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Director: François Ozon.
Starring: Pierre Niney, Paula Beer, Ernst Stotzner. France/Germany 2016. 114 mins.
German/French with English subtitles.
Set in the aftermath of the Great War, François Ozon’s loose adaptation of Ernst Lubitsch’s Broken Lullaby has an unsettling question at its core: could a big lie cause less pain than a simple truth? Anna (Beer) is the German fiancée of Frantz, who was killed in battle by French troops. While tending his grave, she is joined by the mysterious Frenchman Adrien (Niney, Yves Saint Laurent), who claims to have known Frantz in Paris before the war. Little things, however, reveal that this is not the whole story. As the two grow closer over time, Anna is drawn into a shady realm of secrets, lies and moral uncertainty. The subtleties and surprising twists and turns of Ozon’s film deliver much more than a challenging moral fable. Contains infrequent moderate violence.
Director: Ridley Scott. Starring: Michael Fassbender, Billy Crudup, Katherine Waterston. USA 2017. 122 mins.
When the crew of the colony ship Covenant touch down on what appears to be an uncharted utopian planet on the far side of the galaxy, they make a harrowing and deadly discovery. With regular cinematographer Dariusz Wolski on board, Scott delivers the goriest chapter in the Alien franchise to date, recapturing the unsettling, claustrophobic horror of his 1979 masterpiece.
Director: Cristian Mungiu.
Starring: Adrian Titieni, Maria-Victoria Dragus. Romania 2016. 128 mins. Romanian with English subtitles.
A leading figure of the Romanian New Wave, and the first director from the country to win the Palme D’Or (for 4 Months, 3 Weeks And 2 Days in 2007), Cristian
Mungiu returns after a four-year absence with this expertly crafted family drama. Mungiu shared the Best Director Award at Cannes for this highly impressive film exploring the moral complexities of life in contemporary Romania. Graduation revolves around the middle-class Aldea family, headed by the outwardly upstanding doctor Romeo (Titieni). A series of violent incidents, including an assault on his daughter Eliza (Dragus) that affects the first of her final school exams, tests Romeo’s paternal moral guidance. Handsomely shot, Graduation features richly drawn supporting characters that further complicate Romeo’s underhand plans to help his struggling daughter.
20.45Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
Director: Jim Sheridan.
Starring: Rooney Mara, Vanessa Redgrave, Theo James. Ireland 2016. 108 mins.
Director Jim Sheridan (My Left Foot, In The Name Of The Father) delivers a beautifully realised drama based on Sebastian Barry’s novel. It’s the story of Rose (Redgrave), the sole remaining inhabitant of a decrepit psychiatric hospital, who relives the tragic circumstances that sent her there. In the process we meet her younger self (Mara, never better) and a priest (James) complicit in her incarceration. Wonderful performances perfectly interpret Sheridan’s powerful script.
Iqbal Khan (Othello, Much Ado About Nothing) returns to the RSC to direct Shakespeare’s tragedy, which follows on from Julius Caesar.
After Caesar’s assassination, Mark Antony reached the heights of power. Now he is neglecting his empire for a life of decadent seduction with his mistress, Cleopatra, Queen of Egypt. As he is torn between love and duty, Antony’s military brilliance deserts him, and his passion leads the lovers to their tragic end.
Director: François Ozon.
Starring: Pierre Niney, Paula Beer, Ernst Stotzner. France/Germany 2016. 114 mins.
German/French with English subtitles.
Set in the aftermath of the Great War, François Ozon’s loose adaptation of Ernst Lubitsch’s Broken Lullaby has an unsettling question at its core: could a big lie cause less pain than a simple truth? Anna (Beer) is the German fiancée of Frantz, who was killed in battle by French troops. While tending his grave, she is joined by the mysterious Frenchman Adrien (Niney, Yves Saint Laurent), who claims to have known Frantz in Paris before the war. Little things, however, reveal that this is not the whole story. As the two grow closer over time, Anna is drawn into a shady realm of secrets, lies and moral uncertainty. The subtleties and surprising twists and turns of Ozon’s film deliver much more than a challenging moral fable. Contains infrequent moderate violence.
Director: Ridley Scott. Starring: Michael Fassbender, Billy Crudup, Katherine Waterston. USA 2017. 122 mins.
When the crew of the colony ship Covenant touch down on what appears to be an uncharted utopian planet on the far side of the galaxy, they make a harrowing and deadly discovery. With regular cinematographer Dariusz Wolski on board, Scott delivers the goriest chapter in the Alien franchise to date, recapturing the unsettling, claustrophobic horror of his 1979 masterpiece.
Director: William Oldroyd.
Starring: Florence Pugh, Cosmo Jarvis, Paul Hilton. UK 2016. 89 mins.
Acclaimed theatre director William Oldroyd makes a seamless transition to the screen in this brilliant Gothic tale of a young bride trapped in a marriage of convenience on a rural estate who embarks on a passionate affair. Florence Pugh (last seen in Carol Morley’s The Falling) is stunning as Lady Katherine, a woman determined to turn everything upside down in her mission to reclaim control over her life. Based on Lady Macbeth Of The Mtensk District, the 1865 novel by Nikolai Leskov, which inspired Shostakovich’s opera of the same name, this beautiful and highly assured debut, set amid the wild moorland of Northumberland, is a wonderful and strange story of love and betrayal.
Director: Jim Sheridan.
Starring: Rooney Mara, Vanessa Redgrave, Theo James. Ireland 2016. 108 mins.
Director Jim Sheridan (My Left Foot, In The Name Of The Father) delivers a beautifully realised drama based on Sebastian Barry’s novel. It’s the story of Rose (Redgrave), the sole remaining inhabitant of a decrepit psychiatric hospital, who relives the tragic circumstances that sent her there. In the process we meet her younger self (Mara, never better) and a priest (James) complicit in her incarceration. Wonderful performances perfectly interpret Sheridan’s powerful script.
Director: Roger Donaldson.
Featuring: Dwayne Cameron, Bruce McLaren. New Zealand 2016. 93 mins.
Bruce McLaren was the cheery but steely New Zealander who, during a hugely successful early career in motorsport, founded his own manufacturing company which remains a dominant force in Formula One, long after his tragic death in 1970. Aged just 14 years old, he restored an Austin 7-based hillclimb car and soon moved on to pure circuit racing, coming second in the 1957/8 New Zealand championship driving a Cooper. He moved to England to join the Cooper team in 1959, from where, aided by his intuitive engineering skills, he won the 1959 USA Grand Prix and that same year went on to ever greater glory. In this tribute to an incredible innovator, director Donaldson (who made the motorcycle-racing movie The Fastest Indian In The World) makes use of gripping archive footage, cunning recreations and many moving interviews.
Director: François Ozon.
Starring: Pierre Niney, Paula Beer, Ernst Stotzner. France/Germany 2016. 114 mins.
German/French with English subtitles.
Set in the aftermath of the Great War, François Ozon’s loose adaptation of Ernst Lubitsch’s Broken Lullaby has an unsettling question at its core: could a big lie cause less pain than a simple truth? Anna (Beer) is the German fiancée of Frantz, who was killed in battle by French troops. While tending his grave, she is joined by the mysterious Frenchman Adrien (Niney, Yves Saint Laurent), who claims to have known Frantz in Paris before the war. Little things, however, reveal that this is not the whole story. As the two grow closer over time, Anna is drawn into a shady realm of secrets, lies and moral uncertainty. The subtleties and surprising twists and turns of Ozon’s film deliver much more than a challenging moral fable. Contains infrequent moderate violence.
12.45Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
15.30Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
This is the story of Joseph and Ria, two kindred spirits who forge an unlikely friendship. Both are looking for a way out until they find each other and their friendship gives them both a glimpse of something more. But it is destined to end in the most extreme of circumstances if either is to escape the confines of their lives and get away for good. This is a story of love, of loss and of hope played out against the magical backdrop of Blackpool.
18.00ourscreen: Organised with ourscreen.com, the website for people-powered cinema. Create your own film screening at your local cinema in three easy steps.
Director: Ridley Scott. Starring: Michael Fassbender, Billy Crudup, Katherine Waterston. USA 2017. 122 mins.
When the crew of the colony ship Covenant touch down on what appears to be an uncharted utopian planet on the far side of the galaxy, they make a harrowing and deadly discovery. With regular cinematographer Dariusz Wolski on board, Scott delivers the goriest chapter in the Alien franchise to date, recapturing the unsettling, claustrophobic horror of his 1979 masterpiece.
Back in January, screen icon Woody Harrelson (Natural Born Killers, White Men Can't Jump) directed and starred in an unprecedented live feature-film event: a movie made on the fly, shot in real time in Central London in a single take and broadcast live to cinemas across the world.
A comic re-staging of one crazy night in Soho in 2002, Lost In London follows Harrelson, playing himself, as he struggles to get home to his family after a scandal threatens to ruin his marriage. Run-ins with royalty, friends and the law all seem to conspire to keep him from succeeding. Funny, charming and finally quite moving, Woody's film ultimately proves much more than a dazzling technical exercise.
Director: Jim Sheridan.
Starring: Rooney Mara, Vanessa Redgrave, Theo James. Ireland 2016. 108 mins.
Director Jim Sheridan (My Left Foot, In The Name Of The Father) delivers a beautifully realised drama based on Sebastian Barry’s novel. It’s the story of Rose (Redgrave), the sole remaining inhabitant of a decrepit psychiatric hospital, who relives the tragic circumstances that sent her there. In the process we meet her younger self (Mara, never better) and a priest (James) complicit in her incarceration. Wonderful performances perfectly interpret Sheridan’s powerful script.
12.30Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
15.15Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Director: Aki Kaurismäki. Starring: Sakari Kuosmanen, Sherwan Haji. Finland/Germany 2017. TBC mins. Finnish/Swedish/Arabic with English subtitles.
Acclaimed writer-director Aki Kaurismäki’s poignant follow-up to Le Havre sensitively weaves together the struggles of two men who flee their homes, albeit in very different circumstances. The first is Khaled (Haji), a Syrian refugee separated from his family, who arrives in Helsinki hidden as a stowaway on a coal freighter. After his transfer to a bleak, impersonal holding centre, the details of his tragic story come to light. Meanwhile, a parallel, equally desperate tale unfolds courtesy of spiky salesman Waldemar Wikström (Kuosmanen), who leaves his drunken wife and quite literally gambles everything on financing a failing restaurant. Typically of Kaurismäki, there’s much dark humour as Wikström and Khaled’s paths cross, yet antagonism eventually yields to sympathy, spawning a surrogate family unit that touchingly fills in for absent kin.
Director: François Ozon.
Starring: Pierre Niney, Paula Beer, Ernst Stotzner. France/Germany 2016. 114 mins.
German/French with English subtitles.
Set in the aftermath of the Great War, François Ozon’s loose adaptation of Ernst Lubitsch’s Broken Lullaby has an unsettling question at its core: could a big lie cause less pain than a simple truth? Anna (Beer) is the German fiancée of Frantz, who was killed in battle by French troops. While tending his grave, she is joined by the mysterious Frenchman Adrien (Niney, Yves Saint Laurent), who claims to have known Frantz in Paris before the war. Little things, however, reveal that this is not the whole story. As the two grow closer over time, Anna is drawn into a shady realm of secrets, lies and moral uncertainty. The subtleties and surprising twists and turns of Ozon’s film deliver much more than a challenging moral fable. Contains infrequent moderate violence.
Director: Hope Dickson Leach. Starring: Ellie Kendrick, David Troughton, Joe Blakemore. UK 2016. 84mins.
The 2014 flood that hit the Somerset Levels provides the backdrop for writer-director Hope Dickson Leach’s highly assured debut The Levelling, which features a superb central performance from Game Of Thrones’ Ellie Kendrick. After the mysterious death of her brother Harry (Blakemore), veterinary student Clover (Kendrick) returns to the Somerset family farm where she grew up. Against the backdrop of the floods that devastated her home, Clover confronts her estranged father, Aubrey (Troughton), in an attempt to uncover the truth. Troughton gives a finely tempered performance, perfectly matched by Kendrick’s extraordinary presence in the breakout role of the year. Dickson Leach gives the talented duo a complex, finely crafted script to work with, offering a drama that works on many different levels.
Director: Ridley Scott. Starring: Michael Fassbender, Billy Crudup, Katherine Waterston. USA 2017. 122 mins.
When the crew of the colony ship Covenant touch down on what appears to be an uncharted utopian planet on the far side of the galaxy, they make a harrowing and deadly discovery. With regular cinematographer Dariusz Wolski on board, Scott delivers the goriest chapter in the Alien franchise to date, recapturing the unsettling, claustrophobic horror of his 1979 masterpiece.
Director: Lone Scherfig.
Starring: Gemma Arterton, Sam Clafin, Bill Nighy. UK 2017. 117 mins.
In 1940, a married woman (Gemma Arterton) and a screenwriter (Sam Claflin) develop a growing attraction while working together on a propaganda film about the evacuation of Allied troops from Dunkirk, France. A beautifully crafted costume drama with terrific performances, Lone Scherfig's new film is a quietly subversive, funny and finally moving account of a little known story from one of the darkest, most uncertain periods of British history.
Director: Michaël Dudok De Wit. France/Belgium/Japan 2015. 81 mins.
Renowned Japanese animation giant Studio Ghibli’s first-ever international co-production is a perfect collaboration with Oscar-winning Dutch animator Michaël Dudok De Wit. The Red Turtle, almost a decade in the making, is a dialogue-free fable about a castaway on a desert island, and a touching ode to the cycle of life and the resilience of family. Presented with an elegant simplicity, the sublime visuals pack a real emotional punch. Described by critics as a ‘quiet little masterpiece’ and a ‘wordless wonder’, The Red Turtle won the Special Jury Prize in the Un Certain Regard section at this year’s Cannes. Michaël Dudok De Wit previously made the Oscar-winning animated short Father And Daughter in 2000.
The London International Animation Festival (LIAF) returns to Kids Club this May with an eclectic mix of wonderful animated shorts from all over the globe. Definitely not to be missed and don’t forget to vote for your favourites!
Director: Aki Kaurismäki. Starring: Sakari Kuosmanen, Sherwan Haji. Finland/Germany 2017. TBC mins. Finnish/Swedish/Arabic with English subtitles.
Acclaimed writer-director Aki Kaurismäki’s poignant follow-up to Le Havre sensitively weaves together the struggles of two men who flee their homes, albeit in very different circumstances. The first is Khaled (Haji), a Syrian refugee separated from his family, who arrives in Helsinki hidden as a stowaway on a coal freighter. After his transfer to a bleak, impersonal holding centre, the details of his tragic story come to light. Meanwhile, a parallel, equally desperate tale unfolds courtesy of spiky salesman Waldemar Wikström (Kuosmanen), who leaves his drunken wife and quite literally gambles everything on financing a failing restaurant. Typically of Kaurismäki, there’s much dark humour as Wikström and Khaled’s paths cross, yet antagonism eventually yields to sympathy, spawning a surrogate family unit that touchingly fills in for absent kin.
Director: François Ozon.
Starring: Pierre Niney, Paula Beer, Ernst Stotzner. France/Germany 2016. 114 mins.
German/French with English subtitles.
Set in the aftermath of the Great War, François Ozon’s loose adaptation of Ernst Lubitsch’s Broken Lullaby has an unsettling question at its core: could a big lie cause less pain than a simple truth? Anna (Beer) is the German fiancée of Frantz, who was killed in battle by French troops. While tending his grave, she is joined by the mysterious Frenchman Adrien (Niney, Yves Saint Laurent), who claims to have known Frantz in Paris before the war. Little things, however, reveal that this is not the whole story. As the two grow closer over time, Anna is drawn into a shady realm of secrets, lies and moral uncertainty. The subtleties and surprising twists and turns of Ozon’s film deliver much more than a challenging moral fable. Contains infrequent moderate violence.
Director: Ridley Scott. Starring: Michael Fassbender, Billy Crudup, Katherine Waterston. USA 2017. 122 mins.
When the crew of the colony ship Covenant touch down on what appears to be an uncharted utopian planet on the far side of the galaxy, they make a harrowing and deadly discovery. With regular cinematographer Dariusz Wolski on board, Scott delivers the goriest chapter in the Alien franchise to date, recapturing the unsettling, claustrophobic horror of his 1979 masterpiece.
Director: William Oldroyd.
Starring: Florence Pugh, Cosmo Jarvis, Paul Hilton. UK 2016. 89 mins.
Acclaimed theatre director William Oldroyd makes a seamless transition to the screen in this brilliant Gothic tale of a young bride trapped in a marriage of convenience on a rural estate who embarks on a passionate affair. Florence Pugh (last seen in Carol Morley’s The Falling) is stunning as Lady Katherine, a woman determined to turn everything upside down in her mission to reclaim control over her life. Based on Lady Macbeth Of The Mtensk District, the 1865 novel by Nikolai Leskov, which inspired Shostakovich’s opera of the same name, this beautiful and highly assured debut, set amid the wild moorland of Northumberland, is a wonderful and strange story of love and betrayal.
Director: Lone Scherfig.
Starring: Gemma Arterton, Sam Clafin, Bill Nighy. UK 2017. 117 mins.
In 1940, a married woman (Gemma Arterton) and a screenwriter (Sam Claflin) develop a growing attraction while working together on a propaganda film about the evacuation of Allied troops from Dunkirk, France. A beautifully crafted costume drama with terrific performances, Lone Scherfig's new film is a quietly subversive, funny and finally moving account of a little known story from one of the darkest, most uncertain periods of British history.
Director: Michaël Dudok De Wit. France/Belgium/Japan 2015. 81 mins.
Renowned Japanese animation giant Studio Ghibli’s first-ever international co-production is a perfect collaboration with Oscar-winning Dutch animator Michaël Dudok De Wit. The Red Turtle, almost a decade in the making, is a dialogue-free fable about a castaway on a desert island, and a touching ode to the cycle of life and the resilience of family. Presented with an elegant simplicity, the sublime visuals pack a real emotional punch. Described by critics as a ‘quiet little masterpiece’ and a ‘wordless wonder’, The Red Turtle won the Special Jury Prize in the Un Certain Regard section at this year’s Cannes. Michaël Dudok De Wit previously made the Oscar-winning animated short Father And Daughter in 2000.
Join Stephen Fry, cast and film-makers live by satellite from the Hay Literary Festival for a Q&A after the screening.
Director: John Jencks.
Starring: Roger Allam, Fiona Shaw, Matthew Modine. UK 2017. 89 mins.
After he is fired from his job, disgraced poet Ted Wallace (Allam) is summoned to Swafford Hall, the country manor of his friends Lord and Lady Logan (Modine and Shaw), to investigate a series of unexplained miracle healings. Ted tracks down the perpetrator of the phenomena, fifteen-year-old David Logan (Tommy Knight), whose parents believe he has healing hands. Unaware that David is using some unorthodox methods, the Logans are set on sharing their son’s gift with the world. With a poet’s passion for the truth, Ted hurries to debunk the miracles and save a young man from a lifetime of embarrassment. His natural cynicism makes him the ideal candidate to get to the bottom of events – and some good whisky bottles – in this hilarious tale based on Stephen Fry’s seminal novel.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
The Naked Civil Servant
Director: Jack Gold. Starring: John Hurt. UK 1975. 81 mins.
We begin our season with a brand new high-definition restoration, never before seen in cinemas, of this ITV classic, featuring the late John Hurt’s breakthrough role as the fearless writer and raconteur Quentin Crisp. Navigating the dangers of homophobic pre-WWII London, Crisp proudly and wittily challenges the authorities that seek to suppress him. Hurt’s iconic, BAFTA-winning performance is widely seen as one of the finest in a long and distinguished career.
13.00Criminal Acts: A Charged Past: A season to mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales.
Vintage Sundays: Classic films back on the big screen where they belong.
Director: Aki Kaurismäki. Starring: Sakari Kuosmanen, Sherwan Haji. Finland/Germany 2017. TBC mins. Finnish/Swedish/Arabic with English subtitles.
Acclaimed writer-director Aki Kaurismäki’s poignant follow-up to Le Havre sensitively weaves together the struggles of two men who flee their homes, albeit in very different circumstances. The first is Khaled (Haji), a Syrian refugee separated from his family, who arrives in Helsinki hidden as a stowaway on a coal freighter. After his transfer to a bleak, impersonal holding centre, the details of his tragic story come to light. Meanwhile, a parallel, equally desperate tale unfolds courtesy of spiky salesman Waldemar Wikström (Kuosmanen), who leaves his drunken wife and quite literally gambles everything on financing a failing restaurant. Typically of Kaurismäki, there’s much dark humour as Wikström and Khaled’s paths cross, yet antagonism eventually yields to sympathy, spawning a surrogate family unit that touchingly fills in for absent kin.
Director: Hope Dickson Leach. Starring: Ellie Kendrick, David Troughton, Joe Blakemore. UK 2016. 84mins.
The 2014 flood that hit the Somerset Levels provides the backdrop for writer-director Hope Dickson Leach’s highly assured debut The Levelling, which features a superb central performance from Game Of Thrones’ Ellie Kendrick. After the mysterious death of her brother Harry (Blakemore), veterinary student Clover (Kendrick) returns to the Somerset family farm where she grew up. Against the backdrop of the floods that devastated her home, Clover confronts her estranged father, Aubrey (Troughton), in an attempt to uncover the truth. Troughton gives a finely tempered performance, perfectly matched by Kendrick’s extraordinary presence in the breakout role of the year. Dickson Leach gives the talented duo a complex, finely crafted script to work with, offering a drama that works on many different levels.
Director: Michaël Dudok De Wit. France/Belgium/Japan 2015. 81 mins.
Renowned Japanese animation giant Studio Ghibli’s first-ever international co-production is a perfect collaboration with Oscar-winning Dutch animator Michaël Dudok De Wit. The Red Turtle, almost a decade in the making, is a dialogue-free fable about a castaway on a desert island, and a touching ode to the cycle of life and the resilience of family. Presented with an elegant simplicity, the sublime visuals pack a real emotional punch. Described by critics as a ‘quiet little masterpiece’ and a ‘wordless wonder’, The Red Turtle won the Special Jury Prize in the Un Certain Regard section at this year’s Cannes. Michaël Dudok De Wit previously made the Oscar-winning animated short Father And Daughter in 2000.
Director: Stanley Kubrick.
Starring: Jack Nicholson, Shelley Duvall, Danny Lloyd. UK/USA 1980. 144 mins.
Stanley Kubrick’s masterpiece of modern horror is widely considered to be the most terrifying movie of all time. Based on Stephen King’s bestselling novel, this tale of a family man and would-be writer (Jack Nicholson) going mad as winter caretaker of the cursed Overlook Hotel is a seminal work of the genre. It is also – as Martin Scorsese has pointed out - like no other horror film ever made – ‘essentially unclassifiable, endlessly provocative and profoundly disturbing’.
Hop on board a spaceship and fly over to to this special Hopster Showtime screening that’s all about aliens and space. Budding astronauts will love this half an hour filled with space travels and interstellar explorations.
Did you know that we live in the Milky Way Galaxy and send out robot rovers to search for signs of life outside of our Planet?
Come along and learn these and more exciting space facts, travel to Alien’s planet, meet his family and then see how Doug from Hilltop Hospital averts a Mars mission disaster.
Director: Aki Kaurismäki. Starring: Sakari Kuosmanen, Sherwan Haji. Finland/Germany 2017. TBC mins. Finnish/Swedish/Arabic with English subtitles.
Acclaimed writer-director Aki Kaurismäki’s poignant follow-up to Le Havre sensitively weaves together the struggles of two men who flee their homes, albeit in very different circumstances. The first is Khaled (Haji), a Syrian refugee separated from his family, who arrives in Helsinki hidden as a stowaway on a coal freighter. After his transfer to a bleak, impersonal holding centre, the details of his tragic story come to light. Meanwhile, a parallel, equally desperate tale unfolds courtesy of spiky salesman Waldemar Wikström (Kuosmanen), who leaves his drunken wife and quite literally gambles everything on financing a failing restaurant. Typically of Kaurismäki, there’s much dark humour as Wikström and Khaled’s paths cross, yet antagonism eventually yields to sympathy, spawning a surrogate family unit that touchingly fills in for absent kin.
Director: François Ozon.
Starring: Pierre Niney, Paula Beer, Ernst Stotzner. France/Germany 2016. 114 mins.
German/French with English subtitles.
Set in the aftermath of the Great War, François Ozon’s loose adaptation of Ernst Lubitsch’s Broken Lullaby has an unsettling question at its core: could a big lie cause less pain than a simple truth? Anna (Beer) is the German fiancée of Frantz, who was killed in battle by French troops. While tending his grave, she is joined by the mysterious Frenchman Adrien (Niney, Yves Saint Laurent), who claims to have known Frantz in Paris before the war. Little things, however, reveal that this is not the whole story. As the two grow closer over time, Anna is drawn into a shady realm of secrets, lies and moral uncertainty. The subtleties and surprising twists and turns of Ozon’s film deliver much more than a challenging moral fable. Contains infrequent moderate violence.
Director: Hope Dickson Leach. Starring: Ellie Kendrick, David Troughton, Joe Blakemore. UK 2016. 84mins.
The 2014 flood that hit the Somerset Levels provides the backdrop for writer-director Hope Dickson Leach’s highly assured debut The Levelling, which features a superb central performance from Game Of Thrones’ Ellie Kendrick. After the mysterious death of her brother Harry (Blakemore), veterinary student Clover (Kendrick) returns to the Somerset family farm where she grew up. Against the backdrop of the floods that devastated her home, Clover confronts her estranged father, Aubrey (Troughton), in an attempt to uncover the truth. Troughton gives a finely tempered performance, perfectly matched by Kendrick’s extraordinary presence in the breakout role of the year. Dickson Leach gives the talented duo a complex, finely crafted script to work with, offering a drama that works on many different levels.
Director: William Oldroyd.
Starring: Florence Pugh, Cosmo Jarvis, Paul Hilton. UK 2016. 89 mins.
Acclaimed theatre director William Oldroyd makes a seamless transition to the screen in this brilliant Gothic tale of a young bride trapped in a marriage of convenience on a rural estate who embarks on a passionate affair. Florence Pugh (last seen in Carol Morley’s The Falling) is stunning as Lady Katherine, a woman determined to turn everything upside down in her mission to reclaim control over her life. Based on Lady Macbeth Of The Mtensk District, the 1865 novel by Nikolai Leskov, which inspired Shostakovich’s opera of the same name, this beautiful and highly assured debut, set amid the wild moorland of Northumberland, is a wonderful and strange story of love and betrayal.
Director: Lone Scherfig.
Starring: Gemma Arterton, Sam Clafin, Bill Nighy. UK 2017. 117 mins.
In 1940, a married woman (Gemma Arterton) and a screenwriter (Sam Claflin) develop a growing attraction while working together on a propaganda film about the evacuation of Allied troops from Dunkirk, France. A beautifully crafted costume drama with terrific performances, Lone Scherfig's new film is a quietly subversive, funny and finally moving account of a little known story from one of the darkest, most uncertain periods of British history.
Director: Michaël Dudok De Wit. France/Belgium/Japan 2015. 81 mins.
Renowned Japanese animation giant Studio Ghibli’s first-ever international co-production is a perfect collaboration with Oscar-winning Dutch animator Michaël Dudok De Wit. The Red Turtle, almost a decade in the making, is a dialogue-free fable about a castaway on a desert island, and a touching ode to the cycle of life and the resilience of family. Presented with an elegant simplicity, the sublime visuals pack a real emotional punch. Described by critics as a ‘quiet little masterpiece’ and a ‘wordless wonder’, The Red Turtle won the Special Jury Prize in the Un Certain Regard section at this year’s Cannes. Michaël Dudok De Wit previously made the Oscar-winning animated short Father And Daughter in 2000.
Director: Dir. Stanley Donen and Gene Kelly. USA. 1952. 102 mins.
Hollywood’s troubled transition from silent to talking pictures at the end of the 1920s provided the inspiration for perhaps the greatest of movie musicals.
“The most enduring film musical to have come out of Hollywood. In all these years not a frame of it has dated; it still retains all its freshness and sparkle.”
Clive Hirschhorn, Gene Kelly: A Biography, 1984
To follow the acclaim for An American in Paris, which won him the 1951 Oscar for best picture, songwriter-turned-producer Arthur Freed charged screenwriters Betty Comden and Adolph Green with writing a musical based around some of his own most popular early songs. The result was a nostalgic tribute to the Hollywood of a bygone era starring Gene Kelly as Don Lockwood, the swashbuckling silent star at a film studio grappling with the coming of sound.
From the iconic scene in which Lockwood, smitten with young actress Kathy Selden (Debbie Reynolds), dances home during a downpour singing the title song, to the extended ballet sequence featuring Cyd Charisse in a parody of the gangster film, Singin’ in the Rain represents the musical genre at its most energetic and ambitious.
11.00Dementia-Friendly Screening: Open to all but especially for people with dementia and their family, friends and carers. Join us for free tea, coffee and biscuits and a chance to socialise for 30 minutes before the film. The film will start at the time stated.
Director: Aki Kaurismäki. Starring: Sakari Kuosmanen, Sherwan Haji. Finland/Germany 2017. TBC mins. Finnish/Swedish/Arabic with English subtitles.
Acclaimed writer-director Aki Kaurismäki’s poignant follow-up to Le Havre sensitively weaves together the struggles of two men who flee their homes, albeit in very different circumstances. The first is Khaled (Haji), a Syrian refugee separated from his family, who arrives in Helsinki hidden as a stowaway on a coal freighter. After his transfer to a bleak, impersonal holding centre, the details of his tragic story come to light. Meanwhile, a parallel, equally desperate tale unfolds courtesy of spiky salesman Waldemar Wikström (Kuosmanen), who leaves his drunken wife and quite literally gambles everything on financing a failing restaurant. Typically of Kaurismäki, there’s much dark humour as Wikström and Khaled’s paths cross, yet antagonism eventually yields to sympathy, spawning a surrogate family unit that touchingly fills in for absent kin.
15.30Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Sonia Friedman Productions present Imelda Staunton (Gypsy, Vera Drake, the Harry Potter films), Conleth Hill (Game Of Thrones, The Producers), Luke Treadaway (A Street Cat Named Bob, The Curious Incident Of The Dog In The Night-Time, The Hollow Crown) and Imogen Poots (A Long Way Down, Jane Eyre) in James Macdonald’s critically acclaimed, five-star production of Edward Albee’s landmark play, broadcast live to cinemas from the Harold Pinter Theatre, London.
In the early hours of the morning on the campus of an American college, Martha, much to her husband George’s displeasure, has invited the new professor and his wife to their home for some after-party drinks. As the alcohol flows and dawn approaches, the young couple are drawn into George and Martha’s toxic games until the evening reaches its climax in a moment of devastating truth-telling.
Director: Hope Dickson Leach. Starring: Ellie Kendrick, David Troughton, Joe Blakemore. UK 2016. 84mins.
The 2014 flood that hit the Somerset Levels provides the backdrop for writer-director Hope Dickson Leach’s highly assured debut The Levelling, which features a superb central performance from Game Of Thrones’ Ellie Kendrick. After the mysterious death of her brother Harry (Blakemore), veterinary student Clover (Kendrick) returns to the Somerset family farm where she grew up. Against the backdrop of the floods that devastated her home, Clover confronts her estranged father, Aubrey (Troughton), in an attempt to uncover the truth. Troughton gives a finely tempered performance, perfectly matched by Kendrick’s extraordinary presence in the breakout role of the year. Dickson Leach gives the talented duo a complex, finely crafted script to work with, offering a drama that works on many different levels.
Director: Kōji Fukada. Starring: Tadanobu Asano, Mariko Tsutsui, Kanji Furutachi. Japan/France 2016. 120 mins. Japanese with English subtitles.
For married couple Toshio and Akie and their daughter, the days go by as if according to a well-known script: workshop owner Toshio is rarely at home, and hardly a word is spoken on the rare occasions when the whole family is together. One day, their banal co-existence is disturbed by the arrival of the mysterious Yasaka, an old friend from Toshio’s past with a disquieting presence. After Yasaka is welcomed into their home, cracks start to form in the family – with catastrophic consequences. Kōji Fukada’s latest film is a quietly powerful and chilling exploration of evil, guilt and retribution.
Director: Lone Scherfig.
Starring: Gemma Arterton, Sam Clafin, Bill Nighy. UK 2017. 117 mins.
In 1940, a married woman (Gemma Arterton) and a screenwriter (Sam Claflin) develop a growing attraction while working together on a propaganda film about the evacuation of Allied troops from Dunkirk, France. A beautifully crafted costume drama with terrific performances, Lone Scherfig's new film is a quietly subversive, funny and finally moving account of a little known story from one of the darkest, most uncertain periods of British history.
Director: Michaël Dudok De Wit. France/Belgium/Japan 2015. 81 mins.
Renowned Japanese animation giant Studio Ghibli’s first-ever international co-production is a perfect collaboration with Oscar-winning Dutch animator Michaël Dudok De Wit. The Red Turtle, almost a decade in the making, is a dialogue-free fable about a castaway on a desert island, and a touching ode to the cycle of life and the resilience of family. Presented with an elegant simplicity, the sublime visuals pack a real emotional punch. Described by critics as a ‘quiet little masterpiece’ and a ‘wordless wonder’, The Red Turtle won the Special Jury Prize in the Un Certain Regard section at this year’s Cannes. Michaël Dudok De Wit previously made the Oscar-winning animated short Father And Daughter in 2000.
11.45Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Director: Aki Kaurismäki. Starring: Sakari Kuosmanen, Sherwan Haji. Finland/Germany 2017. TBC mins. Finnish/Swedish/Arabic with English subtitles.
Acclaimed writer-director Aki Kaurismäki’s poignant follow-up to Le Havre sensitively weaves together the struggles of two men who flee their homes, albeit in very different circumstances. The first is Khaled (Haji), a Syrian refugee separated from his family, who arrives in Helsinki hidden as a stowaway on a coal freighter. After his transfer to a bleak, impersonal holding centre, the details of his tragic story come to light. Meanwhile, a parallel, equally desperate tale unfolds courtesy of spiky salesman Waldemar Wikström (Kuosmanen), who leaves his drunken wife and quite literally gambles everything on financing a failing restaurant. Typically of Kaurismäki, there’s much dark humour as Wikström and Khaled’s paths cross, yet antagonism eventually yields to sympathy, spawning a surrogate family unit that touchingly fills in for absent kin.
Director: François Ozon.
Starring: Pierre Niney, Paula Beer, Ernst Stotzner. France/Germany 2016. 114 mins.
German/French with English subtitles.
Set in the aftermath of the Great War, François Ozon’s loose adaptation of Ernst Lubitsch’s Broken Lullaby has an unsettling question at its core: could a big lie cause less pain than a simple truth? Anna (Beer) is the German fiancée of Frantz, who was killed in battle by French troops. While tending his grave, she is joined by the mysterious Frenchman Adrien (Niney, Yves Saint Laurent), who claims to have known Frantz in Paris before the war. Little things, however, reveal that this is not the whole story. As the two grow closer over time, Anna is drawn into a shady realm of secrets, lies and moral uncertainty. The subtleties and surprising twists and turns of Ozon’s film deliver much more than a challenging moral fable. Contains infrequent moderate violence.
Director: Hope Dickson Leach. Starring: Ellie Kendrick, David Troughton, Joe Blakemore. UK 2016. 84mins.
The 2014 flood that hit the Somerset Levels provides the backdrop for writer-director Hope Dickson Leach’s highly assured debut The Levelling, which features a superb central performance from Game Of Thrones’ Ellie Kendrick. After the mysterious death of her brother Harry (Blakemore), veterinary student Clover (Kendrick) returns to the Somerset family farm where she grew up. Against the backdrop of the floods that devastated her home, Clover confronts her estranged father, Aubrey (Troughton), in an attempt to uncover the truth. Troughton gives a finely tempered performance, perfectly matched by Kendrick’s extraordinary presence in the breakout role of the year. Dickson Leach gives the talented duo a complex, finely crafted script to work with, offering a drama that works on many different levels.
Director: William Oldroyd.
Starring: Florence Pugh, Cosmo Jarvis, Paul Hilton. UK 2016. 89 mins.
Acclaimed theatre director William Oldroyd makes a seamless transition to the screen in this brilliant Gothic tale of a young bride trapped in a marriage of convenience on a rural estate who embarks on a passionate affair. Florence Pugh (last seen in Carol Morley’s The Falling) is stunning as Lady Katherine, a woman determined to turn everything upside down in her mission to reclaim control over her life. Based on Lady Macbeth Of The Mtensk District, the 1865 novel by Nikolai Leskov, which inspired Shostakovich’s opera of the same name, this beautiful and highly assured debut, set amid the wild moorland of Northumberland, is a wonderful and strange story of love and betrayal.
Director: Lone Scherfig.
Starring: Gemma Arterton, Sam Clafin, Bill Nighy. UK 2017. 117 mins.
In 1940, a married woman (Gemma Arterton) and a screenwriter (Sam Claflin) develop a growing attraction while working together on a propaganda film about the evacuation of Allied troops from Dunkirk, France. A beautifully crafted costume drama with terrific performances, Lone Scherfig's new film is a quietly subversive, funny and finally moving account of a little known story from one of the darkest, most uncertain periods of British history.
Raphael – the Lord of the Arts is the first film adaptation of the life and work of one of the most famous artists in the world, Raphael Sanzio. Few figures in the history of art have lived a life so full of intensity and fascination. He died young, aged 37, and yet managed to leave an indelible mark on the artistic world. In a well-balanced dialogue between historical reconstruction and expert commentary, the film retraces the most significant moments of Raphael’s life. Set in 20 locations, two of which are major exclusives – the Vatican Logge and Cardinal Bibbiena’s apartment in the Apostolic Palace – the film explores more than 30 works of art, including the most famous and most representative of Raphael’s work. Beauty comes to life through the brushwork and enduring genius of one of the most talented artists the world has ever known.
Director: Michaël Dudok De Wit. France/Belgium/Japan 2015. 81 mins.
Renowned Japanese animation giant Studio Ghibli’s first-ever international co-production is a perfect collaboration with Oscar-winning Dutch animator Michaël Dudok De Wit. The Red Turtle, almost a decade in the making, is a dialogue-free fable about a castaway on a desert island, and a touching ode to the cycle of life and the resilience of family. Presented with an elegant simplicity, the sublime visuals pack a real emotional punch. Described by critics as a ‘quiet little masterpiece’ and a ‘wordless wonder’, The Red Turtle won the Special Jury Prize in the Un Certain Regard section at this year’s Cannes. Michaël Dudok De Wit previously made the Oscar-winning animated short Father And Daughter in 2000.
Director: Patty Jenkins.
Starring: Gal Gadot, Chris Pine, Connie Nelson. USA 2017. 133 mins.
Since Cathy Lee Crosby burst onto the big screen as the original Wonder Woman in 1974 there have several other versions of DC Comics’ legendary female superhero, but now Israeli actress Gal Gadot (Gisele from the Fast & Furious franchise) takes centre stage as the Amazon warrior-princess after a breakout turn last year in Batman V Superman: Dawn Of Justice. Raised as a fearless defender of her island paradise in the early 20th century, young Diana meets Steve Trevor (Pine), an American pilot who informs her of the mighty war raging beyond her shores. Inspired to right the world’s wrong, she leaves for London to discover her true destiny and her full, unearthly powers. Gifted director Patty Jenkins (Monster) is behind the camera, overseeing a stellar cast that includes Robin Wright and Connie Nelson.
12.00Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
15.00Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Following The Beatles as they end a gruelling tour in 1966 and return to the studio to record the landmark Sgt. Pepper album. As one of the biggest-selling records of all time, Sgt. Pepper marked a pivotal moment in the 60s, reflecting the advent of Psychedelia and the Summer of Love.
Director: Aki Kaurismäki. Starring: Sakari Kuosmanen, Sherwan Haji. Finland/Germany 2017. TBC mins. Finnish/Swedish/Arabic with English subtitles.
Acclaimed writer-director Aki Kaurismäki’s poignant follow-up to Le Havre sensitively weaves together the struggles of two men who flee their homes, albeit in very different circumstances. The first is Khaled (Haji), a Syrian refugee separated from his family, who arrives in Helsinki hidden as a stowaway on a coal freighter. After his transfer to a bleak, impersonal holding centre, the details of his tragic story come to light. Meanwhile, a parallel, equally desperate tale unfolds courtesy of spiky salesman Waldemar Wikström (Kuosmanen), who leaves his drunken wife and quite literally gambles everything on financing a failing restaurant. Typically of Kaurismäki, there’s much dark humour as Wikström and Khaled’s paths cross, yet antagonism eventually yields to sympathy, spawning a surrogate family unit that touchingly fills in for absent kin.
13.50Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Director: Michaël Dudok De Wit. France/Belgium/Japan 2015. 81 mins.
Renowned Japanese animation giant Studio Ghibli’s first-ever international co-production is a perfect collaboration with Oscar-winning Dutch animator Michaël Dudok De Wit. The Red Turtle, almost a decade in the making, is a dialogue-free fable about a castaway on a desert island, and a touching ode to the cycle of life and the resilience of family. Presented with an elegant simplicity, the sublime visuals pack a real emotional punch. Described by critics as a ‘quiet little masterpiece’ and a ‘wordless wonder’, The Red Turtle won the Special Jury Prize in the Un Certain Regard section at this year’s Cannes. Michaël Dudok De Wit previously made the Oscar-winning animated short Father And Daughter in 2000.
11.45Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
16.15Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Director: Patty Jenkins.
Starring: Gal Gadot, Chris Pine, Connie Nelson. USA 2017. 133 mins.
Since Cathy Lee Crosby burst onto the big screen as the original Wonder Woman in 1974 there have several other versions of DC Comics’ legendary female superhero, but now Israeli actress Gal Gadot (Gisele from the Fast & Furious franchise) takes centre stage as the Amazon warrior-princess after a breakout turn last year in Batman V Superman: Dawn Of Justice. Raised as a fearless defender of her island paradise in the early 20th century, young Diana meets Steve Trevor (Pine), an American pilot who informs her of the mighty war raging beyond her shores. Inspired to right the world’s wrong, she leaves for London to discover her true destiny and her full, unearthly powers. Gifted director Patty Jenkins (Monster) is behind the camera, overseeing a stellar cast that includes Robin Wright and Connie Nelson.
Director: Patty Jenkins.
Starring: Gal Gadot, Chris Pine, Connie Nelson. USA 2017. 133 mins.
Since Cathy Lee Crosby burst onto the big screen as the original Wonder Woman in 1974 there have several other versions of DC Comics’ legendary female superhero, but now Israeli actress Gal Gadot (Gisele from the Fast & Furious franchise) takes centre stage as the Amazon warrior-princess after a breakout turn last year in Batman V Superman: Dawn Of Justice. Raised as a fearless defender of her island paradise in the early 20th century, young Diana meets Steve Trevor (Pine), an American pilot who informs her of the mighty war raging beyond her shores. Inspired to right the world’s wrong, she leaves for London to discover her true destiny and her full, unearthly powers. Gifted director Patty Jenkins (Monster) is behind the camera, overseeing a stellar cast that includes Robin Wright and Connie Nelson.
This fascinating new cinema event, British Museum presents: Hokusai, is a groundbreaking documentary and exclusive private view of the forthcoming British Museum exhibition Hokusai: beyond the Great Wave. Filmed in Japan, the US and the UK, the film focuses on Hokusai’s work, life and times in the great, bustling metropolis of Edo, modern Tokyo.
Introduced by arts presenter Andrew Graham-Dixon, and featuring artists David Hockney, Grayson Perry and Maggi Hambling, this is the first UK biography of Japan’s greatest artist. Using extraordinary close-ups and pioneering 8K Ultra HD video technology, Hokusai’s paintings and prints are examined by world experts who are at the forefront of digital art history.
Hokusai spent his life studying and celebrating our common humanity as well as deeply exploring the natural and spiritual worlds, using the famous volcano Mount Fuji as a protective presence and potential source of immortality. He knew much tragedy, was struck by lightning and lived for years in poverty, but never gave up his pursuit of perfection in his art. Hokusai is an artist who influenced Monet, Van Gogh and other Impressionists, is the father of manga and the only painter with his own emoji.
Director: Patty Jenkins.
Starring: Gal Gadot, Chris Pine, Connie Nelson. USA 2017. 133 mins.
Since Cathy Lee Crosby burst onto the big screen as the original Wonder Woman in 1974 there have several other versions of DC Comics’ legendary female superhero, but now Israeli actress Gal Gadot (Gisele from the Fast & Furious franchise) takes centre stage as the Amazon warrior-princess after a breakout turn last year in Batman V Superman: Dawn Of Justice. Raised as a fearless defender of her island paradise in the early 20th century, young Diana meets Steve Trevor (Pine), an American pilot who informs her of the mighty war raging beyond her shores. Inspired to right the world’s wrong, she leaves for London to discover her true destiny and her full, unearthly powers. Gifted director Patty Jenkins (Monster) is behind the camera, overseeing a stellar cast that includes Robin Wright and Connie Nelson.
Woody Allen’s rapturous, poignant, romantic comedy about the fretful life of an obsessive writer of TV comedy (Allen), worrying over his current, ex and future relationships (with Hemingway, Streep and Keaton), his hypochondria and his contemplated switch to serious literature. A declaration of love to cerebral life and fashion in the city Allen has made his own, set to George Gershwin and filmed in silvery widescreen monochrome by Gordon Willis.
Director: Patty Jenkins.
Starring: Gal Gadot, Chris Pine, Connie Nelson. USA 2017. 133 mins.
Since Cathy Lee Crosby burst onto the big screen as the original Wonder Woman in 1974 there have several other versions of DC Comics’ legendary female superhero, but now Israeli actress Gal Gadot (Gisele from the Fast & Furious franchise) takes centre stage as the Amazon warrior-princess after a breakout turn last year in Batman V Superman: Dawn Of Justice. Raised as a fearless defender of her island paradise in the early 20th century, young Diana meets Steve Trevor (Pine), an American pilot who informs her of the mighty war raging beyond her shores. Inspired to right the world’s wrong, she leaves for London to discover her true destiny and her full, unearthly powers. Gifted director Patty Jenkins (Monster) is behind the camera, overseeing a stellar cast that includes Robin Wright and Connie Nelson.
Director: Patty Jenkins.
Starring: Gal Gadot, Chris Pine, Connie Nelson. USA 2017. 133 mins.
Since Cathy Lee Crosby burst onto the big screen as the original Wonder Woman in 1974 there have several other versions of DC Comics’ legendary female superhero, but now Israeli actress Gal Gadot (Gisele from the Fast & Furious franchise) takes centre stage as the Amazon warrior-princess after a breakout turn last year in Batman V Superman: Dawn Of Justice. Raised as a fearless defender of her island paradise in the early 20th century, young Diana meets Steve Trevor (Pine), an American pilot who informs her of the mighty war raging beyond her shores. Inspired to right the world’s wrong, she leaves for London to discover her true destiny and her full, unearthly powers. Gifted director Patty Jenkins (Monster) is behind the camera, overseeing a stellar cast that includes Robin Wright and Connie Nelson.
12.00Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
15.00Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Twenty-five years after Jenny Livingston’s seminal documentary Paris Is Burning, which shone a light on ’80s Harlem’s ballroom scene, this explosive and uplifting new documentary reveals one of the subculture’s contemporary descendants: the Kiki scene. Part activist movement, part artistic milieu, the Kiki community is a site of radical self-expression for young queer people of colour in New York City, whose ballroom competitions and surrogate queer families provide both creative platforms and a source of succour for individuals facing multiple forms of marginalisation. Shot over four years, the film follows seven members of the community through the difficulties of illness, homelessness and everyday discrimination, as well as the joys of spectacle, camaraderie and personal affirmation.
20.45Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
This gorgeous mixed programme demonstrates the great creative vision of Frederick Ashton, Founder Choreographer of The Royal Ballet.
The Dream is Ashton's adaptation of Shakespeare's riotous comedy in which a forest sprite plays havoc, armed with a love potion. Symphonic Variations was Ashton's first work after World War II, and one of the Company's first to be performed on the huge main stage of the Royal Opera House, in 1946. With six dancers performing a series of quartets, duets, sextets and solos to Franck’s brooding Variations symphoniques, this seminal masterpiece celebrates the pure beauty of movement. Marguerite and Armand is Ashton's beautiful and emotional retelling of a well-known story, familiar to us through Verdi's opera La traviata. Ashton famously created this poignant ballet on Margot
Fonteyn and Rudolf Nureyev in 1963.
Director: Patty Jenkins.
Starring: Gal Gadot, Chris Pine, Connie Nelson. USA 2017. 133 mins.
Since Cathy Lee Crosby burst onto the big screen as the original Wonder Woman in 1974 there have several other versions of DC Comics’ legendary female superhero, but now Israeli actress Gal Gadot (Gisele from the Fast & Furious franchise) takes centre stage as the Amazon warrior-princess after a breakout turn last year in Batman V Superman: Dawn Of Justice. Raised as a fearless defender of her island paradise in the early 20th century, young Diana meets Steve Trevor (Pine), an American pilot who informs her of the mighty war raging beyond her shores. Inspired to right the world’s wrong, she leaves for London to discover her true destiny and her full, unearthly powers. Gifted director Patty Jenkins (Monster) is behind the camera, overseeing a stellar cast that includes Robin Wright and Connie Nelson.
Violetta gives up every hope of happiness in this heart-wrenching love story. With its world-famous arias, La traviata is the perfect introduction to Glyndebourne.
Alfredo, a young man from the provinces, falls in love with Violetta, the stylish toast of Paris. But she’s not the marrying kind – at least not until now. However, their dreams are threatened by both a merciless society that condemns Violetta’s racy past and an equally merciless disease.
There’s rarely a dry eye in the house when this poignant tale unfolds through Verdi’s robust, tuneful, full-hearted and full-throated score, laced through with melodies as familiar as the story.
Russian soprano Venera Gimadieva portrays the iconic role of Violetta, alongside American tenor Michael Fabiano as Alfredo. The visual beauty of Tom Cairns’s opulent production aptly echoes the irresistible allure of this beloved opera.
‘With a team this thrilling and a production so intelligent, Glyndebourne has a sure-fire hit on its hands.’ ★★★★★– The Observer
Captured live in 2014. Sung in Italian with English subtitles.
Also on screen this summer: Brett Dean’s brand new Shakespeare-inspired opera, Hamlet (live) and a new production of Mozart’s La clemenza di Tito (live).
Director: Patty Jenkins.
Starring: Gal Gadot, Chris Pine, Connie Nelson. USA 2017. 133 mins.
Since Cathy Lee Crosby burst onto the big screen as the original Wonder Woman in 1974 there have several other versions of DC Comics’ legendary female superhero, but now Israeli actress Gal Gadot (Gisele from the Fast & Furious franchise) takes centre stage as the Amazon warrior-princess after a breakout turn last year in Batman V Superman: Dawn Of Justice. Raised as a fearless defender of her island paradise in the early 20th century, young Diana meets Steve Trevor (Pine), an American pilot who informs her of the mighty war raging beyond her shores. Inspired to right the world’s wrong, she leaves for London to discover her true destiny and her full, unearthly powers. Gifted director Patty Jenkins (Monster) is behind the camera, overseeing a stellar cast that includes Robin Wright and Connie Nelson.
12.00Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
15.00Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
★★★★★ ‘Spellbindingly imaginative. A dazzling production.’
Radio Times
All children, except one, grow up…
Captured live at the National Theatre, a recorded performance of JM Barrie’s much-loved tale screens in cinemas this summer.
When Peter Pan, leader of the Lost Boys, loses his shadow, headstrong Wendy helps him to reattach it. In return, she is invited to Neverland, where Tinker Bell the fairy, Tiger Lily and the vengeful Captain Hook await. A riot of magic, music and make-believe ensues.
A delight for children and adults alike, Sally Cookson (NT Live: Jane Eyre) directs this wondrously inventive production, a co-production with Bristol Old Vic theatre.
Dogwoof proudly presents the UK premiere of Whitney: Can I Be Me followed by a live satellite Q&A with acclaimed director Nick Broomfield. Broadcast live from Sheffield Doc/Fest, this exclusive event creates the ultimate Whitney moment with largely never-before-seen footage and exclusive live recordings. Whitney Houston was the epitome of superstar, an “American Princess” and the most awarded female artist ever. Even though she made millions of dollars, had more consecutive number ones than The Beatles, and became recognised for having one of the greatest voices of all time, she still wasn’t free to be herself and died at just 48 years old. Whitney: Can I Be Me tells Whitney Houston’s incredible and poignant life story with insights from those closest to her.
To coincide with a glorious new exhibition at the National Gallery of London, this film offers a full and fresh biography of Michelangelo who, with Leonardo, is considered one of the greatest artists of the Renaissance – and perhaps of all time. This film explores his relationship with his contemporaries and his immense artistic practice which included painting, sculpture and architecture. Among the works explored are the universally adored David in Florence, the Sistine Chapel in Rome and the Manchester Madonna (today in the National Gallery).
A major new film which gets to the very heart of this tempestuous, passionate giant.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
My Beautiful Laundrette
Director: Stephen Frears. Starring: Daniel-Day Lewis, Gordon Warnecke. UK 1985. 97 mins.
Featuring Daniel Day Lewis in his breakthrough role as a right-wing extremist who falls for a Pakistani man, inadvertently stirring racial prejudices throughout their South London neighbourhood, Stephen Frears' iconic film is both a touching romance and a powerful depiction of the struggles of minorities in Thatcher’s Britain.
13.00Criminal Acts: A Charged Past: A season to mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales.
Vintage Sundays: Classic films back on the big screen where they belong.
A young woman (Lil Dagover) confronts the personification of Death (Bernhard Goetzke), in an effort to save the life of her fiance (Walter Janssen). Death weaves three romantic tragedies and offers to unite the girl with her lover, if she can prevent the death of the lovers in at least one of the episodes. Thus begin three exotic scenarios of ill-fated love, in which the woman must somehow reverse the course of destiny: Persia, Quattrocento Venice, and a fancifully rendered ancient China.
The infamous bombing of Guernica during the Spanish Civil War, commemorated by Picasso's famous painting, led directly to the evacuation of four thousand Basque children to Britain. It was the largest single influx of refugees ever to arrive in this country and the first to consist solely of children. The British Government did not want them here - so it was that an enormous voluntary organization stepped in to care for the children - much to the annoyance of the Government! Everybody expected their stay to be brief, but the conflict dragged on. By the end of the Spanish Civil War many of the children literally had nothing and nobody to return to and remained in Britain for a lifetime. This is the story of the Basque children - of those that returned to Spain and those that made Britain their home. It is the story of a remarkable grass-roots organization that cared for them and the conflict it generated with a British Government which saw the children as a political embarrassment.
In this R.T.S. award-winning documentary film, eye witness accounts are mixed with expert anyalysis, dramatic reconstruction and previously un-screened archive footage to tell the story of The Guernica Children.
18.00ourscreen: Organised with ourscreen.com, the website for people-powered cinema. Create your own film screening at your local cinema in three easy steps.
The story has been told before, but never like this. An occupied desert nation. A radical from the wilderness on hunger strike. A girl whose mysterious dance will change the course of the world.
This charged retelling turns the infamous biblical tale on its head, placing the girl we call Salomé at the centre of a revolution.
Internationally acclaimed theatre director Yaël Farber (Les Blancs) draws on multiple accounts to create her urgent, hypnotic production, which will be broadcast live from the stage of the National Theatre.
The story has been told before, but never like this. An occupied desert nation. A radical from the wilderness on hunger strike. A girl whose mysterious dance will change the course of the world.
This charged retelling turns the infamous biblical tale on its head, placing the girl we call Salomé at the centre of a revolution.
Internationally acclaimed theatre director Yaël Farber (Les Blancs) draws on multiple accounts to create her urgent, hypnotic production, which will be broadcast live from the stage of the National Theatre.
Director: Stanley Donen.
Starring: Howard Keel, Jane Powell. USA 1954. 102 mins.
When backwoodsman Adam brings his new bride home to his farm, his six unruly brothers decide they would like to get married too. But as Milly sets about turning the unwashed louts into gentlemen, Adam advises the boys to kidnap the objects of their affections rather than woo them.
11.00Dementia-Friendly Screening: Open to all but especially for people with dementia and their family, friends and carers. Join us for free tea, coffee and biscuits and a chance to socialise for 30 minutes before the film. The film will start at the time stated.
Director: Michael Mann.
Starring: Al Pacino, Robert De Niro, Val Kilmer, Tom Sizemore, Jon Voight, Diana Venora, Amy Brenneman, Ashley Judd, Natalie Portman. USA 1995. 171 mins.
Two of America’s finest, most charismatic film actors came together for the first time on screen in Michael Mann’s highly intelligent, stylish, violent thriller – and the result is electrifying. An absorbing duel between two men – one the icy cool mastermind of a criminal gang specialising in high-risk, high-yield heists (De Niro), the other the dogged detective assigned to his case (Pacino) – plays out on the battleground of contemporary LA, a moody, ever shifting city of twisted morals and crumbling relationships. Beautifully crafted, superbly paced and boasting a superlative heist gone wrong among several unforgettable sequences, Heat brought Michael Mann the recognition he long deserved as one of America's most talented directors.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
Love Is The Devil
Director: John Maybury. Starring: Derek Jacobi, Daniel Craig, Tilda Swinton. UK 1998. 90 mins.
John Maybury’s daring art biopic stars Derek Jacobi as Francis Bacon and Daniel Craig as his muse, a small-time thief drawn into the painter’s bohemian circle. Tilda Swinton gives a standout performance as the foul-mouthed proprietress of the legendary Colony Room, the Soho club that served as a hub for the group, which also included photographer John Deakin and artist Isabel Rawsthorne.
20.45Criminal Acts: A Charged Past: A season to mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales.
Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
This award-winning story follows a young girl named Suzu Urano, who in 1944 moves to the small town of Kure in Hiroshima where she marries Shusaku Hojo, a young clerk who works at the local naval base. Living with his family, Suzu becomes essential to the running of the household and creatively prepares meals during the tough wartime conditions while also carrying out daily housework. In 1945, intense bombings by the US military finally reach Kure, with devastating effect to the townsfolk and their way of life. Suzu’s life is changed irrevocably, but through perseverance and courage, she manages to continue to live life to the fullest.
World-famous tenor Jonas Kaufmann makes his role debut as Otello in Verdi's passionate retelling of Shakespeare's great tragedy of jealousy, deception and murder. Soprano Maria Agresta will be his Desdemona and baritone Ludovic Tézier his nemesis Iago in a new production by Olivier Awardwinning director Keith Warner.
A major work of the opera repertory, Verdi's Otello draws on the full forces of the Orchestra of the Royal Opera House, the Royal Opera Chorus and this stellar line-up of principal singers, with exquisite duets, emotionally potent solo numbers and thrilling choruses.
Particular highlights include Otello and Desdemona's rapturous love duet and Desdemona's poignant 'Willow Song'. Royal Opera Music Director Antonio Pappano conducts this Italian masterpiece.
Director: Andew J. Cohen. Starring: Will Ferrell, Amy Poehler, Allison Tolman. USA 2017. 88mins.
After Scott and Kate Johansen (Will Ferrell and Amy Poehler) lose their daughter Alex’s college fund, they become desperate to earn it back so she can pursue her dream of attending a university. With the help of their neighbor Frank (Jason Mantzoukas), they decide to start an illegal casino in his house.
Perched high above the picturesque coast of Sicily and sitting under the shadow of Mt. Etna, Teatro Antico di Taormina has inspired artists for over 2000 years – from the ancient Greeks and Romans to Woody Allen and today’s opera stars.
Every summer, this romantic and dramatic setting welcomes opera lovers from all over the world. 2017 is no exception, with the staging of Puccini’s La bohème, the tragic love story between a young poet and a seamstress. Directed by Enrico Castiglione, this retelling of the timeless classic will enchant cinema audiences with its intense melodic lyrics, original and refined harmony, instrumental light feel and nuances which are all unmistakable and unique.
For one night only, come and experience this spectacular opera on the big screen, live from Taormina, Sicily!
Be part of a major new operatic work – join us for the world premiere of Brett Dean’s new opera based on Shakespeare’s best-known tragedy.
Brett Dean’s colourful, energetic, witty and richly lyrical music expertly captures the modernity of this timeless tale, while Matthew Jocelyn’s libretto is pure Shakespeare.
A cast of some of the finest singing actors of the moment will bring Hamlet to life. British tenor and Glyndebourne favourite Allan Clayton will play Hamlet. British mezzo-soprano Sarah Connolly will play Gertrude and Canadian soprano Barbara Hannigan will make her Glyndebourne debut as Ophelia. Legendary British bass John Tomlinson plays The Ghost of Old Hamlet.
Hamlet will be conducted by Vladimir Jurowski, Glyndebourne’s former Music Director.
Neil Armfield has directed numerous productions for Opera Australia, including their first full-length presentation of The Ring Cycle. He is the director of the acclaimed films Candy and Holding the Man.
‘The themes of life and death, love and betrayal have opera written all over them.’
—Brett Dean, Composer
Sung in English with English supertitles
Also on screen this summer: a timeless production of La traviata (captured live in 2014) and a new production of Mozart’s La clemenza di Tito (live).
A collaboration between American film-maker Sofia Coppola and Italian haute couture king Valentino comes in the form of a revival of Giuseppe Verdi’s classic opera, LA TRAVIATA.
Violetta Valéry is a well-known courtesan in Paris whose life appears to be glamorous, but who also suffers from a serious illness. She lives on the money given to her by her male patrons. But when she meets Alfredo Germont, a young man from a good family, they fall in love and move to the country. Alfredo’s father disapproves of their relationship and comes to tell Violetta that her involvement with Alfredo will ruin his family’s reputation. Out of her love for Alfredo, Violetta agrees to leave him and returns to Paris. Thinking she has betrayed him, Alfredo is heartbroken. He follows her to a party and publicly insults her. A few months later, Violetta is close to death. Alfredo, who has learned why Violetta left him, returns to her. He is shocked by her weakness as she strains to get to her feet. They vow to be together forever, but she soon collapses and breathes her last.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
Weekend
Director: Andrew Haigh. Starring: Tom Cullen, Chris New. UK 2011. 97 mins.
Andrew Haigh’s modern classic, a breakout hit and a milestone in British cinema, sees two young men find a one-night-stand turning into something far more serious. As their relationship deepens, they debate their daily struggles in an overwhelmingly straight world, and come to realise that despite almost half a century of progress, the fight for social equality is far from over.
18.15Criminal Acts: A Charged Past: A season to mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales.
Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell.
Andrew Garfield (Silence, Hacksaw Ridge) plays Prior Walter along with a cast including Denise Gough (People, Places and Things), Nathan Lane (The Producers), James McArdle (Star Wars: The Force Awakens) and Russell Tovey (The Pass).
This new staging of Tony Kushner’s multi-award winning two-part play is directed by Olivier and Tony award winning director Marianne Elliott (The Curious Incident of the Dog in the Night-Time and War Horse). Part One: Millennium Approaches was first performed at the National Theatre in 1992 and was followed by Part Two: Perestroika the following year.
Part One: Millennium Approaches will be broadcast live on 20 July 2017.
America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell.
Andrew Garfield (Silence, Hacksaw Ridge) plays Prior Walter along with a cast including Denise Gough (People, Places and Things), Nathan Lane (The Producers), James McArdle (Star Wars: The Force Awakens) and Russell Tovey (The Pass).
This new staging of Tony Kushner’s multi-award winning two-part play is directed by Olivier and Tony award winning director Marianne Elliott (The Curious Incident of the Dog in the Night-Time and War Horse). Part One: Millennium Approaches was first performed at the National Theatre in 1992 and was followed by Part Two: Perestroika the following year.
Part One: Millennium Approaches will be broadcast live on 20 July 2017.
America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell.
Andrew Garfield (Silence, Hacksaw Ridge) plays Prior Walter along with a cast including Denise Gough (People, Places and Things), Nathan Lane (The Producers), James McArdle (Star Wars: The Force Awakens) and Russell Tovey (The Pass).
This new staging of Tony Kushner’s multi-award winning two-part play is directed by Olivier and Tony award winning director Marianne Elliott (The Curious Incident of the Dog in the Night-Time and War Horse). Part One: Millennium Approaches was first performed at the National Theatre in 1992 and was followed by Part Two: Perestroika the following year.
Part One: Millennium Approaches will be broadcast live on 20 July 2017.
Directors: Stanley Donen and Gene Kelly
Starring: Gene Kelly, Frank Sinatra, Jules Munshin, Ann Miller. USA 1949. 98 mins.
Producer Arthur Freed turned New York into a giant sound stage for this hectic 'sailors on leave' romantic comedy, which is notable not only for the superb Leonard Bernstein score but also for the musical numbers shot on location. Few dance sequences in film are as fresh, exhilarating and imaginative as the ballet on top of the Empire State Building.
11.00Dementia-Friendly Screening: Open to all but especially for people with dementia and their family, friends and carers. Join us for free tea, coffee and biscuits and a chance to socialise for 30 minutes before the film. The film will start at the time stated.
Spurned by Tito, Vitellia seeks revenge. Besotted Sesto agrees to avenge her as a token of his love, but all does not go to plan. A brand new take on one of Mozart’s final works.
Vitellia’s path to the throne is thwarted by the man who deposed her father, so she presses her admirer Sesto to murder him.
Driven by love, Sesto does his worst. But in return, receives a lesson in forgiveness.
Conducted by Robin Ticciati and directed by Claus Guth, Mozart’s opera delivers all of the sublime musical beauty and heart-tugging humanity we expect of him.
Loosely based on the life of the Roman Emperor Titus, La clemenza di Tito distills the suspense of Don Giovanni, the warmth of The Marriage of Figaro, and the nobility of The Magic Flute into one powerful parable of love and friendship, vengeance and mercy.
Australian tenor Steve Davislim makes his Glyndebourne debut as Tito, with Alice Coote as Vitellia and Kate Lindsey as Sesto.
Sung in Italian with English supertitles.
Also on screen this summer: a timeless production of La traviata (captured live in 2014) and Brett Dean’s brand new Shakespeare-inspired opera, Hamlet (live).
America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell.
Andrew Garfield (Silence, Hacksaw Ridge) plays Prior Walter along with a cast including Denise Gough (People, Places and Things), Nathan Lane (The Producers), James McArdle (Star Wars: The Force Awakens) and Russell Tovey (The Pass).
This new staging of Tony Kushner’s multi-award winning two-part play is directed by Olivier and Tony award winning director Marianne Elliott (The Curious Incident of the Dog in the Night-Time and War Horse). Part One: Millennium Approaches was first performed at the National Theatre in 1992 and was followed by Part Two: Perestroika the following year.
Part One: Millennium Approaches will be broadcast live on 20 July 2017.
The decay of Rome reaches violent depths in Shakespeare’s bloodiest play. Blanche McIntyre (The Two Noble Kinsmen) returns to the RSC to direct Shakespeare’s brutal revenge tragedy.
Titus is a ruler exhausted by war and loss. He relinquishes power, but leaves Rome in disorder. Rape, cannibalism and mutilation fill the moral void at the heart of this corrupt society.
Shakespeare presents us with murder as entertainment and, as the body count rises, poses questions about sexuality, family, class and society.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
Early ’60s London, and gay men across the city are being blackmailed, threatening exposure at a time when consensual homosexual acts could still result in imprisonment. Basil Dearden’s classic thriller stars Dirk Bogarde in his most daring role, as a gay lawyer fighting back against the blackmailers who dare to target him.
20.45Criminal Acts: A Charged Past: A season to mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales.
Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
This fender and genre-bending film takes us into the not-too-distant machine-driven future. Kokone should be diligently studying for her university entrance exams, but she just can’t seem to stay awake. Aside from stealing precious study time, her napping is even more distracting, as it brings on strange dreams with warring machines that hint at family secrets that have been dormant for years. She can’t ask her father, a hipster mechanic more talented and artful than his job requires, as he’s always busy modifying motorcycles and cars in flights of fancy. What are these visions that lead Kokone at once closer to and further away from her family?
The incredible Billie Piper (Penny Dreadful, Great Britain) returns in her Evening Standard Best Actress award-winning role. A young woman is driven to the unthinkable by her desperate desire to have a child in Simon Stone’s radical production of Lorca’s achingly powerful masterpiece. The unmissable theatre phenomenon sold out at the Young Vic and critics call it “an extraordinary theatrical triumph” (The Times) and “stunning, searing, unmissable” (Mail on Sunday). Billie Piper’s lead performance is described as “spellbinding” (The Evening Standard), “astonishing” (iNews) and “devastatingly powerful” (The Daily Telegraph). Set in contemporary London, Piper’s portrayal of a woman in her thirties desperate to conceive builds with elemental force to a staggering, shocking, climax. Please note that this broadcast does not have an interval.
★★★★★
“Brutal yet ferociously funny” - Metro
★★★★★
“Billie Piper makes a shattering Yerma in Simon Stone’s inspired reworking of Lorca” - The Observer
★★★★★
“A shatteringly powerful reinvention of a familiar classic” - The Independent
In aid of Médecins Sans Frontières / Doctors without Borders (MSF)
7 September 2017
Join us for a unique celebration of John le Carré’s work as he discusses the full breadth of his career – from his extraordinary Cold War novels to his powerful descriptions of the arms trade and the war on terror – and reflects on the continuing story of his most famous creation, the tubby, bespectacled spy, George Smiley.
Featuring readings from his new novel A Legacy Of Spies, and a rare Q&A session, this will be an unmissable opportunity to experience the author direct and in his own words.
The event will be broadcast live to cinemas across the UK and Europe from London’s Royal Festival Hall.
In support of MSF, the leading emergency medical humanitarian aid organisation, John le Carré is donating his speaker’s fee, and the producers of the live cinema broadcast, The Ink Factory, are donating their share of the profits to the charity.
The incredible Billie Piper (Penny Dreadful, Great Britain) returns in her Evening Standard Best Actress award-winning role. A young woman is driven to the unthinkable by her desperate desire to have a child in Simon Stone’s radical production of Lorca’s achingly powerful masterpiece. The unmissable theatre phenomenon sold out at the Young Vic and critics call it “an extraordinary theatrical triumph” (The Times) and “stunning, searing, unmissable” (Mail on Sunday). Billie Piper’s lead performance is described as “spellbinding” (The Evening Standard), “astonishing” (iNews) and “devastatingly powerful” (The Daily Telegraph). Set in contemporary London, Piper’s portrayal of a woman in her thirties desperate to conceive builds with elemental force to a staggering, shocking, climax. Please note that this broadcast does not have an interval.
★★★★★
“Brutal yet ferociously funny” - Metro
★★★★★
“Billie Piper makes a shattering Yerma in Simon Stone’s inspired reworking of Lorca” - The Observer
★★★★★
“A shatteringly powerful reinvention of a familiar classic” - The Independent
Mozart’s glorious opera 'The Magic Flute' is brought enchantingly to life in David McVicar’s production with beautiful sets by John Macfarlane. Prince Tamino promises the Queen of the Night that he will rescue her daughter Pamina from the enchanter Sarastro. He begins his quest, accompanied by the bird-catcher Papageno – but all is not as it seems…
David McVicar’s classic production embraces both the seriousness and comedy of Mozart’s work. The audience is transported to a fantastical world of dancing animals, flying machines and dazzlingly starry skies. The setting provides a wonderful backdrop for Mozart’s kaleidoscopic score, from the Queen of the Night’s coloratura fireworks to Tamino and Pamina’s lyrical love duets and Papageno’s hearty, folksong-like arias.
As well as being a comedy 'The Magic Flute' is an expression of Mozart’s profound spiritual beliefs: Enlightenment concerns with the search for wisdom and virtue are at the heart of this enchanting tale. The Magic Flute was an instant success with audiences and Mozart’s supposed rival Salieri described it as an ‘operone’ – a great opera.
When Rodolfo, a penniless poet, meets Mimì, a seamstress, they fall instantly in love. But their happiness is threatened when Rodolfo learns that Mimì is gravely ill.
Acclaimed director Richard Jones (Boris Godunov, Il trittico) directs a new production of Puccini’s 'La bohème'. Irresistible in its witty, passionate blend of comedy and tragedy, the opera focusses on the lives of a groupof young artists as they eke out an existence on the bohemian fringes of Paris, the capital of the 19th century. Jones brings his characteristically acute insight to this much-loved classic, visualized in Stewart Laing’s spectacular, stylized 1850s setting.
Puccini’s romantic depiction of bohemian Paris, with memorable music and a love story drawn from everyday life, has captivated audiences around the world, making La bohème one of the best-loved of all operas. It was first performed in Covent Garden in 1897 and has had more than five hundred performances there since.
A full-throttle war play that revels in the sweat of the battlefield, Coriolanus transports us back to the emergence of the republic of Rome.
Caius Martius Coriolanus is a fearless soldier but a reluctant leader. His ambitious mother attempts to carve him a path to political power, but he struggles to change his nature and do what is required to achieve greatness. In this new city state struggling to find its feet, where the gap between rich and poor is widening every day, Coriolanus must decide who he really is and where his allegiances lie.
Rome Season Director, Angus Jackson, completes the Royal Shakespeare Company’s collection of Shakespeare’s Roman plays with a visceral production which sees Sope Dirisu (One Night in Miami, Donmar Warehouse, 2016) take on the title role.
Amidst a bustling market, the pirate Conrad falls in love at first sight with the beautiful Medora, the ward of the slave merchant Lankedem’s bazaar. Conrad kidnaps Medora when Lanquedem decides to sell her to the Pasha.
Inspired by Lord Byron’s epic poem and reworked by Alexei Ratmansky from Petipa’s exotic 19th century classic, this miracle of the repertoire is one of the Bolshoi’s most lavish productions. Complete with a magnificent awe-inspring shipwreck and dramatic scenery, this grand romance allows enough dancing for nearly the entire company and made especially for those who seek miracles in theatre.
At a garden party on a sunny afternoon, Alice is surprised to see her parents’ friend Lewis Carroll transform into a white rabbit. When she follows him down a rabbit hole events become curiouser and curiouser… As Alice journeys through Wonderland, she encounters countless strange creatures. She’s swept off her feet by the charming Knave of Hearts, who’s on the run for stealing the tarts. Confusion piles upon confusion. Then Alice wakes with a start. Was it all a daydream?
Christopher Wheeldon’s 'Alice’s Adventures in Wonderland' burst onto the stage in 2011 in an explosion of colour, stage magic and inventive, sophisticated choreography. Joby Talbot’s score combines contemporary soundworlds with sweeping melodies that gesture to ballet scores of the 19th century. Bob Crowley’s wildly imaginative, eye-popping designs draw on everything from puppetry to projections to make Wonderland wonderfully real.
Alice encounters a cast of extraordinary and instantly recognizable characters, from the highly strung Queen of Hearts – who performs a hilarious send-up of The Sleeping Beauty's famous Rose Adage – to a playing-card corps de ballet, a sinuous caterpillar and a tap-dancing Mad Hatter. But the ballet does not avoid the darker undercurrents of Lewis Carroll’s story: a nightmarish kitchen, an eerily disembodied Cheshire Cat and the unhinged tea party are all here in vivid detail. The delicious result shows The Royal Ballet at its best, bringing together world-class dance with enchanting family entertainment.
Leaving the world of J-pop behind her, Mima Kirigoe begins life as an actress on a crime drama show called Double Blind. When offered a lead role in the show as a rape victim, Mima accepts in spite of her manager’s reservations. However, the backlash from fans over her career change and a strange website called ‘Mima's Room’, written by a fake Mima, begin to worry her. When a stalker appears and people involved in Double Blind begin turning up dead, with all the evidence pointing to her, Mima is thrown into a state of confusion, madness and paranoia.
Baptista struggles to marry off his tempestuous daughter Katharina, a shrew who denies that any man could possibly be her match. However when she meets Petruchio, who is as ill-tempered as she, the two forces of nature ignite an unexpected and explosive encounter.
Acclaimed choreographer Jean-Christophe Maillot brings out the wit, fast-paced athleticism and vibrancy from the Bolshoi Ballet dancers in Shakespeare’s rowdy comedy. Principals Ekaterina Krysanova and Vladislav Lantratov clash, challenge and eventually give themselves to one another in a wonderfully entertaining production that can only be seen at the Bolshoi!
As the clock strikes midnight on Christmas Eve, Marie’s wooden nutcracker doll comes to life and transforms into a prince! Soon joined by her other toys that have also come to life, Marie and her prince embark on a dreamy unforgettable adventure.
A holiday tradition for the whole family, The Nutcracker sweeps the Bolshoi stage for two hours of enchantment and magic. Along with Tchaikovsky’s cherished score and and some of the Bolshoi’s greatest artists, The Nutcracker remains a treasure not to be missed!
The young Clara creeps downstairs on Christmas Eve to play with her favourite present – a Nutcracker doll. But the mysterious magician Drosselmeyer is waiting to sweep her off on a magical adventure. After defeating the Mouse King, the Nutcracker and Clara travel through the Land of Snow to the Kingdom of Sweets, where the Sugar Plum Fairy treats them to a wonderful display of dances. Back home, Clara thinks she must have been dreaming – but doesn’t she recognize Drosselmeyer’s nephew?
Peter Wright’s nigh-on definitive production for The Royal Ballet ranks as one of the most enduring and enchanting versions of 'The Nutcracker'. With its festive period setting, dancing snowflakes and enchanting stage magic, Lev Ivanov’s 1892 ballet has become the perfect Christmas entertainment, with Tchaikovsky’s sumptuous, sugar-spun music the most recognizable of all ballet scores.
Loosely based on the story by E.T.A. Hoffmann, the ballet opens with a lively Christmas party, its Victorian setting captured in opulent detail by Julia Trevelyan Oman’s designs. Wright’s choreography ingeniously incorporates surviving fragments of the ballet’s original material, including the sublime pas de deux for the Sugar Plum Fairy and her Prince. But in emphasizing the relationship between Clara and the Nutcracker Prince, the production also gains a touching subtext of first love.
The corruption of innocence is at the heart of Verdi’s potent tragedy in David McVicar’s production for The Royal Opera. Rigoletto, court jester to the libertine Duke of Mantua, is cursed by the father of one of the Duke’s victims for his irreverent laughter. When the Duke seduces Rigoletto’s daughter Gilda, it seems the curse is taking effect…
David McVicar’s production highlights the cruelty at the heart of the court of Mantua. Richly dressed courtiers engage in orgies and revelries to Verdi’s heady, spirited dances. The opera’s many musical highlights include the ebullient ‘La donna è mobile’, in which the Duke boasts of his disregard for women; Gilda’s exquisite, plangent duets with Rigoletto and the Duke; and the gorgeous Act III quartet that beautifully weaves the voices together as the story quickens to its shattering conclusion.
Giuseppe Verdi wrote in 1855 that Rigoletto was his ‘best opera’. He had had to overcome state censorship to stage it – the censors objected to its depiction of an immoral ruler – but he was vindicated by the premiere’s huge success in 1851. Rigoletto was performed 250 times in the next 10 years and has remained one of the most popular of all operas.
In Verona, Romeo and Juliet fall madly in love while their respective families, the Montagues and the Capulets, are caught in a bitter rivalry ending in heart-wrenching tragedy…
Alexei Ratmansky, former artistic director of the Bolshoi Ballet, stages the company’s premiere of his production with dramatic urgency and a fresh re-telling of Shakespeare’s beloved classic. His brilliant and detailed adaptation set to Prokofiev’s romantic and cinematic score, reignites the story of literature’s most celebrated star-crossed lovers like no other classical ballet choreographer today.
As he arrives in Paris for the first time, the young and naive Armand is utterly captivated after meeting the ravishing and most desirable courtesan Marguerite Gautier. Their encounter gives birth to a passionate yet doomed love…
Alexandre Dumas fils’s novel comes to life on the Bolshoi stage, with prima Svetlana Zakharova as the ailing Marguerite seeking love and redemption from her life as a courtesan. The Bolshoi brings choreographer John Neumeier’s work of rare beauty and tragic depth to new emotional heights, accompanied by Chopin’s romantic piano score.
'Tosca' is one of the great evenings of opera, and from its strident opening chords conjures up a world of political instability and menace.
Jonathan Kent’s production for The Royal Opera captures the dangerous political turbulence of Rome in 1800. The Chief of Police, Scarpia – one of the most malevolent villains in opera – ruthlessly pursues and tortures enemies of the state. His dark, demonic music contrasts with the expansive melodies of the idealistic lovers, Tosca and Cavaradossi, who express their passion in sublime arias, including ‘Vissi d’arte’ and ‘E lucevan le stelle’. Giacomo Puccini’s dramatic work was a hit with audiences on its 1900 premiere and it remains one of the most performed of all operas – with its gripping plot and glorious music, it’s easy to see why.
A candle-lit church, Scarpia’s gloomy study with its hidden torture chamber and the false optimism of a Roman dawn: this handsome production throws into relief the ruthlessly taut drama, as the tension is wound up towards a fateful conclusion. Puccini’s meticulously researched score is infused with the same authentic detail, from distant cannon fire during the Act I Te Deum to tolling church bells and the sounds of a firing squad.
'I am all the daughters of my father's house,
And all the brothers too.'
Twelfth Night is a tale of unrequited love – hilarious and heartbreaking. Two twins are separated in a shipwreck, and forced to fend for themselves in a strange land. The first twin, Viola, falls in love with Orsino, who dotes on OIivia, who falls for Viola but is idolised by Malvolio. Enter Sebastian, who is the spitting image of his twin sister...
Christopher Luscombe, Director of the ‘glorious’ (Daily Telegraph) Love’s Labour’s Lost and Much Ado About Nothing (2014 and 2016), returns to the Royal Shakespeare Company to tackle Shakespeare’s greatest comedy, a brilliantly bittersweet account of "the whirligig of time".
Christopher Wheeldon, Artistic Associate of The Royal Ballet, created his adaptation of Shakespeare’s late great romance 'The Winter’s Tale' for The Royal Ballet in 2014. Building on the success of 'Alice’s Adventures in Wonderland', T'he Winter’s Tale' received ecstatic praise at its premiere, acclaimed by critics and audiences alike for its intelligent, distinctive and emotionally powerful story, told through exquisite dance. It is now widely judged to be a modern ballet classic.
The story follows the destruction of a marriage through consuming jealousy, the abandonment of a child and a seemingly hopeless love. Yet, through remorse and regret – and after a seemingly miraculous return to life – the ending is one of forgiveness and reconciliation. With powerful designs by Bob Crowley and atmospheric music by Joby Talbot, The Winter’s Tale is a masterful modern narrative ballet.
In the era of the French Revolution, Jeanne and her brother Jérôme leave Marseille for Paris in support of the revolutionary effort that is taking over the capital. While fighting for freedom, they both encounter love along the way…
Very few ballets can properly depict the Bolshoi’s overflowing energy and fiery passion as can Alexei Ratmansky’s captivating revival of Vasily Vainonen’s The Flames of Paris. With powerful virtuosity and some of the most stunning pas de deux, the Bolshoi Ballet displays an exuberance almost too enormous for the Moscow stage.
'Carmen' is the best-known work by French composer Georges Bizet, and one of the most famous operas in the entire art form – numbers such as the Habanera and the Toreador Song have permeated the popular consciousness as little else has. The opera’s heady combination of passion, sensuality and violence initially proved too much for the stage, and it was a critical failure on its 1875 premiere. Bizet died shortly after, and never learned of the spectacular success his Carmen would achieve: the opera has been performed more than five hundred times at Covent Garden alone.
This ever-popular opera is given a fresh point of view in Barrie Kosky’s highly physical production, originally created for Frankfurt Opera. The Australian director is one of the world’s most sought-after opera directors, whose Royal Opera debut with Shostakovich’s The Nose in 2016 was greeted with delight. For Carmen he has devised a far-from-traditional version, incorporating music written by Bizet for the score but not usually heard, and giving a new voice to the opera’s endlessly fascinating central character.
Leonard Bernstein was one of the first classical composers in America to achieve both popular and critical acclaim. He was eclectic in his sources – drawing on jazz and modernism, the traditions of Jewish music and the Broadway musical – and many of Bernstein’s scores are remarkably well suited to dance. He was particularly associated with Jerome Robbins, their credits together including Fancy Free and West Side Story. To celebrate the centenary year of the composer’s birth, The Royal Ballet has united all three of its associate choreographers to celebrate the dynamic range and danceability of Bernstein’s music.
The programme includes two world premieres by Resident Choreographer Wayne McGregor and Artistic Associate Christopher Wheeldon, marking each artist’s first foray into Bernstein. At the heart of the programme is the first revival of Artist in Residence Liam Scarlett’s The Age of Anxiety, created in 2014 to Bernstein’s soul-searching Second Symphony. Both symphony and ballet are inspired by W.H. Auden’s masterful modernist poem, itself written in response to the atmosphere of disillusionment and uncertainty that followed the end of World War II.
Verdi’s life-long love affair with Shakespeare’s works began with Macbeth, a play he considered to be ‘one of the greatest creations of man’. With his librettist, Francesco Maria Piave, Verdi set out to create ‘something out of the ordinary’. Their success is borne out in every bar of a score that sees Verdi at his most theatrical: it bristles with demonic energy.
The warrior Macbeth fights on the side of the King of Scotland – but when a coven of witches prophesy that he shall become king himself, a ruthless ambition drives Macbeth and his wife to horrific acts.Murder makes Macbeth king, and intrigue and butchery are the hallmarks of his brief, doomed reign. The witches make another prediction, which also comes true: Macbeth and his lady lose their lives, and justice is restored.
Phyllida Lloyd’s 2002 production for The Royal Opera is richly hued, shot through with black, red and gold. The witches – imagined by designer Anthony Ward as strange, scarlet-turbaned creatures – are ever-present agents of fate. Lloyd depicts the Macbeths’ childlessness as the dark sadness lurking behind their terrible deeds. The Royal Opera’s production uses Verdi’s 1865 Paris revision of the opera, which includes Lady Macbeth’s riveting aria ‘La luce langue’.
When Giselle learns that her beloved Albrecht is promised to another woman, she dies of a broken heart in his arms. While Albrecht grieves, she returns from the dead as a Wili, a vengeful spirit meant to make unfaithful men dance until death…
Prima ballerina Svetlana Zakharova personifies this ultimate ballerina role in the classical repertoire, alongside the sensational Sergei Polunin as Albrecht, in this chilling, yet luminous ballet that continues to captivate audiences for over 150 years at the Bolshoi.
Manon’s brother Lescaut is offering her to the highest bidder when she meets Des Grieux and falls in love. They elope to Paris, but when Monsieur G.M. offers Manon a life of luxury as his mistress she can’t resist. With the Lescauts’ encouragement Des Grieux cheats at cards in an attempt to win Monsieur G.M.’s fortune. They are caught. Manon is arrested as a prostitute and deported to New Orleans, followed by Des Grieux. On the run, Manon dies from exhaustion.
Kenneth MacMillan’s source for Manon was the 18th-century French novel already adapted for opera by Massenet and Puccini. The premiere was given on 7 March 1974, with the lead roles danced by Antoinette Sibley and Anthony Dowell. The ballet quickly became a staple of The Royal Ballet’s repertory, and a touchstone of adult, dramatic dance.
MacMillan found new sympathy with the capricious Manon and her struggle to escape poverty. Designs by his regular collaborator Nicholas Georgiadis reflect this, depicting a world of lavish splendour polluted by miserable destitution. MacMillan’s spectacular ensemble scenes for the whole Company create vivid, complex portraits of the distinct societies of Paris and New Orleans. But it is Manon and Des Grieux’s impassioned pas de deux – recalling the intensity of MacMillan’s earlier Romeo and Juliet – that drive this tragic story, and make Manon one of MacMillan’s most powerful dramas.
Swanhilda notices her fiancee Franz is infatuated with the beautiful Coppélia who sits reading on her balcony each day. Nearly breaking up the two sweethearts, Coppelia is not what she seems and Swanhilda decides to teach Franz a lesson…
The Bolshoi’s unique version of Coppélia exhibits a fascinating reconstruction of the original 19th century choreography of this ebullient comedy involving a feisty heroine, a boyish fiancee with a wandering eye, and an old dollmaker. The company’s stunning corps de ballet shines in the divertissements and famous “dance of the hours,” and its principals abound in youthful energy and irresistible humor in this effervescent production.
'Swan Lake' has had a special role in the repertory of The Royal Ballet since 1934. This Season The Royal Ballet creates a new production with additional choreography by Artist in Residence Liam Scarlett. While remaining faithful to the Petipa-Ivanov text, Scarlett will bring fresh eyes to the staging of this classic ballet, in collaboration with his long-term designer John Macfarlane.
Prince Siegfried chances upon a fl ock of swans while out hunting. When one of the swans turns into a beautiful woman, Odette, he is enraptured. But she is under a spell that holds her captive, allowing her to regain her human form only at night.
'Swan Lake' was Tchaikovsky’s first ballet score. Given its status today as arguably the best loved and most admired of all classical ballets, it is perhaps surprising that at its premiere in 1877 Swan Lake was poorly received. It is thanks to the 1895 production by Marius Petipa and Lev Ivanov that Swan Lake has become part of not only ballet consciousness but also wider popular culture. That success is secured not only by the sublime, symphonic sweep of Tchaikovsky’s score, but also by the striking choreographic contrasts between Petipa’s royal palace scenes and the lyric lakeside scenes created by Ivanov.
