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Steve Coogan and John C. Reilly are brilliant as legendary movie icons Laurel and Hardy in Stan & Ollie, the charming and touching story of what would become the triumphant swansong of Hollywood’s greatest comedy double act.
Eager to reignite their film careers, they embark on a gruelling variety hall tour of Britain and Ireland. With the support of their wives Lucille (Henderson) and Ida (Arianda) – a formidable double act in their own right – the duo reaffirm their love of performing, and for each other, as they secure their place in the hearts of the adoring public.
A radiant Keira Knightley (Atonement, Anna Karenina) gives a career-best performance in this exhilarating, entertaining and timely film about the life of groundbreaking French novelist Colette, best known for Gigi.
In Belle Époque France, Colette’s marriage to Henry ‘Willy’ Gauthier-Villars (Dominic West) thrusts her from a simple country life in Burgundy to the creative demi-monde of Paris. A notorious libertine, fourteen years older than his naive country-girl wife, Willy encourages Colette to write (at times locking her in a room until she produces more). Publishing the results under his own name, he basks in the glory bestowed upon the hugely popular ‘Claudine’ stories, actually penned by his wife.
Theirs is a complex marriage, depicted with intelligence and subtlety, as are Colette’s relationships with women – including American-in-Paris Georgie Raoul-Duval (Eleanor Tomlinson) and cross-dressing noblewoman Mathilde de Morny, or Missy (Denise Gough), with whom Colette shared Paris’ first documented same-sex kiss on stage.
The themes of ownership, power, publicity and creativity are brought deliciously to life by Keira Knightley and Dominic West in this sparky, thoroughly-modern period piece. Knightley plays Colette as a sharp, unflinching heroine, struggling against the strictures of the age but never succumbing to them.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
Steve Coogan and John C. Reilly are brilliant as legendary movie icons Laurel and Hardy in Stan & Ollie, the charming and touching story of what would become the triumphant swansong of Hollywood’s greatest comedy double act.
Eager to reignite their film careers, they embark on a gruelling variety hall tour of Britain and Ireland. With the support of their wives Lucille (Henderson) and Ida (Arianda) – a formidable double act in their own right – the duo reaffirm their love of performing, and for each other, as they secure their place in the hearts of the adoring public.
10.30Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
A radiant Keira Knightley (Atonement, Anna Karenina) gives a career-best performance in this exhilarating, entertaining and timely film about the life of groundbreaking French novelist Colette, best known for Gigi.
In Belle Époque France, Colette’s marriage to Henry ‘Willy’ Gauthier-Villars (Dominic West) thrusts her from a simple country life in Burgundy to the creative demi-monde of Paris. A notorious libertine, fourteen years older than his naive country-girl wife, Willy encourages Colette to write (at times locking her in a room until she produces more). Publishing the results under his own name, he basks in the glory bestowed upon the hugely popular ‘Claudine’ stories, actually penned by his wife.
Theirs is a complex marriage, depicted with intelligence and subtlety, as are Colette’s relationships with women – including American-in-Paris Georgie Raoul-Duval (Eleanor Tomlinson) and cross-dressing noblewoman Mathilde de Morny, or Missy (Denise Gough), with whom Colette shared Paris’ first documented same-sex kiss on stage.
The themes of ownership, power, publicity and creativity are brought deliciously to life by Keira Knightley and Dominic West in this sparky, thoroughly-modern period piece. Knightley plays Colette as a sharp, unflinching heroine, struggling against the strictures of the age but never succumbing to them.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
Mary Queen of Scots explores the turbulent life of the charismatic Mary Stuart. Queen of France at 16 and widowed at 18, Mary defies pressure to remarry. Instead, she returns to her native Scotland to reclaim her rightful throne. But Scotland and England fall under the rule of the compelling Elizabeth I. Each young Queen beholds her "sister" in fear and fascination. Rivals in power and in love, and female regents in a masculine world, the two must decide how to play the game of marriage versus independence. Determined to rule as much more than a figurehead, Mary asserts her claim to the English throne, threatening Elizabeth's sovereignty. Betrayal, rebellion, and conspiracies within each court imperil both thrones - and change the course of history.
For the first time at the Met, soprano Anna Netrebko sings the role of Adriana Lecouvreur, the eighteenth-century actress whose real-life intrigues inspired Cilea’s tragic opera. Adriana is adored by many but loves only Maurizio, sung by tenor (Piotr Beczała), who adores her in return. Maurizio desperately tries to extricate himself from his previous lover, the Princess deof Bouillon— mezzo-soprano (Anita Rachvelishvili). When the princess discovers that Adriana is her rival, she takes desperate measures of her own. In this new production directed by Sir David McVicar, the action is partially set in a working replica of a baroque theatre. Gianandrea Noseda conducts the riveting score.
Steve Coogan and John C. Reilly are brilliant as legendary movie icons Laurel and Hardy in Stan & Ollie, the charming and touching story of what would become the triumphant swansong of Hollywood’s greatest comedy double act.
Eager to reignite their film careers, they embark on a gruelling variety hall tour of Britain and Ireland. With the support of their wives Lucille (Henderson) and Ida (Arianda) – a formidable double act in their own right – the duo reaffirm their love of performing, and for each other, as they secure their place in the hearts of the adoring public.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
Mary Queen of Scots explores the turbulent life of the charismatic Mary Stuart. Queen of France at 16 and widowed at 18, Mary defies pressure to remarry. Instead, she returns to her native Scotland to reclaim her rightful throne. But Scotland and England fall under the rule of the compelling Elizabeth I. Each young Queen beholds her "sister" in fear and fascination. Rivals in power and in love, and female regents in a masculine world, the two must decide how to play the game of marriage versus independence. Determined to rule as much more than a figurehead, Mary asserts her claim to the English throne, threatening Elizabeth's sovereignty. Betrayal, rebellion, and conspiracies within each court imperil both thrones - and change the course of history.
Steve Coogan and John C. Reilly are brilliant as legendary movie icons Laurel and Hardy in Stan & Ollie, the charming and touching story of what would become the triumphant swansong of Hollywood’s greatest comedy double act.
Eager to reignite their film careers, they embark on a gruelling variety hall tour of Britain and Ireland. With the support of their wives Lucille (Henderson) and Ida (Arianda) – a formidable double act in their own right – the duo reaffirm their love of performing, and for each other, as they secure their place in the hearts of the adoring public.
A radiant Keira Knightley (Atonement, Anna Karenina) gives a career-best performance in this exhilarating, entertaining and timely film about the life of groundbreaking French novelist Colette, best known for Gigi.
In Belle Époque France, Colette’s marriage to Henry ‘Willy’ Gauthier-Villars (Dominic West) thrusts her from a simple country life in Burgundy to the creative demi-monde of Paris. A notorious libertine, fourteen years older than his naive country-girl wife, Willy encourages Colette to write (at times locking her in a room until she produces more). Publishing the results under his own name, he basks in the glory bestowed upon the hugely popular ‘Claudine’ stories, actually penned by his wife.
Theirs is a complex marriage, depicted with intelligence and subtlety, as are Colette’s relationships with women – including American-in-Paris Georgie Raoul-Duval (Eleanor Tomlinson) and cross-dressing noblewoman Mathilde de Morny, or Missy (Denise Gough), with whom Colette shared Paris’ first documented same-sex kiss on stage.
The themes of ownership, power, publicity and creativity are brought deliciously to life by Keira Knightley and Dominic West in this sparky, thoroughly-modern period piece. Knightley plays Colette as a sharp, unflinching heroine, struggling against the strictures of the age but never succumbing to them.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
When the Teen Titans go to the big screen, they go big! TEEN TITANS GO! to the Movies finds our egocentric, wildly satirical Super Heroes in their first feature film extravaganza - a fresh, gleefully clever, kid-appropriately crass and tongue-in-cheek play on the superhero genre, complete with musical numbers.
Music: Léon Minkus
Choreography: Yuri Grigorovich
Libretto after Marius Petipa and Sergei Khudekov
Cast: The Bolshoi Principals, Soloists and Corps de Ballet
The temple dancer Nikiya and the warrior Solor fall deeply in love, giving way to heated passions, and murderous intrigues when the Rajah and his daughter Gamzatti discover their forbidden love. La Bayadere is one of the greatest works classical ballet history – a story of love, death and vengeful judgement set in India. Dazzling sets, costumes, and one of the most iconic scenes in ballet, the “Kingdom of the Shades,” illuminate the tragic tale of the temple dancer Nikiya’s doomed love for the warrior Solor, and their ulimate redemption. A must-see!
Mary Queen of Scots explores the turbulent life of the charismatic Mary Stuart. Queen of France at 16 and widowed at 18, Mary defies pressure to remarry. Instead, she returns to her native Scotland to reclaim her rightful throne. But Scotland and England fall under the rule of the compelling Elizabeth I. Each young Queen beholds her "sister" in fear and fascination. Rivals in power and in love, and female regents in a masculine world, the two must decide how to play the game of marriage versus independence. Determined to rule as much more than a figurehead, Mary asserts her claim to the English throne, threatening Elizabeth's sovereignty. Betrayal, rebellion, and conspiracies within each court imperil both thrones - and change the course of history.
Steve Coogan and John C. Reilly are brilliant as legendary movie icons Laurel and Hardy in Stan & Ollie, the charming and touching story of what would become the triumphant swansong of Hollywood’s greatest comedy double act.
Eager to reignite their film careers, they embark on a gruelling variety hall tour of Britain and Ireland. With the support of their wives Lucille (Henderson) and Ida (Arianda) – a formidable double act in their own right – the duo reaffirm their love of performing, and for each other, as they secure their place in the hearts of the adoring public.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
Vice explores the epic story about how a bureaucratic Washington insider quietly became the most powerful man in the world as Vice-President to George W. Bush, reshaping the country and the globe in ways that we still feel today.
Mary Queen of Scots explores the turbulent life of the charismatic Mary Stuart. Queen of France at 16 and widowed at 18, Mary defies pressure to remarry. Instead, she returns to her native Scotland to reclaim her rightful throne. But Scotland and England fall under the rule of the compelling Elizabeth I. Each young Queen beholds her "sister" in fear and fascination. Rivals in power and in love, and female regents in a masculine world, the two must decide how to play the game of marriage versus independence. Determined to rule as much more than a figurehead, Mary asserts her claim to the English throne, threatening Elizabeth's sovereignty. Betrayal, rebellion, and conspiracies within each court imperil both thrones - and change the course of history.
Steve Coogan and John C. Reilly are brilliant as legendary movie icons Laurel and Hardy in Stan & Ollie, the charming and touching story of what would become the triumphant swansong of Hollywood’s greatest comedy double act.
Eager to reignite their film careers, they embark on a gruelling variety hall tour of Britain and Ireland. With the support of their wives Lucille (Henderson) and Ida (Arianda) – a formidable double act in their own right – the duo reaffirm their love of performing, and for each other, as they secure their place in the hearts of the adoring public.
A radiant Keira Knightley (Atonement, Anna Karenina) gives a career-best performance in this exhilarating, entertaining and timely film about the life of groundbreaking French novelist Colette, best known for Gigi.
In Belle Époque France, Colette’s marriage to Henry ‘Willy’ Gauthier-Villars (Dominic West) thrusts her from a simple country life in Burgundy to the creative demi-monde of Paris. A notorious libertine, fourteen years older than his naive country-girl wife, Willy encourages Colette to write (at times locking her in a room until she produces more). Publishing the results under his own name, he basks in the glory bestowed upon the hugely popular ‘Claudine’ stories, actually penned by his wife.
Theirs is a complex marriage, depicted with intelligence and subtlety, as are Colette’s relationships with women – including American-in-Paris Georgie Raoul-Duval (Eleanor Tomlinson) and cross-dressing noblewoman Mathilde de Morny, or Missy (Denise Gough), with whom Colette shared Paris’ first documented same-sex kiss on stage.
The themes of ownership, power, publicity and creativity are brought deliciously to life by Keira Knightley and Dominic West in this sparky, thoroughly-modern period piece. Knightley plays Colette as a sharp, unflinching heroine, struggling against the strictures of the age but never succumbing to them.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
Tchaikovsky's most ambitious opera contains some of his greatest music and is a powerful study of destructive obsession.
In Tchaikovsky’s intense opera of obsession and the supernatural, Gherman is caught between the woman he loves and a destructive fixation. The Queen of Spadesis based on a short story by Pushkin, and comes to the Royal Opera House in a new production that has already garnered five-star reviews in Amsterdam. The production is set in 1890, the year of the opera’s premiere. In his study, Tchaikovsky imagines the opera into life as his own story, its characters giving voice to his unfulfilled desires. Aleksandrs Antonenko and Eva-Maria Westbroek head the cast and Royal Opera Chorus, conducted by Antonio Pappano, Music Director of The Royal Opera. This is an engrossing portrayal of a tortured creative artist and a gripping piece of gothic storytelling.
Mary Queen of Scots explores the turbulent life of the charismatic Mary Stuart. Queen of France at 16 and widowed at 18, Mary defies pressure to remarry. Instead, she returns to her native Scotland to reclaim her rightful throne. But Scotland and England fall under the rule of the compelling Elizabeth I. Each young Queen beholds her "sister" in fear and fascination. Rivals in power and in love, and female regents in a masculine world, the two must decide how to play the game of marriage versus independence. Determined to rule as much more than a figurehead, Mary asserts her claim to the English throne, threatening Elizabeth's sovereignty. Betrayal, rebellion, and conspiracies within each court imperil both thrones - and change the course of history.
Steve Coogan and John C. Reilly are brilliant as legendary movie icons Laurel and Hardy in Stan & Ollie, the charming and touching story of what would become the triumphant swansong of Hollywood’s greatest comedy double act.
Eager to reignite their film careers, they embark on a gruelling variety hall tour of Britain and Ireland. With the support of their wives Lucille (Henderson) and Ida (Arianda) – a formidable double act in their own right – the duo reaffirm their love of performing, and for each other, as they secure their place in the hearts of the adoring public.
A radiant Keira Knightley (Atonement, Anna Karenina) gives a career-best performance in this exhilarating, entertaining and timely film about the life of groundbreaking French novelist Colette, best known for Gigi.
In Belle Époque France, Colette’s marriage to Henry ‘Willy’ Gauthier-Villars (Dominic West) thrusts her from a simple country life in Burgundy to the creative demi-monde of Paris. A notorious libertine, fourteen years older than his naive country-girl wife, Willy encourages Colette to write (at times locking her in a room until she produces more). Publishing the results under his own name, he basks in the glory bestowed upon the hugely popular ‘Claudine’ stories, actually penned by his wife.
Theirs is a complex marriage, depicted with intelligence and subtlety, as are Colette’s relationships with women – including American-in-Paris Georgie Raoul-Duval (Eleanor Tomlinson) and cross-dressing noblewoman Mathilde de Morny, or Missy (Denise Gough), with whom Colette shared Paris’ first documented same-sex kiss on stage.
The themes of ownership, power, publicity and creativity are brought deliciously to life by Keira Knightley and Dominic West in this sparky, thoroughly-modern period piece. Knightley plays Colette as a sharp, unflinching heroine, struggling against the strictures of the age but never succumbing to them.
10.30Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
Mary Queen of Scots explores the turbulent life of the charismatic Mary Stuart. Queen of France at 16 and widowed at 18, Mary defies pressure to remarry. Instead, she returns to her native Scotland to reclaim her rightful throne. But Scotland and England fall under the rule of the compelling Elizabeth I. Each young Queen beholds her "sister" in fear and fascination. Rivals in power and in love, and female regents in a masculine world, the two must decide how to play the game of marriage versus independence. Determined to rule as much more than a figurehead, Mary asserts her claim to the English throne, threatening Elizabeth's sovereignty. Betrayal, rebellion, and conspiracies within each court imperil both thrones - and change the course of history.
Steve Coogan and John C. Reilly are brilliant as legendary movie icons Laurel and Hardy in Stan & Ollie, the charming and touching story of what would become the triumphant swansong of Hollywood’s greatest comedy double act.
Eager to reignite their film careers, they embark on a gruelling variety hall tour of Britain and Ireland. With the support of their wives Lucille (Henderson) and Ida (Arianda) – a formidable double act in their own right – the duo reaffirm their love of performing, and for each other, as they secure their place in the hearts of the adoring public.
A radiant Keira Knightley (Atonement, Anna Karenina) gives a career-best performance in this exhilarating, entertaining and timely film about the life of groundbreaking French novelist Colette, best known for Gigi.
In Belle Époque France, Colette’s marriage to Henry ‘Willy’ Gauthier-Villars (Dominic West) thrusts her from a simple country life in Burgundy to the creative demi-monde of Paris. A notorious libertine, fourteen years older than his naive country-girl wife, Willy encourages Colette to write (at times locking her in a room until she produces more). Publishing the results under his own name, he basks in the glory bestowed upon the hugely popular ‘Claudine’ stories, actually penned by his wife.
Theirs is a complex marriage, depicted with intelligence and subtlety, as are Colette’s relationships with women – including American-in-Paris Georgie Raoul-Duval (Eleanor Tomlinson) and cross-dressing noblewoman Mathilde de Morny, or Missy (Denise Gough), with whom Colette shared Paris’ first documented same-sex kiss on stage.
The themes of ownership, power, publicity and creativity are brought deliciously to life by Keira Knightley and Dominic West in this sparky, thoroughly-modern period piece. Knightley plays Colette as a sharp, unflinching heroine, struggling against the strictures of the age but never succumbing to them.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
Mary Queen of Scots explores the turbulent life of the charismatic Mary Stuart. Queen of France at 16 and widowed at 18, Mary defies pressure to remarry. Instead, she returns to her native Scotland to reclaim her rightful throne. But Scotland and England fall under the rule of the compelling Elizabeth I. Each young Queen beholds her "sister" in fear and fascination. Rivals in power and in love, and female regents in a masculine world, the two must decide how to play the game of marriage versus independence. Determined to rule as much more than a figurehead, Mary asserts her claim to the English throne, threatening Elizabeth's sovereignty. Betrayal, rebellion, and conspiracies within each court imperil both thrones - and change the course of history.
10.30Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Steve Coogan and John C. Reilly are brilliant as legendary movie icons Laurel and Hardy in Stan & Ollie, the charming and touching story of what would become the triumphant swansong of Hollywood’s greatest comedy double act.
Eager to reignite their film careers, they embark on a gruelling variety hall tour of Britain and Ireland. With the support of their wives Lucille (Henderson) and Ida (Arianda) – a formidable double act in their own right – the duo reaffirm their love of performing, and for each other, as they secure their place in the hearts of the adoring public.
A radiant Keira Knightley (Atonement, Anna Karenina) gives a career-best performance in this exhilarating, entertaining and timely film about the life of groundbreaking French novelist Colette, best known for Gigi.
In Belle Époque France, Colette’s marriage to Henry ‘Willy’ Gauthier-Villars (Dominic West) thrusts her from a simple country life in Burgundy to the creative demi-monde of Paris. A notorious libertine, fourteen years older than his naive country-girl wife, Willy encourages Colette to write (at times locking her in a room until she produces more). Publishing the results under his own name, he basks in the glory bestowed upon the hugely popular ‘Claudine’ stories, actually penned by his wife.
Theirs is a complex marriage, depicted with intelligence and subtlety, as are Colette’s relationships with women – including American-in-Paris Georgie Raoul-Duval (Eleanor Tomlinson) and cross-dressing noblewoman Mathilde de Morny, or Missy (Denise Gough), with whom Colette shared Paris’ first documented same-sex kiss on stage.
The themes of ownership, power, publicity and creativity are brought deliciously to life by Keira Knightley and Dominic West in this sparky, thoroughly-modern period piece. Knightley plays Colette as a sharp, unflinching heroine, struggling against the strictures of the age but never succumbing to them.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
One of the most critically acclaimed films of the 1990s, Schindler’s List retells the true story of Oskar Schindler (superbly played by Liam Neeson), a German Catholic industrialist who sought his fortune in the aftermath of the German invasion of Poland by exploiting his membership of the Nazi Party and cheap Jewish labour. But as the horror of the events surrounding him became apparent, Schindler risked everything to protect and save the lives of more than 1,100 Jews by sheltering them in his factory.
Spectacularly shot in monochrome, the images are stylish, elegant, profoundly moving and increasingly more disturbing. Arguably Spielberg’s most passionate film, Schindler’s List is also one of his most restrained, avoiding the sentimentality that featured strongly in his previous work. It’s one of the best war films ever made, and ranks among the greatest pictures of all time.
Once upon a time there was a speedy Hare who would never stop talking about how fast he could run. Sick of being teased for his slowness, Tortoise challenged him to a race. No one thought he could win, but life is full of surprises!
Northern Ballet’s Tortoise & the Hare races on to the big screen as part of our fantastic season of interactive ballets for children, narrated by Anita Rani.
With playful characters and spellbinding music, this adorable ballet is sure to have your little ones dancing with excitement!
Tchaikovsky's most ambitious opera contains some of his greatest music and is a powerful study of destructive obsession.
In Tchaikovsky’s intense opera of obsession and the supernatural, Gherman is caught between the woman he loves and a destructive fixation. The Queen of Spadesis based on a short story by Pushkin, and comes to the Royal Opera House in a new production that has already garnered five-star reviews in Amsterdam. The production is set in 1890, the year of the opera’s premiere. In his study, Tchaikovsky imagines the opera into life as his own story, its characters giving voice to his unfulfilled desires. Aleksandrs Antonenko and Eva-Maria Westbroek head the cast and Royal Opera Chorus, conducted by Antonio Pappano, Music Director of The Royal Opera. This is an engrossing portrayal of a tortured creative artist and a gripping piece of gothic storytelling.
Richard Eyre's beautiful production provides the perfect setting for Verdi's opera about a courtesan who sacrifices all for love.
From the thrill of unexpected romance to a heartbreaking reconciliation that comes too late – Verdi’s La traviata is one of the most popular of all operas. Alfredo falls in love in with the courtesan Violetta in glamorous Paris society, but underneath the surface run darker undercurrents, leading to a tragic ending. The opera’s wealth of melodies includes the famous Brindisi and the exuberant ‘Sempre libera’ – both showing the lyricism of Italian opera at its most immediately appealing. Richard Eyre’s production for The Royal Opera brings out all the emotional colour, from the giddy discovery of love, through painful confrontation to the inevitable conclusion. Lavish period sets and costumes enhance the reality of a moving story based on true life.
I’m Not Running is an explosive new play by David Hare, premiering at the National Theatre and broadcast live to cinemas.
Pauline Gibson has spent her life as a doctor, the inspiring leader of a local health campaign. When she crosses paths with her old boyfriend, a stalwart loyalist in Labour Party politics, she’s faced with an agonising decision.
What’s involved in sacrificing your private life and your piece of mind for something more than a single issue? Does she dare?
Hare was recently described by The Washington Post as ‘the premiere political dramatist writing in English’. His other work includes Pravda and Skylight, broadcast by National Theatre Live in 2014.
Love is a wild bird… Don’t miss this revival of Sir Richard Eyre’s dynamic production. Mezzo-soprano Clémentine Margaine plays opera’s ultimate seductress, while Roberto Alagna returns to the role of Don José, the good-hearted soldier with whom she unleashes an uncontrollable passion. Don José breaks the law, goes to prison, deserts the army and loses everything to be with Carmen. But the capricious Carmen gypsy soon tires of him and takes up instead with the bullfighter Escamillo—bass (Alexander Vinogradov). She has ruined his life, but still, Don José adores her, with a fierceness that can only lead to catastrophe. Composer Bizet died just three months after Carmen’s disastrous premiere, never knowing that his creation would become one of the most popular operas of all time.
A Private War tells the extraordinary and incredibly moving story of one of the most celebrated war correspondents of all time, Marie Colvin. In a world where journalism is under attack, Colvin (played by an outstanding Rosamund Pike) is an utterly fearless and rebellious spirit, driven to the frontlines of conflicts across the globe to give voice to the voiceless, while testing the limits between bravery and bravado. Her mission to show the true cost of war leads her – along with renowned war photographer Paul Conroy (Jamie Dornan) – to embark on the most dangerous assignment of their lives in the besieged Syrian city of Homs.
Richard Eyre's beautiful production provides the perfect setting for Verdi's opera about a courtesan who sacrifices all for love.
From the thrill of unexpected romance to a heartbreaking reconciliation that comes too late – Verdi’s La traviata is one of the most popular of all operas. Alfredo falls in love in with the courtesan Violetta in glamorous Paris society, but underneath the surface run darker undercurrents, leading to a tragic ending. The opera’s wealth of melodies includes the famous Brindisi and the exuberant ‘Sempre libera’ – both showing the lyricism of Italian opera at its most immediately appealing. Richard Eyre’s production for The Royal Opera brings out all the emotional colour, from the giddy discovery of love, through painful confrontation to the inevitable conclusion. Lavish period sets and costumes enhance the reality of a moving story based on true life.
Love is a wild bird… Don’t miss this revival of Sir Richard Eyre’s dynamic production. Mezzo-soprano Clémentine Margaine plays opera’s ultimate seductress, while Roberto Alagna returns to the role of Don José, the good-hearted soldier with whom she unleashes an uncontrollable passion. Don José breaks the law, goes to prison, deserts the army and loses everything to be with Carmen. But the capricious Carmen gypsy soon tires of him and takes up instead with the bullfighter Escamillo—bass (Alexander Vinogradov). She has ruined his life, but still, Don José adores her, with a fierceness that can only lead to catastrophe. Composer Bizet died just three months after Carmen’s disastrous premiere, never knowing that his creation would become one of the most popular operas of all time.
This charming adaptation of Truman Capote's novel, set in an idealised early-1960s New York, was nominated for several Oscars.
Audrey Hepburn stars as Manhattan good-time girl Holly Golightly, who spends her time at exclusive parties and on high-class dates. The carefree Holly – who remains uncommitted and aloof towards the wealthy men who shower her with gifts – strikes up a fragile relationship with her neighbour, the aspiring writer Paul Varjak (Peppard). He is suffering from writers’ block while being kept by a wealthy woman (Patricia Neal).
But just as Holly and Paul’s romance begins to grow, Doc (Buddy Ebsen) appears on the scene and complicates matters, revealing the truth about Holly's past.
Pablo Picasso is one of the greatest artists of all time - and right up until his death in 1973 he was the most prolific of artists. Many films have dealt with these later years - the art, the affairs and the wide circle of friends. But where did this all begin? What made Picasso in the first place? Too long ignored, it is time to look at the early years of Picasso; the upbringing and the learning that led to his extraordinary achievements.
Three cities play a key role: Malaga, Barcelona and Paris. Young Picasso visits each and explores their influence on Picasso, focusing on specific artworks from these early years. The film thus explains how this young artist acquired his craft. Looking carefully at two key early periods - the so-called Blue Period and Rose Period - the film takes us all the way to 1907 and the creation of a critical painting in the history of art - Les Demoiselles d'Avignon. It was a painting that shocked the art world but changed it irrevocably. Picasso was only 25 years old. Working closely with all three Picasso Museums in Malaga, Barcelona and Paris this film explains how he rose to great heights.
A tale of heads of state falling from power, opportunists, powerbrokers and propagandists. Shakespeare’s Richard II is a monarch ordained by God to lead his people. But he is also a man and a weak one at that. His reckless policies include burdening his citizens with taxes, and confiscating the land and wealth of noblemen. His vanity threatens to divide the great houses of England and drag his people into a dynastic civil war that will last 100 years, while he paves the way for his own deposition by Henry Bolingbroke. This visceral new production, staged at the Almeida Theatre, London, stars Simon Russell Beale as Shakespeare’s narcissistic, arbitrary king. The play is subversively reimagined and directed by Joe Hill-Gibbins (Little Revolution, Absolute Hell). With designs by ULTZ.
Pablo Picasso is one of the greatest artists of all time - and right up until his death in 1973 he was the most prolific of artists. Many films have dealt with these later years - the art, the affairs and the wide circle of friends. But where did this all begin? What made Picasso in the first place? Too long ignored, it is time to look at the early years of Picasso; the upbringing and the learning that led to his extraordinary achievements.
Three cities play a key role: Malaga, Barcelona and Paris. Young Picasso visits each and explores their influence on Picasso, focusing on specific artworks from these early years. The film thus explains how this young artist acquired his craft. Looking carefully at two key early periods - the so-called Blue Period and Rose Period - the film takes us all the way to 1907 and the creation of a critical painting in the history of art - Les Demoiselles d'Avignon. It was a painting that shocked the art world but changed it irrevocably. Picasso was only 25 years old. Working closely with all three Picasso Museums in Malaga, Barcelona and Paris this film explains how he rose to great heights.
Celebrating its 30th anniversary, this timeless, Oscar®* winning classic is a phenomenally popular coming-of-age tale beloved by generations. Teenager Baby (Jennifer Grey), goes with her family on vacation to Kellerman’s holiday resort in the Catskill Mountains. Things are pretty tame until she meets Johnny (Patrick Swayze), a dance teacher at the resort who mesmerises Baby with his dance moves, his passion and his misunderstood ‘bad boy’ image. During the summer of 1963, Johnny teaches Baby how to dance. And, more importantly, how to love.
I’m Not Running is an explosive new play by David Hare, premiering at the National Theatre and broadcast live to cinemas.
Pauline Gibson has spent her life as a doctor, the inspiring leader of a local health campaign. When she crosses paths with her old boyfriend, a stalwart loyalist in Labour Party politics, she’s faced with an agonising decision.
What’s involved in sacrificing your private life and your piece of mind for something more than a single issue? Does she dare?
Hare was recently described by The Washington Post as ‘the premiere political dramatist writing in English’. His other work includes Pravda and Skylight, broadcast by National Theatre Live in 2014.
Love and friendship triumph in Carlos Acosta's vibrant production of this dazzling ballet.
Cervantes’s story of the bumbling knight Don Quixote has inspired countless artistic interpretations. Marius Petipa choreographed this sparkling ballet about the encounters of the man from La Mancha and his faithful squire Sancho Panza. At its heart are virtuoso roles for the lovers Basilio and Kitri. Carlos Acosta chose this joyful classic for his first production for The Royal Ballet. His vibrant staging brings together the whole Company in such roles as exuberant villagers, passionate gypsies and even fantasy flowers. The story follows Don Quixote’s picaresque journey to do deeds in honour of his imaginary noble lady, Dulcinea. Sunny, charming, funny and touching – Don Quixote is a ballet as full of uplifting emotion as it is of astonishing ballet technique.
Approximate running time: 2 hours 45 minutes, inclding one interval.
Once upon a time there was a speedy Hare who would never stop talking about how fast he could run. Sick of being teased for his slowness, Tortoise challenged him to a race. No one thought he could win, but life is full of surprises!
Northern Ballet’s Tortoise & the Hare races on to the big screen as part of our fantastic season of interactive ballets for children, narrated by Anita Rani.
With playful characters and spellbinding music, this adorable ballet is sure to have your little ones dancing with excitement!
A hard-working shoemaker struggles to support his family. But when he sees a poor lady in need of help, he gives her his final pair of shoes. The next morning he awakes to find that his last piece of leather has been transformed into the most magnificent pair of magical shoes. But who has mysteriously made them?
Northern Ballet’s Elves & the Shoemaker stomps onto the big screen as part of our fantastic season of interactive ballets for children, narrated by Anita Rani.
With playful characters and spellbinding music, this adorable ballet is sure to have your little ones dancing with excitement!
Love and friendship triumph in Carlos Acosta's vibrant production of this dazzling ballet.
Cervantes’s story of the bumbling knight Don Quixote has inspired countless artistic interpretations. Marius Petipa choreographed this sparkling ballet about the encounters of the man from La Mancha and his faithful squire Sancho Panza. At its heart are virtuoso roles for the lovers Basilio and Kitri. Carlos Acosta chose this joyful classic for his first production for The Royal Ballet. His vibrant staging brings together the whole Company in such roles as exuberant villagers, passionate gypsies and even fantasy flowers. The story follows Don Quixote’s picaresque journey to do deeds in honour of his imaginary noble lady, Dulcinea. Sunny, charming, funny and touching – Don Quixote is a ballet as full of uplifting emotion as it is of astonishing ballet technique.
Approximate running time: 2 hours 45 minutes, inclding one interval.
Full of wit and invention, Donizetti’s comic opera is a delight. The famous aria “Ah, Mes Amis,” with its nine high Cs, is known as the Mount Everest for tenors one of opera’s most show-stopping numbers. Bel canto stars Pretty Yende and Javier Camarena takes on the challenging vocal fireworks in this revival, a co-production with London’s Royal Opera House and the Wiener StaatsoperLaurent Pelly’s hilarious staging. Orphaned as a small child and raised by an entire army regiment, the spirited Marie has grown up as the regiment’s ‘daughter’, raising morale and spreading joy. Tonio, a local man, falls in love with her and even joins the army for her sake. But a chance encounter with a noblewoman sparks a sudden revelation, and a tale unfolds of secret identities, long-lost family, and murky pasts.
Full of wit and invention, Donizetti’s comic opera is a delight. The famous aria “Ah, Mes Amis,” with its nine high Cs, is known as the Mount Everest for tenors one of opera’s most show-stopping numbers. Bel canto stars Pretty Yende and Javier Camarena takes on the challenging vocal fireworks in this revival, a co-production with London’s Royal Opera House and the Wiener StaatsoperLaurent Pelly’s hilarious staging. Orphaned as a small child and raised by an entire army regiment, the spirited Marie has grown up as the regiment’s ‘daughter’, raising morale and spreading joy. Tonio, a local man, falls in love with her and even joins the army for her sake. But a chance encounter with a noblewoman sparks a sudden revelation, and a tale unfolds of secret identities, long-lost family, and murky pasts.
Music: Pyotr Ilyich Tchaikovsky
Choreography: Yuri Grigorovich
Libretto after Ivan Vsevolojski and Marius Petipa
Cast: Olga Smirnova (Princess Aurora), Semyon Chudin (Prince Désiré), Alexei Loparevich (The Evil Fairy Carabosse), Yulia Stepanova (The Lilac Fairy), Vitaly Biktimirov (Catalabutte), Artemy Belyakov (Bluebird), Anastasia Denisova (Princess Florine)
The Princess Aurora falls under the curse of the Evil Fairy Carabosse on her sixtenth birthday, falling into a deep slumber of one hundred years. Only the kiss of a prince could break the spell. A resplendent fairytale ballet perfomed by the Bolshoi, The Sleeping Beauty features scores of magical characters including fairies, the Little Red Riding Hood, Puss in Boots, and a beautiful young Princess Aurora performed by Olga Smirnova, a “truly extraordinary talent” (The Telegraph). This is classical ballet at its finest.
Captured live on Jan. 22, 2017
Inspired by a true story, Everybody’s Talking About Jamie is the new award-winning five-star hit musical for today. Jamie New is sixteen and lives on a council estate in Sheffield. Jamie doesn’t quite fit in. Jamie is terrified about the future. He is going to be a sensation. Supported by his brilliant loving mum and surrounded by his friends, Jamie overcomes prejudice, beats the bullies and steps out of the darkness, into the spotlight.
John McCrea, Josie Walker, Tamsin Carroll, Lucie Shorthouse and Phil Nichol lead a twenty-four strong company and an eight-piece band that will ‘sweep you away on a tide of mischief, warmth and exuberance’ (Financial Times). With ‘songs that have the wow factor’ (The Times) by lead singer-songwriter of The Feeling, Dan Gillespie Sells, and ‘hilarious’ book and lyrics ‘with delightful punch’ (Whatsonstage), by writer Tom MacRae, this funny, fabulous, feel-good, musical sensation has been thrilling audiences and critics alike.
Winner of 3 WhatsOnStage Awards including Best New Musical and nominated for 5 Olivier Awards, Everybody’s Talking About Jamie will be broadcast live from the Apollo Theatre in London’s Shaftesbury Avenue to cinemas nationwide.
Three Little pigs set out into the world. One builds a house of straw. The second a house made of sticks. The third pig builds his house with bricks. Then along comes a very hungry wolf...
Northern Ballet’s Three Little Pigs hits the big screen as part of our fantastic season of interactive ballets for children, narrated by Anita Rani.
With playful characters and spellbinding music, this adorable ballet is sure to have your little ones dancing all the way home with excitement!
With playful characters and spellbinding music, this adorable ballet is sure to have your little ones dancing with excitement!
On the 75th anniversary of the real-life POW escape from the Stalag Luft III prison in German-occupied Poland, Dan Snow hosts a commemorative evening at the Eventim Apollo in London, which will be broadcast live as a pre-show across UK cinemas, followed by a screening of The Great Escape.
John Sturges’ dramatisation of the true story of a group of Allied POWs who successfully escaped from Stalag Luft III in Upper Silesia in March 1944 is arguably the best Second World War adventure film ever made.
A host of big-name stars mesh beautifully in this meticulous recreation of the legendary escape. Although this is a film about courage, Sturges wisely takes a low-key approach, leavened with humour, rather than allowing the cast to indulge in macho antics.
Featuring some of the most glorious music ever written—including, of course, the Ride of the Valkyries —Die Walküre is the second of the four operas that comprise Wagner’s Ring cycle, a story of monsters, gods, and humans on a superhuman scale. When twins Siegmund and Sieglinde find each other at last, Siegmund promises to release Sieglinde from her forced marriage by killing her husband, Hunding. The god Wotan instructs Valkyrie warrior Brünnhilde to defend Hunding. But, moved by the twins’ mutual devotion, Brünnhilde refuses to obey, forging an alliance with Sieglinde that has far-reaching consequences for them both. Soprano Christine Goerke sings Brünnhilde, tenor Stuart Skelton and soprano Eva-Maria Westbroek are the love-struck twins, and Ring cycle veteran Philippe Jordan conducts.
Christof Loy directs a star-studded cast of singers, inclusing Anna Netrebko, Jonas Kaufmann and Ludovic Tezier, in Verdi's epic opera, conducted by Antonio Pappano.
Leonora falls in love with Don Alvaro, but when her father forbids their marriage, a fatal accident triggers a drama of obsession, vengeance and tragedy. Jonas Kaufmannand Anna Netrebko star in Verdi’s epic La forza del destino (The Force of Destiny) an opera which demands the very best of singers for its powerful music and the fullest theatrical treatment for its story of bitter revenge pursued across miles and years. The production comes to The Royal Opera in a sensational staging from Amsterdam packed with colour and action. It is directed by Christof Loy and conducted by Antonio Pappano, Music Director of The Royal Opera.
Featuring some of the most glorious music ever written—including, of course, the Ride of the Valkyries —Die Walküre is the second of the four operas that comprise Wagner’s Ring cycle, a story of monsters, gods, and humans on a superhuman scale. When twins Siegmund and Sieglinde find each other at last, Siegmund promises to release Sieglinde from her forced marriage by killing her husband, Hunding. The god Wotan instructs Valkyrie warrior Brünnhilde to defend Hunding. But, moved by the twins’ mutual devotion, Brünnhilde refuses to obey, forging an alliance with Sieglinde that has far-reaching consequences for them both. Soprano Christine Goerke sings Brünnhilde, tenor Stuart Skelton and soprano Eva-Maria Westbroek are the love-struck twins, and Ring cycle veteran Philippe Jordan conducts.
Music: Dmitri Shostakovich
Choreography: Yuri Grigorovich
Libretto Yuri Grigorovich and Isaak Glikman
Cast: Nina Kaptsova (Rita), Ruslan Skvortsov (Boris), Mikhail Lobukhin (Yashka) and Ekaterina Krysanova (Lyuska)
In the 1920’s, The Golden Age cabaret is a favorite nightly haunt. The young fisherman Boris falls in love with Rita. He follows her to the cabaret and realizes that she is the beautiful dancer “Mademoiselle Margot,”, but also the love interest of the local gangster Yashka… With its jazzy score by Shostakovich and its music-hall atmosphere featuring beautiful tangos, The Golden Age is a refreshing and colorful dive into the roaring 20’s. A historic ballet that can be seen only at the Bolshoi!
Christof Loy directs a star-studded cast of singers, inclusing Anna Netrebko, Jonas Kaufmann and Ludovic Tezier, in Verdi's epic opera, conducted by Antonio Pappano.
Leonora falls in love with Don Alvaro, but when her father forbids their marriage, a fatal accident triggers a drama of obsession, vengeance and tragedy. Jonas Kaufmannand Anna Netrebko star in Verdi’s epic La forza del destino (The Force of Destiny) an opera which demands the very best of singers for its powerful music and the fullest theatrical treatment for its story of bitter revenge pursued across miles and years. The production comes to The Royal Opera in a sensational staging from Amsterdam packed with colour and action. It is directed by Christof Loy and conducted by Antonio Pappano, Music Director of The Royal Opera.
A hard-working shoemaker struggles to support his family. But when he sees a poor lady in need of help, he gives her his final pair of shoes. The next morning he awakes to find that his last piece of leather has been transformed into the most magnificent pair of magical shoes. But who has mysteriously made them?
Northern Ballet’s Elves & the Shoemaker stomps onto the big screen as part of our fantastic season of interactive ballets for children, narrated by Anita Rani.
With playful characters and spellbinding music, this adorable ballet is sure to have your little ones dancing with excitement!
From the National Gallery, London and Rijksmuseum, Amsterdam
Every Rembrandt exhibition is eagerly anticipated but this major show hosted by London’s National Gallery and Amsterdam’s Rijksmuseum was an event like no other. Given privileged access to both galleries the film documents this landmark exhibition, whilst interweaving Rembrandt’s life story, with behind-the-scenes preparations at these world famous institutions. Exploring many of the exhibition’s key works, through contributions from specially invited guests including curators and leading art historians, this Exhibition on Screen favourite makes a welcome return to the big screen marking the 350th anniversary of Rembrandt's death. For many, Rembrandt is the greatest artist that ever lived and this deeply moving film seeks to explore the truth about the man behind the legend.
Three Little pigs set out into the world. One builds a house of straw. The second a house made of sticks. The third pig builds his house with bricks. Then along comes a very hungry wolf...
Northern Ballet’s Three Little Pigs hits the big screen as part of our fantastic season of interactive ballets for children, narrated by Anita Rani.
With playful characters and spellbinding music, this adorable ballet is sure to have your little ones dancing all the way home with excitement!
With playful characters and spellbinding music, this adorable ballet is sure to have your little ones dancing with excitement!
Come into the forest; dare to change your state of mind.
Rosalind is banished, wrestling with her heart and her head. With her cousin by her side, she journeys to a world of exile where barriers are broken down and all can discover their deeper selves.
Kimberley Sykes (Dido, Queen of Carthage) directs a riotous, exhilarating version of Shakespeare's romantic comedy.
From the National Gallery, London and Rijksmuseum, Amsterdam
Every Rembrandt exhibition is eagerly anticipated but this major show hosted by London’s National Gallery and Amsterdam’s Rijksmuseum was an event like no other. Given privileged access to both galleries the film documents this landmark exhibition, whilst interweaving Rembrandt’s life story, with behind-the-scenes preparations at these world famous institutions. Exploring many of the exhibition’s key works, through contributions from specially invited guests including curators and leading art historians, this Exhibition on Screen favourite makes a welcome return to the big screen marking the 350th anniversary of Rembrandt's death. For many, Rembrandt is the greatest artist that ever lived and this deeply moving film seeks to explore the truth about the man behind the legend.
Experience the decadence and elegance of 1870s Paris in David McVicar's spectacular production of Gounod's best-loved opera.
There are many versions of the story of Faust, who trades his soul with the Devil for youth and power, but Gounod’s opera remains one of the most constantly enthralling. Michael Fabiano stars as Faust, with Diana Damrau as his beloved Marguerite and Erwin Schrott as the diabolical Méphistophélès. Virtuoso leading roles, a large chorus, sensational sets, ballet and an ecstatic finale make this the epitome of theatrical spectacle – the lavish scale of French grand opera is wonderfully in evidence in this production by David McVicar, set in 1870s Paris. Above all, the music includes several of popular opera’s most recognizable numbers, performed by a cast of great international singers and the Royal Opera Chorus.
Approximate running time: 3 hours 45 minutes, including one interval. Sung in French with English subtitles.
Experience the decadence and elegance of 1870s Paris in David McVicar's spectacular production of Gounod's best-loved opera.
There are many versions of the story of Faust, who trades his soul with the Devil for youth and power, but Gounod’s opera remains one of the most constantly enthralling. Michael Fabiano stars as Faust, with Diana Damrau as his beloved Marguerite and Erwin Schrott as the diabolical Méphistophélès. Virtuoso leading roles, a large chorus, sensational sets, ballet and an ecstatic finale make this the epitome of theatrical spectacle – the lavish scale of French grand opera is wonderfully in evidence in this production by David McVicar, set in 1870s Paris. Above all, the music includes several of popular opera’s most recognizable numbers, performed by a cast of great international singers and the Royal Opera Chorus.
Approximate running time: 3 hours 45 minutes, including one interval. Sung in French with English subtitles.
Met Music Director Yannick Nézet-Séguin leads Poulenc’s masterpiece. As the French Revolution begins, shy Blanche, sung by mezzo-soprano Isabel Leonard, becomes a novice nun under an elderly prioress—Met legend Karita Mattila. Blanche’s aristocratic family flees the Terror, but she remains behind, struggling between her fear of the guillotine and her duty to the convent. When the nuns are expelled from the convent and threatened with death, Blanche must make an agonising decision. In the shattering final scene, the nuns walk towards the guillotine singing Salve Regina: Their voices are cut off, one by one, with each stroke of the blade, until all are silenced. Poulenc’s devastating portrayal of faith and martyrdom is live in HD for the first time.
Academy Award winner Sally Field (Steel Magnolias, Brothers & Sisters) and Bill Pullman (The Sinner, Independence Day) star in Arthur Miller’s blistering drama All My Sons, broadcast live from The Old Vic in London.
America, 1947. Despite hard choices and even harder knocks, Joe and Kate Keller are a success story. They’ve built a home, raised two sons and established a thriving business. But nothing lasts forever and their contented lives, already shadowed by the loss of their eldest boy to war, are about to shatter. Long-buried truths are forced to the surface by the return of a figure from the past, and the price of their American dream is laid bare.
Jeremy Herrin (NT Live: This House) directs the cast, which also includes Jenna Coleman (Victoria), and Colin Morgan (Merlin) alongside Bessie Carter, Oliver Johnstone, Kayla Meikle and Sule Rimi.
Two recent works and one world premiere showcase the contemporary face of the Royal Ballet.
The contemporary face of The Royal Ballet is shown in works from three of today’s leading choreographers. Christopher Wheeldon’s Within the Golden Hour is based around seven couples separating and intermingling, to music by Vivaldi and Bosso and lit with rich colours suggested by sunset. Crystal Pite’s Flight Pattern, revived for the first time, uses a large dance ensemble and Górecki’s familiar music from his Symphony of Sorrowful Songsfor a poignant and passionate reflection on migration. Between them, a new work by Sidi Larbi Cherkaoui, created on The Royal Ballet has its premiere to bring the contemporary truly up-to-date.
Met Music Director Yannick Nézet-Séguin leads Poulenc’s masterpiece. As the French Revolution begins, shy Blanche, sung by mezzo-soprano Isabel Leonard, becomes a novice nun under an elderly prioress—Met legend Karita Mattila. Blanche’s aristocratic family flees the Terror, but she remains behind, struggling between her fear of the guillotine and her duty to the convent. When the nuns are expelled from the convent and threatened with death, Blanche must make an agonising decision. In the shattering final scene, the nuns walk towards the guillotine singing Salve Regina: Their voices are cut off, one by one, with each stroke of the blade, until all are silenced. Poulenc’s devastating portrayal of faith and martyrdom is live in HD for the first time.
Carmen Suite
Music: Georges Bizet and Rodion Shchedrin
Choreography: Alberto Alonso
Libretto Alberto Alonso after Carmen de Prosper Mérimée
Petrushka
Music: Igor Stravinsky
Choreography: Edward Clug
Cast: The Bolshoi Principals, Soloists and Corps de Ballet
Carmen is as passionate and free-spirited as ever as she finds herself caught in a love triangle. The passionate one act ballet by Cuban choreographer Alberto Alonso originally conceived for legendary Bolshoi prima ballerina Maya Plisetskaya will captivate audiences alongside Petrushka, a new creation for the Bolshoi by contemporary choreographer Edward Clug, in an evening encapsulating the soul of Russian Ballet
Two recent works and one world premiere showcase the contemporary face of the Royal Ballet.
The contemporary face of The Royal Ballet is shown in works from three of today’s leading choreographers. Christopher Wheeldon’s Within the Golden Hour is based around seven couples separating and intermingling, to music by Vivaldi and Bosso and lit with rich colours suggested by sunset. Crystal Pite’s Flight Pattern, revived for the first time, uses a large dance ensemble and Górecki’s familiar music from his Symphony of Sorrowful Songsfor a poignant and passionate reflection on migration. Between them, a new work by Sidi Larbi Cherkaoui, created on The Royal Ballet has its premiere to bring the contemporary truly up-to-date.
Academy Award winner Sally Field (Steel Magnolias, Brothers & Sisters) and Bill Pullman (The Sinner, Independence Day) star in Arthur Miller’s blistering drama All My Sons, broadcast live from The Old Vic in London.
America, 1947. Despite hard choices and even harder knocks, Joe and Kate Keller are a success story. They’ve built a home, raised two sons and established a thriving business. But nothing lasts forever and their contented lives, already shadowed by the loss of their eldest boy to war, are about to shatter. Long-buried truths are forced to the surface by the return of a figure from the past, and the price of their American dream is laid bare.
Jeremy Herrin (NT Live: This House) directs the cast, which also includes Jenna Coleman (Victoria), and Colin Morgan (Merlin) alongside Bessie Carter, Oliver Johnstone, Kayla Meikle and Sule Rimi.
In a reimagined 1590, England is a matriarchy.
Baptista Minola is seeking to sell off her son Katherine to the highest bidder. Cue an explosive battle of the sexes in this electrically charged love story.
Justin Audibert (Snow in Midsummer, The Jew of Malta) turns Shakespeare's fierce, energetic comedy of gender and materialism on its head to offer a fresh perspective on its portrayal of hierarchy and power.
"I envy the Japanese" Van Gogh wrote to his brother Theo. In the exhibition on which this film is based - VAN GOGH & JAPAN at the Van Gogh Museum in Amsterdam - one can see why. Though Vincent van Gogh never visited Japan it is the country that had the most profound influence on him and his art. One cannot understand Van Gogh without understanding how Japanese art arrived in Paris in the middle of the 19th century and the profound impact it had on artists like Monet, Degas and, above all, Van Gogh.
Visiting the new galleries of Japanese art in Paris and then creating his own image of Japan – through in-depth research, print collecting and detailed discussions with other artists – Van Gogh’s encounter with Japanese artworks gave his work a new and exciting direction. After leaving Paris for the south of France – to what he thought of as near to a kind of Japan as he could find - the productive and yet troubled years that followed must all be seen in the context of Van Gogh bending Japanese influences to his will and defining himself as a modern artist with clear Asian precursors. In this little known story of Van Gogh’s art we see just how important his study of Japan was. The film travels not only to France and the Netherlands but also to Japan to further explore the remarkable heritage that so affected Van Gogh and made him the artist we know of today.
Shakespeare's star-crossed lovers encounter passion and tragedy in Kenneth MacMillan's 20th century ballet masterpiece.
Shakespeare’s enduring love story is known the world over. Since its 1965 premiere with The Royal Ballet, Kenneth MacMillan’s Romeo and Juliet has become a modern ballet classic. The choreography captures the emotions of the young couple as they fall in love, despite the barriers that finally bring about the story’s tragic end. Each revival gives opportunities for new dancers to interpret the doomed lovers. The whole Company brings the colour and action of Renaissance Verona, where a busy market all too quickly bursts into sword fighting, and a family feud leads to tragedy for both the Montagues and Capulets.
"I envy the Japanese" Van Gogh wrote to his brother Theo. In the exhibition on which this film is based - VAN GOGH & JAPAN at the Van Gogh Museum in Amsterdam - one can see why. Though Vincent van Gogh never visited Japan it is the country that had the most profound influence on him and his art. One cannot understand Van Gogh without understanding how Japanese art arrived in Paris in the middle of the 19th century and the profound impact it had on artists like Monet, Degas and, above all, Van Gogh.
Visiting the new galleries of Japanese art in Paris and then creating his own image of Japan – through in-depth research, print collecting and detailed discussions with other artists – Van Gogh’s encounter with Japanese artworks gave his work a new and exciting direction. After leaving Paris for the south of France – to what he thought of as near to a kind of Japan as he could find - the productive and yet troubled years that followed must all be seen in the context of Van Gogh bending Japanese influences to his will and defining himself as a modern artist with clear Asian precursors. In this little known story of Van Gogh’s art we see just how important his study of Japan was. The film travels not only to France and the Netherlands but also to Japan to further explore the remarkable heritage that so affected Van Gogh and made him the artist we know of today.
Shakespeare's star-crossed lovers encounter passion and tragedy in Kenneth MacMillan's 20th century ballet masterpiece.
Shakespeare’s enduring love story is known the world over. Since its 1965 premiere with The Royal Ballet, Kenneth MacMillan’s Romeo and Juliet has become a modern ballet classic. The choreography captures the emotions of the young couple as they fall in love, despite the barriers that finally bring about the story’s tragic end. Each revival gives opportunities for new dancers to interpret the doomed lovers. The whole Company brings the colour and action of Renaissance Verona, where a busy market all too quickly bursts into sword fighting, and a family feud leads to tragedy for both the Montagues and Capulets.
'To whom should I complain?'
When a young novice nun is compromised by a corrupt official, who offers to save her brother from execution in return for sex, she has no idea where to turn for help. When she threatens to expose him, he tells her that no one would believe her.
Shakespeare wrote this play in the early 1600s, yet it remains astonishingly resonant today. Artistic Director Gregory Doran directs this new production.
