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'Survival of the fittest’ is the philosophy at all-boys’ boarding school Caldermount. If you’re not a champion on the sports field, you’re a nobody. No one knows this better than bookworm Amberson, who’s been at the bottom of the school’s social ladder since he can remember.
When the French teacher’s fiery daughter Agnes arrives, Amberson’s life is turned upside down. He suddenly finds himself playing matchmaker for Winchester, the school’s handsome but spectacularly dim school hero. Winchester definitely has the looks to win over Agnes but it’s Amberson who has the wits. Will Amberson have the courage to reveal himself to her and stand up for who he really is?
A fresh and vibrant comedy, OLD BOYS is a modern twist on the timeless story of Cyrano de Bergerac.
The true story of the pioneering lawyer Ruth Bader Ginsburg (Jones), her struggles for equal rights in law and what she had to overcome in order to become a female US Supreme Court Justice – the second-ever woman in such a position.
The film focuses on the first sex discrimination case that Ruth Ginsburg took on, in the early 1970s, when she represented Charles Moritz (Chris Mulkey), a Colorado man looking after his elderly mother who was denied a tax benefit routinely given to women caring for family members. From that moment, Ruth was on a quest to banish sex discrimination in law. This film is about that legal crusade but is also about the woman at home with her children, and a portrait of Ruth’s extraordinary marriage to Marty Ginsburg (Hammer). On the Basis Of Sex tells the story of a fascinating woman, with compelling insights into the arguments of our time.
Contains infrequent strong language.
Jared (Hedges, Manchester By The Sea, Lady Bird) lives in a tightly knit, middle-class community in Arkansas, the only child of Marshall, (Crowe) a Baptist minister, and Nancy (Kidman). When Jared tells his parents he might be gay, they make him participate in all the horrors of a church-supported gay conversion programme. Designed to ‘reform’ men and women who think they’re gay, treatment can take days, weeks or many months. Writer-director Joel Edgerton plays the programme’s director Victor Sykes, who runs the place as a boot camp/rehab facility/ detention centre for which parents pay thousands of dollars. A starry cast give beautifully crafted and moving performances in this understated but powerful film.
Adapted from James Baldwin’s powerful novel by Moonlight director Barry Jenkins, If Beale Street Could Talk is a lyrical celebration of love, both familial and romantic, told through the prism of a young African-American couple’s struggle for justice in 1970s Harlem. At the centre of the story is Tish, a newly engaged woman who races against the clock to prove her lover’s innocence while carrying their first-born child to term.
Jenkins’ elegant third feature sings with soulful performances from a largely unknown cast, and paints a wonderful portrait of New York against a backdrop of social change and injustice. It’s a dreamy, sometimes heartbreaking tale of love against impossible odds, and a timely reminder that compassion can be a force of nature.
The madcap action and high comedy continue in the hotly anticipated sequel to 2014’s block-busting The Lego Movie.
Five years after the first adventure, nothing’s quite as awesome as it used to be. DUPLO invaders roam the post-apocalyptic wasteland that once was Bricksburg, wrecking things faster than they can be rebuilt, and new threats loom large in outer space.
The battle to defeat them takes Emmet (Pratt), Lucy (Banks), Batman (Arnett) and their friends to faraway worlds (including a strange galaxy where everything is a musical), testing their courage and creativity, and revealing just how special they really are.
A masterly and mysterious slow-burning suspense drama, Lee Chang-Dong’s follow-up to Poetry was one of the standouts at this year’s Cannes (where it won the FIPRESCI Prize).
Based on a Haruki Murakami short story, Jong-soo is a country boy now living in Seoul with dreams of becoming a writer. One day he bumps into Haemi (Jeon Jong-seo), a childhood friend from his hometown. As the two start to grow fond of each other / begin a relationship, Haemi asks Jong-su to look after her cat while she's on a trip to Africa. When she asks him to meet her at the airport, he’s put out to find her in the company of wealthy and charismatic Ben.
With pitch perfect performances from its three leads and the building tension handled with grace and precision, this is a beautifully executed and richly enigmatic thriller.
At the age of 51, Lee Israel (McCarthy) has spent years behind the typewriter, writing best-selling celebrity biographies, profiling the glossiest names in showbiz. When her career goes into a sudden slump and she's left with nothing but her beloved cat, some moth-eaten cardigans and a point-blank eviction warning, she takes a questionable route to keep the wolf from the door. Expertly faking letters from the stars, she sells them out of her New York flat for hundreds of dollars. But it’s not long before the FBI smell a rat. Lee enlists the help of loyal friend Jack Hock (Grant) to keep tricks afloat. Adapted from Lee Israel’s memoir of the same name, Can You Ever Forgive Me? recounts a true story of one woman who played with fire, got burnt but still enjoyed the ride.
From acclaimed director Nadine Labaki (CARAMEL, WHERE DO WE GO NOW?) comes a stunning and unforgettable new film.
In a courtroom, a young boy named Zain (Zain Al Rafeea) stands before a judge. He asks to sue his own parents for giving him life. The circumstances that have brought him to this point take us on a journey through his poverty-stricken upbringing in Beirut where he lives with his family.
Forced to live by his wits in order to survive, Zain’s life reaches a turning point when his parents make an unforgivable deal that will see his younger sister married off. Left distraught by this terrible act, Zain takes to the road. While looking for work at a fairground, he befriends a young woman who is working illegally as a cleaner and helps to look after her adorable one-year-old baby, Jonas. Zain and Jonas form a touching bond but things get much more complicated when circumstances force Zain to make choices that will have huge ramifications.
CAPERNAUM is a tribute to the resilience of the human spirit – a battle cry for the forgotten, the unwanted and the lost that offers hope in the most unexpected of places.
Based on true events, Woman Walks Ahead tells the story of Catherine Weldon (Jessica Chastain), a widowed artist from New York who, in the 1880s, traveled alone to North Dakota to paint a portrait of Chief Sitting Bull (Michael Greyeyes). Her arrival at Standing Rock is met with open hostility by a US Army officer (Sam Rockwell), who has stationed troops around the Lakota reservation to undermine Native American claims to the land. As Catherine and Sitting Bull grow closer, and as their friendship—and his life—are threatened by government forces, Catherine must stand up and fight for what is most important to her.
We are pleased to welcome director Susanna White and screenwriter Steven Knight to Picturehouse Central for a post-screening Q&A.
Just how did US politics reach the state it finds itself in? Adam McKay follows his dramatic retelling of the 2008 banking crisis,The Big Short, with another darkly comic yarn drawn from the tangled world of current affairs.
Starring an unrecognisable Christian Bale as Dick Cheney, Vice is a pull-no-punches account of how a bureaucratic Washington insider quietly became the most powerful man in the world as Vice President to George W. Bush, reshaping the globe in ways that still resonate today.
Recent winner of the top prize at Toronto International Film Festival, Green Book is the uplifting true story of an unlikely friendship that transcended race and class.
Set in 1962, Italian-American Tony Lip (Viggo Mortensen) is hired to chauffeur African-American pianist Dr. Don Shirley (Mahershala Ali) on a concert tour through the Deep South. Don is aware of the troubles that he might face in different locations due to the colour of his skin and requires someone to act as both driver and bouncer. They must rely on The Green Book, a guide to the few establishments that are safe for African-Americans and embark on a journey that will change both of their lives.
With strong performances from Ali (following his Oscar-winning turn in Moonlight) and Mortensen (A History of Violence), there is also a great chemistry between the leads. Director Peter Farrelly, best known for his crowd-pleasing comedies Dumb and Dumber and There’s Something About Mary, succeeds brilliantly in making the vital subject of racial division in the 1960s America into a smart and charming film.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
'Survival of the fittest’ is the philosophy at all-boys’ boarding school Caldermount. If you’re not a champion on the sports field, you’re a nobody. No one knows this better than bookworm Amberson, who’s been at the bottom of the school’s social ladder since he can remember.
When the French teacher’s fiery daughter Agnes arrives, Amberson’s life is turned upside down. He suddenly finds himself playing matchmaker for Winchester, the school’s handsome but spectacularly dim school hero. Winchester definitely has the looks to win over Agnes but it’s Amberson who has the wits. Will Amberson have the courage to reveal himself to her and stand up for who he really is?
A fresh and vibrant comedy, OLD BOYS is a modern twist on the timeless story of Cyrano de Bergerac.
The true story of the pioneering lawyer Ruth Bader Ginsburg (Jones), her struggles for equal rights in law and what she had to overcome in order to become a female US Supreme Court Justice – the second-ever woman in such a position.
The film focuses on the first sex discrimination case that Ruth Ginsburg took on, in the early 1970s, when she represented Charles Moritz (Chris Mulkey), a Colorado man looking after his elderly mother who was denied a tax benefit routinely given to women caring for family members. From that moment, Ruth was on a quest to banish sex discrimination in law. This film is about that legal crusade but is also about the woman at home with her children, and a portrait of Ruth’s extraordinary marriage to Marty Ginsburg (Hammer). On the Basis Of Sex tells the story of a fascinating woman, with compelling insights into the arguments of our time.
Contains infrequent strong language.
Jared (Hedges, Manchester By The Sea, Lady Bird) lives in a tightly knit, middle-class community in Arkansas, the only child of Marshall, (Crowe) a Baptist minister, and Nancy (Kidman). When Jared tells his parents he might be gay, they make him participate in all the horrors of a church-supported gay conversion programme. Designed to ‘reform’ men and women who think they’re gay, treatment can take days, weeks or many months. Writer-director Joel Edgerton plays the programme’s director Victor Sykes, who runs the place as a boot camp/rehab facility/ detention centre for which parents pay thousands of dollars. A starry cast give beautifully crafted and moving performances in this understated but powerful film.
Adapted from James Baldwin’s powerful novel by Moonlight director Barry Jenkins, If Beale Street Could Talk is a lyrical celebration of love, both familial and romantic, told through the prism of a young African-American couple’s struggle for justice in 1970s Harlem. At the centre of the story is Tish, a newly engaged woman who races against the clock to prove her lover’s innocence while carrying their first-born child to term.
Jenkins’ elegant third feature sings with soulful performances from a largely unknown cast, and paints a wonderful portrait of New York against a backdrop of social change and injustice. It’s a dreamy, sometimes heartbreaking tale of love against impossible odds, and a timely reminder that compassion can be a force of nature.
The madcap action and high comedy continue in the hotly anticipated sequel to 2014’s block-busting The Lego Movie.
Five years after the first adventure, nothing’s quite as awesome as it used to be. DUPLO invaders roam the post-apocalyptic wasteland that once was Bricksburg, wrecking things faster than they can be rebuilt, and new threats loom large in outer space.
The battle to defeat them takes Emmet (Pratt), Lucy (Banks), Batman (Arnett) and their friends to faraway worlds (including a strange galaxy where everything is a musical), testing their courage and creativity, and revealing just how special they really are.
A masterly and mysterious slow-burning suspense drama, Lee Chang-Dong’s follow-up to Poetry was one of the standouts at this year’s Cannes (where it won the FIPRESCI Prize).
Based on a Haruki Murakami short story, Jong-soo is a country boy now living in Seoul with dreams of becoming a writer. One day he bumps into Haemi (Jeon Jong-seo), a childhood friend from his hometown. As the two start to grow fond of each other / begin a relationship, Haemi asks Jong-su to look after her cat while she's on a trip to Africa. When she asks him to meet her at the airport, he’s put out to find her in the company of wealthy and charismatic Ben.
With pitch perfect performances from its three leads and the building tension handled with grace and precision, this is a beautifully executed and richly enigmatic thriller.
At the age of 51, Lee Israel (McCarthy) has spent years behind the typewriter, writing best-selling celebrity biographies, profiling the glossiest names in showbiz. When her career goes into a sudden slump and she's left with nothing but her beloved cat, some moth-eaten cardigans and a point-blank eviction warning, she takes a questionable route to keep the wolf from the door. Expertly faking letters from the stars, she sells them out of her New York flat for hundreds of dollars. But it’s not long before the FBI smell a rat. Lee enlists the help of loyal friend Jack Hock (Grant) to keep tricks afloat. Adapted from Lee Israel’s memoir of the same name, Can You Ever Forgive Me? recounts a true story of one woman who played with fire, got burnt but still enjoyed the ride.
From acclaimed director Nadine Labaki (CARAMEL, WHERE DO WE GO NOW?) comes a stunning and unforgettable new film.
In a courtroom, a young boy named Zain (Zain Al Rafeea) stands before a judge. He asks to sue his own parents for giving him life. The circumstances that have brought him to this point take us on a journey through his poverty-stricken upbringing in Beirut where he lives with his family.
Forced to live by his wits in order to survive, Zain’s life reaches a turning point when his parents make an unforgivable deal that will see his younger sister married off. Left distraught by this terrible act, Zain takes to the road. While looking for work at a fairground, he befriends a young woman who is working illegally as a cleaner and helps to look after her adorable one-year-old baby, Jonas. Zain and Jonas form a touching bond but things get much more complicated when circumstances force Zain to make choices that will have huge ramifications.
CAPERNAUM is a tribute to the resilience of the human spirit – a battle cry for the forgotten, the unwanted and the lost that offers hope in the most unexpected of places.
Based on true events, Woman Walks Ahead tells the story of Catherine Weldon (Jessica Chastain), a widowed artist from New York who, in the 1880s, traveled alone to North Dakota to paint a portrait of Chief Sitting Bull (Michael Greyeyes). Her arrival at Standing Rock is met with open hostility by a US Army officer (Sam Rockwell), who has stationed troops around the Lakota reservation to undermine Native American claims to the land. As Catherine and Sitting Bull grow closer, and as their friendship—and his life—are threatened by government forces, Catherine must stand up and fight for what is most important to her.
Just how did US politics reach the state it finds itself in? Adam McKay follows his dramatic retelling of the 2008 banking crisis,The Big Short, with another darkly comic yarn drawn from the tangled world of current affairs.
Starring an unrecognisable Christian Bale as Dick Cheney, Vice is a pull-no-punches account of how a bureaucratic Washington insider quietly became the most powerful man in the world as Vice President to George W. Bush, reshaping the globe in ways that still resonate today.
Recent winner of the top prize at Toronto International Film Festival, Green Book is the uplifting true story of an unlikely friendship that transcended race and class.
Set in 1962, Italian-American Tony Lip (Viggo Mortensen) is hired to chauffeur African-American pianist Dr. Don Shirley (Mahershala Ali) on a concert tour through the Deep South. Don is aware of the troubles that he might face in different locations due to the colour of his skin and requires someone to act as both driver and bouncer. They must rely on The Green Book, a guide to the few establishments that are safe for African-Americans and embark on a journey that will change both of their lives.
With strong performances from Ali (following his Oscar-winning turn in Moonlight) and Mortensen (A History of Violence), there is also a great chemistry between the leads. Director Peter Farrelly, best known for his crowd-pleasing comedies Dumb and Dumber and There’s Something About Mary, succeeds brilliantly in making the vital subject of racial division in the 1960s America into a smart and charming film.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
Joan Castleman (Glenn Close) has spent forty years sacrificing her own talent, dreams and ambitions to support her charismatic husband Joe (Jonathan Pryce) and his stellar literary career. Ignoring infidelities and excuses made in the cause of his art, she has put up with his behaviour with undiminished grace and humour. The foundations of their marriage have, however, been built upon a set of uneven compromises and Joan has reached a turning point.
On the eve of Joe’s Nobel Prize for Literature, the crown jewel rewarding a spectacular body of work, Joan will confront the biggest sacrifice of her life and some long-buried secrets. Based on the bestselling book by Meg Wolitzer, The Wife is a poignant, funny and emotional journey, a celebration of womanhood, self-discovery and liberation, featuring a stunning cast that also includes Max Irons, Harry Lloyd, Annie Starke, Elizabeth McGovern and Christian Slater.
Based on a true story, FIGHTING WITH MY FAMILY follows reformed gangster Ricky, wife Julia, daughter Paige and son Zak as they make a living wrestling together in tiny venues. When Paige and Zak get the opportunity to try out for WWE, the family grabs a once-in-a-lifetime chance to turn their wildest dreams into a dazzling future. However, brother and sister quickly discover that to become superstars, both their talent and their relationship will be put to the test.
FIGHTING WITH MY FAMILY is a heartwarming and smart comedy that proves everything is worth fighting for when it comes to family.
'Survival of the fittest’ is the philosophy at all-boys’ boarding school Caldermount. If you’re not a champion on the sports field, you’re a nobody. No one knows this better than bookworm Amberson, who’s been at the bottom of the school’s social ladder since he can remember.
When the French teacher’s fiery daughter Agnes arrives, Amberson’s life is turned upside down. He suddenly finds himself playing matchmaker for Winchester, the school’s handsome but spectacularly dim school hero. Winchester definitely has the looks to win over Agnes but it’s Amberson who has the wits. Will Amberson have the courage to reveal himself to her and stand up for who he really is?
A fresh and vibrant comedy, OLD BOYS is a modern twist on the timeless story of Cyrano de Bergerac.
The true story of the pioneering lawyer Ruth Bader Ginsburg (Jones), her struggles for equal rights in law and what she had to overcome in order to become a female US Supreme Court Justice – the second-ever woman in such a position.
The film focuses on the first sex discrimination case that Ruth Ginsburg took on, in the early 1970s, when she represented Charles Moritz (Chris Mulkey), a Colorado man looking after his elderly mother who was denied a tax benefit routinely given to women caring for family members. From that moment, Ruth was on a quest to banish sex discrimination in law. This film is about that legal crusade but is also about the woman at home with her children, and a portrait of Ruth’s extraordinary marriage to Marty Ginsburg (Hammer). On the Basis Of Sex tells the story of a fascinating woman, with compelling insights into the arguments of our time.
Contains infrequent strong language.
Jared (Hedges, Manchester By The Sea, Lady Bird) lives in a tightly knit, middle-class community in Arkansas, the only child of Marshall, (Crowe) a Baptist minister, and Nancy (Kidman). When Jared tells his parents he might be gay, they make him participate in all the horrors of a church-supported gay conversion programme. Designed to ‘reform’ men and women who think they’re gay, treatment can take days, weeks or many months. Writer-director Joel Edgerton plays the programme’s director Victor Sykes, who runs the place as a boot camp/rehab facility/ detention centre for which parents pay thousands of dollars. A starry cast give beautifully crafted and moving performances in this understated but powerful film.
Adapted from James Baldwin’s powerful novel by Moonlight director Barry Jenkins, If Beale Street Could Talk is a lyrical celebration of love, both familial and romantic, told through the prism of a young African-American couple’s struggle for justice in 1970s Harlem. At the centre of the story is Tish, a newly engaged woman who races against the clock to prove her lover’s innocence while carrying their first-born child to term.
Jenkins’ elegant third feature sings with soulful performances from a largely unknown cast, and paints a wonderful portrait of New York against a backdrop of social change and injustice. It’s a dreamy, sometimes heartbreaking tale of love against impossible odds, and a timely reminder that compassion can be a force of nature.
The madcap action and high comedy continue in the hotly anticipated sequel to 2014’s block-busting The Lego Movie.
Five years after the first adventure, nothing’s quite as awesome as it used to be. DUPLO invaders roam the post-apocalyptic wasteland that once was Bricksburg, wrecking things faster than they can be rebuilt, and new threats loom large in outer space.
The battle to defeat them takes Emmet (Pratt), Lucy (Banks), Batman (Arnett) and their friends to faraway worlds (including a strange galaxy where everything is a musical), testing their courage and creativity, and revealing just how special they really are.
At the age of 51, Lee Israel (McCarthy) has spent years behind the typewriter, writing best-selling celebrity biographies, profiling the glossiest names in showbiz. When her career goes into a sudden slump and she's left with nothing but her beloved cat, some moth-eaten cardigans and a point-blank eviction warning, she takes a questionable route to keep the wolf from the door. Expertly faking letters from the stars, she sells them out of her New York flat for hundreds of dollars. But it’s not long before the FBI smell a rat. Lee enlists the help of loyal friend Jack Hock (Grant) to keep tricks afloat. Adapted from Lee Israel’s memoir of the same name, Can You Ever Forgive Me? recounts a true story of one woman who played with fire, got burnt but still enjoyed the ride.
From acclaimed director Nadine Labaki (CARAMEL, WHERE DO WE GO NOW?) comes a stunning and unforgettable new film.
In a courtroom, a young boy named Zain (Zain Al Rafeea) stands before a judge. He asks to sue his own parents for giving him life. The circumstances that have brought him to this point take us on a journey through his poverty-stricken upbringing in Beirut where he lives with his family.
Forced to live by his wits in order to survive, Zain’s life reaches a turning point when his parents make an unforgivable deal that will see his younger sister married off. Left distraught by this terrible act, Zain takes to the road. While looking for work at a fairground, he befriends a young woman who is working illegally as a cleaner and helps to look after her adorable one-year-old baby, Jonas. Zain and Jonas form a touching bond but things get much more complicated when circumstances force Zain to make choices that will have huge ramifications.
CAPERNAUM is a tribute to the resilience of the human spirit – a battle cry for the forgotten, the unwanted and the lost that offers hope in the most unexpected of places.
Based on true events, Woman Walks Ahead tells the story of Catherine Weldon (Jessica Chastain), a widowed artist from New York who, in the 1880s, traveled alone to North Dakota to paint a portrait of Chief Sitting Bull (Michael Greyeyes). Her arrival at Standing Rock is met with open hostility by a US Army officer (Sam Rockwell), who has stationed troops around the Lakota reservation to undermine Native American claims to the land. As Catherine and Sitting Bull grow closer, and as their friendship—and his life—are threatened by government forces, Catherine must stand up and fight for what is most important to her.
Just how did US politics reach the state it finds itself in? Adam McKay follows his dramatic retelling of the 2008 banking crisis,The Big Short, with another darkly comic yarn drawn from the tangled world of current affairs.
Starring an unrecognisable Christian Bale as Dick Cheney, Vice is a pull-no-punches account of how a bureaucratic Washington insider quietly became the most powerful man in the world as Vice President to George W. Bush, reshaping the globe in ways that still resonate today.
In a world of flux and chaos, it is almost a shock to discover some experiences remain natural, unhurried and unchanged.
In the middle of London lies Hampstead Heath, 320 hectares of forest and parkland plus three swimming ponds. People swim in them all year round, whatever the weather, just as they did in the time of Keats and Constable.
Capturing the beauty of the English seasons, co-directors Patrick McLennan and Samuel Smith filmed the swimmers over 12 months as they laughed, sang, complained, ruminated, philosophised or simply sought respite from all that life threw at them.
Recent winner of the top prize at Toronto International Film Festival, Green Book is the uplifting true story of an unlikely friendship that transcended race and class.
Set in 1962, Italian-American Tony Lip (Viggo Mortensen) is hired to chauffeur African-American pianist Dr. Don Shirley (Mahershala Ali) on a concert tour through the Deep South. Don is aware of the troubles that he might face in different locations due to the colour of his skin and requires someone to act as both driver and bouncer. They must rely on The Green Book, a guide to the few establishments that are safe for African-Americans and embark on a journey that will change both of their lives.
With strong performances from Ali (following his Oscar-winning turn in Moonlight) and Mortensen (A History of Violence), there is also a great chemistry between the leads. Director Peter Farrelly, best known for his crowd-pleasing comedies Dumb and Dumber and There’s Something About Mary, succeeds brilliantly in making the vital subject of racial division in the 1960s America into a smart and charming film.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
BOHEMIAN RHAPSODY is a foot-stomping celebration of Queen, their music and their extraordinary lead singer Freddie Mercury, who defied stereotypes and shattered convention to become one of the most beloved entertainers on the planet. The film traces the meteoric rise of the band through their iconic songs and revolutionary sound, their near-implosion as Mercury's lifestyle spirals out of control, and their triumphant reunion on the eve of Live Aid, where Mercury, facing a life-threatening illness, leads the band in one of the greatest performances in the history of rock music. In the process, cementing the legacy of a band that were always more like a family, and who continue to inspire outsiders, dreamers and music lovers to this day.
Sing-Along with Queen in these special screenings with the song lyrics shown live on screen
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
'Survival of the fittest’ is the philosophy at all-boys’ boarding school Caldermount. If you’re not a champion on the sports field, you’re a nobody. No one knows this better than bookworm Amberson, who’s been at the bottom of the school’s social ladder since he can remember.
When the French teacher’s fiery daughter Agnes arrives, Amberson’s life is turned upside down. He suddenly finds himself playing matchmaker for Winchester, the school’s handsome but spectacularly dim school hero. Winchester definitely has the looks to win over Agnes but it’s Amberson who has the wits. Will Amberson have the courage to reveal himself to her and stand up for who he really is?
A fresh and vibrant comedy, OLD BOYS is a modern twist on the timeless story of Cyrano de Bergerac.
The true story of the pioneering lawyer Ruth Bader Ginsburg (Jones), her struggles for equal rights in law and what she had to overcome in order to become a female US Supreme Court Justice – the second-ever woman in such a position.
The film focuses on the first sex discrimination case that Ruth Ginsburg took on, in the early 1970s, when she represented Charles Moritz (Chris Mulkey), a Colorado man looking after his elderly mother who was denied a tax benefit routinely given to women caring for family members. From that moment, Ruth was on a quest to banish sex discrimination in law. This film is about that legal crusade but is also about the woman at home with her children, and a portrait of Ruth’s extraordinary marriage to Marty Ginsburg (Hammer). On the Basis Of Sex tells the story of a fascinating woman, with compelling insights into the arguments of our time.
Contains infrequent strong language.
Adapted from James Baldwin’s powerful novel by Moonlight director Barry Jenkins, If Beale Street Could Talk is a lyrical celebration of love, both familial and romantic, told through the prism of a young African-American couple’s struggle for justice in 1970s Harlem. At the centre of the story is Tish, a newly engaged woman who races against the clock to prove her lover’s innocence while carrying their first-born child to term.
Jenkins’ elegant third feature sings with soulful performances from a largely unknown cast, and paints a wonderful portrait of New York against a backdrop of social change and injustice. It’s a dreamy, sometimes heartbreaking tale of love against impossible odds, and a timely reminder that compassion can be a force of nature.
The madcap action and high comedy continue in the hotly anticipated sequel to 2014’s block-busting The Lego Movie.
Five years after the first adventure, nothing’s quite as awesome as it used to be. DUPLO invaders roam the post-apocalyptic wasteland that once was Bricksburg, wrecking things faster than they can be rebuilt, and new threats loom large in outer space.
The battle to defeat them takes Emmet (Pratt), Lucy (Banks), Batman (Arnett) and their friends to faraway worlds (including a strange galaxy where everything is a musical), testing their courage and creativity, and revealing just how special they really are.
At the age of 51, Lee Israel (McCarthy) has spent years behind the typewriter, writing best-selling celebrity biographies, profiling the glossiest names in showbiz. When her career goes into a sudden slump and she's left with nothing but her beloved cat, some moth-eaten cardigans and a point-blank eviction warning, she takes a questionable route to keep the wolf from the door. Expertly faking letters from the stars, she sells them out of her New York flat for hundreds of dollars. But it’s not long before the FBI smell a rat. Lee enlists the help of loyal friend Jack Hock (Grant) to keep tricks afloat. Adapted from Lee Israel’s memoir of the same name, Can You Ever Forgive Me? recounts a true story of one woman who played with fire, got burnt but still enjoyed the ride.
From acclaimed director Nadine Labaki (CARAMEL, WHERE DO WE GO NOW?) comes a stunning and unforgettable new film.
In a courtroom, a young boy named Zain (Zain Al Rafeea) stands before a judge. He asks to sue his own parents for giving him life. The circumstances that have brought him to this point take us on a journey through his poverty-stricken upbringing in Beirut where he lives with his family.
Forced to live by his wits in order to survive, Zain’s life reaches a turning point when his parents make an unforgivable deal that will see his younger sister married off. Left distraught by this terrible act, Zain takes to the road. While looking for work at a fairground, he befriends a young woman who is working illegally as a cleaner and helps to look after her adorable one-year-old baby, Jonas. Zain and Jonas form a touching bond but things get much more complicated when circumstances force Zain to make choices that will have huge ramifications.
CAPERNAUM is a tribute to the resilience of the human spirit – a battle cry for the forgotten, the unwanted and the lost that offers hope in the most unexpected of places.
Based on true events, Woman Walks Ahead tells the story of Catherine Weldon (Jessica Chastain), a widowed artist from New York who, in the 1880s, traveled alone to North Dakota to paint a portrait of Chief Sitting Bull (Michael Greyeyes). Her arrival at Standing Rock is met with open hostility by a US Army officer (Sam Rockwell), who has stationed troops around the Lakota reservation to undermine Native American claims to the land. As Catherine and Sitting Bull grow closer, and as their friendship—and his life—are threatened by government forces, Catherine must stand up and fight for what is most important to her.
Recent winner of the top prize at Toronto International Film Festival, Green Book is the uplifting true story of an unlikely friendship that transcended race and class.
Set in 1962, Italian-American Tony Lip (Viggo Mortensen) is hired to chauffeur African-American pianist Dr. Don Shirley (Mahershala Ali) on a concert tour through the Deep South. Don is aware of the troubles that he might face in different locations due to the colour of his skin and requires someone to act as both driver and bouncer. They must rely on The Green Book, a guide to the few establishments that are safe for African-Americans and embark on a journey that will change both of their lives.
With strong performances from Ali (following his Oscar-winning turn in Moonlight) and Mortensen (A History of Violence), there is also a great chemistry between the leads. Director Peter Farrelly, best known for his crowd-pleasing comedies Dumb and Dumber and There’s Something About Mary, succeeds brilliantly in making the vital subject of racial division in the 1960s America into a smart and charming film.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
'Survival of the fittest’ is the philosophy at all-boys’ boarding school Caldermount. If you’re not a champion on the sports field, you’re a nobody. No one knows this better than bookworm Amberson, who’s been at the bottom of the school’s social ladder since he can remember.
When the French teacher’s fiery daughter Agnes arrives, Amberson’s life is turned upside down. He suddenly finds himself playing matchmaker for Winchester, the school’s handsome but spectacularly dim school hero. Winchester definitely has the looks to win over Agnes but it’s Amberson who has the wits. Will Amberson have the courage to reveal himself to her and stand up for who he really is?
A fresh and vibrant comedy, OLD BOYS is a modern twist on the timeless story of Cyrano de Bergerac.
The true story of the pioneering lawyer Ruth Bader Ginsburg (Jones), her struggles for equal rights in law and what she had to overcome in order to become a female US Supreme Court Justice – the second-ever woman in such a position.
The film focuses on the first sex discrimination case that Ruth Ginsburg took on, in the early 1970s, when she represented Charles Moritz (Chris Mulkey), a Colorado man looking after his elderly mother who was denied a tax benefit routinely given to women caring for family members. From that moment, Ruth was on a quest to banish sex discrimination in law. This film is about that legal crusade but is also about the woman at home with her children, and a portrait of Ruth’s extraordinary marriage to Marty Ginsburg (Hammer). On the Basis Of Sex tells the story of a fascinating woman, with compelling insights into the arguments of our time.
Contains infrequent strong language.
Adapted from James Baldwin’s powerful novel by Moonlight director Barry Jenkins, If Beale Street Could Talk is a lyrical celebration of love, both familial and romantic, told through the prism of a young African-American couple’s struggle for justice in 1970s Harlem. At the centre of the story is Tish, a newly engaged woman who races against the clock to prove her lover’s innocence while carrying their first-born child to term.
Jenkins’ elegant third feature sings with soulful performances from a largely unknown cast, and paints a wonderful portrait of New York against a backdrop of social change and injustice. It’s a dreamy, sometimes heartbreaking tale of love against impossible odds, and a timely reminder that compassion can be a force of nature.
The madcap action and high comedy continue in the hotly anticipated sequel to 2014’s block-busting The Lego Movie.
Five years after the first adventure, nothing’s quite as awesome as it used to be. DUPLO invaders roam the post-apocalyptic wasteland that once was Bricksburg, wrecking things faster than they can be rebuilt, and new threats loom large in outer space.
The battle to defeat them takes Emmet (Pratt), Lucy (Banks), Batman (Arnett) and their friends to faraway worlds (including a strange galaxy where everything is a musical), testing their courage and creativity, and revealing just how special they really are.
At the age of 51, Lee Israel (McCarthy) has spent years behind the typewriter, writing best-selling celebrity biographies, profiling the glossiest names in showbiz. When her career goes into a sudden slump and she's left with nothing but her beloved cat, some moth-eaten cardigans and a point-blank eviction warning, she takes a questionable route to keep the wolf from the door. Expertly faking letters from the stars, she sells them out of her New York flat for hundreds of dollars. But it’s not long before the FBI smell a rat. Lee enlists the help of loyal friend Jack Hock (Grant) to keep tricks afloat. Adapted from Lee Israel’s memoir of the same name, Can You Ever Forgive Me? recounts a true story of one woman who played with fire, got burnt but still enjoyed the ride.
From acclaimed director Nadine Labaki (CARAMEL, WHERE DO WE GO NOW?) comes a stunning and unforgettable new film.
In a courtroom, a young boy named Zain (Zain Al Rafeea) stands before a judge. He asks to sue his own parents for giving him life. The circumstances that have brought him to this point take us on a journey through his poverty-stricken upbringing in Beirut where he lives with his family.
Forced to live by his wits in order to survive, Zain’s life reaches a turning point when his parents make an unforgivable deal that will see his younger sister married off. Left distraught by this terrible act, Zain takes to the road. While looking for work at a fairground, he befriends a young woman who is working illegally as a cleaner and helps to look after her adorable one-year-old baby, Jonas. Zain and Jonas form a touching bond but things get much more complicated when circumstances force Zain to make choices that will have huge ramifications.
CAPERNAUM is a tribute to the resilience of the human spirit – a battle cry for the forgotten, the unwanted and the lost that offers hope in the most unexpected of places.
Based on true events, Woman Walks Ahead tells the story of Catherine Weldon (Jessica Chastain), a widowed artist from New York who, in the 1880s, traveled alone to North Dakota to paint a portrait of Chief Sitting Bull (Michael Greyeyes). Her arrival at Standing Rock is met with open hostility by a US Army officer (Sam Rockwell), who has stationed troops around the Lakota reservation to undermine Native American claims to the land. As Catherine and Sitting Bull grow closer, and as their friendship—and his life—are threatened by government forces, Catherine must stand up and fight for what is most important to her.
Just how did US politics reach the state it finds itself in? Adam McKay follows his dramatic retelling of the 2008 banking crisis,The Big Short, with another darkly comic yarn drawn from the tangled world of current affairs.
Starring an unrecognisable Christian Bale as Dick Cheney, Vice is a pull-no-punches account of how a bureaucratic Washington insider quietly became the most powerful man in the world as Vice President to George W. Bush, reshaping the globe in ways that still resonate today.
Recent winner of the top prize at Toronto International Film Festival, Green Book is the uplifting true story of an unlikely friendship that transcended race and class.
Set in 1962, Italian-American Tony Lip (Viggo Mortensen) is hired to chauffeur African-American pianist Dr. Don Shirley (Mahershala Ali) on a concert tour through the Deep South. Don is aware of the troubles that he might face in different locations due to the colour of his skin and requires someone to act as both driver and bouncer. They must rely on The Green Book, a guide to the few establishments that are safe for African-Americans and embark on a journey that will change both of their lives.
With strong performances from Ali (following his Oscar-winning turn in Moonlight) and Mortensen (A History of Violence), there is also a great chemistry between the leads. Director Peter Farrelly, best known for his crowd-pleasing comedies Dumb and Dumber and There’s Something About Mary, succeeds brilliantly in making the vital subject of racial division in the 1960s America into a smart and charming film.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
Joan Castleman (Glenn Close) has spent forty years sacrificing her own talent, dreams and ambitions to support her charismatic husband Joe (Jonathan Pryce) and his stellar literary career. Ignoring infidelities and excuses made in the cause of his art, she has put up with his behaviour with undiminished grace and humour. The foundations of their marriage have, however, been built upon a set of uneven compromises and Joan has reached a turning point.
On the eve of Joe’s Nobel Prize for Literature, the crown jewel rewarding a spectacular body of work, Joan will confront the biggest sacrifice of her life and some long-buried secrets. Based on the bestselling book by Meg Wolitzer, The Wife is a poignant, funny and emotional journey, a celebration of womanhood, self-discovery and liberation, featuring a stunning cast that also includes Max Irons, Harry Lloyd, Annie Starke, Elizabeth McGovern and Christian Slater.
Based on a true story, FIGHTING WITH MY FAMILY follows reformed gangster Ricky, wife Julia, daughter Paige and son Zak as they make a living wrestling together in tiny venues. When Paige and Zak get the opportunity to try out for WWE, the family grabs a once-in-a-lifetime chance to turn their wildest dreams into a dazzling future. However, brother and sister quickly discover that to become superstars, both their talent and their relationship will be put to the test.
FIGHTING WITH MY FAMILY is a heartwarming and smart comedy that proves everything is worth fighting for when it comes to family.
'Survival of the fittest’ is the philosophy at all-boys’ boarding school Caldermount. If you’re not a champion on the sports field, you’re a nobody. No one knows this better than bookworm Amberson, who’s been at the bottom of the school’s social ladder since he can remember.
When the French teacher’s fiery daughter Agnes arrives, Amberson’s life is turned upside down. He suddenly finds himself playing matchmaker for Winchester, the school’s handsome but spectacularly dim school hero. Winchester definitely has the looks to win over Agnes but it’s Amberson who has the wits. Will Amberson have the courage to reveal himself to her and stand up for who he really is?
A fresh and vibrant comedy, OLD BOYS is a modern twist on the timeless story of Cyrano de Bergerac.
The true story of the pioneering lawyer Ruth Bader Ginsburg (Jones), her struggles for equal rights in law and what she had to overcome in order to become a female US Supreme Court Justice – the second-ever woman in such a position.
The film focuses on the first sex discrimination case that Ruth Ginsburg took on, in the early 1970s, when she represented Charles Moritz (Chris Mulkey), a Colorado man looking after his elderly mother who was denied a tax benefit routinely given to women caring for family members. From that moment, Ruth was on a quest to banish sex discrimination in law. This film is about that legal crusade but is also about the woman at home with her children, and a portrait of Ruth’s extraordinary marriage to Marty Ginsburg (Hammer). On the Basis Of Sex tells the story of a fascinating woman, with compelling insights into the arguments of our time.
Contains infrequent strong language.
Adapted from James Baldwin’s powerful novel by Moonlight director Barry Jenkins, If Beale Street Could Talk is a lyrical celebration of love, both familial and romantic, told through the prism of a young African-American couple’s struggle for justice in 1970s Harlem. At the centre of the story is Tish, a newly engaged woman who races against the clock to prove her lover’s innocence while carrying their first-born child to term.
Jenkins’ elegant third feature sings with soulful performances from a largely unknown cast, and paints a wonderful portrait of New York against a backdrop of social change and injustice. It’s a dreamy, sometimes heartbreaking tale of love against impossible odds, and a timely reminder that compassion can be a force of nature.
The madcap action and high comedy continue in the hotly anticipated sequel to 2014’s block-busting The Lego Movie.
Five years after the first adventure, nothing’s quite as awesome as it used to be. DUPLO invaders roam the post-apocalyptic wasteland that once was Bricksburg, wrecking things faster than they can be rebuilt, and new threats loom large in outer space.
The battle to defeat them takes Emmet (Pratt), Lucy (Banks), Batman (Arnett) and their friends to faraway worlds (including a strange galaxy where everything is a musical), testing their courage and creativity, and revealing just how special they really are.
At the age of 51, Lee Israel (McCarthy) has spent years behind the typewriter, writing best-selling celebrity biographies, profiling the glossiest names in showbiz. When her career goes into a sudden slump and she's left with nothing but her beloved cat, some moth-eaten cardigans and a point-blank eviction warning, she takes a questionable route to keep the wolf from the door. Expertly faking letters from the stars, she sells them out of her New York flat for hundreds of dollars. But it’s not long before the FBI smell a rat. Lee enlists the help of loyal friend Jack Hock (Grant) to keep tricks afloat. Adapted from Lee Israel’s memoir of the same name, Can You Ever Forgive Me? recounts a true story of one woman who played with fire, got burnt but still enjoyed the ride.
From acclaimed director Nadine Labaki (CARAMEL, WHERE DO WE GO NOW?) comes a stunning and unforgettable new film.
In a courtroom, a young boy named Zain (Zain Al Rafeea) stands before a judge. He asks to sue his own parents for giving him life. The circumstances that have brought him to this point take us on a journey through his poverty-stricken upbringing in Beirut where he lives with his family.
Forced to live by his wits in order to survive, Zain’s life reaches a turning point when his parents make an unforgivable deal that will see his younger sister married off. Left distraught by this terrible act, Zain takes to the road. While looking for work at a fairground, he befriends a young woman who is working illegally as a cleaner and helps to look after her adorable one-year-old baby, Jonas. Zain and Jonas form a touching bond but things get much more complicated when circumstances force Zain to make choices that will have huge ramifications.
CAPERNAUM is a tribute to the resilience of the human spirit – a battle cry for the forgotten, the unwanted and the lost that offers hope in the most unexpected of places.
Based on true events, Woman Walks Ahead tells the story of Catherine Weldon (Jessica Chastain), a widowed artist from New York who, in the 1880s, traveled alone to North Dakota to paint a portrait of Chief Sitting Bull (Michael Greyeyes). Her arrival at Standing Rock is met with open hostility by a US Army officer (Sam Rockwell), who has stationed troops around the Lakota reservation to undermine Native American claims to the land. As Catherine and Sitting Bull grow closer, and as their friendship—and his life—are threatened by government forces, Catherine must stand up and fight for what is most important to her.
Recent winner of the top prize at Toronto International Film Festival, Green Book is the uplifting true story of an unlikely friendship that transcended race and class.
Set in 1962, Italian-American Tony Lip (Viggo Mortensen) is hired to chauffeur African-American pianist Dr. Don Shirley (Mahershala Ali) on a concert tour through the Deep South. Don is aware of the troubles that he might face in different locations due to the colour of his skin and requires someone to act as both driver and bouncer. They must rely on The Green Book, a guide to the few establishments that are safe for African-Americans and embark on a journey that will change both of their lives.
With strong performances from Ali (following his Oscar-winning turn in Moonlight) and Mortensen (A History of Violence), there is also a great chemistry between the leads. Director Peter Farrelly, best known for his crowd-pleasing comedies Dumb and Dumber and There’s Something About Mary, succeeds brilliantly in making the vital subject of racial division in the 1960s America into a smart and charming film.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
Based on a true story, FIGHTING WITH MY FAMILY follows reformed gangster Ricky, wife Julia, daughter Paige and son Zak as they make a living wrestling together in tiny venues. When Paige and Zak get the opportunity to try out for WWE, the family grabs a once-in-a-lifetime chance to turn their wildest dreams into a dazzling future. However, brother and sister quickly discover that to become superstars, both their talent and their relationship will be put to the test.
FIGHTING WITH MY FAMILY is a heartwarming and smart comedy that proves everything is worth fighting for when it comes to family.
'Survival of the fittest’ is the philosophy at all-boys’ boarding school Caldermount. If you’re not a champion on the sports field, you’re a nobody. No one knows this better than bookworm Amberson, who’s been at the bottom of the school’s social ladder since he can remember.
When the French teacher’s fiery daughter Agnes arrives, Amberson’s life is turned upside down. He suddenly finds himself playing matchmaker for Winchester, the school’s handsome but spectacularly dim school hero. Winchester definitely has the looks to win over Agnes but it’s Amberson who has the wits. Will Amberson have the courage to reveal himself to her and stand up for who he really is?
A fresh and vibrant comedy, OLD BOYS is a modern twist on the timeless story of Cyrano de Bergerac.
The true story of the pioneering lawyer Ruth Bader Ginsburg (Jones), her struggles for equal rights in law and what she had to overcome in order to become a female US Supreme Court Justice – the second-ever woman in such a position.
The film focuses on the first sex discrimination case that Ruth Ginsburg took on, in the early 1970s, when she represented Charles Moritz (Chris Mulkey), a Colorado man looking after his elderly mother who was denied a tax benefit routinely given to women caring for family members. From that moment, Ruth was on a quest to banish sex discrimination in law. This film is about that legal crusade but is also about the woman at home with her children, and a portrait of Ruth’s extraordinary marriage to Marty Ginsburg (Hammer). On the Basis Of Sex tells the story of a fascinating woman, with compelling insights into the arguments of our time.
Contains infrequent strong language.
Jared (Hedges, Manchester By The Sea, Lady Bird) lives in a tightly knit, middle-class community in Arkansas, the only child of Marshall, (Crowe) a Baptist minister, and Nancy (Kidman). When Jared tells his parents he might be gay, they make him participate in all the horrors of a church-supported gay conversion programme. Designed to ‘reform’ men and women who think they’re gay, treatment can take days, weeks or many months. Writer-director Joel Edgerton plays the programme’s director Victor Sykes, who runs the place as a boot camp/rehab facility/ detention centre for which parents pay thousands of dollars. A starry cast give beautifully crafted and moving performances in this understated but powerful film.
Adapted from James Baldwin’s powerful novel by Moonlight director Barry Jenkins, If Beale Street Could Talk is a lyrical celebration of love, both familial and romantic, told through the prism of a young African-American couple’s struggle for justice in 1970s Harlem. At the centre of the story is Tish, a newly engaged woman who races against the clock to prove her lover’s innocence while carrying their first-born child to term.
Jenkins’ elegant third feature sings with soulful performances from a largely unknown cast, and paints a wonderful portrait of New York against a backdrop of social change and injustice. It’s a dreamy, sometimes heartbreaking tale of love against impossible odds, and a timely reminder that compassion can be a force of nature.
The madcap action and high comedy continue in the hotly anticipated sequel to 2014’s block-busting The Lego Movie.
Five years after the first adventure, nothing’s quite as awesome as it used to be. DUPLO invaders roam the post-apocalyptic wasteland that once was Bricksburg, wrecking things faster than they can be rebuilt, and new threats loom large in outer space.
The battle to defeat them takes Emmet (Pratt), Lucy (Banks), Batman (Arnett) and their friends to faraway worlds (including a strange galaxy where everything is a musical), testing their courage and creativity, and revealing just how special they really are.
A masterly and mysterious slow-burning suspense drama, Lee Chang-Dong’s follow-up to Poetry was one of the standouts at this year’s Cannes (where it won the FIPRESCI Prize).
Based on a Haruki Murakami short story, Jong-soo is a country boy now living in Seoul with dreams of becoming a writer. One day he bumps into Haemi (Jeon Jong-seo), a childhood friend from his hometown. As the two start to grow fond of each other / begin a relationship, Haemi asks Jong-su to look after her cat while she's on a trip to Africa. When she asks him to meet her at the airport, he’s put out to find her in the company of wealthy and charismatic Ben.
With pitch perfect performances from its three leads and the building tension handled with grace and precision, this is a beautifully executed and richly enigmatic thriller.
At the age of 51, Lee Israel (McCarthy) has spent years behind the typewriter, writing best-selling celebrity biographies, profiling the glossiest names in showbiz. When her career goes into a sudden slump and she's left with nothing but her beloved cat, some moth-eaten cardigans and a point-blank eviction warning, she takes a questionable route to keep the wolf from the door. Expertly faking letters from the stars, she sells them out of her New York flat for hundreds of dollars. But it’s not long before the FBI smell a rat. Lee enlists the help of loyal friend Jack Hock (Grant) to keep tricks afloat. Adapted from Lee Israel’s memoir of the same name, Can You Ever Forgive Me? recounts a true story of one woman who played with fire, got burnt but still enjoyed the ride.
From acclaimed director Nadine Labaki (CARAMEL, WHERE DO WE GO NOW?) comes a stunning and unforgettable new film.
In a courtroom, a young boy named Zain (Zain Al Rafeea) stands before a judge. He asks to sue his own parents for giving him life. The circumstances that have brought him to this point take us on a journey through his poverty-stricken upbringing in Beirut where he lives with his family.
Forced to live by his wits in order to survive, Zain’s life reaches a turning point when his parents make an unforgivable deal that will see his younger sister married off. Left distraught by this terrible act, Zain takes to the road. While looking for work at a fairground, he befriends a young woman who is working illegally as a cleaner and helps to look after her adorable one-year-old baby, Jonas. Zain and Jonas form a touching bond but things get much more complicated when circumstances force Zain to make choices that will have huge ramifications.
CAPERNAUM is a tribute to the resilience of the human spirit – a battle cry for the forgotten, the unwanted and the lost that offers hope in the most unexpected of places.
Just how did US politics reach the state it finds itself in? Adam McKay follows his dramatic retelling of the 2008 banking crisis,The Big Short, with another darkly comic yarn drawn from the tangled world of current affairs.
Starring an unrecognisable Christian Bale as Dick Cheney, Vice is a pull-no-punches account of how a bureaucratic Washington insider quietly became the most powerful man in the world as Vice President to George W. Bush, reshaping the globe in ways that still resonate today.
Recent winner of the top prize at Toronto International Film Festival, Green Book is the uplifting true story of an unlikely friendship that transcended race and class.
Set in 1962, Italian-American Tony Lip (Viggo Mortensen) is hired to chauffeur African-American pianist Dr. Don Shirley (Mahershala Ali) on a concert tour through the Deep South. Don is aware of the troubles that he might face in different locations due to the colour of his skin and requires someone to act as both driver and bouncer. They must rely on The Green Book, a guide to the few establishments that are safe for African-Americans and embark on a journey that will change both of their lives.
With strong performances from Ali (following his Oscar-winning turn in Moonlight) and Mortensen (A History of Violence), there is also a great chemistry between the leads. Director Peter Farrelly, best known for his crowd-pleasing comedies Dumb and Dumber and There’s Something About Mary, succeeds brilliantly in making the vital subject of racial division in the 1960s America into a smart and charming film.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
In 1998, director Hideo Nakata (Dark Water) unleashed a chilling tale of technological terror on unsuspecting audiences, which redefined the horror genre, launched the J-horror boom in the West and introducing a generation of moviegoers to a creepy, dark-haired girl called Sadako. The film’s success spawned a slew of remakes, reimaginations and imitators, but none could quite boast the power of Nakata’s original masterpiece, which melded traditional Japanese folklore with contemporary anxieties about the spread of technology.
A group of teenage friends are found dead, their bodies grotesquely contorted, their faces twisted in terror. Reiko (Nanako Matsushima, When Marnie Was There), a journalist and the aunt of one of the victims, sets out to investigate the shocking phenomenon, and in the process uncovers a creepy urban legend about a supposedly cursed videotape, the contents of which causes anyone who views it to die within a week – unless they can persuade someone else to watch it, and, in so doing, pass on the curse…
The ultimate western, which draws from all the archetypes of the genre and distils them down to their mythic core, Sergio Leone’s revisionist masterpiece is fifty years old this year.
To get his hands on prime land in Sweetwater, crippled railroad baron Morton (Gabriele Ferzetti) hires some killers led by blue-eyed sadist Frank (Fonda), who wipe out property owner Brett McBain (Frank Wolff) and his family. McBain’s newly arrived bride, Jill (Cardinale), however, inherits the land instead. Both outlaw Cheyenne (Robards) and mysterious ‘Harmonica’ (Bronson) take it upon themselves to look after Jill and thwart Frank’s plans to seize her land. As alliances and betrayals mutate, it soon becomes clear that Harmonica wants to get Frank for another reason – “something to do with death”.
We are happy for you to bring your dog along to this special dog-friendly screening (you're welcome without a dog too). Before the screening there are a few things to consider:
If you attend this screening with a dog, you'll be issued with a fleece blanket to cover the seat used by the dog or to use as a rug if the dog sits on the floor. During the screenings, we will provide bowls of water around the screen. We will leave lighting levels a little higher than usual during the screening and lower the volume of the soundtrack.
Please be aware that we reduce capacity when offering ‘dog-friendly’ screenings, so there may be fewer tickets than usual. We limit dogs to: one dog to one adult. For further information, see dog-friendly screening policy in our cinema.
Adapted from James Baldwin’s powerful novel by Moonlight director Barry Jenkins, If Beale Street Could Talk is a lyrical celebration of love, both familial and romantic, told through the prism of a young African-American couple’s struggle for justice in 1970s Harlem. At the centre of the story is Tish, a newly engaged woman who races against the clock to prove her lover’s innocence while carrying their first-born child to term.
Jenkins’ elegant third feature sings with soulful performances from a largely unknown cast, and paints a wonderful portrait of New York against a backdrop of social change and injustice. It’s a dreamy, sometimes heartbreaking tale of love against impossible odds, and a timely reminder that compassion can be a force of nature.
Leaving behind their cosmopolitan London life, a couple and their three young children travel the ends of the earth searching for a new perspective on life. In their five-year journey across six continents, they live with some of the oldest indigenous communities on the planet. They gain access to tribal sages never filmed or interviewed before, without a crew or schedule, just one backpack and one camera each. And the curiosity to listen. The film reveals the deep wisdom the family discover in their conversations with these 'Earth Keepers' and its power to transform lives. Having lived in hiding for centuries, the Earth Keepers see that now is the time to step forward and share their insights with those who are ready to listen. The film’s score is written by BAFTA & Oscar winning composer Stephen Warbeck.
18.30Screening includes an introduction: The screening includes an introduction and an open dialogue after the film with the audience facilitated by filmmakers or DOWN TO EARTH ambassadors.
+ Q&A : This screening will be followed by a Q&A.
Celebrate the 40th Anniversary of this iconic Sci-Fi classic at your local Picturehouse!
When commercial towing vehicle Nostromo, heading back to Earth, intercepts an SoS signal from a nearby planet, the crew are under obligation to investigate. After a bad landing on the planet, some crew members leave the ship to explore the area. At the same time as they discover a hive colony of some unknown creature, the ship's computer deciphers the message to be a warning, not a call for help. When one of the eggs is disturbed, the crew do not know the danger they are in until it is too late.
Alien contains a sequence of flashing lights which might affect customers who are susceptible to photosensitive epilepsy.
Félix Maritaud pulls out the stops as a gay sex worker diving for a deeper connection in Camille Vidal-Naquet’s fulsomely passionate and explicit feature debut.
Leo (Maritaud) is a 22-year-old rent boy who yearns for affection. In poor health and with no fixed address, he finds fleeting solace in the arms of the men he meets through his work. The solitude of Leo’s life is eased when he falls for fellow hustler Ahd (Eric Bernard). But when his romantic feelings are violently rebuffed, Leo begins to spiral, questioning if he will ever find the love he so desperately craves.
Premiering at this year’s Cannes Film Festival, Camille Vidal-Naquet’s arresting debut is also one of quiet introspection and disarming fragility. Félix Maritaud brings an unexpected compassion to the screen with a raw and vulnerable central performance that is nothing short of devastating. Contains strong sexual imagery and sexual violence.
After the screening, Picturehouse Central welcomes Matthew Todd (Author of Straight Jacket and former editor of Attitude) and David Stuart, (Sexual Wellbeing programme curator at Dean Street) who will discuss with the audience mental and sexual health as depicted by scenes in the film.
Between being bullied at school, put upon by her overbearing boss at the local arcade and having to look after her younger brother, sister and manic-depressive mother, life isn’t easy for Sarah Taylor.
However, when Sarah’s drama teacher channels her ferocious and volatile energies in to a stand-up comedy routine for the graduation showcase, Sarah discovers that she may have a hidden talent.
As her love for comedy grows and the showcase draws nearer, the delicate balance in her life becomes increasingly difficult to maintain. Little by little the walls start to close in, ultimately forcing her to choose between her responsibilities as a carer and her newfound passion for comedy.
18.30Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
MAGGIE GYLLENHAAL stars as Lisa Spinelli, a kindergarten teacher and poet fed up with her career, her oblivious husband and teenage kids who largely ignore her. When she discovers that a five-year-old in her class may be a poetic prodigy, Lisa becomes fascinated and tries to protect him from neglectful parents. She soon finds herself risking her career and family to nurture his talent.
This event is part of Birds' Eye View's Reclaim The Frame campaign to bring ever greater audiences to films by women to offer a wider perspective of the world.
There will be a post screening panel discussion hosted by Mia Bays who runs Birds' Eye View, the charitable pathfinder for films by women and network for those who make, show, release and watch them. She is an Oscar-winning producer of documentaries and fiction.
Panel speakers include Filmmaker, poet and director of Caramel Film Club; Be Manzini, Founder of Bechdel Test Fest; Corrina Antrobus and Dr Bonnie-Kate Dewar; Clinical Neuropsychologist.
You can also join us for a poetry workshop taking place in the Snug after the panel discussion.
Be Manzini will lead the workshop – she is a Southern African raised in London, and her writing practice spans poetry, theatre and journalism. She has worked with the Theatre Royal Stratford East, Hoxton Hall, Tamasha and Immediate Theatre to name a few, her writing appears in numerous printed anthologies and online publications. A workshop facilitator that specializes in creative writing and processes for empowerment; fittingly her former work has included being a Continuous Professional Development Co-ordinator for the Arts Council.
Her first film ‘This Is Not A Thank You’ was a poetry short nominated for an international award by ‘Shot from the Lip’ , a poetry film competition by the South Bank Centre and has been screened as part of the BFI Love Festival, by Apples and Snakes and Picture House cinemas and in various festivals here and abroad. She is also the Director of Caramel Film Club which is a platform that supports and screens the work of Black actors and directors, with whom Birds’ Eye View frequently collaborate.
To celebrate International Women's Day, join us for a Live Q&A with Tracy Edwards, the skipper of Maiden. The Q&A will be broadcast live across the UK and Ireland via satellite.
Maiden tells the inspirational story of how Tracy Edwards, a 24-year-old cook on charter boats, became the skipper of the first ever all-female crew to enter the Whitbread Round the World Race in 1989.
Tracy’s dream met opposition on all sides: her male competitors thought an all-women crew would never make it; the chauvinistic yachting press took bets on her failure; potential sponsors rejected her, fearing they would die at sea and generate bad publicity. But Tracy refused to give up: she re-mortgaged her home and bought a second-hand boat, putting everything on the line to ensure the team made it to the start line. With the support of her remarkable crew, she went on to shock the sport and prove that women are the equal of men.
Contains infrequent strong language, references to sexism.
Set in the 1990s, Marvel Studios’ “Captain Marvel” is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe that follows the journey of Carol Danvers as she becomes one of the universe’s most powerful heroes. While a galactic war between two alien races reaches Earth, Danvers finds herself and a small cadre of allies at the centre of the maelstrom.
A groundbreaking production from eight female Māori filmmakers, WARU is the story of a small New Zealand town coming to terms with a bitter tragedy - the death of a small boy, Waru, at the hands of his caregiver. Eight ten-minute segments, each shot in a single take, set at exactly the same time and with a female lead, focus on the impact of Waru’s death in different corners of the community.
The films combine to tell a bold and inspirational story of grief, guilt, addiction, bravery and redemption. Waru has the opportunity to form the basis of much discussion and debate, whether it is about the subject matter, the film industry in general, or the filmmaking craft employed in its making.
Sonali Joshi will be joined by Jo Walsh and Georgina Conder for a post-screening panel discussion on women in film, New Zealand cinema, indigenous filmmaking and Maori culture.
Jo Walsh (Māori / Pākehā) is a London based artist, arts producer and community facilitator. She is a connector of VIPs - very important (poly)NESIANS and a founding member of the In*ter*island Collective and the SaVAge K’lub.
Georgina Conder is a film producer from New Zealand and part of the producing team behind Miss Conception Films along with Ainsley Gardiner, one of the directors of Waru. Their sole focus is to work with emerging writer/directors while making films led by female creatives, with strong female stories.
Sonali Joshi is Founder & Director of Day for Night, the distributor of Waru. Day for Night is committed to supporting some of the best in contemporary independent cinema from around the world, with a strong focus on female directors, emerging talent and underrepresented areas of cinema.
Set in the 1990s, Marvel Studios’ “Captain Marvel” is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe that follows the journey of Carol Danvers as she becomes one of the universe’s most powerful heroes. While a galactic war between two alien races reaches Earth, Danvers finds herself and a small cadre of allies at the centre of the maelstrom.
Set in the 1990s, Marvel Studios’ “Captain Marvel” is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe that follows the journey of Carol Danvers as she becomes one of the universe’s most powerful heroes. While a galactic war between two alien races reaches Earth, Danvers finds herself and a small cadre of allies at the centre of the maelstrom.
Underpinned by complex moral themes and spectacular
vistas of Monument Valley, The Searchers follows a
grizzled war veteran (John Wayne in one of the best
performances of his career) on an obsessive five-year
odyssey to rescue his niece from the Comanches who
abducted her. It’s a grim quest, but one which is
miraculously purified of its furies in a final moment of
epiphany. For many, it’s the greatest film in the genre.
★★★★ “In the flawed vision of The Searchers we can see
Ford, Wayne and the Western itself, awkwardly learning
that a man who hates Indians can no longer be an
uncomplicated hero.” – Roger Ebert
In a world of flux and chaos, it is almost a shock to discover some experiences remain natural, unhurried and unchanged.
In the middle of London lies Hampstead Heath, 320 hectares of forest and parkland plus three swimming ponds. People swim in them all year round, whatever the weather, just as they did in the time of Keats and Constable.
Capturing the beauty of the English seasons, co-directors Patrick McLennan and Samuel Smith filmed the swimmers over 12 months as they laughed, sang, complained, ruminated, philosophised or simply sought respite from all that life threw at them.
Ad and Trailer Free: No advertisements or trailers will play ahead of this screening. You are recommended to arrive promptly.
The Ponds Q&A: This special screening will be followed by a Live Q&A with directors Patrick McLennan and Samuel Smith
Set in the 1990s, Marvel Studios’ “Captain Marvel” is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe that follows the journey of Carol Danvers as she becomes one of the universe’s most powerful heroes. While a galactic war between two alien races reaches Earth, Danvers finds herself and a small cadre of allies at the centre of the maelstrom.
Set in the 1990s, Marvel Studios’ “Captain Marvel” is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe that follows the journey of Carol Danvers as she becomes one of the universe’s most powerful heroes. While a galactic war between two alien races reaches Earth, Danvers finds herself and a small cadre of allies at the centre of the maelstrom.
Set in the 1990s, Marvel Studios’ “Captain Marvel” is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe that follows the journey of Carol Danvers as she becomes one of the universe’s most powerful heroes. While a galactic war between two alien races reaches Earth, Danvers finds herself and a small cadre of allies at the centre of the maelstrom.
In 1913, as the wild frontier is tamed and the new world of the twentieth century takes hold, an aging gang of gunslingers head to Mexico for one last job: the robbery of a railroad store. But a posse of bounty hunters are lying in wait…
Brutal, callous and passionate from its opening sequence, Peckinpah’s elegiac film rewrites John Ford’s western mythology by looking at the Old West from the point of view of the marginalised outlaws rather than the law-abiding settlers.
From the director of Rise Of The Planet Of The Apes comes a smart sci-fi thriller in the vein of District 9 and Arrival. Set in a Chicago neighbourhood nearly a decade after Earth’s occupation by an extra-terrestrial force, Captive State explores the lives on both sides of the conflict – the collaborators and dissidents. Directed by Rupert Wyatt, and starring John Goodman and Vera Farmiga.
Contains moderate violence, threat, injury detail and infrequent strong language.
Rose-Lynn Harlan is bursting with raw talent, charisma and cheek. Fresh out of jail and with two young kids, all she wants is to get out of Glasgow and make it as a country singer. Her mum Marion has had a bellyful of Rose-Lynn’s Nashville nonsense. Forced to take responsibility, Rose-Lynn gets a cleaning job, only to find an unlikely champion in the middle-class lady of the house.
A comedy-drama about mothers and daughters, dreams and reality and three chords and the truth.
Christof Loy directs a star-studded cast of singers, inclusing Anna Netrebko, Jonas Kaufmann and Ludovic Tezier, in Verdi's epic opera, conducted by Antonio Pappano.
Leonora falls in love with Don Alvaro, but when her father forbids their marriage, a fatal accident triggers a drama of obsession, vengeance and tragedy. Jonas Kaufmannand Anna Netrebko star in Verdi’s epic La forza del destino (The Force of Destiny) an opera which demands the very best of singers for its powerful music and the fullest theatrical treatment for its story of bitter revenge pursued across miles and years. The production comes to The Royal Opera in a sensational staging from Amsterdam packed with colour and action. It is directed by Christof Loy and conducted by Antonio Pappano, Music Director of The Royal Opera.
In this new stage version of All About Eve, Gillian Anderson (X-Files, A Streetcar Named Desire) stars as Margo Channing, the role immortalised by Bette Davis in Joseph Mankiewicz’s 1950 film. Margo Channing, grande dame of the theatre, is a star actress at the peak of fame, worshipped by her fans but haunted by insecurity about ageing and a terror of the abyss. She finds her life invaded by the ingénue Eve Harrington (Lily James) who barely conceals her own ambition to usurp the star on her pedestal. One of the world’s most innovative and sought-after directors, Ivo van Hove (A View From The Bridge) delves into the ambition, jealousy, egocentricity and cynicism within the entertainment industry and asks what is it with our seeming never-ending obsession with youth and celebrity. With original music by P. J. Harvey.
From the National Gallery, London and Rijksmuseum, Amsterdam
Every Rembrandt exhibition is eagerly anticipated but this major show hosted by London’s National Gallery and Amsterdam’s Rijksmuseum was an event like no other. Given privileged access to both galleries the film documents this landmark exhibition, whilst interweaving Rembrandt’s life story, with behind-the-scenes preparations at these world famous institutions. Exploring many of the exhibition’s key works, through contributions from specially invited guests including curators and leading art historians, this Exhibition on Screen favourite makes a welcome return to the big screen marking the 350th anniversary of Rembrandt's death. For many, Rembrandt is the greatest artist that ever lived and this deeply moving film seeks to explore the truth about the man behind the legend.
Come into the forest; dare to change your state of mind.
Rosalind is banished, wrestling with her heart and her head. With her cousin by her side, she journeys to a world of exile where barriers are broken down and all can discover their deeper selves.
Kimberley Sykes (Dido, Queen of Carthage) directs a riotous, exhilarating version of Shakespeare's romantic comedy.
Experience the decadence and elegance of 1870s Paris in David McVicar's spectacular production of Gounod's best-loved opera.
There are many versions of the story of Faust, who trades his soul with the Devil for youth and power, but Gounod’s opera remains one of the most constantly enthralling. Michael Fabiano stars as Faust, with Diana Damrau as his beloved Marguerite and Erwin Schrott as the diabolical Méphistophélès. Virtuoso leading roles, a large chorus, sensational sets, ballet and an ecstatic finale make this the epitome of theatrical spectacle – the lavish scale of French grand opera is wonderfully in evidence in this production by David McVicar, set in 1870s Paris. Above all, the music includes several of popular opera’s most recognizable numbers, performed by a cast of great international singers and the Royal Opera Chorus.
Approximate running time: 3 hours 45 minutes, including one interval. Sung in French with English subtitles.
In this new stage version of All About Eve, Gillian Anderson (X-Files, A Streetcar Named Desire) stars as Margo Channing, the role immortalised by Bette Davis in Joseph Mankiewicz’s 1950 film. Margo Channing, grande dame of the theatre, is a star actress at the peak of fame, worshipped by her fans but haunted by insecurity about ageing and a terror of the abyss. She finds her life invaded by the ingénue Eve Harrington (Lily James) who barely conceals her own ambition to usurp the star on her pedestal. One of the world’s most innovative and sought-after directors, Ivo van Hove (A View From The Bridge) delves into the ambition, jealousy, egocentricity and cynicism within the entertainment industry and asks what is it with our seeming never-ending obsession with youth and celebrity. With original music by P. J. Harvey.
Academy Award winner Sally Field (Steel Magnolias, Brothers & Sisters) and Bill Pullman (The Sinner, Independence Day) star in Arthur Miller’s blistering drama All My Sons, broadcast live from The Old Vic in London.
America, 1947. Despite hard choices and even harder knocks, Joe and Kate Keller are a success story. They’ve built a home, raised two sons and established a thriving business. But nothing lasts forever and their contented lives, already shadowed by the loss of their eldest boy to war, are about to shatter. Long-buried truths are forced to the surface by the return of a figure from the past, and the price of their American dream is laid bare.
Jeremy Herrin (NT Live: This House) directs the cast, which also includes Jenna Coleman (Victoria), and Colin Morgan (Merlin) alongside Bessie Carter, Oliver Johnstone, Kayla Meikle and Sule Rimi.
Two recent works and one world premiere showcase the contemporary face of the Royal Ballet.
The contemporary face of The Royal Ballet is shown in works from three of today’s leading choreographers. Christopher Wheeldon’s Within the Golden Hour is based around seven couples separating and intermingling, to music by Vivaldi and Bosso and lit with rich colours suggested by sunset. Crystal Pite’s Flight Pattern, revived for the first time, uses a large dance ensemble and Górecki’s familiar music from his Symphony of Sorrowful Songsfor a poignant and passionate reflection on migration. Between them, a new work by Sidi Larbi Cherkaoui, created on The Royal Ballet has its premiere to bring the contemporary truly up-to-date.
Matthew Bourne’s bold and beautiful Swan Lake replaces the traditional female corps de ballet with a male ensemble which, when it was first performed in 1995, took the dance world by storm. No longer the dainty, sinuous swans of the original story but instead hissing, stamping birds, unpredictable, sometimes dangerous. Danced to Tchaikovsky’s spellbinding score, Bourne’s contemporary adaptation subverts the conventional tale of Odette, Prince Siegfried and the evil Baron von Rothbart, omitting some of the characters and twists of plot. Instead, his passionate story of male love tells of a lonely and repressed Prince Siegfried who is dominated by his regal mother and her Machiavellian press secretary. The Swan is everything the Prince needs and can’t have. Twenty-three years on, as vibrant as ever, Bourne’s Swan Lake comes to cinemas, re-imagined for the twenty-first century. Retaining Lez Brotherson’s award-winning designs, this new production was filmed last year at Sadler’s Wells in London.
Matthew Bourne’s bold and beautiful Swan Lake replaces the traditional female corps de ballet with a male ensemble which, when it was first performed in 1995, took the dance world by storm. No longer the dainty, sinuous swans of the original story but instead hissing, stamping birds, unpredictable, sometimes dangerous. Danced to Tchaikovsky’s spellbinding score, Bourne’s contemporary adaptation subverts the conventional tale of Odette, Prince Siegfried and the evil Baron von Rothbart, omitting some of the characters and twists of plot. Instead, his passionate story of male love tells of a lonely and repressed Prince Siegfried who is dominated by his regal mother and her Machiavellian press secretary. The Swan is everything the Prince needs and can’t have. Twenty-three years on, as vibrant as ever, Bourne’s Swan Lake comes to cinemas, re-imagined for the twenty-first century. Retaining Lez Brotherson’s award-winning designs, this new production was filmed last year at Sadler’s Wells in London.
Academy Award winner Sally Field (Steel Magnolias, Brothers & Sisters) and Bill Pullman (The Sinner, Independence Day) star in Arthur Miller’s blistering drama All My Sons, broadcast live from The Old Vic in London.
America, 1947. Despite hard choices and even harder knocks, Joe and Kate Keller are a success story. They’ve built a home, raised two sons and established a thriving business. But nothing lasts forever and their contented lives, already shadowed by the loss of their eldest boy to war, are about to shatter. Long-buried truths are forced to the surface by the return of a figure from the past, and the price of their American dream is laid bare.
Jeremy Herrin (NT Live: This House) directs the cast, which also includes Jenna Coleman (Victoria), and Colin Morgan (Merlin) alongside Bessie Carter, Oliver Johnstone, Kayla Meikle and Sule Rimi.
In a reimagined 1590, England is a matriarchy.
Baptista Minola is seeking to sell off her son Katherine to the highest bidder. Cue an explosive battle of the sexes in this electrically charged love story.
Justin Audibert (Snow in Midsummer, The Jew of Malta) turns Shakespeare's fierce, energetic comedy of gender and materialism on its head to offer a fresh perspective on its portrayal of hierarchy and power.
"I envy the Japanese" Van Gogh wrote to his brother Theo. In the exhibition on which this film is based - VAN GOGH & JAPAN at the Van Gogh Museum in Amsterdam - one can see why. Though Vincent van Gogh never visited Japan it is the country that had the most profound influence on him and his art. One cannot understand Van Gogh without understanding how Japanese art arrived in Paris in the middle of the 19th century and the profound impact it had on artists like Monet, Degas and, above all, Van Gogh.
Visiting the new galleries of Japanese art in Paris and then creating his own image of Japan – through in-depth research, print collecting and detailed discussions with other artists – Van Gogh’s encounter with Japanese artworks gave his work a new and exciting direction. After leaving Paris for the south of France – to what he thought of as near to a kind of Japan as he could find - the productive and yet troubled years that followed must all be seen in the context of Van Gogh bending Japanese influences to his will and defining himself as a modern artist with clear Asian precursors. In this little known story of Van Gogh’s art we see just how important his study of Japan was. The film travels not only to France and the Netherlands but also to Japan to further explore the remarkable heritage that so affected Van Gogh and made him the artist we know of today.
Shakespeare's star-crossed lovers encounter passion and tragedy in Kenneth MacMillan's 20th century ballet masterpiece.
Shakespeare’s enduring love story is known the world over. Since its 1965 premiere with The Royal Ballet, Kenneth MacMillan’s Romeo and Juliet has become a modern ballet classic. The choreography captures the emotions of the young couple as they fall in love, despite the barriers that finally bring about the story’s tragic end. Each revival gives opportunities for new dancers to interpret the doomed lovers. The whole Company brings the colour and action of Renaissance Verona, where a busy market all too quickly bursts into sword fighting, and a family feud leads to tragedy for both the Montagues and Capulets.
Double-meanings, disguises and dirty laundry abound in The Merry Wives of Windsor as Sir John Falstaff sets about improving his financial situation by wooing Mistress Page and Mistress Ford. But the 'Merry Wives' quickly cotton on to his tricks and decide to have a bit of fun of their own at Falstaff's expense...The Merry Wives of Windsor is the only comedy that Shakespeare set in his native land, and with its witty mix of verbal and physical humour, the play celebrates a tradition that reaches right down to the contemporary English sitcom. Directed by Nicole Charles and Elle While, and staged at the beautiful and iconic Globe Theatre in London, a reconstruction of an open-air Elizabethan playhouse on the bank of the River Thames, this new production of The Merry Wives of Windsor will be broadcast live to cinemas and will feature exclusive behind-the-scenes insights into the play.
Andrea Levy’s Orange Prize-winning novel Small Island comes to life in an epic new theatre adaptation. Experience the play in cinemas, filmed live on stage as part of National Theatre Live’s 10th birthday.
Small Island embarks on a journey from Jamaica to Britain, through the Second World War to 1948 – the year the HMT Empire Windrush docked at Tilbury.
The play follows three intricately connected stories. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots. Hope and humanity meet stubborn reality as the play traces the tangled history of Jamaica and the UK.
A company of 40 actors take to the stage of the National Theatre in this timely and moving story.
Andrea Levy’s Orange Prize-winning novel Small Island comes to life in an epic new theatre adaptation. Experience the play in cinemas, filmed live on stage as part of National Theatre Live’s 10th birthday.
Small Island embarks on a journey from Jamaica to Britain, through the Second World War to 1948 – the year the HMT Empire Windrush docked at Tilbury.
The play follows three intricately connected stories. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots. Hope and humanity meet stubborn reality as the play traces the tangled history of Jamaica and the UK.
A company of 40 actors take to the stage of the National Theatre in this timely and moving story.
'To whom should I complain?'
When a young novice nun is compromised by a corrupt official, who offers to save her brother from execution in return for sex, she has no idea where to turn for help. When she threatens to expose him, he tells her that no one would believe her.
Shakespeare wrote this play in the early 1600s, yet it remains astonishingly resonant today. Artistic Director Gregory Doran directs this new production.
