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Rose-Lynn Harlan is bursting with raw talent, charisma and cheek. Fresh out of jail and with two young kids, all she wants is to get out of Glasgow and make it as a country singer. Her mum Marion has had a bellyful of Rose-Lynn’s Nashville nonsense. Forced to take responsibility, Rose-Lynn gets a cleaning job, only to find an unlikely champion in the middle-class lady of the house.
A comedy-drama about mothers and daughters, dreams and reality and three chords and the truth.
Happy as Lazzaro plays out in an isolated village separated from the world by a broken bridge that no one has sought fit to repair. Within the insular community lives the beautiful, sweet natured Lazzaro (talented newcomer Adriano Tardiolo) whose people-pleasing personality is often mistaken for simple-mindedness. Lazzaro is persuaded by the village ruler’s son to help him fake his own kidnapping and steal the ransom. However, the unlikely duo’s plans are soon derailed.
Beautifully shot on Super 16mm by Rohrwacher’s regular cinematographer Hélène Louvart and with echoes of Pasolini, Fellini and Jarman, this heady concoction of folk tales, biblical allegory, social critique and pop culture references, deservedly won the Best Screenplay award at this year’s Cannes.
Paying homage to the classic Western, director Jacques Audiard tells the story of Eli (Reilly) and Charlie (Phoenix) Sisters, a couple of fraternal assassins in the Old West underworld of the 1850s. The pair are travelling from Oregon to California to find a chemist (Riz Ahmed) who has developed a substance that makes gold easy to spot on the riverbed. Their mission is to finish him off, having extracted the formula first. Often hilariously ribald, with its share of blood, guts, saloons and shootouts, The Sisters Brothers will also surprise you with its tenderness. Based on the novel by Patrick deWitt.
The Keeper tells the incredible true story of Bert Trautmann, a German soldier and prisoner of war who, against a backdrop of British post-war protest and prejudice, joined Manchester City as goalkeeper and became a footballing icon.
In the film, Bert (Kross) struggles to be accepted by those who dismiss him as the enemy, but his love for Margaret (Mavor), an Englishwoman, carries him through. He even wins over his harshest opponents in the 1956 FA Cup Final, playing on with a broken neck to secure victory. But fate will soon twist the knife for Bert and Margaret, putting their love and loyalty to each other to the ultimate test.
The incredible true story of legendary dancer Rudolf Nureyev (played by Oleg Ivenko) is brought vividly to life by actor-director Ralph Fiennes and BAFTA-winning screenwriter David Hare. From Nureyev’s poverty-stricken childhood in the Soviety city of Ufa, to his blossoming as a student dancer in Leningrad, to his nail-biting escape from the KGB and defection to the West at the height of the Cold War, The White Crow is a gripping, revelatory look at a unique artist who transformed the world of ballet forever.
Judi Dench stars in Trevor Nunn’s drama inspired by the extraordinary true story of the KGB’s longest-serving British agent.
Joan Stanley’s tranquil retirement in rural England is shattered when she’s arrested by MI5. Why? She’s been hiding an incredible past: she’s one of the most influential spies in living history.
Rewind to Cambridge University in the 1930s, and the young Joan (Cookson), a demure physics student, falls intensely in love with a Russian saboteur, Leo. Through him, she begins to see that the world is on a knife-edge and perhaps must be saved from itself in the race to military supremacy.
Years later, while working at a top-secret nuclear research facility, Joan is confronted with the impossible. Would you betray your country and your loved ones, if it meant saving them? What price would you pay for peace? RED JOAN is the taut and emotional retelling of one woman’s sacrifice in incredible circumstances.
Contains moderate sex and suicide references.
A spiky coming-of-age movie steeped in the sights, sounds and spirit of ’90s Los Angeles, MID90s follows Stevie, a 13-year-old outcast who spends his summer navigating his troubled home life and a group of new friends that he meets at a Motor Avenue skate shop.
Jonah Hill’s time capsule of a directorial debut is an ambitious and authentic portrayal of youthful rebellion, led by a breakout performance from Suljic as Stevie and a glorious soundtrack of tunes from the era.
Rose-Lynn Harlan is bursting with raw talent, charisma and cheek. Fresh out of jail and with two young kids, all she wants is to get out of Glasgow and make it as a country singer. Her mum Marion has had a bellyful of Rose-Lynn’s Nashville nonsense. Forced to take responsibility, Rose-Lynn gets a cleaning job, only to find an unlikely champion in the middle-class lady of the house.
A comedy-drama about mothers and daughters, dreams and reality and three chords and the truth.
A biopic of the Cuban classical ballet dancer, Carlos Acosta. The director Icíar Bollaín (The Olive Tree) presents the rags-to-riches story of this legend of the dance world. Acosta spent his childhood in poverty on the outskirts of Havana and ended up spending 17 years as principal dancer at The Royal Ballet in London, their first black Romeo. Yet Acosta was the dancer who did not want to dance; it was his tough lorry-driver father (Alfonso) who both coerced and inspired his young son. In this part biopic, part interpretive dance piece, Acosta narrates his own story through movement while two young actors (Núñez and Martínez) play out the past. Based on Acosta’s 2007 memoir, No Way Home, this is a vibrant telling of a story about family, sacrifice, maleness, black identity, exile and the transforming power of art
Paying homage to the classic Western, director Jacques Audiard tells the story of Eli (Reilly) and Charlie (Phoenix) Sisters, a couple of fraternal assassins in the Old West underworld of the 1850s. The pair are travelling from Oregon to California to find a chemist (Riz Ahmed) who has developed a substance that makes gold easy to spot on the riverbed. Their mission is to finish him off, having extracted the formula first. Often hilariously ribald, with its share of blood, guts, saloons and shootouts, The Sisters Brothers will also surprise you with its tenderness. Based on the novel by Patrick deWitt.
The incredible true story of legendary dancer Rudolf Nureyev (played by Oleg Ivenko) is brought vividly to life by actor-director Ralph Fiennes and BAFTA-winning screenwriter David Hare. From Nureyev’s poverty-stricken childhood in the Soviety city of Ufa, to his blossoming as a student dancer in Leningrad, to his nail-biting escape from the KGB and defection to the West at the height of the Cold War, The White Crow is a gripping, revelatory look at a unique artist who transformed the world of ballet forever.
Nearly three decades after her first visit to London, the enigmatic Mary Poppins (Blunt) soars back into the capital to look after the Banks children in their time of need.
The now grown-up Jane (Mortimer) and Michael Banks (Whishaw) are living in the same house on Cherry Tree Lane, along with Michael’s three children and their housekeeper Ellen (Walters).
The family are in danger of losing their home, and Michael is struggling after a personal loss, but the practically perfect nanny returns just in time to rekindle the fun and wonder missing from their lives – with a little help from street lamplighter Jack (Miranda) and her eccentric cousin Topsy (Streep).
Boasting wonderful songs, classic 2D animation and cameos from some familiar faces, this is a delightful reunion for all to enjoy, whether you grew up with the magic or are discovering it for the first time.
Judi Dench stars in Trevor Nunn’s drama inspired by the extraordinary true story of the KGB’s longest-serving British agent.
Joan Stanley’s tranquil retirement in rural England is shattered when she’s arrested by MI5. Why? She’s been hiding an incredible past: she’s one of the most influential spies in living history.
Rewind to Cambridge University in the 1930s, and the young Joan (Cookson), a demure physics student, falls intensely in love with a Russian saboteur, Leo. Through him, she begins to see that the world is on a knife-edge and perhaps must be saved from itself in the race to military supremacy.
Years later, while working at a top-secret nuclear research facility, Joan is confronted with the impossible. Would you betray your country and your loved ones, if it meant saving them? What price would you pay for peace? RED JOAN is the taut and emotional retelling of one woman’s sacrifice in incredible circumstances.
Contains moderate sex and suicide references.
Returning to cinemas for its 40th anniversary, Life Of Brian is Monty Python’s achingly funny take on religious belief in general, Roman history, and the muddled and uncertain origins of what really is ‘gospel truth’ — all wrapped up in a parody of bloated Biblical epics.
Highly controversial upon its original release and banned in several countries, the film is now frequently ranked as the greatest comedy feature of all time by magazines and media outlets around the world. As Monty Python member Terry Gilliam says, “It rips bare and makes you laugh at the world we’ve created for ourselves.”
Audiences will be able to join in the celebrations with a limited edition commemorative pack, available at cinema screenings on Thursday 18 April.
The story follows poor Brian Cohen (Chapman), a Jewish anti-Roman activist mistaken for the Messiah through a series of unfortunate coincidences (he was, for example, born in the manger next door to that more famous stable) and near-constant misunderstandings and exaggerations by his growing band of clueless followers – all of which provide ample opportunity for the entire Monty Python ensemble to question everyone and everything from ex-lepers, Pontius Pilate and the art of haggling, to revolutionaries, fanatics, Roman centurions and crucifixion.
A spiky coming-of-age movie steeped in the sights, sounds and spirit of ’90s Los Angeles, MID90s follows Stevie, a 13-year-old outcast who spends his summer navigating his troubled home life and a group of new friends that he meets at a Motor Avenue skate shop.
Jonah Hill’s time capsule of a directorial debut is an ambitious and authentic portrayal of youthful rebellion, led by a breakout performance from Suljic as Stevie and a glorious soundtrack of tunes from the era.
Rose-Lynn Harlan is bursting with raw talent, charisma and cheek. Fresh out of jail and with two young kids, all she wants is to get out of Glasgow and make it as a country singer. Her mum Marion has had a bellyful of Rose-Lynn’s Nashville nonsense. Forced to take responsibility, Rose-Lynn gets a cleaning job, only to find an unlikely champion in the middle-class lady of the house.
A comedy-drama about mothers and daughters, dreams and reality and three chords and the truth.
Paying homage to the classic Western, director Jacques Audiard tells the story of Eli (Reilly) and Charlie (Phoenix) Sisters, a couple of fraternal assassins in the Old West underworld of the 1850s. The pair are travelling from Oregon to California to find a chemist (Riz Ahmed) who has developed a substance that makes gold easy to spot on the riverbed. Their mission is to finish him off, having extracted the formula first. Often hilariously ribald, with its share of blood, guts, saloons and shootouts, The Sisters Brothers will also surprise you with its tenderness. Based on the novel by Patrick deWitt.
Nearly three decades after her first visit to London, the enigmatic Mary Poppins (Blunt) soars back into the capital to look after the Banks children in their time of need.
The now grown-up Jane (Mortimer) and Michael Banks (Whishaw) are living in the same house on Cherry Tree Lane, along with Michael’s three children and their housekeeper Ellen (Walters).
The family are in danger of losing their home, and Michael is struggling after a personal loss, but the practically perfect nanny returns just in time to rekindle the fun and wonder missing from their lives – with a little help from street lamplighter Jack (Miranda) and her eccentric cousin Topsy (Streep).
Boasting wonderful songs, classic 2D animation and cameos from some familiar faces, this is a delightful reunion for all to enjoy, whether you grew up with the magic or are discovering it for the first time.
Judi Dench stars in Trevor Nunn’s drama inspired by the extraordinary true story of the KGB’s longest-serving British agent.
Joan Stanley’s tranquil retirement in rural England is shattered when she’s arrested by MI5. Why? She’s been hiding an incredible past: she’s one of the most influential spies in living history.
Rewind to Cambridge University in the 1930s, and the young Joan (Cookson), a demure physics student, falls intensely in love with a Russian saboteur, Leo. Through him, she begins to see that the world is on a knife-edge and perhaps must be saved from itself in the race to military supremacy.
Years later, while working at a top-secret nuclear research facility, Joan is confronted with the impossible. Would you betray your country and your loved ones, if it meant saving them? What price would you pay for peace? RED JOAN is the taut and emotional retelling of one woman’s sacrifice in incredible circumstances.
Contains moderate sex and suicide references.
In a rollicking tale of derring-do, a gang of American kids discover a pirate map and embark on a suitably perilous search for buried treasure. Full of spectacular thrills and effects, this brash fantasy adventure produced by Steven Spielberg also boasts a memorable soundtrack inspired by the swashbuckling Warner Brothers films of the ’40s. Gold, booby traps, the ‘truffle shuffle’ – relive the quest right here with Culture Shock.
Rose-Lynn Harlan is bursting with raw talent, charisma and cheek. Fresh out of jail and with two young kids, all she wants is to get out of Glasgow and make it as a country singer. Her mum Marion has had a bellyful of Rose-Lynn’s Nashville nonsense. Forced to take responsibility, Rose-Lynn gets a cleaning job, only to find an unlikely champion in the middle-class lady of the house.
A comedy-drama about mothers and daughters, dreams and reality and three chords and the truth.
A biopic of the Cuban classical ballet dancer, Carlos Acosta. The director Icíar Bollaín (The Olive Tree) presents the rags-to-riches story of this legend of the dance world. Acosta spent his childhood in poverty on the outskirts of Havana and ended up spending 17 years as principal dancer at The Royal Ballet in London, their first black Romeo. Yet Acosta was the dancer who did not want to dance; it was his tough lorry-driver father (Alfonso) who both coerced and inspired his young son. In this part biopic, part interpretive dance piece, Acosta narrates his own story through movement while two young actors (Núñez and Martínez) play out the past. Based on Acosta’s 2007 memoir, No Way Home, this is a vibrant telling of a story about family, sacrifice, maleness, black identity, exile and the transforming power of art
Paying homage to the classic Western, director Jacques Audiard tells the story of Eli (Reilly) and Charlie (Phoenix) Sisters, a couple of fraternal assassins in the Old West underworld of the 1850s. The pair are travelling from Oregon to California to find a chemist (Riz Ahmed) who has developed a substance that makes gold easy to spot on the riverbed. Their mission is to finish him off, having extracted the formula first. Often hilariously ribald, with its share of blood, guts, saloons and shootouts, The Sisters Brothers will also surprise you with its tenderness. Based on the novel by Patrick deWitt.
The incredible true story of legendary dancer Rudolf Nureyev (played by Oleg Ivenko) is brought vividly to life by actor-director Ralph Fiennes and BAFTA-winning screenwriter David Hare. From Nureyev’s poverty-stricken childhood in the Soviety city of Ufa, to his blossoming as a student dancer in Leningrad, to his nail-biting escape from the KGB and defection to the West at the height of the Cold War, The White Crow is a gripping, revelatory look at a unique artist who transformed the world of ballet forever.
Leaving Litwak’s video arcade behind, eight-bit misfits Ralph (Reilly) and Vanellope (Silverman) risk a trip into the strange realm of cyberspace in search of a spare part to save Vanellope’s racing game. In the vast virtual chaos, full of pop-up ads and high-stakes online auctions, they’re in way over their heads. Luckily the netizens of the web are there to help… but is anything safe when Ralph Breaks The Internet? Teeming with famous faces from across the Disneyverse, the sequel to 2012 smash hit Wreck-It Ralph is a delightful animated romp through pop culture.
10.30Autism-Friendly: Especially for people on the autism spectrum or with other special needs and their families, friends and carers. Adults without disabilities are only admitted if they are accompanying a child or a person on the autism spectrum/with special needs.
Judi Dench stars in Trevor Nunn’s drama inspired by the extraordinary true story of the KGB’s longest-serving British agent.
Joan Stanley’s tranquil retirement in rural England is shattered when she’s arrested by MI5. Why? She’s been hiding an incredible past: she’s one of the most influential spies in living history.
Rewind to Cambridge University in the 1930s, and the young Joan (Cookson), a demure physics student, falls intensely in love with a Russian saboteur, Leo. Through him, she begins to see that the world is on a knife-edge and perhaps must be saved from itself in the race to military supremacy.
Years later, while working at a top-secret nuclear research facility, Joan is confronted with the impossible. Would you betray your country and your loved ones, if it meant saving them? What price would you pay for peace? RED JOAN is the taut and emotional retelling of one woman’s sacrifice in incredible circumstances.
Contains moderate sex and suicide references.
A spiky coming-of-age movie steeped in the sights, sounds and spirit of ’90s Los Angeles, MID90s follows Stevie, a 13-year-old outcast who spends his summer navigating his troubled home life and a group of new friends that he meets at a Motor Avenue skate shop.
Jonah Hill’s time capsule of a directorial debut is an ambitious and authentic portrayal of youthful rebellion, led by a breakout performance from Suljic as Stevie and a glorious soundtrack of tunes from the era.
Rose-Lynn Harlan is bursting with raw talent, charisma and cheek. Fresh out of jail and with two young kids, all she wants is to get out of Glasgow and make it as a country singer. Her mum Marion has had a bellyful of Rose-Lynn’s Nashville nonsense. Forced to take responsibility, Rose-Lynn gets a cleaning job, only to find an unlikely champion in the middle-class lady of the house.
A comedy-drama about mothers and daughters, dreams and reality and three chords and the truth.
A biopic of the Cuban classical ballet dancer, Carlos Acosta. The director Icíar Bollaín (The Olive Tree) presents the rags-to-riches story of this legend of the dance world. Acosta spent his childhood in poverty on the outskirts of Havana and ended up spending 17 years as principal dancer at The Royal Ballet in London, their first black Romeo. Yet Acosta was the dancer who did not want to dance; it was his tough lorry-driver father (Alfonso) who both coerced and inspired his young son. In this part biopic, part interpretive dance piece, Acosta narrates his own story through movement while two young actors (Núñez and Martínez) play out the past. Based on Acosta’s 2007 memoir, No Way Home, this is a vibrant telling of a story about family, sacrifice, maleness, black identity, exile and the transforming power of art
The incredible true story of legendary dancer Rudolf Nureyev (played by Oleg Ivenko) is brought vividly to life by actor-director Ralph Fiennes and BAFTA-winning screenwriter David Hare. From Nureyev’s poverty-stricken childhood in the Soviety city of Ufa, to his blossoming as a student dancer in Leningrad, to his nail-biting escape from the KGB and defection to the West at the height of the Cold War, The White Crow is a gripping, revelatory look at a unique artist who transformed the world of ballet forever.
Nearly three decades after her first visit to London, the enigmatic Mary Poppins (Blunt) soars back into the capital to look after the Banks children in their time of need.
The now grown-up Jane (Mortimer) and Michael Banks (Whishaw) are living in the same house on Cherry Tree Lane, along with Michael’s three children and their housekeeper Ellen (Walters).
The family are in danger of losing their home, and Michael is struggling after a personal loss, but the practically perfect nanny returns just in time to rekindle the fun and wonder missing from their lives – with a little help from street lamplighter Jack (Miranda) and her eccentric cousin Topsy (Streep).
Boasting wonderful songs, classic 2D animation and cameos from some familiar faces, this is a delightful reunion for all to enjoy, whether you grew up with the magic or are discovering it for the first time.
Thirteen-year-old Kayla endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school - the end of her thus far disastrous eighth grade year - before she begins high school.
18.15Discover Tuesdays Preview: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot. This week's selection is a special preview screening.
Judi Dench stars in Trevor Nunn’s drama inspired by the extraordinary true story of the KGB’s longest-serving British agent.
Joan Stanley’s tranquil retirement in rural England is shattered when she’s arrested by MI5. Why? She’s been hiding an incredible past: she’s one of the most influential spies in living history.
Rewind to Cambridge University in the 1930s, and the young Joan (Cookson), a demure physics student, falls intensely in love with a Russian saboteur, Leo. Through him, she begins to see that the world is on a knife-edge and perhaps must be saved from itself in the race to military supremacy.
Years later, while working at a top-secret nuclear research facility, Joan is confronted with the impossible. Would you betray your country and your loved ones, if it meant saving them? What price would you pay for peace? RED JOAN is the taut and emotional retelling of one woman’s sacrifice in incredible circumstances.
Contains moderate sex and suicide references.
10.30Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
A spiky coming-of-age movie steeped in the sights, sounds and spirit of ’90s Los Angeles, MID90s follows Stevie, a 13-year-old outcast who spends his summer navigating his troubled home life and a group of new friends that he meets at a Motor Avenue skate shop.
Jonah Hill’s time capsule of a directorial debut is an ambitious and authentic portrayal of youthful rebellion, led by a breakout performance from Suljic as Stevie and a glorious soundtrack of tunes from the era.
Rose-Lynn Harlan is bursting with raw talent, charisma and cheek. Fresh out of jail and with two young kids, all she wants is to get out of Glasgow and make it as a country singer. Her mum Marion has had a bellyful of Rose-Lynn’s Nashville nonsense. Forced to take responsibility, Rose-Lynn gets a cleaning job, only to find an unlikely champion in the middle-class lady of the house.
A comedy-drama about mothers and daughters, dreams and reality and three chords and the truth.
A biopic of the Cuban classical ballet dancer, Carlos Acosta. The director Icíar Bollaín (The Olive Tree) presents the rags-to-riches story of this legend of the dance world. Acosta spent his childhood in poverty on the outskirts of Havana and ended up spending 17 years as principal dancer at The Royal Ballet in London, their first black Romeo. Yet Acosta was the dancer who did not want to dance; it was his tough lorry-driver father (Alfonso) who both coerced and inspired his young son. In this part biopic, part interpretive dance piece, Acosta narrates his own story through movement while two young actors (Núñez and Martínez) play out the past. Based on Acosta’s 2007 memoir, No Way Home, this is a vibrant telling of a story about family, sacrifice, maleness, black identity, exile and the transforming power of art
The incredible true story of legendary dancer Rudolf Nureyev (played by Oleg Ivenko) is brought vividly to life by actor-director Ralph Fiennes and BAFTA-winning screenwriter David Hare. From Nureyev’s poverty-stricken childhood in the Soviety city of Ufa, to his blossoming as a student dancer in Leningrad, to his nail-biting escape from the KGB and defection to the West at the height of the Cold War, The White Crow is a gripping, revelatory look at a unique artist who transformed the world of ballet forever.
Hey Duggee is a place for children (and their parents) to have fun, be energetic, and most of all to DO THINGS!
We will be learning with The Squirrel Club who will be earning The Whistle Badge, The Juice Badge, The Kite Badge, The Pottery Badge, and The Treehouse Badge.
Thirteen-year-old Kayla endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school - the end of her thus far disastrous eighth grade year - before she begins high school.
Judi Dench stars in Trevor Nunn’s drama inspired by the extraordinary true story of the KGB’s longest-serving British agent.
Joan Stanley’s tranquil retirement in rural England is shattered when she’s arrested by MI5. Why? She’s been hiding an incredible past: she’s one of the most influential spies in living history.
Rewind to Cambridge University in the 1930s, and the young Joan (Cookson), a demure physics student, falls intensely in love with a Russian saboteur, Leo. Through him, she begins to see that the world is on a knife-edge and perhaps must be saved from itself in the race to military supremacy.
Years later, while working at a top-secret nuclear research facility, Joan is confronted with the impossible. Would you betray your country and your loved ones, if it meant saving them? What price would you pay for peace? RED JOAN is the taut and emotional retelling of one woman’s sacrifice in incredible circumstances.
Contains moderate sex and suicide references.
A spiky coming-of-age movie steeped in the sights, sounds and spirit of ’90s Los Angeles, MID90s follows Stevie, a 13-year-old outcast who spends his summer navigating his troubled home life and a group of new friends that he meets at a Motor Avenue skate shop.
Jonah Hill’s time capsule of a directorial debut is an ambitious and authentic portrayal of youthful rebellion, led by a breakout performance from Suljic as Stevie and a glorious soundtrack of tunes from the era.
Rose-Lynn Harlan is bursting with raw talent, charisma and cheek. Fresh out of jail and with two young kids, all she wants is to get out of Glasgow and make it as a country singer. Her mum Marion has had a bellyful of Rose-Lynn’s Nashville nonsense. Forced to take responsibility, Rose-Lynn gets a cleaning job, only to find an unlikely champion in the middle-class lady of the house.
A comedy-drama about mothers and daughters, dreams and reality and three chords and the truth.
Paying homage to the classic Western, director Jacques Audiard tells the story of Eli (Reilly) and Charlie (Phoenix) Sisters, a couple of fraternal assassins in the Old West underworld of the 1850s. The pair are travelling from Oregon to California to find a chemist (Riz Ahmed) who has developed a substance that makes gold easy to spot on the riverbed. Their mission is to finish him off, having extracted the formula first. Often hilariously ribald, with its share of blood, guts, saloons and shootouts, The Sisters Brothers will also surprise you with its tenderness. Based on the novel by Patrick deWitt.
Judi Dench stars in Trevor Nunn’s drama inspired by the extraordinary true story of the KGB’s longest-serving British agent.
Joan Stanley’s tranquil retirement in rural England is shattered when she’s arrested by MI5. Why? She’s been hiding an incredible past: she’s one of the most influential spies in living history.
Rewind to Cambridge University in the 1930s, and the young Joan (Cookson), a demure physics student, falls intensely in love with a Russian saboteur, Leo. Through him, she begins to see that the world is on a knife-edge and perhaps must be saved from itself in the race to military supremacy.
Years later, while working at a top-secret nuclear research facility, Joan is confronted with the impossible. Would you betray your country and your loved ones, if it meant saving them? What price would you pay for peace? RED JOAN is the taut and emotional retelling of one woman’s sacrifice in incredible circumstances.
Contains moderate sex and suicide references.
A spiky coming-of-age movie steeped in the sights, sounds and spirit of ’90s Los Angeles, MID90s follows Stevie, a 13-year-old outcast who spends his summer navigating his troubled home life and a group of new friends that he meets at a Motor Avenue skate shop.
Jonah Hill’s time capsule of a directorial debut is an ambitious and authentic portrayal of youthful rebellion, led by a breakout performance from Suljic as Stevie and a glorious soundtrack of tunes from the era.
Rose-Lynn Harlan is bursting with raw talent, charisma and cheek. Fresh out of jail and with two young kids, all she wants is to get out of Glasgow and make it as a country singer. Her mum Marion has had a bellyful of Rose-Lynn’s Nashville nonsense. Forced to take responsibility, Rose-Lynn gets a cleaning job, only to find an unlikely champion in the middle-class lady of the house.
A comedy-drama about mothers and daughters, dreams and reality and three chords and the truth.
A biopic of the Cuban classical ballet dancer, Carlos Acosta. The director Icíar Bollaín (The Olive Tree) presents the rags-to-riches story of this legend of the dance world. Acosta spent his childhood in poverty on the outskirts of Havana and ended up spending 17 years as principal dancer at The Royal Ballet in London, their first black Romeo. Yet Acosta was the dancer who did not want to dance; it was his tough lorry-driver father (Alfonso) who both coerced and inspired his young son. In this part biopic, part interpretive dance piece, Acosta narrates his own story through movement while two young actors (Núñez and Martínez) play out the past. Based on Acosta’s 2007 memoir, No Way Home, this is a vibrant telling of a story about family, sacrifice, maleness, black identity, exile and the transforming power of art
Paying homage to the classic Western, director Jacques Audiard tells the story of Eli (Reilly) and Charlie (Phoenix) Sisters, a couple of fraternal assassins in the Old West underworld of the 1850s. The pair are travelling from Oregon to California to find a chemist (Riz Ahmed) who has developed a substance that makes gold easy to spot on the riverbed. Their mission is to finish him off, having extracted the formula first. Often hilariously ribald, with its share of blood, guts, saloons and shootouts, The Sisters Brothers will also surprise you with its tenderness. Based on the novel by Patrick deWitt.
The incredible true story of legendary dancer Rudolf Nureyev (played by Oleg Ivenko) is brought vividly to life by actor-director Ralph Fiennes and BAFTA-winning screenwriter David Hare. From Nureyev’s poverty-stricken childhood in the Soviety city of Ufa, to his blossoming as a student dancer in Leningrad, to his nail-biting escape from the KGB and defection to the West at the height of the Cold War, The White Crow is a gripping, revelatory look at a unique artist who transformed the world of ballet forever.
In this new stage version of All About Eve, Gillian Anderson (X-Files, A Streetcar Named Desire) stars as Margo Channing, the role immortalised by Bette Davis in Joseph Mankiewicz’s 1950 film. Margo Channing, grande dame of the theatre, is a star actress at the peak of fame, worshipped by her fans but haunted by insecurity about ageing and a terror of the abyss. She finds her life invaded by the ingénue Eve Harrington (Lily James) who barely conceals her own ambition to usurp the star on her pedestal. One of the world’s most innovative and sought-after directors, Ivo van Hove (A View From The Bridge) delves into the ambition, jealousy, egocentricity and cynicism within the entertainment industry and asks what is it with our seeming never-ending obsession with youth and celebrity. With original music by P. J. Harvey.
Set in Hawaii, this animated feature follows Lilo, a 5 year old girl who loves animals, and Stitch, a destructive alien who escapes from the intergalactic police and ends up in an animal shelter on Earth. When Lilo sees Stitch at the pound, she adopts him, thinking he's a cute six-legged puppy dog.
Thirteen-year-old novice witch Kiki must spend a year away from home as part of her training. She decides to settle in a pretty seaside town and set up a broomstick-based delivery service to make a living. Adventures ensue as Kiki faces the dual challenges of making deliveries and maintaining faith in herself in this delightful coming-of-age story.
13.00Vintage Sundays: Classic films back on the big screen where they belong.
Subtitled: This show is in the original language and will have English subtitles
The film will be followed by an exclusive recorded Q&A with Sir Michael Palin, Terry Gilliam and Ray Cooper, hosted by Sanjeev Bhaskar.
AN ACCIDENTAL STUDIO charts the early years of HandMade Films as seen through the eyes of the filmmakers, key personnel and the man who started it all - former Beatle George Harrison. With unreleased archive interviews and footage with Harrison, exclusive interviews with Sir Michael Palin, Terry Gilliam, Richard E. Grant, Neil Jordan, and unseen interviews with Bob Hoskins, this documentary explores HandMade’s baptism by fire, the risks it took in producing uniquely crafted intelligent films and the stories that grew up around it.
Experience the decadence and elegance of 1870s Paris in David McVicar's spectacular production of Gounod's best-loved opera.
There are many versions of the story of Faust, who trades his soul with the Devil for youth and power, but Gounod’s opera remains one of the most constantly enthralling. Michael Fabiano stars as Faust, with Irina Lungu as his beloved Marguerite and Erwin Schrott as the diabolical Méphistophélès. Virtuoso leading roles, a large chorus, sensational sets, ballet and an ecstatic finale make this the epitome of theatrical spectacle – the lavish scale of French grand opera is wonderfully in evidence in this production by David McVicar, set in 1870s Paris. Above all, the music includes several of popular opera’s most recognizable numbers, performed by a cast of great international singers and the Royal Opera Chorus.
Approximate running time: 3 hours 45 minutes, including one interval. Sung in French with English subtitles.
In this new stage version of All About Eve, Gillian Anderson (X-Files, A Streetcar Named Desire) stars as Margo Channing, the role immortalised by Bette Davis in Joseph Mankiewicz’s 1950 film. Margo Channing, grande dame of the theatre, is a star actress at the peak of fame, worshipped by her fans but haunted by insecurity about ageing and a terror of the abyss. She finds her life invaded by the ingénue Eve Harrington (Lily James) who barely conceals her own ambition to usurp the star on her pedestal. One of the world’s most innovative and sought-after directors, Ivo van Hove (A View From The Bridge) delves into the ambition, jealousy, egocentricity and cynicism within the entertainment industry and asks what is it with our seeming never-ending obsession with youth and celebrity. With original music by P. J. Harvey.
Experience the decadence and elegance of 1870s Paris in David McVicar's spectacular production of Gounod's best-loved opera.
There are many versions of the story of Faust, who trades his soul with the Devil for youth and power, but Gounod’s opera remains one of the most constantly enthralling. Michael Fabiano stars as Faust, with Irina Lungu as his beloved Marguerite and Erwin Schrott as the diabolical Méphistophélès. Virtuoso leading roles, a large chorus, sensational sets, ballet and an ecstatic finale make this the epitome of theatrical spectacle – the lavish scale of French grand opera is wonderfully in evidence in this production by David McVicar, set in 1870s Paris. Above all, the music includes several of popular opera’s most recognizable numbers, performed by a cast of great international singers and the Royal Opera Chorus.
Approximate running time: 3 hours 45 minutes, including one interval. Sung in French with English subtitles.
In 1979, after the Air Force closes a section of Area 51, all materials are transported to a secure facility in Ohio. A train carrying some of the materials derails during an accident and something escapes from one of the cargo cars. A group of kids making movies with their Super 8 cameras accidentally capture what escapes on film.
Seven years after his sci-fi sensation Attack The Block, director Joe Cornish returns with a hugely enjoyable mash-up of old-school magic and the modern world.
Alex (Louis Ashbourne Serkis) thinks he’s just an ordinary boy, living an ordinary life... until he stumbles upon the mythical sword of King Arthur and frees it from its stone. (In a building site, no less.) But can this kid be king? With the help of legendary wizard Merlin (Patrick Stewart), Alex must unite friends and enemies alike and defeat the wicked enchantress Morgana (Rebecca Ferguson) in the battle of a lifetime.
Beat an army, slay a demon and save the world? No pressure, kid.
Told in flashback as successful film director Salvatore returns to his native Sicilian village, CINEMA PARADISO centres on the friendship between the young Salvatore and the irascible projectionist Alfredo (Philippe Noiret), who preserves a collection of footage censored from the local cinema programme by the priest.
Salvatore inherits from Alfredo not only a love of film, but also his job, as the Nuovo Cinema Paradiso enjoys a brief term of glory as the hub of the community before the days of TV and pop. Romantic, nostalgic, funny and exuberant, CINEMA PARADISO is all the more memorable for the winning performances by the great Philippe Noiret and ten-year-old Salvatore Cascio.
17.15Vintage Sundays: Classic films back on the big screen where they belong.
A Little History: A programme of special screenings to celebrate 80 years of feature films at The Little
Kore-eda’s quietly devastating feature debut is one of the finest films of Japanese cinema. A young woman is deeply troubled by the fear that she brings death to those nearest and dearest to her. But with time and the wonders of nature around her, she awakens to find love, understanding and a sense of peace. Working with almost entirely natural lighting, Kore-eda’s remarkable and elegant camerawork makes this one of the most striking visual works committed to film.
“Profoundly moving” - TimeOut
18.00Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
Kore-eda Retrospective: Following the massive success of his latest masterpiece, Shoplifters, Discover Tuesdays presents a season of Hirokazu Kore-eda's classic films.
This breathtakingly beautiful Tony® Award-winning Broadway musical, inspired by the Oscar® winning MGM film, tells the impassioned story of discovering love in the ‘City of Light’.
Featuring the gorgeous music and lyrics of George and Ira Gershwin (including the classic hits ‘S Wonderful and I Got Rhythm), stunning designs, and show-stopping choreography. With a record-setting 28 five-star reviews from critics, An American in Paris is coming from London’s West End to a cinema near you.
Jerry Mulligan is an American GI striving to make it as a painter in a city suddenly bursting with hope and possibility. Following a chance encounter with a beautiful young dancer named Lise, the streets of Paris become the backdrop to a sensuous, modern romance of art, friendship and love in the aftermath of war...
Experience this “truly ravishing” (The Guardian) production in the comfort of your local cinema.
If you thought ballet was all fairytales and tutus, think again. This one’s about the Roman Empire in 71 BC when the Thracian Spartacus led a rebellion of gladiators and slaves against his overlords in Rome. It was an epic, doomed uprising, and this twentieth-century Russian ballet is filled with scenes of marching battalions, mortal combat and heroic death. The arresting choreography features astonishing leaps, spread-eagled limbs, flying fists and twisting torsos. It makes for compelling, powerful theatre. The composer Aram Khachaturian originally wrote the music to curry favour with the Soviet regime in 1954 and the work was awarded the Lenin Prize. Now, in the Australian ballet and Lucas Jervias’s much acclaimed 2018 version, a Soviet museum piece of propaganda becomes a living classic. With beautiful designs by Jerome Kaplan.
Monte (Robert Pattinson) and his baby daughter are the last survivors of a damned and dangerous mission to the outer reaches of the solar system. The crew--death-row inmates led by a doctor (Juliette Binoche) with sinister motives--has vanished. As the mystery of what happened onboard the ship is unraveled, father and daughter must rely on each other to survive as they hurtle toward the oblivion of a black hole. A staggering and primal film about love and intimacy, suffused with anguished memories of a lost Earth, HIGH LIFE is a haunting, thrilling achievement from visionary director Claire Denis.
The only survivor of the Nostromo, Ripley is discovered in a deep sleep half a century later by a salvage ship. When she is taken back to Earth, she learns that a human colony was founded on the same planet where the aliens were first found.
After contact with the colony is lost, she finds herself sent back to the planet along with a team of warriors hell-bent on destroying the alien menace forever, and saving the survivors - if any remain.
Met Music Director Yannick Nézet-Séguin leads Poulenc’s masterpiece. As the French Revolution begins, shy Blanche, sung by mezzo-soprano Isabel Leonard, becomes a novice nun under an elderly prioress—Met legend Karita Mattila. Blanche’s aristocratic family flees the Terror, but she remains behind, struggling between her fear of the guillotine and her duty to the convent. When the nuns are expelled from the convent and threatened with death, Blanche must make an agonising decision. In the shattering final scene, the nuns walk towards the guillotine singing Salve Regina: Their voices are cut off, one by one, with each stroke of the blade, until all are silenced. Poulenc’s devastating portrayal of faith and martyrdom is live in HD for the first time.
Directors: Byron Howard, Rich Moore, Jared Bush.
Voices: Jason Bateman, Ginnifer Goodwin, Idris Elba. USA 2016. 108 mins.
This animated animal extravaganza from Disney Animation Studios is set in the magical mammal city of Zootropolis. Judy Hopps (Goodwin), a determined young rabbit, enlists in the local police force.
Once there, she takes on the mysterious case of a missing otter (Octavia Spencer). To solve the case, she must form an unlikely partnership with Nick Wilde (Bateman), a con-artist fox. The pair’s adventures in the animal kingdoms that make up Zootropolis will delight children and adults alike.
The casting of pop megastar Shakira as a singing gazelle – she recorded an original song, Try Everything, for the soundtrack – is an additional draw. With Idris Elba voicing police chief Bogo and J. K. Simmons as mayor Lionheart.
Stanley Kubrick Considers The Bomb, a new short film produced and directed by Matt Wells, will be screened exclusively in cinemas as part of this release. With contributions from those who knew Kubrick best, including Katharina Kubrick, Jan Harlan (Kubrick’s Executive Producer and brother-in-law) and journalist and author Eric Schlosser, the film considers how Kubrick responded to society’s widespread concern about nuclear war and transformed it into his irreverent comic masterpiece.
A brilliant atom-bomb farce, endorsing with suspense and dark comic aplomb Kubrick’s characteristic vision of human fallibility and stupidity. It’s famous for Peter Sellers’ triple role, but George C. Scott, Peter Bull and Sterling Hayden give equally superb performances, the last as the unhinged air force general who launches a war of Mutually Assured Destruction.
We are happy for you to bring your dog along to this special dog-friendly screening (you're welcome without a dog too). Before the screening there are a few things to consider:
If you attend this screening with a dog, you'll be issued with a fleece blanket to cover the seat used by the dog or to use as a rug if the dog sits on the floor. During the screenings, we will provide bowls of water around the screen. We will leave lighting levels a little higher than usual during the screening and lower the volume of the soundtrack.
Please be aware that we reduce capacity when offering ‘dog-friendly’ screenings, so there may be fewer tickets than usual. We limit dogs to: one dog to one adult. For further information, see dog-friendly screening policy in our cinema.
Pick of the Litter follows a litter of puppies from the moment they’re born and begin their quest to become guide dogs for the blind. Cameras follow these pups through an intense two-year odyssey as they train to become dogs whose ultimate responsibility is to protect their blind partners from harm. Along the way, these remarkable animals rely on a community of dedicated individuals who train them to do amazing, life-changing things in the service of their human. The stakes are high and not every dog can make the cut. Only the best of the best. The pick of the litter.
With deft storytelling skill, directors Dana Nachman and Don Hardy (the two previously co-directed the feature docs The Human Experiment, Witch Hunt, and Love Hate Love) introduce us to a group of unique canine characters along with their human counterparts. Pick of the Litter is a wonderful reminder of the extraordinary relationships we have with our dogs, especially those that we work beside each day.
10.30Dog-Friendly: Customers are welcome to bring their well behaved dogs into the cinema for this special screening. Read our Dog-friendly policy before you book at picturehouses.com/dogs
Having kicked off the 2018 Venice Film Festival – following in the gargantuan footsteps of another of Chazelle’s masterpieces, La La Land – First Man is set to make waves come awards season. The film revisits the life of navy-pilot-turned-astronaut Neil Armstrong (La La Land’s Ryan Gosling), following his epic journey to becoming the first man to walk on the moon during the 1969 Apollo 11 space mission. Scripted by Spotlight writer Josh Singer, First Man spans Armstrong’s adventure from his acceptance into NASA’s astronaut programme in 1961 to his world-changing space walk eight years later – and all the sacrifices in between.
Contains infrequent strong language and moderate threat.
First Man contains a sequence of flashing lights which might affect customers who are susceptible to photosensitive epilepsy.'
Academy Award winner Sally Field (Steel Magnolias, Brothers & Sisters) and Bill Pullman (The Sinner, Independence Day) star in Arthur Miller’s blistering drama All My Sons, broadcast live from The Old Vic in London.
America, 1947. Despite hard choices and even harder knocks, Joe and Kate Keller are a success story. They’ve built a home, raised two sons and established a thriving business. But nothing lasts forever and their contented lives, already shadowed by the loss of their eldest boy to war, are about to shatter. Long-buried truths are forced to the surface by the return of a figure from the past, and the price of their American dream is laid bare.
Jeremy Herrin (NT Live: This House) directs the cast, which also includes Jenna Coleman (Victoria), and Colin Morgan (Merlin) alongside Bessie Carter, Oliver Johnstone, Kayla Meikle and Sule Rimi.
AFTER LIFE is a sublime fantasy film which requires no leap of faith or suspension of disbelief. It’s set in the world of the recently dead, where each person who passes through is asked to select a single memory from their life which they wish to take with them. A celestial film crew then takes that memory and makes it into a movie, allowing the person to hold on to the moment for all eternity. Kore-eda’s background as an award-winning documentarist imbues the film with a strong sense of realism, and AFTER LIFE emerges as a funny and deeply affecting celebration of life.
18.00Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
Kore-eda Retrospective: Following the massive success of his latest masterpiece, Shoplifters, Discover Tuesdays presents a season of Hirokazu Kore-eda's classic films.
Two recent works and one world premiere showcase the contemporary face of the Royal Ballet.
The contemporary face of The Royal Ballet is shown in works from three of today’s leading choreographers. Christopher Wheeldon’s Within the Golden Hour is based around seven couples separating and intermingling, to music by Vivaldi and Bosso and lit with rich colours suggested by sunset. Crystal Pite’s Flight Pattern, revived for the first time, uses a large dance ensemble and Górecki’s familiar music from his Symphony of Sorrowful Songsfor a poignant and passionate reflection on migration. Between them, a new work by Sidi Larbi Cherkaoui, created on The Royal Ballet has its premiere to bring the contemporary truly up-to-date.
Met Music Director Yannick Nézet-Séguin leads Poulenc’s masterpiece. As the French Revolution begins, shy Blanche, sung by mezzo-soprano Isabel Leonard, becomes a novice nun under an elderly prioress—Met legend Karita Mattila. Blanche’s aristocratic family flees the Terror, but she remains behind, struggling between her fear of the guillotine and her duty to the convent. When the nuns are expelled from the convent and threatened with death, Blanche must make an agonising decision. In the shattering final scene, the nuns walk towards the guillotine singing Salve Regina: Their voices are cut off, one by one, with each stroke of the blade, until all are silenced. Poulenc’s devastating portrayal of faith and martyrdom is live in HD for the first time.
From DreamWorks Animation comes a surprising tale about growing up, finding the courage to face the unknown, and how nothing can ever train you to let go.
What began as an unlikely friendship between an adolescent Viking and a fearsome Night Fury dragon has become an epic trilogy spanning their lives. In the final chapter, Hiccup and Toothless will finally discover their true destinies: the village chief as ruler of Berk alongside Astrid, and the dragon as leader of his own kind. As they rise, the darkest threat they’ve yet faced – as well as the appearance of a female Night Fury – will test the bonds of their relationship like never before.
Carmen Suite
Music: Georges Bizet and Rodion Shchedrin
Choreography: Alberto Alonso
Libretto Alberto Alonso after Carmen de Prosper Mérimée
Petrushka
Music: Igor Stravinsky
Choreography: Edward Clug
Cast: The Bolshoi Principals, Soloists and Corps de Ballet
Carmen is as passionate and free-spirited as ever as she finds herself caught in a love triangle. The passionate one act ballet by Cuban choreographer Alberto Alonso originally conceived for legendary Bolshoi prima ballerina Maya Plisetskaya will captivate audiences alongside Petrushka, a new creation for the Bolshoi by contemporary choreographer Edward Clug, in an evening encapsulating the soul of Russian Ballet
The velvet-voiced Barbra Streisand sings like an angel in Frank Pierson’s take on the timeless tale of doomed romance. The film’s musical centrepiece, ‘Evergreen’, a tender ballad co-written and performed by Streisand, won the Academy Award for Best Original Song.
John Norman Howard (Kristofferson) is a talented but self-destructive rock star whose career has peaked. Years of concerts, managers and tours have made him cynical and the monotony has taken its toll. Then he meets the innocent, pure and very gifted singer Esther Hoffman (Streisand). As one of his songs in the movie says, “I’m gonna take you girl; I'm gonna show you how.” And he does. John shows Esther the way to stardom, forsaking his own career. But as they fall in love, her success only makes his decline even more apparent.
Two recent works and one world premiere showcase the contemporary face of the Royal Ballet.
The contemporary face of The Royal Ballet is shown in works from three of today’s leading choreographers. Christopher Wheeldon’s Within the Golden Hour is based around seven couples separating and intermingling, to music by Vivaldi and Bosso and lit with rich colours suggested by sunset. Crystal Pite’s Flight Pattern, revived for the first time, uses a large dance ensemble and Górecki’s familiar music from his Symphony of Sorrowful Songsfor a poignant and passionate reflection on migration. Between them, a new work by Sidi Larbi Cherkaoui, created on The Royal Ballet has its premiere to bring the contemporary truly up-to-date.
One of the decade’s most anticipated films, the sequel to Ridley Scott’s seminal 1982 neo-noir, Blade Runner, is finally upon us. Scott himself returns as producer, freeing up the director’s chair for the supremely talented Denis Villeneuve (Arrival, Sicario), while Harrison Ford reprises his role as Rick Deckard. In 2049, a new blade runner, LAPD Officer K (Gosling), uncovers a terrible secret that could throw what’s left of an already broken society into terminal chaos. His discovery leads him on a quest to find former replicant hunter Deckard, who has been missing for 30 years. In true Blade Runner style, K wants to ask him some questions – the answers to which may have a lot to do with a chilling creator of ‘disposable workforces’, Niander Wallace (Leto).
Matthew Bourne’s bold and beautiful Swan Lake replaces the traditional female corps de ballet with a male ensemble which, when it was first performed in 1995, took the dance world by storm. No longer the dainty, sinuous swans of the original story but instead hissing, stamping birds, unpredictable, sometimes dangerous. Danced to Tchaikovsky’s spellbinding score, Bourne’s contemporary adaptation subverts the conventional tale of Odette, Prince Siegfried and the evil Baron von Rothbart, omitting some of the characters and twists of plot. Instead, his passionate story of male love tells of a lonely and repressed Prince Siegfried who is dominated by his regal mother and her Machiavellian press secretary. The Swan is everything the Prince needs and can’t have. Twenty-three years on, as vibrant as ever, Bourne’s Swan Lake comes to cinemas, re-imagined for the twenty-first century. Retaining Lez Brotherson’s award-winning designs, this new production was filmed last year at Sadler’s Wells in London.
Inspired by an infamous true story that made headlines in Japan in 1988, this tough yet tender film follows the lives of four children left to fend for themselves by their wayward mother. Having smuggled her family into a new apartment under the landlord’s nose, mum Keiko puts her 12-year-old son Akira (Yagira) in charge of the youngsters and - after a brief period of relative family harmony - disappears. Akira manages his younger siblings as best he can, but limited means and the cramped confines of the apartment force this unorthodox family unit to re-shape their narrow existence to suit their physical and emotional needs.
Contains child abandonment theme and moderate sex references.
18.00Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
Kore-eda Retrospective: Following the massive success of his latest masterpiece, Shoplifters, Discover Tuesdays presents a season of Hirokazu Kore-eda's classic films.
Once a popular seaside resort, Asbury Park, New Jersey was also home to the Upstage, a now legendary club where musicians such Steven Van Zandt, Southside Johnny Lyon and Bruce Springsteen got their first breaks. It was there that Springsteen met players such as Vini ‘Mad Dog’ Lopez, David Sancious, Garry Tallent, Danny Federici and Ernest ‘Boom’ Carter. These musicians brought the sound of Asbury Park to the wider world. Then on Independence Day, 1970, Asbury Park experienced seven days of race riots which crippled the town for the next 45 years and destroyed the famous Westside jazz and blues scene. Closed down and boarded up, the Upstart club remains a perfect time capsule, a memorial to the legendary Jersey sound. This film features a concert given to a sold-out Paramount Theater by Van Zandt, Southside Johnny and Springsteen plus never-before-seen interviews and performances, and an Upstage reunion jam. A mindblowing theatrical event in Asbury Park where it all began.
20.30Headline Acts: A summer of music films
Picturehouse Docs: Bringing you the best in new and topical documentaries covering issues around the world.
The madcap action and high comedy continue in the hotly anticipated sequel to 2014’s block-busting The Lego Movie.
Five years after the first adventure, nothing’s quite as awesome as it used to be. DUPLO invaders roam the post-apocalyptic wasteland that once was Bricksburg, wrecking things faster than they can be rebuilt, and new threats loom large in outer space.
The battle to defeat them takes Emmet (Pratt), Lucy (Banks), Batman (Arnett) and their friends to faraway worlds (including a strange galaxy where everything is a musical), testing their courage and creativity, and revealing just how special they really are.
In many ways the definitive rock concert doc, Martin Scorsese’s THE LAST WALTZ feels as fresh and invigorating today as ever. Capturing what was billed as The Band’s last ever live performance in San Francisco on 25 November 1972, Scorsese’s film provides an intimate first-hand portrait of a group weary from 16 years on the road but still dedicated to their loyal following. The charismatic frontman Robbie Robertson is very much the focus, and at times his personality overshadows the film’s end-of-an-era undertones. As a piece of documentary cinema, however, THE LAST WALTZ is unmissable viewing, not least for the presence of rock royalty that peppers the footage, including Neil Young, Eric Clapton, Joni Mitchell, Neil Diamond and Ringo Starr.
Matthew Bourne’s bold and beautiful Swan Lake replaces the traditional female corps de ballet with a male ensemble which, when it was first performed in 1995, took the dance world by storm. No longer the dainty, sinuous swans of the original story but instead hissing, stamping birds, unpredictable, sometimes dangerous. Danced to Tchaikovsky’s spellbinding score, Bourne’s contemporary adaptation subverts the conventional tale of Odette, Prince Siegfried and the evil Baron von Rothbart, omitting some of the characters and twists of plot. Instead, his passionate story of male love tells of a lonely and repressed Prince Siegfried who is dominated by his regal mother and her Machiavellian press secretary. The Swan is everything the Prince needs and can’t have. Twenty-three years on, as vibrant as ever, Bourne’s Swan Lake comes to cinemas, re-imagined for the twenty-first century. Retaining Lez Brotherson’s award-winning designs, this new production was filmed last year at Sadler’s Wells in London.
A typically graceful turn from Kore-eda, STILL WALKING weaves together with great subtlety an intricate and nuanced family drama. Taking place over one summer’s day, the film follows a Yokohama family as they reunite to celebrate the life of the eldest son, whose tragic death 15 years ago left a painful mark not yet healed. It’s during this poignant remembrance, however, that the gaps and tensions between family members become achingly apparent.
18.00Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
Kore-eda Retrospective: Following the massive success of his latest masterpiece, Shoplifters, Discover Tuesdays presents a season of Hirokazu Kore-eda's classic films.
“We all played guitar. We all knew a bit. But he seemed to know more than us.” - Paul McCartney
In July 1970 rock music’s burgeoning festival culture descended en masse on the tiny rural village of Byron, Georgia and witnessed an unforgettable performance by Jimi Hendrix in full flight. In the dark shadow of civil rights unrest and the unrelenting toll of the Vietnam War, the legendary guitarist drew in over 300,000 people – the largest US audience of his career – to the Second Atlanta International Pop Festival for his concert on 4 July.
Playing alongside a new documentary contextualising Hendrix’s journey to what would be the last of the great American rock festival, 16-mm colour footage (restored from the original negative) captures the fretboard magician skilfully blending favourites such as ‘Purple Haze’ and ‘Voodoo Chile (Slight Return)’ with hitherto unreleased songs, as well as a storming, firework-backed rendition of the ‘Star Spangled Banner’.
Contains infrequent strong language and drug misuse.
George Clooney and Sandra Bullock star in this award-winning sci-fi thriller directed by Alfonso Cuarón. Seasoned astronaut Matt Kowalsky (Clooney) is on his final mission in space, while medical engineer Dr. Ryan Stone (Bullock) is making her first outing on the Space Shuttle. While they are engaged in extra-vehicular activity, debris collides into the shuttle, damaging it irreparably. Kowalsky and Stone now find themselves drifting in space with low oxygen supplies and cut off from all communication on Earth. They work together in their attempt to survive but will they make it back to solid ground
Hugh Jackman, Zoe Saldana and Zach Galifianakis lead a stellar voice cast in this rip-roaring, globetrotting comedy adventure from Laika, the animation studio behind Boxtrolls and Coraline.
Jackman lends his voice to myths and monsters investigator Sir Lionel Frost (Jackman), who sets off on an adventure to the Pacific Northwest to prove the existence of a legendary creature — Mr Link (Galifianakis). Frost, who’s also looking for acceptance from his small-minded explorer peers, is accompanied on his journey by Adelina Fortnight (Saldana), a free-spirited, independent adventurer who just so happens to possess the only known map to their secret destination.
Bob Fosse’s stylishly directed and choreographed screen adaptation of John Kander’s fine musical based on Christopher Isherwood’s Berlin stories. With a chilling vision of Weimar Berlin, a city of gaiety and perversion, champagne and Nazi propaganda, CABARET features a show-stopping, Oscar-winning musical performance from Liza Minnelli, Joel Grey as the unforgettable emcee, and a truly extraordinary final fadeout.
Academy Award winner Sally Field (Steel Magnolias, Brothers & Sisters) and Bill Pullman (The Sinner, Independence Day) star in Arthur Miller’s blistering drama All My Sons, broadcast live from The Old Vic in London.
America, 1947. Despite hard choices and even harder knocks, Joe and Kate Keller are a success story. They’ve built a home, raised two sons and established a thriving business. But nothing lasts forever and their contented lives, already shadowed by the loss of their eldest boy to war, are about to shatter. Long-buried truths are forced to the surface by the return of a figure from the past, and the price of their American dream is laid bare.
Jeremy Herrin (NT Live: This House) directs the cast, which also includes Jenna Coleman (Victoria), and Colin Morgan (Merlin) alongside Bessie Carter, Oliver Johnstone, Kayla Meikle and Sule Rimi.
Ella Fitzgerald was a 15-year-old street kid when she won a talent contest in 1934 at the Apollo Theatre in Harlem. Within months she was a star. Over the next six decades, her sublime voice would transform the tragedies of her own life and the troubles of her times into joy. JUST ONE OF THOSE THINGS retraces this extraordinary journey.
Using never-before-seen images and unheard interviews, the film shows an Ella the world never knew: tough, thoughtful, funny; a dazzling musical innovator who defied horrifying racism; a committed civil rights activist; and an intensely private soul who sacrificed much of her personal life. At a time when she was the biggest singing star in the world, her pianist and friend Oscar Peterson said Ella was “the loneliest woman in the world”. But, as Jamie Cullum says, “Her music is one of the reasons it’s worth being on this planet.”
18.15Headline Acts: A summer of music films
Picturehouse Docs: Bringing you the best in new and topical documentaries covering issues around the world.
In a reimagined 1590, England is a matriarchy.
Baptista Minola is seeking to sell off her son Katherine to the highest bidder. Cue an explosive battle of the sexes in this electrically charged love story.
Justin Audibert (Snow in Midsummer, The Jew of Malta) turns Shakespeare's fierce, energetic comedy of gender and materialism on its head to offer a fresh perspective on its portrayal of hierarchy and power.
A documentary record of the 1958 Newport Jazz Festival, JAZZ ON A SUMMER’S DAY is popularly hailed as one of the first and most influential live concert films. A who’s who of legendary jazz and rock ’n’ roll performers make up the impressive line-up, with director Stern’s deft, economical style capturing them in all their glory. In terms of stand-out turns it’s too close to call, but Chuck Berry’s rendition of ‘Sweet Little Sixteen’ nestles pretty near the top of the pile, with Mahalia Jackson’s spine-tingling performance of ‘The Lord’s Prayer’ closely jostling. The film set the template for the genre; WOODSTOCK and MONTEREY POP swiftly followed. JAZZ ON A SUMMER’S DAY is unquestionably essential viewing for music, archival and documentary fans alike.
"I envy the Japanese" Van Gogh wrote to his brother Theo. In the exhibition on which this film is based - VAN GOGH & JAPAN at the Van Gogh Museum in Amsterdam - one can see why. Though Vincent van Gogh never visited Japan it is the country that had the most profound influence on him and his art. One cannot understand Van Gogh without understanding how Japanese art arrived in Paris in the middle of the 19th century and the profound impact it had on artists like Monet, Degas and, above all, Van Gogh.
Visiting the new galleries of Japanese art in Paris and then creating his own image of Japan – through in-depth research, print collecting and detailed discussions with other artists – Van Gogh’s encounter with Japanese artworks gave his work a new and exciting direction. After leaving Paris for the south of France – to what he thought of as near to a kind of Japan as he could find - the productive and yet troubled years that followed must all be seen in the context of Van Gogh bending Japanese influences to his will and defining himself as a modern artist with clear Asian precursors. In this little known story of Van Gogh’s art we see just how important his study of Japan was. The film travels not only to France and the Netherlands but also to Japan to further explore the remarkable heritage that so affected Van Gogh and made him the artist we know of today.
Shakespeare's star-crossed lovers encounter passion and tragedy in Kenneth MacMillan's 20th century ballet masterpiece.
Shakespeare’s enduring love story is known the world over. Since its 1965 premiere with The Royal Ballet, Kenneth MacMillan’s Romeo and Juliet has become a modern ballet classic. The choreography captures the emotions of the young couple as they fall in love, despite the barriers that finally bring about the story’s tragic end. Each revival gives opportunities for new dancers to interpret the doomed lovers. The whole Company brings the colour and action of Renaissance Verona, where a busy market all too quickly bursts into sword fighting, and a family feud leads to tragedy for both the Montagues and Capulets.
"I envy the Japanese" Van Gogh wrote to his brother Theo. In the exhibition on which this film is based - VAN GOGH & JAPAN at the Van Gogh Museum in Amsterdam - one can see why. Though Vincent van Gogh never visited Japan it is the country that had the most profound influence on him and his art. One cannot understand Van Gogh without understanding how Japanese art arrived in Paris in the middle of the 19th century and the profound impact it had on artists like Monet, Degas and, above all, Van Gogh.
Visiting the new galleries of Japanese art in Paris and then creating his own image of Japan – through in-depth research, print collecting and detailed discussions with other artists – Van Gogh’s encounter with Japanese artworks gave his work a new and exciting direction. After leaving Paris for the south of France – to what he thought of as near to a kind of Japan as he could find - the productive and yet troubled years that followed must all be seen in the context of Van Gogh bending Japanese influences to his will and defining himself as a modern artist with clear Asian precursors. In this little known story of Van Gogh’s art we see just how important his study of Japan was. The film travels not only to France and the Netherlands but also to Japan to further explore the remarkable heritage that so affected Van Gogh and made him the artist we know of today.
Inspired by a true story, Everybody’s Talking About Jamie is the new award-winning five-star hit musical for today. Jamie New is sixteen and lives on a council estate in Sheffield. Jamie doesn’t quite fit in. Jamie is terrified about the future. He is going to be a sensation. Supported by his brilliant loving mum and surrounded by his friends, Jamie overcomes prejudice, beats the bullies and steps out of the darkness, into the spotlight.
John McCrea, Josie Walker, Tamsin Carroll, Lucie Shorthouse and Phil Nichol lead a twenty-four strong company and an eight-piece band that will ‘sweep you away on a tide of mischief, warmth and exuberance’ (Financial Times). With ‘songs that have the wow factor’ (The Times) by lead singer-songwriter of The Feeling, Dan Gillespie Sells, and ‘hilarious’ book and lyrics ‘with delightful punch’ (Whatsonstage), by writer Tom MacRae, this funny, fabulous, feel-good, musical sensation has been thrilling audiences and critics alike.
Winner of 3 WhatsOnStage Awards including Best New Musical and nominated for 5 Olivier Awards, Everybody’s Talking About Jamie (Encore) is screened from a captured broadcast from the Apollo Theatre in London’s Shaftesbury Avenue.
Shakespeare's star-crossed lovers encounter passion and tragedy in Kenneth MacMillan's 20th century ballet masterpiece.
Shakespeare’s enduring love story is known the world over. Since its 1965 premiere with The Royal Ballet, Kenneth MacMillan’s Romeo and Juliet has become a modern ballet classic. The choreography captures the emotions of the young couple as they fall in love, despite the barriers that finally bring about the story’s tragic end. Each revival gives opportunities for new dancers to interpret the doomed lovers. The whole Company brings the colour and action of Renaissance Verona, where a busy market all too quickly bursts into sword fighting, and a family feud leads to tragedy for both the Montagues and Capulets.
Directed by Mike Leigh (Palme d’Or winner and five-time Oscar nominee), Gilbert & Sullivan’s popular comic opera features much-loved favourites including ‘A Policeman’s Lot is not a Happy One’ and ‘I am the Very Model of a Modern Major General’.
‘Precise and pricelessly funny production’ ***** The Stage
‘A jolly good show’ ***** The Telegraph
‘A delightful surprise’ **** The Times
Double-meanings, disguises and dirty laundry abound in The Merry Wives of Windsor as Sir John Falstaff sets about improving his financial situation by wooing Mistress Page and Mistress Ford. But the 'Merry Wives' quickly cotton on to his tricks and decide to have a bit of fun of their own at Falstaff's expense...The Merry Wives of Windsor is the only comedy that Shakespeare set in his native land, and with its witty mix of verbal and physical humour, the play celebrates a tradition that reaches right down to the contemporary English sitcom. Directed by Nicole Charles and Elle While, and staged at the beautiful and iconic Globe Theatre in London, a reconstruction of an open-air Elizabethan playhouse on the bank of the River Thames, this new production of The Merry Wives of Windsor will be broadcast live to cinemas and will feature exclusive behind-the-scenes insights into the play.
This expressive new work, created for Northern Ballet, tells the story of Queen Victoria from the perspective of her youngest daughter and lifelong companion, Princess Beatrice. In a multi-layered narrative ballet, choreographer Cathy Marston (the acclaimed Jane Eyre, also for Northern Ballet) traces the life of the queen/wife/mother through chapters of passion and tragedy as Beatrice transcribes her mother’s intimate diaries. Going back in time from Victoria’s deathbed, the princess relives her memories of her mother as a secluded widow before discovering her anew through her challenging relationship with her own mother, the Princess Victoria of Saxe-Coburg-Saalfeld. Beatrice also discovers the truth about her parents’ marriage and her mother’s ambiguous relationship with John Brown as well as revisiting political events such as the Opium Wars and the Great Exhibition. The ballet has a score commissioned from Philip Feeney and is a co-production between Northern Ballet and The National Ballet of Canada.
Andrea Levy’s Orange Prize-winning novel Small Island comes to life in an epic new theatre adaptation. Experience the play in cinemas, filmed live on stage as part of National Theatre Live’s 10th birthday.
Small Island embarks on a journey from Jamaica to Britain, through the Second World War to 1948 – the year the HMT Empire Windrush docked at Tilbury.
The play follows three intricately connected stories. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots. Hope and humanity meet stubborn reality as the play traces the tangled history of Jamaica and the UK.
A company of 40 actors take to the stage of the National Theatre in this timely and moving story.
The story of Cinderella to Jules Massenet’s sensuous and lavish score in a new production, directed by Fiona Shaw (The Rape Of Lucretia). With its enchanting love story and broad, burlesque comedy, Cendrillon is one of the great operatic fairy tales. Massenet’s beautiful, lyrical music brings the familiar characters from Perrault’s story to life – a loving, yet hapless father, a jovially villainous stepmother, the lonely prince and a fairy godmother. The gently courageous Cendrillon, never quite sure whether she is dreaming or awake, is perhaps the most bewitching of all Cinderellas. The opera is full of wonderful music, from the impassioned love duet for Cendrillon and her Prince to the coloratura effervescence of the Fairy Godmother and the brilliantly scored ‘Marche Des Princesses’. Glyndebourne favourite Danielle de Niese sings the lead role in this performance, conducted by John Wilson.
Set in an ever-so English 1930s seaside hotel, ENO’s iconic production of THE MIKADO is a popular hit with audiences of all ages. Experience Gilbert and Sullivan’s irresistible combination of virtuosic wit, memorable melodies and hilarious antics in this much-loved production from Jonathan Miller.
‘A glorious production of Gilbert & Sullivan’s best comic opera’ **** Daily Express
‘Bright and Sharp. The pace never really lets up’ ***** The Guardian
‘Hilariously funny’’ ***** Bachtrack
Andrea Levy’s Orange Prize-winning novel Small Island comes to life in an epic new theatre adaptation. Experience the play in cinemas, filmed live on stage as part of National Theatre Live’s 10th birthday.
Small Island embarks on a journey from Jamaica to Britain, through the Second World War to 1948 – the year the HMT Empire Windrush docked at Tilbury.
The play follows three intricately connected stories. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots. Hope and humanity meet stubborn reality as the play traces the tangled history of Jamaica and the UK.
A company of 40 actors take to the stage of the National Theatre in this timely and moving story.
Acclaimed at the time of its release forty years ago as the most exciting, stirring and perceptive youth film since REBEL WITHOUT A CAUSE, QUADROPHENIA was the sensational feature debut from Franc Roddam, a successful TV director who has gone on to create AUF WIEDERSEHN PET and MASTERCHEF.
Like TOMMY before it, the film was based on a concept album by ‘The Who’ and became an instant cult classic both in the UK and in America, influencing an entire generation of filmmakers. Deliberately naturalistic, the film centres on a remarkable recreation of the world of the Mods and Rockers in the mid ’60s, brilliantly capturing the essence of the era and starkly portraying the notorious pitched battles on the Brighton seafront.
Award-winning director Ron Howard and the team behind THE BEATLES: EIGHT DAYS A WEEK celebrate the life of beloved opera star Luciano Pavarotti, who sold over 100 million records in his lifetime and brought opera to the people. Using footage from concerts, interviews and the Pavarotti family archives, Howard goes beyond the iconic public figure to reveal the man himself. Charting his rise from humble beginnings in Northern Italy through to superstardom, PAVAROTTI lifts the curtain on the great tenor as a husband and father, a committed philanthropist, and a fragile artist who had a complex relationship with his unique talents.
Rossini’s celebrated opera ‘buffa’ is a perfect marriage of wit, energy and musical invention. When Count Almaviva falls in love with Rosina, he enlists the help of his Mr-Fix-It barber, the irrepressible Figaro, to help him outwit Rosina’s guardian Bartolo. But Bartolo plans to marry Rosina himself, and a comic and fast-paced battle of wills ensues. Rossini’s masterpiece was completed, legend has it, in just 13 days. His score fizzes with virtuosic brilliance , from the stunning, ubiquitously known Overture to the bravura solo arias – including the immortal ‘Una Voce Poco Fa’ and Figaro’s ‘Largo Al Factotum’ - while breathtaking, intricate ensemble singing weaves together the strands of the comic tale. In this revival of Annabel Arden’s 2016 production for Glyndebourne, Danielle de Niese stars as Rosina. Opera’s greatest comedy, filled with its greatest hits. A treat for all.
The story of a family and a company that changed the world, told in three parts on a single evening.
Academy Award-winner Sam Mendes (Skyfall, The Ferryman) directs Simon Russell Beale, Adam Godley and Ben Miles who play the Lehman Brothers, their sons and grandsons.
On a cold September morning in 1844 a young man from Bavaria stands on a New York dockside. Dreaming of a new life in the new world. He is joined by his two brothers and an American epic begins.
163 years later, the firm they establish – Lehman Brothers – spectacularly collapses into bankruptcy, and triggers the largest financial crisis in history.
This critically acclaimed and five-time Olivier Award nominated play features stunning set design from Es Devlin (NT Live: Hamlet) and will be broadcast live from London’s West End as part of National Theatre Live’s 10th Birthday season.
Put on your dancing shoes for this year’s fairytale concert of the classics and crossover music. Set against the stunning medieval backdrop of Maastricht’s Vrijhof Square, André Rieu’s hometown concert features the superstar violinist with his 60-piece Johann Strauss Orchestra plus world-class singers, other special guests and over 100 dancers. Known for his festive live performances, and with album and DVD sales of more than 40 million worldwide, André is the world’s leading pop classical artist. This year, he will be performing the music closest to his heart - the waltz, starting with ‘The Blue Danube’. So get that heart beating three-four time and prepare to whirl the night away with one of the greatest entertainers on the planet.
'To whom should I complain?'
When a young novice nun is compromised by a corrupt official, who offers to save her brother from execution in return for sex, she has no idea where to turn for help. When she threatens to expose him, he tells her that no one would believe her.
Shakespeare wrote this play in the early 1600s, yet it remains astonishingly resonant today. Artistic Director Gregory Doran directs this new production.
Enchantment meets the politics of the Enlightenment in Mozart’s fairy-tale opera, Die Zauberflöte. Prince Tamino is on a quest to rescue Princess Pamina, daughter of the Queen of the Night, who has been kidnapped by her father, the evil Sarastro. With the help of the foolish bird-catcher Papageno, Tamino must brave not only dragons and the forces of darkness, but trials of fire and water in order to arrive at the truth and win Pamina as his bride. Composed just months before Mozart’s death, Die Zauberflöte is a heady blend of knock-about comedy and fantasy, its beautiful melodies woven into an allegory of wicked queens, noble princes, ancient Egyptian mythology and the lore of the Freemasons. In this new production by Barbe & Doucet, Antonello Manacorda conducts the Orchestra of the Age of Enlightenment and a cast that includes Sofia Fomina, Björn Bürger and Caroline Wettergreen.
The story of a family and a company that changed the world, told in three parts on a single evening.
Academy Award-winner Sam Mendes (Skyfall, The Ferryman) directs Simon Russell Beale, Adam Godley and Ben Miles who play the Lehman Brothers, their sons and grandsons.
On a cold September morning in 1844 a young man from Bavaria stands on a New York dockside. Dreaming of a new life in the new world. He is joined by his two brothers and an American epic begins.
163 years later, the firm they establish – Lehman Brothers – spectacularly collapses into bankruptcy, and triggers the largest financial crisis in history.
This critically acclaimed and five-time Olivier Award nominated play features stunning set design from Es Devlin (NT Live: Hamlet) and will be broadcast live from London’s West End as part of National Theatre Live’s 10th Birthday season.
On Tuesday 10 September, Fane Productions present an evening with the Canadian novelist, poet, literary critic and inventor Margaret Atwood to mark the release of The Testaments, Atwood’s highly anticipated sequel to The Handmaid’s Tale. The event will be broadcast live via satellite from the National Theatre in London.
The publication of The Handmaid’s Tale in 1985 and the current, Emmy Award-winning television series have created a cultural phenomenon, as handmaids have become a symbol of women’s rights and a protest against misogyny and oppression.
Atwood will be interviewed by broadcaster and author Samira Ahmed in a conversation spanning the length of Atwood’s remarkable career, her diverse range of works, and why she has returned to her seminal handmaid story, 34 years later.
“Dear Readers: Everything you've ever asked me about Gilead and its inner workings is the inspiration for this book. Well, almost everything! The other inspiration is the world we've been living in.”
With exclusive readings from the new book by special guests, this will be an unmissable and intimate event with Atwood, spotlighting her signature insight, humour and intellect.
Featuring a Tony Award-winning performance from host of the The Late Late Show, James Corden, the hilarious West End and Broadway hit One Man, Two Guvnors returns to cinemas to mark National Theatre Live’s 10th birthday.
Fired from his skiffle band, Francis Henshall becomes minder to Roscoe Crabbe, a small time East End hood, now in Brighton to collect £6,000 from his fiancée’s dad. But Roscoe is really his sister Rachel posing as her own dead brother, who’s been killed by her boyfriend Stanley Stubbers.
Holed up at The Cricketers’ Arms, the permanently ravenous Francis spots the chance of an extra meal ticket and takes a second job with one Stanley Stubbers, who is hiding from the police and waiting to be re-united with Rachel. To prevent discovery, Francis must keep his two guvnors apart. Simple.
Featuring a Tony Award-winning performance from host of the The Late Late Show, James Corden, the hilarious West End and Broadway hit One Man, Two Guvnors returns to cinemas to mark National Theatre Live’s 10th birthday.
Fired from his skiffle band, Francis Henshall becomes minder to Roscoe Crabbe, a small time East End hood, now in Brighton to collect £6,000 from his fiancée’s dad. But Roscoe is really his sister Rachel posing as her own dead brother, who’s been killed by her boyfriend Stanley Stubbers.
Holed up at The Cricketers’ Arms, the permanently ravenous Francis spots the chance of an extra meal ticket and takes a second job with one Stanley Stubbers, who is hiding from the police and waiting to be re-united with Rachel. To prevent discovery, Francis must keep his two guvnors apart. Simple.
