We are using cookies to remember if you are logged in to this website and if you have dismissed this message. Cookies are files stored in your browser and by continuing to use our website without changing the settings on your computer you are agreeing to our use of cookies.
Between 2009 and 2013, England’s Test cricket team rose from the depths of the rankings to become the first and only English side to reach world number one. Featuring behind-the scenes footage from the period and original interviews with star players and coaches, The Edge tells the story of this special group’s journey to the top, their unmatched achievements, and the huge toll it would all take. Compelling, funny and emotional, this is Test cricket like you’ve never seen it before.
Eye-poppingly realistic CGI brings to life Disney’s cherished animation about a lion cub’s brave journey from pride outcast to proud king. Jon Favreau’s immersive vision gathers a majestic cast on the African savannah to honour all the seminal moments and iconic songs of the original film. James Earl Jones reprises his role as the wise and just King Mufasa, while Donald Glover is Simba, the young prince who takes his royal destiny to heart. Chiwetel Ejiofor lends his voice to Scar, the king’s scheming brother, who forms his own plans to take the throne.
Award-winning director Ron Howard and the team behind THE BEATLES: EIGHT DAYS A WEEK celebrate the life of beloved opera star Luciano Pavarotti, who sold over 100 million records in his lifetime and brought opera to the people. Using footage from concerts, interviews and the Pavarotti family archives, Howard goes beyond the iconic public figure to reveal the man himself. Charting his rise from humble beginnings in Northern Italy through to superstardom, PAVAROTTI lifts the curtain on the great tenor as a husband and father, a committed philanthropist, and a fragile artist who had a complex relationship with his unique talents.
In the sleepy small town of Centerville, something isn’t quite right. The moon hangs large and low in the sky, the hours of daylight are becoming unpredictable, and animals are acting strangely. No one quite knows why. News reports are scary and scientists are concerned. But no one foresees the strangest and most dangerous repercussion that will soon plague the townsfolk – the dead rising from their graves.
Bill Murray, Adam Driver and Chloë Sevigny star alongside a host of other Jarmusch regulars (including Tilda Swinton as a katana-wielding undertaker) in a droll, quirky tale of zombie uprising in Middle America, centring on a trio of cops leading the fight against the undead horde. Putting the dead into deadpan, it’s a raucous, rueful and satirical glimpse at human habits and desires at the end of the world.
A world of darkness unfurls in broad daylight in a bold, dread-soaked folk horror from Hereditary director Ari Aster. Dani (Florence Pugh) and Christian (Will Poulter) are on the verge of breaking up. But after a family tragedy keeps them together, a grieving Dani invites herself to join Christian and his friends on a trip to a unique midsummer festival in a remote Swedish village. What begins as a carefree holiday in a land of eternal sunlight takes a sinister turn, as the festivities of the insular locals render the pastoral paradise increasingly unnerving and viscerally disturbing.
In the aftermath of ENDGAME, Peter Parker (Holland) just wants things to return to some sort of normality after five years of chaos. So he plans to leave the heroics behind for a few weeks and go to Europe on vacation with his friends. But Nick Fury (Jackson) has other ideas, roping Parker into tackling the mystery of several elemental creature attacks across the continent. In the absence of Iron Man, the webslinger must step up and take on new threats in a world that has changed forever.
NASA’s vaults open for the first time to reveal exquisite audio and vivid film footage of its most celebrated mission: the one that first put men on the moon. The meandering cameras in Cape Canaveral capture a dreamy-eyed portrait of America as it steps into the future. From inside the Apollo 11 spacecraft, the amazingly jocular conversation of the astronauts punctuates each stage of the mission with lightness and charm. The crowds watching the rocket, however, are oblivious to the enormous pressure mission control is under to succeed.
Director Todd Miller takes you straight to the heart of this intense scientific and human endeavour, sharing the atmosphere and action from every stage of the mission. The footage is so clean and vibrant, it’s as if you’re there standing at the base of the rocket. Painstakingly crafted and realised, this jaw-dropping immersive experience offers a new look into one of humanity’s greatest achievements.
From Danny Boyle and Richard Curtis comes a British musical comedy about dreams of stardom and unexplained phenomena. Aspiring singer-songwriter Jack Malik (Patel) is struggling with his career. He’s just a man with big dreams and a guitar, loved and supported by his childhood best friend, Ellie (James); and he’s far from famous. Until one day, during a mysterious global blackout, a car hits him and he comes round to find that nobody remembers The Beatles – apart from him! Feeling obliged to bring the legendary melodies of the Fab Four back to life, and with a little help from his steely American agent (McKinnon), Jack rises to global stardom faster than you can say, ‘I believe in yesterday.’ But he may have taken on more than he can handle.
It’s back – the jewel in Pixar’s crown and the story that changed cinema forever. The adventures of Woody, Buzz and the gang continue in another rollercoaster of a movie, which promises to pull on the heartstrings and tickle the funny bones of kids and grown-ups alike.
Woody (Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s prized but reluctant new toy, a disposable spork called Forky (Tony Hale), runs away during a family vacation, Woody and friends begin a quest to bring him back where he belongs. On their ensuing road-trip adventure alongside new faces and old friends, the charismatic pull-string cowboy learns just how big the world can be for a toy.
Agnès Varda, photographer, installation artist and pioneer of the Nouvelle Vague, is an institution of French cinema. Whether in front of the camera or behind it, she was a visual storyteller who eschewed convention and prescribed approaches to drama. In Varda by Agnès, Varda's final film, she offers a personal insight into her oeuvre, using excerpts from her work to illustrate her unique artistic visions and ideas.
★★★★★ “Two hours in this director’s company is a pleasure.” – Peter Bradshaw, The Guardian
17.30True Stories: - A season of films exploring true stories: from individuals challenging society’s dominant cultural and political stories, no matter the risk to their own liberty; looking in from the outside at those seeking to sow stories of fear; artists telling stories on film, canvas and landscapes; and stories of death-defying courage in acts from the pioneering to the everyday. Playing across all Picturehouse cinemas from June to September.
Whilst undertaking a highly publicised tour of Europe, a cloistered and naive princess rebels against her restrictive schedule.
One night she escapes her luxurious confinement and stumbles upon an American journalist posted to Rome. Peck and Hepburn (in her breakthrough role) make for one of cinema's most charming couples in this whimsical fantasy with a bittersweet finale.
Between 2009 and 2013, England’s Test cricket team rose from the depths of the rankings to become the first and only English side to reach world number one. Featuring behind-the scenes footage from the period and original interviews with star players and coaches, The Edge tells the story of this special group’s journey to the top, their unmatched achievements, and the huge toll it would all take. Compelling, funny and emotional, this is Test cricket like you’ve never seen it before.
Eye-poppingly realistic CGI brings to life Disney’s cherished animation about a lion cub’s brave journey from pride outcast to proud king. Jon Favreau’s immersive vision gathers a majestic cast on the African savannah to honour all the seminal moments and iconic songs of the original film. James Earl Jones reprises his role as the wise and just King Mufasa, while Donald Glover is Simba, the young prince who takes his royal destiny to heart. Chiwetel Ejiofor lends his voice to Scar, the king’s scheming brother, who forms his own plans to take the throne.
In the sleepy small town of Centerville, something isn’t quite right. The moon hangs large and low in the sky, the hours of daylight are becoming unpredictable, and animals are acting strangely. No one quite knows why. News reports are scary and scientists are concerned. But no one foresees the strangest and most dangerous repercussion that will soon plague the townsfolk – the dead rising from their graves.
Bill Murray, Adam Driver and Chloë Sevigny star alongside a host of other Jarmusch regulars (including Tilda Swinton as a katana-wielding undertaker) in a droll, quirky tale of zombie uprising in Middle America, centring on a trio of cops leading the fight against the undead horde. Putting the dead into deadpan, it’s a raucous, rueful and satirical glimpse at human habits and desires at the end of the world.
A world of darkness unfurls in broad daylight in a bold, dread-soaked folk horror from Hereditary director Ari Aster. Dani (Florence Pugh) and Christian (Will Poulter) are on the verge of breaking up. But after a family tragedy keeps them together, a grieving Dani invites herself to join Christian and his friends on a trip to a unique midsummer festival in a remote Swedish village. What begins as a carefree holiday in a land of eternal sunlight takes a sinister turn, as the festivities of the insular locals render the pastoral paradise increasingly unnerving and viscerally disturbing.
15.00Audio Described: Everyone welcome. Audio Description is available for this film, and is undetectable to anyone not wearing a headset
Select:
18.15Audio Described: Everyone welcome. Audio Description is available for this film, and is undetectable to anyone not wearing a headset
Select:
21.30Audio Described: Everyone welcome. Audio Description is available for this film, and is undetectable to anyone not wearing a headset
HOH Subtitled: This screening has subtitles for people with hearing loss
In the aftermath of ENDGAME, Peter Parker (Holland) just wants things to return to some sort of normality after five years of chaos. So he plans to leave the heroics behind for a few weeks and go to Europe on vacation with his friends. But Nick Fury (Jackson) has other ideas, roping Parker into tackling the mystery of several elemental creature attacks across the continent. In the absence of Iron Man, the webslinger must step up and take on new threats in a world that has changed forever.
NASA’s vaults open for the first time to reveal exquisite audio and vivid film footage of its most celebrated mission: the one that first put men on the moon. The meandering cameras in Cape Canaveral capture a dreamy-eyed portrait of America as it steps into the future. From inside the Apollo 11 spacecraft, the amazingly jocular conversation of the astronauts punctuates each stage of the mission with lightness and charm. The crowds watching the rocket, however, are oblivious to the enormous pressure mission control is under to succeed.
Director Todd Miller takes you straight to the heart of this intense scientific and human endeavour, sharing the atmosphere and action from every stage of the mission. The footage is so clean and vibrant, it’s as if you’re there standing at the base of the rocket. Painstakingly crafted and realised, this jaw-dropping immersive experience offers a new look into one of humanity’s greatest achievements.
From Danny Boyle and Richard Curtis comes a British musical comedy about dreams of stardom and unexplained phenomena. Aspiring singer-songwriter Jack Malik (Patel) is struggling with his career. He’s just a man with big dreams and a guitar, loved and supported by his childhood best friend, Ellie (James); and he’s far from famous. Until one day, during a mysterious global blackout, a car hits him and he comes round to find that nobody remembers The Beatles – apart from him! Feeling obliged to bring the legendary melodies of the Fab Four back to life, and with a little help from his steely American agent (McKinnon), Jack rises to global stardom faster than you can say, ‘I believe in yesterday.’ But he may have taken on more than he can handle.
It’s back – the jewel in Pixar’s crown and the story that changed cinema forever. The adventures of Woody, Buzz and the gang continue in another rollercoaster of a movie, which promises to pull on the heartstrings and tickle the funny bones of kids and grown-ups alike.
Woody (Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s prized but reluctant new toy, a disposable spork called Forky (Tony Hale), runs away during a family vacation, Woody and friends begin a quest to bring him back where he belongs. On their ensuing road-trip adventure alongside new faces and old friends, the charismatic pull-string cowboy learns just how big the world can be for a toy.
After surviving a bullet in the head on her wedding day, The Bride, aka Black Mamba (Uma Thurman), a former assassin, emerges from a coma and swears revenge on her old boss and his deadly squad of trained killers (played by Lucy Liu, Daryl Hannah, Vivica A Fox and Tarantino regular Michael Madsen).
Tarantino’s first feature for six years after JACKIE BROWN, KILL BILL marked a welcome return from one of American cinema’s most visually inventive and zeitgeist-attuned filmmakers. Married to the director’s love of the minutiae of popular culture (there are a number of neat gags revolving around Charlie Brown, cereal and the hippest brands of trainers) is an indulgence of his love of the samurai genre, incorporating some stunning martial arts set pieces featuring choreography courtesy of the CROUCHING TIGER, HIDDEN DRAGON team. In her Bruce Lee tracksuit, Thurman (for whom Tarantino wrote the part) makes a feisty heroine with Liu perhaps her most notable foil.
In KILL BILL: VOL. 2, as The Bride continues her vengeful assault on the four assassins who left her for dead, she inches ever closer to her ultimate goal of laying waste to her former employer – and the man who ordered the hit on her – Bill (David Carradine). Bringing some of the peripheral characters from the first instalment to the fore, KILL BILL: VOL. 2 is another bravura, adrenalin-inducing exercise in genre filmmaking.
18.15Culture Shock: Dedicated to bringing you the best in cult and genre films.
Quentin Tarantino Season: In the lead up to Once Upon A Time In Hollywood, released Wed 14th Aug, we look back at some of Quentin's best films.
Agnès Varda, photographer, installation artist and pioneer of the Nouvelle Vague, is an institution of French cinema. Whether in front of the camera or behind it, she was a visual storyteller who eschewed convention and prescribed approaches to drama. In Varda by Agnès, Varda's final film, she offers a personal insight into her oeuvre, using excerpts from her work to illustrate her unique artistic visions and ideas.
★★★★★ “Two hours in this director’s company is a pleasure.” – Peter Bradshaw, The Guardian
15.50True Stories: - A season of films exploring true stories: from individuals challenging society’s dominant cultural and political stories, no matter the risk to their own liberty; looking in from the outside at those seeking to sow stories of fear; artists telling stories on film, canvas and landscapes; and stories of death-defying courage in acts from the pioneering to the everyday. Playing across all Picturehouse cinemas from June to September.
Select:
18.30True Stories: - A season of films exploring true stories: from individuals challenging society’s dominant cultural and political stories, no matter the risk to their own liberty; looking in from the outside at those seeking to sow stories of fear; artists telling stories on film, canvas and landscapes; and stories of death-defying courage in acts from the pioneering to the everyday. Playing across all Picturehouse cinemas from June to September.
This preview screening features a recorded Q&A with director Nick Broomfield, hosted by Jools Holland.Marianne & Leonard: Words Of Love is the beautiful yet tragic love story of Leonard Cohen and his Norwegian muse, Marianne Ihlen. Their love began on the idyllic Greek island of Hydra in 1960 as part of a bohemian community of foreign artists, writers and musicians. The film follows their relationship from the early days on Hydra, a humble time of ‘free love’ and open marriage, to how their love evolved when Leonard became a successful musician.
It was on Hydra in 1968 that director Nick Broomfield, then aged 20, first met Marianne Ihlen. Marianne introduced him to Leonard Cohen’s music and also encouraged Broomfield to make his first film. She was an enormous influence on him.
Marianne and Leonard’s was a love story that would continue for the rest of their lives. Along the way we learn of the tragedy that befell those that could not survive the beauty of Hydra, the highs and lows of Leonard’s career, and the inspirational power that Marianne possessed.
Contains drug references, moderate sex references and infrequent strong language.
Between 2009 and 2013, England’s Test cricket team rose from the depths of the rankings to become the first and only English side to reach world number one. Featuring behind-the scenes footage from the period and original interviews with star players and coaches, The Edge tells the story of this special group’s journey to the top, their unmatched achievements, and the huge toll it would all take. Compelling, funny and emotional, this is Test cricket like you’ve never seen it before.
Eye-poppingly realistic CGI brings to life Disney’s cherished animation about a lion cub’s brave journey from pride outcast to proud king. Jon Favreau’s immersive vision gathers a majestic cast on the African savannah to honour all the seminal moments and iconic songs of the original film. James Earl Jones reprises his role as the wise and just King Mufasa, while Donald Glover is Simba, the young prince who takes his royal destiny to heart. Chiwetel Ejiofor lends his voice to Scar, the king’s scheming brother, who forms his own plans to take the throne.
When Steve Bannon left his position as White House chief strategist less than a week after the Charlottesville ‘Unite the Right’ rally in August 2017, he was already a notorious figure in Trump’s inner circle, and for bringing a far-right ideology into the highest echelons of American politics. Unconstrained by an official post — though some say he still has a direct line to the White House — he became free to peddle influence as a perceived kingmaker, turning his controversial brand of nationalism into a global movement.
The Brink follows Bannon through the 2018 mid-term elections in the United States, shedding light on his efforts to mobilise and unify far-right parties in order to win seats in the May 2019 European Parliamentary elections. To maintain his power and influence, the former Goldman Sachs banker and media investor reinvents himself — as he has many times before — this time as the self-appointed leader of a global populist movement. Keen manipulator of the press and gifted self-promoter, Bannon continues to draw headlines and protests wherever he goes, feeding the powerful myth on which his survival relies.
18.30True Stories: - A season of films exploring true stories: from individuals challenging society’s dominant cultural and political stories, no matter the risk to their own liberty; looking in from the outside at those seeking to sow stories of fear; artists telling stories on film, canvas and landscapes; and stories of death-defying courage in acts from the pioneering to the everyday. Playing across all Picturehouse cinemas from June to September.
Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
In the sleepy small town of Centerville, something isn’t quite right. The moon hangs large and low in the sky, the hours of daylight are becoming unpredictable, and animals are acting strangely. No one quite knows why. News reports are scary and scientists are concerned. But no one foresees the strangest and most dangerous repercussion that will soon plague the townsfolk – the dead rising from their graves.
Bill Murray, Adam Driver and Chloë Sevigny star alongside a host of other Jarmusch regulars (including Tilda Swinton as a katana-wielding undertaker) in a droll, quirky tale of zombie uprising in Middle America, centring on a trio of cops leading the fight against the undead horde. Putting the dead into deadpan, it’s a raucous, rueful and satirical glimpse at human habits and desires at the end of the world.
A world of darkness unfurls in broad daylight in a bold, dread-soaked folk horror from Hereditary director Ari Aster. Dani (Florence Pugh) and Christian (Will Poulter) are on the verge of breaking up. But after a family tragedy keeps them together, a grieving Dani invites herself to join Christian and his friends on a trip to a unique midsummer festival in a remote Swedish village. What begins as a carefree holiday in a land of eternal sunlight takes a sinister turn, as the festivities of the insular locals render the pastoral paradise increasingly unnerving and viscerally disturbing.
In the aftermath of ENDGAME, Peter Parker (Holland) just wants things to return to some sort of normality after five years of chaos. So he plans to leave the heroics behind for a few weeks and go to Europe on vacation with his friends. But Nick Fury (Jackson) has other ideas, roping Parker into tackling the mystery of several elemental creature attacks across the continent. In the absence of Iron Man, the webslinger must step up and take on new threats in a world that has changed forever.
NASA’s vaults open for the first time to reveal exquisite audio and vivid film footage of its most celebrated mission: the one that first put men on the moon. The meandering cameras in Cape Canaveral capture a dreamy-eyed portrait of America as it steps into the future. From inside the Apollo 11 spacecraft, the amazingly jocular conversation of the astronauts punctuates each stage of the mission with lightness and charm. The crowds watching the rocket, however, are oblivious to the enormous pressure mission control is under to succeed.
Director Todd Miller takes you straight to the heart of this intense scientific and human endeavour, sharing the atmosphere and action from every stage of the mission. The footage is so clean and vibrant, it’s as if you’re there standing at the base of the rocket. Painstakingly crafted and realised, this jaw-dropping immersive experience offers a new look into one of humanity’s greatest achievements.
From Danny Boyle and Richard Curtis comes a British musical comedy about dreams of stardom and unexplained phenomena. Aspiring singer-songwriter Jack Malik (Patel) is struggling with his career. He’s just a man with big dreams and a guitar, loved and supported by his childhood best friend, Ellie (James); and he’s far from famous. Until one day, during a mysterious global blackout, a car hits him and he comes round to find that nobody remembers The Beatles – apart from him! Feeling obliged to bring the legendary melodies of the Fab Four back to life, and with a little help from his steely American agent (McKinnon), Jack rises to global stardom faster than you can say, ‘I believe in yesterday.’ But he may have taken on more than he can handle.
It’s back – the jewel in Pixar’s crown and the story that changed cinema forever. The adventures of Woody, Buzz and the gang continue in another rollercoaster of a movie, which promises to pull on the heartstrings and tickle the funny bones of kids and grown-ups alike.
Woody (Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s prized but reluctant new toy, a disposable spork called Forky (Tony Hale), runs away during a family vacation, Woody and friends begin a quest to bring him back where he belongs. On their ensuing road-trip adventure alongside new faces and old friends, the charismatic pull-string cowboy learns just how big the world can be for a toy.
To her friends, Halla (Halldóra Geirharõsdóttir) leads a quiet and routine life. But her happy and upbeat exterior hides a secret double life as a committed environmental activist. Known to others only by her alias “The Woman of the Mountain”, she secretly wages a one-woman-war on the local aluminium industry to protect the stunning highland landscape that is under threat.
Just as she begins planning her biggest and boldest operation yet, she receives an unexpected letter that will change everything. She will be forced to choose between her environmental crusade and the chance of fulfilling her dream of becoming a mother. Funny, moving and utterly unique, WOMAN AT WAR follows Halla as she juggles the adoption of a beautiful little girl with planning her final act of industrial sabotage.
Agnès Varda, photographer, installation artist and pioneer of the Nouvelle Vague, is an institution of French cinema. Whether in front of the camera or behind it, she was a visual storyteller who eschewed convention and prescribed approaches to drama. In Varda by Agnès, Varda's final film, she offers a personal insight into her oeuvre, using excerpts from her work to illustrate her unique artistic visions and ideas.
★★★★★ “Two hours in this director’s company is a pleasure.” – Peter Bradshaw, The Guardian
15.40True Stories: - A season of films exploring true stories: from individuals challenging society’s dominant cultural and political stories, no matter the risk to their own liberty; looking in from the outside at those seeking to sow stories of fear; artists telling stories on film, canvas and landscapes; and stories of death-defying courage in acts from the pioneering to the everyday. Playing across all Picturehouse cinemas from June to September.
Select:
20.45True Stories: - A season of films exploring true stories: from individuals challenging society’s dominant cultural and political stories, no matter the risk to their own liberty; looking in from the outside at those seeking to sow stories of fear; artists telling stories on film, canvas and landscapes; and stories of death-defying courage in acts from the pioneering to the everyday. Playing across all Picturehouse cinemas from June to September.
In 1987 during the austere days of Thatcher's Britain, a teenager learns to live life, understand his family and find his own voice through the music of Bruce Springsteen.
Between 2009 and 2013, England’s Test cricket team rose from the depths of the rankings to become the first and only English side to reach world number one. Featuring behind-the scenes footage from the period and original interviews with star players and coaches, The Edge tells the story of this special group’s journey to the top, their unmatched achievements, and the huge toll it would all take. Compelling, funny and emotional, this is Test cricket like you’ve never seen it before.
Eye-poppingly realistic CGI brings to life Disney’s cherished animation about a lion cub’s brave journey from pride outcast to proud king. Jon Favreau’s immersive vision gathers a majestic cast on the African savannah to honour all the seminal moments and iconic songs of the original film. James Earl Jones reprises his role as the wise and just King Mufasa, while Donald Glover is Simba, the young prince who takes his royal destiny to heart. Chiwetel Ejiofor lends his voice to Scar, the king’s scheming brother, who forms his own plans to take the throne.
Award-winning director Ron Howard and the team behind THE BEATLES: EIGHT DAYS A WEEK celebrate the life of beloved opera star Luciano Pavarotti, who sold over 100 million records in his lifetime and brought opera to the people. Using footage from concerts, interviews and the Pavarotti family archives, Howard goes beyond the iconic public figure to reveal the man himself. Charting his rise from humble beginnings in Northern Italy through to superstardom, PAVAROTTI lifts the curtain on the great tenor as a husband and father, a committed philanthropist, and a fragile artist who had a complex relationship with his unique talents.
In the sleepy small town of Centerville, something isn’t quite right. The moon hangs large and low in the sky, the hours of daylight are becoming unpredictable, and animals are acting strangely. No one quite knows why. News reports are scary and scientists are concerned. But no one foresees the strangest and most dangerous repercussion that will soon plague the townsfolk – the dead rising from their graves.
Bill Murray, Adam Driver and Chloë Sevigny star alongside a host of other Jarmusch regulars (including Tilda Swinton as a katana-wielding undertaker) in a droll, quirky tale of zombie uprising in Middle America, centring on a trio of cops leading the fight against the undead horde. Putting the dead into deadpan, it’s a raucous, rueful and satirical glimpse at human habits and desires at the end of the world.
A world of darkness unfurls in broad daylight in a bold, dread-soaked folk horror from Hereditary director Ari Aster. Dani (Florence Pugh) and Christian (Will Poulter) are on the verge of breaking up. But after a family tragedy keeps them together, a grieving Dani invites herself to join Christian and his friends on a trip to a unique midsummer festival in a remote Swedish village. What begins as a carefree holiday in a land of eternal sunlight takes a sinister turn, as the festivities of the insular locals render the pastoral paradise increasingly unnerving and viscerally disturbing.
In the aftermath of ENDGAME, Peter Parker (Holland) just wants things to return to some sort of normality after five years of chaos. So he plans to leave the heroics behind for a few weeks and go to Europe on vacation with his friends. But Nick Fury (Jackson) has other ideas, roping Parker into tackling the mystery of several elemental creature attacks across the continent. In the absence of Iron Man, the webslinger must step up and take on new threats in a world that has changed forever.
NASA’s vaults open for the first time to reveal exquisite audio and vivid film footage of its most celebrated mission: the one that first put men on the moon. The meandering cameras in Cape Canaveral capture a dreamy-eyed portrait of America as it steps into the future. From inside the Apollo 11 spacecraft, the amazingly jocular conversation of the astronauts punctuates each stage of the mission with lightness and charm. The crowds watching the rocket, however, are oblivious to the enormous pressure mission control is under to succeed.
Director Todd Miller takes you straight to the heart of this intense scientific and human endeavour, sharing the atmosphere and action from every stage of the mission. The footage is so clean and vibrant, it’s as if you’re there standing at the base of the rocket. Painstakingly crafted and realised, this jaw-dropping immersive experience offers a new look into one of humanity’s greatest achievements.
From Danny Boyle and Richard Curtis comes a British musical comedy about dreams of stardom and unexplained phenomena. Aspiring singer-songwriter Jack Malik (Patel) is struggling with his career. He’s just a man with big dreams and a guitar, loved and supported by his childhood best friend, Ellie (James); and he’s far from famous. Until one day, during a mysterious global blackout, a car hits him and he comes round to find that nobody remembers The Beatles – apart from him! Feeling obliged to bring the legendary melodies of the Fab Four back to life, and with a little help from his steely American agent (McKinnon), Jack rises to global stardom faster than you can say, ‘I believe in yesterday.’ But he may have taken on more than he can handle.
It’s back – the jewel in Pixar’s crown and the story that changed cinema forever. The adventures of Woody, Buzz and the gang continue in another rollercoaster of a movie, which promises to pull on the heartstrings and tickle the funny bones of kids and grown-ups alike.
Woody (Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s prized but reluctant new toy, a disposable spork called Forky (Tony Hale), runs away during a family vacation, Woody and friends begin a quest to bring him back where he belongs. On their ensuing road-trip adventure alongside new faces and old friends, the charismatic pull-string cowboy learns just how big the world can be for a toy.
Force of Nature Natalia follows a season in the life dance superstar Natalia Osipova. With unique access to Natalia's personal archive, we follow her preparations for a fifth season as a principal of the Royal Ballet as she continues to champion contemporary dance with some of the world’s greatest choreographers. We watch the rehearsal process of new ballet Mother by Arthur Pita, a new commission with Sidi Larbi Cherkaoui, and the Royal Ballet's legendary production of La Bayadere directed by Natalia Makarova.
Natalia opens up about her life and history, her childhood in Russia, her time with American Ballet Theatre and her journey to the Opera House. It is an unparalleled opportunity to get up close and personal with the leading ballerina of our generation and understand why critics and audiences all over the world call her a force of nature of the dance world.
To her friends, Halla (Halldóra Geirharõsdóttir) leads a quiet and routine life. But her happy and upbeat exterior hides a secret double life as a committed environmental activist. Known to others only by her alias “The Woman of the Mountain”, she secretly wages a one-woman-war on the local aluminium industry to protect the stunning highland landscape that is under threat.
Just as she begins planning her biggest and boldest operation yet, she receives an unexpected letter that will change everything. She will be forced to choose between her environmental crusade and the chance of fulfilling her dream of becoming a mother. Funny, moving and utterly unique, WOMAN AT WAR follows Halla as she juggles the adoption of a beautiful little girl with planning her final act of industrial sabotage.
Agnès Varda, photographer, installation artist and pioneer of the Nouvelle Vague, is an institution of French cinema. Whether in front of the camera or behind it, she was a visual storyteller who eschewed convention and prescribed approaches to drama. In Varda by Agnès, Varda's final film, she offers a personal insight into her oeuvre, using excerpts from her work to illustrate her unique artistic visions and ideas.
★★★★★ “Two hours in this director’s company is a pleasure.” – Peter Bradshaw, The Guardian
15.45True Stories: - A season of films exploring true stories: from individuals challenging society’s dominant cultural and political stories, no matter the risk to their own liberty; looking in from the outside at those seeking to sow stories of fear; artists telling stories on film, canvas and landscapes; and stories of death-defying courage in acts from the pioneering to the everyday. Playing across all Picturehouse cinemas from June to September.
Select:
18.25True Stories: - A season of films exploring true stories: from individuals challenging society’s dominant cultural and political stories, no matter the risk to their own liberty; looking in from the outside at those seeking to sow stories of fear; artists telling stories on film, canvas and landscapes; and stories of death-defying courage in acts from the pioneering to the everyday. Playing across all Picturehouse cinemas from June to September.
The story of a family and a company that changed the world, told in three parts on a single evening.
Academy Award-winner Sam Mendes (Skyfall, The Ferryman) directs Simon Russell Beale, Adam Godley and Ben Miles who play the Lehman Brothers, their sons and grandsons.
On a cold September morning in 1844 a young man from Bavaria stands on a New York dockside. Dreaming of a new life in the new world. He is joined by his two brothers and an American epic begins.
163 years later, the firm they establish – Lehman Brothers – spectacularly collapses into bankruptcy, and triggers the largest financial crisis in history.
This critically acclaimed and five-time Olivier Award nominated play features stunning set design from Es Devlin (NT Live: Hamlet) and will be broadcast live from London’s West End as part of National Theatre Live’s 10th Birthday season.
Eye-poppingly realistic CGI brings to life Disney’s cherished animation about a lion cub’s brave journey from pride outcast to proud king. Jon Favreau’s immersive vision gathers a majestic cast on the African savannah to honour all the seminal moments and iconic songs of the original film. James Earl Jones reprises his role as the wise and just King Mufasa, while Donald Glover is Simba, the young prince who takes his royal destiny to heart. Chiwetel Ejiofor lends his voice to Scar, the king’s scheming brother, who forms his own plans to take the throne.
12.40Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
15.40Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Award-winning director Ron Howard and the team behind THE BEATLES: EIGHT DAYS A WEEK celebrate the life of beloved opera star Luciano Pavarotti, who sold over 100 million records in his lifetime and brought opera to the people. Using footage from concerts, interviews and the Pavarotti family archives, Howard goes beyond the iconic public figure to reveal the man himself. Charting his rise from humble beginnings in Northern Italy through to superstardom, PAVAROTTI lifts the curtain on the great tenor as a husband and father, a committed philanthropist, and a fragile artist who had a complex relationship with his unique talents.
In the sleepy small town of Centerville, something isn’t quite right. The moon hangs large and low in the sky, the hours of daylight are becoming unpredictable, and animals are acting strangely. No one quite knows why. News reports are scary and scientists are concerned. But no one foresees the strangest and most dangerous repercussion that will soon plague the townsfolk – the dead rising from their graves.
Bill Murray, Adam Driver and Chloë Sevigny star alongside a host of other Jarmusch regulars (including Tilda Swinton as a katana-wielding undertaker) in a droll, quirky tale of zombie uprising in Middle America, centring on a trio of cops leading the fight against the undead horde. Putting the dead into deadpan, it’s a raucous, rueful and satirical glimpse at human habits and desires at the end of the world.
13.25Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
16.00Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
A world of darkness unfurls in broad daylight in a bold, dread-soaked folk horror from Hereditary director Ari Aster. Dani (Florence Pugh) and Christian (Will Poulter) are on the verge of breaking up. But after a family tragedy keeps them together, a grieving Dani invites herself to join Christian and his friends on a trip to a unique midsummer festival in a remote Swedish village. What begins as a carefree holiday in a land of eternal sunlight takes a sinister turn, as the festivities of the insular locals render the pastoral paradise increasingly unnerving and viscerally disturbing.
12.30Audio Described: Everyone welcome. Audio Description is available for this film, and is undetectable to anyone not wearing a headset
Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
15.45Audio Described: Everyone welcome. Audio Description is available for this film, and is undetectable to anyone not wearing a headset
Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
In the aftermath of ENDGAME, Peter Parker (Holland) just wants things to return to some sort of normality after five years of chaos. So he plans to leave the heroics behind for a few weeks and go to Europe on vacation with his friends. But Nick Fury (Jackson) has other ideas, roping Parker into tackling the mystery of several elemental creature attacks across the continent. In the absence of Iron Man, the webslinger must step up and take on new threats in a world that has changed forever.
15.10Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
NASA’s vaults open for the first time to reveal exquisite audio and vivid film footage of its most celebrated mission: the one that first put men on the moon. The meandering cameras in Cape Canaveral capture a dreamy-eyed portrait of America as it steps into the future. From inside the Apollo 11 spacecraft, the amazingly jocular conversation of the astronauts punctuates each stage of the mission with lightness and charm. The crowds watching the rocket, however, are oblivious to the enormous pressure mission control is under to succeed.
Director Todd Miller takes you straight to the heart of this intense scientific and human endeavour, sharing the atmosphere and action from every stage of the mission. The footage is so clean and vibrant, it’s as if you’re there standing at the base of the rocket. Painstakingly crafted and realised, this jaw-dropping immersive experience offers a new look into one of humanity’s greatest achievements.
From Danny Boyle and Richard Curtis comes a British musical comedy about dreams of stardom and unexplained phenomena. Aspiring singer-songwriter Jack Malik (Patel) is struggling with his career. He’s just a man with big dreams and a guitar, loved and supported by his childhood best friend, Ellie (James); and he’s far from famous. Until one day, during a mysterious global blackout, a car hits him and he comes round to find that nobody remembers The Beatles – apart from him! Feeling obliged to bring the legendary melodies of the Fab Four back to life, and with a little help from his steely American agent (McKinnon), Jack rises to global stardom faster than you can say, ‘I believe in yesterday.’ But he may have taken on more than he can handle.
It’s back – the jewel in Pixar’s crown and the story that changed cinema forever. The adventures of Woody, Buzz and the gang continue in another rollercoaster of a movie, which promises to pull on the heartstrings and tickle the funny bones of kids and grown-ups alike.
Woody (Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s prized but reluctant new toy, a disposable spork called Forky (Tony Hale), runs away during a family vacation, Woody and friends begin a quest to bring him back where he belongs. On their ensuing road-trip adventure alongside new faces and old friends, the charismatic pull-string cowboy learns just how big the world can be for a toy.
13.10Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
15.35Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
To her friends, Halla (Halldóra Geirharõsdóttir) leads a quiet and routine life. But her happy and upbeat exterior hides a secret double life as a committed environmental activist. Known to others only by her alias “The Woman of the Mountain”, she secretly wages a one-woman-war on the local aluminium industry to protect the stunning highland landscape that is under threat.
Just as she begins planning her biggest and boldest operation yet, she receives an unexpected letter that will change everything. She will be forced to choose between her environmental crusade and the chance of fulfilling her dream of becoming a mother. Funny, moving and utterly unique, WOMAN AT WAR follows Halla as she juggles the adoption of a beautiful little girl with planning her final act of industrial sabotage.
13.20Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Agnès Varda, photographer, installation artist and pioneer of the Nouvelle Vague, is an institution of French cinema. Whether in front of the camera or behind it, she was a visual storyteller who eschewed convention and prescribed approaches to drama. In Varda by Agnès, Varda's final film, she offers a personal insight into her oeuvre, using excerpts from her work to illustrate her unique artistic visions and ideas.
★★★★★ “Two hours in this director’s company is a pleasure.” – Peter Bradshaw, The Guardian
15.45True Stories: - A season of films exploring true stories: from individuals challenging society’s dominant cultural and political stories, no matter the risk to their own liberty; looking in from the outside at those seeking to sow stories of fear; artists telling stories on film, canvas and landscapes; and stories of death-defying courage in acts from the pioneering to the everyday. Playing across all Picturehouse cinemas from June to September.
Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
18.25True Stories: - A season of films exploring true stories: from individuals challenging society’s dominant cultural and political stories, no matter the risk to their own liberty; looking in from the outside at those seeking to sow stories of fear; artists telling stories on film, canvas and landscapes; and stories of death-defying courage in acts from the pioneering to the everyday. Playing across all Picturehouse cinemas from June to September.
Sing your hearts out to all the classic tunes in Rocketman, the epic musical fantasy about the breakthrough years of larger-than-life superstar Elton John. Set to John’s most beloved songs, it tells the uncensored human story of how small-town boy and shy piano prodigy Reginald Dwight became one of the most iconic figures in pop culture.
Tati's most consistently enjoyable comedy, a portrait of the gentle, clumsy, well meaning Hulot on vacation in a provincial seaside resort. A delight of quiet, delicately observed slapstick.
Featuring one of the most gripping opening scenes in recent memory and a breakout performance from Christoph Waltz as SS Colonel Hans ‘Jew Hunter’ Landa, Tarantino’s epic alternative history of the Second World War is bold, bloody and wildly entertaining. Set in Nazi-occupied France, the film tracks the converging fates of a marauding gang of American soldiers led by Lt. Aldo Raine (Brad Pitt), and Shosanna (Melanie Durant), a vengeful Jewish orphan living under an alias in Paris.
“Tarantino’s Inglourious Basterds is a big, bold, audacious war movie that will annoy some, startle others and demonstrate once again that he’s the real thing, a director of quixotic delights.” – Roger Ebert
18.30Culture Shock: Dedicated to bringing you the best in cult and genre films.
Quentin Tarantino Season: In the lead up to Once Upon A Time In Hollywood, released Wed 14th Aug, we look back at some of Quentin's best films.
'To whom should I complain?'
When a young novice nun is compromised by a corrupt official, who offers to save her brother from execution in return for sex, she has no idea where to turn for help. When she threatens to expose him, he tells her that no one would believe her.
Shakespeare wrote this play in the early 1600s, yet it remains astonishingly resonant today. Artistic Director Gregory Doran directs this new production.
We're delighted to welcome director Gurinder Chadha and writer Sarfraz Manzoor for a live Q&A following this screening. In 1987 during the austere days of Thatcher's Britain, a teenager learns to live life, understand his family and find his own voice through the music of Bruce Springsteen.
18.45Ad and Trailer Free: No advertisements or trailers will play ahead of this screening. You are recommended to arrive promptly.
+ Q&A with Gurinder Chadha & Sarfaz Manzoor: We're delighted to welcome director Gurinder Chadha and writer Sarfraz Manzoor for a Live Q&A following this screening.
Come one, come all! On Thursday 1 August, Dead Heads near and far come together to celebrate the ninth annual Grateful Dead Meet-Up at the Movies.
This unmissable event – the first to go global – features the previously unreleased full concert from 17 June 1991 at Giants Stadium. One of only two of the band’s shows recorded on 48-track, 6/17/91 sounds unlike any Dead concert you’ve ever heard, and is widely considered one of their greatest gigs in their final decade of performing. Mixed by Jeffrey Norman in glorious surround sound with video from the multi-camera live edit, this will be the first time the Bruce Hornsby and Vince Welnick line-up has ever appeared on the big screen.
Starting with a shocking ‘Eyes Of The World’, the Dead were firing on all cylinders from the opening notes of the show, mixing classics like ‘Truckin’’ and ‘Uncle John’s Band’ with rarities including ‘Saint Of Circumstance’, ‘Might As Well’, ‘New Speedway Boogie’ and ‘China Doll’. But the real standout was the recurrence of ‘Dark Star’, which wove in and out of the setlist, making no less than six distinct appearances and teases during the show. The Dead capped off the spectacular night with a perfect song to send the crowd on its way – The Band’s ‘The Weight’.
As a special treat, this extraordinary screening will also feature a reveal of the Grateful Dead’s 2019 box set, featuring the Dead’s legacy manager, archivist and producer David Lemieux.
Agnès Varda, photographer, installation artist and pioneer of the Nouvelle Vague, is an institution of French cinema. Whether in front of the camera or behind it, she was a visual storyteller who eschewed convention and prescribed approaches to drama. In Varda by Agnès, Varda's final film, she offers a personal insight into her oeuvre, using excerpts from her work to illustrate her unique artistic visions and ideas.
★★★★★ “Two hours in this director’s company is a pleasure.” – Peter Bradshaw, The Guardian
18.30True Stories: - A season of films exploring true stories: from individuals challenging society’s dominant cultural and political stories, no matter the risk to their own liberty; looking in from the outside at those seeking to sow stories of fear; artists telling stories on film, canvas and landscapes; and stories of death-defying courage in acts from the pioneering to the everyday. Playing across all Picturehouse cinemas from June to September.
Birds' Eye View have curated a ‘Reclaim The Frame : Vintage’ season as part of the BFI FAN Film Feels: Obsession, on the theme of Women and Obsession. Join us for a double bill of two unique and under-screened female-made thrillers from the 80s plus specialist talks and a creative writing workshop, tapping into one’s own obsessive capacities!
British noir Dance With A Stranger (1985) starring Miranda Richardson and written by Shelagh Delaney (A Taste of Honey), is based on the true story of Ruth Ellis, the last woman to be hanged in Britain following her conviction for the murder of her lover. Ellis's murder trial in the 1950s became a national obsession, later informing the debates leading to the abolishment of the death penalty in 1965. Dance With A Stranger explores what it means to commit a ‘crime of passion’ and how class and gender can inform the criminal justice system.
Smooth Talk (1985) directed by Joyce Chopra and featuring a young Laura Dern in her debut lead role as Connie, a teenage girl who is pursued by an enigmatic older man. Atmospherically crafted Smooth Talk won the Grand Jury prize in the dramatic category at Sundance Film Festival. It unsettlingly contracts two types of sexual obsession - a teenager's sexual curiosity and tendency to 'crush' and an older man's fetishisation and manipulation of innocence.
In addition, the audience are invited to an extended introduction from three specialist speakers, plus a post-screening discussion led by Mia Bays, Birds' Eye View's Director-At-Large and Oscar-winning producer.
Following the films there will be a workshop in the Picturehouse central bar private Snug area, hosted by the award winning poet and creative writing facilitator Be Manzini where the audience can explore their own objects of obsession, through words and images.
Confirmed speakers:
Sophie Monks Kaufman (Film Critic, Little White Lies),
Dr Lizzie Seal (Reader in Criminology at the University of Sussex and author of Women, Murder and Femininity: Gender Representations of Women who Kill)
Stephen Beard (Grandson of Ruth Ellis)
More speakers TBA.
This screening is part of Film Feels: Obsession, a UK-wide cinema season, supported by the National Lottery and BFI Film Audience Network. Explore all films and events at www.filmfeels.co.uk
Films shown courtesy of Park Circus & Screenbound
Enchantment meets the politics of the Enlightenment in Mozart’s fairy-tale opera, Die Zauberflöte. Prince Tamino is on a quest to rescue Princess Pamina, daughter of the Queen of the Night, who has been kidnapped by her father, the evil Sarastro. With the help of the foolish bird-catcher Papageno, Tamino must brave not only dragons and the forces of darkness, but trials of fire and water in order to arrive at the truth and win Pamina as his bride. Composed just months before Mozart’s death, Die Zauberflöte is a heady blend of knock-about comedy and fantasy, its beautiful melodies woven into an allegory of wicked queens, noble princes, ancient Egyptian mythology and the lore of the Freemasons. In this new production by Barbe & Doucet, Antonello Manacorda conducts the Orchestra of the Age of Enlightenment and a cast that includes Sofia Fomina, Björn Bürger and Caroline Wettergreen.
The definitive surf movie, Bruce Brown’s iconic documentary follows two young American surfers, Robert August and Mike Hynson, as they search the globe for ‘the perfect wave’. Stunningly photographed and set to a great surf-rock score by The Sandals, their unique quest takes them from California to Senegal, Ghana, Nigeria, South Africa, Australia, New Zealand, Tahiti and Hawaii with little more than surfboards and wax as luggage.
“Brown leaves analysis of the surf-cult mystique to seagoing sociologists, but demonstrates quite spiritedly that some of the brave souls mistaken for beachniks are, in fact, converts to a difficult, dangerous and dazzling sport” (Time Magazine)
Tarantino’s first period western stars Jamie Foxx as freed slave turned bounty hunter Django. Aided by German gunslinger Dr King Schultz (Christoph Waltz), Django sets out to rescue his wife from brutal Mississippi plantation boss Calvin Candle (Leonardo DiCaprio). Django’s campaign of cold-blooded revenge is shot through with the director’s trademark black humour, sparky dialogue and visual flair, and features a star-studded cast at the top of their game. A cinematic treat from breathless start to brutal finish.
18.30Culture Shock: Dedicated to bringing you the best in cult and genre films.
Quentin Tarantino Season: In the lead up to Once Upon A Time In Hollywood, released Wed 14th Aug, we look back at some of Quentin's best films.
Following their landmark Love Yourself tour, BTS triumphantly return to cinema screens in Bring The Soul: The Movie. On the day following the final concert of their Europe tour, on a rooftop in Paris, BTS tell their very own stories, from experiencing new cities to performing in front of thousands of ARMY across the globe. A revealing look into BTS’ world away from the stage, featuring intimate group discussions as well as spectacular concert performances from the tour, this is a cinema event not to be missed.
Following their landmark Love Yourself tour, BTS triumphantly return to cinema screens in Bring The Soul: The Movie. On the day following the final concert of their Europe tour, on a rooftop in Paris, BTS tell their very own stories, from experiencing new cities to performing in front of thousands of ARMY across the globe. A revealing look into BTS’ world away from the stage, featuring intimate group discussions as well as spectacular concert performances from the tour, this is a cinema event not to be missed.
Following their landmark Love Yourself tour, BTS triumphantly return to cinema screens in Bring The Soul: The Movie. On the day following the final concert of their Europe tour, on a rooftop in Paris, BTS tell their very own stories, from experiencing new cities to performing in front of thousands of ARMY across the globe. A revealing look into BTS’ world away from the stage, featuring intimate group discussions as well as spectacular concert performances from the tour, this is a cinema event not to be missed.
Following their landmark Love Yourself tour, BTS triumphantly return to cinema screens in Bring The Soul: The Movie. On the day following the final concert of their Europe tour, on a rooftop in Paris, BTS tell their very own stories, from experiencing new cities to performing in front of thousands of ARMY across the globe. A revealing look into BTS’ world away from the stage, featuring intimate group discussions as well as spectacular concert performances from the tour, this is a cinema event not to be missed.
In Almodóvar’s deeply personal and tender new drama, a film director reflects on the choices he’s made in life as past and present come crashing down around him. Salvador Mallo (Antonio Banderas, who deservedly won Best Actor at Cannes Film Festival for his performance), an ageing Madrid-based auteur, is retreating into himself, facing ill health, depression and the decline of his powers. After a chance meeting reunites him with an actor from his past, a wild new chapter begins, sparking a series of reconciliations and reveries in which Salvador revisits old emotional wounds and tries to piece together the puzzle of his life and his art.
Following their landmark Love Yourself tour, BTS triumphantly return to cinema screens in Bring The Soul: The Movie. On the day following the final concert of their Europe tour, on a rooftop in Paris, BTS tell their very own stories, from experiencing new cities to performing in front of thousands of ARMY across the globe. A revealing look into BTS’ world away from the stage, featuring intimate group discussions as well as spectacular concert performances from the tour, this is a cinema event not to be missed.
Based on Nicholas Pileggi’s book Wiseguy, Martin Scorsese’s mob-movie masterpiece marked a revival of Hollywood interest in gangsters and gangsterdom. It chronicles three decades of a life in crime, following Brooklyn youngster Henry Hill’s graduation from petty criminal to big-time thief. Widely regarded as one of the greatest films in the crime genre, this is essential viewing for any movie fan.
Forty years after its original release, Francis Ford Coppola’s Apocalypse Now returns to cinemas looking and sounding better than ever. Restored from the original negative to the highest audio and visual standards by the director himself, Final Cut is Coppola’s preferred and most visceral version of his Oscar-winning Vietnam War epic. This never-before-seen cut features only some of the footage added back into the Redux release, bringing the runtime to just a shade over three hours.
This screening includes a Q&A between Coppola and director Steven Soderbergh, recorded at the Tribeca Film Festival in April, in which they reflect on the film’s legacy in light of its 40th anniversary, and the long journey to creating this new restoration.
Synopsis
A heady mix of ’60s counter-culture and the Vietnam War meshes with hallucinatory visuals, a magnificent score and a monumental screenplay inspired by Conrad’s Heart Of Darkness. Martin Sheen stars as the Special Forces captain dispatched on a secret river-borne mission to Cambodia with a brief to ‘terminate with extreme prejudice’ a demented colonel (Marlon Brando) waging a private war in the hills.
The story of a family and a company that changed the world, told in three parts on a single evening.
Academy Award-winner Sam Mendes (Skyfall, The Ferryman) directs Simon Russell Beale, Adam Godley and Ben Miles who play the Lehman Brothers, their sons and grandsons.
On a cold September morning in 1844 a young man from Bavaria stands on a New York dockside. Dreaming of a new life in the new world. He is joined by his two brothers and an American epic begins.
163 years later, the firm they establish – Lehman Brothers – spectacularly collapses into bankruptcy, and triggers the largest financial crisis in history.
This critically acclaimed and five-time Olivier Award nominated play features stunning set design from Es Devlin (NT Live: Hamlet) and will be broadcast live from London’s West End as part of National Theatre Live’s 10th Birthday season.
A legendary warrior's stolen magic sword becomes the centerpiece of epic, intertwining love stories, set against the breathtaking landscapes of ancient China.
As charming and funny as it is thought-provoking, Hail Satan? traces the extraordinary rise of one of the most colourful and controversial religious movements in American history.
When media-savvy members of the Satanic Temple organise a series of public actions designed to advocate religious freedom and challenge corrupt authority, they prove that, with little more than a clever idea, a mischievous sense of humour and a few rebellious friends, you can speak truth to power in some truly profound ways.
Director Penny Lane strikes a cunning balance between cheeky, brazen entertainment and serious storytelling in this wickedly topical documentary. It’s a timely look at a group of oft-misunderstood outsiders whose commitment to social and political justice has empowered thousands of people around the world.
18.30Discover Tuesdays Preview: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot. This week's selection is a special preview screening.
Inspired by the serialised matinee action films Steven Spielberg loved as a child, RAIDERS OF THE LOST ARK became one of the defining action/adventure films of its day and remains a hugely enjoyable movie experience.
Harrison Ford, fresh from his propulsion to super-stardom through the STAR WARS series, embodied the reluctant yet capable adventurer Indiana Jones, a serious and scholarly archaeology professor who is hired by the US government to track down the Ark of the Covenant ahead of their Nazi rivals.
The action set-pieces, tongue-in-cheek humour, impressive production values and a sheer love of cinema make RAIDERS OF THE LOST ARK an irresistibly enjoyable big-screen treat.
Paul thomas Anderson reunites with several of his Boogie Nights stars in this ensemble drama comprised of six interwoven stories dealing with parents, children, love and lonliness. An epic mosaic of several interrelated characters in search of happiness, forgiveness, and meaning in the San Fernando Valley.
On Tuesday 10 September, Fane Productions present an evening with the Canadian novelist, poet, literary critic and inventor Margaret Atwood to mark the release of The Testaments, Atwood’s highly anticipated sequel to The Handmaid’s Tale. The event will be broadcast live via satellite from the National Theatre in London.
The publication of The Handmaid’s Tale in 1985 and the current, Emmy Award-winning television series have created a cultural phenomenon, as handmaids have become a symbol of women’s rights and a protest against misogyny and oppression.
Atwood will be interviewed by broadcaster and author Samira Ahmed in a conversation spanning the length of Atwood’s remarkable career, her diverse range of works, and why she has returned to her seminal handmaid story, 34 years later.
“Dear Readers: Everything you've ever asked me about Gilead and its inner workings is the inspiration for this book. Well, almost everything! The other inspiration is the world we've been living in.”
With exclusive readings from the new book by special guests, this will be an unmissable and intimate event with Atwood, spotlighting her signature insight, humour and intellect.
See the award-winning one-woman show that inspired the BBC’s hit TV series Fleabag, broadcast live to cinemas from London’s West End.
Written and performed by Phoebe Waller-Bridge (TV's Fleabag, Killing Eve) and directed by Vicky Jones, Fleabag is a rip-roaring look at some sort of woman living her sort of life.
Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that’s just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose.
★★★★★ “Witty, filthy and supreme.” – The Guardian
Compelling, blood-curdling and beautiful, Giuseppe Verdi’s masterpiece is being performed for the first time on the unique Bregenz lake stage. Once of Verdi’s most popular works, Rigoletto is an unforgettable tale of sacrifice and revenge, of a father’s rage and a daughter’s shame. It features several of opera’s best-known arias, including Rigoletto’s passionate denouncement ‘Cortigiani, vil razza dannata’, Gilda’s dreamy ‘Caro nome’ and the Duke’s instantly recognisable ‘La donna è mobile’.
Directed and designed by Philip Stölzl, this timeless tragedy will delight audiences with a powerhouse combination of entertainment and emotional intensity from the spectacular shore of Lake Constance.
Featuring a Tony Award-winning performance from host of the The Late Late Show, James Corden, the hilarious West End and Broadway hit One Man, Two Guvnors returns to cinemas to mark National Theatre Live’s 10th birthday.
Fired from his skiffle band, Francis Henshall becomes minder to Roscoe Crabbe, a small time East End hood, now in Brighton to collect £6,000 from his fiancée’s dad. But Roscoe is really his sister Rachel posing as her own dead brother, who’s been killed by her boyfriend Stanley Stubbers.
Holed up at The Cricketers’ Arms, the permanently ravenous Francis spots the chance of an extra meal ticket and takes a second job with one Stanley Stubbers, who is hiding from the police and waiting to be re-united with Rachel. To prevent discovery, Francis must keep his two guvnors apart. Simple.
See the award-winning one-woman show that inspired the BBC’s hit TV series Fleabag, broadcast live to cinemas from London’s West End.
Written and performed by Phoebe Waller-Bridge (TV's Fleabag, Killing Eve) and directed by Vicky Jones, Fleabag is a rip-roaring look at some sort of woman living her sort of life.
Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that’s just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose.
★★★★★ “Witty, filthy and supreme.” – The Guardian
Featuring a Tony Award-winning performance from host of the The Late Late Show, James Corden, the hilarious West End and Broadway hit One Man, Two Guvnors returns to cinemas to mark National Theatre Live’s 10th birthday.
Fired from his skiffle band, Francis Henshall becomes minder to Roscoe Crabbe, a small time East End hood, now in Brighton to collect £6,000 from his fiancée’s dad. But Roscoe is really his sister Rachel posing as her own dead brother, who’s been killed by her boyfriend Stanley Stubbers.
Holed up at The Cricketers’ Arms, the permanently ravenous Francis spots the chance of an extra meal ticket and takes a second job with one Stanley Stubbers, who is hiding from the police and waiting to be re-united with Rachel. To prevent discovery, Francis must keep his two guvnors apart. Simple.
With an illustrious career spanning five decades, over 150 stage roles, eleven Grammy Awards and his iconic performances alongside Luciano Pavarotti and José Carreras as one of the Three Tenors, the legendary Plácido Domingo continues to astound audiences with a vocal talent unmatched in power. For one very special night, Plácido Domingo returns to the breathtaking Arena Di Verona amphitheatre, fifty years after his debut, to revisit three of his greatest ever roles in Verdi's Nabucco, I due Foscari and Macbeth.
Roger Waters, co-founder, creative force and songwriter behind Pink Floyd, presents his highly anticipated concert film, Us + Them, which features state-of-the-art visual production and breathtaking sound.
Filmed in Amsterdam on the European leg of his 2017-18 Us + Them tour, on which Waters performed to over two million people worldwide, the film features songs from his legendary Pink Floyd albums (The Dark Side Of The Moon,The Wall, Animals, Wish You Were Here) and from his last album, Is This The Life We Really Want?
Waters’ second collaboration with Sean Evans, visionary director of the highly acclaimed movie Roger Waters The Wall, this pioneering film is an inspiring showcase for the tour’s powerful music and message of human rights, liberty and love.
Multi-award-winning director Emma Rice brings her unique, exuberantly impish vision to Angela Carter’s great last novel in this brand-new theatre production. A big, bawdy tangle of theatrical joy and heartbreak, Wise Children is a celebration of show business, family, forgiveness and hope, with a generous dash of Shakespeare, scandal and mischief, taking the audience on a rollercoaster ride of emotion.
In Brixton, Nora and Dora Chance – twin chorus girls born and bred south of the river – are celebrating their 75th birthday. Over the river in Chelsea, their father – and the greatest actor of his generation – Melchior Hazard turns 100 on the same day. As does his twin brother Peregrine. If, in fact, he’s still alive. And if, in truth, Melchior is their real father after all...
Performed by a talented ensemble cast, this entertaining, all-singing and dancing show opened to a raft of four and five-star reviews at London’s Old Vic in 2018. Adapted and directed by Emma Rice, the former Artistic Director of Kneehigh and Shakespeare’s Globe, it was filmed for the cinema screen at York Theatre Royal.
Sexual intrigue, jealousy, wit, anger… and retribution! The new Royal Opera Season begins with Mozart’s engaging masterpiece, which follows Don Giovanni, the women he serially seduces, and the vengeance that finally catches up with him. The opera is renowned for its ever-shifting portrayals of complex characters, fast-moving action and mix of the comic and the heartfelt. A cast of international singers – both familiar and making Royal Opera debuts – under conductor Hartmut Haenchen perform the glorious arias and ensembles of this opera favourite.
Co-production with Israeli Opera, Gran Teatre del Liceu, Barcelona, and Houston Grand Opera
Music: Wolfgang Amadeus Mozart
Libretto: Lorenzo da Ponte
Conductor: Hartmut Haenchen
Director: Kasper Holten
Set designer: Es Devlin
Video designer: Luke Halls
Costume designer: Anja Vang Kragh
Lighting designer: Bruno Poet
Choreography: Signe Fabricius
Don Giovanni: Erwin Schrott
Leporello: Roberto Tagliavini
Donna Anna: Malin Byström
Donna Elvira: Christine Rice
Don Ottavio: Daniel Behle
Zerlina: Louise Alder
Commendatore: Lars Woldt
Masetto: Leon Košavić
Royal Opera Chorus
Orchestra of the Royal Opera House
Hailed as the UK’s most influential comedian of all time, legendary Scot Billy Connolly is coming to cinemas with this brilliant show from his final stand-up tour. Recorded in 2015 during the Australian leg, this whipsmart routine is a riotous journey filled with outrageous tales and blistering observations of everyday absurdities. This one-night-only event also includes a cinema-exclusive interview with Connolly, who muses upon his career, life and legacy.
Before retiring in 2016 following his diagnosis with Parkinson’s Disease, Connolly toured continuously for 50 years, performing to a combined audience of over ten million people. The Sex Life Of Bandages is a big-screen tribute to an iconic funny-man whose sharp wit and anarchic storytelling remains as hilarious as ever.
★★★★ ‘Can he still hold an audience in his thrall - warm us, cheer us, tickle us? Abso - Billy - lutely!' - The Telegraph
★★★★ 'Beautifully funny' - The Guardian
★★★★ 'Connolly has still got his funny bones' - The Evening Standard
Multi-award-winning director Emma Rice brings her unique, exuberantly impish vision to Angela Carter’s great last novel in this brand-new theatre production. A big, bawdy tangle of theatrical joy and heartbreak, Wise Children is a celebration of show business, family, forgiveness and hope, with a generous dash of Shakespeare, scandal and mischief, taking the audience on a rollercoaster ride of emotion.
In Brixton, Nora and Dora Chance – twin chorus girls born and bred south of the river – are celebrating their 75th birthday. Over the river in Chelsea, their father – and the greatest actor of his generation – Melchior Hazard turns 100 on the same day. As does his twin brother Peregrine. If, in fact, he’s still alive. And if, in truth, Melchior is their real father after all...
Performed by a talented ensemble cast, this entertaining, all-singing and dancing show opened to a raft of four and five-star reviews at London’s Old Vic in 2018. Adapted and directed by Emma Rice, the former Artistic Director of Kneehigh and Shakespeare’s Globe, it was filmed for the cinema screen at York Theatre Royal.
Roger Waters, co-founder, creative force and songwriter behind Pink Floyd, presents his highly anticipated concert film, Us + Them, which features state-of-the-art visual production and breathtaking sound.
Filmed in Amsterdam on the European leg of his 2017-18 Us + Them tour, on which Waters performed to over two million people worldwide, the film features songs from his legendary Pink Floyd albums (The Dark Side Of The Moon,The Wall, Animals, Wish You Were Here) and from his last album, Is This The Life We Really Want?
Waters’ second collaboration with Sean Evans, visionary director of the highly acclaimed movie Roger Waters The Wall, this pioneering film is an inspiring showcase for the tour’s powerful music and message of human rights, liberty and love.
Sexual intrigue, jealousy, wit, anger… and retribution! The new Royal Opera Season begins with Mozart’s engaging masterpiece, which follows Don Giovanni, the women he serially seduces, and the vengeance that finally catches up with him. The opera is renowned for its ever-shifting portrayals of complex characters, fast-moving action and mix of the comic and the heartfelt. A cast of international singers – both familiar and making Royal Opera debuts – under conductor Hartmut Haenchen perform the glorious arias and ensembles of this opera favourite.
Co-production with Israeli Opera, Gran Teatre del Liceu, Barcelona, and Houston Grand Opera
Music: Wolfgang Amadeus Mozart
Libretto: Lorenzo da Ponte
Conductor: Hartmut Haenchen
Director: Kasper Holten
Set designer: Es Devlin
Video designer: Luke Halls
Costume designer: Anja Vang Kragh
Lighting designer: Bruno Poet
Choreography: Signe Fabricius
Don Giovanni: Erwin Schrott
Leporello: Roberto Tagliavini
Donna Anna: Malin Byström
Donna Elvira: Christine Rice
Don Ottavio: Daniel Behle
Zerlina: Louise Alder
Commendatore: Lars Woldt
Masetto: Leon Košavić
Royal Opera Chorus
Orchestra of the Royal Opera House
This fascinating cinema event opens with a brand-new documentary about the life and work of Paul Gauguin, one of the world’s most popular and important artists. Filmed in Tahiti, France, the Marquesas Islands and the UK, this cinematic film will explore Gauguin’s extraordinary – and at times controversial – artistic achievement, with commentary from his descendants, artists and world experts. It will be followed by an exclusive private view of the National Gallery exhibition Gauguin Portraits, just after it opens in London. Exhibition curators and guest contributors will take cinema audiences on a lively and engaging guided tour, bringing this first ever exhibition of Gauguin’s portraits to the big screen with stunning close-ups and illuminating insights.
This fascinating cinema event opens with a brand-new documentary about the life and work of Paul Gauguin, one of the world’s most popular and important artists. Filmed in Tahiti, France, the Marquesas Islands and the UK, this cinematic film will explore Gauguin’s extraordinary – and at times controversial – artistic achievement, with commentary from his descendants, artists and world experts. It will be followed by an exclusive private view of the National Gallery exhibition Gauguin Portraits, just after it opens in London. Exhibition curators and guest contributors will take cinema audiences on a lively and engaging guided tour, bringing this first ever exhibition of Gauguin’s portraits to the big screen with stunning close-ups and illuminating insights.
'The course of true love never did run smooth.’
A feuding fairy King and Queen of the forest cross paths with four runaway lovers and a troupe of actors trying to rehearse a play. As their dispute grows, the magical royal couple meddle with mortal lives leading to love triangles, mistaken identities and transformations… with hilarious, but dark consequences.
Shakespeare’s most famous romantic comedy will be captured live from the Bridge Theatre in London. Gwendoline Christie (Game of Thrones), Oliver Chris (Green Wing, NT Live: Young Marx), David Moorst (NT Live: Allelujah!) and Hammed Animashaun (The Barber Shop Chronicles) lead the cast as Titania, Oberon, Puck and Bottom.
Directed by Nicholas Hytner, this production of A Midsummer Night’s Dream will build on the success of his immersive staging of Julius Caesar (NT Live 2018). The Bridge Theatre will become a forest – a dream world of flying fairies, contagious fogs and moonlight revels, surrounded by a roving audience following the action on foot.
Royal Opera favourite Bryn Terfel heads the cast for this new production of Donizetti’s comedy of domestic drama across two generations. The witty story of a middle-aged man whose supposed young wife runs rings around him – with her own ulterior romantic purpose in mind – has long delighted and surprised audiences, not least as presented with the sparkle of its music and the virtuoso skill of its performers. Damiano Michieletto’s exhilarating production shows how contemporary the characters still are and how immediate and touching the story remains.
Co-production with Opéra national de Paris and Teatro Massimo, Palermo
Music: Gaetano Donizetti
Lighting designer: Alessandro Carletti
Video designer: rocafilm
Libretto: Giovanni Ruffini and Gaetano Donizetti
Conductor: Evelino Pidò
Director: Damiano Michieletto
Set designer: Paolo Fantin
Costume designer: Agostino Cavalca
Don Pasquale: Bryn Terfel
Norina: Olga Peretyatko
Ernesto: Ioan Hotea
Malatesta: Mariusz Kwiecień
Royal Opera Chorus
Orchestra of the Royal Opera House
'The course of true love never did run smooth.’
A feuding fairy King and Queen of the forest cross paths with four runaway lovers and a troupe of actors trying to rehearse a play. As their dispute grows, the magical royal couple meddle with mortal lives leading to love triangles, mistaken identities and transformations… with hilarious, but dark consequences.
Shakespeare’s most famous romantic comedy will be captured live from the Bridge Theatre in London. Gwendoline Christie (Game of Thrones), Oliver Chris (Green Wing, NT Live: Young Marx), David Moorst (NT Live: Allelujah!) and Hammed Animashaun (The Barber Shop Chronicles) lead the cast as Titania, Oberon, Puck and Bottom.
Directed by Nicholas Hytner, this production of A Midsummer Night’s Dream will build on the success of his immersive staging of Julius Caesar (NT Live 2018). The Bridge Theatre will become a forest – a dream world of flying fairies, contagious fogs and moonlight revels, surrounded by a roving audience following the action on foot.
When all-American couple Janet and Brad’s car breaks down outside an Old Dark House, they’re in for a night of frights and frolics at the hands of Dr Frank N. Furter and all manner of kinky Transylvanians in this cult musical comedy.
Contains moderate sex and one use of strong language.
Leonardo da Vinci is acclaimed as the world’s favourite artist. Many TV shows and feature films have showcased his extraordinary genius, but often not examined closely enough is the most crucial element of all: his art.
Leonardo’s peerless paintings and drawings will be the focus of LEONARDO: THE WORKS, which presents every single attributed painting in Ultra HD quality – something never seen before on the big screen. Key works include ‘The Mona Lisa’, ‘The Last Supper’, ‘Lady with an Ermine’, ‘Ginevra de’ Benci’, ‘Madonna Litta’, ‘Virgin of the Rocks’ and more than a dozen others.
This film also looks afresh at Leonardo’s life – his inventiveness, his sculptural skills, his military foresight and his ability to navigate the treacherous politics of the day – through the prism of his art. To be released on the 500th anniversary of his death, this is the definitive film about Leonardo – the first to truly tell the whole story.
From The Royal Ballet’s classical origins in the works of Marius Petipa, to the homegrown choreographers who put British ballet on the world stage, this mixed programme highlights the versatility of the Company. Petipa’s Raymonda Act III is Russian classical ballet summarised in one act, full of sparkle and precise technique, while Ashton’s Enigma Variations is quintessentially British in every way – from its score by Elgar and period designs by Julia Trevelyan Oman, to Ashton’s signature style, the essence of British ballet. Concerto, MacMillan’s fusion of classical technique with a contemporary mind, completes a programme that shows the breadth of The Royal Ballet’s heritage.
Hansard; noun
The official report of all parliamentary debates.
See two-time Olivier Award winners, Lindsay Duncan (Birdman, About Time) and Alex Jennings (The Lady in the Van, The Queen), in this brand-new play by Simon Wood, broadcast live from the National Theatre in London.
It’s a summer’s morning in 1988 and Tory politician Robin Hesketh has returned home to the idyllic Cotswold house he shares with his wife of 30 years, Diana. But all is not as blissful as it seems. Diana has a stinking hangover, a fox is destroying the garden, and secrets are being dug up all over the place. As the day draws on, what starts as gentle ribbing and the familiar rhythms of marital scrapping quickly turns to blood-sport.
Don’t miss this witty and devastating portrait of the governing class, directed by Simon Godwin (NT Live: Antony & Cleopatra, Twelfth Night) and part of National Theatre Live’s 10th birthday season.
From The Royal Ballet’s classical origins in the works of Marius Petipa, to the homegrown choreographers who put British ballet on the world stage, this mixed programme highlights the versatility of the Company. Petipa’s Raymonda Act III is Russian classical ballet summarised in one act, full of sparkle and precise technique, while Ashton’s Enigma Variations is quintessentially British in every way – from its score by Elgar and period designs by Julia Trevelyan Oman, to Ashton’s signature style, the essence of British ballet. Concerto, MacMillan’s fusion of classical technique with a contemporary mind, completes a programme that shows the breadth of The Royal Ballet’s heritage.
Leonardo da Vinci is acclaimed as the world’s favourite artist. Many TV shows and feature films have showcased his extraordinary genius, but often not examined closely enough is the most crucial element of all: his art.
Leonardo’s peerless paintings and drawings will be the focus of LEONARDO: THE WORKS, which presents every single attributed painting in Ultra HD quality – something never seen before on the big screen. Key works include ‘The Mona Lisa’, ‘The Last Supper’, ‘Lady with an Ermine’, ‘Ginevra de’ Benci’, ‘Madonna Litta’, ‘Virgin of the Rocks’ and more than a dozen others.
This film also looks afresh at Leonardo’s life – his inventiveness, his sculptural skills, his military foresight and his ability to navigate the treacherous politics of the day – through the prism of his art. To be released on the 500th anniversary of his death, this is the definitive film about Leonardo – the first to truly tell the whole story.
Hansard; noun
The official report of all parliamentary debates.
See two-time Olivier Award winners, Lindsay Duncan (Birdman, About Time) and Alex Jennings (The Lady in the Van, The Queen), in this brand-new play by Simon Wood, broadcast live from the National Theatre in London.
It’s a summer’s morning in 1988 and Tory politician Robin Hesketh has returned home to the idyllic Cotswold house he shares with his wife of 30 years, Diana. But all is not as blissful as it seems. Diana has a stinking hangover, a fox is destroying the garden, and secrets are being dug up all over the place. As the day draws on, what starts as gentle ribbing and the familiar rhythms of marital scrapping quickly turns to blood-sport.
Don’t miss this witty and devastating portrait of the governing class, directed by Simon Godwin (NT Live: Antony & Cleopatra, Twelfth Night) and part of National Theatre Live’s 10th birthday season.
Matthew Warchus directs Andrew Scott (BBC’s Sherlock, Fleabag) in Noël Coward’s provocative comedy Present Laughter.
As he prepares to embark on an overseas tour, star actor Garry Essendine’s colourful life is in danger of spiralling out of control. Engulfed by an escalating identity crisis as his many and various relationships compete for his attention, Garry’s few remaining days at home are a chaotic whirlwind of love, sex, panic and soul-searching.
Captured live from The Old Vic in London, Present Laughter is a giddy and surprisingly modern reflection on fame, desire and loneliness.
A classic returns to The Royal Ballet repertory with Ninette de Valois’ charming and funny Coppélia – a story of love, mischief and mechanical dolls. The intricate choreography is set to Delibes’ delightful score and shows off the technical precision and comedic timing of the whole Company. Osbert Lancaster’s designs bring a colourful storybook world to life in this Christmas treat for the whole family.
Choreography: Ninette de Valois, after Lev Ivanov and Enrico Cecchetti
Music: Léo Delibes
Scenario: Charles Nuitter and Arthur Saint-Léon, after E.T.A. Hoffmann
Designer: Osbert Lancaster
Lighting designer: John B. Read
Conductor: Barry Wordsworth
Orchestra of the Royal Opera House
Matthew Warchus directs Andrew Scott (BBC’s Sherlock, Fleabag) in Noël Coward’s provocative comedy Present Laughter.
As he prepares to embark on an overseas tour, star actor Garry Essendine’s colourful life is in danger of spiralling out of control. Engulfed by an escalating identity crisis as his many and various relationships compete for his attention, Garry’s few remaining days at home are a chaotic whirlwind of love, sex, panic and soul-searching.
Captured live from The Old Vic in London, Present Laughter is a giddy and surprisingly modern reflection on fame, desire and loneliness.
A classic returns to The Royal Ballet repertory with Ninette de Valois’ charming and funny Coppélia – a story of love, mischief and mechanical dolls. The intricate choreography is set to Delibes’ delightful score and shows off the technical precision and comedic timing of the whole Company. Osbert Lancaster’s designs bring a colourful storybook world to life in this Christmas treat for the whole family.
Choreography: Ninette de Valois, after Lev Ivanov and Enrico Cecchetti
Music: Léo Delibes
Scenario: Charles Nuitter and Arthur Saint-Léon, after E.T.A. Hoffmann
Designer: Osbert Lancaster
Lighting designer: John B. Read
Conductor: Barry Wordsworth
Orchestra of the Royal Opera House
The Royal Ballet's glorious production of The Nutcracker, created by Peter Wright in 1984, is the production par excellence of an all-time ballet favourite. On Christmas Eve, Herr Drosselmeyer the magician sweeps young Clara away on a fantasy adventure in which time is suspended, the family
living-room becomes a great battlefield, and a magical journey takes them through the Land of Snow to the Kingdom of Sweets. Tchaikovsky's glittering score, the gorgeous festive stage designs, and The Royal Ballet's captivating dancing including an exquisite pas de deux between the Sugar Plum Fairy and her Prince, make this Nutcracker the quintessential Christmas experience.
RECORDED LIVE AT THE ROYAL OPERA HOUSE
Thursday 8 December 2016
Choreography: Peter Wright after Lev Ivanov
Music: Pyotr Il’yich Tchaikovsky
Original scenario: Marius Petipa after E.T.A.Hoffmann
Production and scenario: Peter Wright
Designer: Julia Trevelyan Oman
Lighting designer: Mark Henderson
Staging: Christopher Carr
Conductor: Boris Gruzin
The Sugar Plum Fairy: Lauren Cuthbertson
The Prince: Federico Bonelli
Clara: Francesca Hayward
Hans-Peter/The Nutcracker: Alexander Campbell
Herr Drosselmeyer: Gary Avis
Orchestra of the Royal Opera House
The Royal Ballet's glorious production of The Nutcracker, created by Peter Wright in 1984, is the production par excellence of an all-time ballet favourite. On Christmas Eve, Herr Drosselmeyer the magician sweeps young Clara away on a fantasy adventure in which time is suspended, the family
living-room becomes a great battlefield, and a magical journey takes them through the Land of Snow to the Kingdom of Sweets. Tchaikovsky's glittering score, the gorgeous festive stage designs, and The Royal Ballet's captivating dancing including an exquisite pas de deux between the Sugar Plum Fairy and her Prince, make this Nutcracker the quintessential Christmas experience.
RECORDED LIVE AT THE ROYAL OPERA HOUSE
Thursday 8 December 2016
Choreography: Peter Wright after Lev Ivanov
Music: Pyotr Il’yich Tchaikovsky
Original scenario: Marius Petipa after E.T.A.Hoffmann
Production and scenario: Peter Wright
Designer: Julia Trevelyan Oman
Lighting designer: Mark Henderson
Staging: Christopher Carr
Conductor: Boris Gruzin
The Sugar Plum Fairy: Lauren Cuthbertson
The Prince: Federico Bonelli
Clara: Francesca Hayward
Hans-Peter/The Nutcracker: Alexander Campbell
Herr Drosselmeyer: Gary Avis
Orchestra of the Royal Opera House
This production of The Sleeping Beauty has delighted audiences in Covent Garden since 1946. A classic of Russian ballet, it established The Royal Ballet both in its new home after the Second World War and as a world-class company. Sixty years later, in 2006, the original staging was revived, returning Oliver Messel’s wonderful designs and glittering costumes to the stage. Pyotr Il’yich Tchaikovsky’s enchanting score and Marius Petipa’s original choreography beautifully combine with sections created for The Royal Ballet by Frederick Ashton, Anthony Dowell and Christopher Wheeldon. This ballet is sure to cast its spell over anyone who sees it.
Choreography: Marius Petipa
Music: Pyotr Il’yich Tchaikovsky
Additional choreography: Frederick Ashton, Anthony Dowell, Christopher Wheeldon
Production: Monica Mason and Christopher Newton after Ninette de Valois and Nicholas Sergeyev
Original designs: Oliver Messel
Additional designs: Peter Farmer
Lighting designer: Mark Jonathan
Conductor: Simon Hewett
For the first time in history, the Royal Academy of Arts in London, in collaboration with the Museum of Fine Arts in Boston, is bringing together Lucian Freud’s self-portraits. This intensely compelling exhibition will display more than 50 paintings, prints and drawings in which this modern master of British art turned his unflinching eye firmly on himself.
One of the most celebrated painters of our time, Lucian Freud is also one of very few twentieth-century artists who portrayed themselves with such consistency. Spanning nearly seven decades, his self-portraits give a fascinating insight into both his psyche and his development as a painter, from his earliest portrait painted in 1939 to the final one executed 64 years later. When seen together, his works represent an engrossing study of the dynamic of ageing and the process of self-representation.
This production of The Sleeping Beauty has delighted audiences in Covent Garden since 1946. A classic of Russian ballet, it established The Royal Ballet both in its new home after the Second World War and as a world-class company. Sixty years later, in 2006, the original staging was revived, returning Oliver Messel’s wonderful designs and glittering costumes to the stage. Pyotr Il’yich Tchaikovsky’s enchanting score and Marius Petipa’s original choreography beautifully combine with sections created for The Royal Ballet by Frederick Ashton, Anthony Dowell and Christopher Wheeldon. This ballet is sure to cast its spell over anyone who sees it.
Choreography: Marius Petipa
Music: Pyotr Il’yich Tchaikovsky
Additional choreography: Frederick Ashton, Anthony Dowell, Christopher Wheeldon
Production: Monica Mason and Christopher Newton after Ninette de Valois and Nicholas Sergeyev
Original designs: Oliver Messel
Additional designs: Peter Farmer
Lighting designer: Mark Jonathan
Conductor: Simon Hewett
Puccini’s opera of young love in 19th-century Paris is packed with beautiful music, including lyrical arias, celebratory choruses for Act II’s evocation of Christmas Eve in the Latin Quarter, and a poignant final scene over which the composer himself wept. Richard Jones’s character-led production perfectly captures La bohème’s mixture of comedy, romance and tragedy, with striking designs by Stewart Laing. The cast features some of the greatest interpreters of Puccini’s bohemian lovers performing today, as well as former members of The Royal Opera’s Jette Parker Young Artists Programme.
Co-production with Teatro Real, Madrid and Lyric Opera of Chicago
Music: Giacomo Puccini
Libretto: Giuseppe Giacosa and Luigi Illica
Conductor: Emmanuel Villaume
Director: Richard Jones
Designer: Stewart Laing
Lighting designer: Mimi Jordan Sherin
Movement director: Sarah Fahie
Mimì: Sonya Yoncheva
Rodolfo: Charles Castronovo
Marcello: Andrzej Filończyk
Musetta: Aida Garifullina
Schaunard: Gyula Nagy
Colline: Peter Kellner
Royal Opera Chorus
Orchestra of the Royal Opera House
For the first time in history, the Royal Academy of Arts in London, in collaboration with the Museum of Fine Arts in Boston, is bringing together Lucian Freud’s self-portraits. This intensely compelling exhibition will display more than 50 paintings, prints and drawings in which this modern master of British art turned his unflinching eye firmly on himself.
One of the most celebrated painters of our time, Lucian Freud is also one of very few twentieth-century artists who portrayed themselves with such consistency. Spanning nearly seven decades, his self-portraits give a fascinating insight into both his psyche and his development as a painter, from his earliest portrait painted in 1939 to the final one executed 64 years later. When seen together, his works represent an engrossing study of the dynamic of ageing and the process of self-representation.
Puccini’s opera of young love in 19th-century Paris is packed with beautiful music, including lyrical arias, celebratory choruses for Act II’s evocation of Christmas Eve in the Latin Quarter, and a poignant final scene over which the composer himself wept. Richard Jones’s character-led production perfectly captures La bohème’s mixture of comedy, romance and tragedy, with striking designs by Stewart Laing. The cast features some of the greatest interpreters of Puccini’s bohemian lovers performing today, as well as former members of The Royal Opera’s Jette Parker Young Artists Programme.
Co-production with Teatro Real, Madrid and Lyric Opera of Chicago
Music: Giacomo Puccini
Libretto: Giuseppe Giacosa and Luigi Illica
Conductor: Emmanuel Villaume
Director: Richard Jones
Designer: Stewart Laing
Lighting designer: Mimi Jordan Sherin
Movement director: Sarah Fahie
Mimì: Sonya Yoncheva
Rodolfo: Charles Castronovo
Marcello: Andrzej Filończyk
Musetta: Aida Garifullina
Schaunard: Gyula Nagy
Colline: Peter Kellner
Royal Opera Chorus
Orchestra of the Royal Opera House
Choreographer Cathy Marston is previously an Associate Artist of the Royal Opera House and Director of Bern Ballett, and much in demand internationally. The inspiration for her first work for The Royal Ballet Main Stage is the momentous life and career of the cellist Jacqueline du Pré. A new work by Liam Scarlett, The Royal Ballet’s Artist in Residence, provides the second part of the programme.
NEW CATHY MARSTON
Choreography: Cathy Marston
Music: Philip Feeney
Scenario: Cathy Marston and Edward Kemp
Set designer: Hildegard Bechtler
Costume designer: Bregje van Balen
Lighting designer: Jon Clark
Conductor: Andrea Molino
NEW LIAM SCARLETT
Choreographer: Liam Scarlett
Choreographer Cathy Marston is previously an Associate Artist of the Royal Opera House and Director of Bern Ballett, and much in demand internationally. The inspiration for her first work for The Royal Ballet Main Stage is the momentous life and career of the cellist Jacqueline du Pré. A new work by Liam Scarlett, The Royal Ballet’s Artist in Residence, provides the second part of the programme.
NEW CATHY MARSTON
Choreography: Cathy Marston
Music: Philip Feeney
Scenario: Cathy Marston and Edward Kemp
Set designer: Hildegard Bechtler
Costume designer: Bregje van Balen
Lighting designer: Jon Clark
Conductor: Andrea Molino
NEW LIAM SCARLETT
Choreographer: Liam Scarlett
Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, Jonas Kaufmann plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime. The music is transcendent throughout and includes the famous Act I Quartet, the Prisoners’ Chorus and Florestan’s impassioned Act II cry in the darkness and vision of hope. Tobias Kratzer’s new staging brings together the dark reality of the French Revolutionary ‘Terror’ and our own time to illuminate Fidelio’s inspiring message of shared humanity.
Music: Ludwig van Beethoven
Libretto: Joseph Sonnleithner, Stephan von Breuning and George Friedrich Treitschke
Conductor: Antonio Pappano
Director: Tobias Kratzer
Set and costume designer: Rainer Sellmaier
Lighting designer: Michael Bauer
Video designer: Manuel Braun
Dramaturg: Bettina Bartz
Leonore (Fidelio): Lise Davidsen
Florestan: Jonas Kaufmann
Rocco: Georg Zeppenfeld
Don Pizarro: Simon Neal
Marzelline: Amanda Forsythe
Royal Opera Chorus
Orchestra of the Royal Opera House
Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, Jonas Kaufmann plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime. The music is transcendent throughout and includes the famous Act I Quartet, the Prisoners’ Chorus and Florestan’s impassioned Act II cry in the darkness and vision of hope. Tobias Kratzer’s new staging brings together the dark reality of the French Revolutionary ‘Terror’ and our own time to illuminate Fidelio’s inspiring message of shared humanity.
Music: Ludwig van Beethoven
Libretto: Joseph Sonnleithner, Stephan von Breuning and George Friedrich Treitschke
Conductor: Antonio Pappano
Director: Tobias Kratzer
Set and costume designer: Rainer Sellmaier
Lighting designer: Michael Bauer
Video designer: Manuel Braun
Dramaturg: Bettina Bartz
Leonore (Fidelio): Lise Davidsen
Florestan: Jonas Kaufmann
Rocco: Georg Zeppenfeld
Don Pizarro: Simon Neal
Marzelline: Amanda Forsythe
Royal Opera Chorus
Orchestra of the Royal Opera House
Liam Scarlett’s glorious production of Swan Lake, new in 2018, returns for its first revival. While remaining faithful to the Marius Petipa/Lev Ivanov text, Scarlett’s additional choreography and John Macfarlane’s magnificent designs breathe new life into what is arguably the best-known and most-loved classical ballet. The entire Company shines in this eternal tale of doomed love, a masterpiece filled with iconic moments. Tchaikovsky’s first score for ballet soars with its symphonic sweep and combines perfectly with exquisite choreography from the grand pas de deux of Prince Siegfried and Odile to the swans at the lakeside. An intoxicating, irresistible mix of spectacle and intimate passion.
Choreography: Liam Scarlett after Marius Petipa and Lev Ivanov
Music: Pyotr Il’yich Tchaikovsky
Additional choreography:Frederick Ashton
Production: Liam Scarlett
Designer: John Macfarlane
Lighting designer: David Finn
Conductor: Koen Kessels
Liam Scarlett’s glorious production of Swan Lake, new in 2018, returns for its first revival. While remaining faithful to the Marius Petipa/Lev Ivanov text, Scarlett’s additional choreography and John Macfarlane’s magnificent designs breathe new life into what is arguably the best-known and most-loved classical ballet. The entire Company shines in this eternal tale of doomed love, a masterpiece filled with iconic moments. Tchaikovsky’s first score for ballet soars with its symphonic sweep and combines perfectly with exquisite choreography from the grand pas de deux of Prince Siegfried and Odile to the swans at the lakeside. An intoxicating, irresistible mix of spectacle and intimate passion.
Choreography: Liam Scarlett after Marius Petipa and Lev Ivanov
Music: Pyotr Il’yich Tchaikovsky
Additional choreography:Frederick Ashton
Production: Liam Scarlett
Designer: John Macfarlane
Lighting designer: David Finn
Conductor: Koen Kessels
The story of Christ’s death and resurrection has dominated western culture for the past 2000 years. It’s perhaps the most significant historical event of all time, as recounted by the gospels but, equally, as depicted by the greatest artists in history. From the triumphant to the savage, the ethereal to the tactile, some of western civilisation’s greatest artworks focus on this pivotal moment. This beautifully crafted film explores the Easter story as depicted in art, from the time of the early Christians to the present day. Shot on location in Jerusalem, United States and throughout Europe, it explores the different ways artists have depicted the Easter story through the ages and thus depicts the history of us all.
The story of Christ’s death and resurrection has dominated western culture for the past 2000 years. It’s perhaps the most significant historical event of all time, as recounted by the gospels but, equally, as depicted by the greatest artists in history. From the triumphant to the savage, the ethereal to the tactile, some of western civilisation’s greatest artworks focus on this pivotal moment. This beautifully crafted film explores the Easter story as depicted in art, from the time of the early Christians to the present day. Shot on location in Jerusalem, United States and throughout Europe, it explores the different ways artists have depicted the Easter story through the ages and thus depicts the history of us all.
Two opera classics are drawn together in this wonderfully observed re-creation of life in a south Italian village as a travelling theatre visits and emotions erupt. The award-winning production by Damiano Michieletto presents vividly the fast-moving and shocking events brought about by secret love and uncontrollable jealousy. The music is full of Italianate melody in the great choruses that bring the villagers together in celebration and revelry, alongside the solo arias and tense confrontations that provoke violence and tragedy. With thrilling singing and intense drama, ‘Cav and Pag’ distils into one wonderful night out, the enduring appeal of Italian opera in its most familiar form.
A co-production with Opera Australia, La Monnaie, Brussels, and the Göteborg Opera.
Conductor: Daniel Oren
Director: Damiano Michieletto
Set designer: Paolo Fantin
Costume designer: Carla Teti
Lighting designer: Alessandro Carletti
CAVALLERIA RUSTICANA
Music: Pietro Mascagni
Libretto: Giovanni Targioni-Tozzetti and Guido Menasci
Turiddu: Yonghoon Lee
Santuzza: Liudmyla Monastyrska
Alfio: Dimitri Platanias
Lola: Josè Maria Lo Monaco
PAGLIACCI
Music: Ruggero Leoncavallo
Libretto: Ruggero Leoncavallo
Canio: Roberto Alagna
Tonio: Dimitri Platanias
Nedda: Aleksandra Kurzak
Silvio: Bogdan Baciu
Beppe: Mikeldi Atxlandabaso
Two opera classics are drawn together in this wonderfully observed re-creation of life in a south Italian village as a travelling theatre visits and emotions erupt. The award-winning production by Damiano Michieletto presents vividly the fast-moving and shocking events brought about by secret love and uncontrollable jealousy. The music is full of Italianate melody in the great choruses that bring the villagers together in celebration and revelry, alongside the solo arias and tense confrontations that provoke violence and tragedy. With thrilling singing and intense drama, ‘Cav and Pag’ distils into one wonderful night out, the enduring appeal of Italian opera in its most familiar form.
A co-production with Opera Australia, La Monnaie, Brussels, and the Göteborg Opera.
Conductor: Daniel Oren
Director: Damiano Michieletto
Set designer: Paolo Fantin
Costume designer: Carla Teti
Lighting designer: Alessandro Carletti
CAVALLERIA RUSTICANA
Music: Pietro Mascagni
Libretto: Giovanni Targioni-Tozzetti and Guido Menasci
Turiddu: Yonghoon Lee
Santuzza: Liudmyla Monastyrska
Alfio: Dimitri Platanias
Lola: Josè Maria Lo Monaco
PAGLIACCI
Music Ruggero Leoncavallo
Libretto Ruggero Leoncavallo
Canio Roberto Alagna
Tonio Dimitri Platanias
Nedda Aleksandra Kurzak
Silvio Bogdan Baciu
Beppe Mikeldi Atxlandabaso
Dante’s Divine Comedy is an epic journey through the afterlife: it encompasses the horrifying drama of Inferno and its damned, the lyrical mysticism of pilgrims on mount Purgatorio and the dazzling spheres of Paradiso with their endless configurations of light. The poem was inspired by the agony of Dante’s own exile, and traces his path from crisis to revelation guided by his literary hero Virgil and his lost love Beatrice. In this new work, The Royal Ballet’s trailblazing Resident Choreographer Wayne McGregor collaborates with an award-winning team – contemporary composer Thomas Adès, artist Tacita Dean, lighting designer Lucy Carter and dramaturg Uzma Hameed – to bring us closer to Dante and his extraordinary vision.
A collaboration between Wayne McGregor, Thomas Adès, Tacita Dean, Lucy Carter
and Uzma Hameed
Choreography: Wayne McGregor
Music: Thomas Adès
Design: Tacita Dean
Lighting design (part one): Lucy Carter, Simon Bennison
Lighting design (parts two and three): Lucy Carter
Dramaturg: Uzma Hameed
Conductor: Koen Kessels
Dante’s Divine Comedy is an epic journey through the afterlife: it encompasses the horrifying drama of Inferno and its damned, the lyrical mysticism of pilgrims on mount Purgatorio and the dazzling spheres of Paradiso with their endless configurations of light. The poem was inspired by the agony of Dante’s own exile, and traces his path from crisis to revelation guided by his literary hero Virgil and his lost love Beatrice. In this new work, The Royal Ballet’s trailblazing Resident Choreographer Wayne McGregor collaborates with an award-winning team – contemporary composer Thomas Adès, artist Tacita Dean, lighting designer Lucy Carter and dramaturg Uzma Hameed – to bring us closer to Dante and his extraordinary vision.
A collaboration between Wayne McGregor, Thomas Adès, Tacita Dean, Lucy Carter
and Uzma Hameed
Choreography: Wayne McGregor
Music: Thomas Adès
Design: Tacita Dean
Lighting design (part one): Lucy Carter, Simon Bennison
Lighting design (parts two and three): Lucy Carter
Dramaturg: Uzma Hameed
Conductor: Koen Kessels
Strauss’s thrilling and audacious adaptation of Greek tragedy receives a new staging by the award-winning director Christof Loy. This uncompromising opera, about a daughter intent on bloody revenge and a mother driven to madness, has provoked critics to lively debate and both shocked and excited audiences since its 1909 premiere. Antonio Pappano conducts music that combines violence with moments of exquisite tenderness in his first Strauss interpretation for The Royal Opera since 2002. The outstanding cast includes Nina Stemme (Brünnhilde in last Season’s Der Ring des Nibelungen) in the title role, and Karita Mattila in her role debut as the haunted queen Klytämnestra.
Music: Richard Strauss
Libretto: Hugo von Hofmannsthal
Conductor: Antonio Pappano
Director: Christof Loy
Designer: Johannes Leiacker
Lighting designer: Olaf Winter
Elektra Nina: Stemme
Chrysothemis: Sara Jakubiak
Klytämnestra: Karita Mattila
Orest: Christof Fischesser
Ägisth: Joseph Kaiser
Royal Opera Chorus
Orchestra of the Royal Opera House
Strauss’s thrilling and audacious adaptation of Greek tragedy receives a new staging by the award-winning director Christof Loy. This uncompromising opera, about a daughter intent on bloody revenge and a mother driven to madness, has provoked critics to lively debate and both shocked and excited audiences since its 1909 premiere. Antonio Pappano conducts music that combines violence with moments of exquisite tenderness in his first Strauss interpretation for The Royal Opera since 2002. The outstanding cast includes Nina Stemme (Brünnhilde in last Season’s Der Ring des Nibelungen) in the title role, and Karita Mattila in her role debut as the haunted queen Klytämnestra.
Music: Richard Strauss
Libretto: Hugo von Hofmannsthal
Conductor: Antonio Pappano
Director: Christof Loy
Designer: Johannes Leiacker
Lighting designer: Olaf Winter
Elektra Nina: Stemme
Chrysothemis: Sara Jakubiak
Klytämnestra: Karita Mattila
Orest: Christof Fischesser
Ägisth: Joseph Kaiser
Royal Opera Chorus
Orchestra of the Royal Opera House
“I never paint dreams or nightmares. I paint my own reality”
We might think we already know Frida Kahlo – the image of floral crowns, big brows and folk style clothing have made her a muse to generations – but what lies beneath the surface of this intensely passionate woman?
This highly engaging film takes us on a journey through the life of one of the most prevalent female icons. Kahlo was a prolific self-portraitist, using the canvas as a mirror through all stages of her turbulent and, at times, tragic life. Guided by interview, commentary and the artist’s own words, Exhibition On Screen uncovers that this, however, was not a life defined by tragedy.
Featuring key exhibitions and interviews with world-renowned Kahlo curators, this personal and intimate film explores the extraordinary symbolism and themes in these personal canvases to seek a deeper understanding of the real Frida. Displaying a treasure trove of colour and a feast of vibrancy on screen, it offers privileged access to her works and highlights the source of her feverish creativity, her resilience and her unmatched lust for life, men, women, politics and her cultural heritage.
“I never paint dreams or nightmares. I paint my own reality”
We might think we already know Frida Kahlo – the image of floral crowns, big brows and folk style clothing have made her a muse to generations – but what lies beneath the surface of this intensely passionate woman?
This highly engaging film takes us on a journey through the life of one of the most prevalent female icons. Kahlo was a prolific self-portraitist, using the canvas as a mirror through all stages of her turbulent and, at times, tragic life. Guided by interview, commentary and the artist’s own words, Exhibition On Screen uncovers that this, however, was not a life defined by tragedy.
Featuring key exhibitions and interviews with world-renowned Kahlo curators, this personal and intimate film explores the extraordinary symbolism and themes in these personal canvases to seek a deeper understanding of the real Frida. Displaying a treasure trove of colour and a feast of vibrancy on screen, it offers privileged access to her works and highlights the source of her feverish creativity, her resilience and her unmatched lust for life, men, women, politics and her cultural heritage.
