchanting stage magic, Lev Ivanov’s 1892 ballet has become the perfect Christmas entertainment, with Tchaikovsky’s sumptuous, sugar-spun music the most recognizable of all ballet scores.

Loosely based on the story by E.T.A. Hoffmann, the ballet opens with a lively Christmas party, its Victorian setting captured in opulent detail by Julia Trevelyan Oman’s designs. Wright’s choreography ingeniously incorporates surviving fragments of the ballet’s original material, including the sublime pas de deux for the Sugar Plum Fairy and her Prince. But in emphasizing the relationship between Clara and the Nutcracker Prince, the production also gains a touching subtext of first love.

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Are you King or Queen of Quizzes? Do you know your Star Treks from your Star Wars? A good fun amalgamation of all our nerdy loves wrapped up into one gloriously geeky evening. Plus…Bad Kazoo Round!

Doors 7.30, quiz starts at 8. £1.50, maximum 5 people per team.

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Rory Kinnear (The Threepenny Opera, Penny Dreadful, Othello) is Marx and Oliver Chris (Twelfth Night, Green Wing) is Engels, in this new comedy written by Richard Bean and Clive Coleman. Broadcast live from The Bridge Theatre, London, the production is directed by Nicholas Hytner and reunites the creative team behind Broadway and West End hit comedy One Man, Two Guvnors. 1850, and Europe’s most feared terrorist is hiding in Dean Street, Soho. Broke, restless and horny, the thirty-two-year-old revolutionary is a frothing combination of intellectual brilliance, invective, satiric wit, and child-like emotional illiteracy. Creditors, spies, rival revolutionary factions and prospective seducers of his beautiful wife all circle like vultures. His writing blocked, his marriage dying, his friend Engels in despair at his wasted genius, his only hope is a job on the railway. But there’s still no one in the capital who can show you a better night on the piss than Karl Heinrich Marx.

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Welcome to the Laugh Out Loud Comedy Club - bringing the best live stand-up to York!

Four top professional comedians
Enjoy brilliant comedy
A great night out!
Book in advance and save money or pay on the night
Each show has four top professional comedians from all over the world to make you LOL!
Wherever possible we'll be bringing you comedians off the telly from such shows as BBC2's Mock The Week, Shooting Stars, Channel 4's 8 Out of 10 Cats, BBC1's Michael McIntyre's Comedy Roadshow, Have I Got News For You, QI, and Paramount's Live at The Comedy Store etc.

Previously we've booked the likes of Jason Manford, John Bishop and Sarah Millican before they hit the big time. So come and see more brilliant comedians!

There's also a full bar and two breaks for get more drinks and chatting to your friends!

'Ace night' Julie Lovatt

'Fantastic night yet again' Fleur Spafford

'Great night, everyone must try going, very funny' Lee Evans (not the Lee Evans!)

There are all real reviews from real customers so get booking now if you fancy a laugh!

Please note we do not allow bookings for Hen or Stag parties of any size and such parties will be refused admission to the venue.

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The corruption of innocence is at the heart of Verdi’s potent tragedy in David McVicar’s production for The Royal Opera. Rigoletto, court jester to the libertine Duke of Mantua, is cursed by the father of one of the Duke’s victims for his irreverent laughter. When the Duke seduces Rigoletto’s daughter Gilda, it seems the curse is taking effect…

David McVicar’s production highlights the cruelty at the heart of the court of Mantua. Richly dressed courtiers engage in orgies and revelries to Verdi’s heady, spirited dances. The opera’s many musical highlights include the ebullient ‘La donna è mobile’, in which the Duke boasts of his disregard for women; Gilda’s exquisite, plangent duets with Rigoletto and the Duke; and the gorgeous Act III quartet that beautifully weaves the voices together as the story quickens to its shattering conclusion.

Giuseppe Verdi wrote in 1855 that Rigoletto was his ‘best opera’. He had had to overcome state censorship to stage it – the censors objected to its depiction of an immoral ruler – but he was vindicated by the premiere’s huge success in 1851. Rigoletto was performed 250 times in the next 10 years and has remained one of the most popular of all operas.

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In Verona, Romeo and Juliet fall madly in love while their respective families, the Montagues and the Capulets, are caught in a bitter rivalry ending in heart-wrenching tragedy…

Alexei Ratmansky, former artistic director of the Bolshoi Ballet, stages the company’s premiere of his production with dramatic urgency and a fresh re-telling of Shakespeare’s beloved classic. His brilliant and detailed adaptation set to Prokofiev’s romantic and cinematic score, reignites the story of literature’s most celebrated star-crossed lovers like no other classical ballet choreographer today.

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Puccini’s thrilling Tosca is a story of love, terror, the abuse of power, and the unquenchable longing for freedom. When an escaped political prisoner takes refuge in a church, an opera singer and a painter are drawn into a twisting plot that puts them at the mercy of the secret police and its network of torturers and spies. Rivalling the splendour of Franco Zeffirelli’s Napoleonic-era sets and costumes, Sir David McVicar’s ravishing new production offers a splendid backdrop for extraordinary singing. Kristine Opolais stars as the titular prima donna, alongside Vittorio Grigolo as her artist lover and Bryn Terfel as the villainous police chief – one of his signature roles. Andris Nelsons conducts.

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Puccini’s thrilling Tosca is a story of love, terror, the abuse of power, and the unquenchable longing for freedom. When an escaped political prisoner takes refuge in a church, an opera singer and a painter are drawn into a twisting plot that puts them at the mercy of the secret police and its network of torturers and spies. Rivalling the splendour of Franco Zeffirelli’s Napoleonic-era sets and costumes, Sir David McVicar’s ravishing new production offers a splendid backdrop for extraordinary singing. Kristine Opolais stars as the titular prima donna, alongside Vittorio Grigolo as her artist lover and Bryn Terfel as the villainous police chief – one of his signature roles. Andris Nelsons conducts.

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As he arrives in Paris for the first time, the young and naive Armand is utterly captivated after meeting the ravishing and most desirable courtesan Marguerite Gautier. Their encounter gives birth to a passionate yet doomed love…

Alexandre Dumas fils’s novel comes to life on the Bolshoi stage, with prima Svetlana Zakharova as the ailing Marguerite seeking love and redemption from her life as a courtesan. The Bolshoi brings choreographer John Neumeier’s work of rare beauty and tragic depth to new emotional heights, accompanied by Chopin’s romantic piano score.

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'Tosca' is one of the great evenings of opera, and from its strident opening chords conjures up a world of political instability and menace.

Jonathan Kent’s production for The Royal Opera captures the dangerous political turbulence of Rome in 1800. The Chief of Police, Scarpia – one of the most malevolent villains in opera – ruthlessly pursues and tortures enemies of the state. His dark, demonic music contrasts with the expansive melodies of the idealistic lovers, Tosca and Cavaradossi, who express their passion in sublime arias, including ‘Vissi d’arte’ and ‘E lucevan le stelle’. Giacomo Puccini’s dramatic work was a hit with audiences on its 1900 premiere and it remains one of the most performed of all operas – with its gripping plot and glorious music, it’s easy to see why.

A candle-lit church, Scarpia’s gloomy study with its hidden torture chamber and the false optimism of a Roman dawn: this handsome production throws into relief the ruthlessly taut drama, as the tension is wound up towards a fateful conclusion. Puccini’s meticulously researched score is infused with the same authentic detail, from distant cannon fire during the Act I Te Deum to tolling church bells and the sounds of a firing squad.

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The poor country boy Nemorino is in love with Adina, a confident landowner, but she is way out of his league – financially and otherwise. But when he buys a “love potion” from a travelling quack, the results are rather more than he bargained for. Charmingly staged by Bartlett Sher, Donizetti’s beloved masterpiece combines deft comic timing with touching emotional depth. The production stars Matthew Polenzani, who enthralled Met audiences as Nemorino in 2013 with his moving “Una furtiva lagrima.” Rising South African soprano Pretty Yende is the spirited Adina, Davide Luciano makes his Met debut as the arrogant soldier Belcore, and Ildebrando D’Arcangelo is the potion-peddling Doctor Dulcamara. Domingo Hindoyan conducts.

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The poor country boy Nemorino is in love with Adina, a confident landowner, but she is way out of his league – financially and otherwise. But when he buys a “love potion” from a travelling quack, the results are rather more than he bargained for. Charmingly staged by Bartlett Sher, Donizetti’s beloved masterpiece combines deft comic timing with touching emotional depth. The production stars Matthew Polenzani, who enthralled Met audiences as Nemorino in 2013 with his moving “Una furtiva lagrima.” Rising South African soprano Pretty Yende is the spirited Adina, Davide Luciano makes his Met debut as the arrogant soldier Belcore, and Ildebrando D’Arcangelo is the potion-peddling Doctor Dulcamara. Domingo Hindoyan conducts.

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'I am all the daughters of my father's house,
And all the brothers too.'

Twelfth Night is a tale of unrequited love – hilarious and heartbreaking. Two twins are separated in a shipwreck, and forced to fend for themselves in a strange land. The first twin, Viola, falls in love with Orsino, who dotes on OIivia, who falls for Viola but is idolised by Malvolio. Enter Sebastian, who is the spitting image of his twin sister...

Christopher Luscombe, Director of the ‘glorious’ (Daily Telegraph) Love’s Labour’s Lost and Much Ado About Nothing (2014 and 2016), returns to the Royal Shakespeare Company to tackle Shakespeare’s greatest comedy, a brilliantly bittersweet account of "the whirligig of time".

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After the huge success of his 2016 tour, that gobby little toerag Ed Gamble is back with a brand new lumbering beast of a comedy show.
Off of Mock the Week (BBC2), Drunk History (Comedy Central), Conan (TBS), Almost Royal (E4), Russell Howard’s Stand Up Central (Comedy Central), Edinburgh Comedy Fest Live (BBC3), Man Down (C4) as well as countless other things (3 other things).
“… He is on irresistible form” ★★★★ The Telegraph
“… a master of unlocking the humour in everything” ★★★★ The List
“Creative and clever humour that leaves the audience in stitches.” ★★★★ Edinburgh Festivals Magazine

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A collaboration between Wildgoose Theatre and Script Yorkshire (York Branch) brings you three or four brand spanking new short plays for one or two actors. Guaranteed to be a varied evening of drama, the plays will be fully developed by the writers, directors and actors in rehearsal, and performed here for the first time.

For full details of the plays and writers, please visit Wildgoose Theatre’s website – www.wildgoosetheatre.com

AGE RESTRICTION 14+

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The world’s most popular opera returns with an exciting young cast in Franco Zeffirelli’s legendary production. Poverty-stricken poet Rodolfo and his artist friends eke out a precarious existence in bohemian Paris, alternately practising their art, laughing, quarrelling, dodging the landlord, and living it up in their local cafe. When Rodolfo meets the delicate Mimì, the pair instantly fall in love. But Mimì is ill, Rodolfo is jealous, and their romance is doomed from the start. Opera superstars Sonya Yoncheva and Michael Fabiano play the heart-breaking couple, singing two sublime Puccini favourites – “Sì, mi chiamano Mimì” and “Che gelida manina.” Zeffirelli’s stupendous onstage recreations of 19th-century Paris are sure to take your breath away.

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The world’s most popular opera returns with an exciting young cast in Franco Zeffirelli’s legendary production. Poverty-stricken poet Rodolfo and his artist friends eke out a precarious existence in bohemian Paris, alternately practising their art, laughing, quarrelling, dodging the landlord, and living it up in their local cafe. When Rodolfo meets the delicate Mimì, the pair instantly fall in love. But Mimì is ill, Rodolfo is jealous, and their romance is doomed from the start. Opera superstars Sonya Yoncheva and Michael Fabiano play the heart-breaking couple, singing two sublime Puccini favourites – “Sì, mi chiamano Mimì” and “Che gelida manina.” Zeffirelli’s stupendous onstage recreations of 19th-century Paris are sure to take your breath away.

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Christopher Wheeldon, Artistic Associate of The Royal Ballet, created his adaptation of Shakespeare’s late great romance 'The Winter’s Tale' for The Royal Ballet in 2014. Building on the success of 'Alice’s Adventures in Wonderland', T'he Winter’s Tale' received ecstatic praise at its premiere, acclaimed by critics and audiences alike for its intelligent, distinctive and emotionally powerful story, told through exquisite dance. It is now widely judged to be a modern ballet classic.

The story follows the destruction of a marriage through consuming jealousy, the abandonment of a child and a seemingly hopeless love. Yet, through remorse and regret – and after a seemingly miraculous return to life – the ending is one of forgiveness and reconciliation. With powerful designs by Bob Crowley and atmospheric music by Joby Talbot, The Winter’s Tale is a masterful modern narrative ballet.

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In the era of the French Revolution, Jeanne and her brother Jérôme leave Marseille for Paris in support of the revolutionary effort that is taking over the capital. While fighting for freedom, they both encounter love along the way…

Very few ballets can properly depict the Bolshoi’s overflowing energy and fiery passion as can Alexei Ratmansky’s captivating revival of Vasily Vainonen’s The Flames of Paris. With powerful virtuosity and some of the most stunning pas de deux, the Bolshoi Ballet displays an exuberance almost too enormous for the Moscow stage.

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'Carmen' is the best-known work by French composer Georges Bizet, and one of the most famous operas in the entire art form – numbers such as the Habanera and the Toreador Song have permeated the popular consciousness as little else has. The opera’s heady combination of passion, sensuality and violence initially proved too much for the stage, and it was a critical failure on its 1875 premiere. Bizet died shortly after, and never learned of the spectacular success his Carmen would achieve: the opera has been performed more than five hundred times at Covent Garden alone.

This ever-popular opera is given a fresh point of view in Barrie Kosky’s highly physical production, originally created for Frankfurt Opera. The Australian director is one of the world’s most sought-after opera directors, whose Royal Opera debut with Shostakovich’s The Nose in 2016 was greeted with delight. For Carmen he has devised a far-from-traditional version, incorporating music written by Bizet for the score but not usually heard, and giving a new voice to the opera’s endlessly fascinating central character.

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Against the backdrop of the Hanging Gardens, Semiramide, Queen of Babylon, defies bad omens and supernatural threats in her quest to find a worthy successor to her late husband. But she harbours more than one dark secret, and whoever gains the throne may find that he has lost more than he has won. Based on a story by Voltaire, this rarely performed tragic opera reveals The Barber of Seville composer Giaochino Rossini in a whole new light. The title role – composed for Rossini’s wife, Isabella Colbran – features some of the most demanding vocal music he ever wrote. Angela Meade takes on the challenging vocal fireworks in this revival of a production last seen at the Met 25 years ago.

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Against the backdrop of the Hanging Gardens, Semiramide, Queen of Babylon, defies bad omens and supernatural threats in her quest to find a worthy successor to her late husband. But she harbours more than one dark secret, and whoever gains the throne may find that he has lost more than he has won. Based on a story by Voltaire, this rarely performed tragic opera reveals The Barber of Seville composer Giaochino Rossini in a whole new light. The title role – composed for Rossini’s wife, Isabella Colbran – features some of the most demanding vocal music he ever wrote. Angela Meade takes on the challenging vocal fireworks in this revival of a production last seen at the Met 25 years ago.

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Over the past couple of years, Bobby has become an instantly recognisable face on British television and the UK comedy circuit. This year, he returns to the Edinburgh Fringe for his latest show Loudly Insecure.

30 years ago, Bobby was put up for adoption and now he’s tracking down his birth family one by one. Saying his search has hit a couple of snags would be an understatement and he still has relatives out there who continue to elude him - except for Justin Bieber. Loudly Insecure gives Bobby a chance to fill you in on the wildly dramatic twists and turns of his quest, the accidental broadening of his search for next of kin, plus he’ll fill you in on a couple of other musings along the way; like his love of strangers, techniques to impress his personal trainer and if remembering virginity loss is inappropriate.
Recently, Bobby has supported the likes of Bill Burr and Doug Stanhope on tour and also took time out to professionally troll Julian Assange, garnering international press pick up. Katie Hopkins has also had a brush with Bobby after he donated his appearance fee from his booking on TLC series 'What If Katie Hopkins Ruled The World’, to causes he knew she’d hate. This noble deed didn’t go unnoticed and earned him over 500,000 hits on YouTube, a figure far exceeding the number of viewers who watched the original appearance on Hopkins’s show.
Bobby is currently shooting his first comedy series for VICELAND, which airs this summer. Co-starring the love of his life Harriet Kemsley, the show follows the pair’s hilariously dysfunctional journey towards their impending marriage. Bobby is also a series regular in Channel 4’s World of Weird and is the roaming reporter for satirical political show Sam Delaney’s News Thing (RT). He also hosted and wrote The Bobby Mair Show for Comedy Central online which was quickly commissioned after his huge viral success on KSI:Demolished for the channel. Additionally Bobby is a seasoned panellist on 8 out of 10 Cats (C4), Never Mind The Buzzcocks (BBC2), Virtually famous (E4), Sweat the Small Stuff (BBC3), and Safe Word (ITV) to name a few.
18+

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Perhaps more than any other artist, Van Gogh’s life has long captured the imagination of storytellers. Delving deep into his fascinating and sometimes deeply troubled world comes this definitive, award-winning documentary directed by David Bickerstaff.

Showcasing Van Gogh’s iconic works like never before and featuring exclusive interviews with the curatorial team at the Van Gogh Museum, this EXHIBITION ON SCREEN favourite from Season 2 makes a welcome return to the big screen.

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Leonard Bernstein was one of the first classical composers in America to achieve both popular and critical acclaim. He was eclectic in his sources – drawing on jazz and modernism, the traditions of Jewish music and the Broadway musical – and many of Bernstein’s scores are remarkably well suited to dance. He was particularly associated with Jerome Robbins, their credits together including Fancy Free and West Side Story. To celebrate the centenary year of the composer’s birth, The Royal Ballet has united all three of its associate choreographers to celebrate the dynamic range and danceability of Bernstein’s music.

The programme includes two world premieres by Resident Choreographer Wayne McGregor and Artistic Associate Christopher Wheeldon, marking each artist’s first foray into Bernstein. At the heart of the programme is the first revival of Artist in Residence Liam Scarlett’s The Age of Anxiety, created in 2014 to Bernstein’s soul-searching Second Symphony. Both symphony and ballet are inspired by W.H. Auden’s masterful modernist poem, itself written in response to the atmosphere of disillusionment and uncertainty that followed the end of World War II.

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Goaded by their cynical friend Don Alfonso, soldiers Ferrando and Guglielmo decide to test their fiancées’ fidelity. Pretending to leave with their regiment, they return in disguise and pay court to each other’s lover. Will the young women succumb to the charms of these two handsome ‘foreigners’? A co-production with English National Opera, this clever vision of the battle of the sexes is set in a carnivalesque environment inspired by 1950s Coney Island. The cast features Amanda Majeski and Serena Malfi as the sisters put to the test, with Broadway star Kelli O’Hara as their feisty maid, Ben Bliss and Adam Plachetka as their fiancés, and Christopher Maltman as Don Alfonso. David Robertson conducts Mozart’s delightful score.

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Goaded by their cynical friend Don Alfonso, soldiers Ferrando and Guglielmo decide to test their fiancées’ fidelity. Pretending to leave with their regiment, they return in disguise and pay court to each other’s lover. Will the young women succumb to the charms of these two handsome ‘foreigners’? A co-production with English National Opera, this clever vision of the battle of the sexes is set in a carnivalesque environment inspired by 1950s Coney Island. The cast features Amanda Majeski and Serena Malfi as the sisters put to the test, with Broadway star Kelli O’Hara as their feisty maid, Ben Bliss and Adam Plachetka as their fiancés, and Christopher Maltman as Don Alfonso. David Robertson conducts Mozart’s delightful score.

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Verdi’s life-long love affair with Shakespeare’s works began with Macbeth, a play he considered to be ‘one of the greatest creations of man’. With his librettist, Francesco Maria Piave, Verdi set out to create ‘something out of the ordinary’. Their success is borne out in every bar of a score that sees Verdi at his most theatrical: it bristles with demonic energy.

The warrior Macbeth fights on the side of the King of Scotland – but when a coven of witches prophesy that he shall become king himself, a ruthless ambition drives Macbeth and his wife to horrific acts.Murder makes Macbeth king, and intrigue and butchery are the hallmarks of his brief, doomed reign. The witches make another prediction, which also comes true: Macbeth and his lady lose their lives, and justice is restored.

Phyllida Lloyd’s 2002 production for The Royal Opera is richly hued, shot through with black, red and gold. The witches – imagined by designer Anthony Ward as strange, scarlet-turbaned creatures – are ever-present agents of fate. Lloyd depicts the Macbeths’ childlessness as the dark sadness lurking behind their terrible deeds. The Royal Opera’s production uses Verdi’s 1865 Paris revision of the opera, which includes Lady Macbeth’s riveting aria ‘La luce langue’.

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When Giselle learns that her beloved Albrecht is promised to another woman, she dies of a broken heart in his arms. While Albrecht grieves, she returns from the dead as a Wili, a vengeful spirit meant to make unfaithful men dance until death…

Prima ballerina Svetlana Zakharova personifies this ultimate ballerina role in the classical repertoire, alongside the sensational Sergei Polunin as Albrecht, in this chilling, yet luminous ballet that continues to captivate audiences for over 150 years at the Bolshoi.

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James Levine and Plácido Domingo add yet another chapter to their legendary Met collaboration with this rarely performed Verdi gem, a heart-wrenching tragedy based on Friedrich Schiller’s novel Intrigue and Love. The young maiden Luisa loves Rodolfo, unaware that he is actually the son of the local lord. An unscrupulous rival for her affections tells her father of Rodolfo’s true identity, turning the old man against him. Jealousy, suspicion, and betrayal tear the lovers apart, but Luisa remains loyal to her father to the last. In the first Met performances of the opera in more than ten years, Sonya Yoncheva sings the title role opposite Piotr Beczała as Rodolfo, with Domingo as Luisa’s stern-yet-loving father.

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James Levine and Plácido Domingo add yet another chapter to their legendary Met collaboration with this rarely performed Verdi gem, a heart-wrenching tragedy based on Friedrich Schiller’s novel Intrigue and Love. The young maiden Luisa loves Rodolfo, unaware that he is actually the son of the local lord. An unscrupulous rival for her affections tells her father of Rodolfo’s true identity, turning the old man against him. Jealousy, suspicion, and betrayal tear the lovers apart, but Luisa remains loyal to her father to the last. In the first Met performances of the opera in more than ten years, Sonya Yoncheva sings the title role opposite Piotr Beczała as Rodolfo, with Domingo as Luisa’s stern-yet-loving father.

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A fairy godmother, a glass slipper, an opulent ball, an enchanted forest, and a Prince Charming who loves her – did all that really happen, or was it just a dream? Long-suffering Cendrillon lives a life of drudgery with her good-natured father and his imperious wife, until fate, romance, and a touch of fairy magic intervene. For the first time ever, Massenet’s sumptuous version of the Cinderella story comes to the Met in this imaginative storybook production directed by Laurent Pelly. Superstar Joyce DiDonato sings the title role, alongside British mezzo-soprano Alice Coote in the trouser role of Prince Charming, Kathleen Kim as the Fairy Godmother, and Stephanie Blythe as the archetypal wicked stepmother.

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A fairy godmother, a glass slipper, an opulent ball, an enchanted forest, and a Prince Charming who loves her – did all that really happen, or was it just a dream? Long-suffering Cendrillon lives a life of drudgery with her good-natured father and his imperious wife, until fate, romance, and a touch of fairy magic intervene. For the first time ever, Massenet’s sumptuous version of the Cinderella story comes to the Met in this imaginative storybook production directed by Laurent Pelly. Superstar Joyce DiDonato sings the title role, alongside British mezzo-soprano Alice Coote in the trouser role of Prince Charming, Kathleen Kim as the Fairy Godmother, and Stephanie Blythe as the archetypal wicked stepmother.

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Manon’s brother Lescaut is offering her to the highest bidder when she meets Des Grieux and falls in love. They elope to Paris, but when Monsieur G.M. offers Manon a life of luxury as his mistress she can’t resist. With the Lescauts’ encouragement Des Grieux cheats at cards in an attempt to win Monsieur G.M.’s fortune. They are caught. Manon is arrested as a prostitute and deported to New Orleans, followed by Des Grieux. On the run, Manon dies from exhaustion.

Kenneth MacMillan’s source for Manon was the 18th-century French novel already adapted for opera by Massenet and Puccini. The premiere was given on 7 March 1974, with the lead roles danced by Antoinette Sibley and Anthony Dowell. The ballet quickly became a staple of The Royal Ballet’s repertory, and a touchstone of adult, dramatic dance.

MacMillan found new sympathy with the capricious Manon and her struggle to escape poverty. Designs by his regular collaborator Nicholas Georgiadis reflect this, depicting a world of lavish splendour polluted by miserable destitution. MacMillan’s spectacular ensemble scenes for the whole Company create vivid, complex portraits of the distinct societies of Paris and New Orleans. But it is Manon and Des Grieux’s impassioned pas de deux – recalling the intensity of MacMillan’s earlier Romeo and Juliet – that drive this tragic story, and make Manon one of MacMillan’s most powerful dramas.

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Exhibition On Screen: I, Claude Monet

“My head is bursting – I want to paint it all.” Award-winning director Phil Grabsky presents a fresh new look at arguably the world’s favourite artist, Claude Monet, using the painter’s own words.

Based on letters and other private writings, I, Claude Monet provides new insight into the man who not only painted the picture that gave birth to Impressionism, but who was perhaps the most influential and successful painter of the 19th and early 20th centuries.

In spite of this, and perhaps because of it, Monet’s life is a gripping tale of a man who, behind his sun-dazzled canvases, suffered from bouts of depression, loneliness and even suicidal thoughts. Then, as his art developed and his love of nature led to the glories of his garden at Giverny, his letters reveal his humour, insight and love of life.

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Swanhilda notices her fiancee Franz is infatuated with the beautiful Coppélia who sits reading on her balcony each day. Nearly breaking up the two sweethearts, Coppelia is not what she seems and Swanhilda decides to teach Franz a lesson…

The Bolshoi’s unique version of Coppélia exhibits a fascinating reconstruction of the original 19th century choreography of this ebullient comedy involving a feisty heroine, a boyish fiancee with a wandering eye, and an old dollmaker. The company’s stunning corps de ballet shines in the divertissements and famous “dance of the hours,” and its principals abound in youthful energy and irresistible humor in this effervescent production.

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'Swan Lake' has had a special role in the repertory of The Royal Ballet since 1934. This Season The Royal Ballet creates a new production with additional choreography by Artist in Residence Liam Scarlett. While remaining faithful to the Petipa-Ivanov text, Scarlett will bring fresh eyes to the staging of this classic ballet, in collaboration with his long-term designer John Macfarlane.

Prince Siegfried chances upon a fl ock of swans while out hunting. When one of the swans turns into a beautiful woman, Odette, he is enraptured. But she is under a spell that holds her captive, allowing her to regain her human form only at night.

'Swan Lake' was Tchaikovsky’s first ballet score. Given its status today as arguably the best loved and most admired of all classical ballets, it is perhaps surprising that at its premiere in 1877 Swan Lake was poorly received. It is thanks to the 1895 production by Marius Petipa and Lev Ivanov that Swan Lake has become part of not only ballet consciousness but also wider popular culture. That success is secured not only by the sublime, symphonic sweep of Tchaikovsky’s score, but also by the striking choreographic contrasts between Petipa’s royal palace scenes and the lyric lakeside scenes created by Ivanov.

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