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London, 1946. Charismatic and free-spirited writer Juliet (James) receives a letter from a member of a mysterious literary club founded in Guernsey during Nazi occupation. Her curiosity piqued, Juliet decides to visit the island. There she meets the delightfully eccentric members of the Guernsey Literary and Potato Peel Pie Society, including Dawsey (Huisman), the rugged and intriguing farmer who wrote her the letter. As she learns about their wartime experiences and secrets, Juliet develops a life-changing bond with the book club and the island. From the producers of The Best Exotic Marigold Hotel, and with an all-star British cast, comes a compelling romantic drama with an intriguing mystery at its heart. Based on the bestselling novel of the same name. Our Dear Channel Islands Duration: 4 mins Before the main feature, we are pleased to present archive newsreel footage of the occupation of Guernsey, supplied courtesy of Imperial War Museums.

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After a bitter divorce, Miriam (Drucker) and Antoine (Ménochet) battle for sole custody of their son, Julien (Gioria). Miriam claims the father is violent but lacks proof. Antoine accuses her of manipulating their son for her own ends. Both sides seem to be hiding something; the truth is buried in deceit and jealousy. When the judge awards joint custody, Julien becomes a pawn in a tense conflict that soon brings the family’s fraught past to light. Winner of prestigious awards at the 2017 Venice Film Festival, including the Silver Lion for best director, Custody is a gripping, tension-filled drama that heralds a stunning new cinematic voice in Xavier Legrand. Legrand’s mastery of building suspense, supported by exceptional performances from Denis Ménochet, Léa Drucker and Thomas Gioria, marks this out as one of the must-see films of 2018.

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Living an isolated farmhouse in Upper State New York, a family must navigate a post-apocalyptic world without making a single sound. Either that, or risk being shredded alive. In the shadows lurk spider-like creatures that hunt by sound rather than sight, and which are lying in wait for their next victim. For devoted mother and father (Krasinski and Blunt), son Marcus (Jupe) and partially deaf daughter Regan (Simmonds), life turns into a deadly game of hide-and-seek. The family must walk barefoot, communicate in sign language – which they understand because of Regan’s hearing difficulties – and stifle their every breath to avoid making a noise. It’s a game that becomes even more dangerous when Blunt discovers that she’s pregnant. Staying alive means forever staying one-tiptoed-step ahead.

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Four long years after The Grand Budapest Hotel, Isle of Dogs brings another welcome dose of Wes Anderson’s whimsical charm and offbeat direction to capture audiences’ hearts. Set in a dystopian future Japan, the paw-some stop-motion animation follows 12-year-old Atari (Koyu Rankin) on his noble quest to find his adored pet dog, Spots (Liev Schreiber). After a mysterious outbreak of ‘canine flu’, all the hounds of Megasaki City are exiled by the authorities to a colossal rubbish dump known as Trash Island. Atari sets out solo to rescue his beloved pooch, meeting a few new mongrel friends along the way. Together, they end up on a journey that will decide the fate of the entire prefecture.

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London, 1946. Charismatic and free-spirited writer Juliet (James) receives a letter from a member of a mysterious literary club founded in Guernsey during Nazi occupation. Her curiosity piqued, Juliet decides to visit the island. There she meets the delightfully eccentric members of the Guernsey Literary and Potato Peel Pie Society, including Dawsey (Huisman), the rugged and intriguing farmer who wrote her the letter. As she learns about their wartime experiences and secrets, Juliet develops a life-changing bond with the book club and the island. From the producers of The Best Exotic Marigold Hotel, and with an all-star British cast, comes a compelling romantic drama with an intriguing mystery at its heart. Based on the bestselling novel of the same name. Our Dear Channel Islands Duration: 4 mins Before the main feature, we are pleased to present archive newsreel footage of the occupation of Guernsey, supplied courtesy of Imperial War Museums.

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After a bitter divorce, Miriam (Drucker) and Antoine (Ménochet) battle for sole custody of their son, Julien (Gioria). Miriam claims the father is violent but lacks proof. Antoine accuses her of manipulating their son for her own ends. Both sides seem to be hiding something; the truth is buried in deceit and jealousy. When the judge awards joint custody, Julien becomes a pawn in a tense conflict that soon brings the family’s fraught past to light. Winner of prestigious awards at the 2017 Venice Film Festival, including the Silver Lion for best director, Custody is a gripping, tension-filled drama that heralds a stunning new cinematic voice in Xavier Legrand. Legrand’s mastery of building suspense, supported by exceptional performances from Denis Ménochet, Léa Drucker and Thomas Gioria, marks this out as one of the must-see films of 2018.

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Living an isolated farmhouse in Upper State New York, a family must navigate a post-apocalyptic world without making a single sound. Either that, or risk being shredded alive. In the shadows lurk spider-like creatures that hunt by sound rather than sight, and which are lying in wait for their next victim. For devoted mother and father (Krasinski and Blunt), son Marcus (Jupe) and partially deaf daughter Regan (Simmonds), life turns into a deadly game of hide-and-seek. The family must walk barefoot, communicate in sign language – which they understand because of Regan’s hearing difficulties – and stifle their every breath to avoid making a noise. It’s a game that becomes even more dangerous when Blunt discovers that she’s pregnant. Staying alive means forever staying one-tiptoed-step ahead.

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Four long years after The Grand Budapest Hotel, Isle of Dogs brings another welcome dose of Wes Anderson’s whimsical charm and offbeat direction to capture audiences’ hearts. Set in a dystopian future Japan, the paw-some stop-motion animation follows 12-year-old Atari (Koyu Rankin) on his noble quest to find his adored pet dog, Spots (Liev Schreiber). After a mysterious outbreak of ‘canine flu’, all the hounds of Megasaki City are exiled by the authorities to a colossal rubbish dump known as Trash Island. Atari sets out solo to rescue his beloved pooch, meeting a few new mongrel friends along the way. Together, they end up on a journey that will decide the fate of the entire prefecture.

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PETER RABBIT, the mischievous and adventurous hero who has captivated generations of readers, now takes on the starring role of his own irreverent, contemporary comedy with attitude. In the film, Peter's feud with Mr. McGregor (Domhnall Gleeson) escalates to greater heights than ever before as they rival for the affections of the warm-hearted animal lover who lives next door (Rose Byrne). James Corden voices the character of Peter with playful spirit and wild charm, with Margot Robbie, Elizabeth Debicki, and Daisy Ridley performing the voice roles of the triplets, Flopsy, Mopsy, and Cottontail.

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Ferdinand is a big bull with an even bigger heart. He enjoys the finer things in life – flowers, smaller fellow animals and the like. But after he’s accidently stung by a bee and charges rampantly across the fields, he’s captured by greedy brigands who see a big future for him fighting in Madrid’s bullring. Determined to return to his beloved family in rural Spain, Ferdinand rallies a team of misfits to try and escape. Working from Munro Leaf’s bestselling 1930s children’s book, writer-director Carlos Saldanha (Rio, Ice Age) has applied his considerable creative talents to deliver another animated crowd-pleaser. Its stars include Kate McKinnon (Ghostbusters), David Tennant and Bobby Cannavale, with wrestler-turned-actor John Cena voicing the misunderstood steer.

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London, 1946. Charismatic and free-spirited writer Juliet (James) receives a letter from a member of a mysterious literary club founded in Guernsey during Nazi occupation. Her curiosity piqued, Juliet decides to visit the island. There she meets the delightfully eccentric members of the Guernsey Literary and Potato Peel Pie Society, including Dawsey (Huisman), the rugged and intriguing farmer who wrote her the letter. As she learns about their wartime experiences and secrets, Juliet develops a life-changing bond with the book club and the island. From the producers of The Best Exotic Marigold Hotel, and with an all-star British cast, comes a compelling romantic drama with an intriguing mystery at its heart. Based on the bestselling novel of the same name. Our Dear Channel Islands Duration: 4 mins Before the main feature, we are pleased to present archive newsreel footage of the occupation of Guernsey, supplied courtesy of Imperial War Museums.

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After a bitter divorce, Miriam (Drucker) and Antoine (Ménochet) battle for sole custody of their son, Julien (Gioria). Miriam claims the father is violent but lacks proof. Antoine accuses her of manipulating their son for her own ends. Both sides seem to be hiding something; the truth is buried in deceit and jealousy. When the judge awards joint custody, Julien becomes a pawn in a tense conflict that soon brings the family’s fraught past to light. Winner of prestigious awards at the 2017 Venice Film Festival, including the Silver Lion for best director, Custody is a gripping, tension-filled drama that heralds a stunning new cinematic voice in Xavier Legrand. Legrand’s mastery of building suspense, supported by exceptional performances from Denis Ménochet, Léa Drucker and Thomas Gioria, marks this out as one of the must-see films of 2018.

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Living an isolated farmhouse in Upper State New York, a family must navigate a post-apocalyptic world without making a single sound. Either that, or risk being shredded alive. In the shadows lurk spider-like creatures that hunt by sound rather than sight, and which are lying in wait for their next victim. For devoted mother and father (Krasinski and Blunt), son Marcus (Jupe) and partially deaf daughter Regan (Simmonds), life turns into a deadly game of hide-and-seek. The family must walk barefoot, communicate in sign language – which they understand because of Regan’s hearing difficulties – and stifle their every breath to avoid making a noise. It’s a game that becomes even more dangerous when Blunt discovers that she’s pregnant. Staying alive means forever staying one-tiptoed-step ahead.

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Four long years after The Grand Budapest Hotel, Isle of Dogs brings another welcome dose of Wes Anderson’s whimsical charm and offbeat direction to capture audiences’ hearts. Set in a dystopian future Japan, the paw-some stop-motion animation follows 12-year-old Atari (Koyu Rankin) on his noble quest to find his adored pet dog, Spots (Liev Schreiber). After a mysterious outbreak of ‘canine flu’, all the hounds of Megasaki City are exiled by the authorities to a colossal rubbish dump known as Trash Island. Atari sets out solo to rescue his beloved pooch, meeting a few new mongrel friends along the way. Together, they end up on a journey that will decide the fate of the entire prefecture.

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PETER RABBIT, the mischievous and adventurous hero who has captivated generations of readers, now takes on the starring role of his own irreverent, contemporary comedy with attitude. In the film, Peter's feud with Mr. McGregor (Domhnall Gleeson) escalates to greater heights than ever before as they rival for the affections of the warm-hearted animal lover who lives next door (Rose Byrne). James Corden voices the character of Peter with playful spirit and wild charm, with Margot Robbie, Elizabeth Debicki, and Daisy Ridley performing the voice roles of the triplets, Flopsy, Mopsy, and Cottontail.

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Bergman’s allegorical drama stars Max von Sydow as a knight trying to elude his own death.Vividly recreating a medieval world tormented by plague and superstition, Bergman’s allegorical drama –centred on a knight (von Sydow), returned from the Crusades, who challenges Death to a game of chess in order to postpone his demise –remains fascinating (and finally rather touching) as a study of faith in crisis. Packed with powerful images, it punctuates its bleakness with moments of pleasingly pawky humour.

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London, 1946. Charismatic and free-spirited writer Juliet (James) receives a letter from a member of a mysterious literary club founded in Guernsey during Nazi occupation. Her curiosity piqued, Juliet decides to visit the island. There she meets the delightfully eccentric members of the Guernsey Literary and Potato Peel Pie Society, including Dawsey (Huisman), the rugged and intriguing farmer who wrote her the letter. As she learns about their wartime experiences and secrets, Juliet develops a life-changing bond with the book club and the island. From the producers of The Best Exotic Marigold Hotel, and with an all-star British cast, comes a compelling romantic drama with an intriguing mystery at its heart. Based on the bestselling novel of the same name. Our Dear Channel Islands Duration: 4 mins Before the main feature, we are pleased to present archive newsreel footage of the occupation of Guernsey, supplied courtesy of Imperial War Museums.

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After a bitter divorce, Miriam (Drucker) and Antoine (Ménochet) battle for sole custody of their son, Julien (Gioria). Miriam claims the father is violent but lacks proof. Antoine accuses her of manipulating their son for her own ends. Both sides seem to be hiding something; the truth is buried in deceit and jealousy. When the judge awards joint custody, Julien becomes a pawn in a tense conflict that soon brings the family’s fraught past to light. Winner of prestigious awards at the 2017 Venice Film Festival, including the Silver Lion for best director, Custody is a gripping, tension-filled drama that heralds a stunning new cinematic voice in Xavier Legrand. Legrand’s mastery of building suspense, supported by exceptional performances from Denis Ménochet, Léa Drucker and Thomas Gioria, marks this out as one of the must-see films of 2018.

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Living an isolated farmhouse in Upper State New York, a family must navigate a post-apocalyptic world without making a single sound. Either that, or risk being shredded alive. In the shadows lurk spider-like creatures that hunt by sound rather than sight, and which are lying in wait for their next victim. For devoted mother and father (Krasinski and Blunt), son Marcus (Jupe) and partially deaf daughter Regan (Simmonds), life turns into a deadly game of hide-and-seek. The family must walk barefoot, communicate in sign language – which they understand because of Regan’s hearing difficulties – and stifle their every breath to avoid making a noise. It’s a game that becomes even more dangerous when Blunt discovers that she’s pregnant. Staying alive means forever staying one-tiptoed-step ahead.

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Four long years after The Grand Budapest Hotel, Isle of Dogs brings another welcome dose of Wes Anderson’s whimsical charm and offbeat direction to capture audiences’ hearts. Set in a dystopian future Japan, the paw-some stop-motion animation follows 12-year-old Atari (Koyu Rankin) on his noble quest to find his adored pet dog, Spots (Liev Schreiber). After a mysterious outbreak of ‘canine flu’, all the hounds of Megasaki City are exiled by the authorities to a colossal rubbish dump known as Trash Island. Atari sets out solo to rescue his beloved pooch, meeting a few new mongrel friends along the way. Together, they end up on a journey that will decide the fate of the entire prefecture.

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The adventures of a fun-loving three-year-old monkey, Tee, and first-time super-mum, Mo, as they navigate the swings and roundabouts of their life together, learning what it takes to be a son and a mum. We're delighted to welcome Tee And Mo to Toddler Time. Their first ever episodes screened at Picturehouse Cinemas will be: Face Wipe: When Tee gets involved with cake making he inevitably ends up with cake on face. Like any mum, Mo's handy with a face wiper but Tee has other ideas... The Box: Mo is very excited by the arrival of a new lamp, but Tee is more interested in the box it came in. Together the pair find the perfect place to put the lamp, using the box and a little bit of imagination. Rocket: Mo needs to go to the shop but Tee is more interested in building a rocket out of cardboard boxes. Mo compromises by helping him with the rocket BEFORE they go to the shops, but when it's finished. Tee just wants to stay and play in it. Surprise!: It's tidying up day and Tee's friend Lily the Tiger comes round to play her favourite game; Surprise! But can they surprise Mo? Picture: Mo is eager to get a new picture of Tee for her wall, but Tee is more interested in pictures of bugs than posing for the camera himself. Is there any way to do both? Song: Only One Mum: Tee loves his mum and wants the world to know via the power of song. From Mo’s epic sandwich making, amazing storytelling, to her mystical ability to find his lost shoes - Tee thinks that when you've got the best mum in the world, the best way to tell her is with a song.

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Marty McFly (Michael J. Fox) doesn't have the most pleasant of lives. Browbeaten by his principal at school, he must also endure the acrimonious relationship between his nerdy father (Glover) and his lovely mother (Lea Thompson). The one balm in Marty's life is his friendship with eccentric scientist Doc (Lloyd), who at present is working on a time machine. Accidentally zapped back into the 1950s, Marty inadvertently interferes with the budding romance of his now-teenaged parents. Our hero must reunite his parents-to-be, lest he ceases to exist in the 1980s. Beyond its dazzling special effects, the best element of BACK TO THE FUTURE is the performance of Michael J. Fox, who finds himself in the quagmire of surviving the white-bread 1950s with a hip 1980s mindset. Terrific fun!

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A striking psychological thriller set on Jersey with compelling lead performances from Jessie Buckley and Johnny Flynn. Written and directed by Michael Pearce, Beast sees damaged soul Moll (Jessie Buckley) irresistibly drawn to the equally tortured Pascal (Johnny Flynn) from the moment she first encounters him after wandering away from her own birthday celebrations. A local poacher, Pascal is also a suspect in a string of murders that have been carried out across Jersey. On edge and desperate for someone to pay for the murderous crimes, the island’s inhabitants turn their attentions to the couple and their new-found love. Garnering rave reviews after its recent premiere at the Toronto International Film Festival, Beast at times recalls the films of Lynne Ramsay, Jane Campion and Andrea Arnold. It is certainly a highly impressive debut that makes for intoxicating viewing and satisfyingly bends the conventions of the thriller.

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London, 1946. Charismatic and free-spirited writer Juliet (James) receives a letter from a member of a mysterious literary club founded in Guernsey during Nazi occupation. Her curiosity piqued, Juliet decides to visit the island. There she meets the delightfully eccentric members of the Guernsey Literary and Potato Peel Pie Society, including Dawsey (Huisman), the rugged and intriguing farmer who wrote her the letter. As she learns about their wartime experiences and secrets, Juliet develops a life-changing bond with the book club and the island. From the producers of The Best Exotic Marigold Hotel, and with an all-star British cast, comes a compelling romantic drama with an intriguing mystery at its heart. Based on the bestselling novel of the same name. Our Dear Channel Islands Duration: 4 mins Before the main feature, we are pleased to present archive newsreel footage of the occupation of Guernsey, supplied courtesy of Imperial War Museums.

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After a bitter divorce, Miriam (Drucker) and Antoine (Ménochet) battle for sole custody of their son, Julien (Gioria). Miriam claims the father is violent but lacks proof. Antoine accuses her of manipulating their son for her own ends. Both sides seem to be hiding something; the truth is buried in deceit and jealousy. When the judge awards joint custody, Julien becomes a pawn in a tense conflict that soon brings the family’s fraught past to light. Winner of prestigious awards at the 2017 Venice Film Festival, including the Silver Lion for best director, Custody is a gripping, tension-filled drama that heralds a stunning new cinematic voice in Xavier Legrand. Legrand’s mastery of building suspense, supported by exceptional performances from Denis Ménochet, Léa Drucker and Thomas Gioria, marks this out as one of the must-see films of 2018.

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Living an isolated farmhouse in Upper State New York, a family must navigate a post-apocalyptic world without making a single sound. Either that, or risk being shredded alive. In the shadows lurk spider-like creatures that hunt by sound rather than sight, and which are lying in wait for their next victim. For devoted mother and father (Krasinski and Blunt), son Marcus (Jupe) and partially deaf daughter Regan (Simmonds), life turns into a deadly game of hide-and-seek. The family must walk barefoot, communicate in sign language – which they understand because of Regan’s hearing difficulties – and stifle their every breath to avoid making a noise. It’s a game that becomes even more dangerous when Blunt discovers that she’s pregnant. Staying alive means forever staying one-tiptoed-step ahead.

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Four long years after The Grand Budapest Hotel, Isle of Dogs brings another welcome dose of Wes Anderson’s whimsical charm and offbeat direction to capture audiences’ hearts. Set in a dystopian future Japan, the paw-some stop-motion animation follows 12-year-old Atari (Koyu Rankin) on his noble quest to find his adored pet dog, Spots (Liev Schreiber). After a mysterious outbreak of ‘canine flu’, all the hounds of Megasaki City are exiled by the authorities to a colossal rubbish dump known as Trash Island. Atari sets out solo to rescue his beloved pooch, meeting a few new mongrel friends along the way. Together, they end up on a journey that will decide the fate of the entire prefecture.

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The adventures of a fun-loving three-year-old monkey, Tee, and first-time super-mum, Mo, as they navigate the swings and roundabouts of their life together, learning what it takes to be a son and a mum. We're delighted to welcome Tee And Mo to Toddler Time. Their first ever episodes screened at Picturehouse Cinemas will be: Face Wipe: When Tee gets involved with cake making he inevitably ends up with cake on face. Like any mum, Mo's handy with a face wiper but Tee has other ideas... The Box: Mo is very excited by the arrival of a new lamp, but Tee is more interested in the box it came in. Together the pair find the perfect place to put the lamp, using the box and a little bit of imagination. Rocket: Mo needs to go to the shop but Tee is more interested in building a rocket out of cardboard boxes. Mo compromises by helping him with the rocket BEFORE they go to the shops, but when it's finished. Tee just wants to stay and play in it. Surprise!: It's tidying up day and Tee's friend Lily the Tiger comes round to play her favourite game; Surprise! But can they surprise Mo? Picture: Mo is eager to get a new picture of Tee for her wall, but Tee is more interested in pictures of bugs than posing for the camera himself. Is there any way to do both? Song: Only One Mum: Tee loves his mum and wants the world to know via the power of song. From Mo’s epic sandwich making, amazing storytelling, to her mystical ability to find his lost shoes - Tee thinks that when you've got the best mum in the world, the best way to tell her is with a song.

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London, 1946. Charismatic and free-spirited writer Juliet (James) receives a letter from a member of a mysterious literary club founded in Guernsey during Nazi occupation. Her curiosity piqued, Juliet decides to visit the island. There she meets the delightfully eccentric members of the Guernsey Literary and Potato Peel Pie Society, including Dawsey (Huisman), the rugged and intriguing farmer who wrote her the letter. As she learns about their wartime experiences and secrets, Juliet develops a life-changing bond with the book club and the island. From the producers of The Best Exotic Marigold Hotel, and with an all-star British cast, comes a compelling romantic drama with an intriguing mystery at its heart. Based on the bestselling novel of the same name. Our Dear Channel Islands Duration: 4 mins Before the main feature, we are pleased to present archive newsreel footage of the occupation of Guernsey, supplied courtesy of Imperial War Museums.

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After a bitter divorce, Miriam (Drucker) and Antoine (Ménochet) battle for sole custody of their son, Julien (Gioria). Miriam claims the father is violent but lacks proof. Antoine accuses her of manipulating their son for her own ends. Both sides seem to be hiding something; the truth is buried in deceit and jealousy. When the judge awards joint custody, Julien becomes a pawn in a tense conflict that soon brings the family’s fraught past to light. Winner of prestigious awards at the 2017 Venice Film Festival, including the Silver Lion for best director, Custody is a gripping, tension-filled drama that heralds a stunning new cinematic voice in Xavier Legrand. Legrand’s mastery of building suspense, supported by exceptional performances from Denis Ménochet, Léa Drucker and Thomas Gioria, marks this out as one of the must-see films of 2018.

More details

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Living an isolated farmhouse in Upper State New York, a family must navigate a post-apocalyptic world without making a single sound. Either that, or risk being shredded alive. In the shadows lurk spider-like creatures that hunt by sound rather than sight, and which are lying in wait for their next victim. For devoted mother and father (Krasinski and Blunt), son Marcus (Jupe) and partially deaf daughter Regan (Simmonds), life turns into a deadly game of hide-and-seek. The family must walk barefoot, communicate in sign language – which they understand because of Regan’s hearing difficulties – and stifle their every breath to avoid making a noise. It’s a game that becomes even more dangerous when Blunt discovers that she’s pregnant. Staying alive means forever staying one-tiptoed-step ahead.

More details

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Four long years after The Grand Budapest Hotel, Isle of Dogs brings another welcome dose of Wes Anderson’s whimsical charm and offbeat direction to capture audiences’ hearts. Set in a dystopian future Japan, the paw-some stop-motion animation follows 12-year-old Atari (Koyu Rankin) on his noble quest to find his adored pet dog, Spots (Liev Schreiber). After a mysterious outbreak of ‘canine flu’, all the hounds of Megasaki City are exiled by the authorities to a colossal rubbish dump known as Trash Island. Atari sets out solo to rescue his beloved pooch, meeting a few new mongrel friends along the way. Together, they end up on a journey that will decide the fate of the entire prefecture.

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Ten years. Eighteen films. One cinematic journey. Everything that has come before in Marvel’s acclaimed superhero franchise has been building to this: a thrilling ensemble piece that weaves together every story thread and unites a universe. The Avengers, scattered and divided after the events of Captain America: Civil War, must rally to confront the intergalactic warlord Thanos (Josh Brolin), who’s hell-bent on collecting the six Infinity Stones that will enable him to bend reality to his will.

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Ten years. Eighteen films. One cinematic journey. Everything that has come before in Marvel’s acclaimed superhero franchise has been building to this: a thrilling ensemble piece that weaves together every story thread and unites a universe. The Avengers, scattered and divided after the events of Captain America: Civil War, must rally to confront the intergalactic warlord Thanos (Josh Brolin), who’s hell-bent on collecting the six Infinity Stones that will enable him to bend reality to his will.

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London, 1946. Charismatic and free-spirited writer Juliet (James) receives a letter from a member of a mysterious literary club founded in Guernsey during Nazi occupation. Her curiosity piqued, Juliet decides to visit the island. There she meets the delightfully eccentric members of the Guernsey Literary and Potato Peel Pie Society, including Dawsey (Huisman), the rugged and intriguing farmer who wrote her the letter. As she learns about their wartime experiences and secrets, Juliet develops a life-changing bond with the book club and the island. From the producers of The Best Exotic Marigold Hotel, and with an all-star British cast, comes a compelling romantic drama with an intriguing mystery at its heart. Based on the bestselling novel of the same name. Our Dear Channel Islands Duration: 4 mins Before the main feature, we are pleased to present archive newsreel footage of the occupation of Guernsey, supplied courtesy of Imperial War Museums.

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After a bitter divorce, Miriam (Drucker) and Antoine (Ménochet) battle for sole custody of their son, Julien (Gioria). Miriam claims the father is violent but lacks proof. Antoine accuses her of manipulating their son for her own ends. Both sides seem to be hiding something; the truth is buried in deceit and jealousy. When the judge awards joint custody, Julien becomes a pawn in a tense conflict that soon brings the family’s fraught past to light. Winner of prestigious awards at the 2017 Venice Film Festival, including the Silver Lion for best director, Custody is a gripping, tension-filled drama that heralds a stunning new cinematic voice in Xavier Legrand. Legrand’s mastery of building suspense, supported by exceptional performances from Denis Ménochet, Léa Drucker and Thomas Gioria, marks this out as one of the must-see films of 2018.

More details

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Living an isolated farmhouse in Upper State New York, a family must navigate a post-apocalyptic world without making a single sound. Either that, or risk being shredded alive. In the shadows lurk spider-like creatures that hunt by sound rather than sight, and which are lying in wait for their next victim. For devoted mother and father (Krasinski and Blunt), son Marcus (Jupe) and partially deaf daughter Regan (Simmonds), life turns into a deadly game of hide-and-seek. The family must walk barefoot, communicate in sign language – which they understand because of Regan’s hearing difficulties – and stifle their every breath to avoid making a noise. It’s a game that becomes even more dangerous when Blunt discovers that she’s pregnant. Staying alive means forever staying one-tiptoed-step ahead.

More details

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Four long years after The Grand Budapest Hotel, Isle of Dogs brings another welcome dose of Wes Anderson’s whimsical charm and offbeat direction to capture audiences’ hearts. Set in a dystopian future Japan, the paw-some stop-motion animation follows 12-year-old Atari (Koyu Rankin) on his noble quest to find his adored pet dog, Spots (Liev Schreiber). After a mysterious outbreak of ‘canine flu’, all the hounds of Megasaki City are exiled by the authorities to a colossal rubbish dump known as Trash Island. Atari sets out solo to rescue his beloved pooch, meeting a few new mongrel friends along the way. Together, they end up on a journey that will decide the fate of the entire prefecture.

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Ten years. Eighteen films. One cinematic journey. Everything that has come before in Marvel’s acclaimed superhero franchise has been building to this: a thrilling ensemble piece that weaves together every story thread and unites a universe. The Avengers, scattered and divided after the events of Captain America: Civil War, must rally to confront the intergalactic warlord Thanos (Josh Brolin), who’s hell-bent on collecting the six Infinity Stones that will enable him to bend reality to his will.

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Ten years. Eighteen films. One cinematic journey. Everything that has come before in Marvel’s acclaimed superhero franchise has been building to this: a thrilling ensemble piece that weaves together every story thread and unites a universe. The Avengers, scattered and divided after the events of Captain America: Civil War, must rally to confront the intergalactic warlord Thanos (Josh Brolin), who’s hell-bent on collecting the six Infinity Stones that will enable him to bend reality to his will.

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Ten years. Eighteen films. One cinematic journey. Everything that has come before in Marvel’s acclaimed superhero franchise has been building to this: a thrilling ensemble piece that weaves together every story thread and unites a universe. The Avengers, scattered and divided after the events of Captain America: Civil War, must rally to confront the intergalactic warlord Thanos (Josh Brolin), who’s hell-bent on collecting the six Infinity Stones that will enable him to bend reality to his will.

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A fairy godmother, a glass slipper, an opulent ball, an enchanted forest, and a Prince Charming who loves her – did all that really happen, or was it just a dream? Long-suffering Cendrillon lives a life of drudgery with her good-natured father and his imperious wife, until fate, romance, and a touch of fairy magic intervene. For the first time ever, Massenet’s sumptuous version of the Cinderella story comes to the Met in this imaginative storybook production directed by Laurent Pelly. Superstar Joyce DiDonato sings the title role, alongside British mezzo-soprano Alice Coote in the trouser role of Prince Charming, Kathleen Kim as the Fairy Godmother, and Stephanie Blythe as the archetypal wicked stepmother.

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Ten years. Eighteen films. One cinematic journey. Everything that has come before in Marvel’s acclaimed superhero franchise has been building to this: a thrilling ensemble piece that weaves together every story thread and unites a universe. The Avengers, scattered and divided after the events of Captain America: Civil War, must rally to confront the intergalactic warlord Thanos (Josh Brolin), who’s hell-bent on collecting the six Infinity Stones that will enable him to bend reality to his will.

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Ten years. Eighteen films. One cinematic journey. Everything that has come before in Marvel’s acclaimed superhero franchise has been building to this: a thrilling ensemble piece that weaves together every story thread and unites a universe. The Avengers, scattered and divided after the events of Captain America: Civil War, must rally to confront the intergalactic warlord Thanos (Josh Brolin), who’s hell-bent on collecting the six Infinity Stones that will enable him to bend reality to his will.

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Bergman’s modernist masterpiece explores the volatile relationship between an actress and her nurse. After a mischievous montage ‘explaining’ the film’s origins, the narrative proper gets underway, charting the increasingly tense battle of wits between the chatty Alma (Andersson) and the mute Elisabet (Ullmann), who are isolated together in a cottage on the island of Fårö. With a rich, resonant mix of related themes –the vampiric nature of art, the complex fragility of personality, the difficulty of communication – the film is arguably Bergman’s most audacious and formally innovative work, multi-levelled yet utterly lucid. Sven Nykvist’s lustrous camerawork, the subtle sound design and matchless lead performances combine to create a mesmerisingly beautiful work of unforgettable, haunting mystery.

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Ten years. Eighteen films. One cinematic journey. Everything that has come before in Marvel’s acclaimed superhero franchise has been building to this: a thrilling ensemble piece that weaves together every story thread and unites a universe. The Avengers, scattered and divided after the events of Captain America: Civil War, must rally to confront the intergalactic warlord Thanos (Josh Brolin), who’s hell-bent on collecting the six Infinity Stones that will enable him to bend reality to his will.

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When scientist Kevin Flynn (Bridges) tries to hack the computer at work to find evidence that his ideas have been stolen, a malevolent software pirate ensnares him in the computer’s electronic maze. Digitally broken down into a data stream, he finds himself caught in the blazingly colourful and geometrically intense landscape of cyberspace. A stunning piece of science fiction and a landmark in the history of computer animation.

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Ten years. Eighteen films. One cinematic journey. Everything that has come before in Marvel’s acclaimed superhero franchise has been building to this: a thrilling ensemble piece that weaves together every story thread and unites a universe. The Avengers, scattered and divided after the events of Captain America: Civil War, must rally to confront the intergalactic warlord Thanos (Josh Brolin), who’s hell-bent on collecting the six Infinity Stones that will enable him to bend reality to his will.

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A fairy godmother, a glass slipper, an opulent ball, an enchanted forest, and a Prince Charming who loves her – did all that really happen, or was it just a dream? Long-suffering Cendrillon lives a life of drudgery with her good-natured father and his imperious wife, until fate, romance, and a touch of fairy magic intervene. For the first time ever, Massenet’s sumptuous version of the Cinderella story comes to the Met in this imaginative storybook production directed by Laurent Pelly. Superstar Joyce DiDonato sings the title role, alongside British mezzo-soprano Alice Coote in the trouser role of Prince Charming, Kathleen Kim as the Fairy Godmother, and Stephanie Blythe as the archetypal wicked stepmother.

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Xolani, a lonely factory worker, joins the men of his community in the mountains of the Eastern Cape to initiate a group of teenage boys into manhood. When a defiant initiate from the city discovers his best-kept secret, Xolani’s entire existence begins to unravel. South Africa’s entry for Best Foreign Language Film at the 2018 Academy Awards tackles tradition, sexuality, masculinity and what it means to be an outsider.

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From time to time four old friends, all extraordinary actresses, meet up in the English countryside to gossip, to remember and to laugh. For once they let the cameras in… NOTHING LIKE A DAME is a unique celebration of the lives and careers of four of our most iconic actresses; Dame Eileen Atkins, Dame Judi Dench, Dame Joan Plowright and Dame Maggie Smith. All four have gone from being fledgling actresses in the 1950s to acting royalty. They’ve watched each other’s careers grow and bloom and have celebrated life’s ups and downs together. NOTHING LIKE A DAME invites you to spend time with these acting legends as they talk about their lives and their professional experiences across Theatre, Television and Film. Directed by Roger Michell (My Cousin Rachel, Notting Hill), the film also includes a range of astonishing archive material. Candid, funny, caustic, irreverent, poignant and utterly engrossing, this unmissable release is proof that there is truly nothing like a Dame... In cinemas across the country on Wednesday 2nd May Exclusive Premiere screenings include special filmed introduction by Dame Joan Plowright and exclusive interview with Roger Michell

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Ten years. Eighteen films. One cinematic journey. Everything that has come before in Marvel’s acclaimed superhero franchise has been building to this: a thrilling ensemble piece that weaves together every story thread and unites a universe. The Avengers, scattered and divided after the events of Captain America: Civil War, must rally to confront the intergalactic warlord Thanos (Josh Brolin), who’s hell-bent on collecting the six Infinity Stones that will enable him to bend reality to his will.

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Ten years. Eighteen films. One cinematic journey. Everything that has come before in Marvel’s acclaimed superhero franchise has been building to this: a thrilling ensemble piece that weaves together every story thread and unites a universe. The Avengers, scattered and divided after the events of Captain America: Civil War, must rally to confront the intergalactic warlord Thanos (Josh Brolin), who’s hell-bent on collecting the six Infinity Stones that will enable him to bend reality to his will.

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Manon’s brother Lescaut is offering her to the highest bidder when she meets Des Grieux and falls in love. They elope to Paris, but when Monsieur G.M. offers Manon a life of luxury as his mistress she can’t resist. With the Lescauts’ encouragement Des Grieux cheats at cards in an attempt to win Monsieur G.M.’s fortune. They are caught. Manon is arrested as a prostitute and deported to New Orleans, followed by Des Grieux. On the run, Manon dies from exhaustion.

Kenneth MacMillan’s source for Manon was the 18th-century French novel already adapted for opera by Massenet and Puccini. The premiere was given on 7 March 1974, with the lead roles danced by Antoinette Sibley and Anthony Dowell. The ballet quickly became a staple of The Royal Ballet’s repertory, and a touchstone of adult, dramatic dance.

MacMillan found new sympathy with the capricious Manon and her struggle to escape poverty. Designs by his regular collaborator Nicholas Georgiadis reflect this, depicting a world of lavish splendour polluted by miserable destitution. MacMillan’s spectacular ensemble scenes for the whole Company create vivid, complex portraits of the distinct societies of Paris and New Orleans. But it is Manon and Des Grieux’s impassioned pas de deux – recalling the intensity of MacMillan’s earlier Romeo and Juliet – that drive this tragic story, and make Manon one of MacMillan’s most powerful dramas.

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Set during World War II, the story focuses on Carmen Jones, a vixen who works in a parachute factory in North Carolina. When she is arrested for fighting with a co-worker who reported her for arriving late for work, foreman Sgt. Brown assigns young soldier Joe to deliver her to the authorities, much to the dismay of Joe's fiancee Cindy Lou, who had agreed to marry him during his leave.

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Now restored in its original bilingual version, Bergman’s rarely seen chronicle of a passionate affair is a major rediscovery. A happily married mother of two, Karin (Andersson) surprises herself by responding in kind to an unforeseen profession of love from David (Gould), an archaeologist visiting Sweden whom her doctor husband Andreas (von Sydow) has befriended. But love, however toxically exhilarating, is seldom simple, and deceit and David’s volatile temperament take their toll… Due to dubbed prints and mixed reviews, The Touch all but disappeared for decades. Now, however, the psychological precision of Bergman’s script and the subtlety and intensity of the performances can be properly appreciated, along with the evocative autumnal colours of Sven Nykvist’s burnished camerawork. Utterly compelling; a revelation.

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In this animated adaptation of Ted Hughes' Cold War fable, a giant alien robot crash-lands near the small town of Rockwell, Maine, in 1957. Exploring the area, a local 9-year-old boy, Hogarth, discovers the robot, and soon forms an unlikely friendship with him. When a paranoid government agent, Kent Mansley, becomes determined to destroy the robot, Hogarth and beatnik Dean McCoppin must do what they can to save the misunderstood machine.

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Léonor Serraille’s debut feature was the deserving winner of the Camera d’Or at Cannes this year. A vibrant, touching and funny portrait of Paula, an unstable and heartbroken young woman, Jeune Femme signals the arrival of an impressive new talent in Serraille. Equally as eye-catching is Laetitia Dosch in the lead role, breathing a vital energy into Paula, whose split from her photographer partner is the narrative catalyst in Seraille’s self-penned tale. Prone to being her own worst enemy, Paula lugs her ex’s pet cat around Paris in a cardboard box, freewheeling but determined to get back on track in life. Attuned to both cinema as an art form and human experience in the modern world, Serraille hits the ground running with a film as urgent and insistent as the post-punk score that accompanies its attention-grabbing sequences.

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When her husband suddenly dumps her, longtime dedicated housewife Deanna (McCarthy) turns regret into re-set by going back to college…landing in the same class and school as her daughter, who’s not entirely sold on the idea. Plunging headlong into the campus experience, the increasingly outspoken Deanna—now Dee Rock—embraces freedom, fun and frat boys on her own terms, finding her true self in a senior year no one ever expected.

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Craig Mitchell is a Superior Court Judge in the ‘Skid Row’ district of Los Angeles where thousands of addicts and homeless live in the rough or in shelters. Day after day he was required by law to lock up criminals and throw away the key. He became determined to find a way to help those who had slipped through the cracks in society. His passion was running so he founded a club. He trained volunteers to run. If they stayed clean he offered them a chance to run a marathon of their choosing, anywhere in the world. Skid Row Marathon is the uplifting true story of five runners whose lives had hit rock bottom. Running gives them a second chance. As they train, they begin to realize that dreams they once thought impossible become possible. The perilous streets of Skid Row are brimming with temptation. Relapse lurks around every corner. Can this unlikely collection keep their lives on track and cross the finish line?

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In the ruined aftermath of a bloody civil war, the Macbeths ruthlessly fight to survive, and forces of elemental darkness propel them towards the crown. Rufus Norris (The Threepenny Opera, London Road) directs Shakespeare’s most intense and terrifying tragedy, starring Rory Kinnear (Young Marx, Othello) and Anne-Marie Duff (Oil,Suffragette) as Macbeth and Lady Macbeth.

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A dying woman (Andersson) is attended to in her rural mansion by her sisters (Ullmann, Thulin) and her maid... That’s the simple premisefor one of Bergman’s most resonant studies of familial bonds, solitude, suffering and the female psyche. The remarkable saturated colour scheme transcends mere recreation of early 20th-century furnishings, décor and costumes; performed to perfection, the film is an examination of the human soul.

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The Encounters Deaf Shorts Showcase Cert TBC, 87mins The shorts in this programme with dialogue or BSL are subtitled. Join us to celebrate Deaf Awareness Week with a bold, varied programme of short films from Deaf and hearing filmmakers which presents a unique representation of the Deaf community in the 21st Century - including the Oscar winning short The Silent Child by Chris Overton. Swimming in the Desert Dir: Alvaro Ron, USA, 2017, 17 mins, Fiction In the drought-stricken town of Agua Dulce in the California High Desert, a ten-year- old deaf girl challenges her grandfather, a cranky retired firefighter, to follow a crazy plan and bring the water back to the dry river. Hitch Dirs: Sophie Hexter & Poppy Walker, Australia, 2016, 10 mins 37 secs, Fiction A young, deaf boy wanders alone through a remote Australian landscape. A mysterious man pulls up in a ute to offer him a ride. Equal parts suspense and coming-of- age, Hitch explores loss and acceptance in a silent world, where nothing is as it appears to be. The Silent Child Dir: Chris Overton, UK, 2017, 19 mins 54 secs, Fiction Set in rural England and inspired by real life events. The Silent Child centres on a profoundly deaf four-year- old girl named Libby, who’s born into a middle class family and lives in a world of silence until a caring social worker teaches her the gift of communication. Silent Laughs Dir: Natalia Kouneli, UK, 2017, 10 mins 58 secs, Documentary A Deaf stand-up comedienne performs in sign language, fulfilling her dream to make people laugh as well as bringing Deaf culture to mainstream audiences. Signs of an Affair Dir: Louis Neethling, UK, 2017, 28 mins, Fiction Flora has been married to Fred for many years, but all of a sudden he doesn’t want sugar in his tea – something’s not right! Flora is suspicious and determined to find out the truth, but ends up in some unexpected places. Starring Jean St Clair and Ilan Dwek; produced for BSLBT by Mutt and Jeff Pictures. This programme was curated by the Encounters Short Film festival in partnership with Deaf filmmaker and artist David Ellington.

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In Ridley Scott’s brooding, doom-laden thriller set in a spectacularly imagined future Los Angeles, a hired killer named Deckard (Ford) tracks down a group of renegade androids who have escaped from slavery on a colonised planet. Loosely based on Philip K. Dick’s paranoid masterpiece Do Androids Dream of Electric Sheep?, and undoubtedly one of the most influential sci-fi movies of all time, BLADE RUNNER was famously butchered in previous studio versions, including a so-called director’s cut that was nothing of the sort. This ‘final cut’ is the only version over which Scott had full artistic control, and with its intense atmosphere, breath-taking visuals and lavishly eerie soundtrack by Vangelis, it’s an unforgettable big-screen experience.

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After the fall of Saddam Hussein in 2003 Fakhir, a father of eight and Major in the Iraq armed forces, goes on a mission to disarm the thousands of mines laid across Mosul. Shown via home movie footage shot by his fellow troops and discovered by his son years later, the videos show how Fakhir manages to disarm thousands of mines with just a simple knife and a pair of wire clippers. Despite many near-misses Fakhir knows he cannot stop while there are still mines in the city because the innocent people will pay the ultimate price.

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This breathtakingly beautiful Tony® Award-winning Broadway musical, inspired by the Oscar® winning MGM film, tells the impassioned story of discovering love in the ‘City of Light’. Featuring the gorgeous music and lyrics of George and Ira Gershwin (including the classic hits ‘S Wonderful and I Got Rhythm), stunning designs, and show-stopping choreography. With a record-setting 28 five-star reviews from critics, An American in Paris is coming from London’s West End to a cinema near you. Jerry Mulligan is an American GI striving to make it as a painter in a city suddenly bursting with hope and possibility. Following a chance encounter with a beautiful young dancer named Lise, the streets of Paris become the backdrop to a sensuous, modern romance of art, friendship and love in the aftermath of war... Experience this “truly ravishing” (The Guardian) production in the comfort of your local cinema.

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Live at the Royal Albert Hall, Dan Snow is joined on stage by the Glenn Miller Orchestra plus special guests including family members of both Dam Busters crew and the film’s director Michael Anderson, historian Paul Beaver and Professor Hugh Hunt as they explore the history of the iconic raid and how it led to the making of a classic British film. The audience will include former members of the iconic 617 Squadron as well as current members of the Royal Air Force. Also witness an on stage ‘bouncing bomb’ experiment as we reflect on the science behind Barnes Wallis’ invention. This section will end with a stirring rendition of The Dam Busters March by the Glenn Miller Orchestra. Followed by THE DAM BUSTERS. Based on the legendary true story of Commander Guy Gibson and his squadron, THE DAM BUSTERS (1955) captures all the thrilling action and suspense of the magnificent exploits of a group of young pilots and their crews, charged with taking out the supposedly impenetrable Ruhr river dams of Germany with an ingeniously designed bouncing bomb.

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A sparkling new restoration of Ingmar Bergman’s Oscar-nominated screen adaptation of Mozart’s much-loved opera, in which the Queen of the Night tasks our hero Tamino with rescuing her beautiful daughter from a wicked sorcerer. THE MAGIC FLUTE synthesises Bergman’s expertise as one of the finest European film directors of his generation and as an experienced and highly acclaimed stage director. Framing his film as a theatre show, and eschewing movie stars in favour of new and established stage opera performers, he interfuses top-notch vocal performances with a stunning visual experience. Long absent from British cinema screens, this glorious reissue promise an unmissable treat.

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The third feature length film to come out of Kilkenny-based animation studio Cartoon Saloon, after The Secret of Kells (2009) and Song of the Sea (2015), Nora Twomey’s The Breadwinner revolves around the daily struggles facing 11-year-old Parvana in Taliban-controlled Kabul, Afghanistan. Executive produced by Angelina Jolie and based on Deborah Ellis’ best-selling novel of the same name published in 2000, The Breadwinner is an inspiring and ultimately uplifting tale of familial love and loyalty in the face of oppression After her father is unjustly arrested by the Taliban, Parvana’s family are left without a man of the house, and the young girl is forced to dress and pass herself off as a boy. This allows Parvana to move around the city and work to provide the money the family need to survive. In a culture where females are forbidden from travelling anywhere alone, this places Parvana in constant danger, but desperate times call for desperate solutions.

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Join us on Sunday 27 May for McKellen: Playing the Part, hosted by Graham Norton and broadcast live to cinemas nationwide from London’s BFI Southbank. In Playing the Part, audiences will have the opportunity to celebrate one of Britain’s true acting icons on his birthday weekend. Built around a 14 hour interview, Playing the Part uncovers McKellen's story. From his upbringing living through the war, working through repertory and West End theatre becoming a pioneering stage star, coming out and being a leader in the campaign for equality, to his mainstream film breakouts as Magneto and Gandalf. His work and influence transcends generations, celebrated here in this fully authorised insight. McKellen: Playing the Part features unprecedented access to private photo albums, a wealth of never-before-seen archive material, including diaries written when he was 12, and unseen behind the scenes of theatre shows and films, alongside his personal thoughts on a life long lived.

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Exhibition On Screen: I, Claude Monet

“My head is bursting – I want to paint it all.” Award-winning director Phil Grabsky presents a fresh new look at arguably the world’s favourite artist, Claude Monet, using the painter’s own words.

Based on letters and other private writings, I, Claude Monet provides new insight into the man who not only painted the picture that gave birth to Impressionism, but who was perhaps the most influential and successful painter of the 19th and early 20th centuries.

In spite of this, and perhaps because of it, Monet’s life is a gripping tale of a man who, behind his sun-dazzled canvases, suffered from bouts of depression, loneliness and even suicidal thoughts. Then, as his art developed and his love of nature led to the glories of his garden at Giverny, his letters reveal his humour, insight and love of life.

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Exhibition On Screen: I, Claude Monet

“My head is bursting – I want to paint it all.” Award-winning director Phil Grabsky presents a fresh new look at arguably the world’s favourite artist, Claude Monet, using the painter’s own words.

Based on letters and other private writings, I, Claude Monet provides new insight into the man who not only painted the picture that gave birth to Impressionism, but who was perhaps the most influential and successful painter of the 19th and early 20th centuries.

In spite of this, and perhaps because of it, Monet’s life is a gripping tale of a man who, behind his sun-dazzled canvases, suffered from bouts of depression, loneliness and even suicidal thoughts. Then, as his art developed and his love of nature led to the glories of his garden at Giverny, his letters reveal his humour, insight and love of life.

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A new production of the Rolls-Royce of English comedies, Oscar Wilde’s AN IDEAL HUSBAND, will be broadcast live to cinemas from the Vaudeville Theatre in London’s West End. This entertaining and still topical play brings an act of political sin into the heart of the English home. As an ambitious government minister, Sir Robert Chiltern’s smooth ascent to the top seems assured until Mrs Cheveley appears in London with damning proof of his previous financial chicanery. This is the third play from the Oscar Wilde Season, a year-long celebration of the brilliant Victorian playwright being staged by the Classic Spring Theatre Company.

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This breathtakingly beautiful Tony® Award-winning Broadway musical, inspired by the Oscar® winning MGM film, tells the impassioned story of discovering love in the ‘City of Light’. Featuring the gorgeous music and lyrics of George and Ira Gershwin (including the classic hits ‘S Wonderful and I Got Rhythm), stunning designs, and show-stopping choreography. With a record-setting 28 five-star reviews from critics, An American in Paris is coming from London’s West End to a cinema near you. Jerry Mulligan is an American GI striving to make it as a painter in a city suddenly bursting with hope and possibility. Following a chance encounter with a beautiful young dancer named Lise, the streets of Paris become the backdrop to a sensuous, modern romance of art, friendship and love in the aftermath of war... Experience this “truly ravishing” (The Guardian) production in the comfort of your local cinema.

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Terry (Dan Dailey) and Molly (Ethel Merman) are vaudeville performers who eventually add their three children to the act to become "The Five Donahues." However, their children start to go their own way in time, with Steve (Johnnie Ray) deciding to become a priest. The other grown children, Katy (Mitzi Gaynor) and Tim (Donald O'Connor), join a show starring Victoria Parker (Marilyn Monroe). The Donahue parents become a performing pair again, but the family still faces personal upheaval.

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Swanhilda notices her fiancee Franz is infatuated with the beautiful Coppélia who sits reading on her balcony each day. Nearly breaking up the two sweethearts, Coppelia is not what she seems and Swanhilda decides to teach Franz a lesson…

The Bolshoi’s unique version of Coppélia exhibits a fascinating reconstruction of the original 19th century choreography of this ebullient comedy involving a feisty heroine, a boyish fiancee with a wandering eye, and an old dollmaker. The company’s stunning corps de ballet shines in the divertissements and famous “dance of the hours,” and its principals abound in youthful energy and irresistible humor in this effervescent production.

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'Swan Lake' has had a special role in the repertory of The Royal Ballet since 1934. This Season The Royal Ballet creates a new production with additional choreography by Artist in Residence Liam Scarlett. While remaining faithful to the Petipa-Ivanov text, Scarlett will bring fresh eyes to the staging of this classic ballet, in collaboration with his long-term designer John Macfarlane.

Prince Siegfried chances upon a fl ock of swans while out hunting. When one of the swans turns into a beautiful woman, Odette, he is enraptured. But she is under a spell that holds her captive, allowing her to regain her human form only at night.

'Swan Lake' was Tchaikovsky’s first ballet score. Given its status today as arguably the best loved and most admired of all classical ballets, it is perhaps surprising that at its premiere in 1877 Swan Lake was poorly received. It is thanks to the 1895 production by Marius Petipa and Lev Ivanov that Swan Lake has become part of not only ballet consciousness but also wider popular culture. That success is secured not only by the sublime, symphonic sweep of Tchaikovsky’s score, but also by the striking choreographic contrasts between Petipa’s royal palace scenes and the lyric lakeside scenes created by Ivanov.

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On 14 November 1987, a promising conductor called Simon Rattle made his Berliner Philharmoniker debut with Gustav Mahler’s Sixth Symphony. Looking back, Rattle says, “I felt that I was finding my voice on that day.” Mahler’s multifaceted work is again on the programme when Sir Simon appears for the last time as chief conductor of the Berliner Philharmoniker. Sir Simon Rattle’s Farewell Concert will be broadcast live to cinemas on 20 June 2018, with exclusive interviews and programme insights featured as part of this historic event.

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Madama Butterfly is a classic love story that never fails to move, a tragic romance that sweeps you along in the intensity of its action. When an innocent young Geisha meets an American naval officer she falls instantly and deeply in love. Giving up her family and her faith, she risks all in marriage to the dashing Lieutenant Pinkerton. But her fragile happiness cannot last. Soon love turns to abandonment and betrayal, and Butterfly is forced to make one final, agonising sacrifice. Bursting with exotic colour and memorable melodies, Puccini’s seductive score conceals a dramatic blade that cuts to the heart. Blending authentic Japanese music with luscious European harmonies and orchestration, the opera is an irresistible fusion of East and West. Praised by critics as a ‘thoughtful, provocative staging’ and a ‘scathing study of exploitation’, Annilese Miskimmon’s production updates the action to the 1950s. This post-war setting brings to the fore the darker elements of Puccini’s story. Little wonder that this opera has inspired numerous contemporary adaptations and reimaginings, including the hit musical Miss Saigon.

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Inspired by a true story, Everybody’s Talking About Jamie is the new award-winning five-star hit musical for today. Jamie New is sixteen and lives on a council estate in Sheffield. Jamie doesn’t quite fit in. Jamie is terrified about the future. He is going to be a sensation. Supported by his brilliant loving mum and surrounded by his friends, Jamie overcomes prejudice, beats the bullies and steps out of the darkness, into the spotlight. John McCrea, Josie Walker, Tamsin Carroll, Lucie Shorthouse and Phil Nichol lead a twenty-four strong company and an eight-piece band that will ‘sweep you away on a tide of mischief, warmth and exuberance’ (Financial Times). With ‘songs that have the wow factor’ (The Times) by lead singer-songwriter of The Feeling, Dan Gillespie Sells, and ‘hilarious’ book and lyrics ‘with delightful punch’ (Whatsonstage), by writer Tom MacRae, this funny, fabulous, feel-good, musical sensation has been thrilling audiences and critics alike. Winner of 3 WhatsOnStage Awards including Best New Musical and nominated for 5 Olivier Awards, Everybody’s Talking About Jamie will be broadcast live from the Apollo Theatre in London’s Shaftesbury Avenue to cinemas nationwide.

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An icon of psychedelic pop culture, Yellow Submarine is a colourful musical spectacle and an exhilaratingly joyful cinematic experience for all ages – filled with visual invention, optical illusions, word play, and glorious, glorious music. On Sunday 8 July this groundbreaking animation returns to the big screen! Once upon a time….or maybe twice….there was an unearthly paradise called Pepperland, 80,000 leagues under the sea it lay, a place where beauty, happiness, and music reign supreme. But this peaceful harmony is shattered when the Blue Meanies invade with their army of storm bloopers, apple bonkers, snapping turtle turks, and the menacing flying glove in an attempt to stop the music and drain Pepperland of all colour and hope. So it’s The Beatles to the rescue, as our animated heroes team up with Young Fred and the Nowhere Man and journey across seven seas to free Sgt Pepper’s Lonely Hearts Club Band, make peace with the Meanies, and restore music, colour, and love to the world. But beyond all the glorious music, Yellow Submarine is a landmark in animation, with Heinz Edelmann’s inspired art direction conjuring up a non-stop parade of wildly different styles and techniques. From the paper-doll residents of Pepperland, to the tinted photography of the soot covered roofs and smokestacks Liverpool, the menagerie of fanciful characters in the Sea of Monsters, the kaleidoscopic colour-splashed rotoscoping of Lucy in the Sky with Diamonds, the vertigo inducing op-art of the Sea of Holes, and the triumphant euphony of the It’s All Too Much finale, the film is simply a joy. Everyone attending screenings on Sunday 8th July will also receive an exclusive 50th anniversary commemorative pack, including four stunning limited edition collector's cards and a Peppertastic sticker set!

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What if your first true love was someone you’d been told you must hate?

Set in a world very like our own, this Romeo & Juliet is about a generation of young people born into violence and ripped apart by the bitter divisions of their parents.

The most famous story of love at first sight explodes with intense passion and an irresistible desire for change, but leads all too quickly to heartbreaking consequences.

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David has vanquished the giant Goliath, but not everyone rejoices in his victory. Jealous of the young warrior, King Saul turns against him, descending into violent, destructive madness that forces his children to choose between loyalty and love, tearing both a family and a nation apart. Handel’s vision of a Lear-like king is astonishing in its psychological complexity, offering a musical portrait of mental collapse few have since matched. Combined with thrilling choruses that exploit the virtuosic potential of their singers, exquisite arias and bold orchestration filled with unusual instruments, it creates a Biblical drama of truly Shakespearean scope. Barrie Kosky’s blazingly original and visually spectacular staging of Handel’s oratorio pairs baroque music with contemporary choreography and lavish designs to create an enthralling theatrical fusion of old and new.

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A rare opportunity to see Barber’s Pulitzer Prize-winning work – opera from the age of Hitchcock, with an atmospheric score and tense, psychological twists. Abandoned by her lover Anatol, Vanessa retreats from the world, waiting and hoping with only her mother and her niece Erika for company. But when, 20 years later, Anatol’s handsome young son arrives unexpectedly, he shatters the calm of this shuttered household of women. Past and present love collides, and the aftershocks threaten to destroy them all. An operatic thriller from the age of Hitchcock, Samuel Barber’s Pulitzer Prize-winning first opera boasts one of the 20th century’s most beautiful scores. Poised constantly on the edge of song, Vanessa unfolds in generous swathes of melody, rich in filmic strings and soaring brass, with echoes of Puccini, Berg and Strauss. It climaxes in a final quintet of Mozartean poignancy – one of the great ensembles of the contemporary repertoire. Seldom performed in the UK, this is a rare opportunity to see Barber’s heart-breaking domestic drama. Olivier Award-winning director Keith Warner makes his much-anticipated Glyndebourne debut with this production, which promises to bring out the psychological tensions that sit just below the surface of this charged work.

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Down on his luck in the suburbs, John Falstaff plans to hustle his way to a comfortable retirement by seducing the wives of two wealthy men.

Unknown to him, it’s the women of Windsor who really pull the strings, orchestrating Falstaff’s comeuppance amidst a theatrical smorgasbord of petty rivalries, jealousies and over-inflated egos.

For a fat Englishman, a Welshman and a Frenchman, the only way is Windsor…

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A new production of one of the funniest plays in English, Oscar Wilde’s THE IMPORTANCE OF BEING EARNEST, will be broadcast live to cinemas from the Vaudeville Theatre in London’s West End. Wilde’s much-loved masterpiece throws love, logic and language into the air to make one of theatre’s most dazzling firework displays. Jack, Algy, Gwendolyn and Cecily discover how unsmooth runs the course of true love, while Lady Bracknell keeps a baleful eye on the mayhem of manners. This is the fourth and final play from the Oscar Wilde Season, a year-long celebration of the brilliant Victorian playwright being staged by the Classic Spring Theatre Company.

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Dangerous desires, family secrets and political intrigues twist through every moment of daring choreography in Kenneth Macmillan's ballet inspired by true events. Mayerling is a classic of the Royal Ballet repertory, with its emotional depth, haunting imagery, and one of the most demanding roles ever created for a male dancer. Kenneth MacMillan choreographed a complex work around the psychologically tormented heir to the Habsburg Empire, Crown Prince Rudolf. From the ballet’s start, the glamour of the Austro-Hungarian court is contrasted with undercurrents of sexual and political intrigue that drive the story to its violent climax in a double suicide. The large cast allows for impressive ensembles in addition to the ballet's many solos of distinctive character and pas de deux of disturbing eroticism. This ballet, bursting with intensity, madness and passion, proves that sometimes the truth is more scandalous than fiction.

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Antonio Pappano conducts an international cast in the second opera of Richard Wagner's epicder Ring Des Nibelungen. Wagner’s Ring cycle is one of the greatest works of all opera. Keith Warner’s production is conducted by Antonio Pappano, Music Director of The Royal Opera, and this final revival is cast with an outstanding international array of Wagnerian specialist singers. The full cycle's four operas journey from the beginning of a world to its destruction, with gods, heroes and monsters. This epic myth portrays every type of human emotion in music and ideas of extraordinary power. The Ring is always a special event in the operatic calendar: once experienced, never forgotten. Die Walküre (The Valkyrie) is the second opera in the cycle, and features several of the Ring’s musical highlights – the sparkling Magic Fire Music and the electrifying Ride of the Valkyries. But among the musical fireworks and Norse mythology, at the centre of this opera are the unforgettable characters and the complex entanglements between them, including twins Siegmund and Sieglinde, and Wotan and his Valkyrie daughter, Brünnhilde. Approximate running time: 4 hours 50 minutes, including two intervals. Sung in German with English subtitles.

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Music: Herman Severin Løvenskiold Choreography: Johan Kobborg after August Bournonville Libretto: Adolphe Nourrit and Filippo Taglioni Cast: The Bolshoi Principals, Soloists and Corps de Ballet On the day of his wedding, the young Scotsman James is awoken with a kiss from an ethereal winged creature, a Sylph. Entranced by her beauty, James risks everything to pursue an unattainable love… La Sylphide is one of the world’s oldest surviving ballets, and a treasure in the Danish Bournonville style. Restaged for the Bolshoi by Bournonville expert Johan Kobborg, this production is the ultimate romantic masterpiece.

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Natalia Makarova's production of this 19th century classic ballet brings an exotic world of temple dancers and noble warriors to life. Marius Petipa’s fantasy, set in legendary India, tells the tale of a temple dancer and the prince who loves her but marries another. The famous, moonlit ‘white act’ – The Kingdom of the Shades – is a corps de ballet highlight, as multiple images of the prince’s lost love haunt his mind. The choreography allows two opposing ballerinas to shine, while a bronze idol comes vividly to life in a stunning solo. Throughout, the melody and moods of Minkus’s music perfectly match the fluidity and precision of the classical choreography and the drama of the storytelling.

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"Lechery, lechery, still wars and lechery: nothing else holds fashion" Troilus and Cressida swear they will always be true to one another. But in the seventh year of the siege of Troy their innocence is tested, and exposed to the savage corrupting influence of war, with tragic consequences. Virtuoso percussionist Evelyn Glennie collaborates with RSC Artistic Director Gregory Doran to create a satirical futuristic vision of a world resounding with the rhythm of battle, broadcast live to cinemas from Shakespeare's home town. The Greek army is encamped under the walls of Troy and, at the point at which the play begins, the war has reached stalemate. The Greeks are quarrelling amongst themselves. Achilles, their greatest champion, refuses to fight and has withdrawn to his tent with his lover, Patroclus. Equally at odds with themselves, the Trojans are debating the value of continuing the war merely for the sake of keeping Helen. Troilus is much distracted from these military concerns by his love for Cressida, the daughter of a Trojan who has defected to the Greek camp. The young lovers are eagerly assisted by Cressida's uncle Pandarus, who acts as their go-between. However, after only one night together they are parted when Cressida is sent to join her father in the Greek camp. Almost immediately she betrays Troilus with the Greek Diomedes and, discovering this, Troilus is plunged into despair. With the fall of Troy certain, Troilus vows revenge on Achilles.

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Music: Léon Minkus Choreography: Alexei Fadeyechev Libretto: Marius Petipa after Miguel de Cervantes Cast: Ekaterina Krysanova (Kitri), Semyon Chudin (Basilio), Alexei Loparevich (Don Quixote), Olga Smirnova (The Queen of Dryads), Anna Tikhomirova (A street dancer), Kristina Karasyova (Mercedes) Inspired by heroic stories of brave knights, Don Quixote of La Mancha and his faithful servant Sancho Panza set out on an adventure to meet his ideal woman, Dulcinea. Cervantes’ hero comes to life in the Bolshoi's critically acclaimed staging of this exalting performance. With panache and sparkling technique, principal dancers Ekaterina Krysanova and Semyon Chudin lead the spectacular cast of toreadors, flamenco dancers, gypsies, and dryads in virtuosic dancing that is quintessential Bolshoi.

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A Christmas treat for the whole family and a classic with a special place in the hearts of ballet fans around the world. The Nutcracker has long been one of the most delightful ways to discover the enchantment of ballet – and makes for a delicious seasonal treat for all the family.Tchaikovsky’s much-loved music is matched to a magical adventure on Christmas Eve for Clara and her Nutcracker doll. Their journey to the Land of Sweets brings with it some of the most familiar of all ballet moments, such as the Dance of the Sugar Plum Fairy and the Waltz of the Flowers. Peter Wright’s production for The Royal Ballet keeps true to the spirit of this Russian ballet classic, with period details and dancing snowflakes. The many solo roles and ensembles put the world-class skills of the Company to the fore in this Christmas classic. Approximate running time: 2 hours 30 minutes, including one interval.

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Music: Pyotr Ilyich Tchaikovsky Choreography: Yuri Grigorovich Libretto: Yuri Grigorovich Cast: The Bolshoi Principals, Soloists and Corps de Ballet On Christmas Eve, Marie’s Nutcracker doll magically transforms into a prince and their wonderful adventure begins. The holiday classic returns to the majestic Bolshoi stage for a live broadcast of a timeless story, The Nutcracker, taking audiences of all ages on a magical journey through a world of enchantment complete with dancing snowflakes and dolls that have come to life, accompanied by Tchaikovsky’s beloved score.

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Music: Léon Minkus Choreography: Yuri Grigorovich Libretto after Marius Petipa and Sergei Khudekov Cast: The Bolshoi Principals, Soloists and Corps de Ballet The temple dancer Nikiya and the warrior Solor fall deeply in love, giving way to heated passions, and murderous intrigues when the Rajah and his daughter Gamzatti discover their forbidden love. La Bayadere is one of the greatest works classical ballet history – a story of love, death and vengeful judgement set in India. Dazzling sets, costumes, and one of the most iconic scenes in ballet, the “Kingdom of the Shades,” illuminate the tragic tale of the temple dancer Nikiya’s doomed love for the warrior Solor, and their ulimate redemption. A must-see!

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Tchaikovsky's most ambitious opera contains some of his greatest music and is a powerful study of destructive obsession. In Tchaikovsky’s intense opera of obsession and the supernatural, Gherman is caught between the woman he loves and a destructive fixation. The Queen of Spadesis based on a short story by Pushkin, and comes to the Royal Opera House in a new production that has already garnered five-star reviews in Amsterdam. The production is set in 1890, the year of the opera’s premiere. In his study, Tchaikovsky imagines the opera into life as his own story, its characters giving voice to his unfulfilled desires. Aleksandrs Antonenko and Eva-Maria Westbroek head the cast and Royal Opera Chorus, conducted by Antonio Pappano, Music Director of The Royal Opera. This is an engrossing portrayal of a tortured creative artist and a gripping piece of gothic storytelling.

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Richard Eyre's beautiful production provides the perfect setting for Verdi's opera about a courtesan who sacrifices all for love. From the thrill of unexpected romance to a heartbreaking reconciliation that comes too late – Verdi’s La traviata is one of the most popular of all operas. Alfredo falls in love in with the courtesan Violetta in glamorous Paris society, but underneath the surface run darker undercurrents, leading to a tragic ending. The opera’s wealth of melodies includes the famous Brindisi and the exuberant ‘Sempre libera’ – both showing the lyricism of Italian opera at its most immediately appealing. Richard Eyre’s production for The Royal Opera brings out all the emotional colour, from the giddy discovery of love, through painful confrontation to the inevitable conclusion. Lavish period sets and costumes enhance the reality of a moving story based on true life.

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Love and friendship triumph in Carlos Acosta's vibrant production of this dazzling ballet. Cervantes’s story of the bumbling knight Don Quixote has inspired countless artistic interpretations. Marius Petipa choreographed this sparkling ballet about the encounters of the man from La Mancha and his faithful squire Sancho Panza. At its heart are virtuoso roles for the lovers Basilio and Kitri. Carlos Acosta chose this joyful classic for his first production for The Royal Ballet. His vibrant staging brings together the whole Company in such roles as exuberant villagers, passionate gypsies and even fantasy flowers. The story follows Don Quixote’s picaresque journey to do deeds in honour of his imaginary noble lady, Dulcinea. Sunny, charming, funny and touching – Don Quixote is a ballet as full of uplifting emotion as it is of astonishing ballet technique. Approximate running time: 2 hours 45 minutes, inclding one interval.

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Music: Pyotr Ilyich Tchaikovsky Choreography: Yuri Grigorovich Libretto after Ivan Vsevolojski and Marius Petipa Cast: Olga Smirnova (Princess Aurora), Semyon Chudin (Prince Désiré), Alexei Loparevich (The Evil Fairy Carabosse), Yulia Stepanova (The Lilac Fairy), Vitaly Biktimirov (Catalabutte), Artemy Belyakov (Bluebird), Anastasia Denisova (Princess Florine) The Princess Aurora falls under the curse of the Evil Fairy Carabosse on her sixtenth birthday, falling into a deep slumber of one hundred years. Only the kiss of a prince could break the spell. A resplendent fairytale ballet perfomed by the Bolshoi, The Sleeping Beauty features scores of magical characters including fairies, the Little Red Riding Hood, Puss in Boots, and a beautiful young Princess Aurora performed by Olga Smirnova, a “truly extraordinary talent” (The Telegraph). This is classical ballet at its finest. Captured live on Jan. 22, 2017

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Christof Loy directs a star-studded cast of singers, inclusing Anna Netrebko, Jonas Kaufmann and Ludovic Tezier, in Verdi's epic opera, conducted by Antonio Pappano. Leonora falls in love with Don Alvaro, but when her father forbids their marriage, a fatal accident triggers a drama of obsession, vengeance and tragedy. Jonas Kaufmannand Anna Netrebko star in Verdi’s epic La forza del destino (The Force of Destiny) an opera which demands the very best of singers for its powerful music and the fullest theatrical treatment for its story of bitter revenge pursued across miles and years. The production comes to The Royal Opera in a sensational staging from Amsterdam packed with colour and action. It is directed by Christof Loy and conducted by Antonio Pappano, Music Director of The Royal Opera.

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Music: Dmitri Shostakovich Choreography: Yuri Grigorovich Libretto Yuri Grigorovich and Isaak Glikman Cast: Nina Kaptsova (Rita), Ruslan Skvortsov (Boris), Mikhail Lobukhin (Yashka) and Ekaterina Krysanova (Lyuska) In the 1920’s, The Golden Age cabaret is a favorite nightly haunt. The young fisherman Boris falls in love with Rita. He follows her to the cabaret and realizes that she is the beautiful dancer “Mademoiselle Margot,”, but also the love interest of the local gangster Yashka… With its jazzy score by Shostakovich and its music-hall atmosphere featuring beautiful tangos, The Golden Age is a refreshing and colorful dive into the roaring 20’s. A historic ballet that can be seen only at the Bolshoi!

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Experience the decadence and elegance of 1870s Paris in David McVicar's spectacular production of Gounod's best-loved opera. There are many versions of the story of Faust, who trades his soul with the Devil for youth and power, but Gounod’s opera remains one of the most constantly enthralling. Michael Fabiano stars as Faust, with Diana Damrau as his beloved Marguerite and Erwin Schrott as the diabolical Méphistophélès. Virtuoso leading roles, a large chorus, sensational sets, ballet and an ecstatic finale make this the epitome of theatrical spectacle – the lavish scale of French grand opera is wonderfully in evidence in this production by David McVicar, set in 1870s Paris. Above all, the music includes several of popular opera’s most recognizable numbers, performed by a cast of great international singers and the Royal Opera Chorus. Approximate running time: 3 hours 45 minutes, including one interval. Sung in French with English subtitles.

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Two recent works and one world premiere showcase the contemporary face of the Royal Ballet. The contemporary face of The Royal Ballet is shown in works from three of today’s leading choreographers. Christopher Wheeldon’s Within the Golden Hour is based around seven couples separating and intermingling, to music by Vivaldi and Bosso and lit with rich colours suggested by sunset. Crystal Pite’s Flight Pattern, revived for the first time, uses a large dance ensemble and Górecki’s familiar music from his Symphony of Sorrowful Songsfor a poignant and passionate reflection on migration. Between them, a new work by Sidi Larbi Cherkaoui, created on The Royal Ballet has its premiere to bring the contemporary truly up-to-date.

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Carmen Suite Music: Georges Bizet and Rodion Shchedrin Choreography: Alberto Alonso Libretto Alberto Alonso after Carmen de Prosper Mérimée Petrushka Music: Igor Stravinsky Choreography: Edward Clug Cast: The Bolshoi Principals, Soloists and Corps de Ballet Carmen is as passionate and free-spirited as ever as she finds herself caught in a love triangle. The passionate one act ballet by Cuban choreographer Alberto Alonso originally conceived for legendary Bolshoi prima ballerina Maya Plisetskaya will captivate audiences alongside Petrushka, a new creation for the Bolshoi by contemporary choreographer Edward Clug, in an evening encapsulating the soul of Russian Ballet

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Shakespeare's star-crossed lovers encounter passion and tragedy in Kenneth MacMillan's 20th century ballet masterpiece. Shakespeare’s enduring love story is known the world over. Since its 1965 premiere with The Royal Ballet, Kenneth MacMillan’s Romeo and Juliet has become a modern ballet classic. The choreography captures the emotions of the young couple as they fall in love, despite the barriers that finally bring about the story’s tragic end. Each revival gives opportunities for new dancers to interpret the doomed lovers. The whole Company brings the colour and action of Renaissance Verona, where a busy market all too quickly bursts into sword fighting, and a family feud leads to tragedy for both the Montagues and Capulets.

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