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Based on the critically acclaimed 2008 memoir Beautiful Boy: A Father’s Journey Through His Son’s Addiction by David Sheff, Beautiful Boy is a harrowing film about a father’s torment at witnessing his son’s downward spiral, succumbing to the effects of crystal meth and heroin. Actors Steve Carell and Timothée Chalamet excel in the roles of David and his son Nic, delivering a marvellously sensitive, largely quiet tour de force, as they take us on a journey of love, pain and hope, navigating through moments of happiness and of utter despair, moments of rehab and relapse. A truly inspiring story of survival and recovery as a family copes with addiction over many years.
Lizzie is a psychological thriller that reveals many layers of the strange and fragile Lizzie Borden, who stood accused of the infamous 1892 axe murder of her family in Fall River, Massachusetts.
An unmarried woman of 32 and a social outcast, Lizzie (Sevigny) lives a claustrophobic life under her father’s cold and domineering control. When Bridget Sullivan (Stewart), a young maid, comes to work for the family, Lizzie finds a sympathetic, kindred spirit, and their secret intimacy soon blossoms into a wicked plan.
Brooklyn teen Miles Morales thinks there’s only one Spider-Man. But when a nefarious kingpin opens a portal into a parallel dimension, Miles discovers his world is just a small slice of the Spider-Verse, and he’s just one of many who can wear the mask.
Developed by The Lego Movie masterminds Phil Lord and Christopher Miller, who wanted the film to feel like ‘walking inside a comic book’, Into The Spider-Verse is the freshest Spider-Man story yet, and delivers a dynamic blend of humour, action and gorgeous, groundbreaking animation.
Lars von Trier returns to the director’s chair to present the world with his most daring and provocative work to date. This time the topic of discussion is violence and art, and violence as art.
Matt Dillon plays failed architect turned serial killer Jack, who leads us through his thought processes behind his increasingly depraved acts of murder which he names “incidents”. As he retells his crimes to Verge (Ganz) as if they were works of art in themselves, the audience is invited to question the nature of artistry. Where do its limits lie? How far is too far? With pitch-black humour and undeniable cinematic vision, von Trier delights in taking us there.
This screening includes a short introduction from the director, Lars Von Trier.
THE OLD MAN & THE GUN is based on the true story of Forrest Tucker (Robert Redford), from his audacious escape from San Quentin at the age of 70 to an unprecedented string of heists that confounded authorities and enchanted the public. Wrapped up in the pursuit are detective John Hunt (Casey Affleck), who becomes captivated with Forrest"s commitment to his craft, and a woman (Sissy Spacek), who loves him in spite of his chosen profession.
Things aren’t going brilliantly for Cassius Green (Lakeith Stanfield). He’s living out of his uncle’s garage and the only job he can find, as a low-level telemarketer, he isn’t particularly good at. That is, until an older black colleague gives him one simple piece of advice: speak in a “white voice”. This proves to be the key to immediate professional success and Cassius begins to shoot up the corporate ladder.
Written and directed by rapper Boots Riley, Sorry to Bother You is a fierce and very funny satire, bursting with ideas. Announcing a major new talent, and perhaps the most stridently anti-capitalist film ever to come out of Hollywood, this is radical, dazzling and unmissable.
After one of their shoplifting sessions, Osamu and his son come across a little girl in the freezing cold. At first reluctant to shelter the girl, Osamu’s wife agrees to take care of her after learning of the hardships she faces. Although the family is poor, and barely makes enough money through petty crime to survive, they seem to live happily together, until an unforeseen incident reveals hidden secrets and shakes the bonds that unite them. Full of emotion and characters of unassuming depth, this superb family drama from Kore-eda (Nobody Knows) won the Palme d’Or at Cannes in 2018.
The second chapter of the Fantastic Beasts franchise delves back into J. K. Rowling’s enchanting Wizarding World, swapping the hustle and bustle of 1920s New York for the moody streets of Paris a year on, where a slew of new characters and wonderful beasts await discovery.
The powerful dark wizard Gellert Grindelwald (a wildly white-haired Depp duded up in heinous style) has slipped the bars of custody and is out to purge the world of all non-magical beings. In a desperate bid to restore harmony, a young Albus Dumbledore (Law) calls upon the help of former Hogwarts student Newt Scamander (Redmayne) to stop Grindelwald and his growing army of pure-blood wizards in their tracks. But this only marks the start of a perilous quest into a world of dark magic.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
Need proof that life is stranger than fiction? Look right this way. Tim Wardle’s acclaimed documentary might just be the most incredible true story ever told.
The film begins with the stuff of fairy tales: three identical triplets, separated at birth and adopted by three different families, are reunited two decades later by astonishing coincidence.
It’s a jaw-dropping slice of feel-good that made headlines around the world. But the reunion also set in motion a series of events that unearthed an unimaginable secret – a secret with radical repercussions for us all.
Winner of Sundance Film Festival’s Special Jury Award, Three Identical Strangers is an exuberant celebration of family that transforms into a thriller with colossal implications.
Contains suicide references.
Lizzie is a psychological thriller that reveals many layers of the strange and fragile Lizzie Borden, who stood accused of the infamous 1892 axe murder of her family in Fall River, Massachusetts.
An unmarried woman of 32 and a social outcast, Lizzie (Sevigny) lives a claustrophobic life under her father’s cold and domineering control. When Bridget Sullivan (Stewart), a young maid, comes to work for the family, Lizzie finds a sympathetic, kindred spirit, and their secret intimacy soon blossoms into a wicked plan.
Brooklyn teen Miles Morales thinks there’s only one Spider-Man. But when a nefarious kingpin opens a portal into a parallel dimension, Miles discovers his world is just a small slice of the Spider-Verse, and he’s just one of many who can wear the mask.
Developed by The Lego Movie masterminds Phil Lord and Christopher Miller, who wanted the film to feel like ‘walking inside a comic book’, Into The Spider-Verse is the freshest Spider-Man story yet, and delivers a dynamic blend of humour, action and gorgeous, groundbreaking animation.
Lars von Trier returns to the director’s chair to present the world with his most daring and provocative work to date. This time the topic of discussion is violence and art, and violence as art.
Matt Dillon plays failed architect turned serial killer Jack, who leads us through his thought processes behind his increasingly depraved acts of murder which he names “incidents”. As he retells his crimes to Verge (Ganz) as if they were works of art in themselves, the audience is invited to question the nature of artistry. Where do its limits lie? How far is too far? With pitch-black humour and undeniable cinematic vision, von Trier delights in taking us there.
This screening includes a short introduction from the director, Lars Von Trier.
THE OLD MAN & THE GUN is based on the true story of Forrest Tucker (Robert Redford), from his audacious escape from San Quentin at the age of 70 to an unprecedented string of heists that confounded authorities and enchanted the public. Wrapped up in the pursuit are detective John Hunt (Casey Affleck), who becomes captivated with Forrest"s commitment to his craft, and a woman (Sissy Spacek), who loves him in spite of his chosen profession.
This sublime, lyrical opus from Nuri Bilge Ceylan (Winter Sleep) follows the homecoming of a young would-be writer, who returns from his studies to find funding for his book, but finds himself at odds with his hometown, his family, and what the future holds. The film premiered to critical acclaim at Cannes in 2018.
18.50Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
Things aren’t going brilliantly for Cassius Green (Lakeith Stanfield). He’s living out of his uncle’s garage and the only job he can find, as a low-level telemarketer, he isn’t particularly good at. That is, until an older black colleague gives him one simple piece of advice: speak in a “white voice”. This proves to be the key to immediate professional success and Cassius begins to shoot up the corporate ladder.
Written and directed by rapper Boots Riley, Sorry to Bother You is a fierce and very funny satire, bursting with ideas. Announcing a major new talent, and perhaps the most stridently anti-capitalist film ever to come out of Hollywood, this is radical, dazzling and unmissable.
After one of their shoplifting sessions, Osamu and his son come across a little girl in the freezing cold. At first reluctant to shelter the girl, Osamu’s wife agrees to take care of her after learning of the hardships she faces. Although the family is poor, and barely makes enough money through petty crime to survive, they seem to live happily together, until an unforeseen incident reveals hidden secrets and shakes the bonds that unite them. Full of emotion and characters of unassuming depth, this superb family drama from Kore-eda (Nobody Knows) won the Palme d’Or at Cannes in 2018.
The second chapter of the Fantastic Beasts franchise delves back into J. K. Rowling’s enchanting Wizarding World, swapping the hustle and bustle of 1920s New York for the moody streets of Paris a year on, where a slew of new characters and wonderful beasts await discovery.
The powerful dark wizard Gellert Grindelwald (a wildly white-haired Depp duded up in heinous style) has slipped the bars of custody and is out to purge the world of all non-magical beings. In a desperate bid to restore harmony, a young Albus Dumbledore (Law) calls upon the help of former Hogwarts student Newt Scamander (Redmayne) to stop Grindelwald and his growing army of pure-blood wizards in their tracks. But this only marks the start of a perilous quest into a world of dark magic.
From Oscar-winning director Steve McQueen (12 Years A Slave) and co-writer Gillian Flynn (Gone Girl) comes a blistering heist thriller set against a backdrop of crime, passion and corruption. This contemporary reworking of the ’80s TV miniseries tells the story of four women with nothing in common except a debt left behind by their dead husbands’ criminal activities. In a time of turmoil, tensions build when Veronica (Davis), Linda (Rodriguez), Alice (Debicki) and Belle (Erivo) take their fate into their own hands and conspire to forge a future on their own terms. Colin Farrell, Daniel Kaluuya, Liam Neeson, Brian Tyree Henry and Robert Duvall round out the brilliant cast.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
Need proof that life is stranger than fiction? Look right this way. Tim Wardle’s acclaimed documentary might just be the most incredible true story ever told.
The film begins with the stuff of fairy tales: three identical triplets, separated at birth and adopted by three different families, are reunited two decades later by astonishing coincidence.
It’s a jaw-dropping slice of feel-good that made headlines around the world. But the reunion also set in motion a series of events that unearthed an unimaginable secret – a secret with radical repercussions for us all.
Winner of Sundance Film Festival’s Special Jury Award, Three Identical Strangers is an exuberant celebration of family that transforms into a thriller with colossal implications.
Contains suicide references.
Leaving behind their cosmopolitan London life, a couple and their three young children travel the ends of the earth searching for a new perspective on life. In their five-year journey across six continents, they live with some of the oldest indigenous communities on the planet. They gain access to tribal sages never filmed or interviewed before, without a crew or schedule, just one backpack and one camera each. And the curiosity to listen. The film reveals the deep wisdom the family discover in their conversations with these 'Earth Keepers' and its power to transform lives. Having lived in hiding for centuries, the Earth Keepers see that now is the time to step forward and share their insights with those who are ready to listen. The film’s score is written by BAFTA & Oscar winning composer Stephen Warbeck.
Can Christmas be saved? Bored with the same old scare-and-scream routine, Jack Skellington, the Pumpkin King of Halloween Town, longs to spread the joy of Christmas. But his merry mission puts Santa in jeopardy and creates a nightmare for good little boys and girls everywhere!
Lizzie is a psychological thriller that reveals many layers of the strange and fragile Lizzie Borden, who stood accused of the infamous 1892 axe murder of her family in Fall River, Massachusetts.
An unmarried woman of 32 and a social outcast, Lizzie (Sevigny) lives a claustrophobic life under her father’s cold and domineering control. When Bridget Sullivan (Stewart), a young maid, comes to work for the family, Lizzie finds a sympathetic, kindred spirit, and their secret intimacy soon blossoms into a wicked plan.
Brooklyn teen Miles Morales thinks there’s only one Spider-Man. But when a nefarious kingpin opens a portal into a parallel dimension, Miles discovers his world is just a small slice of the Spider-Verse, and he’s just one of many who can wear the mask.
Developed by The Lego Movie masterminds Phil Lord and Christopher Miller, who wanted the film to feel like ‘walking inside a comic book’, Into The Spider-Verse is the freshest Spider-Man story yet, and delivers a dynamic blend of humour, action and gorgeous, groundbreaking animation.
THE OLD MAN & THE GUN is based on the true story of Forrest Tucker (Robert Redford), from his audacious escape from San Quentin at the age of 70 to an unprecedented string of heists that confounded authorities and enchanted the public. Wrapped up in the pursuit are detective John Hunt (Casey Affleck), who becomes captivated with Forrest"s commitment to his craft, and a woman (Sissy Spacek), who loves him in spite of his chosen profession.
From Chilean director Sebastián Lelio (A Fantastic Woman), Disobedience is a rare glimpse into prohibited love in a world of unremitting dedication to faith.
Estranged daughter Ronit (Weisz) returns home to north London and an Orthodox Jewish community, following the death of her elderly father, Rabbi Krushka. As soon as she steps foot inside the house of Dovid Kuperman (Nivola), her father's chosen disciple, it's clear her defiant nature doesn't go unjudged. But an attraction to a childhood friend, Esti (McAdams) – Dovid's wife – ignites a secret love affair that transgresses all boundaries and exposes the tight grasp faith holds on sexuality. Through charged silences and stolen glances, Ronit and Esti delve deeper into forbidden territory in search of their lesbian identity. A powerful love story based on Naomi Alderman’s novel.
Things aren’t going brilliantly for Cassius Green (Lakeith Stanfield). He’s living out of his uncle’s garage and the only job he can find, as a low-level telemarketer, he isn’t particularly good at. That is, until an older black colleague gives him one simple piece of advice: speak in a “white voice”. This proves to be the key to immediate professional success and Cassius begins to shoot up the corporate ladder.
Written and directed by rapper Boots Riley, Sorry to Bother You is a fierce and very funny satire, bursting with ideas. Announcing a major new talent, and perhaps the most stridently anti-capitalist film ever to come out of Hollywood, this is radical, dazzling and unmissable.
After one of their shoplifting sessions, Osamu and his son come across a little girl in the freezing cold. At first reluctant to shelter the girl, Osamu’s wife agrees to take care of her after learning of the hardships she faces. Although the family is poor, and barely makes enough money through petty crime to survive, they seem to live happily together, until an unforeseen incident reveals hidden secrets and shakes the bonds that unite them. Full of emotion and characters of unassuming depth, this superb family drama from Kore-eda (Nobody Knows) won the Palme d’Or at Cannes in 2018.
The second chapter of the Fantastic Beasts franchise delves back into J. K. Rowling’s enchanting Wizarding World, swapping the hustle and bustle of 1920s New York for the moody streets of Paris a year on, where a slew of new characters and wonderful beasts await discovery.
The powerful dark wizard Gellert Grindelwald (a wildly white-haired Depp duded up in heinous style) has slipped the bars of custody and is out to purge the world of all non-magical beings. In a desperate bid to restore harmony, a young Albus Dumbledore (Law) calls upon the help of former Hogwarts student Newt Scamander (Redmayne) to stop Grindelwald and his growing army of pure-blood wizards in their tracks. But this only marks the start of a perilous quest into a world of dark magic.
From Oscar-winning director Steve McQueen (12 Years A Slave) and co-writer Gillian Flynn (Gone Girl) comes a blistering heist thriller set against a backdrop of crime, passion and corruption. This contemporary reworking of the ’80s TV miniseries tells the story of four women with nothing in common except a debt left behind by their dead husbands’ criminal activities. In a time of turmoil, tensions build when Veronica (Davis), Linda (Rodriguez), Alice (Debicki) and Belle (Erivo) take their fate into their own hands and conspire to forge a future on their own terms. Colin Farrell, Daniel Kaluuya, Liam Neeson, Brian Tyree Henry and Robert Duvall round out the brilliant cast.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
Need proof that life is stranger than fiction? Look right this way. Tim Wardle’s acclaimed documentary might just be the most incredible true story ever told.
The film begins with the stuff of fairy tales: three identical triplets, separated at birth and adopted by three different families, are reunited two decades later by astonishing coincidence.
It’s a jaw-dropping slice of feel-good that made headlines around the world. But the reunion also set in motion a series of events that unearthed an unimaginable secret – a secret with radical repercussions for us all.
Winner of Sundance Film Festival’s Special Jury Award, Three Identical Strangers is an exuberant celebration of family that transforms into a thriller with colossal implications.
Contains suicide references.
On the centenary of the end of the First World War, Peter Jackson (The Lord Of The Rings trilogy) presents an extraordinary new work, revealing the Great War as you’ve never seen it. Using cutting-edge technology to transform images and audio captured a hundred years ago, Jackson’s passion project brings to life the people who can best tell the story: those who were there.
Using only the voices of the men involved, the film explores the reality of war on the front line; their attitudes to the conflict; how they ate, slept and formed friendships, and what their lives were like away from the trenches. Reaching through the fog of time, Jackson aims to give these men voices, investigate the hopes and fears of the veterans who survived to tell their stories, and detail the humility and humanity of those who represented a generation changed forever by a global war.
Lizzie is a psychological thriller that reveals many layers of the strange and fragile Lizzie Borden, who stood accused of the infamous 1892 axe murder of her family in Fall River, Massachusetts.
An unmarried woman of 32 and a social outcast, Lizzie (Sevigny) lives a claustrophobic life under her father’s cold and domineering control. When Bridget Sullivan (Stewart), a young maid, comes to work for the family, Lizzie finds a sympathetic, kindred spirit, and their secret intimacy soon blossoms into a wicked plan.
Brooklyn teen Miles Morales thinks there’s only one Spider-Man. But when a nefarious kingpin opens a portal into a parallel dimension, Miles discovers his world is just a small slice of the Spider-Verse, and he’s just one of many who can wear the mask.
Developed by The Lego Movie masterminds Phil Lord and Christopher Miller, who wanted the film to feel like ‘walking inside a comic book’, Into The Spider-Verse is the freshest Spider-Man story yet, and delivers a dynamic blend of humour, action and gorgeous, groundbreaking animation.
13.00Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
15.45Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Lars von Trier returns to the director’s chair to present the world with his most daring and provocative work to date. This time the topic of discussion is violence and art, and violence as art.
Matt Dillon plays failed architect turned serial killer Jack, who leads us through his thought processes behind his increasingly depraved acts of murder which he names “incidents”. As he retells his crimes to Verge (Ganz) as if they were works of art in themselves, the audience is invited to question the nature of artistry. Where do its limits lie? How far is too far? With pitch-black humour and undeniable cinematic vision, von Trier delights in taking us there.
This screening includes a short introduction from the director, Lars Von Trier.
14.45Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
THE OLD MAN & THE GUN is based on the true story of Forrest Tucker (Robert Redford), from his audacious escape from San Quentin at the age of 70 to an unprecedented string of heists that confounded authorities and enchanted the public. Wrapped up in the pursuit are detective John Hunt (Casey Affleck), who becomes captivated with Forrest"s commitment to his craft, and a woman (Sissy Spacek), who loves him in spite of his chosen profession.
13.05Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
15.40Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Things aren’t going brilliantly for Cassius Green (Lakeith Stanfield). He’s living out of his uncle’s garage and the only job he can find, as a low-level telemarketer, he isn’t particularly good at. That is, until an older black colleague gives him one simple piece of advice: speak in a “white voice”. This proves to be the key to immediate professional success and Cassius begins to shoot up the corporate ladder.
Written and directed by rapper Boots Riley, Sorry to Bother You is a fierce and very funny satire, bursting with ideas. Announcing a major new talent, and perhaps the most stridently anti-capitalist film ever to come out of Hollywood, this is radical, dazzling and unmissable.
13.30Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
16.10Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
After one of their shoplifting sessions, Osamu and his son come across a little girl in the freezing cold. At first reluctant to shelter the girl, Osamu’s wife agrees to take care of her after learning of the hardships she faces. Although the family is poor, and barely makes enough money through petty crime to survive, they seem to live happily together, until an unforeseen incident reveals hidden secrets and shakes the bonds that unite them. Full of emotion and characters of unassuming depth, this superb family drama from Kore-eda (Nobody Knows) won the Palme d’Or at Cannes in 2018.
12.40Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
15.25Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
The second chapter of the Fantastic Beasts franchise delves back into J. K. Rowling’s enchanting Wizarding World, swapping the hustle and bustle of 1920s New York for the moody streets of Paris a year on, where a slew of new characters and wonderful beasts await discovery.
The powerful dark wizard Gellert Grindelwald (a wildly white-haired Depp duded up in heinous style) has slipped the bars of custody and is out to purge the world of all non-magical beings. In a desperate bid to restore harmony, a young Albus Dumbledore (Law) calls upon the help of former Hogwarts student Newt Scamander (Redmayne) to stop Grindelwald and his growing army of pure-blood wizards in their tracks. But this only marks the start of a perilous quest into a world of dark magic.
12.30Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
15.30Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
17.50HOH Subtitled: This screening has subtitles for people with hearing loss
From Oscar-winning director Steve McQueen (12 Years A Slave) and co-writer Gillian Flynn (Gone Girl) comes a blistering heist thriller set against a backdrop of crime, passion and corruption. This contemporary reworking of the ’80s TV miniseries tells the story of four women with nothing in common except a debt left behind by their dead husbands’ criminal activities. In a time of turmoil, tensions build when Veronica (Davis), Linda (Rodriguez), Alice (Debicki) and Belle (Erivo) take their fate into their own hands and conspire to forge a future on their own terms. Colin Farrell, Daniel Kaluuya, Liam Neeson, Brian Tyree Henry and Robert Duvall round out the brilliant cast.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
Need proof that life is stranger than fiction? Look right this way. Tim Wardle’s acclaimed documentary might just be the most incredible true story ever told.
The film begins with the stuff of fairy tales: three identical triplets, separated at birth and adopted by three different families, are reunited two decades later by astonishing coincidence.
It’s a jaw-dropping slice of feel-good that made headlines around the world. But the reunion also set in motion a series of events that unearthed an unimaginable secret – a secret with radical repercussions for us all.
Winner of Sundance Film Festival’s Special Jury Award, Three Identical Strangers is an exuberant celebration of family that transforms into a thriller with colossal implications.
Contains suicide references.
Nearly three decades after her first visit to London, the enigmatic Mary Poppins (Blunt) soars back into the capital to look after the Banks children in their time of need.
The now grown-up Jane (Mortimer) and Michael Banks (Whishaw) are living in the same house on Cherry Tree Lane, along with Michael’s three children and their housekeeper Ellen (Walters).
The family are in danger of losing their home, and Michael is struggling after a personal loss, but the practically perfect nanny returns just in time to rekindle the fun and wonder missing from their lives – with a little help from street lamplighter Jack (Miranda) and her eccentric cousin Topsy (Streep).
Boasting wonderful songs, classic 2D animation and cameos from some familiar faces, this is a delightful reunion for all to enjoy, whether you grew up with the magic or are discovering it for the first time.
Book now to be in with a chance of winning an exclusive Mary Poppins Returns inspired afternoon tea for two on Belmond British Pullman.
This screening starts with Laurel and Hardy’s classic short film The Music Box, which depicts the pair trying (and failing hilariously) to move a piano up a large flight of steps.
Steve Coogan and John C. Reilly are brilliant as legendary movie icons Laurel and Hardy in Stan & Ollie, the charming and touching story of what would become the triumphant swansong of Hollywood’s greatest comedy double act.
Eager to reignite their film careers, they embark on a gruelling variety hall tour of Britain and Ireland. With the support of their wives Lucille (Henderson) and Ida (Arianda) – a formidable double act in their own right – the duo reaffirm their love of performing, and for each other, as they secure their place in the hearts of the adoring public.
15.3012 Days Of Christmas: A selection of festive favourites to spread the Christmas cheer
Preview: We're pleased to present exclusive previews of this film at Picturehouse Cinemas, prior to its general release.
Nearly three decades after her first visit to London, the enigmatic Mary Poppins (Blunt) soars back into the capital to look after the Banks children in their time of need.
The now grown-up Jane (Mortimer) and Michael Banks (Whishaw) are living in the same house on Cherry Tree Lane, along with Michael’s three children and their housekeeper Ellen (Walters).
The family are in danger of losing their home, and Michael is struggling after a personal loss, but the practically perfect nanny returns just in time to rekindle the fun and wonder missing from their lives – with a little help from street lamplighter Jack (Miranda) and her eccentric cousin Topsy (Streep).
Boasting wonderful songs, classic 2D animation and cameos from some familiar faces, this is a delightful reunion for all to enjoy, whether you grew up with the magic or are discovering it for the first time.
Book now to be in with a chance of winning an exclusive Mary Poppins Returns inspired afternoon tea for two on Belmond British Pullman.
Nearly three decades after her first visit to London, the enigmatic Mary Poppins (Blunt) soars back into the capital to look after the Banks children in their time of need.
The now grown-up Jane (Mortimer) and Michael Banks (Whishaw) are living in the same house on Cherry Tree Lane, along with Michael’s three children and their housekeeper Ellen (Walters).
The family are in danger of losing their home, and Michael is struggling after a personal loss, but the practically perfect nanny returns just in time to rekindle the fun and wonder missing from their lives – with a little help from street lamplighter Jack (Miranda) and her eccentric cousin Topsy (Streep).
Boasting wonderful songs, classic 2D animation and cameos from some familiar faces, this is a delightful reunion for all to enjoy, whether you grew up with the magic or are discovering it for the first time.
Book now to be in with a chance of winning an exclusive Mary Poppins Returns inspired afternoon tea for two on Belmond British Pullman.
Nearly three decades after her first visit to London, the enigmatic Mary Poppins (Blunt) soars back into the capital to look after the Banks children in their time of need.
The now grown-up Jane (Mortimer) and Michael Banks (Whishaw) are living in the same house on Cherry Tree Lane, along with Michael’s three children and their housekeeper Ellen (Walters).
The family are in danger of losing their home, and Michael is struggling after a personal loss, but the practically perfect nanny returns just in time to rekindle the fun and wonder missing from their lives – with a little help from street lamplighter Jack (Miranda) and her eccentric cousin Topsy (Streep).
Boasting wonderful songs, classic 2D animation and cameos from some familiar faces, this is a delightful reunion for all to enjoy, whether you grew up with the magic or are discovering it for the first time.
Book now to be in with a chance of winning an exclusive Mary Poppins Returns inspired afternoon tea for two on Belmond British Pullman.
One of the most popular and enduring films ever made, Frank Capra's IT'S A WONDERFUL LIFE is a gloriously sentimental testament to homely small-town moral values.
Masterfully crafted, the film opens with angels discussing George Bailey (James Stewart), a man so beset with problems that he contemplates a Christmas-time suicide. As George prepares to jump from a bridge his guardian angel Clarence Oddbody intervenes and shows him how badly Bedford Falls would have turned out without his good deeds. Filled with a renewed joy of life George returns to his family for Christmas.
James Stewart gives one of his finest, most affecting performances and the film looks better than ever in its new restoration.
Nearly three decades after her first visit to London, the enigmatic Mary Poppins (Blunt) soars back into the capital to look after the Banks children in their time of need.
The now grown-up Jane (Mortimer) and Michael Banks (Whishaw) are living in the same house on Cherry Tree Lane, along with Michael’s three children and their housekeeper Ellen (Walters).
The family are in danger of losing their home, and Michael is struggling after a personal loss, but the practically perfect nanny returns just in time to rekindle the fun and wonder missing from their lives – with a little help from street lamplighter Jack (Miranda) and her eccentric cousin Topsy (Streep).
Boasting wonderful songs, classic 2D animation and cameos from some familiar faces, this is a delightful reunion for all to enjoy, whether you grew up with the magic or are discovering it for the first time.
Book now to be in with a chance of winning an exclusive Mary Poppins Returns inspired afternoon tea for two on Belmond British Pullman.
Recent winner of the top prize at Toronto International Film Festival, Green Book is the uplifting true story of an unlikely friendship that transcended race and class.
Set in 1962, Italian-American Tony Lip (Viggo Mortensen) is hired to chauffeur African-American pianist Dr. Don Shirley (Mahershala Ali) on a concert tour through the Deep South. Don is aware of the troubles that he might face in different locations due to the colour of his skin and requires someone to act as both driver and bouncer. They must rely on The Green Book, a guide to the few establishments that are safe for African-Americans and embark on a journey that will change both of their lives.
With strong performances from Ali (following his Oscar-winning turn in Moonlight) and Mortensen (A History of Violence), there is also a great chemistry between the leads. Director Peter Farrelly, best known for his crowd-pleasing comedies Dumb and Dumber and There’s Something About Mary, succeeds brilliantly in making the vital subject of racial division in the 1960s America into a smart and charming film.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
Nearly three decades after her first visit to London, the enigmatic Mary Poppins (Blunt) soars back into the capital to look after the Banks children in their time of need.
The now grown-up Jane (Mortimer) and Michael Banks (Whishaw) are living in the same house on Cherry Tree Lane, along with Michael’s three children and their housekeeper Ellen (Walters).
The family are in danger of losing their home, and Michael is struggling after a personal loss, but the practically perfect nanny returns just in time to rekindle the fun and wonder missing from their lives – with a little help from street lamplighter Jack (Miranda) and her eccentric cousin Topsy (Streep).
Boasting wonderful songs, classic 2D animation and cameos from some familiar faces, this is a delightful reunion for all to enjoy, whether you grew up with the magic or are discovering it for the first time.
Book now to be in with a chance of winning an exclusive Mary Poppins Returns inspired afternoon tea for two on Belmond British Pullman.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
Leaving behind their cosmopolitan London life, a couple and their three young children travel the ends of the earth searching for a new perspective on life. In their five-year journey across six continents, they live with some of the oldest indigenous communities on the planet. They gain access to tribal sages never filmed or interviewed before, without a crew or schedule, just one backpack and one camera each. And the curiosity to listen. The film reveals the deep wisdom the family discover in their conversations with these 'Earth Keepers' and its power to transform lives. Having lived in hiding for centuries, the Earth Keepers see that now is the time to step forward and share their insights with those who are ready to listen. The film’s score is written by BAFTA & Oscar winning composer Stephen Warbeck.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
We are happy for you to bring your dog along to this special dog-friendly screening (you're welcome without a dog too). Before the screening there are a few things to consider:
If you attend this screening with a dog, you'll be issued with a fleece blanket to cover the seat used by the dog or to use as a rug if the dog sits on the floor. During the screenings, we will provide bowls of water around the screen. We will leave lighting levels a little higher than usual during the screening and lower the volume of the soundtrack.
Please be aware that we reduce capacity when offering ‘dog-friendly’ screenings, so there may be fewer tickets than usual. We limit dogs to: one dog to one adult. For further information, see dog-friendly screening policy in our cinema.
Nearly three decades after her first visit to London, the enigmatic Mary Poppins (Blunt) soars back into the capital to look after the Banks children in their time of need.
The now grown-up Jane (Mortimer) and Michael Banks (Whishaw) are living in the same house on Cherry Tree Lane, along with Michael’s three children and their housekeeper Ellen (Walters).
The family are in danger of losing their home, and Michael is struggling after a personal loss, but the practically perfect nanny returns just in time to rekindle the fun and wonder missing from their lives – with a little help from street lamplighter Jack (Miranda) and her eccentric cousin Topsy (Streep).
Boasting wonderful songs, classic 2D animation and cameos from some familiar faces, this is a delightful reunion for all to enjoy, whether you grew up with the magic or are discovering it for the first time.
11.00Dog-Friendly: Customers are welcome to bring their well behaved dogs into the cinema for this special screening. Read our Dog-friendly policy before you book at picturehouses.com/dogs
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
A tale of heads of state falling from power, opportunists, powerbrokers and propagandists. Shakespeare’s Richard II is a monarch ordained by God to lead his people. But he is also a man and a weak one at that. His reckless policies include burdening his citizens with taxes, and confiscating the land and wealth of noblemen. His vanity threatens to divide the great houses of England and drag his people into a dynastic civil war that will last 100 years, while he paves the way for his own deposition by Henry Bolingbroke. This visceral new production, staged at the Almeida Theatre, London, stars Simon Russell Beale as Shakespeare’s narcissistic, arbitrary king. The play is subversively reimagined and directed by Joe Hill-Gibbins (Little Revolution, Absolute Hell). With designs by ULTZ.
Tchaikovsky's most ambitious opera contains some of his greatest music and is a powerful study of destructive obsession.
In Tchaikovsky’s intense opera of obsession and the supernatural, Gherman is caught between the woman he loves and a destructive fixation. The Queen of Spadesis based on a short story by Pushkin, and comes to the Royal Opera House in a new production that has already garnered five-star reviews in Amsterdam. The production is set in 1890, the year of the opera’s premiere. In his study, Tchaikovsky imagines the opera into life as his own story, its characters giving voice to his unfulfilled desires. Aleksandrs Antonenko and Eva-Maria Westbroek head the cast and Royal Opera Chorus, conducted by Antonio Pappano, Music Director of The Royal Opera. This is an engrossing portrayal of a tortured creative artist and a gripping piece of gothic storytelling.
Richard Eyre's beautiful production provides the perfect setting for Verdi's opera about a courtesan who sacrifices all for love.
From the thrill of unexpected romance to a heartbreaking reconciliation that comes too late – Verdi’s La traviata is one of the most popular of all operas. Alfredo falls in love in with the courtesan Violetta in glamorous Paris society, but underneath the surface run darker undercurrents, leading to a tragic ending. The opera’s wealth of melodies includes the famous Brindisi and the exuberant ‘Sempre libera’ – both showing the lyricism of Italian opera at its most immediately appealing. Richard Eyre’s production for The Royal Opera brings out all the emotional colour, from the giddy discovery of love, through painful confrontation to the inevitable conclusion. Lavish period sets and costumes enhance the reality of a moving story based on true life.
I’m Not Running is an explosive new play by David Hare, premiering at the National Theatre and broadcast live to cinemas.
Pauline Gibson has spent her life as a doctor, the inspiring leader of a local health campaign. When she crosses paths with her old boyfriend, a stalwart loyalist in Labour Party politics, she’s faced with an agonising decision.
What’s involved in sacrificing your private life and your piece of mind for something more than a single issue? Does she dare?
Hare was recently described by The Washington Post as ‘the premiere political dramatist writing in English’. His other work includes Pravda and Skylight, broadcast by National Theatre Live in 2014.
Pablo Picasso is one of the greatest artists of all time - and right up until his death in 1973 he was the most prolific of artists. Many films have dealt with these later years - the art, the affairs and the wide circle of friends. But where did this all begin? What made Picasso in the first place? Too long ignored, it is time to look at the early years of Picasso; the upbringing and the learning that led to his extraordinary achievements.
Three cities play a key role: Malaga, Barcelona and Paris. Young Picasso visits each and explores their influence on Picasso, focusing on specific artworks from these early years. The film thus explains how this young artist acquired his craft. Looking carefully at two key early periods - the so-called Blue Period and Rose Period - the film takes us all the way to 1907 and the creation of a critical painting in the history of art - Les Demoiselles d'Avignon. It was a painting that shocked the art world but changed it irrevocably. Picasso was only 25 years old. Working closely with all three Picasso Museums in Malaga, Barcelona and Paris this film explains how he rose to great heights.
Love and friendship triumph in Carlos Acosta's vibrant production of this dazzling ballet.
Cervantes’s story of the bumbling knight Don Quixote has inspired countless artistic interpretations. Marius Petipa choreographed this sparkling ballet about the encounters of the man from La Mancha and his faithful squire Sancho Panza. At its heart are virtuoso roles for the lovers Basilio and Kitri. Carlos Acosta chose this joyful classic for his first production for The Royal Ballet. His vibrant staging brings together the whole Company in such roles as exuberant villagers, passionate gypsies and even fantasy flowers. The story follows Don Quixote’s picaresque journey to do deeds in honour of his imaginary noble lady, Dulcinea. Sunny, charming, funny and touching – Don Quixote is a ballet as full of uplifting emotion as it is of astonishing ballet technique.
Approximate running time: 2 hours 45 minutes, inclding one interval.
Christof Loy directs a star-studded cast of singers, inclusing Anna Netrebko, Jonas Kaufmann and Ludovic Tezier, in Verdi's epic opera, conducted by Antonio Pappano.
Leonora falls in love with Don Alvaro, but when her father forbids their marriage, a fatal accident triggers a drama of obsession, vengeance and tragedy. Jonas Kaufmannand Anna Netrebko star in Verdi’s epic La forza del destino (The Force of Destiny) an opera which demands the very best of singers for its powerful music and the fullest theatrical treatment for its story of bitter revenge pursued across miles and years. The production comes to The Royal Opera in a sensational staging from Amsterdam packed with colour and action. It is directed by Christof Loy and conducted by Antonio Pappano, Music Director of The Royal Opera.
From the National Gallery, London and Rijksmuseum, Amsterdam
Every Rembrandt exhibition is eagerly anticipated but this major show hosted by London’s National Gallery and Amsterdam’s Rijksmuseum was an event like no other. Given privileged access to both galleries the film documents this landmark exhibition, whilst interweaving Rembrandt’s life story, with behind-the-scenes preparations at these world famous institutions. Exploring many of the exhibition’s key works, through contributions from specially invited guests including curators and leading art historians, this Exhibition on Screen favourite makes a welcome return to the big screen marking the 350th anniversary of Rembrandt's death. For many, Rembrandt is the greatest artist that ever lived and this deeply moving film seeks to explore the truth about the man behind the legend.
Come into the forest; dare to change your state of mind.
Rosalind is banished, wrestling with her heart and her head. With her cousin by her side, she journeys to a world of exile where barriers are broken down and all can discover their deeper selves.
Kimberley Sykes (Dido, Queen of Carthage) directs a riotous, exhilarating version of Shakespeare's romantic comedy.
Experience the decadence and elegance of 1870s Paris in David McVicar's spectacular production of Gounod's best-loved opera.
There are many versions of the story of Faust, who trades his soul with the Devil for youth and power, but Gounod’s opera remains one of the most constantly enthralling. Michael Fabiano stars as Faust, with Diana Damrau as his beloved Marguerite and Erwin Schrott as the diabolical Méphistophélès. Virtuoso leading roles, a large chorus, sensational sets, ballet and an ecstatic finale make this the epitome of theatrical spectacle – the lavish scale of French grand opera is wonderfully in evidence in this production by David McVicar, set in 1870s Paris. Above all, the music includes several of popular opera’s most recognizable numbers, performed by a cast of great international singers and the Royal Opera Chorus.
Approximate running time: 3 hours 45 minutes, including one interval. Sung in French with English subtitles.
Broadcast live from The Old Vic in London, Academy Award-winner Sally Field (Steel Magnolias, Brothers & Sisters) and Bill Pullman (The Sinner, Independence Day) star in Arthur Miller's blistering drama All My Sons. America, 1947. Despite hard choices and even harder knocks, Joe and Kate Keller are a success story. They have built a home, raised two sons and established a thriving business. But nothing lasts forever and their contented lives, already shadowed by the loss of their eldest boy to war, are about to shatter. With the return of a figure from the past, long buried truths are forced to the surface and the price of their American dream is laid bare. Jeremy Herrin (NT Live: This House, People, Places & Things) directs a cast including Jenna Coleman (Victoria), and Colin Morgan (Merlin). All My Sons is an Old Vic co-production with Headlong.
Two recent works and one world premiere showcase the contemporary face of the Royal Ballet.
The contemporary face of The Royal Ballet is shown in works from three of today’s leading choreographers. Christopher Wheeldon’s Within the Golden Hour is based around seven couples separating and intermingling, to music by Vivaldi and Bosso and lit with rich colours suggested by sunset. Crystal Pite’s Flight Pattern, revived for the first time, uses a large dance ensemble and Górecki’s familiar music from his Symphony of Sorrowful Songsfor a poignant and passionate reflection on migration. Between them, a new work by Sidi Larbi Cherkaoui, created on The Royal Ballet has its premiere to bring the contemporary truly up-to-date.
In a reimagined 1590, England is a matriarchy.
Baptista Minola is seeking to sell off her son Katherine to the highest bidder. Cue an explosive battle of the sexes in this electrically charged love story.
Justin Audibert (Snow in Midsummer, The Jew of Malta) turns Shakespeare's fierce, energetic comedy of gender and materialism on its head to offer a fresh perspective on its portrayal of hierarchy and power.
"I envy the Japanese" Van Gogh wrote to his brother Theo. In the exhibition on which this film is based - VAN GOGH & JAPAN at the Van Gogh Museum in Amsterdam - one can see why. Though Vincent van Gogh never visited Japan it is the country that had the most profound influence on him and his art. One cannot understand Van Gogh without understanding how Japanese art arrived in Paris in the middle of the 19th century and the profound impact it had on artists like Monet, Degas and, above all, Van Gogh.
Visiting the new galleries of Japanese art in Paris and then creating his own image of Japan – through in-depth research, print collecting and detailed discussions with other artists – Van Gogh’s encounter with Japanese artworks gave his work a new and exciting direction. After leaving Paris for the south of France – to what he thought of as near to a kind of Japan as he could find - the productive and yet troubled years that followed must all be seen in the context of Van Gogh bending Japanese influences to his will and defining himself as a modern artist with clear Asian precursors. In this little known story of Van Gogh’s art we see just how important his study of Japan was. The film travels not only to France and the Netherlands but also to Japan to further explore the remarkable heritage that so affected Van Gogh and made him the artist we know of today.
Shakespeare's star-crossed lovers encounter passion and tragedy in Kenneth MacMillan's 20th century ballet masterpiece.
Shakespeare’s enduring love story is known the world over. Since its 1965 premiere with The Royal Ballet, Kenneth MacMillan’s Romeo and Juliet has become a modern ballet classic. The choreography captures the emotions of the young couple as they fall in love, despite the barriers that finally bring about the story’s tragic end. Each revival gives opportunities for new dancers to interpret the doomed lovers. The whole Company brings the colour and action of Renaissance Verona, where a busy market all too quickly bursts into sword fighting, and a family feud leads to tragedy for both the Montagues and Capulets.
'To whom should I complain?'
When a young novice nun is compromised by a corrupt official, who offers to save her brother from execution in return for sex, she has no idea where to turn for help. When she threatens to expose him, he tells her that no one would believe her.
Shakespeare wrote this play in the early 1600s, yet it remains astonishingly resonant today. Artistic Director Gregory Doran directs this new production.
