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After the roaring success of 2017’s GET OUT, Jordan Peele hits us with another provocative helping of horror. US chronicles a family’s trip away to an idyllic beach house in Santa Cruz, California. Lupita Nyong’o (12 YEARS A SLAVE) plays mother Adelaide, who knew the seaside venue as a child, and Winston Duke (BLACK PANTHER) plays her husband, Gabe. As night draws in, four mysterious people appear, holding hands in the driveway of their lodging. They’re not just any intruders, but are grotesque and menacing doppelgängers of the family themselves. Tranquillity gives way panic and fear, and the family break descends into nightmarish uncertainty. Who are these creatures? Where did they come from? What do they want?
Lucas Hedges and Julia Roberts give terrific performances in this intimate drama about family and addiction. Nineteen year-old recovering addict Ben Burns (Hedges) unexpectedly shows up at his family’s suburban home on Christmas Eve morning. Ben’s mother, Holly (Roberts), is relieved and welcoming but wary of her son staying clean. Over a turbulent 24 hours, new truths are revealed and a mother’s undying love for her son is tested as she does everything in her power to keep him safe.
The incredible true story of legendary dancer Rudolf Nureyev (played by Oleg Ivenko) is brought vividly to life by actor-director Ralph Fiennes and BAFTA-winning screenwriter David Hare. From Nureyev’s poverty-stricken childhood in the Soviety city of Ufa, to his blossoming as a student dancer in Leningrad, to his nail-biting escape from the KGB and defection to the West at the height of the Cold War, The White Crow is a gripping, revelatory look at a unique artist who transformed the world of ballet forever.
Set in the 1990s, Marvel Studios’ “Captain Marvel” is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe that follows the journey of Carol Danvers as she becomes one of the universe’s most powerful heroes. While a galactic war between two alien races reaches Earth, Danvers finds herself and a small cadre of allies at the centre of the maelstrom.
A painful and powerfully acted kidnap thriller from Iranian writer and director Asghar Farhadi (A SEPARATION). Gathered together for a wedding in rural, wine-growing Spain, a family receive a devastating blow which mercilessly exposes past secrets and gaping old wounds in the history of a small community. Anchored by three heavyweight performances from Penélope Cruz, Javier Bardem and Ricardo Darín, this makes for compelling psychological mystery drama in which nobody is above suspicion.
Maiden tells the inspirational story of how Tracy Edwards, a 24-year-old cook on charter boats, became the skipper of the first ever all-female crew to enter the Whitbread Round the World Race in 1989.
Tracy’s dream met opposition on all sides: her male competitors thought an all-women crew would never make it; the chauvinistic yachting press took bets on her failure; potential sponsors rejected her, fearing they would die at sea and generate bad publicity. But Tracy refused to give up: she re-mortgaged her home and bought a second-hand boat, putting everything on the line to ensure the team made it to the start line. With the support of her remarkable crew, she went on to shock the sport and prove that women are the equal of men.
Contains infrequent strong language, references to sexism.
From acclaimed director Nadine Labaki (CARAMEL, WHERE DO WE GO NOW?) comes a stunning and unforgettable new film.
In a courtroom, a young boy named Zain (Zain Al Rafeea) stands before a judge. He asks to sue his own parents for giving him life. The circumstances that have brought him to this point take us on a journey through his poverty-stricken upbringing in Beirut where he lives with his family.
Forced to live by his wits in order to survive, Zain’s life reaches a turning point when his parents make an unforgivable deal that will see his younger sister married off. Left distraught by this terrible act, Zain takes to the road. While looking for work at a fairground, he befriends a young woman who is working illegally as a cleaner and helps to look after her adorable one-year-old baby, Jonas. Zain and Jonas form a touching bond but things get much more complicated when circumstances force Zain to make choices that will have huge ramifications.
CAPERNAUM is a tribute to the resilience of the human spirit – a battle cry for the forgotten, the unwanted and the lost that offers hope in the most unexpected of places.
Recent winner of the top prize at Toronto International Film Festival, Green Book is the uplifting true story of an unlikely friendship that transcended race and class.
Set in 1962, Italian-American Tony Lip (Viggo Mortensen) is hired to chauffeur African-American pianist Dr. Don Shirley (Mahershala Ali) on a concert tour through the Deep South. Don is aware of the troubles that he might face in different locations due to the colour of his skin and requires someone to act as both driver and bouncer. They must rely on The Green Book, a guide to the few establishments that are safe for African-Americans and embark on a journey that will change both of their lives.
With strong performances from Ali (following his Oscar-winning turn in Moonlight) and Mortensen (A History of Violence), there is also a great chemistry between the leads. Director Peter Farrelly, best known for his crowd-pleasing comedies Dumb and Dumber and There’s Something About Mary, succeeds brilliantly in making the vital subject of racial division in the 1960s America into a smart and charming film.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
After the roaring success of 2017’s GET OUT, Jordan Peele hits us with another provocative helping of horror. US chronicles a family’s trip away to an idyllic beach house in Santa Cruz, California. Lupita Nyong’o (12 YEARS A SLAVE) plays mother Adelaide, who knew the seaside venue as a child, and Winston Duke (BLACK PANTHER) plays her husband, Gabe. As night draws in, four mysterious people appear, holding hands in the driveway of their lodging. They’re not just any intruders, but are grotesque and menacing doppelgängers of the family themselves. Tranquillity gives way panic and fear, and the family break descends into nightmarish uncertainty. Who are these creatures? Where did they come from? What do they want?
Bing Liu's Academy Award®-nominated documentary Minding The Gap is a coming-of-age saga drawing on over 12 years of footage in his Rust Belt hometown hit hard by decades of recession. In his quest to understand why so many of his peers in the skateboarding community ran away from home when they were younger, Bing follows 23-year-old Zack as he becomes a father and 17-year-old Keire as he gets his first job. As the story unfolds, Bing is thrust into the middle of Zack's tumultuous relationship with his girlfriend and Keire's inner struggles with racial identity and his deceased father. As we watch the boys grow up before our eyes, we experience the joy, sacrifice, and hope in the gap between childhood and adulthood.
Lucas Hedges and Julia Roberts give terrific performances in this intimate drama about family and addiction. Nineteen year-old recovering addict Ben Burns (Hedges) unexpectedly shows up at his family’s suburban home on Christmas Eve morning. Ben’s mother, Holly (Roberts), is relieved and welcoming but wary of her son staying clean. Over a turbulent 24 hours, new truths are revealed and a mother’s undying love for her son is tested as she does everything in her power to keep him safe.
The incredible true story of legendary dancer Rudolf Nureyev (played by Oleg Ivenko) is brought vividly to life by actor-director Ralph Fiennes and BAFTA-winning screenwriter David Hare. From Nureyev’s poverty-stricken childhood in the Soviety city of Ufa, to his blossoming as a student dancer in Leningrad, to his nail-biting escape from the KGB and defection to the West at the height of the Cold War, The White Crow is a gripping, revelatory look at a unique artist who transformed the world of ballet forever.
Set in the 1990s, Marvel Studios’ “Captain Marvel” is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe that follows the journey of Carol Danvers as she becomes one of the universe’s most powerful heroes. While a galactic war between two alien races reaches Earth, Danvers finds herself and a small cadre of allies at the centre of the maelstrom.
A painful and powerfully acted kidnap thriller from Iranian writer and director Asghar Farhadi (A SEPARATION). Gathered together for a wedding in rural, wine-growing Spain, a family receive a devastating blow which mercilessly exposes past secrets and gaping old wounds in the history of a small community. Anchored by three heavyweight performances from Penélope Cruz, Javier Bardem and Ricardo Darín, this makes for compelling psychological mystery drama in which nobody is above suspicion.
Maggie Gyllenhaal gives a career-best performance as a kindergarten teacher who oversteps her bounds in a mission to help one of her students. Lisa Spinelli (Gyllenhaal) is a dedicated teacher with a love of poetry who joins an evening class and shares her own compositions with the group and teacher (Gael García Bernal). When she discovers her five-year-old student Jimmy Roy (Parker Sevak) is prone to occasional outbursts of dazzling linguistic virtuosity, she is eager to nurture his burgeoning gift. Yet to Lisa’s frustration, none of the other adults in Jimmy’s life seem to care about his talents. Becoming fixated on the need to cultivate and archive the boy’s creative output, Lisa takes it upon herself to bring Jimmy’s words to the world. Out of this noble impulse, something far darker and obsessional develops.
Gyllenhaal shines in this subtle psychological thriller, a remake of Nadav Lapid's Israeli film of the same name which unsettled and captivated all who saw it back in 2014. Writer-director Sara Colangelo, who picked up a Directing Award at this year’s Sundance, has kept the bones of the original film, shifting the location to the US and changing the sex of the lead character. These changes illuminate new resonances in this story, a dark parable about femininity and creativity in today’s United States.
Maiden tells the inspirational story of how Tracy Edwards, a 24-year-old cook on charter boats, became the skipper of the first ever all-female crew to enter the Whitbread Round the World Race in 1989.
Tracy’s dream met opposition on all sides: her male competitors thought an all-women crew would never make it; the chauvinistic yachting press took bets on her failure; potential sponsors rejected her, fearing they would die at sea and generate bad publicity. But Tracy refused to give up: she re-mortgaged her home and bought a second-hand boat, putting everything on the line to ensure the team made it to the start line. With the support of her remarkable crew, she went on to shock the sport and prove that women are the equal of men.
Contains infrequent strong language, references to sexism.
The true story of the pioneering lawyer Ruth Bader Ginsburg (Jones), her struggles for equal rights in law and what she had to overcome in order to become a female US Supreme Court Justice – the second-ever woman in such a position.
The film focuses on the first sex discrimination case that Ruth Ginsburg took on, in the early 1970s, when she represented Charles Moritz (Chris Mulkey), a Colorado man looking after his elderly mother who was denied a tax benefit routinely given to women caring for family members. From that moment, Ruth was on a quest to banish sex discrimination in law. This film is about that legal crusade but is also about the woman at home with her children, and a portrait of Ruth’s extraordinary marriage to Marty Ginsburg (Hammer). On the Basis Of Sex tells the story of a fascinating woman, with compelling insights into the arguments of our time.
Contains infrequent strong language.
From acclaimed director Nadine Labaki (CARAMEL, WHERE DO WE GO NOW?) comes a stunning and unforgettable new film.
In a courtroom, a young boy named Zain (Zain Al Rafeea) stands before a judge. He asks to sue his own parents for giving him life. The circumstances that have brought him to this point take us on a journey through his poverty-stricken upbringing in Beirut where he lives with his family.
Forced to live by his wits in order to survive, Zain’s life reaches a turning point when his parents make an unforgivable deal that will see his younger sister married off. Left distraught by this terrible act, Zain takes to the road. While looking for work at a fairground, he befriends a young woman who is working illegally as a cleaner and helps to look after her adorable one-year-old baby, Jonas. Zain and Jonas form a touching bond but things get much more complicated when circumstances force Zain to make choices that will have huge ramifications.
CAPERNAUM is a tribute to the resilience of the human spirit – a battle cry for the forgotten, the unwanted and the lost that offers hope in the most unexpected of places.
Recent winner of the top prize at Toronto International Film Festival, Green Book is the uplifting true story of an unlikely friendship that transcended race and class.
Set in 1962, Italian-American Tony Lip (Viggo Mortensen) is hired to chauffeur African-American pianist Dr. Don Shirley (Mahershala Ali) on a concert tour through the Deep South. Don is aware of the troubles that he might face in different locations due to the colour of his skin and requires someone to act as both driver and bouncer. They must rely on The Green Book, a guide to the few establishments that are safe for African-Americans and embark on a journey that will change both of their lives.
With strong performances from Ali (following his Oscar-winning turn in Moonlight) and Mortensen (A History of Violence), there is also a great chemistry between the leads. Director Peter Farrelly, best known for his crowd-pleasing comedies Dumb and Dumber and There’s Something About Mary, succeeds brilliantly in making the vital subject of racial division in the 1960s America into a smart and charming film.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
After the roaring success of 2017’s GET OUT, Jordan Peele hits us with another provocative helping of horror. US chronicles a family’s trip away to an idyllic beach house in Santa Cruz, California. Lupita Nyong’o (12 YEARS A SLAVE) plays mother Adelaide, who knew the seaside venue as a child, and Winston Duke (BLACK PANTHER) plays her husband, Gabe. As night draws in, four mysterious people appear, holding hands in the driveway of their lodging. They’re not just any intruders, but are grotesque and menacing doppelgängers of the family themselves. Tranquillity gives way panic and fear, and the family break descends into nightmarish uncertainty. Who are these creatures? Where did they come from? What do they want?
Watch an incredible tribute concert compiled for one of the world’s most inspirational artists, Canadian singer and songwriter, and legend in her own time, Joni Mitchell. Singers and musicians including Brandi Carlile, Glen Hansard, Diana Krall, James Taylor, Chaka Khan, Emmylou Harris, Norah Jones and Kris Kristofferson are just some of the stars in a specially selected cast who perform songs from Joni Mitchell’s life and career, across all 19 of her studio albums. Captured over two nights in November 2018 from the Dorothy Chandler Pavilion in Los Angeles, the show includes behind-the-scenes interviews and a now-rare public appearance from Joni Mitchell herself.
Bing Liu's Academy Award®-nominated documentary Minding The Gap is a coming-of-age saga drawing on over 12 years of footage in his Rust Belt hometown hit hard by decades of recession. In his quest to understand why so many of his peers in the skateboarding community ran away from home when they were younger, Bing follows 23-year-old Zack as he becomes a father and 17-year-old Keire as he gets his first job. As the story unfolds, Bing is thrust into the middle of Zack's tumultuous relationship with his girlfriend and Keire's inner struggles with racial identity and his deceased father. As we watch the boys grow up before our eyes, we experience the joy, sacrifice, and hope in the gap between childhood and adulthood.
Lucas Hedges and Julia Roberts give terrific performances in this intimate drama about family and addiction. Nineteen year-old recovering addict Ben Burns (Hedges) unexpectedly shows up at his family’s suburban home on Christmas Eve morning. Ben’s mother, Holly (Roberts), is relieved and welcoming but wary of her son staying clean. Over a turbulent 24 hours, new truths are revealed and a mother’s undying love for her son is tested as she does everything in her power to keep him safe.
The incredible true story of legendary dancer Rudolf Nureyev (played by Oleg Ivenko) is brought vividly to life by actor-director Ralph Fiennes and BAFTA-winning screenwriter David Hare. From Nureyev’s poverty-stricken childhood in the Soviety city of Ufa, to his blossoming as a student dancer in Leningrad, to his nail-biting escape from the KGB and defection to the West at the height of the Cold War, The White Crow is a gripping, revelatory look at a unique artist who transformed the world of ballet forever.
Set in the 1990s, Marvel Studios’ “Captain Marvel” is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe that follows the journey of Carol Danvers as she becomes one of the universe’s most powerful heroes. While a galactic war between two alien races reaches Earth, Danvers finds herself and a small cadre of allies at the centre of the maelstrom.
A painful and powerfully acted kidnap thriller from Iranian writer and director Asghar Farhadi (A SEPARATION). Gathered together for a wedding in rural, wine-growing Spain, a family receive a devastating blow which mercilessly exposes past secrets and gaping old wounds in the history of a small community. Anchored by three heavyweight performances from Penélope Cruz, Javier Bardem and Ricardo Darín, this makes for compelling psychological mystery drama in which nobody is above suspicion.
Maggie Gyllenhaal gives a career-best performance as a kindergarten teacher who oversteps her bounds in a mission to help one of her students. Lisa Spinelli (Gyllenhaal) is a dedicated teacher with a love of poetry who joins an evening class and shares her own compositions with the group and teacher (Gael García Bernal). When she discovers her five-year-old student Jimmy Roy (Parker Sevak) is prone to occasional outbursts of dazzling linguistic virtuosity, she is eager to nurture his burgeoning gift. Yet to Lisa’s frustration, none of the other adults in Jimmy’s life seem to care about his talents. Becoming fixated on the need to cultivate and archive the boy’s creative output, Lisa takes it upon herself to bring Jimmy’s words to the world. Out of this noble impulse, something far darker and obsessional develops.
Gyllenhaal shines in this subtle psychological thriller, a remake of Nadav Lapid's Israeli film of the same name which unsettled and captivated all who saw it back in 2014. Writer-director Sara Colangelo, who picked up a Directing Award at this year’s Sundance, has kept the bones of the original film, shifting the location to the US and changing the sex of the lead character. These changes illuminate new resonances in this story, a dark parable about femininity and creativity in today’s United States.
Maiden tells the inspirational story of how Tracy Edwards, a 24-year-old cook on charter boats, became the skipper of the first ever all-female crew to enter the Whitbread Round the World Race in 1989.
Tracy’s dream met opposition on all sides: her male competitors thought an all-women crew would never make it; the chauvinistic yachting press took bets on her failure; potential sponsors rejected her, fearing they would die at sea and generate bad publicity. But Tracy refused to give up: she re-mortgaged her home and bought a second-hand boat, putting everything on the line to ensure the team made it to the start line. With the support of her remarkable crew, she went on to shock the sport and prove that women are the equal of men.
Contains infrequent strong language, references to sexism.
The true story of the pioneering lawyer Ruth Bader Ginsburg (Jones), her struggles for equal rights in law and what she had to overcome in order to become a female US Supreme Court Justice – the second-ever woman in such a position.
The film focuses on the first sex discrimination case that Ruth Ginsburg took on, in the early 1970s, when she represented Charles Moritz (Chris Mulkey), a Colorado man looking after his elderly mother who was denied a tax benefit routinely given to women caring for family members. From that moment, Ruth was on a quest to banish sex discrimination in law. This film is about that legal crusade but is also about the woman at home with her children, and a portrait of Ruth’s extraordinary marriage to Marty Ginsburg (Hammer). On the Basis Of Sex tells the story of a fascinating woman, with compelling insights into the arguments of our time.
Contains infrequent strong language.
In 1913, as the wild frontier is tamed and the new world of the twentieth century takes hold, an aging gang of gunslingers head to Mexico for one last job: the robbery of a railroad store. But a posse of bounty hunters are lying in wait…
Brutal, callous and passionate from its opening sequence, Peckinpah’s elegiac film rewrites John Ford’s western mythology by looking at the Old West from the point of view of the marginalised outlaws rather than the law-abiding settlers.
From acclaimed director Nadine Labaki (CARAMEL, WHERE DO WE GO NOW?) comes a stunning and unforgettable new film.
In a courtroom, a young boy named Zain (Zain Al Rafeea) stands before a judge. He asks to sue his own parents for giving him life. The circumstances that have brought him to this point take us on a journey through his poverty-stricken upbringing in Beirut where he lives with his family.
Forced to live by his wits in order to survive, Zain’s life reaches a turning point when his parents make an unforgivable deal that will see his younger sister married off. Left distraught by this terrible act, Zain takes to the road. While looking for work at a fairground, he befriends a young woman who is working illegally as a cleaner and helps to look after her adorable one-year-old baby, Jonas. Zain and Jonas form a touching bond but things get much more complicated when circumstances force Zain to make choices that will have huge ramifications.
CAPERNAUM is a tribute to the resilience of the human spirit – a battle cry for the forgotten, the unwanted and the lost that offers hope in the most unexpected of places.
Recent winner of the top prize at Toronto International Film Festival, Green Book is the uplifting true story of an unlikely friendship that transcended race and class.
Set in 1962, Italian-American Tony Lip (Viggo Mortensen) is hired to chauffeur African-American pianist Dr. Don Shirley (Mahershala Ali) on a concert tour through the Deep South. Don is aware of the troubles that he might face in different locations due to the colour of his skin and requires someone to act as both driver and bouncer. They must rely on The Green Book, a guide to the few establishments that are safe for African-Americans and embark on a journey that will change both of their lives.
With strong performances from Ali (following his Oscar-winning turn in Moonlight) and Mortensen (A History of Violence), there is also a great chemistry between the leads. Director Peter Farrelly, best known for his crowd-pleasing comedies Dumb and Dumber and There’s Something About Mary, succeeds brilliantly in making the vital subject of racial division in the 1960s America into a smart and charming film.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
After the roaring success of 2017’s GET OUT, Jordan Peele hits us with another provocative helping of horror. US chronicles a family’s trip away to an idyllic beach house in Santa Cruz, California. Lupita Nyong’o (12 YEARS A SLAVE) plays mother Adelaide, who knew the seaside venue as a child, and Winston Duke (BLACK PANTHER) plays her husband, Gabe. As night draws in, four mysterious people appear, holding hands in the driveway of their lodging. They’re not just any intruders, but are grotesque and menacing doppelgängers of the family themselves. Tranquillity gives way panic and fear, and the family break descends into nightmarish uncertainty. Who are these creatures? Where did they come from? What do they want?
Bing Liu's Academy Award®-nominated documentary Minding The Gap is a coming-of-age saga drawing on over 12 years of footage in his Rust Belt hometown hit hard by decades of recession. In his quest to understand why so many of his peers in the skateboarding community ran away from home when they were younger, Bing follows 23-year-old Zack as he becomes a father and 17-year-old Keire as he gets his first job. As the story unfolds, Bing is thrust into the middle of Zack's tumultuous relationship with his girlfriend and Keire's inner struggles with racial identity and his deceased father. As we watch the boys grow up before our eyes, we experience the joy, sacrifice, and hope in the gap between childhood and adulthood.
Lucas Hedges and Julia Roberts give terrific performances in this intimate drama about family and addiction. Nineteen year-old recovering addict Ben Burns (Hedges) unexpectedly shows up at his family’s suburban home on Christmas Eve morning. Ben’s mother, Holly (Roberts), is relieved and welcoming but wary of her son staying clean. Over a turbulent 24 hours, new truths are revealed and a mother’s undying love for her son is tested as she does everything in her power to keep him safe.
The incredible true story of legendary dancer Rudolf Nureyev (played by Oleg Ivenko) is brought vividly to life by actor-director Ralph Fiennes and BAFTA-winning screenwriter David Hare. From Nureyev’s poverty-stricken childhood in the Soviety city of Ufa, to his blossoming as a student dancer in Leningrad, to his nail-biting escape from the KGB and defection to the West at the height of the Cold War, The White Crow is a gripping, revelatory look at a unique artist who transformed the world of ballet forever.
Set in the 1990s, Marvel Studios’ “Captain Marvel” is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe that follows the journey of Carol Danvers as she becomes one of the universe’s most powerful heroes. While a galactic war between two alien races reaches Earth, Danvers finds herself and a small cadre of allies at the centre of the maelstrom.
A painful and powerfully acted kidnap thriller from Iranian writer and director Asghar Farhadi (A SEPARATION). Gathered together for a wedding in rural, wine-growing Spain, a family receive a devastating blow which mercilessly exposes past secrets and gaping old wounds in the history of a small community. Anchored by three heavyweight performances from Penélope Cruz, Javier Bardem and Ricardo Darín, this makes for compelling psychological mystery drama in which nobody is above suspicion.
Maggie Gyllenhaal gives a career-best performance as a kindergarten teacher who oversteps her bounds in a mission to help one of her students. Lisa Spinelli (Gyllenhaal) is a dedicated teacher with a love of poetry who joins an evening class and shares her own compositions with the group and teacher (Gael García Bernal). When she discovers her five-year-old student Jimmy Roy (Parker Sevak) is prone to occasional outbursts of dazzling linguistic virtuosity, she is eager to nurture his burgeoning gift. Yet to Lisa’s frustration, none of the other adults in Jimmy’s life seem to care about his talents. Becoming fixated on the need to cultivate and archive the boy’s creative output, Lisa takes it upon herself to bring Jimmy’s words to the world. Out of this noble impulse, something far darker and obsessional develops.
Gyllenhaal shines in this subtle psychological thriller, a remake of Nadav Lapid's Israeli film of the same name which unsettled and captivated all who saw it back in 2014. Writer-director Sara Colangelo, who picked up a Directing Award at this year’s Sundance, has kept the bones of the original film, shifting the location to the US and changing the sex of the lead character. These changes illuminate new resonances in this story, a dark parable about femininity and creativity in today’s United States.
The true story of the pioneering lawyer Ruth Bader Ginsburg (Jones), her struggles for equal rights in law and what she had to overcome in order to become a female US Supreme Court Justice – the second-ever woman in such a position.
The film focuses on the first sex discrimination case that Ruth Ginsburg took on, in the early 1970s, when she represented Charles Moritz (Chris Mulkey), a Colorado man looking after his elderly mother who was denied a tax benefit routinely given to women caring for family members. From that moment, Ruth was on a quest to banish sex discrimination in law. This film is about that legal crusade but is also about the woman at home with her children, and a portrait of Ruth’s extraordinary marriage to Marty Ginsburg (Hammer). On the Basis Of Sex tells the story of a fascinating woman, with compelling insights into the arguments of our time.
Contains infrequent strong language.
From acclaimed director Nadine Labaki (CARAMEL, WHERE DO WE GO NOW?) comes a stunning and unforgettable new film.
In a courtroom, a young boy named Zain (Zain Al Rafeea) stands before a judge. He asks to sue his own parents for giving him life. The circumstances that have brought him to this point take us on a journey through his poverty-stricken upbringing in Beirut where he lives with his family.
Forced to live by his wits in order to survive, Zain’s life reaches a turning point when his parents make an unforgivable deal that will see his younger sister married off. Left distraught by this terrible act, Zain takes to the road. While looking for work at a fairground, he befriends a young woman who is working illegally as a cleaner and helps to look after her adorable one-year-old baby, Jonas. Zain and Jonas form a touching bond but things get much more complicated when circumstances force Zain to make choices that will have huge ramifications.
CAPERNAUM is a tribute to the resilience of the human spirit – a battle cry for the forgotten, the unwanted and the lost that offers hope in the most unexpected of places.
Recent winner of the top prize at Toronto International Film Festival, Green Book is the uplifting true story of an unlikely friendship that transcended race and class.
Set in 1962, Italian-American Tony Lip (Viggo Mortensen) is hired to chauffeur African-American pianist Dr. Don Shirley (Mahershala Ali) on a concert tour through the Deep South. Don is aware of the troubles that he might face in different locations due to the colour of his skin and requires someone to act as both driver and bouncer. They must rely on The Green Book, a guide to the few establishments that are safe for African-Americans and embark on a journey that will change both of their lives.
With strong performances from Ali (following his Oscar-winning turn in Moonlight) and Mortensen (A History of Violence), there is also a great chemistry between the leads. Director Peter Farrelly, best known for his crowd-pleasing comedies Dumb and Dumber and There’s Something About Mary, succeeds brilliantly in making the vital subject of racial division in the 1960s America into a smart and charming film.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
Happy as Lazzaro plays out in an isolated village separated from the world by a broken bridge that no one has sought fit to repair. Within the insular community lives the beautiful, sweet natured Lazzaro (talented newcomer Adriano Tardiolo) whose people-pleasing personality is often mistaken for simple-mindedness. Lazzaro is persuaded by the village ruler’s son to help him fake his own kidnapping and steal the ransom. However, the unlikely duo’s plans are soon derailed.
Beautifully shot on Super 16mm by Rohrwacher’s regular cinematographer Hélène Louvart and with echoes of Pasolini, Fellini and Jarman, this heady concoction of folk tales, biblical allegory, social critique and pop culture references, deservedly won the Best Screenplay award at this year’s Cannes.
18.30Discover Tuesdays Preview: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot. This week's selection is a special preview screening.
We're delighted to welcome director Carol Morley for a live introduction preceding this screening.
When homicide detective Mike Hoolihan (Patricia Clarkson) is called to investigate the murder of a leading astrophysicist in New Orleans, she is confronted by a mystery that begins to affect her in ways she had never expected.
As the investigation deepens, a darker world is slowly revealed and she must use all of her skills and experience to piece together fragments of a wider conspiracy that lies behind the murder.
OUT OF BLUE is an unmissable neo-noir mystery in which one detective’s quest for truth begins to destabilise both her view of the world and her very being.
After the roaring success of 2017’s GET OUT, Jordan Peele hits us with another provocative helping of horror. US chronicles a family’s trip away to an idyllic beach house in Santa Cruz, California. Lupita Nyong’o (12 YEARS A SLAVE) plays mother Adelaide, who knew the seaside venue as a child, and Winston Duke (BLACK PANTHER) plays her husband, Gabe. As night draws in, four mysterious people appear, holding hands in the driveway of their lodging. They’re not just any intruders, but are grotesque and menacing doppelgängers of the family themselves. Tranquillity gives way panic and fear, and the family break descends into nightmarish uncertainty. Who are these creatures? Where did they come from? What do they want?
Bing Liu's Academy Award®-nominated documentary Minding The Gap is a coming-of-age saga drawing on over 12 years of footage in his Rust Belt hometown hit hard by decades of recession. In his quest to understand why so many of his peers in the skateboarding community ran away from home when they were younger, Bing follows 23-year-old Zack as he becomes a father and 17-year-old Keire as he gets his first job. As the story unfolds, Bing is thrust into the middle of Zack's tumultuous relationship with his girlfriend and Keire's inner struggles with racial identity and his deceased father. As we watch the boys grow up before our eyes, we experience the joy, sacrifice, and hope in the gap between childhood and adulthood.
Lucas Hedges and Julia Roberts give terrific performances in this intimate drama about family and addiction. Nineteen year-old recovering addict Ben Burns (Hedges) unexpectedly shows up at his family’s suburban home on Christmas Eve morning. Ben’s mother, Holly (Roberts), is relieved and welcoming but wary of her son staying clean. Over a turbulent 24 hours, new truths are revealed and a mother’s undying love for her son is tested as she does everything in her power to keep him safe.
The incredible true story of legendary dancer Rudolf Nureyev (played by Oleg Ivenko) is brought vividly to life by actor-director Ralph Fiennes and BAFTA-winning screenwriter David Hare. From Nureyev’s poverty-stricken childhood in the Soviety city of Ufa, to his blossoming as a student dancer in Leningrad, to his nail-biting escape from the KGB and defection to the West at the height of the Cold War, The White Crow is a gripping, revelatory look at a unique artist who transformed the world of ballet forever.
Set in the 1990s, Marvel Studios’ “Captain Marvel” is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe that follows the journey of Carol Danvers as she becomes one of the universe’s most powerful heroes. While a galactic war between two alien races reaches Earth, Danvers finds herself and a small cadre of allies at the centre of the maelstrom.
A painful and powerfully acted kidnap thriller from Iranian writer and director Asghar Farhadi (A SEPARATION). Gathered together for a wedding in rural, wine-growing Spain, a family receive a devastating blow which mercilessly exposes past secrets and gaping old wounds in the history of a small community. Anchored by three heavyweight performances from Penélope Cruz, Javier Bardem and Ricardo Darín, this makes for compelling psychological mystery drama in which nobody is above suspicion.
Maggie Gyllenhaal gives a career-best performance as a kindergarten teacher who oversteps her bounds in a mission to help one of her students. Lisa Spinelli (Gyllenhaal) is a dedicated teacher with a love of poetry who joins an evening class and shares her own compositions with the group and teacher (Gael García Bernal). When she discovers her five-year-old student Jimmy Roy (Parker Sevak) is prone to occasional outbursts of dazzling linguistic virtuosity, she is eager to nurture his burgeoning gift. Yet to Lisa’s frustration, none of the other adults in Jimmy’s life seem to care about his talents. Becoming fixated on the need to cultivate and archive the boy’s creative output, Lisa takes it upon herself to bring Jimmy’s words to the world. Out of this noble impulse, something far darker and obsessional develops.
Gyllenhaal shines in this subtle psychological thriller, a remake of Nadav Lapid's Israeli film of the same name which unsettled and captivated all who saw it back in 2014. Writer-director Sara Colangelo, who picked up a Directing Award at this year’s Sundance, has kept the bones of the original film, shifting the location to the US and changing the sex of the lead character. These changes illuminate new resonances in this story, a dark parable about femininity and creativity in today’s United States.
From acclaimed director Nadine Labaki (CARAMEL, WHERE DO WE GO NOW?) comes a stunning and unforgettable new film.
In a courtroom, a young boy named Zain (Zain Al Rafeea) stands before a judge. He asks to sue his own parents for giving him life. The circumstances that have brought him to this point take us on a journey through his poverty-stricken upbringing in Beirut where he lives with his family.
Forced to live by his wits in order to survive, Zain’s life reaches a turning point when his parents make an unforgivable deal that will see his younger sister married off. Left distraught by this terrible act, Zain takes to the road. While looking for work at a fairground, he befriends a young woman who is working illegally as a cleaner and helps to look after her adorable one-year-old baby, Jonas. Zain and Jonas form a touching bond but things get much more complicated when circumstances force Zain to make choices that will have huge ramifications.
CAPERNAUM is a tribute to the resilience of the human spirit – a battle cry for the forgotten, the unwanted and the lost that offers hope in the most unexpected of places.
Recent winner of the top prize at Toronto International Film Festival, Green Book is the uplifting true story of an unlikely friendship that transcended race and class.
Set in 1962, Italian-American Tony Lip (Viggo Mortensen) is hired to chauffeur African-American pianist Dr. Don Shirley (Mahershala Ali) on a concert tour through the Deep South. Don is aware of the troubles that he might face in different locations due to the colour of his skin and requires someone to act as both driver and bouncer. They must rely on The Green Book, a guide to the few establishments that are safe for African-Americans and embark on a journey that will change both of their lives.
With strong performances from Ali (following his Oscar-winning turn in Moonlight) and Mortensen (A History of Violence), there is also a great chemistry between the leads. Director Peter Farrelly, best known for his crowd-pleasing comedies Dumb and Dumber and There’s Something About Mary, succeeds brilliantly in making the vital subject of racial division in the 1960s America into a smart and charming film.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
After the roaring success of 2017’s GET OUT, Jordan Peele hits us with another provocative helping of horror. US chronicles a family’s trip away to an idyllic beach house in Santa Cruz, California. Lupita Nyong’o (12 YEARS A SLAVE) plays mother Adelaide, who knew the seaside venue as a child, and Winston Duke (BLACK PANTHER) plays her husband, Gabe. As night draws in, four mysterious people appear, holding hands in the driveway of their lodging. They’re not just any intruders, but are grotesque and menacing doppelgängers of the family themselves. Tranquillity gives way panic and fear, and the family break descends into nightmarish uncertainty. Who are these creatures? Where did they come from? What do they want?
Bing Liu's Academy Award®-nominated documentary Minding The Gap is a coming-of-age saga drawing on over 12 years of footage in his Rust Belt hometown hit hard by decades of recession. In his quest to understand why so many of his peers in the skateboarding community ran away from home when they were younger, Bing follows 23-year-old Zack as he becomes a father and 17-year-old Keire as he gets his first job. As the story unfolds, Bing is thrust into the middle of Zack's tumultuous relationship with his girlfriend and Keire's inner struggles with racial identity and his deceased father. As we watch the boys grow up before our eyes, we experience the joy, sacrifice, and hope in the gap between childhood and adulthood.
Lucas Hedges and Julia Roberts give terrific performances in this intimate drama about family and addiction. Nineteen year-old recovering addict Ben Burns (Hedges) unexpectedly shows up at his family’s suburban home on Christmas Eve morning. Ben’s mother, Holly (Roberts), is relieved and welcoming but wary of her son staying clean. Over a turbulent 24 hours, new truths are revealed and a mother’s undying love for her son is tested as she does everything in her power to keep him safe.
The incredible true story of legendary dancer Rudolf Nureyev (played by Oleg Ivenko) is brought vividly to life by actor-director Ralph Fiennes and BAFTA-winning screenwriter David Hare. From Nureyev’s poverty-stricken childhood in the Soviety city of Ufa, to his blossoming as a student dancer in Leningrad, to his nail-biting escape from the KGB and defection to the West at the height of the Cold War, The White Crow is a gripping, revelatory look at a unique artist who transformed the world of ballet forever.
Set in the 1990s, Marvel Studios’ “Captain Marvel” is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe that follows the journey of Carol Danvers as she becomes one of the universe’s most powerful heroes. While a galactic war between two alien races reaches Earth, Danvers finds herself and a small cadre of allies at the centre of the maelstrom.
A painful and powerfully acted kidnap thriller from Iranian writer and director Asghar Farhadi (A SEPARATION). Gathered together for a wedding in rural, wine-growing Spain, a family receive a devastating blow which mercilessly exposes past secrets and gaping old wounds in the history of a small community. Anchored by three heavyweight performances from Penélope Cruz, Javier Bardem and Ricardo Darín, this makes for compelling psychological mystery drama in which nobody is above suspicion.
Maggie Gyllenhaal gives a career-best performance as a kindergarten teacher who oversteps her bounds in a mission to help one of her students. Lisa Spinelli (Gyllenhaal) is a dedicated teacher with a love of poetry who joins an evening class and shares her own compositions with the group and teacher (Gael García Bernal). When she discovers her five-year-old student Jimmy Roy (Parker Sevak) is prone to occasional outbursts of dazzling linguistic virtuosity, she is eager to nurture his burgeoning gift. Yet to Lisa’s frustration, none of the other adults in Jimmy’s life seem to care about his talents. Becoming fixated on the need to cultivate and archive the boy’s creative output, Lisa takes it upon herself to bring Jimmy’s words to the world. Out of this noble impulse, something far darker and obsessional develops.
Gyllenhaal shines in this subtle psychological thriller, a remake of Nadav Lapid's Israeli film of the same name which unsettled and captivated all who saw it back in 2014. Writer-director Sara Colangelo, who picked up a Directing Award at this year’s Sundance, has kept the bones of the original film, shifting the location to the US and changing the sex of the lead character. These changes illuminate new resonances in this story, a dark parable about femininity and creativity in today’s United States.
Maiden tells the inspirational story of how Tracy Edwards, a 24-year-old cook on charter boats, became the skipper of the first ever all-female crew to enter the Whitbread Round the World Race in 1989.
Tracy’s dream met opposition on all sides: her male competitors thought an all-women crew would never make it; the chauvinistic yachting press took bets on her failure; potential sponsors rejected her, fearing they would die at sea and generate bad publicity. But Tracy refused to give up: she re-mortgaged her home and bought a second-hand boat, putting everything on the line to ensure the team made it to the start line. With the support of her remarkable crew, she went on to shock the sport and prove that women are the equal of men.
Contains infrequent strong language, references to sexism.
The true story of the pioneering lawyer Ruth Bader Ginsburg (Jones), her struggles for equal rights in law and what she had to overcome in order to become a female US Supreme Court Justice – the second-ever woman in such a position.
The film focuses on the first sex discrimination case that Ruth Ginsburg took on, in the early 1970s, when she represented Charles Moritz (Chris Mulkey), a Colorado man looking after his elderly mother who was denied a tax benefit routinely given to women caring for family members. From that moment, Ruth was on a quest to banish sex discrimination in law. This film is about that legal crusade but is also about the woman at home with her children, and a portrait of Ruth’s extraordinary marriage to Marty Ginsburg (Hammer). On the Basis Of Sex tells the story of a fascinating woman, with compelling insights into the arguments of our time.
Contains infrequent strong language.
From acclaimed director Nadine Labaki (CARAMEL, WHERE DO WE GO NOW?) comes a stunning and unforgettable new film.
In a courtroom, a young boy named Zain (Zain Al Rafeea) stands before a judge. He asks to sue his own parents for giving him life. The circumstances that have brought him to this point take us on a journey through his poverty-stricken upbringing in Beirut where he lives with his family.
Forced to live by his wits in order to survive, Zain’s life reaches a turning point when his parents make an unforgivable deal that will see his younger sister married off. Left distraught by this terrible act, Zain takes to the road. While looking for work at a fairground, he befriends a young woman who is working illegally as a cleaner and helps to look after her adorable one-year-old baby, Jonas. Zain and Jonas form a touching bond but things get much more complicated when circumstances force Zain to make choices that will have huge ramifications.
CAPERNAUM is a tribute to the resilience of the human spirit – a battle cry for the forgotten, the unwanted and the lost that offers hope in the most unexpected of places.
Recent winner of the top prize at Toronto International Film Festival, Green Book is the uplifting true story of an unlikely friendship that transcended race and class.
Set in 1962, Italian-American Tony Lip (Viggo Mortensen) is hired to chauffeur African-American pianist Dr. Don Shirley (Mahershala Ali) on a concert tour through the Deep South. Don is aware of the troubles that he might face in different locations due to the colour of his skin and requires someone to act as both driver and bouncer. They must rely on The Green Book, a guide to the few establishments that are safe for African-Americans and embark on a journey that will change both of their lives.
With strong performances from Ali (following his Oscar-winning turn in Moonlight) and Mortensen (A History of Violence), there is also a great chemistry between the leads. Director Peter Farrelly, best known for his crowd-pleasing comedies Dumb and Dumber and There’s Something About Mary, succeeds brilliantly in making the vital subject of racial division in the 1960s America into a smart and charming film.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
Rose-Lynn Harlan is bursting with raw talent, charisma and cheek. Fresh out of jail and with two young kids, all she wants is to get out of Glasgow and make it as a country singer. Her mum Marion has had a bellyful of Rose-Lynn’s Nashville nonsense. Forced to take responsibility, Rose-Lynn gets a cleaning job, only to find an unlikely champion in the middle-class lady of the house.
A comedy-drama about mothers and daughters, dreams and reality and three chords and the truth.
After the roaring success of 2017’s GET OUT, Jordan Peele hits us with another provocative helping of horror. US chronicles a family’s trip away to an idyllic beach house in Santa Cruz, California. Lupita Nyong’o (12 YEARS A SLAVE) plays mother Adelaide, who knew the seaside venue as a child, and Winston Duke (BLACK PANTHER) plays her husband, Gabe. As night draws in, four mysterious people appear, holding hands in the driveway of their lodging. They’re not just any intruders, but are grotesque and menacing doppelgängers of the family themselves. Tranquillity gives way panic and fear, and the family break descends into nightmarish uncertainty. Who are these creatures? Where did they come from? What do they want?
Bing Liu's Academy Award®-nominated documentary Minding The Gap is a coming-of-age saga drawing on over 12 years of footage in his Rust Belt hometown hit hard by decades of recession. In his quest to understand why so many of his peers in the skateboarding community ran away from home when they were younger, Bing follows 23-year-old Zack as he becomes a father and 17-year-old Keire as he gets his first job. As the story unfolds, Bing is thrust into the middle of Zack's tumultuous relationship with his girlfriend and Keire's inner struggles with racial identity and his deceased father. As we watch the boys grow up before our eyes, we experience the joy, sacrifice, and hope in the gap between childhood and adulthood.
13.15Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Lucas Hedges and Julia Roberts give terrific performances in this intimate drama about family and addiction. Nineteen year-old recovering addict Ben Burns (Hedges) unexpectedly shows up at his family’s suburban home on Christmas Eve morning. Ben’s mother, Holly (Roberts), is relieved and welcoming but wary of her son staying clean. Over a turbulent 24 hours, new truths are revealed and a mother’s undying love for her son is tested as she does everything in her power to keep him safe.
The incredible true story of legendary dancer Rudolf Nureyev (played by Oleg Ivenko) is brought vividly to life by actor-director Ralph Fiennes and BAFTA-winning screenwriter David Hare. From Nureyev’s poverty-stricken childhood in the Soviety city of Ufa, to his blossoming as a student dancer in Leningrad, to his nail-biting escape from the KGB and defection to the West at the height of the Cold War, The White Crow is a gripping, revelatory look at a unique artist who transformed the world of ballet forever.
12.55HOH Subtitled: This screening has subtitles for people with hearing loss
Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
15.55Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Set in the 1990s, Marvel Studios’ “Captain Marvel” is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe that follows the journey of Carol Danvers as she becomes one of the universe’s most powerful heroes. While a galactic war between two alien races reaches Earth, Danvers finds herself and a small cadre of allies at the centre of the maelstrom.
13.00Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
15.30Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
A painful and powerfully acted kidnap thriller from Iranian writer and director Asghar Farhadi (A SEPARATION). Gathered together for a wedding in rural, wine-growing Spain, a family receive a devastating blow which mercilessly exposes past secrets and gaping old wounds in the history of a small community. Anchored by three heavyweight performances from Penélope Cruz, Javier Bardem and Ricardo Darín, this makes for compelling psychological mystery drama in which nobody is above suspicion.
12.15Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
15.10Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Maggie Gyllenhaal gives a career-best performance as a kindergarten teacher who oversteps her bounds in a mission to help one of her students. Lisa Spinelli (Gyllenhaal) is a dedicated teacher with a love of poetry who joins an evening class and shares her own compositions with the group and teacher (Gael García Bernal). When she discovers her five-year-old student Jimmy Roy (Parker Sevak) is prone to occasional outbursts of dazzling linguistic virtuosity, she is eager to nurture his burgeoning gift. Yet to Lisa’s frustration, none of the other adults in Jimmy’s life seem to care about his talents. Becoming fixated on the need to cultivate and archive the boy’s creative output, Lisa takes it upon herself to bring Jimmy’s words to the world. Out of this noble impulse, something far darker and obsessional develops.
Gyllenhaal shines in this subtle psychological thriller, a remake of Nadav Lapid's Israeli film of the same name which unsettled and captivated all who saw it back in 2014. Writer-director Sara Colangelo, who picked up a Directing Award at this year’s Sundance, has kept the bones of the original film, shifting the location to the US and changing the sex of the lead character. These changes illuminate new resonances in this story, a dark parable about femininity and creativity in today’s United States.
The true story of the pioneering lawyer Ruth Bader Ginsburg (Jones), her struggles for equal rights in law and what she had to overcome in order to become a female US Supreme Court Justice – the second-ever woman in such a position.
The film focuses on the first sex discrimination case that Ruth Ginsburg took on, in the early 1970s, when she represented Charles Moritz (Chris Mulkey), a Colorado man looking after his elderly mother who was denied a tax benefit routinely given to women caring for family members. From that moment, Ruth was on a quest to banish sex discrimination in law. This film is about that legal crusade but is also about the woman at home with her children, and a portrait of Ruth’s extraordinary marriage to Marty Ginsburg (Hammer). On the Basis Of Sex tells the story of a fascinating woman, with compelling insights into the arguments of our time.
Contains infrequent strong language.
15.30Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
From acclaimed director Nadine Labaki (CARAMEL, WHERE DO WE GO NOW?) comes a stunning and unforgettable new film.
In a courtroom, a young boy named Zain (Zain Al Rafeea) stands before a judge. He asks to sue his own parents for giving him life. The circumstances that have brought him to this point take us on a journey through his poverty-stricken upbringing in Beirut where he lives with his family.
Forced to live by his wits in order to survive, Zain’s life reaches a turning point when his parents make an unforgivable deal that will see his younger sister married off. Left distraught by this terrible act, Zain takes to the road. While looking for work at a fairground, he befriends a young woman who is working illegally as a cleaner and helps to look after her adorable one-year-old baby, Jonas. Zain and Jonas form a touching bond but things get much more complicated when circumstances force Zain to make choices that will have huge ramifications.
CAPERNAUM is a tribute to the resilience of the human spirit – a battle cry for the forgotten, the unwanted and the lost that offers hope in the most unexpected of places.
12.40Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Recent winner of the top prize at Toronto International Film Festival, Green Book is the uplifting true story of an unlikely friendship that transcended race and class.
Set in 1962, Italian-American Tony Lip (Viggo Mortensen) is hired to chauffeur African-American pianist Dr. Don Shirley (Mahershala Ali) on a concert tour through the Deep South. Don is aware of the troubles that he might face in different locations due to the colour of his skin and requires someone to act as both driver and bouncer. They must rely on The Green Book, a guide to the few establishments that are safe for African-Americans and embark on a journey that will change both of their lives.
With strong performances from Ali (following his Oscar-winning turn in Moonlight) and Mortensen (A History of Violence), there is also a great chemistry between the leads. Director Peter Farrelly, best known for his crowd-pleasing comedies Dumb and Dumber and There’s Something About Mary, succeeds brilliantly in making the vital subject of racial division in the 1960s America into a smart and charming film.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
13.05Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
15.55Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
We're delighted to welcome director Carol Morley for a live Q&A following this screening.
When homicide detective Mike Hoolihan (Patricia Clarkson) is called to investigate the murder of a leading astrophysicist in New Orleans, she is confronted by a mystery that begins to affect her in ways she had never expected.
As the investigation deepens, a darker world is slowly revealed and she must use all of her skills and experience to piece together fragments of a wider conspiracy that lies behind the murder.
OUT OF BLUE is an unmissable neo-noir mystery in which one detective’s quest for truth begins to destabilise both her view of the world and her very being.
18.30Ad and Trailer Free: No advertisements or trailers will play ahead of this screening. You are recommended to arrive promptly.
+ Q&A : This screening will be followed by a Q&A.
American sitcom star Jordan Peele turns writer/director for this smartly observed, almost Hitchcockian comedy thriller concerning Chris (Kaluuya) and Rose (Williams), who’ve reached the stage in their relationship when it’s time for him to meet her parents. Unfortunately, it doesn’t pan out as planned: Rose hasn’t told her parents that Chris is black, and despite their best efforts to appear liberal, her somewhat creepy mum and dad are revealed as being anything but.
Rose-Lynn Harlan is bursting with raw talent, charisma and cheek. Fresh out of jail and with two young kids, all she wants is to get out of Glasgow and make it as a country singer. Her mum Marion has had a bellyful of Rose-Lynn’s Nashville nonsense. Forced to take responsibility, Rose-Lynn gets a cleaning job, only to find an unlikely champion in the middle-class lady of the house.
A comedy-drama about mothers and daughters, dreams and reality and three chords and the truth.
Christof Loy directs a star-studded cast of singers, inclusing Anna Netrebko, Jonas Kaufmann and Ludovic Tezier, in Verdi's epic opera, conducted by Antonio Pappano.
Leonora falls in love with Don Alvaro, but when her father forbids their marriage, a fatal accident triggers a drama of obsession, vengeance and tragedy. Jonas Kaufmannand Anna Netrebko star in Verdi’s epic La forza del destino (The Force of Destiny) an opera which demands the very best of singers for its powerful music and the fullest theatrical treatment for its story of bitter revenge pursued across miles and years. The production comes to The Royal Opera in a sensational staging from Amsterdam packed with colour and action. It is directed by Christof Loy and conducted by Antonio Pappano, Music Director of The Royal Opera.
A tender, funny and balanced documentary about maverick Manchester comedian Frank Sidebottom, and the life and art of his hidden creator, the wayward genius Chris Sievey.
Frank Sidebottom, remembered fondly as the man with the papier-mâché head, was the court jester of the Manchester music and comedy scene for over 25 years, but only a privileged few knew the man inside.
Calling on extensive archive material from Chris’s personal collection, including home movies, notebooks, art and music, and valuable insights from his family, friends and colleagues, Being Frank tells a twisted tale of split personalities: a suburban superhero with a fanatical desire to preserve the myth he created, who would eventually have to battle against being consumed by his alter ego.
18.30Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
In a dystopian future London, a gang of teenagers go on the rampage every night, beating and raping helpless victims. After one of the boys quells an uprising in the gang, they knock him out and leave him for the police to find. He agrees to try ‘aversion therapy’ to shorten his jail sentence. When he is eventually let out, he hates violence, but the rest of the gang members are still after him.
Unforgettable images, startling musical counterpoints, the fascinating language used by the young gang – Kubrick shapes them into a shattering whole in his stylish, controversial take on Anthony Burgess’s novel about violence and free will.
Leaving behind their cosmopolitan London life, a couple and their three young children travel the ends of the earth searching for a new perspective on life. In their five-year journey across six continents, they live with some of the oldest indigenous communities on the planet. They gain access to tribal sages never filmed or interviewed before, without a crew or schedule, just one backpack and one camera each. And the curiosity to listen. The film reveals the deep wisdom the family discover in their conversations with these 'Earth Keepers' and its power to transform lives. Having lived in hiding for centuries, the Earth Keepers see that now is the time to step forward and share their insights with those who are ready to listen. The film’s score is written by BAFTA & Oscar winning composer Stephen Warbeck.
18.30Screening includes an introduction: The screening includes an introduction and an open dialogue after the film with the audience facilitated by filmmakers or DOWN TO EARTH ambassadors.
Picturehouse Docs: Bringing you the best in new and topical documentaries covering issues around the world.
A spiky coming-of-age movie steeped in the sights, sounds and spirit of ’90s Los Angeles, MID90s follows Stevie, a 13-year-old outcast who spends his summer navigating his troubled home life and a group of new friends that he meets at a Motor Avenue skate shop.
Jonah Hill’s time capsule of a directorial debut is an ambitious and authentic portrayal of youthful rebellion, led by a breakout performance from Suljic as Stevie and a glorious soundtrack of tunes from the era.
In this new stage version of All About Eve, Gillian Anderson (X-Files, A Streetcar Named Desire) stars as Margo Channing, the role immortalised by Bette Davis in Joseph Mankiewicz’s 1950 film. Margo Channing, grande dame of the theatre, is a star actress at the peak of fame, worshipped by her fans but haunted by insecurity about ageing and a terror of the abyss. She finds her life invaded by the ingénue Eve Harrington (Lily James) who barely conceals her own ambition to usurp the star on her pedestal. One of the world’s most innovative and sought-after directors, Ivo van Hove (A View From The Bridge) delves into the ambition, jealousy, egocentricity and cynicism within the entertainment industry and asks what is it with our seeming never-ending obsession with youth and celebrity. With original music by P. J. Harvey.
Filmed over a period of ten years, this debut documentary chronicles trans filmmaker Jason Barker’s unorthodox journey to parenthood through an astonishingly intimate assemblage of home video footage.
When the film opens, Jason, assigned female at birth, has transitioned to male and is eager to become a father with his long-standing partner Tracey. Yet when the couple encounter a series of shattering medical setbacks, they are forced to radically rethink their plans. Jason makes the decision to stop taking testosterone, dismantling his sense of his own gender identity in order to try to carry their baby himself.
The film’s strength lies in its blending of the remarkable – transmasculine pregnancy, although becoming more common, has been rarely depicted on screen – with the comfortingly mundane. Rarely have illness, parenthood, and the consolation and trials of long-term relationships, been shown with such unflinching, raw truth. This is a tender and beautiful portrait about a family’s fears, pains, frustrations and, ultimately, joys.
Followed by a Q&A with director Jason Barker.
18.30Ad and Trailer Free: No advertisements or trailers will play ahead of this screening. You are recommended to arrive promptly.
Out at Central: A monthly celebration of LGBTQ+ cinema at Picturehouse Central
Picturehouse Central welcomes back the London Korean Film Festival for a UK Premiere of Winter's Night.
One cold winter's night a middle-aged couple revisit the spot where they first spent the night together thirty years earlier: a well-known and picturesque Buddhist temple. After getting separated, the pair roam the snow-covered and moodily atmospheric temple grounds encountering, amongst others, a young couple who resemble their younger selves, leading them to reflect on their lives and relationship.
Director Jang Woo-jin picked up a director's award at the prestigious Busan Film Festival for his previous effort Autumn, Autumn and he enjoyed similar success earlier in the year at Rotterdam International Film Festival with the melancholy and meditative Winter's Night.
From the National Gallery, London and Rijksmuseum, Amsterdam
Every Rembrandt exhibition is eagerly anticipated but this major show hosted by London’s National Gallery and Amsterdam’s Rijksmuseum was an event like no other. Given privileged access to both galleries the film documents this landmark exhibition, whilst interweaving Rembrandt’s life story, with behind-the-scenes preparations at these world famous institutions. Exploring many of the exhibition’s key works, through contributions from specially invited guests including curators and leading art historians, this Exhibition on Screen favourite makes a welcome return to the big screen marking the 350th anniversary of Rembrandt's death. For many, Rembrandt is the greatest artist that ever lived and this deeply moving film seeks to explore the truth about the man behind the legend.
Summertime, 1994. In a quiet mining village just outside Doncaster, a rumour stirs about the legend of a giant carp in the nearby decoy ponds. Trevor takes watch one night at the water’s edge. The following night, he decides to lead a brigade of young friends and neighbours on a fishing expedition. In a world of broken families, cassette tapes and rumbling political fever, these friends, each with their own struggles to bear, share a moment of harmony as they witness the carp for themselves that they will never forget.
Come into the forest; dare to change your state of mind.
Rosalind is banished, wrestling with her heart and her head. With her cousin by her side, she journeys to a world of exile where barriers are broken down and all can discover their deeper selves.
Kimberley Sykes (Dido, Queen of Carthage) directs a riotous, exhilarating version of Shakespeare's romantic comedy.
Returning to cinemas for its 40th anniversary, Life Of Brian is Monty Python’s achingly funny take on religious belief in general, Roman history, and the muddled and uncertain origins of what really is ‘gospel truth’ — all wrapped up in a parody of bloated Biblical epics.
Highly controversial upon its original release and banned in several countries, the film is now frequently ranked as the greatest comedy feature of all time by magazines and media outlets around the world. As Monty Python member Terry Gilliam says, “It rips bare and makes you laugh at the world we’ve created for ourselves.”
Audiences will be able to join in the celebrations with a limited edition commemorative pack, available at cinema screenings on Thursday 18 April.
The story follows poor Brian Cohen (Chapman), a Jewish anti-Roman activist mistaken for the Messiah through a series of unfortunate coincidences (he was, for example, born in the manger next door to that more famous stable) and near-constant misunderstandings and exaggerations by his growing band of clueless followers – all of which provide ample opportunity for the entire Monty Python ensemble to question everyone and everything from ex-lepers, Pontius Pilate and the art of haggling, to revolutionaries, fanatics, Roman centurions and crucifixion.
Experience the decadence and elegance of 1870s Paris in David McVicar's spectacular production of Gounod's best-loved opera.
There are many versions of the story of Faust, who trades his soul with the Devil for youth and power, but Gounod’s opera remains one of the most constantly enthralling. Michael Fabiano stars as Faust, with Diana Damrau as his beloved Marguerite and Erwin Schrott as the diabolical Méphistophélès. Virtuoso leading roles, a large chorus, sensational sets, ballet and an ecstatic finale make this the epitome of theatrical spectacle – the lavish scale of French grand opera is wonderfully in evidence in this production by David McVicar, set in 1870s Paris. Above all, the music includes several of popular opera’s most recognizable numbers, performed by a cast of great international singers and the Royal Opera Chorus.
Approximate running time: 3 hours 45 minutes, including one interval. Sung in French with English subtitles.
Leaving behind their cosmopolitan London life, a couple and their three young children travel the ends of the earth searching for a new perspective on life. In their five-year journey across six continents, they live with some of the oldest indigenous communities on the planet. They gain access to tribal sages never filmed or interviewed before, without a crew or schedule, just one backpack and one camera each. And the curiosity to listen. The film reveals the deep wisdom the family discover in their conversations with these 'Earth Keepers' and its power to transform lives. Having lived in hiding for centuries, the Earth Keepers see that now is the time to step forward and share their insights with those who are ready to listen. The film’s score is written by BAFTA & Oscar winning composer Stephen Warbeck.
18.30Screening includes an introduction: The screening includes an introduction and an open dialogue after the film with the audience facilitated by filmmakers or DOWN TO EARTH ambassadors.
Picturehouse Docs: Bringing you the best in new and topical documentaries covering issues around the world.
This breathtakingly beautiful Tony® Award-winning Broadway musical, inspired by the Oscar® winning MGM film, tells the impassioned story of discovering love in the ‘City of Light’.
Featuring the gorgeous music and lyrics of George and Ira Gershwin (including the classic hits ‘S Wonderful and I Got Rhythm), stunning designs, and show-stopping choreography. With a record-setting 28 five-star reviews from critics, An American in Paris is coming from London’s West End to a cinema near you.
Jerry Mulligan is an American GI striving to make it as a painter in a city suddenly bursting with hope and possibility. Following a chance encounter with a beautiful young dancer named Lise, the streets of Paris become the backdrop to a sensuous, modern romance of art, friendship and love in the aftermath of war...
Experience this “truly ravishing” (The Guardian) production in the comfort of your local cinema.
In this new stage version of All About Eve, Gillian Anderson (X-Files, A Streetcar Named Desire) stars as Margo Channing, the role immortalised by Bette Davis in Joseph Mankiewicz’s 1950 film. Margo Channing, grande dame of the theatre, is a star actress at the peak of fame, worshipped by her fans but haunted by insecurity about ageing and a terror of the abyss. She finds her life invaded by the ingénue Eve Harrington (Lily James) who barely conceals her own ambition to usurp the star on her pedestal. One of the world’s most innovative and sought-after directors, Ivo van Hove (A View From The Bridge) delves into the ambition, jealousy, egocentricity and cynicism within the entertainment industry and asks what is it with our seeming never-ending obsession with youth and celebrity. With original music by P. J. Harvey.
We are happy for you to bring your dog along to this special dog-friendly screening (you're welcome without a dog too). Before the screening there are a few things to consider:
If you attend this screening with a dog, you'll be issued with a fleece blanket to cover the seat used by the dog or to use as a rug if the dog sits on the floor. During the screenings, we will provide bowls of water around the screen. We will leave lighting levels a little higher than usual during the screening and lower the volume of the soundtrack.
Please be aware that we reduce capacity when offering ‘dog-friendly’ screenings, so there may be fewer tickets than usual. We limit dogs to: one dog to one adult. For further information, see dog-friendly screening policy in our cinema.
Pick of the Litter follows a litter of puppies from the moment they’re born and begin their quest to become guide dogs for the blind. Cameras follow these pups through an intense two-year odyssey as they train to become dogs whose ultimate responsibility is to protect their blind partners from harm. Along the way, these remarkable animals rely on a community of dedicated individuals who train them to do amazing, life-changing things in the service of their human. The stakes are high and not every dog can make the cut. Only the best of the best. The pick of the litter.
With deft storytelling skill, directors Dana Nachman and Don Hardy (the two previously co-directed the feature docs The Human Experiment, Witch Hunt, and Love Hate Love) introduce us to a group of unique canine characters along with their human counterparts. Pick of the Litter is a wonderful reminder of the extraordinary relationships we have with our dogs, especially those that we work beside each day.
10.30Dog-Friendly: Customers are welcome to bring their well behaved dogs into the cinema for this special screening. Read our Dog-friendly policy before you book at picturehouses.com/dogs
Academy Award winner Sally Field (Steel Magnolias, Brothers & Sisters) and Bill Pullman (The Sinner, Independence Day) star in Arthur Miller’s blistering drama All My Sons, broadcast live from The Old Vic in London.
America, 1947. Despite hard choices and even harder knocks, Joe and Kate Keller are a success story. They’ve built a home, raised two sons and established a thriving business. But nothing lasts forever and their contented lives, already shadowed by the loss of their eldest boy to war, are about to shatter. Long-buried truths are forced to the surface by the return of a figure from the past, and the price of their American dream is laid bare.
Jeremy Herrin (NT Live: This House) directs the cast, which also includes Jenna Coleman (Victoria), and Colin Morgan (Merlin) alongside Bessie Carter, Oliver Johnstone, Kayla Meikle and Sule Rimi.
Two recent works and one world premiere showcase the contemporary face of the Royal Ballet.
The contemporary face of The Royal Ballet is shown in works from three of today’s leading choreographers. Christopher Wheeldon’s Within the Golden Hour is based around seven couples separating and intermingling, to music by Vivaldi and Bosso and lit with rich colours suggested by sunset. Crystal Pite’s Flight Pattern, revived for the first time, uses a large dance ensemble and Górecki’s familiar music from his Symphony of Sorrowful Songsfor a poignant and passionate reflection on migration. Between them, a new work by Sidi Larbi Cherkaoui, created on The Royal Ballet has its premiere to bring the contemporary truly up-to-date.
Matthew Bourne’s bold and beautiful Swan Lake replaces the traditional female corps de ballet with a male ensemble which, when it was first performed in 1995, took the dance world by storm. No longer the dainty, sinuous swans of the original story but instead hissing, stamping birds, unpredictable, sometimes dangerous. Danced to Tchaikovsky’s spellbinding score, Bourne’s contemporary adaptation subverts the conventional tale of Odette, Prince Siegfried and the evil Baron von Rothbart, omitting some of the characters and twists of plot. Instead, his passionate story of male love tells of a lonely and repressed Prince Siegfried who is dominated by his regal mother and her Machiavellian press secretary. The Swan is everything the Prince needs and can’t have. Twenty-three years on, as vibrant as ever, Bourne’s Swan Lake comes to cinemas, re-imagined for the twenty-first century. Retaining Lez Brotherson’s award-winning designs, this new production was filmed last year at Sadler’s Wells in London.
Matthew Bourne’s bold and beautiful Swan Lake replaces the traditional female corps de ballet with a male ensemble which, when it was first performed in 1995, took the dance world by storm. No longer the dainty, sinuous swans of the original story but instead hissing, stamping birds, unpredictable, sometimes dangerous. Danced to Tchaikovsky’s spellbinding score, Bourne’s contemporary adaptation subverts the conventional tale of Odette, Prince Siegfried and the evil Baron von Rothbart, omitting some of the characters and twists of plot. Instead, his passionate story of male love tells of a lonely and repressed Prince Siegfried who is dominated by his regal mother and her Machiavellian press secretary. The Swan is everything the Prince needs and can’t have. Twenty-three years on, as vibrant as ever, Bourne’s Swan Lake comes to cinemas, re-imagined for the twenty-first century. Retaining Lez Brotherson’s award-winning designs, this new production was filmed last year at Sadler’s Wells in London.
Academy Award winner Sally Field (Steel Magnolias, Brothers & Sisters) and Bill Pullman (The Sinner, Independence Day) star in Arthur Miller’s blistering drama All My Sons, broadcast live from The Old Vic in London.
America, 1947. Despite hard choices and even harder knocks, Joe and Kate Keller are a success story. They’ve built a home, raised two sons and established a thriving business. But nothing lasts forever and their contented lives, already shadowed by the loss of their eldest boy to war, are about to shatter. Long-buried truths are forced to the surface by the return of a figure from the past, and the price of their American dream is laid bare.
Jeremy Herrin (NT Live: This House) directs the cast, which also includes Jenna Coleman (Victoria), and Colin Morgan (Merlin) alongside Bessie Carter, Oliver Johnstone, Kayla Meikle and Sule Rimi.
In a reimagined 1590, England is a matriarchy.
Baptista Minola is seeking to sell off her son Katherine to the highest bidder. Cue an explosive battle of the sexes in this electrically charged love story.
Justin Audibert (Snow in Midsummer, The Jew of Malta) turns Shakespeare's fierce, energetic comedy of gender and materialism on its head to offer a fresh perspective on its portrayal of hierarchy and power.
Celebrating 30 incredible years, Take That are bringing their spectacular 2019 Greatest Hits tour to cinemas for one night only! Broadcast LIVE on Saturday 8 June from their last UK concert of the tour, this highly anticipated anniversary show promises to be their best yet.
With front row seats, you’ll be a part of the action as Gary, Mark and Howard journey through Take That's incredible music history. Performing their biggest hits from the last three decades, and new tracks from their latest album Odyssey, fans will love this ultimate big screen sing along. So, get ready to throw your hands in the air – it's a party you’ll never forget!
In partnership with Suzuki.
"I envy the Japanese" Van Gogh wrote to his brother Theo. In the exhibition on which this film is based - VAN GOGH & JAPAN at the Van Gogh Museum in Amsterdam - one can see why. Though Vincent van Gogh never visited Japan it is the country that had the most profound influence on him and his art. One cannot understand Van Gogh without understanding how Japanese art arrived in Paris in the middle of the 19th century and the profound impact it had on artists like Monet, Degas and, above all, Van Gogh.
Visiting the new galleries of Japanese art in Paris and then creating his own image of Japan – through in-depth research, print collecting and detailed discussions with other artists – Van Gogh’s encounter with Japanese artworks gave his work a new and exciting direction. After leaving Paris for the south of France – to what he thought of as near to a kind of Japan as he could find - the productive and yet troubled years that followed must all be seen in the context of Van Gogh bending Japanese influences to his will and defining himself as a modern artist with clear Asian precursors. In this little known story of Van Gogh’s art we see just how important his study of Japan was. The film travels not only to France and the Netherlands but also to Japan to further explore the remarkable heritage that so affected Van Gogh and made him the artist we know of today.
Shakespeare's star-crossed lovers encounter passion and tragedy in Kenneth MacMillan's 20th century ballet masterpiece.
Shakespeare’s enduring love story is known the world over. Since its 1965 premiere with The Royal Ballet, Kenneth MacMillan’s Romeo and Juliet has become a modern ballet classic. The choreography captures the emotions of the young couple as they fall in love, despite the barriers that finally bring about the story’s tragic end. Each revival gives opportunities for new dancers to interpret the doomed lovers. The whole Company brings the colour and action of Renaissance Verona, where a busy market all too quickly bursts into sword fighting, and a family feud leads to tragedy for both the Montagues and Capulets.
Double-meanings, disguises and dirty laundry abound in The Merry Wives of Windsor as Sir John Falstaff sets about improving his financial situation by wooing Mistress Page and Mistress Ford. But the 'Merry Wives' quickly cotton on to his tricks and decide to have a bit of fun of their own at Falstaff's expense...The Merry Wives of Windsor is the only comedy that Shakespeare set in his native land, and with its witty mix of verbal and physical humour, the play celebrates a tradition that reaches right down to the contemporary English sitcom. Directed by Nicole Charles and Elle While, and staged at the beautiful and iconic Globe Theatre in London, a reconstruction of an open-air Elizabethan playhouse on the bank of the River Thames, this new production of The Merry Wives of Windsor will be broadcast live to cinemas and will feature exclusive behind-the-scenes insights into the play.
Andrea Levy’s Orange Prize-winning novel Small Island comes to life in an epic new theatre adaptation. Experience the play in cinemas, filmed live on stage as part of National Theatre Live’s 10th birthday.
Small Island embarks on a journey from Jamaica to Britain, through the Second World War to 1948 – the year the HMT Empire Windrush docked at Tilbury.
The play follows three intricately connected stories. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots. Hope and humanity meet stubborn reality as the play traces the tangled history of Jamaica and the UK.
A company of 40 actors take to the stage of the National Theatre in this timely and moving story.
The story of Cinderella to Jules Massenet’s sensuous and lavish score in a new production, directed by Fiona Shaw (The Rape Of Lucretia). With its enchanting love story and broad, burlesque comedy, Cendrillon is one of the great operatic fairy tales. Massenet’s beautiful, lyrical music brings the familiar characters from Perrault’s story to life – a loving, yet hapless father, a jovially villainous stepmother, the lonely prince and a fairy godmother. The gently courageous Cendrillon, never quite sure whether she is dreaming or awake, is perhaps the most bewitching of all Cinderellas. The opera is full of wonderful music, from the impassioned love duet for Cendrillon and her Prince to the coloratura effervescence of the Fairy Godmother and the brilliantly scored ‘Marche Des Princesses’. Glyndebourne favourite Danielle de Niese sings the lead role in this performance, conducted by John Wilson.
Andrea Levy’s Orange Prize-winning novel Small Island comes to life in an epic new theatre adaptation. Experience the play in cinemas, filmed live on stage as part of National Theatre Live’s 10th birthday.
Small Island embarks on a journey from Jamaica to Britain, through the Second World War to 1948 – the year the HMT Empire Windrush docked at Tilbury.
The play follows three intricately connected stories. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots. Hope and humanity meet stubborn reality as the play traces the tangled history of Jamaica and the UK.
A company of 40 actors take to the stage of the National Theatre in this timely and moving story.
Rossini’s celebrated opera ‘buffa’ is a perfect marriage of wit, energy and musical invention. When Count Almaviva falls in love with Rosina, he enlists the help of his Mr-Fix-It barber, the irrepressible Figaro, to help him outwit Rosina’s guardian Bartolo. But Bartolo plans to marry Rosina himself, and a comic and fast-paced battle of wills ensues. Rossini’s masterpiece was completed, legend has it, in just 13 days. His score fizzes with virtuosic brilliance , from the stunning, ubiquitously known Overture to the bravura solo arias – including the immortal ‘Una Voce Poco Fa’ and Figaro’s ‘Largo Al Factotum’ - while breathtaking, intricate ensemble singing weaves together the strands of the comic tale. In this revival of Annabel Arden’s 2016 production for Glyndebourne, Danielle de Niese stars as Rosina. Opera’s greatest comedy, filled with its greatest hits. A treat for all.
'To whom should I complain?'
When a young novice nun is compromised by a corrupt official, who offers to save her brother from execution in return for sex, she has no idea where to turn for help. When she threatens to expose him, he tells her that no one would believe her.
Shakespeare wrote this play in the early 1600s, yet it remains astonishingly resonant today. Artistic Director Gregory Doran directs this new production.
Enchantment meets the politics of the Enlightenment in Mozart’s fairy-tale opera, Die Zauberflöte. Prince Tamino is on a quest to rescue Princess Pamina, daughter of the Queen of the Night, who has been kidnapped by her father, the evil Sarastro. With the help of the foolish bird-catcher Papageno, Tamino must brave not only dragons and the forces of darkness, but trials of fire and water in order to arrive at the truth and win Pamina as his bride. Composed just months before Mozart’s death, Die Zauberflöte is a heady blend of knock-about comedy and fantasy, its beautiful melodies woven into an allegory of wicked queens, noble princes, ancient Egyptian mythology and the lore of the Freemasons. In this new production by Barbe & Doucet, Antonello Manacorda conducts the Orchestra of the Age of Enlightenment and a cast that includes Sofia Fomina, Björn Bürger and Caroline Wettergreen.
On Tuesday 10 September, Fane Productions present an evening with the Canadian novelist, poet, literary critic and inventor Margaret Atwood to mark the release of The Testaments, Atwood’s highly anticipated sequel to The Handmaid’s Tale. The event will be broadcast live via satellite from the National Theatre in London.
The publication of The Handmaid’s Tale in 1985 and the current, Emmy Award-winning television series have created a cultural phenomenon, as handmaids have become a symbol of women’s rights and a protest against misogyny and oppression.
Atwood will be interviewed by broadcaster and author Samira Ahmed in a conversation spanning the length of Atwood’s remarkable career, her diverse range of works, and why she has returned to her seminal handmaid story, 34 years later.
“Dear Readers: Everything you've ever asked me about Gilead and its inner workings is the inspiration for this book. Well, almost everything! The other inspiration is the world we've been living in.”
With exclusive readings from the new book by special guests, this will be an unmissable and intimate event with Atwood, spotlighting her signature insight, humour and intellect.
