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A decade after Mamma Mia! The Movie, we’re heading back to the Greek island of Kalokairi for another joyful and infectious musical based on the songs of ABBA. Ten years on from the events of the first movie, Sophie (Seyfried) is pregnant and wants to learn more about her mother’s past. The film begins to flit between past and present as Sophie learns the trials Donna (Streep) went through before she was born, and how those experiences could solve her own worries. Lily James (Baby Driver, Darkest Hour) joins the fun under the sun to play Donna’s younger self, while Jeremy Irvine, Hugh Skinner and Josh Dylan feature as young Sam, Harry and Bill respectively.

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Opening to rave reviews at the Venice Film Festival last year, Schrader's latest film is a richly complex, beautifully acted and stunningly shot existential thriller which follows a priest who undergoes a crisis of faith after he fails to prevent a tragedy in his parish. Featuring a career-best performance from Ethan Hawke, Schrader's latest film is a moving, thoughtful and engaging cinematic experience on a par with his best work as a writer and director.

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Everyone’s favourite brood of everyday superheroes is back, fourteen years after The Incredibles first booked a special place in our hearts with a delightful mix of all-action adventure and relatable family dynamics. This time the star of the show is ‘Elastigirl’ Helen (Hunter), who leaves invincible strongman Bob (Nelson) at home with Violet (Sarah Vowell) and Dash (Huck Milner) to navigate the day-to-day heroics of ‘normal’ life. It’s a tough transition for everyone, made tougher by the fact that no one’s quite cottoned on to baby Jack-Jack’s emerging superpowers. When a new villain hatches a brilliant and dangerous plot, the family and Frozone (Jackson) must find a way to work together again – which is easier said than done, even when they’re all Incredible. Book your tickets for Incredibles 2 before Monday 16 July and enter our competition to win an incredible gadget filled prize bundle worth over £1,000. Enter now 3D shows

Relive some of the greatest animated films from Pixar thanks to Vintage Sundays. From Sunday 19 August with Toy Story. Find out more

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Based on the loved children's book of the same name written by Julia Donaldson and illustrated by Axel Scheffler, comes the film adaptation animation The Highway Rat. Previous adaptations of their books include The Gruffalo, The Gruffalo's Child, Room on The Broom, and Stickman. The Highway Rat tells the tale of a ravenous rat who craves buns, biscuits and all sweet things. Tearing along the highway, he searches for sugary treats to steal, until his sweet tooth leads him to a sticky end.

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This sub-aquatic oddball and the Bikini Bottomites make a joyous return to the big screen. Bob and his best pal Patrick (Fagerbakke) battle to defend the honour of the Krabby Patty from their goggle-eyed nemesis, Plankton (Mr Lawrence), who’s bent on stealing its recipe. Amidst the mayhem they inevitably encounter, things move into live-action – with an over-the-top Antonio Banderas as a devilish pirate, and Bubbles, a pan-dimensional dolphin who is protecting the world from mid-space collisions. Makes no sense? Well of course not, but the humour is as infectious as it’s mad, and the animation is truly a treat.

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A decade after Mamma Mia! The Movie, we’re heading back to the Greek island of Kalokairi for another joyful and infectious musical based on the songs of ABBA. Ten years on from the events of the first movie, Sophie (Seyfried) is pregnant and wants to learn more about her mother’s past. The film begins to flit between past and present as Sophie learns the trials Donna (Streep) went through before she was born, and how those experiences could solve her own worries. Lily James (Baby Driver, Darkest Hour) joins the fun under the sun to play Donna’s younger self, while Jeremy Irvine, Hugh Skinner and Josh Dylan feature as young Sam, Harry and Bill respectively.

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Round up your mates and revel in ABBA fever at our party screening of the sun-drenched sequel to Mamma Mia!. Dressing up, dancing and singing along are encouraged! To help you into the party mood, your ticket comes with 1 x small bottle of Botega Gold Prosecco 1 x special Mamma Mia! Cupcake 1 x your choice of a bag of Joe & Seph’s popcorn, Mars grab bag or Picturehouse snack. You’ll dance, you’ll jive, you’ll have the time of your life – all over again! Meryl Streep, Amanda Seyfried and the rest of the gang are back with another irresistible mix of hit ABBA songs and relationship shenanigans under the sun. A decade after the events of the first film, a pregnant Sophie (Seyfried) attempts to learn more about her mother’s past. Lily James joins the A-list cast to play a free-spirited younger version of Meryl Streep’s Donna.

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Opening to rave reviews at the Venice Film Festival last year, Schrader's latest film is a richly complex, beautifully acted and stunningly shot existential thriller which follows a priest who undergoes a crisis of faith after he fails to prevent a tragedy in his parish. Featuring a career-best performance from Ethan Hawke, Schrader's latest film is a moving, thoughtful and engaging cinematic experience on a par with his best work as a writer and director.

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Everyone’s favourite brood of everyday superheroes is back, fourteen years after The Incredibles first booked a special place in our hearts with a delightful mix of all-action adventure and relatable family dynamics. This time the star of the show is ‘Elastigirl’ Helen (Hunter), who leaves invincible strongman Bob (Nelson) at home with Violet (Sarah Vowell) and Dash (Huck Milner) to navigate the day-to-day heroics of ‘normal’ life. It’s a tough transition for everyone, made tougher by the fact that no one’s quite cottoned on to baby Jack-Jack’s emerging superpowers. When a new villain hatches a brilliant and dangerous plot, the family and Frozone (Jackson) must find a way to work together again – which is easier said than done, even when they’re all Incredible. Book your tickets for Incredibles 2 before Monday 16 July and enter our competition to win an incredible gadget filled prize bundle worth over £1,000. Enter now 3D shows

Relive some of the greatest animated films from Pixar thanks to Vintage Sundays. From Sunday 19 August with Toy Story. Find out more

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An animal rights group stages a daring infiltration into the New York Central Park Zoo, freeing four best friends (a giraffe, a hippopotamus, a lion, and a zebra) from captivation. When the ship capsizes, however, they end up in Madagascar, where they are free to live in the wild... but these New Yorkers, raised in captivity, have absolutely no clue about how to fend for themselves without human care (and even if they did, they"re not native to Madagascar anyway).

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A decade after Mamma Mia! The Movie, we’re heading back to the Greek island of Kalokairi for another joyful and infectious musical based on the songs of ABBA. Ten years on from the events of the first movie, Sophie (Seyfried) is pregnant and wants to learn more about her mother’s past. The film begins to flit between past and present as Sophie learns the trials Donna (Streep) went through before she was born, and how those experiences could solve her own worries. Lily James (Baby Driver, Darkest Hour) joins the fun under the sun to play Donna’s younger self, while Jeremy Irvine, Hugh Skinner and Josh Dylan feature as young Sam, Harry and Bill respectively.

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Opening to rave reviews at the Venice Film Festival last year, Schrader's latest film is a richly complex, beautifully acted and stunningly shot existential thriller which follows a priest who undergoes a crisis of faith after he fails to prevent a tragedy in his parish. Featuring a career-best performance from Ethan Hawke, Schrader's latest film is a moving, thoughtful and engaging cinematic experience on a par with his best work as a writer and director.

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Everyone’s favourite brood of everyday superheroes is back, fourteen years after The Incredibles first booked a special place in our hearts with a delightful mix of all-action adventure and relatable family dynamics. This time the star of the show is ‘Elastigirl’ Helen (Hunter), who leaves invincible strongman Bob (Nelson) at home with Violet (Sarah Vowell) and Dash (Huck Milner) to navigate the day-to-day heroics of ‘normal’ life. It’s a tough transition for everyone, made tougher by the fact that no one’s quite cottoned on to baby Jack-Jack’s emerging superpowers. When a new villain hatches a brilliant and dangerous plot, the family and Frozone (Jackson) must find a way to work together again – which is easier said than done, even when they’re all Incredible. Book your tickets for Incredibles 2 before Monday 16 July and enter our competition to win an incredible gadget filled prize bundle worth over £1,000. Enter now 3D shows

Relive some of the greatest animated films from Pixar thanks to Vintage Sundays. From Sunday 19 August with Toy Story. Find out more

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Two strangers start chatting on a train, and one of them proposes that they commit two perfect murders by killing the individuals responsible for each other’s problems.

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A decade after Mamma Mia! The Movie, we’re heading back to the Greek island of Kalokairi for another joyful and infectious musical based on the songs of ABBA. Ten years on from the events of the first movie, Sophie (Seyfried) is pregnant and wants to learn more about her mother’s past. The film begins to flit between past and present as Sophie learns the trials Donna (Streep) went through before she was born, and how those experiences could solve her own worries. Lily James (Baby Driver, Darkest Hour) joins the fun under the sun to play Donna’s younger self, while Jeremy Irvine, Hugh Skinner and Josh Dylan feature as young Sam, Harry and Bill respectively.

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Opening to rave reviews at the Venice Film Festival last year, Schrader's latest film is a richly complex, beautifully acted and stunningly shot existential thriller which follows a priest who undergoes a crisis of faith after he fails to prevent a tragedy in his parish. Featuring a career-best performance from Ethan Hawke, Schrader's latest film is a moving, thoughtful and engaging cinematic experience on a par with his best work as a writer and director.

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Everyone’s favourite brood of everyday superheroes is back, fourteen years after The Incredibles first booked a special place in our hearts with a delightful mix of all-action adventure and relatable family dynamics. This time the star of the show is ‘Elastigirl’ Helen (Hunter), who leaves invincible strongman Bob (Nelson) at home with Violet (Sarah Vowell) and Dash (Huck Milner) to navigate the day-to-day heroics of ‘normal’ life. It’s a tough transition for everyone, made tougher by the fact that no one’s quite cottoned on to baby Jack-Jack’s emerging superpowers. When a new villain hatches a brilliant and dangerous plot, the family and Frozone (Jackson) must find a way to work together again – which is easier said than done, even when they’re all Incredible. Book your tickets for Incredibles 2 before Monday 16 July and enter our competition to win an incredible gadget filled prize bundle worth over £1,000. Enter now 3D shows

Relive some of the greatest animated films from Pixar thanks to Vintage Sundays. From Sunday 19 August with Toy Story. Find out more

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Based on the loved children's book of the same name written by Julia Donaldson and illustrated by Axel Scheffler, comes the film adaptation animation The Highway Rat. Previous adaptations of their books include The Gruffalo, The Gruffalo's Child, Room on The Broom, and Stickman. The Highway Rat tells the tale of a ravenous rat who craves buns, biscuits and all sweet things. Tearing along the highway, he searches for sugary treats to steal, until his sweet tooth leads him to a sticky end.

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An animal rights group stages a daring infiltration into the New York Central Park Zoo, freeing four best friends (a giraffe, a hippopotamus, a lion, and a zebra) from captivation. When the ship capsizes, however, they end up in Madagascar, where they are free to live in the wild... but these New Yorkers, raised in captivity, have absolutely no clue about how to fend for themselves without human care (and even if they did, they"re not native to Madagascar anyway).

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Sumptuously restored, James Ivory’s adaptation of E. M. Forster’s gay novel returns to cinemas for its 30th anniversary. A profound tale of emotional and sexual awakening set against the stifling conformity of Edwardian society, this elegant period drama from the team behind Howards End and A Room With A View tracks the homosexual affair between two students at Cambridge in 1911.

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A decade after Mamma Mia! The Movie, we’re heading back to the Greek island of Kalokairi for another joyful and infectious musical based on the songs of ABBA. Ten years on from the events of the first movie, Sophie (Seyfried) is pregnant and wants to learn more about her mother’s past. The film begins to flit between past and present as Sophie learns the trials Donna (Streep) went through before she was born, and how those experiences could solve her own worries. Lily James (Baby Driver, Darkest Hour) joins the fun under the sun to play Donna’s younger self, while Jeremy Irvine, Hugh Skinner and Josh Dylan feature as young Sam, Harry and Bill respectively.

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Opening to rave reviews at the Venice Film Festival last year, Schrader's latest film is a richly complex, beautifully acted and stunningly shot existential thriller which follows a priest who undergoes a crisis of faith after he fails to prevent a tragedy in his parish. Featuring a career-best performance from Ethan Hawke, Schrader's latest film is a moving, thoughtful and engaging cinematic experience on a par with his best work as a writer and director.

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Everyone’s favourite brood of everyday superheroes is back, fourteen years after The Incredibles first booked a special place in our hearts with a delightful mix of all-action adventure and relatable family dynamics. This time the star of the show is ‘Elastigirl’ Helen (Hunter), who leaves invincible strongman Bob (Nelson) at home with Violet (Sarah Vowell) and Dash (Huck Milner) to navigate the day-to-day heroics of ‘normal’ life. It’s a tough transition for everyone, made tougher by the fact that no one’s quite cottoned on to baby Jack-Jack’s emerging superpowers. When a new villain hatches a brilliant and dangerous plot, the family and Frozone (Jackson) must find a way to work together again – which is easier said than done, even when they’re all Incredible. Book your tickets for Incredibles 2 before Monday 16 July and enter our competition to win an incredible gadget filled prize bundle worth over £1,000. Enter now 3D shows

Relive some of the greatest animated films from Pixar thanks to Vintage Sundays. From Sunday 19 August with Toy Story. Find out more

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Based on the loved children's book of the same name written by Julia Donaldson and illustrated by Axel Scheffler, comes the film adaptation animation The Highway Rat. Previous adaptations of their books include The Gruffalo, The Gruffalo's Child, Room on The Broom, and Stickman. The Highway Rat tells the tale of a ravenous rat who craves buns, biscuits and all sweet things. Tearing along the highway, he searches for sugary treats to steal, until his sweet tooth leads him to a sticky end.

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An animal rights group stages a daring infiltration into the New York Central Park Zoo, freeing four best friends (a giraffe, a hippopotamus, a lion, and a zebra) from captivation. When the ship capsizes, however, they end up in Madagascar, where they are free to live in the wild... but these New Yorkers, raised in captivity, have absolutely no clue about how to fend for themselves without human care (and even if they did, they"re not native to Madagascar anyway).

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A decade after Mamma Mia! The Movie, we’re heading back to the Greek island of Kalokairi for another joyful and infectious musical based on the songs of ABBA. Ten years on from the events of the first movie, Sophie (Seyfried) is pregnant and wants to learn more about her mother’s past. The film begins to flit between past and present as Sophie learns the trials Donna (Streep) went through before she was born, and how those experiences could solve her own worries. Lily James (Baby Driver, Darkest Hour) joins the fun under the sun to play Donna’s younger self, while Jeremy Irvine, Hugh Skinner and Josh Dylan feature as young Sam, Harry and Bill respectively.

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Opening to rave reviews at the Venice Film Festival last year, Schrader's latest film is a richly complex, beautifully acted and stunningly shot existential thriller which follows a priest who undergoes a crisis of faith after he fails to prevent a tragedy in his parish. Featuring a career-best performance from Ethan Hawke, Schrader's latest film is a moving, thoughtful and engaging cinematic experience on a par with his best work as a writer and director.

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Everyone’s favourite brood of everyday superheroes is back, fourteen years after The Incredibles first booked a special place in our hearts with a delightful mix of all-action adventure and relatable family dynamics. This time the star of the show is ‘Elastigirl’ Helen (Hunter), who leaves invincible strongman Bob (Nelson) at home with Violet (Sarah Vowell) and Dash (Huck Milner) to navigate the day-to-day heroics of ‘normal’ life. It’s a tough transition for everyone, made tougher by the fact that no one’s quite cottoned on to baby Jack-Jack’s emerging superpowers. When a new villain hatches a brilliant and dangerous plot, the family and Frozone (Jackson) must find a way to work together again – which is easier said than done, even when they’re all Incredible. Book your tickets for Incredibles 2 before Monday 16 July and enter our competition to win an incredible gadget filled prize bundle worth over £1,000. Enter now 3D shows

Relive some of the greatest animated films from Pixar thanks to Vintage Sundays. From Sunday 19 August with Toy Story. Find out more

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An animal rights group stages a daring infiltration into the New York Central Park Zoo, freeing four best friends (a giraffe, a hippopotamus, a lion, and a zebra) from captivation. When the ship capsizes, however, they end up in Madagascar, where they are free to live in the wild... but these New Yorkers, raised in captivity, have absolutely no clue about how to fend for themselves without human care (and even if they did, they"re not native to Madagascar anyway).

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David has vanquished the giant Goliath, but not everyone rejoices in his victory. Jealous of the young warrior, King Saul turns against him, descending into violent, destructive madness that forces his children to choose between loyalty and love, tearing both a family and a nation apart. Handel’s vision of a Lear-like king is astonishing in its psychological complexity, offering a musical portrait of mental collapse few have since matched. Combined with thrilling choruses that exploit the virtuosic potential of their singers, exquisite arias and bold orchestration filled with unusual instruments, it creates a Biblical drama of truly Shakespearean scope. Barrie Kosky’s blazingly original and visually spectacular staging of Handel’s oratorio pairs baroque music with contemporary choreography and lavish designs to create an enthralling theatrical fusion of old and new. ‘This magical, mesmerising new production of [Handel’s] Old Testament-inspired oratorio has the wow factor in spades – music-theatre at its knockout best.’ ★★★★★ Daily Mail Sung in English with English subtitles. Recorded live at Glyndebourne in 2015.

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A decade after Mamma Mia! The Movie, we’re heading back to the Greek island of Kalokairi for another joyful and infectious musical based on the songs of ABBA. Ten years on from the events of the first movie, Sophie (Seyfried) is pregnant and wants to learn more about her mother’s past. The film begins to flit between past and present as Sophie learns the trials Donna (Streep) went through before she was born, and how those experiences could solve her own worries. Lily James (Baby Driver, Darkest Hour) joins the fun under the sun to play Donna’s younger self, while Jeremy Irvine, Hugh Skinner and Josh Dylan feature as young Sam, Harry and Bill respectively.

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Opening to rave reviews at the Venice Film Festival last year, Schrader's latest film is a richly complex, beautifully acted and stunningly shot existential thriller which follows a priest who undergoes a crisis of faith after he fails to prevent a tragedy in his parish. Featuring a career-best performance from Ethan Hawke, Schrader's latest film is a moving, thoughtful and engaging cinematic experience on a par with his best work as a writer and director.

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Everyone’s favourite brood of everyday superheroes is back, fourteen years after The Incredibles first booked a special place in our hearts with a delightful mix of all-action adventure and relatable family dynamics. This time the star of the show is ‘Elastigirl’ Helen (Hunter), who leaves invincible strongman Bob (Nelson) at home with Violet (Sarah Vowell) and Dash (Huck Milner) to navigate the day-to-day heroics of ‘normal’ life. It’s a tough transition for everyone, made tougher by the fact that no one’s quite cottoned on to baby Jack-Jack’s emerging superpowers. When a new villain hatches a brilliant and dangerous plot, the family and Frozone (Jackson) must find a way to work together again – which is easier said than done, even when they’re all Incredible. Book your tickets for Incredibles 2 before Monday 16 July and enter our competition to win an incredible gadget filled prize bundle worth over £1,000. Enter now 3D shows

Relive some of the greatest animated films from Pixar thanks to Vintage Sundays. From Sunday 19 August with Toy Story. Find out more

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An animal rights group stages a daring infiltration into the New York Central Park Zoo, freeing four best friends (a giraffe, a hippopotamus, a lion, and a zebra) from captivation. When the ship capsizes, however, they end up in Madagascar, where they are free to live in the wild... but these New Yorkers, raised in captivity, have absolutely no clue about how to fend for themselves without human care (and even if they did, they"re not native to Madagascar anyway).

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The beloved garden gnomes from GNOMEO AND JULIET are back for a whole new adventure in London. When Gnomeo and Juliet first arrive in the city with their friends and family, their biggest concern is getting their new garden ready for spring. However, they soon discover that someone is kidnapping garden gnomes all over London. When Gnomeo and Juliet return home to find that everyone in their garden is missing – there's only one gnome to call...SHERLOCK GNOMES. The famous detective and sworn protector of London's garden gnomes arrives with his sidekick Watson to investigate the case. The mystery will lead our gnomes on a rollicking adventure where they will meet all new ornaments and explore an undiscovered side of the city. This action-packed sequel features the voices of returning cast, James McAvoy, Emily Blunt, Michael Caine, Maggie Smith, Stephen Merchant and Ozzy Osbourne, plus Johnny Depp as Sherlock Gnomes, Chiwetel Ejiofor as Watson and Mary J. Blige as Irene.

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A timid young woman meets and falls in love with a wealthy widower whilst in Monte Carlo. After a whirlwind romance and wedding, she travels to her new English country estate but finds her joy short lived when she discovers that Rebecca - her husband's first wife - exerts a ghostly hold over everything there.

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Marvel’s smallest hero is back, and he’s brought backup. Not long after the events of Captain America: Civil War, Scott Lang (Rudd) grapples with the consequences of his choices as both a superhero and a father. While he struggles to balance home life with his responsibilities as Ant-Man, Hope van Dyne (Lilly) and Dr Hank Pym (Douglas) confront him with an urgent new mission. Donning the suit once more, he must learn to fight alongside The Wasp as the pair work together to uncover secrets from their past. Contains moderate violence.

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An icon of psychedelic pop culture, Yellow Submarine is a colourful musical spectacle and an exhilaratingly joyful cinematic experience for all ages – filled with visual invention, optical illusions, word play, and glorious, glorious music. On Thursday 2nd August, you can Sing-along with as this groundbreaking animation returns to the big screen! Once upon a time….or maybe twice….there was an unearthly paradise called Pepperland, 80,000 leagues under the sea it lay, a place where beauty, happiness, and music reign supreme. But this peaceful harmony is shattered when the Blue Meanies invade with their army of storm bloopers, apple bonkers, snapping turtle turks, and the menacing flying glove in an attempt to stop the music and drain Pepperland of all colour and hope. So it’s The Beatles to the rescue, as our animated heroes team up with Young Fred and the Nowhere Man and journey across seven seas to free Sgt Pepper’s Lonely Hearts Club Band, make peace with the Meanies, and restore music, colour, and love to the world. But beyond all the glorious music, Yellow Submarine is a landmark in animation, with Heinz Edelmann’s inspired art direction conjuring up a non-stop parade of wildly different styles and techniques. From the paper-doll residents of Pepperland, to the tinted photography of the soot covered roofs and smokestacks Liverpool, the menagerie of fanciful characters in the Sea of Monsters, the kaleidoscopic colour-splashed rotoscoping of Lucy in the Sky with Diamonds, the vertigo inducing op-art of the Sea of Holes, and the triumphant euphony of the It’s All Too Much finale, the film is simply a joy.

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Step in time with Julie Andrews and Dick Van Dyke for this supercalifragilisticexpialidocious family favourite.

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Marvel’s smallest hero is back, and he’s brought backup. Not long after the events of Captain America: Civil War, Scott Lang (Rudd) grapples with the consequences of his choices as both a superhero and a father. While he struggles to balance home life with his responsibilities as Ant-Man, Hope van Dyne (Lilly) and Dr Hank Pym (Douglas) confront him with an urgent new mission. Donning the suit once more, he must learn to fight alongside The Wasp as the pair work together to uncover secrets from their past. Contains moderate violence.

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Marvel’s smallest hero is back, and he’s brought backup. Not long after the events of Captain America: Civil War, Scott Lang (Rudd) grapples with the consequences of his choices as both a superhero and a father. While he struggles to balance home life with his responsibilities as Ant-Man, Hope van Dyne (Lilly) and Dr Hank Pym (Douglas) confront him with an urgent new mission. Donning the suit once more, he must learn to fight alongside The Wasp as the pair work together to uncover secrets from their past. Contains moderate violence.

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Mel Brooks’ uproarious Oscar-winning comedy The Producers returns to cinemas in a stunning 50th anniversary 4K restoration on August 5th, including a special Mel Brooks introduction from Turner Classic Movies. Max Bialystock (Zero Mostel) is a washed up Broadway producer forced to romance old ladies to finance his plays. When timid accountant Leo Bloom (Gene Wilder) is brought in to do his books, he inadvertently reveals to Bialystock that under the right circumstances, a producer could make more money with a flop than a hit. Bialystock cajoles Bloom into helping him achieve this end and together they come up with what they consider to be a sure-fire disaster waiting to happen – a musical version of Adolf and Eva’s love story entitled ‘Springtime For Hitler’. But is it possible that they might actually have the most unlikely hit of all time on their hands?

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Marvel’s smallest hero is back, and he’s brought backup. Not long after the events of Captain America: Civil War, Scott Lang (Rudd) grapples with the consequences of his choices as both a superhero and a father. While he struggles to balance home life with his responsibilities as Ant-Man, Hope van Dyne (Lilly) and Dr Hank Pym (Douglas) confront him with an urgent new mission. Donning the suit once more, he must learn to fight alongside The Wasp as the pair work together to uncover secrets from their past. Contains moderate violence.

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Marvel’s smallest hero is back, and he’s brought backup. Not long after the events of Captain America: Civil War, Scott Lang (Rudd) grapples with the consequences of his choices as both a superhero and a father. While he struggles to balance home life with his responsibilities as Ant-Man, Hope van Dyne (Lilly) and Dr Hank Pym (Douglas) confront him with an urgent new mission. Donning the suit once more, he must learn to fight alongside The Wasp as the pair work together to uncover secrets from their past. Contains moderate violence.

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Miyazaki’s superbly animated tale is considered to be one of the best-loved family films of all time. The story follows Satsuki (Hidaka) and Mei (Sakamoto), two young girls who find their new home is by a mystical forest inhabited by a menagerie of fantastical creatures called Totoros. They befriend O-Totoro, the biggest and eldest of them, and king of the forest. While the girls' mother lies sick in hospital, O-Totoro takes them on a magical adventure and helps them to understand the realities of life. Containing a powerful ecological theme, this is a lovingly crafted work of depth, import and beauty.

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Marvel’s smallest hero is back, and he’s brought backup. Not long after the events of Captain America: Civil War, Scott Lang (Rudd) grapples with the consequences of his choices as both a superhero and a father. While he struggles to balance home life with his responsibilities as Ant-Man, Hope van Dyne (Lilly) and Dr Hank Pym (Douglas) confront him with an urgent new mission. Donning the suit once more, he must learn to fight alongside The Wasp as the pair work together to uncover secrets from their past. Contains moderate violence.

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Marvel’s smallest hero is back, and he’s brought backup. Not long after the events of Captain America: Civil War, Scott Lang (Rudd) grapples with the consequences of his choices as both a superhero and a father. While he struggles to balance home life with his responsibilities as Ant-Man, Hope van Dyne (Lilly) and Dr Hank Pym (Douglas) confront him with an urgent new mission. Donning the suit once more, he must learn to fight alongside The Wasp as the pair work together to uncover secrets from their past. Contains moderate violence.

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This breathtakingly beautiful Tony® Award-winning Broadway musical, inspired by the Oscar® winning MGM film, tells the impassioned story of discovering love in the ‘City of Light’. Featuring the gorgeous music and lyrics of George and Ira Gershwin (including the classic hits ‘S Wonderful and I Got Rhythm), stunning designs, and show-stopping choreography. With a record-setting 28 five-star reviews from critics, An American in Paris is coming from London’s West End to a cinema near you. Jerry Mulligan is an American GI striving to make it as a painter in a city suddenly bursting with hope and possibility. Following a chance encounter with a beautiful young dancer named Lise, the streets of Paris become the backdrop to a sensuous, modern romance of art, friendship and love in the aftermath of war... Experience this “truly ravishing” (The Guardian) production in the comfort of your local cinema.

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In Miyazaki’s enchanting freestyle adaptation of Diana Wynne Jones’s novel, young hatter Sophie is transformed into a 90-year-old woman by a wicked witch. Pragmatically undeterred, she finds work as a cleaning lady in magician Howl’s clanking Hieronymus Bosch-esque mobile abode. As visually intricate as you would expect, Howl’s Moving Castle also packs an antiwar punch.

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Marvel’s smallest hero is back, and he’s brought backup. Not long after the events of Captain America: Civil War, Scott Lang (Rudd) grapples with the consequences of his choices as both a superhero and a father. While he struggles to balance home life with his responsibilities as Ant-Man, Hope van Dyne (Lilly) and Dr Hank Pym (Douglas) confront him with an urgent new mission. Donning the suit once more, he must learn to fight alongside The Wasp as the pair work together to uncover secrets from their past. Contains moderate violence.

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Miyazaki’s superbly animated tale is considered to be one of the best-loved family films of all time. The story follows Satsuki (Hidaka) and Mei (Sakamoto), two young girls who find their new home is by a mystical forest inhabited by a menagerie of fantastical creatures called Totoros. They befriend O-Totoro, the biggest and eldest of them, and king of the forest. While the girls' mother lies sick in hospital, O-Totoro takes them on a magical adventure and helps them to understand the realities of life. Containing a powerful ecological theme, this is a lovingly crafted work of depth, import and beauty.

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Considered one of Alfred Hitchcock's greatest cinematic achievements, Vertigo is a dreamlike thriller from the Master of Suspense. Set in San Francisco, the film creates a dizzying web of mistaken identity, passion and murder after an acrophobic detective (James Stewart) rescues a mysterious blonde (Kim Novak) from the bay and must unravel the secrets of the past to find the key to his future.

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When Prince Ashitaka slays a raging boar god, he is wounded and becomes infected with the sickness that had sent the beast berserk, a malady stemming from humankind’s disharmony with nature. Set at the time of Japan’s transition from the Middle Ages to the modern era, Princess Mononoke is a morally complex tale that blends a fantasy quest with social comment for our times.

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Regular girl, Veronica (Winona Ryder), tries to survive the social jungle of high school by sticking with the three most popular girls at school who are all called Heather. As she meets a sociopath named JD (Christian Slater), her life spirals into a continuous cycle of hate and unintentional murder, as she exacts revenge on her enemies, AKA her best friends. Dark, cynical and subversive, this cult classic gently applied a chainsaw to the conventions of the high school movie -- changing the game for teen comedies to follow.

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A fantasy adventure film unlike any other, Spirited Away tells the story of Chihiro, a capricious ten-year-old girl who believes the entire world should submit to her every whim. While en route to a new home, Chihiro and her parents stumble upon a mysterious tunnel, which leads them to a ghostly town. There, the parents greedily devour the buffet in an abandoned restaurant, and unceremoniously turn into pigs as Chihiro looks on. They have unwittingly strayed into the Land of the Spirits, a world inhabited by ancient gods and magical beings who holiday at a giant bathhouse run by the demonic sorceress, Yubaba. Chihiro finds an ally in the enigmatic Haku, who explains that in order to survive this strange and perilous world, she must make herself useful by working hard at the bathhouse. Chihiro renounces her laziness, her reason, her memories, even her name…

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A rare opportunity to see Barber’s Pulitzer Prize-winning work – opera from the age of Hitchcock, with an atmospheric score and tense, psychological twists. Abandoned by her lover Anatol, Vanessa retreats from the world, waiting and hoping with only her mother and her niece Erika for company. But when, 20 years later, Anatol’s handsome young son arrives unexpectedly, he shatters the calm of this shuttered household of women. Past and present love collides, and the aftershocks threaten to destroy them all. An operatic thriller from the age of Hitchcock, Samuel Barber’s Pulitzer Prize-winning first opera boasts one of the 20th century’s most beautiful scores. Poised constantly on the edge of song, Vanessa unfolds in generous swathes of melody, rich in filmic strings and soaring brass, with echoes of Puccini, Berg and Strauss. It climaxes in a final quintet of Mozartean poignancy – one of the great ensembles of the contemporary repertoire. Seldom performed in the UK, this is a rare opportunity to see Barber’s heart-breaking domestic drama. Olivier Award-winning director Keith Warner makes his much-anticipated Glyndebourne debut with this production, which promises to bring out the psychological tensions that sit just below the surface of this charged work.

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Director: Hayao Miyazaki. Japan 2008. 103 mins. After running away from the sea she calls home, an effervescent young fish-girl is rescued and befriended by a five-year-old human boy called Sosuke. Naming her Ponyo, Sosuke soon comes to realise the heartbreaking impracticality of their budding romance. Anime maestro Miyazaki’s tenth feature is his eighth under the Ghibli banner, and the fifth to be released theatrically by Disney. Laced with the fantastical exuberance that has become synonymous with the Japanese studio, PONYO harks back to the thematic timelessness and poetic charms of MY NEIGHBOUR TOTORO (1988). It is as visually alluring a fairytale as you are ever likely to see.

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A fantasy adventure film unlike any other, Spirited Away tells the story of Chihiro, a capricious ten-year-old girl who believes the entire world should submit to her every whim. While en route to a new home, Chihiro and her parents stumble upon a mysterious tunnel, which leads them to a ghostly town. There, the parents greedily devour the buffet in an abandoned restaurant, and unceremoniously turn into pigs as Chihiro looks on. They have unwittingly strayed into the Land of the Spirits, a world inhabited by ancient gods and magical beings who holiday at a giant bathhouse run by the demonic sorceress, Yubaba. Chihiro finds an ally in the enigmatic Haku, who explains that in order to survive this strange and perilous world, she must make herself useful by working hard at the bathhouse. Chihiro renounces her laziness, her reason, her memories, even her name…

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It’s been 50 years since Elvis Presley – the undisputed king of rock – performed his legendary 68’ Comeback concert. Originally airing as a TV special, this spectacular performance is seen by many as the Memphis icon's most substantial achievement as a stage performer. His first stage performance in from of a live audience for more than seven years sees him performing alone as well as in jam sessions with Scotty Moore and D.J. Fontana, his early backing musicians. Over 90 minutes, Elvis performs his classic rock and pop hits, introduces new material and reminisces about his career. This event includes a cinema-exclusive special introduction and studio tour by Steve Binder (the original producer and director), including special guest appearances and commentary offering a unique perspective on Elvis and his iconic status.

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Director: Hayao Miyazaki. Japan 2008. 103 mins. After running away from the sea she calls home, an effervescent young fish-girl is rescued and befriended by a five-year-old human boy called Sosuke. Naming her Ponyo, Sosuke soon comes to realise the heartbreaking impracticality of their budding romance. Anime maestro Miyazaki’s tenth feature is his eighth under the Ghibli banner, and the fifth to be released theatrically by Disney. Laced with the fantastical exuberance that has become synonymous with the Japanese studio, PONYO harks back to the thematic timelessness and poetic charms of MY NEIGHBOUR TOTORO (1988). It is as visually alluring a fairytale as you are ever likely to see.

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The beloved garden gnomes from GNOMEO AND JULIET are back for a whole new adventure in London. When Gnomeo and Juliet first arrive in the city with their friends and family, their biggest concern is getting their new garden ready for spring. However, they soon discover that someone is kidnapping garden gnomes all over London. When Gnomeo and Juliet return home to find that everyone in their garden is missing – there's only one gnome to call...SHERLOCK GNOMES. The famous detective and sworn protector of London's garden gnomes arrives with his sidekick Watson to investigate the case. The mystery will lead our gnomes on a rollicking adventure where they will meet all new ornaments and explore an undiscovered side of the city. This action-packed sequel features the voices of returning cast, James McAvoy, Emily Blunt, Michael Caine, Maggie Smith, Stephen Merchant and Ozzy Osbourne, plus Johnny Depp as Sherlock Gnomes, Chiwetel Ejiofor as Watson and Mary J. Blige as Irene.

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As 6-year-old Andy's favourite toy, Woody (Tom Hanks), a take-charge, pull-string cowboy, is confident in his role as room leader. But after Andy's birthday party, newcomer Buzz Lightyear (Tim Allen), a flashy space ranger with laser action and pop-out wings, crash-lands into Woody's world. Buzz instantly wins the admiration of Andy's other toys, igniting a rivalry that lands the duo inside the home of Sid - the toy-torturing boy next door. To escape Sid's evil plans, Woody and Buzz must work together and realise they've got the perfect friend: in each other!

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Directed by Hayao Miyazaki’s Studio Ghibli co-founder Isao Takahata, Grave of the Fireflies is an indelible anime about a brother and sister trying to survive during the Second World War. Caught up in the firebombing of Kobe in 1945, Seita and his little sister Setsuko lose their mother and their home. Unable to contact their father on the frontline, they flee to the country, stealing or begging for food. The societal breakdown that inevitably followed the razing of the cities means they are left truly alone to fend for themselves. Undeniably sad but stunningly rendered, this animation does not flinch from the true human tragedy of war. Contains moderate war horror.

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BlacKkKlansman special screening + Live satellite Q&A with Spike Lee From visionary filmmaker Spike Lee comes the incredible true story of an American hero. It’s the early 1970s, and Ron Stallworth (Washington) is the first African-American detective to serve in the Colorado Springs Police Department. Determined to make a name for himself, Stallworth bravely sets out on a dangerous mission: infiltrate and expose the Ku Klux Klan. Teaming up with seasoned colleague Flip Zimmerman (Driver), the young detective goes undercover to take down the extremist hate group from the inside.

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A young witch, on her mandatory year of independent life, finds fitting into a new community difficult while she supports herself by running an air courier service.

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A new production of the Rolls-Royce of English comedies, Oscar Wilde’s AN IDEAL HUSBAND, will be broadcast live to cinemas from the Vaudeville Theatre in London’s West End. This entertaining and still topical play brings an act of political sin into the heart of the English home. As an ambitious government minister, Sir Robert Chiltern’s smooth ascent to the top seems assured until Mrs Cheveley appears in London with damning proof of his previous financial chicanery. This is the third play from the Oscar Wilde Season, a year-long celebration of the brilliant Victorian playwright being staged by the Classic Spring Theatre Company.

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A young witch, on her mandatory year of independent life, finds fitting into a new community difficult while she supports herself by running an air courier service.

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Monsters, Inc. is the largest scare factory in the monster world and the top Kid-Scarer is James P. Sullivan, a huge, intimidating monster with blue fur, large purple spots and horns, known as "Sulley" to his friends. His Scare Assistant, best friend and roommate is Mike Wazowski, a lime green, opinionated, feisty monster. And visiting from the human world is Boo, a tiny girl who turns the monster world upside down and teaches Sulley and Mike that laughter is more powerful than a scream.

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Regarded as one of the world's greatest tenors, Jonas Kaufmann has captivated audiences across the globe with his incredible voice. Join him this summer for a spectacular outdoor concert, captured live at Berlin's iconic Waldbuhne amphitheatre. The star tenor will perform famous arias and timeless Italian songs from his bestselling album Dolce Vita, in what promises to be a magical night of music under the stars.

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A computer-animated comedy-adventure about finding a very small fish in a very large ocean. Marlin is a more than slightly paranoid Clown Fish who is extremely devoted to his young son, Nemo, the only survivor after a hungry shark swallowed up Nemo's mother and her other offspring. It's not Marlin's nature to explore unfamiliar waters, but when he and Nemo are accidentally separated near the Great Barrier Reef en route to Nemo's first day at fish school, Marlin gathers his courage and sets out to find his son. What Marlin doesn't know, however, is that while Nemo was looking at a boat passing on the surface, he was caught in a net and was sold to a tropical fish dealer, eventually ending up in a dentist's aquarium. As Marlin searches for his son, he makes friends with an amiable but absent-minded Regal Blue Tang named Dory, a Great White Shark named Bruce who is trying to cut fish out of his diet, a beach-rat Sea Tortoise named Crush, and Nigel, a Pelican who can take Marlin's search from the ocean to dry land.

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Join us for an early preview of the innovative heist thriller and festival hit American Animals, the unbelievable but entirely true story of four young men who attempt one of the most audacious art heists in US history. Determined to live lives that are out of the ordinary, a group of college-bound friends plot to steal and fence some of the world’s most valuable books. Unfolding from multiple perspectives and incorporating real-life figures into the heart of the story, American Animals takes the heist movie into bold new territory.

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Newly single, always wild, Julie throws a late night party. In the kitchen Jean and Kristina clean up to the din of the partygoers upstairs. When Julie provokes a flirtation and initiates a power struggle with Jean, the night plummets into scenes of brutality and a desperate fight for survival. Fuelled by social division, Strindberg’s 1888 masterpiece, Miss Julie, remains shocking and fiercely relevant. Polly Stenham’s edgy and fresh new adaptation brings the classic masterpiece up to date with a contemporary London setting. Directed by Carrie Cracknell (Medea, Oil) with Vanessa Kirby and Eric Kofi Abrefa as Julie and Jean.

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Set in America, 1958. The story was inspired by the phenomenon of popular singer Elvis Presley and his draft notice into the Army in 1957. Conrad Birdie is the biggest rock & roll star of the 60's ever to be drafted. Aspiring chemist and song writer Albert is convinced he can make his fortune and marry his girlfriend Rosie if he gets Conrad on the Ed Sullivan show to kiss a high school girl goodbye. Albert's mother will do anything to break him up with Rosie. Kim and Hugo, the high school steadies, live in Sweet Apple, Ohio where most of the action takes place.

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From the creative minds at Pixar comes this hilarious, action-packed animated adventure about a seemingly ordinary family with an incredible secret.

Married superheroes Mr. Incredible (Craig T. Nelson) and Elastigirl (Holly Hunter) are forced to assume mundane lives as Bob and Helen Parr after all super-powered activities have been banned by the government. While Mr. Incredible loves his wife and kids, he longs to return to a life of adventure, and he gets a chance when summoned to an island to battle an out-of-control robot. Soon, Mr. Incredible is in trouble, and it's up to his family to save him.

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Down on his luck in the suburbs, John Falstaff plans to hustle his way to a comfortable retirement by seducing the wives of two wealthy men.

Unknown to him, it’s the women of Windsor who really pull the strings, orchestrating Falstaff’s comeuppance amidst a theatrical smorgasbord of petty rivalries, jealousies and over-inflated egos.

For a fat Englishman, a Welshman and a Frenchman, the only way is Windsor…

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The year is 2700. WALL-E (an acronym for Waste Allocation Load Lifter - Earth-Class), a robot, spends every day doing what he was made for. But soon he will discover what he was truly meant for. From Academy Award-winning director Andrew Stanton (FINDING NEMO), WALL-E is the story of one robot's comic adventures as he chases his dream across the galaxy. This animated feature from Pixar (TOY STORY, RATATOUILLE) is amongst their very finest, witty, profound and beautifully realised with a faint echo of E.T.

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Carl Fredricksen, a 78-year-old balloon salesman, is about to fulfill a lifelong dream. Tying thousands of balloons to his house, he flies away to the South American wilderness. But curmudgeonly Carl's worst nightmare comes true when he discovers a little boy named Russell is a stowaway aboard the balloon-powered house.

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'The Dude', Jeff Lebowski is unemployed and as laid-back as they come. That is until he becomes a victim of mistaken identity, and two thugs break into his apartment with the errant belief that they're strong-arming Jeff Lebowski - the Pasadena millionaire. In the hope of getting a replacement for his soiled carpet, 'the Dude' pays a visit to his wealthy namesake...

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Shakespeare’s tender, violent, moving and shocking play, King Lear sees two ageing fathers – one a King, one his courtier – reject the children who truly love them. This screening of Chichester Festival Theatre’s 2017 production stars Ian McKellen in the role of Lear, his intimate, intricate and conversational performance hailed as a triumph. The play received five-star reviews for its sell-out run and afterwards transferred to the West End for 100 performances only. This contemporary retelling of the great tragedy is directed by Jonathan Munby. Also starring are Sinéad Cusack as Kent and Kirsty Bushell as Regan. Not to be missed.

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The Winter's Tale is Shakespeare's great play of the irrational and inexplicable, illustrating how uncontrollable emotions can range across gender, country, class and age. Its universe is full of monsters, gods and natural disasters with a colossal sweep that takes audiences from the stifling atmosphere of the Sicilian court to the unbuttoned joy of a Bohemian festival. Staged at the beautiful and iconic Globe Theatre in London, this new production is directed by Blanche McIntyre and stars Will Keen (The Crown, Wolf Hall) as Leontes, Priyanga Burford (W1A, Marcella) as Hermione and Annette Badland (EastEnders, Father Brown) as Old Shepherd. A reconstruction of an open-air Elizabethan playhouse on the bank of the River Thames, the Globe Theatre has become a significant part of the national and international theatre landscape, celebrating Shakespeare's transformative impact on the world. Continuing its popular Globe On Screen series, The Winter's Tale will be broadcast live to cinemas on Thursday 4 October 2018.

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Superstar soprano Anna Netrebko makes her Met role debut as Aida in this thirtieth-anniversary revival of Sonja Frisell’s production. Verdi’s drama is set in Ancient Egypt, where the Ethiopian Aida lives a life of slavery. She and the Egyptian warrior Radamès, sung by tenor Aleksandrs Antonenko, have fallen in love, although the princess Amneris—mezzo-soprano Anita Rachvelishvili—is an implacable rival for Radamès’ affections. Then, when Radamès goes into battle, he unwittingly captures Aida’s father as a prisoner of war. As Aida and Radamès face impossible choices between patriotism, passion, and paternal bonds, the stage is set for tragedy. With heart-stopping music and spectacular set pieces, including the famous Triumphal March, Verdi’s towering masterpiece opens the new Live in HD season with a bang.

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Superstar soprano Anna Netrebko makes her Met role debut as Aida in this thirtieth-anniversary revival of Sonja Frisell’s production. Verdi’s drama is set in Ancient Egypt, where the Ethiopian Aida lives a life of slavery. She and the Egyptian warrior Radamès, sung by tenor Aleksandrs Antonenko, have fallen in love, although the princess Amneris—mezzo-soprano Anita Rachvelishvili—is an implacable rival for Radamès’ affections. Then, when Radamès goes into battle, he unwittingly captures Aida’s father as a prisoner of war. As Aida and Radamès face impossible choices between patriotism, passion, and paternal bonds, the stage is set for tragedy. With heart-stopping music and spectacular set pieces, including the famous Triumphal March, Verdi’s towering masterpiece opens the new Live in HD season with a bang.

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A new production of one of the funniest plays in English, Oscar Wilde’s THE IMPORTANCE OF BEING EARNEST, will be broadcast live to cinemas from the Vaudeville Theatre in London’s West End. Wilde’s much-loved masterpiece throws love, logic and language into the air to make one of theatre’s most dazzling firework displays. Jack, Algy, Gwendolyn and Cecily discover how unsmooth runs the course of true love, while Lady Bracknell keeps a baleful eye on the mayhem of manners. This is the fourth and final play from the Oscar Wilde Season, a year-long celebration of the brilliant Victorian playwright being staged by the Classic Spring Theatre Company.

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Dangerous desires, family secrets and political intrigues twist through every moment of daring choreography in Kenneth Macmillan's ballet inspired by true events. Mayerling is a classic of the Royal Ballet repertory, with its emotional depth, haunting imagery, and one of the most demanding roles ever created for a male dancer. Kenneth MacMillan choreographed a complex work around the psychologically tormented heir to the Habsburg Empire, Crown Prince Rudolf. From the ballet’s start, the glamour of the Austro-Hungarian court is contrasted with undercurrents of sexual and political intrigue that drive the story to its violent climax in a double suicide. The large cast allows for impressive ensembles in addition to the ballet's many solos of distinctive character and pas de deux of disturbing eroticism. This ballet, bursting with intensity, madness and passion, proves that sometimes the truth is more scandalous than fiction.

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Tony Award-winning director Darko Tresnjak gives Saint-Saëns’s biblical epic its first new Met production in twenty years. Blessed with immense physical strength, Hebrew leader Samson is sworn to defend his people and his faith from the Philistines. Though his body is strong, his heart is tender, though. When the Philistine Dalila sets out to seduce him, he is powerless to resist. The beautiful aria “Mon Coeur S’ouvre à ta Vvoix ” marks the climax of his seduction—and his betrayal. He reveals to Dalila the secret of his strength, and immediately, his fate is sealed. Imprisoned, blinded, and humiliated, how can Samson atone for his folly? Soprano Elīna Garanča and tenor Roberto Alagna sing the title roles, with Sir Mark Elder conducting.

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Tony Award-winning director Darko Tresnjak gives Saint-Saëns’s biblical epic its first new Met production in twenty years. Blessed with immense physical strength, Hebrew leader Samson is sworn to defend his people and his faith from the Philistines. Though his body is strong, his heart is tender, though. When the Philistine Dalila sets out to seduce him, he is powerless to resist. The beautiful aria “Mon Coeur S’ouvre à ta Vvoix ” marks the climax of his seduction—and his betrayal. He reveals to Dalila the secret of his strength, and immediately, his fate is sealed. Imprisoned, blinded, and humiliated, how can Samson atone for his folly? Soprano Elīna Garanča and tenor Roberto Alagna sing the title roles, with Sir Mark Elder conducting.

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Puccini’s gunpowder western returns to the stage where it premiered under Arturo Toscanini. Gold Rush, 1849. Bar owner Minnie looks after a crew of rough miners while fending off the unwanted attention of the local sheriff. When a tall, mysterious stranger walks into the bar, it looks as if her life is about to change. But the newcomer is not what he seems, and Minnie gets drawn into deadly peril. Boasting gunfights, poker games, and stagecoach robbers, La Fanciulla del West combines the action of a great adventure with the emotional punch of Italian opera. Soprano Eva-Maria Westbroek sings the role of the gunslinging heroine, alongside Jonas Kaufmann as the outlaw who steals her heart. Marco Armiliato conducts.

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Antonio Pappano conducts an international cast in the second opera of Richard Wagner's epicder Ring Des Nibelungen. Wagner’s Ring cycle is one of the greatest works of all opera. Keith Warner’s production is conducted by Antonio Pappano, Music Director of The Royal Opera, and this final revival is cast with an outstanding international array of Wagnerian specialist singers. The full cycle's four operas journey from the beginning of a world to its destruction, with gods, heroes and monsters. This epic myth portrays every type of human emotion in music and ideas of extraordinary power. The Ring is always a special event in the operatic calendar: once experienced, never forgotten. Die Walküre (The Valkyrie) is the second opera in the cycle, and features several of the Ring’s musical highlights – the sparkling Magic Fire Music and the electrifying Ride of the Valkyries. But among the musical fireworks and Norse mythology, at the centre of this opera are the unforgettable characters and the complex entanglements between them, including twins Siegmund and Sieglinde, and Wotan and his Valkyrie daughter, Brünnhilde. Approximate running time: 4 hours 50 minutes, including two intervals. Sung in German with English subtitles.

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Puccini’s gunpowder western returns to the stage where it premiered under Arturo Toscanini. Gold Rush, 1849. Bar owner Minnie looks after a crew of rough miners while fending off the unwanted attention of the local sheriff. When a tall, mysterious stranger walks into the bar, it looks as if her life is about to change. But the newcomer is not what he seems, and Minnie gets drawn into deadly peril. Boasting gunfights, poker games, and stagecoach robbers, La Fanciulla del West combines the action of a great adventure with the emotional punch of Italian opera. Soprano Eva-Maria Westbroek sings the role of the gunslinging heroine, alongside Jonas Kaufmann as the outlaw who steals her heart. Marco Armiliato conducts.

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From The Fitzwilliam Museum, Cambridge Exhibition on Screen journeys from the streets of Paris to the heart of a superb exhibition at the Fitzwilliam Museum in Cambridge, whose extensive collection of Degas’ works is the most representative in Britain. With exclusive access to view rare and diverse works, this film tells a fascinating story of Degas’ pursuit for perfection through both experimentation with new techniques and lessons learnt from studying the past masters. Sometimes frustrated by his own failings, Degas was consumed by obsessive principles and failing eye sight but his determination to capture everyday life was evident in every mark he made. Never fully satisfied, many of Degas’ drawings and sculptures were kept in private during his lifetime but, now through close examination, they can be seen as some of the most beautifully detailed and expressive works in the modern era. Using written accounts by friends and commentators, and the narration of letters written by Degas himself, this film reveals a more complex truth behind one of the most influential French artists of the late 19th-century and serves as an exploration of the complex workings of Degas’ artistic mind. “Art is not a matter of what you see, but what you make other people see.” Edgar Degas

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A young woman lies, cheats, and steals her way through life, propelled by compulsions she can neither control nor understand. A wealthy man catches her red-handed and blackmails her into marrying him. Will the truth about her past send her to jail or set her free? Based on the novel that also inspired Hitchcock’s celebrated thriller, composer Nico Muhly’s Marnie was co-commissioned and co-produced with the English National Opera and receives its U.S. premiere at the Met this season. Mezzo-soprano Isabel Leonard stars in the title role, opposite baritone Christopher Maltman as her husband. Costume design is by Madonna’s collaborator of twenty years, Arianne Phillips, who created every item seen on stage in this stylish, vivid production.

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Music: Herman Severin Løvenskiold Choreography: Johan Kobborg after August Bournonville Libretto: Adolphe Nourrit and Filippo Taglioni Cast: The Bolshoi Principals, Soloists and Corps de Ballet On the day of his wedding, the young Scotsman James is awoken with a kiss from an ethereal winged creature, a Sylph. Entranced by her beauty, James risks everything to pursue an unattainable love… La Sylphide is one of the world’s oldest surviving ballets, and a treasure in the Danish Bournonville style. Restaged for the Bolshoi by Bournonville expert Johan Kobborg, this production is the ultimate romantic masterpiece.

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Natalia Makarova's production of this 19th century classic ballet brings an exotic world of temple dancers and noble warriors to life. Marius Petipa’s fantasy, set in legendary India, tells the tale of a temple dancer and the prince who loves her but marries another. The famous, moonlit ‘white act’ – The Kingdom of the Shades – is a corps de ballet highlight, as multiple images of the prince’s lost love haunt his mind. The choreography allows two opposing ballerinas to shine, while a bronze idol comes vividly to life in a stunning solo. Throughout, the melody and moods of Minkus’s music perfectly match the fluidity and precision of the classical choreography and the drama of the storytelling.

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A young woman lies, cheats, and steals her way through life, propelled by compulsions she can neither control nor understand. A wealthy man catches her red-handed and blackmails her into marrying him. Will the truth about her past send her to jail or set her free? Based on the novel that also inspired Hitchcock’s celebrated thriller, composer Nico Muhly’s Marnie was co-commissioned and co-produced with the English National Opera and receives its U.S. premiere at the Met this season. Mezzo-soprano Isabel Leonard stars in the title role, opposite baritone Christopher Maltman as her husband. Costume design is by Madonna’s collaborator of twenty years, Arianne Phillips, who created every item seen on stage in this stylish, vivid production.

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"Lechery, lechery, still wars and lechery: nothing else holds fashion" Troilus and Cressida swear they will always be true to one another. But in the seventh year of the siege of Troy their innocence is tested, and exposed to the savage corrupting influence of war, with tragic consequences. Virtuoso percussionist Evelyn Glennie collaborates with RSC Artistic Director Gregory Doran to create a satirical futuristic vision of a world resounding with the rhythm of battle, broadcast live to cinemas from Shakespeare's home town. The Greek army is encamped under the walls of Troy and, at the point at which the play begins, the war has reached stalemate. The Greeks are quarrelling amongst themselves. Achilles, their greatest champion, refuses to fight and has withdrawn to his tent with his lover, Patroclus. Equally at odds with themselves, the Trojans are debating the value of continuing the war merely for the sake of keeping Helen. Troilus is much distracted from these military concerns by his love for Cressida, the daughter of a Trojan who has defected to the Greek camp. The young lovers are eagerly assisted by Cressida's uncle Pandarus, who acts as their go-between. However, after only one night together they are parted when Cressida is sent to join her father in the Greek camp. Almost immediately she betrays Troilus with the Greek Diomedes and, discovering this, Troilus is plunged into despair. With the fall of Troy certain, Troilus vows revenge on Achilles.

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It’s 1786 and King George III is the most powerful man in the world. But he, increasingly, succumbs to fits of lunacy, and ambitious politicians and the scheming Prince of Wales threaten to undermine the power of the Crown, and expose the fine line between King and man. Written by one of Britain’s best-loved playwrights Alan Bennett (The History Boys, The Lady In The Van), this epic play was also adapted into a BAFTA Award-winning film following its premiere on stage in 1991. The cast of this new production which is screened from Nottingham Playhouse includes Mark Gatiss and Adrian Scarborough. Directed by Adam Penford.

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From The Fitzwilliam Museum, Cambridge Exhibition on Screen journeys from the streets of Paris to the heart of a superb exhibition at the Fitzwilliam Museum in Cambridge, whose extensive collection of Degas’ works is the most representative in Britain. With exclusive access to view rare and diverse works, this film tells a fascinating story of Degas’ pursuit for perfection through both experimentation with new techniques and lessons learnt from studying the past masters. Sometimes frustrated by his own failings, Degas was consumed by obsessive principles and failing eye sight but his determination to capture everyday life was evident in every mark he made. Never fully satisfied, many of Degas’ drawings and sculptures were kept in private during his lifetime but, now through close examination, they can be seen as some of the most beautifully detailed and expressive works in the modern era. Using written accounts by friends and commentators, and the narration of letters written by Degas himself, this film reveals a more complex truth behind one of the most influential French artists of the late 19th-century and serves as an exploration of the complex workings of Degas’ artistic mind. “Art is not a matter of what you see, but what you make other people see.” Edgar Degas

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Music: Léon Minkus Choreography: Alexei Fadeyechev Libretto: Marius Petipa after Miguel de Cervantes Cast: Ekaterina Krysanova (Kitri), Semyon Chudin (Basilio), Alexei Loparevich (Don Quixote), Olga Smirnova (The Queen of Dryads), Anna Tikhomirova (A street dancer), Kristina Karasyova (Mercedes) Inspired by heroic stories of brave knights, Don Quixote of La Mancha and his faithful servant Sancho Panza set out on an adventure to meet his ideal woman, Dulcinea. Cervantes’ hero comes to life in the Bolshoi's critically acclaimed staging of this exalting performance. With panache and sparkling technique, principal dancers Ekaterina Krysanova and Semyon Chudin lead the spectacular cast of toreadors, flamenco dancers, gypsies, and dryads in virtuosic dancing that is quintessential Bolshoi.

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A Christmas treat for the whole family and a classic with a special place in the hearts of ballet fans around the world. The Nutcracker has long been one of the most delightful ways to discover the enchantment of ballet – and makes for a delicious seasonal treat for all the family.Tchaikovsky’s much-loved music is matched to a magical adventure on Christmas Eve for Clara and her Nutcracker doll. Their journey to the Land of Sweets brings with it some of the most familiar of all ballet moments, such as the Dance of the Sugar Plum Fairy and the Waltz of the Flowers. Peter Wright’s production for The Royal Ballet keeps true to the spirit of this Russian ballet classic, with period details and dancing snowflakes. The many solo roles and ensembles put the world-class skills of the Company to the fore in this Christmas classic. Approximate running time: 2 hours 30 minutes, including one interval.

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Broadcast live from the National Theatre, Ralph Fiennes and Sophie Okonedo play Shakespeare’s famous fated couple in his great tragedy of politics, passion and power. Caesar and his assassins are dead. General Mark Antony now rules alongside his fellow defenders of Rome. But at the fringes of a war-torn empire the Egyptian Queen Cleopatra and Mark Antony have fallen fiercely in love. In a tragic fight between devotion and duty, obsession becomes a catalyst for war. Director Simon Godwin returns to National Theatre Live screens with this hotly anticipated production, following broadcasts of Twelfth Night, Man and Superman and The Beaux’ Stratagem.

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New Met Music Director Yannick Nézet-Séguin launches his tenure by conducting Verdi’s timeless tragedy. Worldly courtesan Violetta, sung by soprano Diana Damrau, has grown tired of her dissolute life. When the pure-hearted Alfredo—tenor Juan Diego Flórez—declares his love for her, she leaves everything behind to live with him. But his family’s reputation is ruined by his association with her, and Violetta is torn between her feelings for Alfredo and her desire to protect him from scandal. Urged by the young man’s father, she tears herself away and returns to her old life. Alfredo, not knowing the real reason for her apparent betrayal, is heartbroken – and bent on revenge. Directed by Michael Mayer, this new production features a dazzling eighteenth-century setting that changes with the seasons.

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New Met Music Director Yannick Nézet-Séguin launches his tenure by conducting Verdi’s timeless tragedy. Worldly courtesan Violetta, sung by soprano Diana Damrau, has grown tired of her dissolute life. When the pure-hearted Alfredo—tenor Juan Diego Flórez—declares his love for her, she leaves everything behind to live with him. But his family’s reputation is ruined by his association with her, and Violetta is torn between her feelings for Alfredo and her desire to protect him from scandal. Urged by the young man’s father, she tears herself away and returns to her old life. Alfredo, not knowing the real reason for her apparent betrayal, is heartbroken – and bent on revenge. Directed by Michael Mayer, this new production features a dazzling eighteenth-century setting that changes with the seasons.

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Music: Pyotr Ilyich Tchaikovsky Choreography: Yuri Grigorovich Libretto: Yuri Grigorovich Cast: The Bolshoi Principals, Soloists and Corps de Ballet On Christmas Eve, Marie’s Nutcracker doll magically transforms into a prince and their wonderful adventure begins. The holiday classic returns to the majestic Bolshoi stage for a live broadcast of a timeless story, The Nutcracker, taking audiences of all ages on a magical journey through a world of enchantment complete with dancing snowflakes and dolls that have come to life, accompanied by Tchaikovsky’s beloved score.

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For the first time at the Met, soprano Anna Netrebko sings the role of Adriana Lecouvreur, the eighteenth-century actress whose real-life intrigues inspired Cilea’s tragic opera. Adriana is adored by many but loves only Maurizio, sung by tenor (Piotr Beczała), who adores her in return. Maurizio desperately tries to extricate himself from his previous lover, the Princess deof Bouillon— mezzo-soprano (Anita Rachvelishvili). When the princess discovers that Adriana is her rival, she takes desperate measures of her own. In this new production directed by Sir David McVicar, the action is partially set in a working replica of a baroque theatre. Gianandrea Noseda conducts the riveting score.

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For the first time at the Met, soprano Anna Netrebko sings the role of Adriana Lecouvreur, the eighteenth-century actress whose real-life intrigues inspired Cilea’s tragic opera. Adriana is adored by many but loves only Maurizio, sung by tenor (Piotr Beczała), who adores her in return. Maurizio desperately tries to extricate himself from his previous lover, the Princess deof Bouillon— mezzo-soprano (Anita Rachvelishvili). When the princess discovers that Adriana is her rival, she takes desperate measures of her own. In this new production directed by Sir David McVicar, the action is partially set in a working replica of a baroque theatre. Gianandrea Noseda conducts the riveting score.

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Music: Léon Minkus Choreography: Yuri Grigorovich Libretto after Marius Petipa and Sergei Khudekov Cast: The Bolshoi Principals, Soloists and Corps de Ballet The temple dancer Nikiya and the warrior Solor fall deeply in love, giving way to heated passions, and murderous intrigues when the Rajah and his daughter Gamzatti discover their forbidden love. La Bayadere is one of the greatest works classical ballet history – a story of love, death and vengeful judgement set in India. Dazzling sets, costumes, and one of the most iconic scenes in ballet, the “Kingdom of the Shades,” illuminate the tragic tale of the temple dancer Nikiya’s doomed love for the warrior Solor, and their ulimate redemption. A must-see!

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Tchaikovsky's most ambitious opera contains some of his greatest music and is a powerful study of destructive obsession. In Tchaikovsky’s intense opera of obsession and the supernatural, Gherman is caught between the woman he loves and a destructive fixation. The Queen of Spadesis based on a short story by Pushkin, and comes to the Royal Opera House in a new production that has already garnered five-star reviews in Amsterdam. The production is set in 1890, the year of the opera’s premiere. In his study, Tchaikovsky imagines the opera into life as his own story, its characters giving voice to his unfulfilled desires. Aleksandrs Antonenko and Eva-Maria Westbroek head the cast and Royal Opera Chorus, conducted by Antonio Pappano, Music Director of The Royal Opera. This is an engrossing portrayal of a tortured creative artist and a gripping piece of gothic storytelling.

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Richard Eyre's beautiful production provides the perfect setting for Verdi's opera about a courtesan who sacrifices all for love. From the thrill of unexpected romance to a heartbreaking reconciliation that comes too late – Verdi’s La traviata is one of the most popular of all operas. Alfredo falls in love in with the courtesan Violetta in glamorous Paris society, but underneath the surface run darker undercurrents, leading to a tragic ending. The opera’s wealth of melodies includes the famous Brindisi and the exuberant ‘Sempre libera’ – both showing the lyricism of Italian opera at its most immediately appealing. Richard Eyre’s production for The Royal Opera brings out all the emotional colour, from the giddy discovery of love, through painful confrontation to the inevitable conclusion. Lavish period sets and costumes enhance the reality of a moving story based on true life.

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I’m Not Running is an explosive new play by David Hare, premiering at the National Theatre and broadcast live to cinemas. Pauline Gibson has spent her life as a doctor, the inspiring leader of a local health campaign. When she crosses paths with her old boyfriend, a stalwart loyalist in Labour Party politics, she’s faced with an agonising decision. What’s involved in sacrificing your private life and your piece of mind for something more than a single issue? Does she dare? Hare was recently described by The Washington Post as ‘the premiere political dramatist writing in English’. His other work includes Pravda and Skylight, broadcast by National Theatre Live in 2014.

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Love is a wild bird… Don’t miss this revival of Sir Richard Eyre’s dynamic production. Mezzo-soprano Clémentine Margaine plays opera’s ultimate seductress, while Roberto Alagna returns to the role of Don José, the good-hearted soldier with whom she unleashes an uncontrollable passion. Don José breaks the law, goes to prison, deserts the army and loses everything to be with Carmen. But the capricious Carmen gypsy soon tires of him and takes up instead with the bullfighter Escamillo—bass (Alexander Vinogradov). She has ruined his life, but still, Don José adores her, with a fierceness that can only lead to catastrophe. Composer Bizet died just three months after Carmen’s disastrous premiere, never knowing that his creation would become one of the most popular operas of all time.

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Love is a wild bird… Don’t miss this revival of Sir Richard Eyre’s dynamic production. Mezzo-soprano Clémentine Margaine plays opera’s ultimate seductress, while Roberto Alagna returns to the role of Don José, the good-hearted soldier with whom she unleashes an uncontrollable passion. Don José breaks the law, goes to prison, deserts the army and loses everything to be with Carmen. But the capricious Carmen gypsy soon tires of him and takes up instead with the bullfighter Escamillo—bass (Alexander Vinogradov). She has ruined his life, but still, Don José adores her, with a fierceness that can only lead to catastrophe. Composer Bizet died just three months after Carmen’s disastrous premiere, never knowing that his creation would become one of the most popular operas of all time.

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Pablo Picasso is one of the greatest artists of all time - and right up until his death in 1973 he was the most prolific of artists. Many films have dealt with these later years - the art, the affairs and the wide circle of friends. But where did this all begin? What made Picasso in the first place? Too long ignored, it is time to look at the early years of Picasso; the upbringing and the learning that led to his extraordinary achievements. Three cities play a key role: Malaga, Barcelona and Paris. Young Picasso visits each and explores their influence on Picasso, focusing on specific artworks from these early years. The film thus explains how this young artist acquired his craft. Looking carefully at two key early periods - the so-called Blue Period and Rose Period - the film takes us all the way to 1907 and the creation of a critical painting in the history of art - Les Demoiselles d'Avignon. It was a painting that shocked the art world but changed it irrevocably. Picasso was only 25 years old. Working closely with all three Picasso Museums in Malaga, Barcelona and Paris this film explains how he rose to great heights.

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Love and friendship triumph in Carlos Acosta's vibrant production of this dazzling ballet. Cervantes’s story of the bumbling knight Don Quixote has inspired countless artistic interpretations. Marius Petipa choreographed this sparkling ballet about the encounters of the man from La Mancha and his faithful squire Sancho Panza. At its heart are virtuoso roles for the lovers Basilio and Kitri. Carlos Acosta chose this joyful classic for his first production for The Royal Ballet. His vibrant staging brings together the whole Company in such roles as exuberant villagers, passionate gypsies and even fantasy flowers. The story follows Don Quixote’s picaresque journey to do deeds in honour of his imaginary noble lady, Dulcinea. Sunny, charming, funny and touching – Don Quixote is a ballet as full of uplifting emotion as it is of astonishing ballet technique. Approximate running time: 2 hours 45 minutes, inclding one interval.

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Pablo Picasso is one of the greatest artists of all time - and right up until his death in 1973 he was the most prolific of artists. Many films have dealt with these later years - the art, the affairs and the wide circle of friends. But where did this all begin? What made Picasso in the first place? Too long ignored, it is time to look at the early years of Picasso; the upbringing and the learning that led to his extraordinary achievements. Three cities play a key role: Malaga, Barcelona and Paris. Young Picasso visits each and explores their influence on Picasso, focusing on specific artworks from these early years. The film thus explains how this young artist acquired his craft. Looking carefully at two key early periods - the so-called Blue Period and Rose Period - the film takes us all the way to 1907 and the creation of a critical painting in the history of art - Les Demoiselles d'Avignon. It was a painting that shocked the art world but changed it irrevocably. Picasso was only 25 years old. Working closely with all three Picasso Museums in Malaga, Barcelona and Paris this film explains how he rose to great heights.

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Full of wit and invention, Donizetti’s comic opera is a delight. The famous aria “Ah, Mes Amis,” with its nine high Cs, is known as the Mount Everest for tenors one of opera’s most show-stopping numbers. Bel canto stars Pretty Yende and Javier Camarena takes on the challenging vocal fireworks in this revival, a co-production with London’s Royal Opera House and the Wiener StaatsoperLaurent Pelly’s hilarious staging. Orphaned as a small child and raised by an entire army regiment, the spirited Marie has grown up as the regiment’s ‘daughter’, raising morale and spreading joy. Tonio, a local man, falls in love with her and even joins the army for her sake. But a chance encounter with a noblewoman sparks a sudden revelation, and a tale unfolds of secret identities, long-lost family, and murky pasts.

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Full of wit and invention, Donizetti’s comic opera is a delight. The famous aria “Ah, Mes Amis,” with its nine high Cs, is known as the Mount Everest for tenors one of opera’s most show-stopping numbers. Bel canto stars Pretty Yende and Javier Camarena takes on the challenging vocal fireworks in this revival, a co-production with London’s Royal Opera House and the Wiener StaatsoperLaurent Pelly’s hilarious staging. Orphaned as a small child and raised by an entire army regiment, the spirited Marie has grown up as the regiment’s ‘daughter’, raising morale and spreading joy. Tonio, a local man, falls in love with her and even joins the army for her sake. But a chance encounter with a noblewoman sparks a sudden revelation, and a tale unfolds of secret identities, long-lost family, and murky pasts.

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Music: Pyotr Ilyich Tchaikovsky Choreography: Yuri Grigorovich Libretto after Ivan Vsevolojski and Marius Petipa Cast: Olga Smirnova (Princess Aurora), Semyon Chudin (Prince Désiré), Alexei Loparevich (The Evil Fairy Carabosse), Yulia Stepanova (The Lilac Fairy), Vitaly Biktimirov (Catalabutte), Artemy Belyakov (Bluebird), Anastasia Denisova (Princess Florine) The Princess Aurora falls under the curse of the Evil Fairy Carabosse on her sixtenth birthday, falling into a deep slumber of one hundred years. Only the kiss of a prince could break the spell. A resplendent fairytale ballet perfomed by the Bolshoi, The Sleeping Beauty features scores of magical characters including fairies, the Little Red Riding Hood, Puss in Boots, and a beautiful young Princess Aurora performed by Olga Smirnova, a “truly extraordinary talent” (The Telegraph). This is classical ballet at its finest. Captured live on Jan. 22, 2017

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Featuring some of the most glorious music ever written—including, of course, the Ride of the Valkyries —Die Walküre is the second of the four operas that comprise Wagner’s Ring cycle, a story of monsters, gods, and humans on a superhuman scale. When twins Siegmund and Sieglinde find each other at last, Siegmund promises to release Sieglinde from her forced marriage by killing her husband, Hunding. The god Wotan instructs Valkyrie warrior Brünnhilde to defend Hunding. But, moved by the twins’ mutual devotion, Brünnhilde refuses to obey, forging an alliance with Sieglinde that has far-reaching consequences for them both. Soprano Christine Goerke sings Brünnhilde, tenor Stuart Skelton and soprano Eva-Maria Westbroek are the love-struck twins, and Ring cycle veteran Philippe Jordan conducts.

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Christof Loy directs a star-studded cast of singers, inclusing Anna Netrebko, Jonas Kaufmann and Ludovic Tezier, in Verdi's epic opera, conducted by Antonio Pappano. Leonora falls in love with Don Alvaro, but when her father forbids their marriage, a fatal accident triggers a drama of obsession, vengeance and tragedy. Jonas Kaufmannand Anna Netrebko star in Verdi’s epic La forza del destino (The Force of Destiny) an opera which demands the very best of singers for its powerful music and the fullest theatrical treatment for its story of bitter revenge pursued across miles and years. The production comes to The Royal Opera in a sensational staging from Amsterdam packed with colour and action. It is directed by Christof Loy and conducted by Antonio Pappano, Music Director of The Royal Opera.

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Featuring some of the most glorious music ever written—including, of course, the Ride of the Valkyries —Die Walküre is the second of the four operas that comprise Wagner’s Ring cycle, a story of monsters, gods, and humans on a superhuman scale. When twins Siegmund and Sieglinde find each other at last, Siegmund promises to release Sieglinde from her forced marriage by killing her husband, Hunding. The god Wotan instructs Valkyrie warrior Brünnhilde to defend Hunding. But, moved by the twins’ mutual devotion, Brünnhilde refuses to obey, forging an alliance with Sieglinde that has far-reaching consequences for them both. Soprano Christine Goerke sings Brünnhilde, tenor Stuart Skelton and soprano Eva-Maria Westbroek are the love-struck twins, and Ring cycle veteran Philippe Jordan conducts.

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Music: Dmitri Shostakovich Choreography: Yuri Grigorovich Libretto Yuri Grigorovich and Isaak Glikman Cast: Nina Kaptsova (Rita), Ruslan Skvortsov (Boris), Mikhail Lobukhin (Yashka) and Ekaterina Krysanova (Lyuska) In the 1920’s, The Golden Age cabaret is a favorite nightly haunt. The young fisherman Boris falls in love with Rita. He follows her to the cabaret and realizes that she is the beautiful dancer “Mademoiselle Margot,”, but also the love interest of the local gangster Yashka… With its jazzy score by Shostakovich and its music-hall atmosphere featuring beautiful tangos, The Golden Age is a refreshing and colorful dive into the roaring 20’s. A historic ballet that can be seen only at the Bolshoi!

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From the National Gallery, London and Rijksmuseum, Amsterdam Every Rembrandt exhibition is eagerly anticipated but this major show hosted by London’s National Gallery and Amsterdam’s Rijksmuseum was an event like no other. Given privileged access to both galleries the film documents this landmark exhibition, whilst interweaving Rembrandt’s life story, with behind-the-scenes preparations at these world famous institutions. Exploring many of the exhibition’s key works, through contributions from specially invited guests including curators and leading art historians, this Exhibition on Screen favourite makes a welcome return to the big screen marking the 350th anniversary of Rembrandt's death. For many, Rembrandt is the greatest artist that ever lived and this deeply moving film seeks to explore the truth about the man behind the legend.

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From the National Gallery, London and Rijksmuseum, Amsterdam Every Rembrandt exhibition is eagerly anticipated but this major show hosted by London’s National Gallery and Amsterdam’s Rijksmuseum was an event like no other. Given privileged access to both galleries the film documents this landmark exhibition, whilst interweaving Rembrandt’s life story, with behind-the-scenes preparations at these world famous institutions. Exploring many of the exhibition’s key works, through contributions from specially invited guests including curators and leading art historians, this Exhibition on Screen favourite makes a welcome return to the big screen marking the 350th anniversary of Rembrandt's death. For many, Rembrandt is the greatest artist that ever lived and this deeply moving film seeks to explore the truth about the man behind the legend.

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Experience the decadence and elegance of 1870s Paris in David McVicar's spectacular production of Gounod's best-loved opera. There are many versions of the story of Faust, who trades his soul with the Devil for youth and power, but Gounod’s opera remains one of the most constantly enthralling. Michael Fabiano stars as Faust, with Diana Damrau as his beloved Marguerite and Erwin Schrott as the diabolical Méphistophélès. Virtuoso leading roles, a large chorus, sensational sets, ballet and an ecstatic finale make this the epitome of theatrical spectacle – the lavish scale of French grand opera is wonderfully in evidence in this production by David McVicar, set in 1870s Paris. Above all, the music includes several of popular opera’s most recognizable numbers, performed by a cast of great international singers and the Royal Opera Chorus. Approximate running time: 3 hours 45 minutes, including one interval. Sung in French with English subtitles.

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Met Music Director Yannick Nézet-Séguin leads Poulenc’s masterpiece. As the French Revolution begins, shy Blanche, sung by mezzo-soprano Isabel Leonard, becomes a novice nun under an elderly prioress—Met legend Karita Mattila. Blanche’s aristocratic family flees the Terror, but she remains behind, struggling between her fear of the guillotine and her duty to the convent. When the nuns are expelled from the convent and threatened with death, Blanche must make an agonising decision. In the shattering final scene, the nuns walk towards the guillotine singing Salve Regina: Their voices are cut off, one by one, with each stroke of the blade, until all are silenced. Poulenc’s devastating portrayal of faith and martyrdom is live in HD for the first time.

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Met Music Director Yannick Nézet-Séguin leads Poulenc’s masterpiece. As the French Revolution begins, shy Blanche, sung by mezzo-soprano Isabel Leonard, becomes a novice nun under an elderly prioress—Met legend Karita Mattila. Blanche’s aristocratic family flees the Terror, but she remains behind, struggling between her fear of the guillotine and her duty to the convent. When the nuns are expelled from the convent and threatened with death, Blanche must make an agonising decision. In the shattering final scene, the nuns walk towards the guillotine singing Salve Regina: Their voices are cut off, one by one, with each stroke of the blade, until all are silenced. Poulenc’s devastating portrayal of faith and martyrdom is live in HD for the first time.

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Two recent works and one world premiere showcase the contemporary face of the Royal Ballet. The contemporary face of The Royal Ballet is shown in works from three of today’s leading choreographers. Christopher Wheeldon’s Within the Golden Hour is based around seven couples separating and intermingling, to music by Vivaldi and Bosso and lit with rich colours suggested by sunset. Crystal Pite’s Flight Pattern, revived for the first time, uses a large dance ensemble and Górecki’s familiar music from his Symphony of Sorrowful Songsfor a poignant and passionate reflection on migration. Between them, a new work by Sidi Larbi Cherkaoui, created on The Royal Ballet has its premiere to bring the contemporary truly up-to-date.

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Carmen Suite Music: Georges Bizet and Rodion Shchedrin Choreography: Alberto Alonso Libretto Alberto Alonso after Carmen de Prosper Mérimée Petrushka Music: Igor Stravinsky Choreography: Edward Clug Cast: The Bolshoi Principals, Soloists and Corps de Ballet Carmen is as passionate and free-spirited as ever as she finds herself caught in a love triangle. The passionate one act ballet by Cuban choreographer Alberto Alonso originally conceived for legendary Bolshoi prima ballerina Maya Plisetskaya will captivate audiences alongside Petrushka, a new creation for the Bolshoi by contemporary choreographer Edward Clug, in an evening encapsulating the soul of Russian Ballet

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"I envy the Japanese" Van Gogh wrote to his brother Theo. In the exhibition on which this film is based - VAN GOGH & JAPAN at the Van Gogh Museum in Amsterdam - one can see why. Though Vincent van Gogh never visited Japan it is the country that had the most profound influence on him and his art. One cannot understand Van Gogh without understanding how Japanese art arrived in Paris in the middle of the 19th century and the profound impact it had on artists like Monet, Degas and, above all, Van Gogh. Visiting the new galleries of Japanese art in Paris and then creating his own image of Japan – through in-depth research, print collecting and detailed discussions with other artists – Van Gogh’s encounter with Japanese artworks gave his work a new and exciting direction. After leaving Paris for the south of France – to what he thought of as near to a kind of Japan as he could find - the productive and yet troubled years that followed must all be seen in the context of Van Gogh bending Japanese influences to his will and defining himself as a modern artist with clear Asian precursors. In this little known story of Van Gogh’s art we see just how important his study of Japan was. The film travels not only to France and the Netherlands but also to Japan to further explore the remarkable heritage that so affected Van Gogh and made him the artist we know of today.

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Shakespeare's star-crossed lovers encounter passion and tragedy in Kenneth MacMillan's 20th century ballet masterpiece. Shakespeare’s enduring love story is known the world over. Since its 1965 premiere with The Royal Ballet, Kenneth MacMillan’s Romeo and Juliet has become a modern ballet classic. The choreography captures the emotions of the young couple as they fall in love, despite the barriers that finally bring about the story’s tragic end. Each revival gives opportunities for new dancers to interpret the doomed lovers. The whole Company brings the colour and action of Renaissance Verona, where a busy market all too quickly bursts into sword fighting, and a family feud leads to tragedy for both the Montagues and Capulets.

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"I envy the Japanese" Van Gogh wrote to his brother Theo. In the exhibition on which this film is based - VAN GOGH & JAPAN at the Van Gogh Museum in Amsterdam - one can see why. Though Vincent van Gogh never visited Japan it is the country that had the most profound influence on him and his art. One cannot understand Van Gogh without understanding how Japanese art arrived in Paris in the middle of the 19th century and the profound impact it had on artists like Monet, Degas and, above all, Van Gogh. Visiting the new galleries of Japanese art in Paris and then creating his own image of Japan – through in-depth research, print collecting and detailed discussions with other artists – Van Gogh’s encounter with Japanese artworks gave his work a new and exciting direction. After leaving Paris for the south of France – to what he thought of as near to a kind of Japan as he could find - the productive and yet troubled years that followed must all be seen in the context of Van Gogh bending Japanese influences to his will and defining himself as a modern artist with clear Asian precursors. In this little known story of Van Gogh’s art we see just how important his study of Japan was. The film travels not only to France and the Netherlands but also to Japan to further explore the remarkable heritage that so affected Van Gogh and made him the artist we know of today.

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