We are using cookies to remember if you are logged in to this website and if you have dismissed this message. Cookies are files stored in your browser and by continuing to use our website without changing the settings on your computer you are agreeing to our use of cookies.
Director: Joel Hopkins.
Starring: Diane Keaton, Brendan Gleeson, Lesley Manville. UK 2017. 103 mins.
While looking out over the unspoilt parkland of Hampstead Heath from her attic window, American widow Emily Waters (Keaton) calls the police when she sees an unkempt man, Donald Horner (Gleeson), being attacked by thugs outside a ramshackle hut. Curious about the man she helped save from afar, she ventures out the next day to visit him and discovers that he has lived wild on the Heath for 17 years. As ruthless property developers adopt heavy-handed tactics to remove him from the area he calls home, an unlikely friendship – and then a romance – begins to blossom. With Last Chance Harvey, director Joel Hopkins demonstrated his talent for chronicling unlikely relationships, and his affinity for the Hampstead area adds resonance to this heartwarmingly quirky love story.
Director: Jonathan Teplitzky.
Starring: Brian Cox, Miranda Richardson, John Slattery. UK 2017. 98 mins.
June 1944. Allied forces stand on the brink of invasion, but one man stands in their way: Winston Churchill. Exhausted by years of war, Churchill (Cox) fears that history will remember him as an architect of slaughter if the landings fail. Churchill is the untold story of the haunted frailty of Britain’s most celebrated leader, revealing his vital relationship with his wife Clementine (Richardson), the confidant who inspired him to greatness.
Director: Mark Webb.
Starring: Chris Evans, McKenna Grace, Lindsay Duncan. USA 2017. 101 mins.
Gifted is a moving story about choices, compassion and family, all underscored by a wicked sense of humour. Frank Adler (Evans) is a single man raising a child prodigy – his spirited young niece Mary (Grace) – in a coastal town in Florida. Frank’s plans for a normal school life for Mary are foiled when her mathematical abilities come to the attention of Frank’s formidable mother, Evelyn (Duncan), whose plans for her granddaughter threaten to separate Frank and Mary.
Director: Roger Michell. Starring: Rachel Weisz, Sam Claflin, Iain Glen. USA/UK 2017. 106 mins.
After health problems determine that he must spend his winters in warmer climates, Ambrose (Glen), a wealthy landowner and guardian to his orphaned cousin Philip (Claflin), heads to Italy. Years later, Philip receives a letter from Ambrose announcing that he has fallen in love with and married a distant relation, the eponymous Rachel (Weisz). Soon after, Philip learns that his guardian is dangerously ill, but by the time he arrives in Italy, Ambrose is dead and Rachel has left for England, bound for her deceased husband’s estate in Cornwall. Racked by suspicion, Philip confronts Rachel, but he too soon finds himself under her beguiling spell. What is she? A femme fatale? A gold-digger? A tease? Thanks to skilled direction and first-rate performances, Roger Michell’s enticing period drama keeps the audience guessing throughout.
Director: Patty Jenkins.
Starring: Gal Gadot, Chris Pine, Connie Nelson. USA 2017. 133 mins.
Since Cathy Lee Crosby burst onto the big screen as the original Wonder Woman in 1974 there have several other versions of DC Comics’ legendary female superhero, but now Israeli actress Gal Gadot (Gisele from the Fast & Furious franchise) takes centre stage as the Amazon warrior-princess after a breakout turn last year in Batman V Superman: Dawn Of Justice. Raised as a fearless defender of her island paradise in the early 20th century, young Diana meets Steve Trevor (Pine), an American pilot who informs her of the mighty war raging beyond her shores. Inspired to right the world’s wrong, she leaves for London to discover her true destiny and her full, unearthly powers. Gifted director Patty Jenkins (Monster) is behind the camera, overseeing a stellar cast that includes Robin Wright and Connie Nelson.
Director: Joel Hopkins.
Starring: Diane Keaton, Brendan Gleeson, Lesley Manville. UK 2017. 103 mins.
While looking out over the unspoilt parkland of Hampstead Heath from her attic window, American widow Emily Waters (Keaton) calls the police when she sees an unkempt man, Donald Horner (Gleeson), being attacked by thugs outside a ramshackle hut. Curious about the man she helped save from afar, she ventures out the next day to visit him and discovers that he has lived wild on the Heath for 17 years. As ruthless property developers adopt heavy-handed tactics to remove him from the area he calls home, an unlikely friendship – and then a romance – begins to blossom. With Last Chance Harvey, director Joel Hopkins demonstrated his talent for chronicling unlikely relationships, and his affinity for the Hampstead area adds resonance to this heartwarmingly quirky love story.
Director: Jonathan Teplitzky.
Starring: Brian Cox, Miranda Richardson, John Slattery. UK 2017. 98 mins.
June 1944. Allied forces stand on the brink of invasion, but one man stands in their way: Winston Churchill. Exhausted by years of war, Churchill (Cox) fears that history will remember him as an architect of slaughter if the landings fail. Churchill is the untold story of the haunted frailty of Britain’s most celebrated leader, revealing his vital relationship with his wife Clementine (Richardson), the confidant who inspired him to greatness.
Director: Mark Webb.
Starring: Chris Evans, McKenna Grace, Lindsay Duncan. USA 2017. 101 mins.
Gifted is a moving story about choices, compassion and family, all underscored by a wicked sense of humour. Frank Adler (Evans) is a single man raising a child prodigy – his spirited young niece Mary (Grace) – in a coastal town in Florida. Frank’s plans for a normal school life for Mary are foiled when her mathematical abilities come to the attention of Frank’s formidable mother, Evelyn (Duncan), whose plans for her granddaughter threaten to separate Frank and Mary.
Director: Roger Michell. Starring: Rachel Weisz, Sam Claflin, Iain Glen. USA/UK 2017. 106 mins.
After health problems determine that he must spend his winters in warmer climates, Ambrose (Glen), a wealthy landowner and guardian to his orphaned cousin Philip (Claflin), heads to Italy. Years later, Philip receives a letter from Ambrose announcing that he has fallen in love with and married a distant relation, the eponymous Rachel (Weisz). Soon after, Philip learns that his guardian is dangerously ill, but by the time he arrives in Italy, Ambrose is dead and Rachel has left for England, bound for her deceased husband’s estate in Cornwall. Racked by suspicion, Philip confronts Rachel, but he too soon finds himself under her beguiling spell. What is she? A femme fatale? A gold-digger? A tease? Thanks to skilled direction and first-rate performances, Roger Michell’s enticing period drama keeps the audience guessing throughout.
Director: Patty Jenkins.
Starring: Gal Gadot, Chris Pine, Connie Nelson. USA 2017. 133 mins.
Since Cathy Lee Crosby burst onto the big screen as the original Wonder Woman in 1974 there have several other versions of DC Comics’ legendary female superhero, but now Israeli actress Gal Gadot (Gisele from the Fast & Furious franchise) takes centre stage as the Amazon warrior-princess after a breakout turn last year in Batman V Superman: Dawn Of Justice. Raised as a fearless defender of her island paradise in the early 20th century, young Diana meets Steve Trevor (Pine), an American pilot who informs her of the mighty war raging beyond her shores. Inspired to right the world’s wrong, she leaves for London to discover her true destiny and her full, unearthly powers. Gifted director Patty Jenkins (Monster) is behind the camera, overseeing a stellar cast that includes Robin Wright and Connie Nelson.
Director: Michaël Dudok De Wit. France/Belgium/Japan 2015. 81 mins.
Renowned Japanese animation giant Studio Ghibli’s first-ever international co-production is a perfect collaboration with Oscar-winning Dutch animator Michaël Dudok De Wit. The Red Turtle, almost a decade in the making, is a dialogue-free fable about a castaway on a desert island, and a touching ode to the cycle of life and the resilience of family. Presented with an elegant simplicity, the sublime visuals pack a real emotional punch. Described by critics as a ‘quiet little masterpiece’ and a ‘wordless wonder’, The Red Turtle won the Special Jury Prize in the Un Certain Regard section at this year’s Cannes. Michaël Dudok De Wit previously made the Oscar-winning animated short Father And Daughter in 2000.
Public House tells the story of the Ivy House Pub in Peckham. Slated to be sold to property developers in 2012, the local community triumphantly came together to save the pub from closure. This documentary is an inspirational story of social resilience and the power of communities working together.
Made in collaboration with some of the many users of the pub, the film features their voices, poems and performances, as well as key moments in the community takeover which led the Ivy House to become one of the UK’s first co-operatively owned pubs and the country’s first‘asset of community value’. Through dance, poetry and song the film builds into an exhilarating participatory opera of multi-layered voices telling a tale of social resilience in the face of creeping gentrification.
It culminates with director Sarah Turner’s own playful reimagining of William Blake’s vision of angels on Peckham Rye, as the Ivy House community take to the streets in a communal celebration of human creativity and resilience.
Originally premiered at the London Film Festival, Public House was nominated for the prestigious Grierson Award in 2016.
The third programme from Britain on Film on Tour explores the vital history of black Britain throughout the 20th century.
Bringing together films spanning 1901 to 1985 and taken from many different regions of the UK, it offers incredibly rare, little-seen and valuable depictions of black British life on screen.
Watch miners in the collieries of Edwardian Lancashire and Yorkshire; and soldiers from across the Empire joining the services to fight for King and 'mother country' in World War I. See rare colour footage of multi-racial Cardiff in 1957, a Nigerian wedding in Cornwall in 1964, and touching interviews with black school leavers in 1965; witness growing racial tensions on a Liverpool housing estate and in New Cross, London; communities in search of their roots and partying on the streets of Notting Hill during Carnival.
Revealing new voices from across a century of vast and turbulent social change in the UK, Britain on Film: Black Britain is not just an important educative tool - offering audiences the chance to explore stories of migration, community and the struggle against inequality - but also an opportunity to celebrate vivid black British life and culture on screen.
An enterprising koala puts on the world’s greatest singing show in this hilarious animated comedy. Buster Moon is a koala whose pride and joy is his theatre. But the once grand building has fallen on hard times and looks set to close its doors forever unless Buster can find a way to revive its fortunes. The one idea he has is to put on the world’s greatest singing competition – but will he find the next Leona Lewis or the next Honey G? From acclaimed director Garth Jennings (The Hitchhiker’s Guide to the Galaxy, Son of Rambow) comes this charming and hilariously funny animated comedy featuring the voices of Matthew McConaughey, Reese Witherspoon, Seth MacFarlane, Scarlett Johansson, John C. Reilly and Taron Egerton.
10.30Autism-Friendly: Especially for people on the autism spectrum or with other special needs and their families, friends and carers. Adults without disabilities are only admitted if they are accompanying a child or a person on the autism spectrum/with special needs.
Director: Joel Hopkins.
Starring: Diane Keaton, Brendan Gleeson, Lesley Manville. UK 2017. 103 mins.
While looking out over the unspoilt parkland of Hampstead Heath from her attic window, American widow Emily Waters (Keaton) calls the police when she sees an unkempt man, Donald Horner (Gleeson), being attacked by thugs outside a ramshackle hut. Curious about the man she helped save from afar, she ventures out the next day to visit him and discovers that he has lived wild on the Heath for 17 years. As ruthless property developers adopt heavy-handed tactics to remove him from the area he calls home, an unlikely friendship – and then a romance – begins to blossom. With Last Chance Harvey, director Joel Hopkins demonstrated his talent for chronicling unlikely relationships, and his affinity for the Hampstead area adds resonance to this heartwarmingly quirky love story.
Join Timmy and his friends for three fun adventures in this collection of classic Timmy Time episodes where Timmy discovers that football is more fun when you play with your friends, that winning is not always best and that sometimes things do not work out as planned but that’s OK.
Featuring the episodes Timmy Wants To Win, Timmy Plays Ball and Snapshot Timmy.
Director: Jonathan Teplitzky.
Starring: Brian Cox, Miranda Richardson, John Slattery. UK 2017. 98 mins.
June 1944. Allied forces stand on the brink of invasion, but one man stands in their way: Winston Churchill. Exhausted by years of war, Churchill (Cox) fears that history will remember him as an architect of slaughter if the landings fail. Churchill is the untold story of the haunted frailty of Britain’s most celebrated leader, revealing his vital relationship with his wife Clementine (Richardson), the confidant who inspired him to greatness.
Director: Mark Webb.
Starring: Chris Evans, McKenna Grace, Lindsay Duncan. USA 2017. 101 mins.
Gifted is a moving story about choices, compassion and family, all underscored by a wicked sense of humour. Frank Adler (Evans) is a single man raising a child prodigy – his spirited young niece Mary (Grace) – in a coastal town in Florida. Frank’s plans for a normal school life for Mary are foiled when her mathematical abilities come to the attention of Frank’s formidable mother, Evelyn (Duncan), whose plans for her granddaughter threaten to separate Frank and Mary.
Director: Roger Michell. Starring: Rachel Weisz, Sam Claflin, Iain Glen. USA/UK 2017. 106 mins.
After health problems determine that he must spend his winters in warmer climates, Ambrose (Glen), a wealthy landowner and guardian to his orphaned cousin Philip (Claflin), heads to Italy. Years later, Philip receives a letter from Ambrose announcing that he has fallen in love with and married a distant relation, the eponymous Rachel (Weisz). Soon after, Philip learns that his guardian is dangerously ill, but by the time he arrives in Italy, Ambrose is dead and Rachel has left for England, bound for her deceased husband’s estate in Cornwall. Racked by suspicion, Philip confronts Rachel, but he too soon finds himself under her beguiling spell. What is she? A femme fatale? A gold-digger? A tease? Thanks to skilled direction and first-rate performances, Roger Michell’s enticing period drama keeps the audience guessing throughout.
Director: Patty Jenkins.
Starring: Gal Gadot, Chris Pine, Connie Nelson. USA 2017. 133 mins.
Since Cathy Lee Crosby burst onto the big screen as the original Wonder Woman in 1974 there have several other versions of DC Comics’ legendary female superhero, but now Israeli actress Gal Gadot (Gisele from the Fast & Furious franchise) takes centre stage as the Amazon warrior-princess after a breakout turn last year in Batman V Superman: Dawn Of Justice. Raised as a fearless defender of her island paradise in the early 20th century, young Diana meets Steve Trevor (Pine), an American pilot who informs her of the mighty war raging beyond her shores. Inspired to right the world’s wrong, she leaves for London to discover her true destiny and her full, unearthly powers. Gifted director Patty Jenkins (Monster) is behind the camera, overseeing a stellar cast that includes Robin Wright and Connie Nelson.
Director: Michaël Dudok De Wit. France/Belgium/Japan 2015. 81 mins.
Renowned Japanese animation giant Studio Ghibli’s first-ever international co-production is a perfect collaboration with Oscar-winning Dutch animator Michaël Dudok De Wit. The Red Turtle, almost a decade in the making, is a dialogue-free fable about a castaway on a desert island, and a touching ode to the cycle of life and the resilience of family. Presented with an elegant simplicity, the sublime visuals pack a real emotional punch. Described by critics as a ‘quiet little masterpiece’ and a ‘wordless wonder’, The Red Turtle won the Special Jury Prize in the Un Certain Regard section at this year’s Cannes. Michaël Dudok De Wit previously made the Oscar-winning animated short Father And Daughter in 2000.
Director: Michael Mann.
Starring: Al Pacino, Robert De Niro, Val Kilmer, Tom Sizemore, Jon Voight, Diana Venora, Amy Brenneman, Ashley Judd, Natalie Portman. USA 1995. 171 mins.
Two of America’s finest, most charismatic film actors came together for the first time on screen in Michael Mann’s highly intelligent, stylish, violent thriller – and the result is electrifying. An absorbing duel between two men – one the icy cool mastermind of a criminal gang specialising in high-risk, high-yield heists (De Niro), the other the dogged detective assigned to his case (Pacino) – plays out on the battleground of contemporary LA, a moody, ever shifting city of twisted morals and crumbling relationships. Beautifully crafted, superbly paced and boasting a superlative heist gone wrong among several unforgettable sequences, Heat brought Michael Mann the recognition he long deserved as one of America's most talented directors.
Director: Joel Hopkins.
Starring: Diane Keaton, Brendan Gleeson, Lesley Manville. UK 2017. 103 mins.
While looking out over the unspoilt parkland of Hampstead Heath from her attic window, American widow Emily Waters (Keaton) calls the police when she sees an unkempt man, Donald Horner (Gleeson), being attacked by thugs outside a ramshackle hut. Curious about the man she helped save from afar, she ventures out the next day to visit him and discovers that he has lived wild on the Heath for 17 years. As ruthless property developers adopt heavy-handed tactics to remove him from the area he calls home, an unlikely friendship – and then a romance – begins to blossom. With Last Chance Harvey, director Joel Hopkins demonstrated his talent for chronicling unlikely relationships, and his affinity for the Hampstead area adds resonance to this heartwarmingly quirky love story.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
Love Is The Devil
Director: John Maybury. Starring: Derek Jacobi, Daniel Craig, Tilda Swinton. UK 1998. 90 mins.
John Maybury’s daring art biopic stars Derek Jacobi as Francis Bacon and Daniel Craig as his muse, a small-time thief drawn into the painter’s bohemian circle. Tilda Swinton gives a standout performance as the foul-mouthed proprietress of the legendary Colony Room, the Soho club that served as a hub for the group, which also included photographer John Deakin and artist Isabel Rawsthorne.
18.30Criminal Acts: A Charged Past: A season to mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales.
Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
Join Timmy and his friends for three fun adventures in this collection of classic Timmy Time episodes where Timmy discovers that football is more fun when you play with your friends, that winning is not always best and that sometimes things do not work out as planned but that’s OK.
Featuring the episodes Timmy Wants To Win, Timmy Plays Ball and Snapshot Timmy.
Director: Jonathan Teplitzky.
Starring: Brian Cox, Miranda Richardson, John Slattery. UK 2017. 98 mins.
June 1944. Allied forces stand on the brink of invasion, but one man stands in their way: Winston Churchill. Exhausted by years of war, Churchill (Cox) fears that history will remember him as an architect of slaughter if the landings fail. Churchill is the untold story of the haunted frailty of Britain’s most celebrated leader, revealing his vital relationship with his wife Clementine (Richardson), the confidant who inspired him to greatness.
Director: Mark Webb.
Starring: Chris Evans, McKenna Grace, Lindsay Duncan. USA 2017. 101 mins.
Gifted is a moving story about choices, compassion and family, all underscored by a wicked sense of humour. Frank Adler (Evans) is a single man raising a child prodigy – his spirited young niece Mary (Grace) – in a coastal town in Florida. Frank’s plans for a normal school life for Mary are foiled when her mathematical abilities come to the attention of Frank’s formidable mother, Evelyn (Duncan), whose plans for her granddaughter threaten to separate Frank and Mary.
Director: Roger Michell. Starring: Rachel Weisz, Sam Claflin, Iain Glen. USA/UK 2017. 106 mins.
After health problems determine that he must spend his winters in warmer climates, Ambrose (Glen), a wealthy landowner and guardian to his orphaned cousin Philip (Claflin), heads to Italy. Years later, Philip receives a letter from Ambrose announcing that he has fallen in love with and married a distant relation, the eponymous Rachel (Weisz). Soon after, Philip learns that his guardian is dangerously ill, but by the time he arrives in Italy, Ambrose is dead and Rachel has left for England, bound for her deceased husband’s estate in Cornwall. Racked by suspicion, Philip confronts Rachel, but he too soon finds himself under her beguiling spell. What is she? A femme fatale? A gold-digger? A tease? Thanks to skilled direction and first-rate performances, Roger Michell’s enticing period drama keeps the audience guessing throughout.
Director: Patty Jenkins.
Starring: Gal Gadot, Chris Pine, Connie Nelson. USA 2017. 133 mins.
Since Cathy Lee Crosby burst onto the big screen as the original Wonder Woman in 1974 there have several other versions of DC Comics’ legendary female superhero, but now Israeli actress Gal Gadot (Gisele from the Fast & Furious franchise) takes centre stage as the Amazon warrior-princess after a breakout turn last year in Batman V Superman: Dawn Of Justice. Raised as a fearless defender of her island paradise in the early 20th century, young Diana meets Steve Trevor (Pine), an American pilot who informs her of the mighty war raging beyond her shores. Inspired to right the world’s wrong, she leaves for London to discover her true destiny and her full, unearthly powers. Gifted director Patty Jenkins (Monster) is behind the camera, overseeing a stellar cast that includes Robin Wright and Connie Nelson.
Director: Michaël Dudok De Wit. France/Belgium/Japan 2015. 81 mins.
Renowned Japanese animation giant Studio Ghibli’s first-ever international co-production is a perfect collaboration with Oscar-winning Dutch animator Michaël Dudok De Wit. The Red Turtle, almost a decade in the making, is a dialogue-free fable about a castaway on a desert island, and a touching ode to the cycle of life and the resilience of family. Presented with an elegant simplicity, the sublime visuals pack a real emotional punch. Described by critics as a ‘quiet little masterpiece’ and a ‘wordless wonder’, The Red Turtle won the Special Jury Prize in the Un Certain Regard section at this year’s Cannes. Michaël Dudok De Wit previously made the Oscar-winning animated short Father And Daughter in 2000.
Director: Edgar Wright.
Starring: Ansel Elgort, Lily James, Kevin Spacey. USA 2017. 113 mins.
Young getaway driver Baby (Elgort) relies on the beat of his personal soundtrack to be the best in the game. After he meets the girl of his dreams, he sees a chance to leave his criminal life behind. But one last heist puts his love, life and freedom on the line. With an eclectic soundtrack ranging from Queen and Martha Reeves to The Beach Boys, Edgar Wright’s musical crime caper rolls out one terrific tune after the other.
Director: Joel Hopkins.
Starring: Diane Keaton, Brendan Gleeson, Lesley Manville. UK 2017. 103 mins.
While looking out over the unspoilt parkland of Hampstead Heath from her attic window, American widow Emily Waters (Keaton) calls the police when she sees an unkempt man, Donald Horner (Gleeson), being attacked by thugs outside a ramshackle hut. Curious about the man she helped save from afar, she ventures out the next day to visit him and discovers that he has lived wild on the Heath for 17 years. As ruthless property developers adopt heavy-handed tactics to remove him from the area he calls home, an unlikely friendship – and then a romance – begins to blossom. With Last Chance Harvey, director Joel Hopkins demonstrated his talent for chronicling unlikely relationships, and his affinity for the Hampstead area adds resonance to this heartwarmingly quirky love story.
World-famous tenor Jonas Kaufmann makes his role debut as Otello in Verdi's passionate retelling of Shakespeare's great tragedy of jealousy, deception and murder. Soprano Maria Agresta will be his Desdemona and baritone Marco Vratogna his nemesis Iago in a new production by Olivier Awardwinning director Keith Warner.
A major work of the opera repertory, Verdi's Otello draws on the full forces of the Orchestra of the Royal Opera House, the Royal Opera Chorus and this stellar line-up of principal singers, with exquisite duets, emotionally potent solo numbers and thrilling choruses.
Particular highlights include Otello and Desdemona's rapturous love duet and Desdemona's poignant 'Willow Song'. Royal Opera Music Director Antonio Pappano conducts this Italian masterpiece.
Director: Jonathan Teplitzky.
Starring: Brian Cox, Miranda Richardson, John Slattery. UK 2017. 98 mins.
June 1944. Allied forces stand on the brink of invasion, but one man stands in their way: Winston Churchill. Exhausted by years of war, Churchill (Cox) fears that history will remember him as an architect of slaughter if the landings fail. Churchill is the untold story of the haunted frailty of Britain’s most celebrated leader, revealing his vital relationship with his wife Clementine (Richardson), the confidant who inspired him to greatness.
Director: Mark Webb.
Starring: Chris Evans, McKenna Grace, Lindsay Duncan. USA 2017. 101 mins.
Gifted is a moving story about choices, compassion and family, all underscored by a wicked sense of humour. Frank Adler (Evans) is a single man raising a child prodigy – his spirited young niece Mary (Grace) – in a coastal town in Florida. Frank’s plans for a normal school life for Mary are foiled when her mathematical abilities come to the attention of Frank’s formidable mother, Evelyn (Duncan), whose plans for her granddaughter threaten to separate Frank and Mary.
Director: Roger Michell. Starring: Rachel Weisz, Sam Claflin, Iain Glen. USA/UK 2017. 106 mins.
After health problems determine that he must spend his winters in warmer climates, Ambrose (Glen), a wealthy landowner and guardian to his orphaned cousin Philip (Claflin), heads to Italy. Years later, Philip receives a letter from Ambrose announcing that he has fallen in love with and married a distant relation, the eponymous Rachel (Weisz). Soon after, Philip learns that his guardian is dangerously ill, but by the time he arrives in Italy, Ambrose is dead and Rachel has left for England, bound for her deceased husband’s estate in Cornwall. Racked by suspicion, Philip confronts Rachel, but he too soon finds himself under her beguiling spell. What is she? A femme fatale? A gold-digger? A tease? Thanks to skilled direction and first-rate performances, Roger Michell’s enticing period drama keeps the audience guessing throughout.
Director: Patty Jenkins.
Starring: Gal Gadot, Chris Pine, Connie Nelson. USA 2017. 133 mins.
Since Cathy Lee Crosby burst onto the big screen as the original Wonder Woman in 1974 there have several other versions of DC Comics’ legendary female superhero, but now Israeli actress Gal Gadot (Gisele from the Fast & Furious franchise) takes centre stage as the Amazon warrior-princess after a breakout turn last year in Batman V Superman: Dawn Of Justice. Raised as a fearless defender of her island paradise in the early 20th century, young Diana meets Steve Trevor (Pine), an American pilot who informs her of the mighty war raging beyond her shores. Inspired to right the world’s wrong, she leaves for London to discover her true destiny and her full, unearthly powers. Gifted director Patty Jenkins (Monster) is behind the camera, overseeing a stellar cast that includes Robin Wright and Connie Nelson.
Director: Michaël Dudok De Wit. France/Belgium/Japan 2015. 81 mins.
Renowned Japanese animation giant Studio Ghibli’s first-ever international co-production is a perfect collaboration with Oscar-winning Dutch animator Michaël Dudok De Wit. The Red Turtle, almost a decade in the making, is a dialogue-free fable about a castaway on a desert island, and a touching ode to the cycle of life and the resilience of family. Presented with an elegant simplicity, the sublime visuals pack a real emotional punch. Described by critics as a ‘quiet little masterpiece’ and a ‘wordless wonder’, The Red Turtle won the Special Jury Prize in the Un Certain Regard section at this year’s Cannes. Michaël Dudok De Wit previously made the Oscar-winning animated short Father And Daughter in 2000.
Director: Edgar Wright.
Starring: Ansel Elgort, Lily James, Kevin Spacey. USA 2017. 113 mins.
Young getaway driver Baby (Elgort) relies on the beat of his personal soundtrack to be the best in the game. After he meets the girl of his dreams, he sees a chance to leave his criminal life behind. But one last heist puts his love, life and freedom on the line. With an eclectic soundtrack ranging from Queen and Martha Reeves to The Beach Boys, Edgar Wright’s musical crime caper rolls out one terrific tune after the other.
13.10Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Director: Andew J. Cohen. Starring: Will Ferrell, Amy Poehler, Allison Tolman. USA 2017. 88mins.
After Scott and Kate Johansen (Will Ferrell and Amy Poehler) lose their daughter Alex’s college fund, they become desperate to earn it back so she can pursue her dream of attending a university. With the help of their neighbor Frank (Jason Mantzoukas), they decide to start an illegal casino in his house.
Director: Joel Hopkins.
Starring: Diane Keaton, Brendan Gleeson, Lesley Manville. UK 2017. 103 mins.
While looking out over the unspoilt parkland of Hampstead Heath from her attic window, American widow Emily Waters (Keaton) calls the police when she sees an unkempt man, Donald Horner (Gleeson), being attacked by thugs outside a ramshackle hut. Curious about the man she helped save from afar, she ventures out the next day to visit him and discovers that he has lived wild on the Heath for 17 years. As ruthless property developers adopt heavy-handed tactics to remove him from the area he calls home, an unlikely friendship – and then a romance – begins to blossom. With Last Chance Harvey, director Joel Hopkins demonstrated his talent for chronicling unlikely relationships, and his affinity for the Hampstead area adds resonance to this heartwarmingly quirky love story.
13.30Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
16.00Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Director: Jonathan Teplitzky.
Starring: Brian Cox, Miranda Richardson, John Slattery. UK 2017. 98 mins.
June 1944. Allied forces stand on the brink of invasion, but one man stands in their way: Winston Churchill. Exhausted by years of war, Churchill (Cox) fears that history will remember him as an architect of slaughter if the landings fail. Churchill is the untold story of the haunted frailty of Britain’s most celebrated leader, revealing his vital relationship with his wife Clementine (Richardson), the confidant who inspired him to greatness.
Director: Roger Michell. Starring: Rachel Weisz, Sam Claflin, Iain Glen. USA/UK 2017. 106 mins.
After health problems determine that he must spend his winters in warmer climates, Ambrose (Glen), a wealthy landowner and guardian to his orphaned cousin Philip (Claflin), heads to Italy. Years later, Philip receives a letter from Ambrose announcing that he has fallen in love with and married a distant relation, the eponymous Rachel (Weisz). Soon after, Philip learns that his guardian is dangerously ill, but by the time he arrives in Italy, Ambrose is dead and Rachel has left for England, bound for her deceased husband’s estate in Cornwall. Racked by suspicion, Philip confronts Rachel, but he too soon finds himself under her beguiling spell. What is she? A femme fatale? A gold-digger? A tease? Thanks to skilled direction and first-rate performances, Roger Michell’s enticing period drama keeps the audience guessing throughout.
10.45Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
15.45Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Director: Patty Jenkins.
Starring: Gal Gadot, Chris Pine, Connie Nelson. USA 2017. 133 mins.
Since Cathy Lee Crosby burst onto the big screen as the original Wonder Woman in 1974 there have several other versions of DC Comics’ legendary female superhero, but now Israeli actress Gal Gadot (Gisele from the Fast & Furious franchise) takes centre stage as the Amazon warrior-princess after a breakout turn last year in Batman V Superman: Dawn Of Justice. Raised as a fearless defender of her island paradise in the early 20th century, young Diana meets Steve Trevor (Pine), an American pilot who informs her of the mighty war raging beyond her shores. Inspired to right the world’s wrong, she leaves for London to discover her true destiny and her full, unearthly powers. Gifted director Patty Jenkins (Monster) is behind the camera, overseeing a stellar cast that includes Robin Wright and Connie Nelson.
14.45Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Director: Michaël Dudok De Wit. France/Belgium/Japan 2015. 81 mins.
Renowned Japanese animation giant Studio Ghibli’s first-ever international co-production is a perfect collaboration with Oscar-winning Dutch animator Michaël Dudok De Wit. The Red Turtle, almost a decade in the making, is a dialogue-free fable about a castaway on a desert island, and a touching ode to the cycle of life and the resilience of family. Presented with an elegant simplicity, the sublime visuals pack a real emotional punch. Described by critics as a ‘quiet little masterpiece’ and a ‘wordless wonder’, The Red Turtle won the Special Jury Prize in the Un Certain Regard section at this year’s Cannes. Michaël Dudok De Wit previously made the Oscar-winning animated short Father And Daughter in 2000.
12.30Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Director: Edgar Wright.
Starring: Ansel Elgort, Lily James, Kevin Spacey. USA 2017. 113 mins.
Young getaway driver Baby (Elgort) relies on the beat of his personal soundtrack to be the best in the game. After he meets the girl of his dreams, he sees a chance to leave his criminal life behind. But one last heist puts his love, life and freedom on the line. With an eclectic soundtrack ranging from Queen and Martha Reeves to The Beach Boys, Edgar Wright’s musical crime caper rolls out one terrific tune after the other.
Directors: Kyle Balda, Pierre Coffin, Eric Guillon.
Voices: Steve Carell, Kristen Wiig, Trey Parker. USA 2017. 90 mins.
At the end of Despicable Me 2, one-time dastardly supervillain Felonious Gru (Carell) seemed to have hung up his ‘evil’ cape for good. Having settled in the ‘burbs with his feisty super agent wife (Wiig) and three adorable, unicorn-loving, adopted daughters, he’s now out to actively fight crime, not cause it. Until, that is, a long lost, enviably hirsute twin brother (also Carell) pops out of the woodwork to tempt Gru back to the dark side… Eagerly anticipated by everyone from toddlers to adults, this animated threequel also voice casts Trey Parker (co-creator of South Park and The Book Of Mormon) as an ’80s-obsessed baddie with truly villainous shoulder pads. As if that wasn’t enough, one final word will sell it to you: Minions!
Director: Edgar Wright.
Starring: Ansel Elgort, Lily James, Kevin Spacey. USA 2017. 113 mins.
Young getaway driver Baby (Elgort) relies on the beat of his personal soundtrack to be the best in the game. After he meets the girl of his dreams, he sees a chance to leave his criminal life behind. But one last heist puts his love, life and freedom on the line. With an eclectic soundtrack ranging from Queen and Martha Reeves to The Beach Boys, Edgar Wright’s musical crime caper rolls out one terrific tune after the other.
Directors: Kyle Balda, Pierre Coffin, Eric Guillon.
Voices: Steve Carell, Kristen Wiig, Trey Parker. USA 2017. 90 mins.
At the end of Despicable Me 2, one-time dastardly supervillain Felonious Gru (Carell) seemed to have hung up his ‘evil’ cape for good. Having settled in the ‘burbs with his feisty super agent wife (Wiig) and three adorable, unicorn-loving, adopted daughters, he’s now out to actively fight crime, not cause it. Until, that is, a long lost, enviably hirsute twin brother (also Carell) pops out of the woodwork to tempt Gru back to the dark side… Eagerly anticipated by everyone from toddlers to adults, this animated threequel also voice casts Trey Parker (co-creator of South Park and The Book Of Mormon) as an ’80s-obsessed baddie with truly villainous shoulder pads. As if that wasn’t enough, one final word will sell it to you: Minions!
Director: Edgar Wright.
Starring: Ansel Elgort, Lily James, Kevin Spacey. USA 2017. 113 mins.
Young getaway driver Baby (Elgort) relies on the beat of his personal soundtrack to be the best in the game. After he meets the girl of his dreams, he sees a chance to leave his criminal life behind. But one last heist puts his love, life and freedom on the line. With an eclectic soundtrack ranging from Queen and Martha Reeves to The Beach Boys, Edgar Wright’s musical crime caper rolls out one terrific tune after the other.
Directors: Kyle Balda, Pierre Coffin, Eric Guillon.
Voices: Steve Carell, Kristen Wiig, Trey Parker. USA 2017. 90 mins.
At the end of Despicable Me 2, one-time dastardly supervillain Felonious Gru (Carell) seemed to have hung up his ‘evil’ cape for good. Having settled in the ‘burbs with his feisty super agent wife (Wiig) and three adorable, unicorn-loving, adopted daughters, he’s now out to actively fight crime, not cause it. Until, that is, a long lost, enviably hirsute twin brother (also Carell) pops out of the woodwork to tempt Gru back to the dark side… Eagerly anticipated by everyone from toddlers to adults, this animated threequel also voice casts Trey Parker (co-creator of South Park and The Book Of Mormon) as an ’80s-obsessed baddie with truly villainous shoulder pads. As if that wasn’t enough, one final word will sell it to you: Minions!
The fairy tale-inspired Disney classic is back on the big screen.
Set in a French village in the heart of a majestic forest, it tells the story of wholesome bookworm Belle (O'Hara, ENCHANTED), who sets out to rescue her father Maurice after he stumbles into the castle of the eponymous hirsute prince one fateful snowy night.
After making her way to the castle Belle offers to take her father's place as the Beast's prisoner, prompting a rescue mission led by egotistical local hunter Gaston, who wishes to make Belle his bride.
Having more than stood the test of time, BEAUTY AND THE BEAST remains one of the most captivating animated features of the past few decades.
Director: Edgar Wright.
Starring: Ansel Elgort, Lily James, Kevin Spacey. USA 2017. 113 mins.
Young getaway driver Baby (Elgort) relies on the beat of his personal soundtrack to be the best in the game. After he meets the girl of his dreams, he sees a chance to leave his criminal life behind. But one last heist puts his love, life and freedom on the line. With an eclectic soundtrack ranging from Queen and Martha Reeves to The Beach Boys, Edgar Wright’s musical crime caper rolls out one terrific tune after the other.
Directors: Kyle Balda, Pierre Coffin, Eric Guillon.
Voices: Steve Carell, Kristen Wiig, Trey Parker. USA 2017. 90 mins.
At the end of Despicable Me 2, one-time dastardly supervillain Felonious Gru (Carell) seemed to have hung up his ‘evil’ cape for good. Having settled in the ‘burbs with his feisty super agent wife (Wiig) and three adorable, unicorn-loving, adopted daughters, he’s now out to actively fight crime, not cause it. Until, that is, a long lost, enviably hirsute twin brother (also Carell) pops out of the woodwork to tempt Gru back to the dark side… Eagerly anticipated by everyone from toddlers to adults, this animated threequel also voice casts Trey Parker (co-creator of South Park and The Book Of Mormon) as an ’80s-obsessed baddie with truly villainous shoulder pads. As if that wasn’t enough, one final word will sell it to you: Minions!
A mystery dancer, a missing dance crew and the break-up of da Sugamice girl band provide Da Easy Crew with more musical mysteries and adventures.
Featuring episodes: Dancinderella, Da Bad Break and Sugar Gone Sour.
Author Michael De Souza says of his creation, “Rastamouse has a positive message for young children, promoting the need to understand what is right from what is wrong, and why, in a meaningful context.”
If you want to have more fun when you get home from the cinema, go to www.rastamouse.com to find out all about the nation’s favourite reggae-playing mouse, play games or just listen to Da Easy Crew’s crucial tunes. Rastamouse and Da Easy Crew also want to hear all about how you made a bad ting good – so send any pictures or stories in to them at goodtings@rastamouse.com.
“Through understanding, love an' respect; Rastamouse will always make a bad thing good.”
Director: Edgar Wright.
Starring: Ansel Elgort, Lily James, Kevin Spacey. USA 2017. 113 mins.
Young getaway driver Baby (Elgort) relies on the beat of his personal soundtrack to be the best in the game. After he meets the girl of his dreams, he sees a chance to leave his criminal life behind. But one last heist puts his love, life and freedom on the line. With an eclectic soundtrack ranging from Queen and Martha Reeves to The Beach Boys, Edgar Wright’s musical crime caper rolls out one terrific tune after the other.
Directors: Kyle Balda, Pierre Coffin, Eric Guillon.
Voices: Steve Carell, Kristen Wiig, Trey Parker. USA 2017. 90 mins.
At the end of Despicable Me 2, one-time dastardly supervillain Felonious Gru (Carell) seemed to have hung up his ‘evil’ cape for good. Having settled in the ‘burbs with his feisty super agent wife (Wiig) and three adorable, unicorn-loving, adopted daughters, he’s now out to actively fight crime, not cause it. Until, that is, a long lost, enviably hirsute twin brother (also Carell) pops out of the woodwork to tempt Gru back to the dark side… Eagerly anticipated by everyone from toddlers to adults, this animated threequel also voice casts Trey Parker (co-creator of South Park and The Book Of Mormon) as an ’80s-obsessed baddie with truly villainous shoulder pads. As if that wasn’t enough, one final word will sell it to you: Minions!
A mystery dancer, a missing dance crew and the break-up of da Sugamice girl band provide Da Easy Crew with more musical mysteries and adventures.
Featuring episodes: Dancinderella, Da Bad Break and Sugar Gone Sour.
Author Michael De Souza says of his creation, “Rastamouse has a positive message for young children, promoting the need to understand what is right from what is wrong, and why, in a meaningful context.”
If you want to have more fun when you get home from the cinema, go to www.rastamouse.com to find out all about the nation’s favourite reggae-playing mouse, play games or just listen to Da Easy Crew’s crucial tunes. Rastamouse and Da Easy Crew also want to hear all about how you made a bad ting good – so send any pictures or stories in to them at goodtings@rastamouse.com.
“Through understanding, love an' respect; Rastamouse will always make a bad thing good.”
Director: Edgar Wright.
Starring: Ansel Elgort, Lily James, Kevin Spacey. USA 2017. 113 mins.
Young getaway driver Baby (Elgort) relies on the beat of his personal soundtrack to be the best in the game. After he meets the girl of his dreams, he sees a chance to leave his criminal life behind. But one last heist puts his love, life and freedom on the line. With an eclectic soundtrack ranging from Queen and Martha Reeves to The Beach Boys, Edgar Wright’s musical crime caper rolls out one terrific tune after the other.
Directors: Kyle Balda, Pierre Coffin, Eric Guillon.
Voices: Steve Carell, Kristen Wiig, Trey Parker. USA 2017. 90 mins.
At the end of Despicable Me 2, one-time dastardly supervillain Felonious Gru (Carell) seemed to have hung up his ‘evil’ cape for good. Having settled in the ‘burbs with his feisty super agent wife (Wiig) and three adorable, unicorn-loving, adopted daughters, he’s now out to actively fight crime, not cause it. Until, that is, a long lost, enviably hirsute twin brother (also Carell) pops out of the woodwork to tempt Gru back to the dark side… Eagerly anticipated by everyone from toddlers to adults, this animated threequel also voice casts Trey Parker (co-creator of South Park and The Book Of Mormon) as an ’80s-obsessed baddie with truly villainous shoulder pads. As if that wasn’t enough, one final word will sell it to you: Minions!
Director: Edgar Wright.
Starring: Ansel Elgort, Lily James, Kevin Spacey. USA 2017. 113 mins.
Young getaway driver Baby (Elgort) relies on the beat of his personal soundtrack to be the best in the game. After he meets the girl of his dreams, he sees a chance to leave his criminal life behind. But one last heist puts his love, life and freedom on the line. With an eclectic soundtrack ranging from Queen and Martha Reeves to The Beach Boys, Edgar Wright’s musical crime caper rolls out one terrific tune after the other.
Directors: Kyle Balda, Pierre Coffin, Eric Guillon.
Voices: Steve Carell, Kristen Wiig, Trey Parker. USA 2017. 90 mins.
At the end of Despicable Me 2, one-time dastardly supervillain Felonious Gru (Carell) seemed to have hung up his ‘evil’ cape for good. Having settled in the ‘burbs with his feisty super agent wife (Wiig) and three adorable, unicorn-loving, adopted daughters, he’s now out to actively fight crime, not cause it. Until, that is, a long lost, enviably hirsute twin brother (also Carell) pops out of the woodwork to tempt Gru back to the dark side… Eagerly anticipated by everyone from toddlers to adults, this animated threequel also voice casts Trey Parker (co-creator of South Park and The Book Of Mormon) as an ’80s-obsessed baddie with truly villainous shoulder pads. As if that wasn’t enough, one final word will sell it to you: Minions!
Be part of a major new operatic work – join us for the world premiere of Brett Dean’s new opera based on Shakespeare’s best-known tragedy.
Brett Dean’s colourful, energetic, witty and richly lyrical music expertly captures the modernity of this timeless tale, while Matthew Jocelyn’s libretto is pure Shakespeare.
A cast of some of the finest singing actors of the moment will bring Hamlet to life. British tenor and Glyndebourne favourite Allan Clayton will play Hamlet. British mezzo-soprano Sarah Connolly will play Gertrude and Canadian soprano Barbara Hannigan will make her Glyndebourne debut as Ophelia. Legendary British bass John Tomlinson plays The Ghost of Old Hamlet.
Hamlet will be conducted by Vladimir Jurowski, Glyndebourne’s former Music Director.
Neil Armfield has directed numerous productions for Opera Australia, including their first full-length presentation of The Ring Cycle. He is the director of the acclaimed films Candy and Holding the Man.
‘The themes of life and death, love and betrayal have opera written all over them.’
—Brett Dean, Composer
Sung in English with English supertitles
Also on screen this summer: a timeless production of La traviata (captured live in 2014) and a new production of Mozart’s La clemenza di Tito (live).
Directors: Stanley Donen and Gene Kelly
Starring: Gene Kelly, Frank Sinatra, Jules Munshin, Ann Miller. USA 1949. 98 mins.
Producer Arthur Freed turned New York into a giant sound stage for this hectic 'sailors on leave' romantic comedy, which is notable not only for the superb Leonard Bernstein score but also for the musical numbers shot on location. Few dance sequences in film are as fresh, exhilarating and imaginative as the ballet on top of the Empire State Building.
10.30Dementia-Friendly Screening: Open to all but especially for people with dementia and their family, friends and carers. Join us for free tea, coffee and biscuits and a chance to socialise for 30 minutes before the film. The film will start at the time stated.
Director: Jon Watts.
Starring: Tom Holland, Robert Downey Jr, Michael Keaton. USA 2017. 133 mins.
Tom Holland reprises his role as Peter Parker/Spider-Man following his sensational debut in 2016’s Captain America: Civil War. Several months after his thrilling web-slinging cameo with The Avengers, Peter tries to settle back into life as an ordinary high-school student in Queens, New York City. Desperate to prove himself and exercise his superpowers, he gets his chance when a new threat emerges in the shape of The Vulture (Keaton).
Director: Sofia Coppola.
Starring: Nicole Kidman, Colin Farrell, Kirsten Dunst, Elle Fanning. USA 2017. 94 mins.
Academy Award-winner Sofia Coppola is one of those rare directors whose films feel like an event not to be missed. Her latest, a seductive drama with an all-star cast, is no different. A new adaptation of Thomas P. Cullinan’s Southern Gothic novel, A Painted Devil, the story unfolds at an all-girls boarding school in rural Virginia during the American Civil War. When the headmistress (Kidman) agrees to provide temporary refuge for a wounded Union soldier (Farrell), his sudden presence stirs up sexual tensions in the remote mansion. As each of the women falls for his charms, their tight-knit sisterhood buckles under the weight of deceit and jealousy, and taboos are broken in a dark and unexpected turn of events.
Director: Jon Watts.
Starring: Tom Holland, Robert Downey Jr, Michael Keaton. USA 2017. 133 mins.
Tom Holland reprises his role as Peter Parker/Spider-Man following his sensational debut in 2016’s Captain America: Civil War. Several months after his thrilling web-slinging cameo with The Avengers, Peter tries to settle back into life as an ordinary high-school student in Queens, New York City. Desperate to prove himself and exercise his superpowers, he gets his chance when a new threat emerges in the shape of The Vulture (Keaton).
A collaboration between American film-maker Sofia Coppola and Italian haute couture king Valentino comes in the form of a revival of Giuseppe Verdi’s classic opera, LA TRAVIATA.
Violetta Valéry is a well-known courtesan in Paris whose life appears to be glamorous, but who also suffers from a serious illness. She lives on the money given to her by her male patrons. But when she meets Alfredo Germont, a young man from a good family, they fall in love and move to the country. Alfredo’s father disapproves of their relationship and comes to tell Violetta that her involvement with Alfredo will ruin his family’s reputation. Out of her love for Alfredo, Violetta agrees to leave him and returns to Paris. Thinking she has betrayed him, Alfredo is heartbroken. He follows her to a party and publicly insults her. A few months later, Violetta is close to death. Alfredo, who has learned why Violetta left him, returns to her. He is shocked by her weakness as she strains to get to her feet. They vow to be together forever, but she soon collapses and breathes her last.
Director: Jon Watts.
Starring: Tom Holland, Robert Downey Jr, Michael Keaton. USA 2017. 133 mins.
Tom Holland reprises his role as Peter Parker/Spider-Man following his sensational debut in 2016’s Captain America: Civil War. Several months after his thrilling web-slinging cameo with The Avengers, Peter tries to settle back into life as an ordinary high-school student in Queens, New York City. Desperate to prove himself and exercise his superpowers, he gets his chance when a new threat emerges in the shape of The Vulture (Keaton).
Directors: Kyle Balda, Pierre Coffin, Eric Guillon.
Voices: Steve Carell, Kristen Wiig, Trey Parker. USA 2017. 90 mins.
At the end of Despicable Me 2, one-time dastardly supervillain Felonious Gru (Carell) seemed to have hung up his ‘evil’ cape for good. Having settled in the ‘burbs with his feisty super agent wife (Wiig) and three adorable, unicorn-loving, adopted daughters, he’s now out to actively fight crime, not cause it. Until, that is, a long lost, enviably hirsute twin brother (also Carell) pops out of the woodwork to tempt Gru back to the dark side… Eagerly anticipated by everyone from toddlers to adults, this animated threequel also voice casts Trey Parker (co-creator of South Park and The Book Of Mormon) as an ’80s-obsessed baddie with truly villainous shoulder pads. As if that wasn’t enough, one final word will sell it to you: Minions!
Director: Mike Nichols. Starring: Dustin Hoffman, Anne Bancroft, Katharine Ross. USA 1967. 105 mins.
This archly hilarious observation of smug, middle-class American mores remains a delight half a century after its release, as callow college graduate Dustin Hoffman is seduced by Mrs Robinson (Bancroft). Bancroft’s career-defining role is perfectly matched by Katharine Ross as her daughter, who ultimately takes Benjamin’s fancy. The Graduate confirmed director Mike Nichols’ talent for socially astute storytelling, with fabulous performances from some of his generation’s finest actors.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
Nighthawks
Director: Ron Peck, Paul Hallam. Starring: Ken Robertson. UK 1978. 114 mins.
Often seen as Britain's first major gay film, Nighthawks is a vivid account of the London gay scene soon after decriminalisation, where, newly freed from the threat of imprisonment, men are able to seek love and sex in the dark confines of Soho clubs.
Sarah And Duck follows seven-year-old Sarah and her endearing best friend Duck. During each episode, the pair embarks on simple but exciting adventures. Whether they are trying to reach a rainbow or help an umbrella to stay dry, Sarah and Duck explore everyday moments in an engaging, imaginative way.
Director: Jon Watts.
Starring: Tom Holland, Robert Downey Jr, Michael Keaton. USA 2017. 133 mins.
Tom Holland reprises his role as Peter Parker/Spider-Man following his sensational debut in 2016’s Captain America: Civil War. Several months after his thrilling web-slinging cameo with The Avengers, Peter tries to settle back into life as an ordinary high-school student in Queens, New York City. Desperate to prove himself and exercise his superpowers, he gets his chance when a new threat emerges in the shape of The Vulture (Keaton).
Sarah And Duck follows seven-year-old Sarah and her endearing best friend Duck. During each episode, the pair embarks on simple but exciting adventures. Whether they are trying to reach a rainbow or help an umbrella to stay dry, Sarah and Duck explore everyday moments in an engaging, imaginative way.
Director: Jon Watts.
Starring: Tom Holland, Robert Downey Jr, Michael Keaton. USA 2017. 133 mins.
Tom Holland reprises his role as Peter Parker/Spider-Man following his sensational debut in 2016’s Captain America: Civil War. Several months after his thrilling web-slinging cameo with The Avengers, Peter tries to settle back into life as an ordinary high-school student in Queens, New York City. Desperate to prove himself and exercise his superpowers, he gets his chance when a new threat emerges in the shape of The Vulture (Keaton).
Director: Jon Watts.
Starring: Tom Holland, Robert Downey Jr, Michael Keaton. USA 2017. 133 mins.
Tom Holland reprises his role as Peter Parker/Spider-Man following his sensational debut in 2016’s Captain America: Civil War. Several months after his thrilling web-slinging cameo with The Avengers, Peter tries to settle back into life as an ordinary high-school student in Queens, New York City. Desperate to prove himself and exercise his superpowers, he gets his chance when a new threat emerges in the shape of The Vulture (Keaton).
Director: Jon Watts.
Starring: Tom Holland, Robert Downey Jr, Michael Keaton. USA 2017. 133 mins.
Tom Holland reprises his role as Peter Parker/Spider-Man following his sensational debut in 2016’s Captain America: Civil War. Several months after his thrilling web-slinging cameo with The Avengers, Peter tries to settle back into life as an ordinary high-school student in Queens, New York City. Desperate to prove himself and exercise his superpowers, he gets his chance when a new threat emerges in the shape of The Vulture (Keaton).
12.00Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
15.00Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Everything’s Rosie is an animated series for toddlers created by Victoria Corner for V&S Entertainment Ltd. It follows the adventures of a little girl named Rosie and her friends Will, Holly, Big Bear, Oakley the ancient oak tree and Raggles the rabbit. This programme features the episodes: The Licky Sticky Friend, Blooming Lovely and Zip Zap Zip.
Everything’s Rosie is an animated series for toddlers created by Victoria Corner for V&S Entertainment Ltd. It follows the adventures of a little girl named Rosie and her friends Will, Holly, Big Bear, Oakley the ancient oak tree and Raggles the rabbit. This programme features the episodes: The Licky Sticky Friend, Blooming Lovely and Zip Zap Zip.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
Weekend
Director: Andrew Haigh. Starring: Tom Cullen, Chris New. UK 2011. 97 mins.
Andrew Haigh’s modern classic, a breakout hit and a milestone in British cinema, sees two young men find a one-night-stand turning into something far more serious. As their relationship deepens, they debate their daily struggles in an overwhelmingly straight world, and come to realise that despite almost half a century of progress, the fight for social equality is far from over.
18.30Criminal Acts: A Charged Past: A season to mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales.
Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell.
Andrew Garfield (Silence, Hacksaw Ridge) plays Prior Walter along with a cast including Denise Gough (People, Places and Things), Nathan Lane (The Producers), James McArdle (Star Wars: The Force Awakens) and Russell Tovey (The Pass).
This new staging of Tony Kushner’s multi-award winning two-part play is directed by Olivier and Tony award winning director Marianne Elliott (The Curious Incident of the Dog in the Night-Time and War Horse). Part One: Millennium Approaches was first performed at the National Theatre in 1992 and was followed by Part Two: Perestroika the following year.
Part One: Millennium Approaches will be broadcast live on 20 July 2017.
Director: Kelly Asbury.
Starring: Demi Lovato, Jack McBrayer, Joe Mananiello, Danny Pudi. USA 2017. 89 mins.
Shrek 2 director Kelly Asbury helms the latest computer-animated children’s adventure featuring the loveable little blue humanoids. This time around Smurfette (Lovato) briefly meets a very familiar-looking creature in the Forbidden Forest, who leaves behind a mysterious map that suggests the whereabouts of a magical lost village.
Intrigued, she sets out with her best friends Clumsy (McBrayer), Hefty (Mananiello) and Brainy (Pudi) to get there before their wicked wizard foe, Gargamel (Rainn Wilson), who’s out to harness the all-powerful, magical Smurf essence. After many madcap adventures full of action and danger, they discover the biggest secret in Smurf history. Fun for all the family, but especially for the under-10s.
10.30Autism-Friendly: Especially for people on the autism spectrum or with other special needs and their families, friends and carers. Adults without disabilities are only admitted if they are accompanying a child or a person on the autism spectrum/with special needs.
Join this Hopster Showtime screening with your little one and enjoy half an hour of creative and inspiring preschool shows.
This special performance is perfect to get kids into arts and music and nurture their imagination and creativity.
Come along and learn how to draw the Loch Ness monster with Louie, paint magical raindrops with Wanda And The Alien, join a band with Pingu and learn some funny songs.
Join this Hopster Showtime screening with your little one and enjoy half an hour of creative and inspiring preschool shows.
This special performance is perfect to get kids into arts and music and nurture their imagination and creativity.
Come along and learn how to draw the Loch Ness monster with Louie, paint magical raindrops with Wanda And The Alien, join a band with Pingu and learn some funny songs.
America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell.
Andrew Garfield (Silence, Hacksaw Ridge) plays Prior Walter along with a cast including Denise Gough (People, Places and Things), Nathan Lane (The Producers), James McArdle (Star Wars: The Force Awakens) and Russell Tovey (The Pass).
This new staging of Tony Kushner’s multi-award winning two-part play is directed by Olivier and Tony award winning director Marianne Elliott (The Curious Incident of the Dog in the Night-Time and War Horse). Part One: Millennium Approaches was first performed at the National Theatre in 1992 and was followed by Part Two: Perestroika the following year.
Part One: Millennium Approaches will be broadcast live on 20 July 2017.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
My Summer Of Love
Director: Pawel Pawlikowski. Starring: Emily Blunt, Natalie Press. UK 2004. 86 mins.
Pawel Pawlikowski's BAFTA-winning drama, a potent depiction of girlhood, young love and endless summers, finally returns to the big screen. A young Emily Blunt shines as bored rich kid Tamsin, who seduces working class Mona, to the dismay of the Christian community in their small Yorkshire village.
Spurned by Tito, Vitellia seeks revenge. Besotted Sesto agrees to avenge her as a token of his love, but all does not go to plan. A brand new take on one of Mozart’s final works.
Vitellia’s path to the throne is thwarted by the man who deposed her father, so she presses her admirer Sesto to murder him.
Driven by love, Sesto does his worst. But in return, receives a lesson in forgiveness.
Conducted by Robin Ticciati and directed by Claus Guth, Mozart’s opera delivers all of the sublime musical beauty and heart-tugging humanity we expect of him.
Loosely based on the life of the Roman Emperor Titus, La clemenza di Tito distills the suspense of Don Giovanni, the warmth of The Marriage of Figaro, and the nobility of The Magic Flute into one powerful parable of love and friendship, vengeance and mercy.
Australian tenor Steve Davislim makes his Glyndebourne debut as Tito, with Alice Coote as Vitellia and Kate Lindsey as Sesto.
Sung in Italian with English supertitles.
Also on screen this summer: a timeless production of La traviata (captured live in 2014) and Brett Dean’s brand new Shakespeare-inspired opera, Hamlet (live).
Director: Wolfgang Reitherman. USA. 1967. 77 mins.
Abandoned after an accident, baby Mowgli is taken and raised by a family of wolves. As the boy grows older, the wise panther Bagheera realizes he must be returned to his own kind in the nearby man-village. Baloo the bear however thinks differently taking the young Mowgli under his wing and teaching that living in the jungle is the best life there is. Bagheera realizes that Mowgli is in danger, particularly from Shere Khan the tiger who hates all people. When Baloo finally comes around, Mowgli runs off into the jungle where he survives a second encounter with Kaa the snake and finally, with Shere Khan. It's the sight of a pretty girl however that gets Mowgli to go the nearby man-village.
10.30Dementia-Friendly Screening: Open to all but especially for people with dementia and their family, friends and carers. Join us for free tea, coffee and biscuits and a chance to socialise for 30 minutes before the film. The film will start at the time stated.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
Prick Up Your Ears
Director: Stephen Frears. Starring: Gary Oldman, Alfred Molina. UK 1987. 110 mins.
Stephen Frears and screenwriter Alan Bennett depict the realities of gay life in ’60s London in this classic ’80s drama. Gary Oldman and Alfred Molina star as controversial playwright Joe Orton and his partner Kenneth Halliwell. As Orton scales literary heights and Halliwell struggles to keep up, they descend into an increasingly tumultuous relationship, with devastating consequences.
The decay of Rome reaches violent depths in Shakespeare’s bloodiest play. Blanche McIntyre (The Two Noble Kinsmen) returns to the RSC to direct Shakespeare’s brutal revenge tragedy.
Titus is a ruler exhausted by war and loss. He relinquishes power, but leaves Rome in disorder. Rape, cannibalism and mutilation fill the moral void at the heart of this corrupt society.
Shakespeare presents us with murder as entertainment and, as the body count rises, poses questions about sexuality, family, class and society.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
Early ’60s London, and gay men across the city are being blackmailed, threatening exposure at a time when consensual homosexual acts could still result in imprisonment. Basil Dearden’s classic thriller stars Dirk Bogarde in his most daring role, as a gay lawyer fighting back against the blackmailers who dare to target him.
18.30Criminal Acts: A Charged Past: A season to mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales.
Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
This fender and genre-bending film takes us into the not-too-distant machine-driven future. Kokone should be diligently studying for her university entrance exams, but she just can’t seem to stay awake. Aside from stealing precious study time, her napping is even more distracting, as it brings on strange dreams with warring machines that hint at family secrets that have been dormant for years. She can’t ask her father, a hipster mechanic more talented and artful than his job requires, as he’s always busy modifying motorcycles and cars in flights of fancy. What are these visions that lead Kokone at once closer to and further away from her family?
America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell.
Andrew Garfield (Silence, Hacksaw Ridge) plays Prior Walter along with a cast including Denise Gough (People, Places and Things), Nathan Lane (The Producers), James McArdle (Star Wars: The Force Awakens) and Russell Tovey (The Pass).
This new staging of Tony Kushner’s multi-award winning two-part play is directed by Olivier and Tony award winning director Marianne Elliott (The Curious Incident of the Dog in the Night-Time and War Horse). Part One: Millennium Approaches was first performed at the National Theatre in 1992 and was followed by Part Two: Perestroika the following year.
Part One: Millennium Approaches will be broadcast live on 20 July 2017.
America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell.
Andrew Garfield (Silence, Hacksaw Ridge) plays Prior Walter along with a cast including Denise Gough (People, Places and Things), Nathan Lane (The Producers), James McArdle (Star Wars: The Force Awakens) and Russell Tovey (The Pass).
This new staging of Tony Kushner’s multi-award winning two-part play is directed by Olivier and Tony award winning director Marianne Elliott (The Curious Incident of the Dog in the Night-Time and War Horse). Part One: Millennium Approaches was first performed at the National Theatre in 1992 and was followed by Part Two: Perestroika the following year.
Part One: Millennium Approaches will be broadcast live on 20 July 2017.
The incredible Billie Piper (Penny Dreadful, Great Britain) returns in her Evening Standard Best Actress award-winning role. A young woman is driven to the unthinkable by her desperate desire to have a child in Simon Stone’s radical production of Lorca’s achingly powerful masterpiece. The unmissable theatre phenomenon sold out at the Young Vic and critics call it “an extraordinary theatrical triumph” (The Times) and “stunning, searing, unmissable” (Mail on Sunday). Billie Piper’s lead performance is described as “spellbinding” (The Evening Standard), “astonishing” (iNews) and “devastatingly powerful” (The Daily Telegraph). Set in contemporary London, Piper’s portrayal of a woman in her thirties desperate to conceive builds with elemental force to a staggering, shocking, climax. Please note that this broadcast does not have an interval.
★★★★★
“Brutal yet ferociously funny” - Metro
★★★★★
“Billie Piper makes a shattering Yerma in Simon Stone’s inspired reworking of Lorca” - The Observer
★★★★★
“A shatteringly powerful reinvention of a familiar classic” - The Independent
In aid of Médecins Sans Frontières / Doctors without Borders (MSF)
7 September 2017
Join us for a unique celebration of John le Carré’s work as he discusses the full breadth of his career – from his extraordinary Cold War novels to his powerful descriptions of the arms trade and the war on terror – and reflects on the continuing story of his most famous creation, the tubby, bespectacled spy, George Smiley.
Featuring readings from his new novel A Legacy Of Spies, and a rare Q&A session, this will be an unmissable opportunity to experience the author direct and in his own words.
The event will be broadcast live to cinemas across the UK and Europe from London’s Royal Festival Hall.
In support of MSF, the leading emergency medical humanitarian aid organisation, John le Carré is donating his speaker’s fee, and the producers of the live cinema broadcast, The Ink Factory, are donating their share of the profits to the charity.
Director: Richard Thorpe. Starring: Elvis Presley, Judy Tyler, Mickey Shaughnessy, Vaughn Taylor. USA 1957. 95 mins.
One of the best of Elvis Presley's pre-Army films, Jailhouse Rock offers us the sensual, ‘dangerous’ Elvis that won the hearts of the kids and earned the animosity of their elders. Presley plays Vince Everett, a young buck who accidentally kills a man while protecting the honour of a woman. He is thrown into prison, and following his performance in the prison show, where ol' swivel-hips score a hit, he decides to stay in showbiz after his release. He sets up his own record company but success goes to his head, and he is deserted by his flunkeys and hangers-on. Everett learns the value of friendship and slowly rebuilds his reputation and career. Seldom would Elvis be so well showcased in the future.
10.30Dementia-Friendly Screening: Open to all but especially for people with dementia and their family, friends and carers. Join us for free tea, coffee and biscuits and a chance to socialise for 30 minutes before the film. The film will start at the time stated.
45 years after Pink Floyd’s David Gilmour filmed ‘Live At Pompeii’ in the legendary Roman Amphitheatre there, he returned for two spectacular shows, part of his year-long tour in support of his No.1 album ‘Rattle That Lock’. The performances were the first-ever rock concerts for an audience in the stone Roman amphitheatre, and, for two nights only, the 2,600 strong crowd stood exactly where gladiators would have fought in the first century AD.
‘David Gilmour Live At Pompeii’ is an audio-visual spectacle, featuring lasers, pyrotechnics and a huge circular screen on which specially-created films complement selected songs, but paramount above all is the astonishing music and stellar performances from an all-star band. The show includes songs from throughout David's career, as well as many Pink Floyd classics, including 'One Of These Days', the only song that was also performed at the band’s 1971 show.
Both concerts also saw very special performances of 'The Great Gig In The Sky' from 'The Dark Side Of The Moon', which David rarely plays as a solo artist. This concert performance film includes highlights from both shows, filmed in 4k by director Gavin Elder . ‘David Gilmour Live At Pompeii’ shows an artist at the top of his artistic game, performing incredible material with his world-class band, in a unique setting, on one very special occasion.
Songs include the title tracks of his two most recent No. 1 solo albums: Rattle That Lock and On An Island, as well as other solo and Pink Floyd classics, including Wish You Were Here and Comfortably Numb.
Mozart’s glorious opera 'The Magic Flute' is brought enchantingly to life in David McVicar’s production with beautiful sets by John Macfarlane. Prince Tamino promises the Queen of the Night that he will rescue her daughter Pamina from the enchanter Sarastro. He begins his quest, accompanied by the bird-catcher Papageno – but all is not as it seems…
David McVicar’s classic production embraces both the seriousness and comedy of Mozart’s work. The audience is transported to a fantastical world of dancing animals, flying machines and dazzlingly starry skies. The setting provides a wonderful backdrop for Mozart’s kaleidoscopic score, from the Queen of the Night’s coloratura fireworks to Tamino and Pamina’s lyrical love duets and Papageno’s hearty, folksong-like arias.
As well as being a comedy 'The Magic Flute' is an expression of Mozart’s profound spiritual beliefs: Enlightenment concerns with the search for wisdom and virtue are at the heart of this enchanting tale. The Magic Flute was an instant success with audiences and Mozart’s supposed rival Salieri described it as an ‘operone’ – a great opera.
When Rodolfo, a penniless poet, meets Mimì, a seamstress, they fall instantly in love. But their happiness is threatened when Rodolfo learns that Mimì is gravely ill.
Acclaimed director Richard Jones (Boris Godunov, Il trittico) directs a new production of Puccini’s 'La bohème'. Irresistible in its witty, passionate blend of comedy and tragedy, the opera focusses on the lives of a groupof young artists as they eke out an existence on the bohemian fringes of Paris, the capital of the 19th century. Jones brings his characteristically acute insight to this much-loved classic, visualized in Stewart Laing’s spectacular, stylized 1850s setting.
Puccini’s romantic depiction of bohemian Paris, with memorable music and a love story drawn from everyday life, has captivated audiences around the world, making La bohème one of the best-loved of all operas. It was first performed in Covent Garden in 1897 and has had more than five hundred performances there since.
Bellini’s masterpiece boasts one of the most famous arias in all of opera, the beautiful “Casta diva”. Directed by Sir David McVicar, this evocative new production sets the action deep in a Druid forest, where nature and ancient ritual rule. The priestess Norma is torn between loyalty to her oppressed people and love for a Roman soldier. On the eve of a Druid revolt, she must choose between two agonising betrayals – only to learn that she herself has already been betrayed. Sondra Radvanovsky as Norma and Joyce DiDonato as her rival Adalgisa lead a cast of bel canto heavyweights, with Joseph Calleja as Norma’s unfaithful lover, Pollione, and British favourite Matthew Rose returning to the Met as Norma’s father, Oroveso.
Bellini’s masterpiece boasts one of the most famous arias in all of opera, the beautiful “Casta diva”. Directed by Sir David McVicar, this evocative new production sets the action deep in a Druid forest, where nature and ancient ritual rule. The priestess Norma is torn between loyalty to her oppressed people and love for a Roman soldier. On the eve of a Druid revolt, she must choose between two agonising betrayals – only to learn that she herself has already been betrayed. Sondra Radvanovsky as Norma and Joyce DiDonato as her rival Adalgisa lead a cast of bel canto heavyweights, with Joseph Calleja as Norma’s unfaithful lover, Pollione, and British favourite Matthew Rose returning to the Met as Norma’s father, Oroveso.
A full-throttle war play that revels in the sweat of the battlefield, Coriolanus transports us back to the emergence of the republic of Rome.
Caius Martius Coriolanus is a fearless soldier but a reluctant leader. His ambitious mother attempts to carve him a path to political power, but he struggles to change his nature and do what is required to achieve greatness. In this new city state struggling to find its feet, where the gap between rich and poor is widening every day, Coriolanus must decide who he really is and where his allegiances lie.
Rome Season Director, Angus Jackson, completes the Royal Shakespeare Company’s collection of Shakespeare’s Roman plays with a visceral production which sees Sope Dirisu (One Night in Miami, Donmar Warehouse, 2016) take on the title role.
Experience Mozart’s irresistible fantasy in all its glory! Will brave Prince Tamino rescue Princess Pamina from the clutches of the evil Sarastro, and will Papageno the foolish bird catcher learn wisdom enough to help him? The Queen of the Night’s aria, with its stratospheric high notes, is just one of the countless highlights in this tale of love and magic, mysterious secrets, and whimsical fantasy. Julie Taymor’s (The Lion King) enchanting production captures both the opera’s earthy comedy and its enlightened nobility. Met Music Director Emeritus James Levine conducts a cast of rising young stars.
Experience Mozart’s irresistible fantasy in all its glory! Will brave Prince Tamino rescue Princess Pamina from the clutches of the evil Sarastro, and will Papageno the foolish bird catcher learn wisdom enough to help him? The Queen of the Night’s aria, with its stratospheric high notes, is just one of the countless highlights in this tale of love and magic, mysterious secrets, and whimsical fantasy. Julie Taymor’s (The Lion King) enchanting production captures both the opera’s earthy comedy and its enlightened nobility. Met Music Director Emeritus James Levine conducts a cast of rising young stars.
Amidst a bustling market, the pirate Conrad falls in love at first sight with the beautiful Medora, the ward of the slave merchant Lankedem’s bazaar. Conrad kidnaps Medora when Lanquedem decides to sell her to the Pasha.
Inspired by Lord Byron’s epic poem and reworked by Alexei Ratmansky from Petipa’s exotic 19th century classic, this miracle of the repertoire is one of the Bolshoi’s most lavish productions. Complete with a magnificent awe-inspring shipwreck and dramatic scenery, this grand romance allows enough dancing for nearly the entire company and made especially for those who seek miracles in theatre.
At a garden party on a sunny afternoon, Alice is surprised to see her parents’ friend Lewis Carroll transform into a white rabbit. When she follows him down a rabbit hole events become curiouser and curiouser… As Alice journeys through Wonderland, she encounters countless strange creatures. She’s swept off her feet by the charming Knave of Hearts, who’s on the run for stealing the tarts. Confusion piles upon confusion. Then Alice wakes with a start. Was it all a daydream?
Christopher Wheeldon’s 'Alice’s Adventures in Wonderland' burst onto the stage in 2011 in an explosion of colour, stage magic and inventive, sophisticated choreography. Joby Talbot’s score combines contemporary soundworlds with sweeping melodies that gesture to ballet scores of the 19th century. Bob Crowley’s wildly imaginative, eye-popping designs draw on everything from puppetry to projections to make Wonderland wonderfully real.
Alice encounters a cast of extraordinary and instantly recognizable characters, from the highly strung Queen of Hearts – who performs a hilarious send-up of The Sleeping Beauty's famous Rose Adage – to a playing-card corps de ballet, a sinuous caterpillar and a tap-dancing Mad Hatter. But the ballet does not avoid the darker undercurrents of Lewis Carroll’s story: a nightmarish kitchen, an eerily disembodied Cheshire Cat and the unhinged tea party are all here in vivid detail. The delicious result shows The Royal Ballet at its best, bringing together world-class dance with enchanting family entertainment.
Baptista struggles to marry off his tempestuous daughter Katharina, a shrew who denies that any man could possibly be her match. However when she meets Petruchio, who is as ill-tempered as she, the two forces of nature ignite an unexpected and explosive encounter.
Acclaimed choreographer Jean-Christophe Maillot brings out the wit, fast-paced athleticism and vibrancy from the Bolshoi Ballet dancers in Shakespeare’s rowdy comedy. Principals Ekaterina Krysanova and Vladislav Lantratov clash, challenge and eventually give themselves to one another in a wonderfully entertaining production that can only be seen at the Bolshoi!
Take a seat at the strangest dinner party of your life. The servants have absconded; the ragout is all over the floor; there’s a bear in the garden; your fellow guests are rapidly descending into savagery; and most mysteriously of all, no one seems able to leave. British composer Thomas Adès (The Tempest) conducts the American premiere of his latest opera. Co-commissioned by the Met and sung in English, this black comedy, with shades of JG Ballard/Ben Wheatley’s High-Rise, is based on the screenplay of Luis Buñuel’s 1962 surrealist film. The cast is filled with established British names including Sally Matthews, Sophie Bevan, Alice Coote, Christine Rice, Ieystn Davies and John Tomlinson. “Inventive and audacious… a major event” (New York Times).
Take a seat at the strangest dinner party of your life. The servants have absconded; the ragout is all over the floor; there’s a bear in the garden; your fellow guests are rapidly descending into savagery; and most mysteriously of all, no one seems able to leave. British composer Thomas Adès (The Tempest) conducts the American premiere of his latest opera. Co-commissioned by the Met and sung in English, this black comedy, with shades of JG Ballard/Ben Wheatley’s High-Rise, is based on the screenplay of Luis Buñuel’s 1962 surrealist film. The cast is filled with established British names including Sally Matthews, Sophie Bevan, Alice Coote, Christine Rice, Ieystn Davies and John Tomlinson. “Inventive and audacious… a major event” (New York Times).
As the clock strikes midnight on Christmas Eve, Marie’s wooden nutcracker doll comes to life and transforms into a prince! Soon joined by her other toys that have also come to life, Marie and her prince embark on a dreamy unforgettable adventure.
A holiday tradition for the whole family, The Nutcracker sweeps the Bolshoi stage for two hours of enchantment and magic. Along with Tchaikovsky’s cherished score and and some of the Bolshoi’s greatest artists, The Nutcracker remains a treasure not to be missed!
The young Clara creeps downstairs on Christmas Eve to play with her favourite present – a Nutcracker doll. But the mysterious magician Drosselmeyer is waiting to sweep her off on a magical adventure. After defeating the Mouse King, the Nutcracker and Clara travel through the Land of Snow to the Kingdom of Sweets, where the Sugar Plum Fairy treats them to a wonderful display of dances. Back home, Clara thinks she must have been dreaming – but doesn’t she recognize Drosselmeyer’s nephew?
Peter Wright’s nigh-on definitive production for The Royal Ballet ranks as one of the most enduring and enchanting versions of 'The Nutcracker'. With its festive period setting, dancing snowflakes and enchanting stage magic, Lev Ivanov’s 1892 ballet has become the perfect Christmas entertainment, with Tchaikovsky’s sumptuous, sugar-spun music the most recognizable of all ballet scores.
Loosely based on the story by E.T.A. Hoffmann, the ballet opens with a lively Christmas party, its Victorian setting captured in opulent detail by Julia Trevelyan Oman’s designs. Wright’s choreography ingeniously incorporates surviving fragments of the ballet’s original material, including the sublime pas de deux for the Sugar Plum Fairy and her Prince. But in emphasizing the relationship between Clara and the Nutcracker Prince, the production also gains a touching subtext of first love.
The corruption of innocence is at the heart of Verdi’s potent tragedy in David McVicar’s production for The Royal Opera. Rigoletto, court jester to the libertine Duke of Mantua, is cursed by the father of one of the Duke’s victims for his irreverent laughter. When the Duke seduces Rigoletto’s daughter Gilda, it seems the curse is taking effect…
David McVicar’s production highlights the cruelty at the heart of the court of Mantua. Richly dressed courtiers engage in orgies and revelries to Verdi’s heady, spirited dances. The opera’s many musical highlights include the ebullient ‘La donna è mobile’, in which the Duke boasts of his disregard for women; Gilda’s exquisite, plangent duets with Rigoletto and the Duke; and the gorgeous Act III quartet that beautifully weaves the voices together as the story quickens to its shattering conclusion.
Giuseppe Verdi wrote in 1855 that Rigoletto was his ‘best opera’. He had had to overcome state censorship to stage it – the censors objected to its depiction of an immoral ruler – but he was vindicated by the premiere’s huge success in 1851. Rigoletto was performed 250 times in the next 10 years and has remained one of the most popular of all operas.
In Verona, Romeo and Juliet fall madly in love while their respective families, the Montagues and the Capulets, are caught in a bitter rivalry ending in heart-wrenching tragedy…
Alexei Ratmansky, former artistic director of the Bolshoi Ballet, stages the company’s premiere of his production with dramatic urgency and a fresh re-telling of Shakespeare’s beloved classic. His brilliant and detailed adaptation set to Prokofiev’s romantic and cinematic score, reignites the story of literature’s most celebrated star-crossed lovers like no other classical ballet choreographer today.
Puccini’s thrilling Tosca is a story of love, terror, the abuse of power, and the unquenchable longing for freedom. When an escaped political prisoner takes refuge in a church, an opera singer and a painter are drawn into a twisting plot that puts them at the mercy of the secret police and its network of torturers and spies. Rivalling the splendour of Franco Zeffirelli’s Napoleonic-era sets and costumes, Sir David McVicar’s ravishing new production offers a splendid backdrop for extraordinary singing. Kristine Opolais stars as the titular prima donna, alongside Vittorio Grigolo as her artist lover and Bryn Terfel as the villainous police chief – one of his signature roles. Andris Nelsons conducts.
Puccini’s thrilling Tosca is a story of love, terror, the abuse of power, and the unquenchable longing for freedom. When an escaped political prisoner takes refuge in a church, an opera singer and a painter are drawn into a twisting plot that puts them at the mercy of the secret police and its network of torturers and spies. Rivalling the splendour of Franco Zeffirelli’s Napoleonic-era sets and costumes, Sir David McVicar’s ravishing new production offers a splendid backdrop for extraordinary singing. Kristine Opolais stars as the titular prima donna, alongside Vittorio Grigolo as her artist lover and Bryn Terfel as the villainous police chief – one of his signature roles. Andris Nelsons conducts.
As he arrives in Paris for the first time, the young and naive Armand is utterly captivated after meeting the ravishing and most desirable courtesan Marguerite Gautier. Their encounter gives birth to a passionate yet doomed love…
Alexandre Dumas fils’s novel comes to life on the Bolshoi stage, with prima Svetlana Zakharova as the ailing Marguerite seeking love and redemption from her life as a courtesan. The Bolshoi brings choreographer John Neumeier’s work of rare beauty and tragic depth to new emotional heights, accompanied by Chopin’s romantic piano score.
'Tosca' is one of the great evenings of opera, and from its strident opening chords conjures up a world of political instability and menace.
Jonathan Kent’s production for The Royal Opera captures the dangerous political turbulence of Rome in 1800. The Chief of Police, Scarpia – one of the most malevolent villains in opera – ruthlessly pursues and tortures enemies of the state. His dark, demonic music contrasts with the expansive melodies of the idealistic lovers, Tosca and Cavaradossi, who express their passion in sublime arias, including ‘Vissi d’arte’ and ‘E lucevan le stelle’. Giacomo Puccini’s dramatic work was a hit with audiences on its 1900 premiere and it remains one of the most performed of all operas – with its gripping plot and glorious music, it’s easy to see why.
A candle-lit church, Scarpia’s gloomy study with its hidden torture chamber and the false optimism of a Roman dawn: this handsome production throws into relief the ruthlessly taut drama, as the tension is wound up towards a fateful conclusion. Puccini’s meticulously researched score is infused with the same authentic detail, from distant cannon fire during the Act I Te Deum to tolling church bells and the sounds of a firing squad.
The poor country boy Nemorino is in love with Adina, a confident landowner, but she is way out of his league – financially and otherwise. But when he buys a “love potion” from a travelling quack, the results are rather more than he bargained for. Charmingly staged by Bartlett Sher, Donizetti’s beloved masterpiece combines deft comic timing with touching emotional depth. The production stars Matthew Polenzani, who enthralled Met audiences as Nemorino in 2013 with his moving “Una furtiva lagrima.” Rising South African soprano Pretty Yende is the spirited Adina, Davide Luciano makes his Met debut as the arrogant soldier Belcore, and Ildebrando D’Arcangelo is the potion-peddling Doctor Dulcamara. Domingo Hindoyan conducts.
The poor country boy Nemorino is in love with Adina, a confident landowner, but she is way out of his league – financially and otherwise. But when he buys a “love potion” from a travelling quack, the results are rather more than he bargained for. Charmingly staged by Bartlett Sher, Donizetti’s beloved masterpiece combines deft comic timing with touching emotional depth. The production stars Matthew Polenzani, who enthralled Met audiences as Nemorino in 2013 with his moving “Una furtiva lagrima.” Rising South African soprano Pretty Yende is the spirited Adina, Davide Luciano makes his Met debut as the arrogant soldier Belcore, and Ildebrando D’Arcangelo is the potion-peddling Doctor Dulcamara. Domingo Hindoyan conducts.
'I am all the daughters of my father's house,
And all the brothers too.'
Twelfth Night is a tale of unrequited love – hilarious and heartbreaking. Two twins are separated in a shipwreck, and forced to fend for themselves in a strange land. The first twin, Viola, falls in love with Orsino, who dotes on OIivia, who falls for Viola but is idolised by Malvolio. Enter Sebastian, who is the spitting image of his twin sister...
Christopher Luscombe, Director of the ‘glorious’ (Daily Telegraph) Love’s Labour’s Lost and Much Ado About Nothing (2014 and 2016), returns to the Royal Shakespeare Company to tackle Shakespeare’s greatest comedy, a brilliantly bittersweet account of "the whirligig of time".
The world’s most popular opera returns with an exciting young cast in Franco Zeffirelli’s legendary production. Poverty-stricken poet Rodolfo and his artist friends eke out a precarious existence in bohemian Paris, alternately practising their art, laughing, quarrelling, dodging the landlord, and living it up in their local cafe. When Rodolfo meets the delicate Mimì, the pair instantly fall in love. But Mimì is ill, Rodolfo is jealous, and their romance is doomed from the start. Opera superstars Sonya Yoncheva and Michael Fabiano play the heart-breaking couple, singing two sublime Puccini favourites – “Sì, mi chiamano Mimì” and “Che gelida manina.” Zeffirelli’s stupendous onstage recreations of 19th-century Paris are sure to take your breath away.
The world’s most popular opera returns with an exciting young cast in Franco Zeffirelli’s legendary production. Poverty-stricken poet Rodolfo and his artist friends eke out a precarious existence in bohemian Paris, alternately practising their art, laughing, quarrelling, dodging the landlord, and living it up in their local cafe. When Rodolfo meets the delicate Mimì, the pair instantly fall in love. But Mimì is ill, Rodolfo is jealous, and their romance is doomed from the start. Opera superstars Sonya Yoncheva and Michael Fabiano play the heart-breaking couple, singing two sublime Puccini favourites – “Sì, mi chiamano Mimì” and “Che gelida manina.” Zeffirelli’s stupendous onstage recreations of 19th-century Paris are sure to take your breath away.
Christopher Wheeldon, Artistic Associate of The Royal Ballet, created his adaptation of Shakespeare’s late great romance 'The Winter’s Tale' for The Royal Ballet in 2014. Building on the success of 'Alice’s Adventures in Wonderland', T'he Winter’s Tale' received ecstatic praise at its premiere, acclaimed by critics and audiences alike for its intelligent, distinctive and emotionally powerful story, told through exquisite dance. It is now widely judged to be a modern ballet classic.
The story follows the destruction of a marriage through consuming jealousy, the abandonment of a child and a seemingly hopeless love. Yet, through remorse and regret – and after a seemingly miraculous return to life – the ending is one of forgiveness and reconciliation. With powerful designs by Bob Crowley and atmospheric music by Joby Talbot, The Winter’s Tale is a masterful modern narrative ballet.
In the era of the French Revolution, Jeanne and her brother Jérôme leave Marseille for Paris in support of the revolutionary effort that is taking over the capital. While fighting for freedom, they both encounter love along the way…
Very few ballets can properly depict the Bolshoi’s overflowing energy and fiery passion as can Alexei Ratmansky’s captivating revival of Vasily Vainonen’s The Flames of Paris. With powerful virtuosity and some of the most stunning pas de deux, the Bolshoi Ballet displays an exuberance almost too enormous for the Moscow stage.
'Carmen' is the best-known work by French composer Georges Bizet, and one of the most famous operas in the entire art form – numbers such as the Habanera and the Toreador Song have permeated the popular consciousness as little else has. The opera’s heady combination of passion, sensuality and violence initially proved too much for the stage, and it was a critical failure on its 1875 premiere. Bizet died shortly after, and never learned of the spectacular success his Carmen would achieve: the opera has been performed more than five hundred times at Covent Garden alone.
This ever-popular opera is given a fresh point of view in Barrie Kosky’s highly physical production, originally created for Frankfurt Opera. The Australian director is one of the world’s most sought-after opera directors, whose Royal Opera debut with Shostakovich’s The Nose in 2016 was greeted with delight. For Carmen he has devised a far-from-traditional version, incorporating music written by Bizet for the score but not usually heard, and giving a new voice to the opera’s endlessly fascinating central character.
Against the backdrop of the Hanging Gardens, Semiramide, Queen of Babylon, defies bad omens and supernatural threats in her quest to find a worthy successor to her late husband. But she harbours more than one dark secret, and whoever gains the throne may find that he has lost more than he has won. Based on a story by Voltaire, this rarely performed tragic opera reveals The Barber of Seville composer Giaochino Rossini in a whole new light. The title role – composed for Rossini’s wife, Isabella Colbran – features some of the most demanding vocal music he ever wrote. Angela Meade takes on the challenging vocal fireworks in this revival of a production last seen at the Met 25 years ago.
Against the backdrop of the Hanging Gardens, Semiramide, Queen of Babylon, defies bad omens and supernatural threats in her quest to find a worthy successor to her late husband. But she harbours more than one dark secret, and whoever gains the throne may find that he has lost more than he has won. Based on a story by Voltaire, this rarely performed tragic opera reveals The Barber of Seville composer Giaochino Rossini in a whole new light. The title role – composed for Rossini’s wife, Isabella Colbran – features some of the most demanding vocal music he ever wrote. Angela Meade takes on the challenging vocal fireworks in this revival of a production last seen at the Met 25 years ago.
Leonard Bernstein was one of the first classical composers in America to achieve both popular and critical acclaim. He was eclectic in his sources – drawing on jazz and modernism, the traditions of Jewish music and the Broadway musical – and many of Bernstein’s scores are remarkably well suited to dance. He was particularly associated with Jerome Robbins, their credits together including Fancy Free and West Side Story. To celebrate the centenary year of the composer’s birth, The Royal Ballet has united all three of its associate choreographers to celebrate the dynamic range and danceability of Bernstein’s music.
The programme includes two world premieres by Resident Choreographer Wayne McGregor and Artistic Associate Christopher Wheeldon, marking each artist’s first foray into Bernstein. At the heart of the programme is the first revival of Artist in Residence Liam Scarlett’s The Age of Anxiety, created in 2014 to Bernstein’s soul-searching Second Symphony. Both symphony and ballet are inspired by W.H. Auden’s masterful modernist poem, itself written in response to the atmosphere of disillusionment and uncertainty that followed the end of World War II.
Goaded by their cynical friend Don Alfonso, soldiers Ferrando and Guglielmo decide to test their fiancées’ fidelity. Pretending to leave with their regiment, they return in disguise and pay court to each other’s lover. Will the young women succumb to the charms of these two handsome ‘foreigners’? A co-production with English National Opera, this clever vision of the battle of the sexes is set in a carnivalesque environment inspired by 1950s Coney Island. The cast features Amanda Majeski and Serena Malfi as the sisters put to the test, with Broadway star Kelli O’Hara as their feisty maid, Ben Bliss and Adam Plachetka as their fiancés, and Christopher Maltman as Don Alfonso. David Robertson conducts Mozart’s delightful score.
Goaded by their cynical friend Don Alfonso, soldiers Ferrando and Guglielmo decide to test their fiancées’ fidelity. Pretending to leave with their regiment, they return in disguise and pay court to each other’s lover. Will the young women succumb to the charms of these two handsome ‘foreigners’? A co-production with English National Opera, this clever vision of the battle of the sexes is set in a carnivalesque environment inspired by 1950s Coney Island. The cast features Amanda Majeski and Serena Malfi as the sisters put to the test, with Broadway star Kelli O’Hara as their feisty maid, Ben Bliss and Adam Plachetka as their fiancés, and Christopher Maltman as Don Alfonso. David Robertson conducts Mozart’s delightful score.
Verdi’s life-long love affair with Shakespeare’s works began with Macbeth, a play he considered to be ‘one of the greatest creations of man’. With his librettist, Francesco Maria Piave, Verdi set out to create ‘something out of the ordinary’. Their success is borne out in every bar of a score that sees Verdi at his most theatrical: it bristles with demonic energy.
The warrior Macbeth fights on the side of the King of Scotland – but when a coven of witches prophesy that he shall become king himself, a ruthless ambition drives Macbeth and his wife to horrific acts.Murder makes Macbeth king, and intrigue and butchery are the hallmarks of his brief, doomed reign. The witches make another prediction, which also comes true: Macbeth and his lady lose their lives, and justice is restored.
Phyllida Lloyd’s 2002 production for The Royal Opera is richly hued, shot through with black, red and gold. The witches – imagined by designer Anthony Ward as strange, scarlet-turbaned creatures – are ever-present agents of fate. Lloyd depicts the Macbeths’ childlessness as the dark sadness lurking behind their terrible deeds. The Royal Opera’s production uses Verdi’s 1865 Paris revision of the opera, which includes Lady Macbeth’s riveting aria ‘La luce langue’.
When Giselle learns that her beloved Albrecht is promised to another woman, she dies of a broken heart in his arms. While Albrecht grieves, she returns from the dead as a Wili, a vengeful spirit meant to make unfaithful men dance until death…
Prima ballerina Svetlana Zakharova personifies this ultimate ballerina role in the classical repertoire, alongside the sensational Sergei Polunin as Albrecht, in this chilling, yet luminous ballet that continues to captivate audiences for over 150 years at the Bolshoi.
James Levine and Plácido Domingo add yet another chapter to their legendary Met collaboration with this rarely performed Verdi gem, a heart-wrenching tragedy based on Friedrich Schiller’s novel Intrigue and Love. The young maiden Luisa loves Rodolfo, unaware that he is actually the son of the local lord. An unscrupulous rival for her affections tells her father of Rodolfo’s true identity, turning the old man against him. Jealousy, suspicion, and betrayal tear the lovers apart, but Luisa remains loyal to her father to the last. In the first Met performances of the opera in more than ten years, Sonya Yoncheva sings the title role opposite Piotr Beczała as Rodolfo, with Domingo as Luisa’s stern-yet-loving father.
James Levine and Plácido Domingo add yet another chapter to their legendary Met collaboration with this rarely performed Verdi gem, a heart-wrenching tragedy based on Friedrich Schiller’s novel Intrigue and Love. The young maiden Luisa loves Rodolfo, unaware that he is actually the son of the local lord. An unscrupulous rival for her affections tells her father of Rodolfo’s true identity, turning the old man against him. Jealousy, suspicion, and betrayal tear the lovers apart, but Luisa remains loyal to her father to the last. In the first Met performances of the opera in more than ten years, Sonya Yoncheva sings the title role opposite Piotr Beczała as Rodolfo, with Domingo as Luisa’s stern-yet-loving father.
A fairy godmother, a glass slipper, an opulent ball, an enchanted forest, and a Prince Charming who loves her – did all that really happen, or was it just a dream? Long-suffering Cendrillon lives a life of drudgery with her good-natured father and his imperious wife, until fate, romance, and a touch of fairy magic intervene. For the first time ever, Massenet’s sumptuous version of the Cinderella story comes to the Met in this imaginative storybook production directed by Laurent Pelly. Superstar Joyce DiDonato sings the title role, alongside British mezzo-soprano Alice Coote in the trouser role of Prince Charming, Kathleen Kim as the Fairy Godmother, and Stephanie Blythe as the archetypal wicked stepmother.
A fairy godmother, a glass slipper, an opulent ball, an enchanted forest, and a Prince Charming who loves her – did all that really happen, or was it just a dream? Long-suffering Cendrillon lives a life of drudgery with her good-natured father and his imperious wife, until fate, romance, and a touch of fairy magic intervene. For the first time ever, Massenet’s sumptuous version of the Cinderella story comes to the Met in this imaginative storybook production directed by Laurent Pelly. Superstar Joyce DiDonato sings the title role, alongside British mezzo-soprano Alice Coote in the trouser role of Prince Charming, Kathleen Kim as the Fairy Godmother, and Stephanie Blythe as the archetypal wicked stepmother.
Manon’s brother Lescaut is offering her to the highest bidder when she meets Des Grieux and falls in love. They elope to Paris, but when Monsieur G.M. offers Manon a life of luxury as his mistress she can’t resist. With the Lescauts’ encouragement Des Grieux cheats at cards in an attempt to win Monsieur G.M.’s fortune. They are caught. Manon is arrested as a prostitute and deported to New Orleans, followed by Des Grieux. On the run, Manon dies from exhaustion.
Kenneth MacMillan’s source for Manon was the 18th-century French novel already adapted for opera by Massenet and Puccini. The premiere was given on 7 March 1974, with the lead roles danced by Antoinette Sibley and Anthony Dowell. The ballet quickly became a staple of The Royal Ballet’s repertory, and a touchstone of adult, dramatic dance.
MacMillan found new sympathy with the capricious Manon and her struggle to escape poverty. Designs by his regular collaborator Nicholas Georgiadis reflect this, depicting a world of lavish splendour polluted by miserable destitution. MacMillan’s spectacular ensemble scenes for the whole Company create vivid, complex portraits of the distinct societies of Paris and New Orleans. But it is Manon and Des Grieux’s impassioned pas de deux – recalling the intensity of MacMillan’s earlier Romeo and Juliet – that drive this tragic story, and make Manon one of MacMillan’s most powerful dramas.
Swanhilda notices her fiancee Franz is infatuated with the beautiful Coppélia who sits reading on her balcony each day. Nearly breaking up the two sweethearts, Coppelia is not what she seems and Swanhilda decides to teach Franz a lesson…
The Bolshoi’s unique version of Coppélia exhibits a fascinating reconstruction of the original 19th century choreography of this ebullient comedy involving a feisty heroine, a boyish fiancee with a wandering eye, and an old dollmaker. The company’s stunning corps de ballet shines in the divertissements and famous “dance of the hours,” and its principals abound in youthful energy and irresistible humor in this effervescent production.
'Swan Lake' has had a special role in the repertory of The Royal Ballet since 1934. This Season The Royal Ballet creates a new production with additional choreography by Artist in Residence Liam Scarlett. While remaining faithful to the Petipa-Ivanov text, Scarlett will bring fresh eyes to the staging of this classic ballet, in collaboration with his long-term designer John Macfarlane.
Prince Siegfried chances upon a fl ock of swans while out hunting. When one of the swans turns into a beautiful woman, Odette, he is enraptured. But she is under a spell that holds her captive, allowing her to regain her human form only at night.
'Swan Lake' was Tchaikovsky’s first ballet score. Given its status today as arguably the best loved and most admired of all classical ballets, it is perhaps surprising that at its premiere in 1877 Swan Lake was poorly received. It is thanks to the 1895 production by Marius Petipa and Lev Ivanov that Swan Lake has become part of not only ballet consciousness but also wider popular culture. That success is secured not only by the sublime, symphonic sweep of Tchaikovsky’s score, but also by the striking choreographic contrasts between Petipa’s royal palace scenes and the lyric lakeside scenes created by Ivanov.
