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Cymbeline is a ruler of a divided Britain. When Innogen, the only living heir, marries her sweetheart in secret, an enraged Cymbeline banishes him. But a powerful figure behind the throne is plotting to seize power and murder them both. Innogen embarks on a dangerous journey that will reunite Cymbeline with a lost heir and reconcile the young lovers. Melly Still directs Shakespeare’s rarely performed romance.
Join us for this live cinema screening on the 28 September, broadcast live from the Royal Shakespeare Theatre. Feel part of the action from your seat.
Director: Taika Waititi.
Starring: Sam Neill, Julian Dennison, Rima Te Wiata. New Zealand 2016. 101 mins.
Teenager Rick (Dennison), an overweight hip-hop fan, finds himself living in the latest of several foster homes, where the kindly Bella (Wiata) and gruff backwoodsman Hector (Neill) do their best to accommodate (i.e. put up with) him. Then Bella abruptly disappears, and social services threaten to move Rick on. Having none of it, Rick runs away into the bush, followed by the somewhat reluctant Hector. Their ensuing adventures as they outwit an increasingly intense search for them prove both ingenious and hilarious.
Kiwi writer-director Taika Waititi has strong form in offbeat comedy following 2014’s vampire mockumentary What We Do In The Shadows, and Dennison and Neill are excellent conduits for his quietly absurdist humour. The result is one of the unlikeliest buddy movies since Planes, Trains And Automobiles.
Contains moderate bad language, innuendo and infrequent bloody moments.
February 9th, 1964, 8:12pm EST – after a brief commercial break, four young men from Liverpool step onto the Ed Sullivan stage, changing culture forever.
Seventy-three million people watched The Beatles perform that night, the largest audience in television history. But it is what the band did next that would introduce them to the entire world, permanently transforming the music industry and forever engraining them into the fabric of popular culture... They went on tour.
By the time the band quit touring in August of 1966, they had performed 166 concerts in 15 countries and 90 cities around the world. The cultural phenomenon their touring helped create, known as "Beatlemania," was something the world had never seen before and, arguably, hasn't since.
Stay in your seat after the film to experience 30 minutes of footage from the legendary 1965 Shea Stadium performance, presented for the first time in a digitally restored 4k transfer with remastered sound.
Director: Sharon Maguire.
Starring: Renée Zellweger, Colin Firth, Patrick Dempsey. UK/Ireland/France/USA 2016. TBC mins.
Twelve years since The Edge Of Reason reprised the incredible success of Bridget Jones’s Diary, Renée Zellweger makes her third appearance as the delightfully ditzy singleton.
After recently splitting up with Mark Darcy (Firth), her enduring admirer from the first two romantic comedies, Ms Jones now maintains that she’s both happy and finally in control of her life – until, that is, a handsome American, Jack Qwant (Dempsey, long-term star of TV’s Grey’s Anatomy), sweeps her off her feet. And then, rather inconveniently, she finds herself pregnant and unsure whether Mark or Jack is the father.
It’s an uneasy dilemma for the somewhat reluctantly grown-up Bridget, who must also decide who she would want the father to be. Zellweger’s wonderfully nuanced performance will delight cinema audiences.
Director: Tim Burton.
Starring: Eva Green, Asa Butterfield, Samuel L. Jackson. USA 2016. TBC mins.
Visionary director Tim Burton and versatile screenwriter Jane Goldman (The Woman In Black, Kick-Ass) are the ideal couple to bring Ransom Riggs’s cult young adult bestseller to the big screen, with Burton’s quirky imagination soaring to the skies in this gothic spectacular. When a lonely teenager called Jake (Butterfield, Hugo) discovers clues that seem to unlock mysterious alternative realities, he also uncovers a hidden establishment known as Miss Peregrine’s Home For Peculiar Children. As well as getting chummy with its decidedly peculiar residents – all perfectly cast – and getting to grips with their various bizarre abilities, Jake learns from Miss Peregrine (Green, Casino Royale) that danger lurks everywhere. There are dark, powerful forces out there and Jake must figure out who and what to trust.
Director: Vivienne De Courcy.
Starring: Emma Greenwell, Tom Hughes. Ireland 2015. 100 mins.
Nominally a tale about landscape gardening, writer-director Vivienne De Courcy’s debut feature is also an epic love story set amid sweeping Irish landscapes and Ethiopian deserts. Denied recognition of her talents by her celebrity employer, young garden designer Mary Reynolds (Greenwell, Love & Friendship) is determined to win the major prize at the Chelsea Flower Show. Anxious to turn her vision into a botanical reality, she travels to Ethiopia to persuade gifted plant scientist Christy Collard (Hughes, About Time) to help her. Christy is more concerned with his vital irrigation projects, but his reluctance evaporates when she manages to win his heart as well as his mind in this unusual and compelling romantic drama.
Director: Taika Waititi.
Starring: Sam Neill, Julian Dennison, Rima Te Wiata. New Zealand 2016. 101 mins.
Teenager Rick (Dennison), an overweight hip-hop fan, finds himself living in the latest of several foster homes, where the kindly Bella (Wiata) and gruff backwoodsman Hector (Neill) do their best to accommodate (i.e. put up with) him. Then Bella abruptly disappears, and social services threaten to move Rick on. Having none of it, Rick runs away into the bush, followed by the somewhat reluctant Hector. Their ensuing adventures as they outwit an increasingly intense search for them prove both ingenious and hilarious.
Kiwi writer-director Taika Waititi has strong form in offbeat comedy following 2014’s vampire mockumentary What We Do In The Shadows, and Dennison and Neill are excellent conduits for his quietly absurdist humour. The result is one of the unlikeliest buddy movies since Planes, Trains And Automobiles.
Contains moderate bad language, innuendo and infrequent bloody moments.
Director: Matt Ross.
Starring: Viggo Mortensen, Frank Langella, George MacKay. USA 2016. 119 mins.
In a remote Pacific Northwest forest, Ben Cash (Mortensen) raises and radically homeschools his six genius-tinged children whilst his wife, Leslie (Trin Miller), battles with bipolar disorder. When she takes her own life in hospital, her rich, conservative father (Langella) threatens to have Ben arrested if he and the children turn up at her funeral.
Despite this, they embark on a long road trip in their converted bus to attend. The journey offers numerous opportunities for the family’s hippie-going-on-Marxist values to grate against America’s overfed consumerism – opportunities that writer-director Matt Ross and his talented cast avidly mine for both humour and sly ideological reflection. Neither detracts from the core drama as Ben inevitably finds his moral compass challenged by the children he’s striven so hard to cast in his own mould.
Director: David Mackenzie.
Starring: Chris Pine, Ben Foster, Jeff Bridges, Gil Birmingham. USA 2016. 102 mins.
This double buddy movie is a real joy. Cool-headed Toby (Pine) and impulsive Tanner (Foster) are bank-robbing brothers, pursued across the blighted Texan badlands by soon-to-retire Texas Ranger Marcus (Bridges) and his long-suffering Native American deputy, Alberto (Birmingham). Wily, laconic Marcus realises the brothers’ low-key strategy – early mornings, small banks, small bills – will prove their undoing, and insists on playing a waiting game. Meanwhile, despite his brother’s admonishments, Tanner pushes the risk factor with random heists.
Subtexts, subplots, flashes of dark humour and surprises aplenty abound, and the wry script by Taylor Sheridan (Sicario), tautly executed by rising British director David Mackenzie (Starred Up), maintains emotional interest as well as suspense, with echoes of the Coens’ Blood Simple and True Grit.
Director: Woody Allen.
Starring: Jesse Eisenberg, Kristen Stewart, Steve Carell. USA 2016. 96 mins.
Nebbishy Bobby (Eisenberg) is despatched to beautifully evoked 1930s Hollywood, where his powerful agent uncle (Carell) finds him a lowly job and, coincidentally, a romance with his level-headed secretary, Vonnie (Eisenberg’s American Ultra co-star Stewart).
Somewhat disillusioned, Bobby eventually returns home to New York to work for his gangster brother, Ben (Corey Stoll), a man given to disposing of rivals in cement overcoats. These are the bones of Woody Allen’s latest film, which echoes Bullets Over Broadway and Midnight In Paris in both its period evocation and its emotional entanglements. This is arguably a more sophisticated work, however, with Eisenberg’s nervous tics channelling Allen’s own complex personality, and Stewart’s character harbouring secrets that underline the frailty of romance, plus winning turns from Jeannie Berlin (Inherent Vice) and the irrepressible Ken Stott as Bobby’s parents.
Contains moderate sex references, violence and drug references.
Director: Sharon Maguire.
Starring: Renée Zellweger, Colin Firth, Patrick Dempsey. UK/Ireland/France/USA 2016. TBC mins.
Twelve years since The Edge Of Reason reprised the incredible success of Bridget Jones’s Diary, Renée Zellweger makes her third appearance as the delightfully ditzy singleton.
After recently splitting up with Mark Darcy (Firth), her enduring admirer from the first two romantic comedies, Ms Jones now maintains that she’s both happy and finally in control of her life – until, that is, a handsome American, Jack Qwant (Dempsey, long-term star of TV’s Grey’s Anatomy), sweeps her off her feet. And then, rather inconveniently, she finds herself pregnant and unsure whether Mark or Jack is the father.
It’s an uneasy dilemma for the somewhat reluctantly grown-up Bridget, who must also decide who she would want the father to be. Zellweger’s wonderfully nuanced performance will delight cinema audiences.
10.30Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Director: Ira Sachs.
Starring: Theo Taplitz, Michael Barbieri. USA/Greece 2016. 85 mins.
Set in New York, this charming coming-of-ager is a tender tale of teenage friendship. Brooklyn boys Jake and Tony (impressive newcomers Taplitz and Barbieri) become best pals when Jake’s parents, Brian (Greg Kinnear) and Kathy (Jennifer Ehle), move into the apartment above the shop run by Tony’s mother, Leonor (Paulina García, Gloria). Director Sachs (Love Is Strange) beautifully observes the boys’ time together, allowing their friendship to flourish organically. But inevitably, trouble arises. The shop was leased from Brian’s late father, and when Brian discovers that Leonor is paying far below the market rent, he sets in motion a chain of events that threatens to rip the boys apart. This nostalgic but never sentimental look at childhood is also a story about how innocence is often punctured by the complexities of grown-up life. Subtle and telling, the result is a gem.
Director: Taika Waititi.
Starring: Sam Neill, Julian Dennison, Rima Te Wiata. New Zealand 2016. 101 mins.
Teenager Rick (Dennison), an overweight hip-hop fan, finds himself living in the latest of several foster homes, where the kindly Bella (Wiata) and gruff backwoodsman Hector (Neill) do their best to accommodate (i.e. put up with) him. Then Bella abruptly disappears, and social services threaten to move Rick on. Having none of it, Rick runs away into the bush, followed by the somewhat reluctant Hector. Their ensuing adventures as they outwit an increasingly intense search for them prove both ingenious and hilarious.
Kiwi writer-director Taika Waititi has strong form in offbeat comedy following 2014’s vampire mockumentary What We Do In The Shadows, and Dennison and Neill are excellent conduits for his quietly absurdist humour. The result is one of the unlikeliest buddy movies since Planes, Trains And Automobiles.
Contains moderate bad language, innuendo and infrequent bloody moments.
Director: David Mackenzie.
Starring: Chris Pine, Ben Foster, Jeff Bridges, Gil Birmingham. USA 2016. 102 mins.
This double buddy movie is a real joy. Cool-headed Toby (Pine) and impulsive Tanner (Foster) are bank-robbing brothers, pursued across the blighted Texan badlands by soon-to-retire Texas Ranger Marcus (Bridges) and his long-suffering Native American deputy, Alberto (Birmingham). Wily, laconic Marcus realises the brothers’ low-key strategy – early mornings, small banks, small bills – will prove their undoing, and insists on playing a waiting game. Meanwhile, despite his brother’s admonishments, Tanner pushes the risk factor with random heists.
Subtexts, subplots, flashes of dark humour and surprises aplenty abound, and the wry script by Taylor Sheridan (Sicario), tautly executed by rising British director David Mackenzie (Starred Up), maintains emotional interest as well as suspense, with echoes of the Coens’ Blood Simple and True Grit.
Director: Sharon Maguire.
Starring: Renée Zellweger, Colin Firth, Patrick Dempsey. UK/Ireland/France/USA 2016. TBC mins.
Twelve years since The Edge Of Reason reprised the incredible success of Bridget Jones’s Diary, Renée Zellweger makes her third appearance as the delightfully ditzy singleton.
After recently splitting up with Mark Darcy (Firth), her enduring admirer from the first two romantic comedies, Ms Jones now maintains that she’s both happy and finally in control of her life – until, that is, a handsome American, Jack Qwant (Dempsey, long-term star of TV’s Grey’s Anatomy), sweeps her off her feet. And then, rather inconveniently, she finds herself pregnant and unsure whether Mark or Jack is the father.
It’s an uneasy dilemma for the somewhat reluctantly grown-up Bridget, who must also decide who she would want the father to be. Zellweger’s wonderfully nuanced performance will delight cinema audiences.
Director: Ira Sachs.
Starring: Theo Taplitz, Michael Barbieri. USA/Greece 2016. 85 mins.
Set in New York, this charming coming-of-ager is a tender tale of teenage friendship. Brooklyn boys Jake and Tony (impressive newcomers Taplitz and Barbieri) become best pals when Jake’s parents, Brian (Greg Kinnear) and Kathy (Jennifer Ehle), move into the apartment above the shop run by Tony’s mother, Leonor (Paulina García, Gloria). Director Sachs (Love Is Strange) beautifully observes the boys’ time together, allowing their friendship to flourish organically. But inevitably, trouble arises. The shop was leased from Brian’s late father, and when Brian discovers that Leonor is paying far below the market rent, he sets in motion a chain of events that threatens to rip the boys apart. This nostalgic but never sentimental look at childhood is also a story about how innocence is often punctured by the complexities of grown-up life. Subtle and telling, the result is a gem.
Director: Taika Waititi.
Starring: Sam Neill, Julian Dennison, Rima Te Wiata. New Zealand 2016. 101 mins.
Teenager Rick (Dennison), an overweight hip-hop fan, finds himself living in the latest of several foster homes, where the kindly Bella (Wiata) and gruff backwoodsman Hector (Neill) do their best to accommodate (i.e. put up with) him. Then Bella abruptly disappears, and social services threaten to move Rick on. Having none of it, Rick runs away into the bush, followed by the somewhat reluctant Hector. Their ensuing adventures as they outwit an increasingly intense search for them prove both ingenious and hilarious.
Kiwi writer-director Taika Waititi has strong form in offbeat comedy following 2014’s vampire mockumentary What We Do In The Shadows, and Dennison and Neill are excellent conduits for his quietly absurdist humour. The result is one of the unlikeliest buddy movies since Planes, Trains And Automobiles.
Contains moderate bad language, innuendo and infrequent bloody moments.
Director: Matt Ross.
Starring: Viggo Mortensen, Frank Langella, George MacKay. USA 2016. 119 mins.
In a remote Pacific Northwest forest, Ben Cash (Mortensen) raises and radically homeschools his six genius-tinged children whilst his wife, Leslie (Trin Miller), battles with bipolar disorder. When she takes her own life in hospital, her rich, conservative father (Langella) threatens to have Ben arrested if he and the children turn up at her funeral.
Despite this, they embark on a long road trip in their converted bus to attend. The journey offers numerous opportunities for the family’s hippie-going-on-Marxist values to grate against America’s overfed consumerism – opportunities that writer-director Matt Ross and his talented cast avidly mine for both humour and sly ideological reflection. Neither detracts from the core drama as Ben inevitably finds his moral compass challenged by the children he’s striven so hard to cast in his own mould.
Director: Steven Spielberg.
Starring: Mark Rylance, Rebecca Hall, Penelope Wilton. UK/Canada/USA 2016. TBC mins.
Steven Spielberg’s vision of The BFG could not have come at a more opportune time: this year we celebrate 100 years of Roald Dahl. What better way to mark the century of the adored British author than with a brand new big friendly giant?
At the centre of the tale is Sophie (Ruby Barnhill), a characterful and curious young girl living in a London orphanage. One night, Sophie is let into an amazing secret: giants exist, and they deliver dreams into children’s bedrooms.
Sophie discovers this when she is whisked off to a land of giants, where the BFG (Rylance) teaches her about dreams and protects her from his rather less friendly brothers, including the Bloodbottler (Bill Hader) and the Fleshlumpeater (Jemaine Clement).
February 9th, 1964, 8:12pm EST – after a brief commercial break, four young men from Liverpool step onto the Ed Sullivan stage, changing culture forever.
Seventy-three million people watched The Beatles perform that night, the largest audience in television history. But it is what the band did next that would introduce them to the entire world, permanently transforming the music industry and forever engraining them into the fabric of popular culture... They went on tour.
By the time the band quit touring in August of 1966, they had performed 166 concerts in 15 countries and 90 cities around the world. The cultural phenomenon their touring helped create, known as "Beatlemania," was something the world had never seen before and, arguably, hasn't since.
Stay in your seat after the film to experience 30 minutes of footage from the legendary 1965 Shea Stadium performance, presented for the first time in a digitally restored 4k transfer with remastered sound.
Director: Sharon Maguire.
Starring: Renée Zellweger, Colin Firth, Patrick Dempsey. UK/Ireland/France/USA 2016. TBC mins.
Twelve years since The Edge Of Reason reprised the incredible success of Bridget Jones’s Diary, Renée Zellweger makes her third appearance as the delightfully ditzy singleton.
After recently splitting up with Mark Darcy (Firth), her enduring admirer from the first two romantic comedies, Ms Jones now maintains that she’s both happy and finally in control of her life – until, that is, a handsome American, Jack Qwant (Dempsey, long-term star of TV’s Grey’s Anatomy), sweeps her off her feet. And then, rather inconveniently, she finds herself pregnant and unsure whether Mark or Jack is the father.
It’s an uneasy dilemma for the somewhat reluctantly grown-up Bridget, who must also decide who she would want the father to be. Zellweger’s wonderfully nuanced performance will delight cinema audiences.
Director: Mat Whitecross. Featuring: Noel Gallagher, Liam Gallagher. UK 2016. 122 mins.
Asif Kapadia (Amy, Senna), teams up with Mat Whitecross (Sex & Drugs & Rock & Roll, Spike Island) to tackle game-changing act Oasis. With unprecedented access to Oasis’s archive, they create a magnificent patchwork of rarities from the Oasis vault, skilfully woven together with new interviews with the band as they look back (sometimes in anger) on their experiences. The film follows the Gallaghers’ truly rags-to-riches journey from a Manchester council estate to the release of their first single, Supersonic, to selling out stadiums. Liam and Noel’s furious feuding and the mayhem and excess of the band were a magnet for the press. The brothers speak unusually candidly about their fractious relationship and extraordinary rise to fame. Supersonic tells the story behind one of the world’s greatest super-bands, and is a riveting portrayal of the Britpop phenomenon.
In UK and Irish cinemas with exclusive live stream Q&A with Liam Gallagher and Mat Whitecross on October 2.
Director: Ira Sachs.
Starring: Theo Taplitz, Michael Barbieri. USA/Greece 2016. 85 mins.
Set in New York, this charming coming-of-ager is a tender tale of teenage friendship. Brooklyn boys Jake and Tony (impressive newcomers Taplitz and Barbieri) become best pals when Jake’s parents, Brian (Greg Kinnear) and Kathy (Jennifer Ehle), move into the apartment above the shop run by Tony’s mother, Leonor (Paulina García, Gloria). Director Sachs (Love Is Strange) beautifully observes the boys’ time together, allowing their friendship to flourish organically. But inevitably, trouble arises. The shop was leased from Brian’s late father, and when Brian discovers that Leonor is paying far below the market rent, he sets in motion a chain of events that threatens to rip the boys apart. This nostalgic but never sentimental look at childhood is also a story about how innocence is often punctured by the complexities of grown-up life. Subtle and telling, the result is a gem.
Director: Taika Waititi.
Starring: Sam Neill, Julian Dennison, Rima Te Wiata. New Zealand 2016. 101 mins.
Teenager Rick (Dennison), an overweight hip-hop fan, finds himself living in the latest of several foster homes, where the kindly Bella (Wiata) and gruff backwoodsman Hector (Neill) do their best to accommodate (i.e. put up with) him. Then Bella abruptly disappears, and social services threaten to move Rick on. Having none of it, Rick runs away into the bush, followed by the somewhat reluctant Hector. Their ensuing adventures as they outwit an increasingly intense search for them prove both ingenious and hilarious.
Kiwi writer-director Taika Waititi has strong form in offbeat comedy following 2014’s vampire mockumentary What We Do In The Shadows, and Dennison and Neill are excellent conduits for his quietly absurdist humour. The result is one of the unlikeliest buddy movies since Planes, Trains And Automobiles.
Contains moderate bad language, innuendo and infrequent bloody moments.
Director: Alfred Hitchcock.
Starring: Farley Granger, Robert Walker. USA 1951. 103 mins.
Two strangers start chatting on a train, and one of them proposes that they commit two perfect murders by killing the individuals responsible for each other’s problems.
Director: Sharon Maguire.
Starring: Renée Zellweger, Colin Firth, Patrick Dempsey. UK/Ireland/France/USA 2016. TBC mins.
Twelve years since The Edge Of Reason reprised the incredible success of Bridget Jones’s Diary, Renée Zellweger makes her third appearance as the delightfully ditzy singleton.
After recently splitting up with Mark Darcy (Firth), her enduring admirer from the first two romantic comedies, Ms Jones now maintains that she’s both happy and finally in control of her life – until, that is, a handsome American, Jack Qwant (Dempsey, long-term star of TV’s Grey’s Anatomy), sweeps her off her feet. And then, rather inconveniently, she finds herself pregnant and unsure whether Mark or Jack is the father.
It’s an uneasy dilemma for the somewhat reluctantly grown-up Bridget, who must also decide who she would want the father to be. Zellweger’s wonderfully nuanced performance will delight cinema audiences.
Two corrupt cops in New Mexico set out to blackmail and frame every criminal unfortunate enough to cross their path. Things take a sinister turn, however, when they try to intimidate someone who is more dangerous than they are. Or is he?
Director: Ira Sachs.
Starring: Theo Taplitz, Michael Barbieri. USA/Greece 2016. 85 mins.
Set in New York, this charming coming-of-ager is a tender tale of teenage friendship. Brooklyn boys Jake and Tony (impressive newcomers Taplitz and Barbieri) become best pals when Jake’s parents, Brian (Greg Kinnear) and Kathy (Jennifer Ehle), move into the apartment above the shop run by Tony’s mother, Leonor (Paulina García, Gloria). Director Sachs (Love Is Strange) beautifully observes the boys’ time together, allowing their friendship to flourish organically. But inevitably, trouble arises. The shop was leased from Brian’s late father, and when Brian discovers that Leonor is paying far below the market rent, he sets in motion a chain of events that threatens to rip the boys apart. This nostalgic but never sentimental look at childhood is also a story about how innocence is often punctured by the complexities of grown-up life. Subtle and telling, the result is a gem.
Rory Kinnear is Mack the Knife in a new version of this landmark twentieth-century musical, broadcast live from the stage of the National Theatre.
Bertolt Brecht and Kurt Weill’s classic musical theatre piece is adapted by Simon Stephens (The Curious Incident of the Dog in the Night-Time) and directed by Rufus Norris (Everyman, London Road).
As London's East End scrubs up for the coronation, Mr and Mrs Peachum gear up for a bumper day in the beggary business. Keeping tight control of the city's underground – and their daughter’s whereabouts.
With Olivier Award-winner Rory Kinnear (Hamlet, Othello, James Bond) as Macheath, alongside Rosalie Craig (As You Like It, My Family and other Animals) as Polly Peachum and Haydn Gwynne (The Windsors, Drop the Dead Donkey) as Mrs Peachum.
Director: Sharon Maguire.
Starring: Renée Zellweger, Colin Firth, Patrick Dempsey. UK/Ireland/France/USA 2016. TBC mins.
Twelve years since The Edge Of Reason reprised the incredible success of Bridget Jones’s Diary, Renée Zellweger makes her third appearance as the delightfully ditzy singleton.
After recently splitting up with Mark Darcy (Firth), her enduring admirer from the first two romantic comedies, Ms Jones now maintains that she’s both happy and finally in control of her life – until, that is, a handsome American, Jack Qwant (Dempsey, long-term star of TV’s Grey’s Anatomy), sweeps her off her feet. And then, rather inconveniently, she finds herself pregnant and unsure whether Mark or Jack is the father.
It’s an uneasy dilemma for the somewhat reluctantly grown-up Bridget, who must also decide who she would want the father to be. Zellweger’s wonderfully nuanced performance will delight cinema audiences.
HEY DUGGEE- a place for children (and their parents) to have fun, be energetic, and most of all to DO THINGS!
The show is based around a children’s playgroup called The Squirrel Club. Its run by a big dog called DUGGEE. The Squirrel Club is a place where kids have adventures and earn badges for their accomplishments.
There are five children who go to the Squirrel club. HAPPY, NORRIE,TAG, BETTY & ROLY. Their parents drop them off every day and they spend a couple of hours having fun and adventures with DUGGEE, in his clubhouse, and outside in his fantastical world before being picked up again at the end of the show.
Episodes in this programme: Acorn, Balloon, Hide & Seek, Sheep, and Spider.
It’s all about doing things, and DUGGEE likes to do a lot, and go to lots of places.
Director: Christian Vincent.
Starring: Fabrice Luchini, Sidse Babett Knudsen, Eva Lallier. France 2015. 98 mins. French with English subtitles.
In this double Venice Festival winner from La Seperation writer-director Christian Vincent, the ever-world-weary Fabrice Luchini (Potiche, In The House) plays Michel Racine, an uptight provincial judge. Presiding over the particularly grim trial of a man accused of brutally killing his daughter, Michel finds that one of the jurors, Ditte (Knudsen, Borgen, The Duke Of Burgundy), is a woman he long ago fell in love with. Although it’s initially unclear if she felt similarly smitten, Ditte agrees to share coffee with Michel – who abandons his nitpicking maintenance of protocols – during a courtroom break and, well, one thing leads to another. It’s an often tense but warmly humorous meditation that draws on the parallels between legal and personal trials, with Knudsen in particular demonstrating her command of emotional subtleties.
Director: Ira Sachs.
Starring: Theo Taplitz, Michael Barbieri. USA/Greece 2016. 85 mins.
Set in New York, this charming coming-of-ager is a tender tale of teenage friendship. Brooklyn boys Jake and Tony (impressive newcomers Taplitz and Barbieri) become best pals when Jake’s parents, Brian (Greg Kinnear) and Kathy (Jennifer Ehle), move into the apartment above the shop run by Tony’s mother, Leonor (Paulina García, Gloria). Director Sachs (Love Is Strange) beautifully observes the boys’ time together, allowing their friendship to flourish organically. But inevitably, trouble arises. The shop was leased from Brian’s late father, and when Brian discovers that Leonor is paying far below the market rent, he sets in motion a chain of events that threatens to rip the boys apart. This nostalgic but never sentimental look at childhood is also a story about how innocence is often punctured by the complexities of grown-up life. Subtle and telling, the result is a gem.
Director: Taika Waititi.
Starring: Sam Neill, Julian Dennison, Rima Te Wiata. New Zealand 2016. 101 mins.
Teenager Rick (Dennison), an overweight hip-hop fan, finds himself living in the latest of several foster homes, where the kindly Bella (Wiata) and gruff backwoodsman Hector (Neill) do their best to accommodate (i.e. put up with) him. Then Bella abruptly disappears, and social services threaten to move Rick on. Having none of it, Rick runs away into the bush, followed by the somewhat reluctant Hector. Their ensuing adventures as they outwit an increasingly intense search for them prove both ingenious and hilarious.
Kiwi writer-director Taika Waititi has strong form in offbeat comedy following 2014’s vampire mockumentary What We Do In The Shadows, and Dennison and Neill are excellent conduits for his quietly absurdist humour. The result is one of the unlikeliest buddy movies since Planes, Trains And Automobiles.
Contains moderate bad language, innuendo and infrequent bloody moments.
Director: Matt Ross.
Starring: Viggo Mortensen, Frank Langella, George MacKay. USA 2016. 119 mins.
In a remote Pacific Northwest forest, Ben Cash (Mortensen) raises and radically homeschools his six genius-tinged children whilst his wife, Leslie (Trin Miller), battles with bipolar disorder. When she takes her own life in hospital, her rich, conservative father (Langella) threatens to have Ben arrested if he and the children turn up at her funeral.
Despite this, they embark on a long road trip in their converted bus to attend. The journey offers numerous opportunities for the family’s hippie-going-on-Marxist values to grate against America’s overfed consumerism – opportunities that writer-director Matt Ross and his talented cast avidly mine for both humour and sly ideological reflection. Neither detracts from the core drama as Ben inevitably finds his moral compass challenged by the children he’s striven so hard to cast in his own mould.
Director: David Mackenzie.
Starring: Chris Pine, Ben Foster, Jeff Bridges, Gil Birmingham. USA 2016. 102 mins.
This double buddy movie is a real joy. Cool-headed Toby (Pine) and impulsive Tanner (Foster) are bank-robbing brothers, pursued across the blighted Texan badlands by soon-to-retire Texas Ranger Marcus (Bridges) and his long-suffering Native American deputy, Alberto (Birmingham). Wily, laconic Marcus realises the brothers’ low-key strategy – early mornings, small banks, small bills – will prove their undoing, and insists on playing a waiting game. Meanwhile, despite his brother’s admonishments, Tanner pushes the risk factor with random heists.
Subtexts, subplots, flashes of dark humour and surprises aplenty abound, and the wry script by Taylor Sheridan (Sicario), tautly executed by rising British director David Mackenzie (Starred Up), maintains emotional interest as well as suspense, with echoes of the Coens’ Blood Simple and True Grit.
February 9th, 1964, 8:12pm EST – after a brief commercial break, four young men from Liverpool step onto the Ed Sullivan stage, changing culture forever.
Seventy-three million people watched The Beatles perform that night, the largest audience in television history. But it is what the band did next that would introduce them to the entire world, permanently transforming the music industry and forever engraining them into the fabric of popular culture... They went on tour.
By the time the band quit touring in August of 1966, they had performed 166 concerts in 15 countries and 90 cities around the world. The cultural phenomenon their touring helped create, known as "Beatlemania," was something the world had never seen before and, arguably, hasn't since.
Stay in your seat after the film to experience 30 minutes of footage from the legendary 1965 Shea Stadium performance, presented for the first time in a digitally restored 4k transfer with remastered sound.
Director: Sharon Maguire.
Starring: Renée Zellweger, Colin Firth, Patrick Dempsey. UK/Ireland/France/USA 2016. TBC mins.
Twelve years since The Edge Of Reason reprised the incredible success of Bridget Jones’s Diary, Renée Zellweger makes her third appearance as the delightfully ditzy singleton.
After recently splitting up with Mark Darcy (Firth), her enduring admirer from the first two romantic comedies, Ms Jones now maintains that she’s both happy and finally in control of her life – until, that is, a handsome American, Jack Qwant (Dempsey, long-term star of TV’s Grey’s Anatomy), sweeps her off her feet. And then, rather inconveniently, she finds herself pregnant and unsure whether Mark or Jack is the father.
It’s an uneasy dilemma for the somewhat reluctantly grown-up Bridget, who must also decide who she would want the father to be. Zellweger’s wonderfully nuanced performance will delight cinema audiences.
This shocking and irresistibly mysterious thriller is based on British author Paula Hawkins’s bestselling novel, relocating the action from London to New York.
Emily Blunt (Sicario) stars as Rachel, who daydreams about an imaginary ‘perfect couple’ living in one of the beautiful homes that she sees every day from the train. But one day, as she looks through the window, she sees something shocking in the house – and later she wakes up covered in blood and with no memory of why. When the news reports that a local woman has gone missing, Rachel becomes obsessed with finding out what has happened to her and, even more troublingly, where she herself was that night.
With a gripping central riddle, The Girl On The Train promises to be one of the year’s most talked-about movies.
Director: Ira Sachs.
Starring: Theo Taplitz, Michael Barbieri. USA/Greece 2016. 85 mins.
Set in New York, this charming coming-of-ager is a tender tale of teenage friendship. Brooklyn boys Jake and Tony (impressive newcomers Taplitz and Barbieri) become best pals when Jake’s parents, Brian (Greg Kinnear) and Kathy (Jennifer Ehle), move into the apartment above the shop run by Tony’s mother, Leonor (Paulina García, Gloria). Director Sachs (Love Is Strange) beautifully observes the boys’ time together, allowing their friendship to flourish organically. But inevitably, trouble arises. The shop was leased from Brian’s late father, and when Brian discovers that Leonor is paying far below the market rent, he sets in motion a chain of events that threatens to rip the boys apart. This nostalgic but never sentimental look at childhood is also a story about how innocence is often punctured by the complexities of grown-up life. Subtle and telling, the result is a gem.
Director: Taika Waititi.
Starring: Sam Neill, Julian Dennison, Rima Te Wiata. New Zealand 2016. 101 mins.
Teenager Rick (Dennison), an overweight hip-hop fan, finds himself living in the latest of several foster homes, where the kindly Bella (Wiata) and gruff backwoodsman Hector (Neill) do their best to accommodate (i.e. put up with) him. Then Bella abruptly disappears, and social services threaten to move Rick on. Having none of it, Rick runs away into the bush, followed by the somewhat reluctant Hector. Their ensuing adventures as they outwit an increasingly intense search for them prove both ingenious and hilarious.
Kiwi writer-director Taika Waititi has strong form in offbeat comedy following 2014’s vampire mockumentary What We Do In The Shadows, and Dennison and Neill are excellent conduits for his quietly absurdist humour. The result is one of the unlikeliest buddy movies since Planes, Trains And Automobiles.
Contains moderate bad language, innuendo and infrequent bloody moments.
Directors: Reuben Atlas, Jerry Rothwell. USA 2016. 85 mins.
The rarefied world of international wine auctions comes under the scrutiny of documentary filmmakers Reuben Atlas and Jerry Rothwell, who focus on Rudy Kurniawan, a charismatic Indonesian collector who burst onto the scene in the early 2000s. According to journalist Corie Brown, Kurniawan was like a “rich kid looking for something to do” – which turned out to be elbowing aside long-established collectors by paying vast sums for vintage bottles and then selling them on at even higher prices. This was all very well, except that some of his vintages didn’t actually exist, while others were just a case of new wine in old bottles. Atlas and Rothwell chronicle the deceit, disaster and humiliation with a well-honed sardonic approach, which may well leave you with as little sympathy for the duped as the duper.
Director: Sharon Maguire.
Starring: Renée Zellweger, Colin Firth, Patrick Dempsey. UK/Ireland/France/USA 2016. TBC mins.
Twelve years since The Edge Of Reason reprised the incredible success of Bridget Jones’s Diary, Renée Zellweger makes her third appearance as the delightfully ditzy singleton.
After recently splitting up with Mark Darcy (Firth), her enduring admirer from the first two romantic comedies, Ms Jones now maintains that she’s both happy and finally in control of her life – until, that is, a handsome American, Jack Qwant (Dempsey, long-term star of TV’s Grey’s Anatomy), sweeps her off her feet. And then, rather inconveniently, she finds herself pregnant and unsure whether Mark or Jack is the father.
It’s an uneasy dilemma for the somewhat reluctantly grown-up Bridget, who must also decide who she would want the father to be. Zellweger’s wonderfully nuanced performance will delight cinema audiences.
This shocking and irresistibly mysterious thriller is based on British author Paula Hawkins’s bestselling novel, relocating the action from London to New York.
Emily Blunt (Sicario) stars as Rachel, who daydreams about an imaginary ‘perfect couple’ living in one of the beautiful homes that she sees every day from the train. But one day, as she looks through the window, she sees something shocking in the house – and later she wakes up covered in blood and with no memory of why. When the news reports that a local woman has gone missing, Rachel becomes obsessed with finding out what has happened to her and, even more troublingly, where she herself was that night.
With a gripping central riddle, The Girl On The Train promises to be one of the year’s most talked-about movies.
Director: Ira Sachs.
Starring: Theo Taplitz, Michael Barbieri. USA/Greece 2016. 85 mins.
Set in New York, this charming coming-of-ager is a tender tale of teenage friendship. Brooklyn boys Jake and Tony (impressive newcomers Taplitz and Barbieri) become best pals when Jake’s parents, Brian (Greg Kinnear) and Kathy (Jennifer Ehle), move into the apartment above the shop run by Tony’s mother, Leonor (Paulina García, Gloria). Director Sachs (Love Is Strange) beautifully observes the boys’ time together, allowing their friendship to flourish organically. But inevitably, trouble arises. The shop was leased from Brian’s late father, and when Brian discovers that Leonor is paying far below the market rent, he sets in motion a chain of events that threatens to rip the boys apart. This nostalgic but never sentimental look at childhood is also a story about how innocence is often punctured by the complexities of grown-up life. Subtle and telling, the result is a gem.
Director: Taika Waititi.
Starring: Sam Neill, Julian Dennison, Rima Te Wiata. New Zealand 2016. 101 mins.
Teenager Rick (Dennison), an overweight hip-hop fan, finds himself living in the latest of several foster homes, where the kindly Bella (Wiata) and gruff backwoodsman Hector (Neill) do their best to accommodate (i.e. put up with) him. Then Bella abruptly disappears, and social services threaten to move Rick on. Having none of it, Rick runs away into the bush, followed by the somewhat reluctant Hector. Their ensuing adventures as they outwit an increasingly intense search for them prove both ingenious and hilarious.
Kiwi writer-director Taika Waititi has strong form in offbeat comedy following 2014’s vampire mockumentary What We Do In The Shadows, and Dennison and Neill are excellent conduits for his quietly absurdist humour. The result is one of the unlikeliest buddy movies since Planes, Trains And Automobiles.
Contains moderate bad language, innuendo and infrequent bloody moments.
Director: David Mackenzie.
Starring: Chris Pine, Ben Foster, Jeff Bridges, Gil Birmingham. USA 2016. 102 mins.
This double buddy movie is a real joy. Cool-headed Toby (Pine) and impulsive Tanner (Foster) are bank-robbing brothers, pursued across the blighted Texan badlands by soon-to-retire Texas Ranger Marcus (Bridges) and his long-suffering Native American deputy, Alberto (Birmingham). Wily, laconic Marcus realises the brothers’ low-key strategy – early mornings, small banks, small bills – will prove their undoing, and insists on playing a waiting game. Meanwhile, despite his brother’s admonishments, Tanner pushes the risk factor with random heists.
Subtexts, subplots, flashes of dark humour and surprises aplenty abound, and the wry script by Taylor Sheridan (Sicario), tautly executed by rising British director David Mackenzie (Starred Up), maintains emotional interest as well as suspense, with echoes of the Coens’ Blood Simple and True Grit.
Director: Sharon Maguire.
Starring: Renée Zellweger, Colin Firth, Patrick Dempsey. UK/Ireland/France/USA 2016. TBC mins.
Twelve years since The Edge Of Reason reprised the incredible success of Bridget Jones’s Diary, Renée Zellweger makes her third appearance as the delightfully ditzy singleton.
After recently splitting up with Mark Darcy (Firth), her enduring admirer from the first two romantic comedies, Ms Jones now maintains that she’s both happy and finally in control of her life – until, that is, a handsome American, Jack Qwant (Dempsey, long-term star of TV’s Grey’s Anatomy), sweeps her off her feet. And then, rather inconveniently, she finds herself pregnant and unsure whether Mark or Jack is the father.
It’s an uneasy dilemma for the somewhat reluctantly grown-up Bridget, who must also decide who she would want the father to be. Zellweger’s wonderfully nuanced performance will delight cinema audiences.
This shocking and irresistibly mysterious thriller is based on British author Paula Hawkins’s bestselling novel, relocating the action from London to New York.
Emily Blunt (Sicario) stars as Rachel, who daydreams about an imaginary ‘perfect couple’ living in one of the beautiful homes that she sees every day from the train. But one day, as she looks through the window, she sees something shocking in the house – and later she wakes up covered in blood and with no memory of why. When the news reports that a local woman has gone missing, Rachel becomes obsessed with finding out what has happened to her and, even more troublingly, where she herself was that night.
With a gripping central riddle, The Girl On The Train promises to be one of the year’s most talked-about movies.
The season begins with a new production of Wagner’s Tristan Und Isolde, conducted by Sir Simon Rattle for his first Live In HD performance.
Nina Stemme stars as Isolde, a touchstone role she has sung with major opera companies around the world. Her Tristan is Australian heldentenor Stuart Skelton, who sang Siegmund in the Met’s Ring cycle in 2013. The cast also includes Ekaterina Gubanova, Evgeny Nikitin and René Pape. The staging, by Mariusz Treliński (who directed the 2015 Met double bill of Iolanta and Bluebeard’s Castle), is a co-production with the Festival Hall Baden-Baden, Teatr Wielki (Polish National Opera) and China’s National Centre For The Performing Arts.
This shocking and irresistibly mysterious thriller is based on British author Paula Hawkins’s bestselling novel, relocating the action from London to New York.
Emily Blunt (Sicario) stars as Rachel, who daydreams about an imaginary ‘perfect couple’ living in one of the beautiful homes that she sees every day from the train. But one day, as she looks through the window, she sees something shocking in the house – and later she wakes up covered in blood and with no memory of why. When the news reports that a local woman has gone missing, Rachel becomes obsessed with finding out what has happened to her and, even more troublingly, where she herself was that night.
With a gripping central riddle, The Girl On The Train promises to be one of the year’s most talked-about movies.
This shocking and irresistibly mysterious thriller is based on British author Paula Hawkins’s bestselling novel, relocating the action from London to New York.
Emily Blunt (Sicario) stars as Rachel, who daydreams about an imaginary ‘perfect couple’ living in one of the beautiful homes that she sees every day from the train. But one day, as she looks through the window, she sees something shocking in the house – and later she wakes up covered in blood and with no memory of why. When the news reports that a local woman has gone missing, Rachel becomes obsessed with finding out what has happened to her and, even more troublingly, where she herself was that night.
With a gripping central riddle, The Girl On The Train promises to be one of the year’s most talked-about movies.
Director: Wim Wenders.
Starring: Dennis Hopper, Bruno Ganz. West Germany/France 1977. 126 mins. German with English subtitles.
In Wenders’s breakthrough film, a German art restorer in need of cash is approached by American Tom Ripley with the offer of an assignment as killer for hire.
Meet the artists who are redefining the tradition of knit and crochet, bringing yarn out of the house and into the world. Reinventing our relationship with this colorful tradition, YARN weaves together wool graffiti artists, circus performers, and structural designers into a visually-striking look at the women who are making a creative stance while building one of modern art's hottest trends.
Louis Theroux’s first theatrical feature documentary, from the Oscar TM winning producer of SEARCHING FOR SUGARMAN and MAN ON WIRE, sees the renowned filmmaker delve into the world of Scientology, one of the worlds most mysterious and powerful religions, in what he regards as ‘the Holy Grail of Stories’.
With a lifetime of experience dealing with eccentric, unpalatable and unexpected human behaviour, the unassuming Theroux won’t take no for an answer when his request to enter the Church of Scientology headquarters is turned down. Inspired by the Church’s alleged techniques, and aided by former Scientology members-turned-whistleblowers, Theroux uses actors to recreate incidents people claim to have experienced as members in an attempt to better understand the way it operates. However, in a bizarre twist, it becomes clear that Louis is not the only one making a documentary… Suffused with a good dose of humour and moments worthy of a Hollywood script, MY SCIENTOLOGY MOVIE is as outlandish as it is revealing.
This screening will be followed by a live satellite Q&A with Louis Theroux.
This shocking and irresistibly mysterious thriller is based on British author Paula Hawkins’s bestselling novel, relocating the action from London to New York.
Emily Blunt (Sicario) stars as Rachel, who daydreams about an imaginary ‘perfect couple’ living in one of the beautiful homes that she sees every day from the train. But one day, as she looks through the window, she sees something shocking in the house – and later she wakes up covered in blood and with no memory of why. When the news reports that a local woman has gone missing, Rachel becomes obsessed with finding out what has happened to her and, even more troublingly, where she herself was that night.
With a gripping central riddle, The Girl On The Train promises to be one of the year’s most talked-about movies.
The season begins with a new production of Wagner’s Tristan Und Isolde, conducted by Sir Simon Rattle for his first Live In HD performance.
Nina Stemme stars as Isolde, a touchstone role she has sung with major opera companies around the world. Her Tristan is Australian heldentenor Stuart Skelton, who sang Siegmund in the Met’s Ring cycle in 2013. The cast also includes Ekaterina Gubanova, Evgeny Nikitin and René Pape. The staging, by Mariusz Treliński (who directed the 2015 Met double bill of Iolanta and Bluebeard’s Castle), is a co-production with the Festival Hall Baden-Baden, Teatr Wielki (Polish National Opera) and China’s National Centre For The Performing Arts.
Louis Theroux’s first theatrical feature documentary, from the Oscar TM winning producer of SEARCHING FOR SUGARMAN and MAN ON WIRE, sees the renowned filmmaker delve into the world of Scientology, one of the worlds most mysterious and powerful religions, in what he regards as ‘the Holy Grail of Stories’.
With a lifetime of experience dealing with eccentric, unpalatable and unexpected human behaviour, the unassuming Theroux won’t take no for an answer when his request to enter the Church of Scientology headquarters is turned down. Inspired by the Church’s alleged techniques, and aided by former Scientology members-turned-whistleblowers, Theroux uses actors to recreate incidents people claim to have experienced as members in an attempt to better understand the way it operates. However, in a bizarre twist, it becomes clear that Louis is not the only one making a documentary… Suffused with a good dose of humour and moments worthy of a Hollywood script, MY SCIENTOLOGY MOVIE is as outlandish as it is revealing.
This screening will be followed by a recorded Q&A with Louis Theroux, which was broadcast live to cinemas on 10 October.
This shocking and irresistibly mysterious thriller is based on British author Paula Hawkins’s bestselling novel, relocating the action from London to New York.
Emily Blunt (Sicario) stars as Rachel, who daydreams about an imaginary ‘perfect couple’ living in one of the beautiful homes that she sees every day from the train. But one day, as she looks through the window, she sees something shocking in the house – and later she wakes up covered in blood and with no memory of why. When the news reports that a local woman has gone missing, Rachel becomes obsessed with finding out what has happened to her and, even more troublingly, where she herself was that night.
With a gripping central riddle, The Girl On The Train promises to be one of the year’s most talked-about movies.
10.15Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
A lonely private investigator is contacted by a mysterious woman who pulls him into a mind game known as "telephone walking". Fascinated by her voice, Aloys discovers an imaginary universe that allows him to break out of his isolation.
18.15Discover Tuesdays: Discover stunning cinema with MUBI. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
King Lear has ruled for many years. As age begins to overtake him, he decides to divide his kingdom amongst his children, living out his days without the burden of power. Misjudging his children’s loyalty and finding himself alone in the wilderness, he is left to confront the mistakes of a life that has brought him to this point.
Antony Sher returns to the RSC to play King Lear, one of the greatest parts written by Shakespeare in this, one of Shakespeare’s most epic and powerful plays.
Join us for this live cinema screening of one of Shakespeare’s most epic plays on 12 October, broadcast live from the Royal Shakespeare Theatre. Feel part of the action from your seat.
This shocking and irresistibly mysterious thriller is based on British author Paula Hawkins’s bestselling novel, relocating the action from London to New York.
Emily Blunt (Sicario) stars as Rachel, who daydreams about an imaginary ‘perfect couple’ living in one of the beautiful homes that she sees every day from the train. But one day, as she looks through the window, she sees something shocking in the house – and later she wakes up covered in blood and with no memory of why. When the news reports that a local woman has gone missing, Rachel becomes obsessed with finding out what has happened to her and, even more troublingly, where she herself was that night.
With a gripping central riddle, The Girl On The Train promises to be one of the year’s most talked-about movies.
Lo and Behold: Reveries of the Connected World + Satellite Q&A with Werner Herzog, live from the London Film Festival.
In a documentary on our society as it enters a new technological age, Werner Herzog explores the effect of the Internet – as well as its history and future – and the wonders of robotics. Herzog does not himself use a phone (smart or otherwise) and rarely goes online. Ironically this makes him the perfect choice to examine the impact connected technology is having on our lives. Neither celebration nor condemnation, Herzog’s exploration includes volunteering for tech pioneer Elon Musk’s mission to Mars and looking at technological developments that could lead to breakthroughs in medical research. Most affecting of all are the questions asked about the dark side of the web: can we trust those who understand this technology not to misuse it? On a planet still governed by nature’s laws, what if our online infrastructure were completely wiped out by natural disaster?
This shocking and irresistibly mysterious thriller is based on British author Paula Hawkins’s bestselling novel, relocating the action from London to New York.
Emily Blunt (Sicario) stars as Rachel, who daydreams about an imaginary ‘perfect couple’ living in one of the beautiful homes that she sees every day from the train. But one day, as she looks through the window, she sees something shocking in the house – and later she wakes up covered in blood and with no memory of why. When the news reports that a local woman has gone missing, Rachel becomes obsessed with finding out what has happened to her and, even more troublingly, where she herself was that night.
With a gripping central riddle, The Girl On The Train promises to be one of the year’s most talked-about movies.
Louis Theroux’s first theatrical feature documentary, from the Oscar TM winning producer of SEARCHING FOR SUGARMAN and MAN ON WIRE, sees the renowned filmmaker delve into the world of Scientology, one of the worlds most mysterious and powerful religions, in what he regards as ‘the Holy Grail of Stories’.
With a lifetime of experience dealing with eccentric, unpalatable and unexpected human behaviour, the unassuming Theroux won’t take no for an answer when his request to enter the Church of Scientology headquarters is turned down. Inspired by the Church’s alleged techniques, and aided by former Scientology members-turned-whistleblowers, Theroux uses actors to recreate incidents people claim to have experienced as members in an attempt to better understand the way it operates. However, in a bizarre twist, it becomes clear that Louis is not the only one making a documentary… Suffused with a good dose of humour and moments worthy of a Hollywood script, MY SCIENTOLOGY MOVIE is as outlandish as it is revealing.
This screening will be followed by a recorded Q&A with Louis Theroux, which was broadcast live to cinemas on 10 October.
Music: Dmitri Shostakovich
Choreography: Yuri Grigorovich
Libretto: Yuri Grigorovich and Isaak Glikman
Cast: The Bolshoi Principals, Soloists and Corps De Ballet
In a seaside town where business and the Mafia are flourishing, the Golden Age cabaret is the favourite nightly haunt of dancers, bandits and young revellers. The young fisherman Boris falls in love with Rita, a beautiful dancer, but she is also the friend of a local gangster…
A satire on Europe during the Roaring ’20s, The Golden Age makes for an original, colourful and dazzling show with its jazzy score and music-hall atmosphere. This ballet – which can only be seen at the Bolshoi – has everything: mad rhythms, vigorous chase scenes and decadent cabaret numbers. With this passionate love story featuring beautiful duets between Boris and Rita, the Bolshoi dancers plunge magnificently into every stylised step and gesture.
Director: Anthony Minghella.
Starring: Matt Damon, Gwyneth Paltrow, Jude Law. USA 1999. 139 mins.
Ambitious social climber Tom Ripley is sent to Italy to bring home an errant playboy. This crisp, taut thriller twists its way through the stunning Mediterranean scenery.
The legendary Miss Saigon, in cinemas for one night only. This spectacular, sell-out 25th Anniversary Gala Performance of the global stage sensation also features appearances by the original cast including Jonathan Pryce and Lea Salonga.
This acclaimed new production was described as “the most thrilling, soaring and emotionally stirring musical with magnificent performances” by the Daily Telegraph and “the greatest musical of all time” by the Daily Mail. The epic love story tells the tragic tale of young bar girl Kim, orphaned by war, who falls in love with American GI Chris – but their lives are torn apart by the fall of Saigon.
How much do you love your partner?
How much do you trust them? And can
they trust you? Mozart’s classic opera
Così fan tutte puts two pairs of lovers to
the test – with great music but distinctly
unexpected results.
For this new production, director
Jan Philipp Gloger creates a richly
theatrical world as the playground for
this quirky comedy, where two men try
to woo each other’s partners for a bet.
Don Alfonso – the puppet master of this
experiment in love – is here a theatre
director who uses all the sets, props and
tricks of his trade to invent new scenes to
challenge the lovers’ affections.
This lively, youthful and imaginative take
on one of the world's best-loved operas
is performed by a cast of rising stars
conducted by Semyon Bychkov.
“TV 40 news personality Christine Chubbuck shot herself in a live broadcast this morning on a Channel 40 talk programme. She was rushed to Sarasota Memorial Hospital, where she remains in critical condition.” Shockingly, this is a real-life news bulletin from 1974. Even more shockingly, the bulletin was composed by Chubbuck herself, who left it on the studio desk before putting the gun to her head. She died some hours later. Who was Christine Chubbuck, and why did she do this horrifying thing? Director Robert Greene and actor Kate Lyn Sheil explore Chubbuck’s actions from the inside, making a boldly self-reflexive attempt to ‘perform’ her story as Sheil prepares to play Chubbuck on film. A Sundance 2016 award winner, the result is a provocative and at times even eerie meditation not just on Chubbuck’s life and death, but also on performance, voyeurism and documentary truth.
18.15Discover Tuesdays: Discover stunning cinema with MUBI. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
Picturehouse Docs: Bringing you the best in new and topical documentaries covering issues around the world.
With a score of heartbreaking beauty and intensity, Saul takes us into a nightmare world of madness and despair. This powerful and highly acclaimed production, filmed live in Festival 2015, delves deep into Handel’s opera based on the Biblical tale.
Saul charts the first King Of Israel’s love and loathing of his eventual successor, David. We watch Saul crumble before our eyes, as dramatically as Shakespeare’s King Lear, as he watches David win everyone’s heart – including that of his son, Jonathan.
Simon Keenlyside makes his Met role debut as the unrepentant seducer in Tony Award winner Michael Grandage’s staging of Mozart’s masterpiece. Met Principal Conductor Fabio Luisi leads a cast that includes Hibla Gerzmava, Malin Byström, Serena Malfi, Adam Plachetka, Matthew Rose, Kwangchul Youn and Rolando Villazón.
Simon Keenlyside makes his Met role debut as the unrepentant seducer in Tony Award winner Michael Grandage’s staging of Mozart’s masterpiece. Met Principal Conductor Fabio Luisi leads a cast that includes Hibla Gerzmava, Malin Byström, Serena Malfi, Adam Plachetka, Matthew Rose, Kwangchul Youn and Rolando Villazón.
Director: Guillaume Nicloux.
Starring: Isabelle Huppert, Gérard Depardieu. France/Belgium 2015. 92 mins. French with English subtitles.
A long-divorced couple of successful French actors, Isabelle (Huppert) and Gérard (Depardieu) find themselves reunited by a letter received six months after his suicide from their son, Michael. The letter invites them to a rendezvous in California’s Death Valley on a specific date – with a promise that Michael himself will somehow appear. His presence transpires to be more metaphysical than supernatural, and what ensues is a sly opportunity for writer-director Guillaume Nicloux to reflect on the celebrity culture that he explored with 2014’s faux documentary The Kidnapping Of Michel Houellebecq. Depardieu and Huppert, who last worked together 36 years ago on Maurice Pialat’s Loulou, give marvellously subtle performances as the estranged, agreeably spiky pair.
18.15Discover Tuesdays: Discover stunning cinema with MUBI. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
Set against the backdrop of post-war Britain, John Osborneʼs modern classic conjures the seedy glamour of the old music halls for an explosive examination of public masks and private torment. Rob Ashford directs Kenneth Branagh as the unforgettable Archie Rice in the final production for the Plays At The Garrick season.
Travel documentary presented by Richard Dimbleby, showing Bath before the bulldozers did their work in the 1960s, and with walls still covered in soot. Broadcast by the BBC as part of the ABOUT BRITAIN series, the programme takes in the Roman Baths, where the presenter talks to the assistant curator about excavations on the site. The programme also features a history of the city, the roles of figures such as Beau Nash and Ralph Allen, and stunning architecture including Prior Park, the Royal Crescent and Circus. Dimbleby explores local traditional industries, discovering how Bath stone is cut in a nearby quarry and how gold leaf is applied to book covers at a bindery. This is followed by a visit to local author Horace Annersley Vachell, then in his 91st year, before ending with a trip to Bath Abbey.
Dick Fiddy of the BFI said "This is a genuine new find from the early days of TV and an intriguing travelogue featuring a fascinating look at Bath of the 1950s."
We are delighted that the screening is to benefit from an introduction by Dr Amy Frost, Architectural Curator, Bath Preservation Trust.
We are enormously grateful to the BFI and to the BPT for their assistance with this screening.
Reminiscent of 1982’s Koyaanisqatsi, In Pursuit of Silence is a meditative exploration of our relationship with silence, sound and the impact of noise on our lives. Beginning with an ode to John Cage’s groundbreaking composition 4'33", In Pursuit Of Silence takes us on an immersive cinematic journey around the globe – from a traditional tea ceremony in Kyoto, to the streets of Mumbai, loudest city on the planet.
18.15Discover Tuesdays: Discover stunning cinema with MUBI. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
An identity in crisis; a country in
revolution. Anastasia is a ballet about
one of the great historical mysteries of
the 20th century, only recently solved.
At the height of the Russian Revolution
the royal family were executed, but
afterwards a young woman appeared
– apparently a surviving royal princess,
the Grand Duchess Anastasia. Known as
'Anna Anderson', she couldn't remember
her past and she was presumed to be
an imposter. Many wanted to forget
the massacre and the Revolution; many
believed, or hoped, that a princess could
have survived, a remnant of the old world.
One of Kenneth MacMillan's first
creations on becoming Director of
The Royal Ballet in 1970, Anastasia is
a dramatic and haunting exploration
of Anna's nightmare of memory and
identity. To music by Tchaikovsky and
Martinů, we follow the events leading
to the murder of a family, and Anna's
confused dreams – or memories.
A powerful, psychological challenge
for the principal ballerina, this is a rare
opportunity to see a landmark ballet by
a major choreographer.
Exhibition On Screen: The Curious World Of Hieronymus Bosch
Delve into the vivid imagination of a true visionary.
Who was Hieronymus Bosch? Why do his strange and fantastical paintings resonate now more than ever? How does he bridge the medieval and Renaissance worlds? Where did his unconventional and timeless creations come from? Discover the answers to these questions and more with this remarkable new film from Exhibition On Screen.
The Curious World Of Hieronymus Bosch features the critically acclaimed exhibition Visions Of A Genius at the Noordbrabants Museum in Bosch’s home town in the southern Netherlands. The exhibition brought many of Bosch’s paintings and drawings together for the first time, and attracted almost half a million art lovers from all over the world.
With details of his fascinating life and the stories within his works revealed as never before, this cinematic exploration of a great creative genius is not to be missed.
Music: Dmitri Shostakovich
Choreography: Alexei Ratmansky
Libretto: Adrian Piotrovsky and Fyodor Lopukhov
Cast: Svetlana Lunkina (Zina), Mikhail Lobukhin (Pyotr), Maria Alexandrova (the Ballerina), Ruslan Skvortsov (the Ballet Dancer), Denis Savin (the Accordionist), Alexei Loparevich (the Old Dacha Dweller)
During harvest festival on a collective farm, a visiting dance troupe reunites a ballerina with her childhood friend, Zina. In order to teach her unfaithful husband a lesson, Zina, the ballerina and the ballerina’s husband decide to swap roles for the evening…
Alexei Ratmansky invokes the genius of Shostakovich’s score, creating a laugh-out-loud masterpiece with slapstick comedy, hilarious deceptions, false identities (including Principal Dancer Ruslan Skvortsov dressed as a sylph) and many colourful characters! The Bolshoi bursts with vivid life and bright spirits in Ratmansky’s brilliantly choreographed smash.
Directors: Bilall Fallah, Adil El Arbi.
Starring: Martha Canga Antonio, Aboubakr Bensaihi. Belgium 2015. 94 mins. French with English subtitles.
With echoes of Romeo And Juliet and West Side Story, Black emerges from the ganglands of Brussels. Here we meet young Marwan (Bensaihi), ill prepared to assume leadership of the clan known as the 1080s after his brother’s imprisonment.
Marwan falls for 15-year-old Mavela (Antonio), a neophyte member of the rival, extremely vicious Black Bronx clan. But with his brother gone, Marwan has little understanding of the deadly consequences. As in 2014’s gang drama Girlhood, Mavela herself is less a criminal than a rebel, but she is locked into a brutally upheld regime, and soon discovers the dangers.
With affecting performances from a largely non-professional cast, young writer-directors Bilall Fallah and Adil El Arbi amply deserve their Toronto International Film Festival Discovery Award.
18.15Discover Tuesdays: Discover stunning cinema with MUBI. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
Director: Abel Gance.
With Albert Dieudonné, Antonin Artaud, Gina Manès, Vladimir Roudenko. France 1927. 333mins (3 intervals)
Abel Gance’s heroic depiction of the rise of Napoleon Bonaparte is an undisputed cinema landmark.
Renowned for its groundbreaking technical innovations, including a stunning triptych finale, Gance’s visionary epic traverses many of the formative experiences that shaped Napoleon’s rapid advancement. Cool under pressure, Bonaparte overcomes fierce rivals, deadly seas and political machinations to seal his imperial destiny. The story’s chapters play out in exhilarating fashion, tied together by an incredible feat of editing and technical ingenuity. With an equally enthralling score composed and conducted by Carl Davis (newly recorded in 7.1), this new digital restoration presents the silent masterpiece in all of its grandiose glory, with rich velvety blacks combining with gorgeously coloured tints and tones. Truly a magnificent big-screen experience.
The Battle of the Somme is a 1916 British documentary and propaganda war film, shot by two official cinematographers, Geoffrey Malins and John McDowell. The film depicts the British Army in the preliminaries and early days of the Battle of the Somme (1 July – 18 November 1916). The film depicts trench warfare, marching infantry, artillery firing on German positions, British troops waiting to attack on 1 July, treatment of wounded British and German soldiers, British and German dead and captured German equipment and positions.
The Imperial War Museum, Gateways to the First World War and The Fedora Group present this UNESCO listed film with live original score piano accompaniment and pre-screening talks by Dr Sam Carroll (University of Kent) and Glyn Edwards (The Fedora Group: Stage, Screen & Trench).
The Royal Opera's lavish production of
Les Contes d'Hoffmann (The Tales of
Hoffmann), Offenbach's masterpiece, is
a favourite with audiences. Created by
Academy Award-winning film director
John Schlesinger, this production brings
alive a 19th-century world of romance,
comedy, mystery and menace.
At the centre of these extraordinary tales of
clockwork dolls, magical glasses, ghostly voices
and sensual courtesans is the vivid imagination
of the drunken Romantic poet Hoffmann.
Charismatic young tenor Vittorio Grigolo is
Hoffmann – compelled to tell the story of his
lovers who, he believes, have all been stolen
by a succession of arch villains. Superb baritone
Thomas Hampson performs all four villains.
The music includes the famous ‘Barcarolle’
and the stunning showpiece numbers are
perfect vehicles for the vocal virtuosity of
Sofia Fomina as the clockwork doll Olympia,
Christine Rice as the courtesan Giulietta,
and Sonya Yoncheva as Hoffmann's last
love Antonia.
This unmissable live event will take a candid look into the mind of Alan Bennett, Britain’s best-loved writer, who, at 82, shows no signs of slowing down. The event will include a screening of Alan Bennett’s Diaries, a new film about the writer, followed by an exclusive Q&A with Alan Bennett from his local library in Primrose Hill.
Inspired by his acerbic and often hilarious diaries, the film shows Alan as he’s never been seen before – following him to New York, the scene of his early triumph in Beyond The Fringe, to accept an award from the city’s Public Library; to Shepherd’s Bush to record an episode of Private Passions for Radio 3 and open up about the importance of music in his life; to his local community-run library in Primrose Hill, which, he despairs, some would rather see turned into a Pizza Hut; to the East Coast railway line, which he’d like to see renationalised, and the village in Yorkshire he calls home. Intimate encounters, filmed over the course of a year, reveal a writer who is bemused by his own popularity and is still as angry and irreverent in his 80s as he was in his 20s.
Director: David Yates.
Starring: Eddie Redmayne, Ezra Miller, Colin Farrell. UK / USA 2016. TBC mins.
Fantastic Beasts And Where To Find Them is an all-new adventure returning us to the wizarding world created by J. K. Rowling.
Academy Award winner Eddie Redmayne (The Theory Of Everything) stars in the central role of wizarding world magizoologist Newt Scamander, under the direction of David Yates, who helmed the last four Harry Potter blockbusters.
Fantastic Beasts And Where To Find Them opens in 1926 as Newt Scamander has just completed a global excursion to find and document an extraordinary array of magical creatures. Arriving in New York for a brief stopover, he might have come and gone without incident were it not for a No-Maj (American for Muggle) named Jacob, a misplaced magical case, and the escape of some of Newt’s fantastic beasts, which could spell trouble for both the wizarding and No-Maj worlds.
A festive celebration, featuring a 90-minute recorded Christmas concert packed with all the favourites including Hallelujah, Jingle Bells, White Christmas and many more, performed by André and his famous Johann Strauss Orchestra along with his sopranos and tenors.
As an exclusive for cinema audiences, André will be inviting his fans to his home town for a live intimate tour of Maastricht's magical Christmas highlights, as well as participating in a Q&A with CinemaLive host Charlotte Hawkins, where the King Of Waltz will answer questions submitted by cinema audiences.
Don’t miss this heartwarming festive treat!
The previously unseen 90-minute concert was recorded during André Rieu’s 2015 December tour.
Director: David Yates.
Starring: Eddie Redmayne, Ezra Miller, Colin Farrell. UK / USA 2016. TBC mins.
Fantastic Beasts And Where To Find Them is an all-new adventure returning us to the wizarding world created by J. K. Rowling.
Academy Award winner Eddie Redmayne (The Theory Of Everything) stars in the central role of wizarding world magizoologist Newt Scamander, under the direction of David Yates, who helmed the last four Harry Potter blockbusters.
Fantastic Beasts And Where To Find Them opens in 1926 as Newt Scamander has just completed a global excursion to find and document an extraordinary array of magical creatures. Arriving in New York for a brief stopover, he might have come and gone without incident were it not for a No-Maj (American for Muggle) named Jacob, a misplaced magical case, and the escape of some of Newt’s fantastic beasts, which could spell trouble for both the wizarding and No-Maj worlds.
Director: David Yates.
Starring: Eddie Redmayne, Ezra Miller, Colin Farrell. UK / USA 2016. TBC mins.
Fantastic Beasts And Where To Find Them is an all-new adventure returning us to the wizarding world created by J. K. Rowling.
Academy Award winner Eddie Redmayne (The Theory Of Everything) stars in the central role of wizarding world magizoologist Newt Scamander, under the direction of David Yates, who helmed the last four Harry Potter blockbusters.
Fantastic Beasts And Where To Find Them opens in 1926 as Newt Scamander has just completed a global excursion to find and document an extraordinary array of magical creatures. Arriving in New York for a brief stopover, he might have come and gone without incident were it not for a No-Maj (American for Muggle) named Jacob, a misplaced magical case, and the escape of some of Newt’s fantastic beasts, which could spell trouble for both the wizarding and No-Maj worlds.
Director: David Yates.
Starring: Eddie Redmayne, Ezra Miller, Colin Farrell. UK / USA 2016. TBC mins.
Fantastic Beasts And Where To Find Them is an all-new adventure returning us to the wizarding world created by J. K. Rowling.
Academy Award winner Eddie Redmayne (The Theory Of Everything) stars in the central role of wizarding world magizoologist Newt Scamander, under the direction of David Yates, who helmed the last four Harry Potter blockbusters.
Fantastic Beasts And Where To Find Them opens in 1926 as Newt Scamander has just completed a global excursion to find and document an extraordinary array of magical creatures. Arriving in New York for a brief stopover, he might have come and gone without incident were it not for a No-Maj (American for Muggle) named Jacob, a misplaced magical case, and the escape of some of Newt’s fantastic beasts, which could spell trouble for both the wizarding and No-Maj worlds.
Director: David Yates.
Starring: Eddie Redmayne, Ezra Miller, Colin Farrell. UK / USA 2016. TBC mins.
Fantastic Beasts And Where To Find Them is an all-new adventure returning us to the wizarding world created by J. K. Rowling.
Academy Award winner Eddie Redmayne (The Theory Of Everything) stars in the central role of wizarding world magizoologist Newt Scamander, under the direction of David Yates, who helmed the last four Harry Potter blockbusters.
Fantastic Beasts And Where To Find Them opens in 1926 as Newt Scamander has just completed a global excursion to find and document an extraordinary array of magical creatures. Arriving in New York for a brief stopover, he might have come and gone without incident were it not for a No-Maj (American for Muggle) named Jacob, a misplaced magical case, and the escape of some of Newt’s fantastic beasts, which could spell trouble for both the wizarding and No-Maj worlds.
10.30Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Director: David Yates.
Starring: Eddie Redmayne, Ezra Miller, Colin Farrell. UK / USA 2016. TBC mins.
Fantastic Beasts And Where To Find Them is an all-new adventure returning us to the wizarding world created by J. K. Rowling.
Academy Award winner Eddie Redmayne (The Theory Of Everything) stars in the central role of wizarding world magizoologist Newt Scamander, under the direction of David Yates, who helmed the last four Harry Potter blockbusters.
Fantastic Beasts And Where To Find Them opens in 1926 as Newt Scamander has just completed a global excursion to find and document an extraordinary array of magical creatures. Arriving in New York for a brief stopover, he might have come and gone without incident were it not for a No-Maj (American for Muggle) named Jacob, a misplaced magical case, and the escape of some of Newt’s fantastic beasts, which could spell trouble for both the wizarding and No-Maj worlds.
Director: David Yates.
Starring: Eddie Redmayne, Ezra Miller, Colin Farrell. UK / USA 2016. TBC mins.
Fantastic Beasts And Where To Find Them is an all-new adventure returning us to the wizarding world created by J. K. Rowling.
Academy Award winner Eddie Redmayne (The Theory Of Everything) stars in the central role of wizarding world magizoologist Newt Scamander, under the direction of David Yates, who helmed the last four Harry Potter blockbusters.
Fantastic Beasts And Where To Find Them opens in 1926 as Newt Scamander has just completed a global excursion to find and document an extraordinary array of magical creatures. Arriving in New York for a brief stopover, he might have come and gone without incident were it not for a No-Maj (American for Muggle) named Jacob, a misplaced magical case, and the escape of some of Newt’s fantastic beasts, which could spell trouble for both the wizarding and No-Maj worlds.
Mitsuha and Taki are two total strangers living completely different lives. But when Mitsuha makes a wish to leave her mountain town and for the bustling city of Tokyo, they become connected in a bizarre way. She dreams she is a boy living in Tokyo while Taki dreams he is a girl from a rural town he’s never been to.
What does their newfound connection mean? And how will it bring them together?
Sonita Alizadeh, a strong-willed teenager who idolizes Rihanna and Michael Jackson, is an aspiring rapper, in spite of all the obstacles she confronts in Iran and from her conservative Afghan family. She is an undocumented Afghan refugee in Tehran, and her family has other plans for her. In this gripping documentary, her dream of living abroad is about to come true just as her
family plan on sending her back home to get married to a much older man. He would give them a lump sum of money, which would allow Sonita's brother to pay the dowry find a bride of his own. While she must now attempt to overcome numerous personal and
bureaucratic hurdles to avoid what seems inevitable, the film's director, Rokhsareh Ghaem Maghami is also confronted with a dilemma: should she interfere to help her or let things unfold in front of her eyes and of the camera? The film offers an incredible insight into the life of a young Afghan woman in Iran and the hurdles she must overcome to be able to live
her dream of becoming a singer.
Your chance to travel back to a time when travelling by rail was comfortable, punctual and maybe even glamorous!
RAILWAYS ON FILM is a major new collection of rare archive films charting the history of the UK's railways and bringing home the romance and heady freedoms offered by train travel as it expanded across the country in the early 20th century.
Sourced from the national and regional archives and newly digitised, RAILWAYS ON FILM is an immensely nostalgic and evocative collection of films which document not just the glories of the railway but also the changing social, political and economic climates of the 20th century.
Please note: the programme contains a sequence of flashing lights which might affect audience members with photosensitive epilepsy.
The Royal Ballet's glorious production of
The Nutcracker, created by Peter Wright
in 1984, is the production par excellence of
an all-time ballet favourite.
It is Christmas Eve and Drosselmeyer
the magician sweeps young Clara
away on a fantasy adventure in which
time is suspended, the family livingroom
becomes a great battlefield, and
a magical journey takes them through
the Land of Snow to the Kingdom of
Sweets. Tchaikovsky's glittering score,
the gorgeous festive stage designs and
The Royal Ballet's captivating dancing –
including an exquisite pas de deux
between the Sugar Plum Fairy and
her Prince – make this Nutcracker the
quintessential Christmas experience.
One of the most highly praised operas of recent years, Kaija Saariaho’s yearning medieval romance L’Amour De Loin (‘Love From Afar’) has its Met premiere this season. The production is by Robert Lepage, co-produced with L’Opéra De Québec in collaboration with Ex Machina. Debuting Finnish conductor Susanna Mälkki leads the performance, which stars Susanna Phillips as Clémence, Eric Owens as Jaufré, and Tamara Mumford as the Pilgrim who carries messages of love between them.
Sonya Yoncheva brings her acclaimed interpretation of the doomed courtesan Violetta Valéry to Live In HD audiences for the first time, opposite rising American tenor Michael Fabiano as her lover Alfredo. Thomas Hampson sings one of his most acclaimed Met roles as Giorgio Germont, Alfredo’s disapproving father, in a revival of Willy Decker’s staging conducted by San Francisco Opera Music Director Nicola Luisotti.
Following their hit run on Broadway, Ian McKellen and Patrick Stewart return to the West End stage in Harold Pinter’s No Man's Land, broadcast live to cinemas from Wyndham’s Theatre, London.
One summer's evening, two ageing writers, Hirst and Spooner, meet in a Hampstead pub and continue their drinking into the night at Hirst's stately house nearby. As the pair become increasingly inebriated, and their stories increasingly unbelievable, the lively conversation soon turns into a revealing power game, further complicated by the return home of two sinister younger men.
Also starring Owen Teale and Damien Molony, don’t miss this glorious revival of Pinter’s comic classic. The broadcast will be followed by an exclusive Q&A with the cast and director Sean Mathias.
Music: Pyotr Ilyich Tchaikovsky
Choreography: Yuri Grigorovich
Libretto: Yuri Grigorovich (after E. T. A. Hoffmann and Marius Petipa)
Cast: Denis Rodkin (the Nutcracker Prince), Anna Nikulina (Marie), Andrei Merkuriev (Drosselmeyer), Vitaly Biktimirov (the Mouse King) and the Bolshoi Corps De Ballet
On Christmas Eve, Marie’s wooden nutcracker doll is transformed into a beautiful prince who takes her on a magical journey. Before they leave, they must confront the Mouse King, whose army is threatening Marie…
Christmas would not be complete without the enchanting tale of young Marie and her nutcracker prince! Danced by the Bolshoi’s principals, Russian ballet master Yuri Grigorovich’s staging of E. T. A. Hoffmann’s fairy tale will transport children and adults alike to a world of magic and wonder for the holiday season.
For the first time in HD, Met Music Director James Levine conducts Verdi’s early drama of Ancient Babylon, with Plácido Domingo adding a new role to his repertoire as the title character. Liudmyla Monastyrska sings the tour-de-force role of Abigaille, Nabucco’s wilful daughter, alongside Jamie Barton, Russell Thomas and Dmitri Belosselskiy.
For the first time in HD, Met Music Director James Levine conducts Verdi’s early drama of Ancient Babylon, with Plácido Domingo adding a new role to his repertoire as the title character. Liudmyla Monastyrska sings the tour-de-force role of Abigaille, Nabucco’s wilful daughter, alongside Jamie Barton, Russell Thomas and Dmitri Belosselskiy.
Simon Russell Beale returns to the RSC after 20 years to play Prospero in this groundbreaking production directed by Royal Shakespeare Company Artistic Director Gregory Doran.
On a distant island a man waits. He has been robbed of his position, power and wealth, and his enemies have left him in isolation. But this is no ordinary man, and this no ordinary island. Prospero is a magician, able to control the elements and bend nature to his will.
When a sail appears on the horizon, he reaches out across the ocean to the ship that carries the men who wronged him. Creating a vast storm he wrecks the ship and washes his enemies up on the shore. When they awake they find themselves lost on a fantastical island where nothing is as it seems.
In a unique partnership with Intel, the production will be using today’s most advanced technology in a bold reimagining of Shakespeare’s magical play, creating an unforgettable theatrical experience.
Following their hit run on Broadway, Ian McKellen and Patrick Stewart return to the West End stage in Harold Pinter’s No Man's Land, broadcast live to cinemas from Wyndham’s Theatre, London.
One summer's evening, two ageing writers, Hirst and Spooner, meet in a Hampstead pub and continue their drinking into the night at Hirst's stately house nearby. As the pair become increasingly inebriated, and their stories increasingly unbelievable, the lively conversation soon turns into a revealing power game, further complicated by the return home of two sinister younger men.
Also starring Owen Teale and Damien Molony, don’t miss this glorious revival of Pinter’s comic classic. The broadcast will be followed by an exclusive Q&A with the cast and director Sean Mathias.
The electrifying team of Vittorio Grigolo and Diana Damrau reunites for a new production of Gounod’s opera based on the Shakespeare play. Damrau makes her role debut as Juliette in Bartlett Sher’s new production, conducted by Gianandrea Noseda. Elliot Madore sings Mercutio, and Mikhail Petrenko sings Frère Laurent. Sher’s staging is a La Scala production.
Music: Pyotr Ilyich Tchaikovsky
Choreography: Yuri Grigorovich
Libretto: Ivan Vsevolozhsky and Marius Petipa (after Charles Perrault)
Cast: The Bolshoi Principals, Soloists and Corps De Ballet
On her 16th birthday, a curse by the evil Carabosse causes the beautiful Princess Aurora to fall into a deep slumber for 100 years. Only the kiss of a prince can awaken her…
In this resplendent and magical classic, the Bolshoi dancers take us on a dreamlike journey through the famous fairy tale, complete with jewel fairies, a magical kingdom, a youthful princess and a handsome prince. In the purest style of classical ballet, the Bolshoi’s peerlessly sumptuous staging with luxurious sets and costumes brings Perrault’s tale to life. A must-see!
The electrifying team of Vittorio Grigolo and Diana Damrau reunites for a new production of Gounod’s opera based on the Shakespeare play. Damrau makes her role debut as Juliette in Bartlett Sher’s new production, conducted by Gianandrea Noseda. Elliot Madore sings Mercutio, and Mikhail Petrenko sings Frère Laurent. Sher’s staging is a La Scala production.
International superstars Dmitri
Hvorostovsky, Anita Rachvelishvili,
Lianna Haroutounian and Gregory
Kunde lead a superb cast of world-class
singers in this Verdi classic.
Il trovatore is one of the great operas of
the Romantic period, a story of passion
and blood, love and vengeance, disaster
and murder.
New in the 2015/16 Season, this
atmospheric and poetic staging by
director David Bösch puts the story of
passion against the backdrop of war.
Fire and snow in the landscape echo the
cruelty and love of the story: soldiers and
gypsies clash, a mother reveals a terrible
secret and two men are engaged in a
deadly fight for one woman. The famous
Anvil Chorus is just one of the highlights
of Verdi’s exceptionally fine music, which
captures the shifting emotions of the
drama through impassioned love duets,
fiery solos and stirring choruses.
Lucian Msamati (Luther, Game of Thrones, NT Live: The Comedy of Errors) plays Salieri in Peter Shaffer’s iconic play, broadcast live from the National Theatre, and with live orchestral accompaniment by Southbank Sinfonia.
Wolfgang Amadeus Mozart, a rowdy young prodigy, arrives in Vienna, the music capital of the world – and he’s determined to make a splash. Awestruck by his genius, court composer Antonio Salieri has the power to promote his talent or destroy his name. Seized by obsessive jealousy he begins a war with Mozart, with music, and ultimately, with God.
After winning multiple Olivier and Tony Awards when it had its premiere at the National Theatre in 1979, Amadeus was adapted into an Academy Award-winning film.
Cast: Svetlana Zakharova (Odette/Odile), Denis Rodkin (Prince Siegfried), Artemy Belyakov (the Evil Genius), Igor Tsvirko (the Fool)
By moonlight on the shore of a mysterious lake, Prince Siegfried meets the bewitched swan-woman Odette. Completely spellbound by her beauty, he swears his love to her. However, the Prince realises too late that Fate has another plan for him….
A ballet of ultimate beauty, and a score of unparalleled perfection, born at the Bolshoi in 1877. In the dual role of the white swan Odette and her rival black swan Odile, prima ballerina Svetlana Zakharova exudes both vulnerability and cunning through superb technical mastery, alongside Denis Rodkin as a powerful and emotional Siegfried. Including breathtaking scenes with the Bolshoi’s corps de ballet, this is classical ballet at its finest.
Lucian Msamati (Luther, Game of Thrones, NT Live: The Comedy of Errors) plays Salieri in Peter Shaffer’s iconic play, broadcast live from the National Theatre, and with live orchestral accompaniment by Southbank Sinfonia.
Wolfgang Amadeus Mozart, a rowdy young prodigy, arrives in Vienna, the music capital of the world – and he’s determined to make a splash. Awestruck by his genius, court composer Antonio Salieri has the power to promote his talent or destroy his name. Seized by obsessive jealousy he begins a war with Mozart, with music, and ultimately, with God.
After winning multiple Olivier and Tony Awards when it had its premiere at the National Theatre in 1979, Amadeus was adapted into an Academy Award-winning film.
The pioneering literary work of
Virginia Woolf is the inspiration for
multi-award-winning choreographer
Wayne McGregor's brilliant triptych
for The Royal Ballet. McGregor has
long been at the cutting edge of
ballet, working with collaborators
from across the artistic world, and
in this critically acclaimed work
he combines themes from three
of Woolf's landmark novels – Mrs
Dalloway, Orlando and The Waves –
with elements of her letters, essays
and diaries. Acclaimed British
composer Max Richter (Infra,
Sum and Recomposed by Max
Richter: Vivaldi, The Four Seasons)
creates a specially commissioned
score incorporating electronic and
live music.
Gemma Arterton is Joan of Arc, broadcast live from the Donmar Warehouse.
Bernard Shaw’s classic play follows the life and trial of a young country girl who declares a bloody mission to drive the English from France. As one of the first Protestants and nationalists, she threatens the very fabric of the feudal society and the Catholic Church across Europe.
Josie Rourke (Coriolanus, Les Liaisons Dangereuses) directs Gemma Arterton (Gemma Bovery, Nell Gwynn, Made in Dagenham) as Joan of Arc in this electrifying production.
Gemma Arterton is Joan of Arc, broadcast live from the Donmar Warehouse.
Bernard Shaw’s classic play follows the life and trial of a young country girl who declares a bloody mission to drive the English from France. As one of the first Protestants and nationalists, she threatens the very fabric of the feudal society and the Catholic Church across Europe.
Josie Rourke (Coriolanus, Les Liaisons Dangereuses) directs Gemma Arterton (Gemma Bovery, Nell Gwynn, Made in Dagenham) as Joan of Arc in this electrifying production.
“My head is bursting – I want to paint it all.” Award-winning director Phil Grabsky presents a fresh new look at arguably the world’s favourite artist, Claude Monet, using the painter’s own words.
Based on letters and other private writings, I, Claude Monet provides new insight into the man who not only painted the picture that gave birth to Impressionism, but who was perhaps the most influential and successful painter of the 19th and early 20th centuries.
In spite of this, and perhaps because of it, Monet’s life is a gripping tale of a man who, behind his sun-dazzled canvases, suffered from bouts of depression, loneliness and even suicidal thoughts. Then, as his art developed and his love of nature led to the glories of his garden at Giverny, his letters reveal his humour, insight and love of life.
Kristine Opolais stars in a new production of the opera that first won her international acclaim, Dvořák’s fairy tale about the tragic water nymph Rusalka. Sir Mark Elder conducts Mary Zimmerman’s new staging, which also stars Brandon Jovanovich as the human prince who captures Rusalka’s heart; Katarina Dalayman as Rusalka’s rival, the Foreign Princess; Eric Owens as the Water Sprite, Rusalka’s father; and Jamie Barton as the duplicitous witch Ježibaba.
Kristine Opolais stars in a new production of the opera that first won her international acclaim, Dvořák’s fairy tale about the tragic water nymph Rusalka. Sir Mark Elder conducts Mary Zimmerman’s new staging, which also stars Brandon Jovanovich as the human prince who captures Rusalka’s heart; Katarina Dalayman as Rusalka’s rival, the Foreign Princess; Eric Owens as the Water Sprite, Rusalka’s father; and Jamie Barton as the duplicitous witch Ježibaba.
A perennial delight and a much-loved classic,
The Royal Ballet's The Sleeping Beauty
combines the best of classical ballet, with
all its charms and virtuosity, splendid music
and talented dancers.
First choreographed to Tchaikovsky's great
musical score by Marius Petipa in Russia in
1890, The Sleeping Beauty has wonderful
ensembles, solos including the Rose Adage
as Princess Aurora meets her suitors, and of
course the concluding celebratory dances
for the happy union of prince and princess.
The Royal Ballet's landmark staging was
revived for the Company's 75th anniversary
celebrations in 2006.
The designs by Oliver Messell, one of
the greatest stage designers of the 20th
century, were restored and updated for
this production by Peter Farmer. The rich
evocations of the baroque opulence of a royal
court, the panoramic journey of the prince
to the overgrown castle and the colourful
characters in this famous fairytale make this
Sleeping Beauty a spectacle like no other.
Just married. Bored already. Hedda longs to be free...
Hedda and Tesman have just returned from their honeymoon and the relationship is already in trouble. Trapped but determined, Hedda tries to control those around her, only to see her own world unravel.
Tony Award-winning director Ivo van Hove (A View From The Bridge at the Young Vic Theatre) returns to National Theatre Live screens with a modern production of Ibsen’s masterpiece.
Ruth Wilson (Luther, The Affair, Jane Eyre) plays the title role in a new version by Patrick Marber (Notes On A Scandal, Closer).
Sonya Yoncheva brings her acclaimed interpretation of the doomed courtesan Violetta Valéry to Live In HD audiences for the first time, opposite rising American tenor Michael Fabiano as her lover Alfredo. Thomas Hampson sings one of his most acclaimed Met roles as Giorgio Germont, Alfredo’s disapproving father, in a revival of Willy Decker’s staging conducted by San Francisco Opera Music Director Nicola Luisotti.
Music: Benjamin Britten, Max Richter, Ludwig van Beethoven, Leonid Desyatnikov
Choreography: Hans Van Manen, Sol León, Paul Lightfoot, Alexei Ratmansky
Cast: The Bolshoi Principals, Soloists and Corps De Ballet
For one evening, the Bolshoi takes on a bold new challenge in Hans Van Manen’s Frank Bridge’s Variations, Sol León and Paul Lightfoot’s Short Time Together and Alexei Ratmansky’s Russian Seasons. This encounter between some of the best dancers in the world and the masters of contemporary choreography results in an outstanding synthesis, raising Van Manen’s formal beauty, León and Lightfoot’s intensity, and Ratmansky’s witty brilliance to a new level.
Just married. Bored already. Hedda longs to be free...
Hedda and Tesman have just returned from their honeymoon and the relationship is already in trouble. Trapped but determined, Hedda tries to control those around her, only to see her own world unravel.
Tony Award-winning director Ivo van Hove (A View From The Bridge at the Young Vic Theatre) returns to National Theatre Live screens with a modern production of Ibsen’s masterpiece.
Ruth Wilson (Luther, The Affair, Jane Eyre) plays the title role in a new version by Patrick Marber (Notes On A Scandal, Closer).
Exhibition On Screen: The Artist's Garden - American Impressionism
Following the smash hit Painting The Modern Garden: Monet To Matisse from Season 3 of Exhibition On Screen comes a new film based on the hugely popular exhibition The Artist’s Garden: American Impressionism And The Garden Movement from the Florence Griswold Museum in Connecticut, widely considered a home of American impressionism.
American impressionism took its lead from French artists such as Renoir and Monet. It then followed its own path and, over a thirty-year period, speaks as much about the American nation as it does about the artistic movement.
The story of American impressionism is closely tied to a love of gardens and a desire to preserve nature in the midst of rapid urbanisation in that country. Looking at studios, gardens and famous locations throughout the eastern United States, UK and France, this mesmerising film is a feast for the eyes.
James Levine conducts a rare Met revival of Mozart’s Idomeneo, set in the aftermath of the Trojan War. Jean-Pierre Ponnelle’s classic production, which has its first Met revival in over a decade this season, stars Matthew Polenzani in the title role. The cast also includes Elza van den Heever, Nadine Sierra, Alice Coote and Alan Opie.
James Levine conducts a rare Met revival of Mozart’s Idomeneo, set in the aftermath of the Trojan War. Jean-Pierre Ponnelle’s classic production, which has its first Met revival in over a decade this season, stars Matthew Polenzani in the title role. The cast also includes Elza van den Heever, Nadine Sierra, Alice Coote and Alan Opie.
Puccini’s Madama Butterfly is one of
the most popular of all operas, with
ravishing music and a heartbreaking
story of a loving geisha deserted by
a callous American husband. Muchloved
soprano Ermonela Jaho sings
the title role for the first time at Covent
Garden, in Moshe Leiser and Patrice
Caurier's stunningly beautiful production.
The exotic imagery of the Nagasaki setting
is drawn from 19th-century Western artists'
romanticized views of Japan. Puccini's music
brings alive the birdsong of the morning,
the ritual of a wedding and the seduction
by naval officer B.F. Pinkerton (sung by
exciting young tenor Marcelo Puente)
of his young, innocent bride. Well known
moments include the impassioned aria
‘Un bel dì’ (One fine day) as the abandoned
Cio-Cio-San clings vainly to her dreams.
Royal Opera Music Director Antonio
Pappano, acclaimed for his interpretations
of Italian opera, conducts this intense and
gripping journey from light and excitement
to darkness and self-sacrifice.
Cast: The Bolshoi Principals, Soloists and Corps De Ballet
Pechorin, a young officer, embarks on a journey across the majestic mountains of the Caucasus, on a path set by his passions. Disillusioned and careless, he inflicts pain upon himself and the women around him…
“Give me everything, it is still not enough.” This story based on the larger-than-life hero Pechorin is adapted from Mikhail Lermontov’s literary masterpiece, three separate tales recounting Pechorin’s heartbreaking betrayals. Is he a real hero? Or is he just a man like any other? This brand new production by choreographer Yuri Possokhov is a tragic poetic journey that can only be seen at the Bolshoi.
George Balanchine’s evocation of
the sparkle of emeralds, rubies and
diamonds is a brilliant ballet classic.
The French Romantic music of Fauré
provides the impetus for the subtlety
and lyricism of ‘Emeralds’, while the
fire of ‘Rubies’ comes from Stravinsky
and the jazz-age energy of New York.
Grandeur and elegance complete the
ballet with the splendour of Imperial
Russia and the peerless music of
Tchaikovsky in ‘Diamonds’.
Jewels is a masterclass in the many
luminous facets of classical ballet and
indeed of The Royal Ballet itself: the
virtuoso choreography of Balanchine,
the intensity of the soloists and the
precision of the entire Company.
Anna Netrebko reprises one of her most acclaimed roles as Tatiana, the naive heroine of Tchaikovsky’s opera adapted from Pushkin’s novel. Dmitri Hvorostovsky stars as the title character, who rejects Tatiana’s love until it’s too late. Robin Ticciati, Music Director of Glyndebourne Festival Opera, conducts the revival of Deborah Warner’s staging. Alexey Dolgov sings the role of Onegin’s friend turned rival Lenski, with Elena Maximova as Tatiana’s sister Olga, and Štefan Kocán as Prince Gremin.
Anna Netrebko reprises one of her most acclaimed roles as Tatiana, the naive heroine of Tchaikovsky’s opera adapted from Pushkin’s novel. Dmitri Hvorostovsky stars as the title character, who rejects Tatiana’s love until it’s too late. Robin Ticciati, Music Director of Glyndebourne Festival Opera, conducts the revival of Deborah Warner’s staging. Alexey Dolgov sings the role of Onegin’s friend turned rival Lenski, with Elena Maximova as Tatiana’s sister Olga, and Štefan Kocán as Prince Gremin.
The race to claim the empire spirals out of control. Angus Jackson directs Shakespeare’s epic political tragedy.
All-conquering Caesar returns from war. But mutiny is rumbling through the corridors of power.
The Rome season in the Royal Shakespeare Theatre opens with the politics of spin and betrayal turning to violence. Following his sell-out productions of Tom Morton-Smith’s Oppenheimer (2014) and James Fenton’s adaptation of Don Quixote (2016), season director Angus Jackson steers the thrilling action.
The Met’s first new production since 1969 of Strauss’s rich romantic masterpiece is conducted by Music Director James Levine and directed by Robert Carsen, whose most recent Met production was the hit 2013 staging of Falstaff. Renée Fleming sings one of her signature roles as the Marschallin, opposite Elīna Garanča in her first North American performances as the impulsive young title character. The cast also includes Günther Groissböck, Erin Morley, Marcus Brück and Matthew Polenzani. Der Rosenkavalier is a co-production with the Royal Opera House, Covent Garden and Teatro Regio Di Torino.
The Met’s first new production since 1969 of Strauss’s rich romantic masterpiece is conducted by Music Director James Levine and directed by Robert Carsen, whose most recent Met production was the hit 2013 staging of Falstaff. Renée Fleming sings one of her signature roles as the Marschallin, opposite Elīna Garanča in her first North American performances as the impulsive young title character. The cast also includes Günther Groissböck, Erin Morley, Marcus Brück and Matthew Polenzani. Der Rosenkavalier is a co-production with the Royal Opera House, Covent Garden and Teatro Regio Di Torino.
Iqbal Khan (Othello, Much Ado About Nothing) returns to the RSC to direct Shakespeare’s tragedy, which follows on from Julius Caesar.
After Caesar’s assassination, Mark Antony reached the heights of power. Now he is neglecting his empire for a life of decadent seduction with his mistress, Cleopatra, Queen of Egypt. As he is torn between love and duty, Antony’s military brilliance deserts him, and his passion leads the lovers to their tragic end.
This gorgeous mixed programme demonstrates the great creative vision of Frederick Ashton, Founder Choreographer of The Royal Ballet.
The Dream is Ashton's adaptation of Shakespeare's riotous comedy in which a forest sprite plays havoc, armed with a love potion. Symphonic Variations was Ashton's first work after World War II, and one of the Company's first to be performed on the huge main stage of the Royal Opera House, in 1946. With six dancers performing a series of quartets, duets, sextets and solos to Franck’s brooding Variations symphoniques, this seminal masterpiece celebrates the pure beauty of movement. Marguerite and Armand is Ashton's beautiful and emotional retelling of a well-known story, familiar to us through Verdi's opera La traviata. Ashton famously created this poignant ballet on Margot
Fonteyn and Rudolf Nureyev in 1963.
To coincide with a glorious new exhibition at the National Gallery of London, this film offers a full and fresh biography of Michelangelo who, with Leonardo, is considered one of the greatest artists of the Renaissance – and perhaps of all time. This film explores his relationship with his contemporaries and his immense artistic practice which included painting, sculpture and architecture. Among the works explored are the universally adored David in Florence, the Sistine Chapel in Rome and the Manchester Madonna (today in the National Gallery).
A major new film which gets to the very heart of this tempestuous, passionate giant.
World-famous tenor Jonas Kaufmann makes his role debut as Otello in Verdi's passionate retelling of Shakespeare's great tragedy of jealousy, deception and murder. Soprano Maria Agresta will be his Desdemona and baritone Ludovic Tézier his nemesis Iago in a new production by Olivier Awardwinning director Keith Warner.
A major work of the opera repertory, Verdi's Otello draws on the full forces of the Orchestra of the Royal Opera House, the Royal Opera Chorus and this stellar line-up of principal singers, with exquisite duets, emotionally potent solo numbers and thrilling choruses.
Particular highlights include Otello and Desdemona's rapturous love duet and Desdemona's poignant 'Willow Song'. Royal Opera Music Director Antonio Pappano conducts this Italian masterpiece.
The decay of Rome reaches violent depths in Shakespeare’s bloodiest play. Blanche McIntyre (The Two Noble Kinsmen) returns to the RSC to direct Shakespeare’s brutal revenge tragedy.
Titus is a ruler exhausted by war and loss. He relinquishes power, but leaves Rome in disorder. Rape, cannibalism and mutilation fill the moral void at the heart of this corrupt society.
Shakespeare presents us with murder as entertainment and, as the body count rises, poses questions about sexuality, family, class and society.
