Description

This live-action reimagining of one of Nickelodeon’s most popular pre-school cartoons fast-forwards to the teenage years of the iconic young explorer. Now Dora (Isabela Moner) faces her most dangerous adventure yet: high school. As intrepid as ever, she ends up leading Boots (her best friend, a monkey), Diego (Jeffrey Wahlberg), a mysterious jungle dweller (Eugenio Derbez), and a ragtag group of teens on a quest to save her parents (Eva Longoria, Michael Peña) and solve the mystery behind a lost city of gold.

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The ninth film from writer-director Quentin Tarantino is a sprawling fairy-tale tribute to the final moments of Hollywood’s golden age. The year is 1969, and fading actor Rick Dalton (Leonardo DiCaprio) and his long-time stunt double Cliff Booth (Brad Pitt) are struggling to keep up with the changing times. When Rick’s western TV show ‘Bounty Law’ is cancelled, the former teenage heartthrob sees his career and youth slipping away. The changing of the guard seems to have no effect on Cliff, but the same can’t be said for his counterpart. This is until Rick notices he has a very famous new next-door neighbour: Sharon Tate (Margot Robbie). Charles Manson’s cult of followers serves as a worrying backdrop for ONCE UPON A TIME…IN HOLLYWOOD – one that Los Angeles will never forget.

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In 1987 during the austere days of Thatcher's Britain, a teenager learns to live life, understand his family and find his own voice through the music of Bruce Springsteen.

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Laura and Tyler are two girls who like to party - drink, drugs and general debauchery infuse their days while their careers and lives remain on hold. As they drift into their thirties, reality begins to bite, but Laura and Tyler will not be tamed so easily. When aspiring writer Laura (Holliday Grainger) meets the devilishly handsome musician Jim, sparks fly. As their relationship intensifies, Laura’s friendship with Tyler (Alia Shawkat) comes under pressure; Tyler wants to keep the party going, living a life without limitation as Laura begins to settle into her relationship with Jim.  But nothing is ever that simple, and Laura begins to struggle with a more strait-laced approach to life. As the fabric of the friendship between Laura and Tyler begins to fray, the bond between these two siren soulmates starts to implode. Finding themselves at a crossroads as their old lives start to slip away, both begin to encounter new opportunities that might carry them beyond their past hedonism. A celebration of female friendship and the choices we make, ANIMALS is an honest, unconventional and very funny snapshot of two very modern women.

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Marianne & Leonard: Words Of Love is the beautiful yet tragic love story of Leonard Cohen and his Norwegian muse, Marianne Ihlen. Their love began on the idyllic Greek island of Hydra in 1960 as part of a bohemian community of foreign artists, writers and musicians. The film follows their relationship from the early days on Hydra, a humble time of ‘free love’ and open marriage, to how their love evolved when Leonard became a successful musician. It was on Hydra in 1968 that director Nick Broomfield, then aged 20, first met Marianne Ihlen. Marianne introduced him to Leonard Cohen’s music and also encouraged Broomfield to make his first film. She was an enormous influence on him. Marianne and Leonard’s was a love story that would continue for the rest of their lives. Along the way we learn of the tragedy that befell those that could not survive the beauty of Hydra, the highs and lows of Leonard’s career, and the inspirational power that Marianne possessed. Contains drug references, moderate sex references and infrequent strong language.

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Eye-poppingly realistic CGI brings to life Disney’s cherished animation about a lion cub’s brave journey from pride outcast to proud king. Jon Favreau’s immersive vision gathers a majestic cast on the African savannah to honour all the seminal moments and iconic songs of the original film. James Earl Jones reprises his role as the wise and just King Mufasa, while Donald Glover is Simba, the young prince who takes his royal destiny to heart. Chiwetel Ejiofor lends his voice to Scar, the king’s scheming brother, who forms his own plans to take the throne.

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From Danny Boyle and Richard Curtis comes a British musical comedy about dreams of stardom and unexplained phenomena. Aspiring singer-songwriter Jack Malik (Patel) is struggling with his career. He’s just a man with big dreams and a guitar, loved and supported by his childhood best friend, Ellie (James); and he’s far from famous. Until one day, during a mysterious global blackout, a car hits him and he comes round to find that nobody remembers The Beatles – apart from him! Feeling obliged to bring the legendary melodies of the Fab Four back to life, and with a little help from his steely American agent (McKinnon), Jack rises to global stardom faster than you can say, ‘I believe in yesterday.’ But he may have taken on more than he can handle.

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As charming and funny as it is thought-provoking, Hail Satan? traces the extraordinary rise of one of the most colourful and controversial religious movements in American history. When media-savvy members of the Satanic Temple organise a series of public actions designed to advocate religious freedom and challenge corrupt authority, they prove that, with little more than a clever idea, a mischievous sense of humour and a few rebellious friends, you can speak truth to power in some truly profound ways. Director Penny Lane strikes a cunning balance between cheeky, brazen entertainment and serious storytelling in this wickedly topical documentary. It’s a timely look at a group of oft-misunderstood outsiders whose commitment to social and political justice has empowered thousands of people around the world.

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In Almodóvar’s deeply personal and tender new drama, a film director reflects on the choices he’s made in life as past and present come crashing down around him. Salvador Mallo (Antonio Banderas, who deservedly won Best Actor at Cannes Film Festival for his performance), an ageing Madrid-based auteur, is retreating into himself, facing ill health, depression and the decline of his powers. After a chance meeting reunites him with an actor from his past, a wild new chapter begins, sparking a series of reconciliations and reveries in which Salvador revisits old emotional wounds and tries to piece together the puzzle of his life and his art.

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This live-action reimagining of one of Nickelodeon’s most popular pre-school cartoons fast-forwards to the teenage years of the iconic young explorer. Now Dora (Isabela Moner) faces her most dangerous adventure yet: high school. As intrepid as ever, she ends up leading Boots (her best friend, a monkey), Diego (Jeffrey Wahlberg), a mysterious jungle dweller (Eugenio Derbez), and a ragtag group of teens on a quest to save her parents (Eva Longoria, Michael Peña) and solve the mystery behind a lost city of gold.

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The ninth film from writer-director Quentin Tarantino is a sprawling fairy-tale tribute to the final moments of Hollywood’s golden age. The year is 1969, and fading actor Rick Dalton (Leonardo DiCaprio) and his long-time stunt double Cliff Booth (Brad Pitt) are struggling to keep up with the changing times. When Rick’s western TV show ‘Bounty Law’ is cancelled, the former teenage heartthrob sees his career and youth slipping away. The changing of the guard seems to have no effect on Cliff, but the same can’t be said for his counterpart. This is until Rick notices he has a very famous new next-door neighbour: Sharon Tate (Margot Robbie). Charles Manson’s cult of followers serves as a worrying backdrop for ONCE UPON A TIME…IN HOLLYWOOD – one that Los Angeles will never forget.

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In 1987 during the austere days of Thatcher's Britain, a teenager learns to live life, understand his family and find his own voice through the music of Bruce Springsteen.

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Marianne & Leonard: Words Of Love is the beautiful yet tragic love story of Leonard Cohen and his Norwegian muse, Marianne Ihlen. Their love began on the idyllic Greek island of Hydra in 1960 as part of a bohemian community of foreign artists, writers and musicians. The film follows their relationship from the early days on Hydra, a humble time of ‘free love’ and open marriage, to how their love evolved when Leonard became a successful musician. It was on Hydra in 1968 that director Nick Broomfield, then aged 20, first met Marianne Ihlen. Marianne introduced him to Leonard Cohen’s music and also encouraged Broomfield to make his first film. She was an enormous influence on him. Marianne and Leonard’s was a love story that would continue for the rest of their lives. Along the way we learn of the tragedy that befell those that could not survive the beauty of Hydra, the highs and lows of Leonard’s career, and the inspirational power that Marianne possessed. Contains drug references, moderate sex references and infrequent strong language.

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Eye-poppingly realistic CGI brings to life Disney’s cherished animation about a lion cub’s brave journey from pride outcast to proud king. Jon Favreau’s immersive vision gathers a majestic cast on the African savannah to honour all the seminal moments and iconic songs of the original film. James Earl Jones reprises his role as the wise and just King Mufasa, while Donald Glover is Simba, the young prince who takes his royal destiny to heart. Chiwetel Ejiofor lends his voice to Scar, the king’s scheming brother, who forms his own plans to take the throne.

More details

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From Danny Boyle and Richard Curtis comes a British musical comedy about dreams of stardom and unexplained phenomena. Aspiring singer-songwriter Jack Malik (Patel) is struggling with his career. He’s just a man with big dreams and a guitar, loved and supported by his childhood best friend, Ellie (James); and he’s far from famous. Until one day, during a mysterious global blackout, a car hits him and he comes round to find that nobody remembers The Beatles – apart from him! Feeling obliged to bring the legendary melodies of the Fab Four back to life, and with a little help from his steely American agent (McKinnon), Jack rises to global stardom faster than you can say, ‘I believe in yesterday.’ But he may have taken on more than he can handle.

More details

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As charming and funny as it is thought-provoking, Hail Satan? traces the extraordinary rise of one of the most colourful and controversial religious movements in American history. When media-savvy members of the Satanic Temple organise a series of public actions designed to advocate religious freedom and challenge corrupt authority, they prove that, with little more than a clever idea, a mischievous sense of humour and a few rebellious friends, you can speak truth to power in some truly profound ways. Director Penny Lane strikes a cunning balance between cheeky, brazen entertainment and serious storytelling in this wickedly topical documentary. It’s a timely look at a group of oft-misunderstood outsiders whose commitment to social and political justice has empowered thousands of people around the world.

More details

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In Almodóvar’s deeply personal and tender new drama, a film director reflects on the choices he’s made in life as past and present come crashing down around him. Salvador Mallo (Antonio Banderas, who deservedly won Best Actor at Cannes Film Festival for his performance), an ageing Madrid-based auteur, is retreating into himself, facing ill health, depression and the decline of his powers. After a chance meeting reunites him with an actor from his past, a wild new chapter begins, sparking a series of reconciliations and reveries in which Salvador revisits old emotional wounds and tries to piece together the puzzle of his life and his art.

More details

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This live-action reimagining of one of Nickelodeon’s most popular pre-school cartoons fast-forwards to the teenage years of the iconic young explorer. Now Dora (Isabela Moner) faces her most dangerous adventure yet: high school. As intrepid as ever, she ends up leading Boots (her best friend, a monkey), Diego (Jeffrey Wahlberg), a mysterious jungle dweller (Eugenio Derbez), and a ragtag group of teens on a quest to save her parents (Eva Longoria, Michael Peña) and solve the mystery behind a lost city of gold.

More details

Description

The ninth film from writer-director Quentin Tarantino is a sprawling fairy-tale tribute to the final moments of Hollywood’s golden age. The year is 1969, and fading actor Rick Dalton (Leonardo DiCaprio) and his long-time stunt double Cliff Booth (Brad Pitt) are struggling to keep up with the changing times. When Rick’s western TV show ‘Bounty Law’ is cancelled, the former teenage heartthrob sees his career and youth slipping away. The changing of the guard seems to have no effect on Cliff, but the same can’t be said for his counterpart. This is until Rick notices he has a very famous new next-door neighbour: Sharon Tate (Margot Robbie). Charles Manson’s cult of followers serves as a worrying backdrop for ONCE UPON A TIME…IN HOLLYWOOD – one that Los Angeles will never forget.

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In 1987 during the austere days of Thatcher's Britain, a teenager learns to live life, understand his family and find his own voice through the music of Bruce Springsteen.

More details

Description

Marianne & Leonard: Words Of Love is the beautiful yet tragic love story of Leonard Cohen and his Norwegian muse, Marianne Ihlen. Their love began on the idyllic Greek island of Hydra in 1960 as part of a bohemian community of foreign artists, writers and musicians. The film follows their relationship from the early days on Hydra, a humble time of ‘free love’ and open marriage, to how their love evolved when Leonard became a successful musician. It was on Hydra in 1968 that director Nick Broomfield, then aged 20, first met Marianne Ihlen. Marianne introduced him to Leonard Cohen’s music and also encouraged Broomfield to make his first film. She was an enormous influence on him. Marianne and Leonard’s was a love story that would continue for the rest of their lives. Along the way we learn of the tragedy that befell those that could not survive the beauty of Hydra, the highs and lows of Leonard’s career, and the inspirational power that Marianne possessed. Contains drug references, moderate sex references and infrequent strong language.

More details

Description

Eye-poppingly realistic CGI brings to life Disney’s cherished animation about a lion cub’s brave journey from pride outcast to proud king. Jon Favreau’s immersive vision gathers a majestic cast on the African savannah to honour all the seminal moments and iconic songs of the original film. James Earl Jones reprises his role as the wise and just King Mufasa, while Donald Glover is Simba, the young prince who takes his royal destiny to heart. Chiwetel Ejiofor lends his voice to Scar, the king’s scheming brother, who forms his own plans to take the throne.

More details

Description

From Danny Boyle and Richard Curtis comes a British musical comedy about dreams of stardom and unexplained phenomena. Aspiring singer-songwriter Jack Malik (Patel) is struggling with his career. He’s just a man with big dreams and a guitar, loved and supported by his childhood best friend, Ellie (James); and he’s far from famous. Until one day, during a mysterious global blackout, a car hits him and he comes round to find that nobody remembers The Beatles – apart from him! Feeling obliged to bring the legendary melodies of the Fab Four back to life, and with a little help from his steely American agent (McKinnon), Jack rises to global stardom faster than you can say, ‘I believe in yesterday.’ But he may have taken on more than he can handle.

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It’s back – the jewel in Pixar’s crown and the story that changed cinema forever. The adventures of Woody, Buzz and the gang continue in another rollercoaster of a movie, which promises to pull on the heartstrings and tickle the funny bones of kids and grown-ups alike. Woody (Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s prized but reluctant new toy, a disposable spork called Forky (Tony Hale), runs away during a family vacation, Woody and friends begin a quest to bring him back where he belongs. On their ensuing road-trip adventure alongside new faces and old friends, the charismatic pull-string cowboy learns just how big the world can be for a toy.

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Get ready for an out-of-this-world, space-tastic adventure! Following the destruction of their space-ship, ten-year-old Willy gets separated from his parents, while traveling through the galaxy. As his rescue capsule lands on a wild and unexplored planet, he befriends the friendly robot Buck and kooky alien Flash. Together they adventure through the wild and mysterious planet, discovering its wildlife and beauty but also the dangers that lie beneath!

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A portrait of a group of pioneering reggae musicians, 'Inna De Yard' captures the ongoing relevance of reggae and its social values, and the music's passion to revitalize an older generation while passing it on to younger listeners.

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As charming and funny as it is thought-provoking, Hail Satan? traces the extraordinary rise of one of the most colourful and controversial religious movements in American history. When media-savvy members of the Satanic Temple organise a series of public actions designed to advocate religious freedom and challenge corrupt authority, they prove that, with little more than a clever idea, a mischievous sense of humour and a few rebellious friends, you can speak truth to power in some truly profound ways. Director Penny Lane strikes a cunning balance between cheeky, brazen entertainment and serious storytelling in this wickedly topical documentary. It’s a timely look at a group of oft-misunderstood outsiders whose commitment to social and political justice has empowered thousands of people around the world.

More details

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In Almodóvar’s deeply personal and tender new drama, a film director reflects on the choices he’s made in life as past and present come crashing down around him. Salvador Mallo (Antonio Banderas, who deservedly won Best Actor at Cannes Film Festival for his performance), an ageing Madrid-based auteur, is retreating into himself, facing ill health, depression and the decline of his powers. After a chance meeting reunites him with an actor from his past, a wild new chapter begins, sparking a series of reconciliations and reveries in which Salvador revisits old emotional wounds and tries to piece together the puzzle of his life and his art.

More details

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This live-action reimagining of one of Nickelodeon’s most popular pre-school cartoons fast-forwards to the teenage years of the iconic young explorer. Now Dora (Isabela Moner) faces her most dangerous adventure yet: high school. As intrepid as ever, she ends up leading Boots (her best friend, a monkey), Diego (Jeffrey Wahlberg), a mysterious jungle dweller (Eugenio Derbez), and a ragtag group of teens on a quest to save her parents (Eva Longoria, Michael Peña) and solve the mystery behind a lost city of gold.

More details

Description

The ninth film from writer-director Quentin Tarantino is a sprawling fairy-tale tribute to the final moments of Hollywood’s golden age. The year is 1969, and fading actor Rick Dalton (Leonardo DiCaprio) and his long-time stunt double Cliff Booth (Brad Pitt) are struggling to keep up with the changing times. When Rick’s western TV show ‘Bounty Law’ is cancelled, the former teenage heartthrob sees his career and youth slipping away. The changing of the guard seems to have no effect on Cliff, but the same can’t be said for his counterpart. This is until Rick notices he has a very famous new next-door neighbour: Sharon Tate (Margot Robbie). Charles Manson’s cult of followers serves as a worrying backdrop for ONCE UPON A TIME…IN HOLLYWOOD – one that Los Angeles will never forget.

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In 1987 during the austere days of Thatcher's Britain, a teenager learns to live life, understand his family and find his own voice through the music of Bruce Springsteen.

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Marianne & Leonard: Words Of Love is the beautiful yet tragic love story of Leonard Cohen and his Norwegian muse, Marianne Ihlen. Their love began on the idyllic Greek island of Hydra in 1960 as part of a bohemian community of foreign artists, writers and musicians. The film follows their relationship from the early days on Hydra, a humble time of ‘free love’ and open marriage, to how their love evolved when Leonard became a successful musician. It was on Hydra in 1968 that director Nick Broomfield, then aged 20, first met Marianne Ihlen. Marianne introduced him to Leonard Cohen’s music and also encouraged Broomfield to make his first film. She was an enormous influence on him. Marianne and Leonard’s was a love story that would continue for the rest of their lives. Along the way we learn of the tragedy that befell those that could not survive the beauty of Hydra, the highs and lows of Leonard’s career, and the inspirational power that Marianne possessed. Contains drug references, moderate sex references and infrequent strong language.

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Eye-poppingly realistic CGI brings to life Disney’s cherished animation about a lion cub’s brave journey from pride outcast to proud king. Jon Favreau’s immersive vision gathers a majestic cast on the African savannah to honour all the seminal moments and iconic songs of the original film. James Earl Jones reprises his role as the wise and just King Mufasa, while Donald Glover is Simba, the young prince who takes his royal destiny to heart. Chiwetel Ejiofor lends his voice to Scar, the king’s scheming brother, who forms his own plans to take the throne.

More details

Description

From Danny Boyle and Richard Curtis comes a British musical comedy about dreams of stardom and unexplained phenomena. Aspiring singer-songwriter Jack Malik (Patel) is struggling with his career. He’s just a man with big dreams and a guitar, loved and supported by his childhood best friend, Ellie (James); and he’s far from famous. Until one day, during a mysterious global blackout, a car hits him and he comes round to find that nobody remembers The Beatles – apart from him! Feeling obliged to bring the legendary melodies of the Fab Four back to life, and with a little help from his steely American agent (McKinnon), Jack rises to global stardom faster than you can say, ‘I believe in yesterday.’ But he may have taken on more than he can handle.

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It’s back – the jewel in Pixar’s crown and the story that changed cinema forever. The adventures of Woody, Buzz and the gang continue in another rollercoaster of a movie, which promises to pull on the heartstrings and tickle the funny bones of kids and grown-ups alike. Woody (Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s prized but reluctant new toy, a disposable spork called Forky (Tony Hale), runs away during a family vacation, Woody and friends begin a quest to bring him back where he belongs. On their ensuing road-trip adventure alongside new faces and old friends, the charismatic pull-string cowboy learns just how big the world can be for a toy.

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Lil’ Patch, Black Whiskers and pirate adventures on the high seas. Episodes are: • For Real FM • Black Whiskers • Message in A Bottle

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Inspired by the serialised matinee action films Steven Spielberg loved as a child, RAIDERS OF THE LOST ARK became one of the defining action/adventure films of its day and remains a hugely enjoyable movie experience. Harrison Ford, fresh from his propulsion to super-stardom through the STAR WARS series, embodied the reluctant yet capable adventurer Indiana Jones, a serious and scholarly archaeology professor who is hired by the US government to track down the Ark of the Covenant ahead of their Nazi rivals. The action set-pieces, tongue-in-cheek humour, impressive production values and a sheer love of cinema make RAIDERS OF THE LOST ARK an irresistibly enjoyable big-screen treat.

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As charming and funny as it is thought-provoking, Hail Satan? traces the extraordinary rise of one of the most colourful and controversial religious movements in American history. When media-savvy members of the Satanic Temple organise a series of public actions designed to advocate religious freedom and challenge corrupt authority, they prove that, with little more than a clever idea, a mischievous sense of humour and a few rebellious friends, you can speak truth to power in some truly profound ways. Director Penny Lane strikes a cunning balance between cheeky, brazen entertainment and serious storytelling in this wickedly topical documentary. It’s a timely look at a group of oft-misunderstood outsiders whose commitment to social and political justice has empowered thousands of people around the world.

More details

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In Almodóvar’s deeply personal and tender new drama, a film director reflects on the choices he’s made in life as past and present come crashing down around him. Salvador Mallo (Antonio Banderas, who deservedly won Best Actor at Cannes Film Festival for his performance), an ageing Madrid-based auteur, is retreating into himself, facing ill health, depression and the decline of his powers. After a chance meeting reunites him with an actor from his past, a wild new chapter begins, sparking a series of reconciliations and reveries in which Salvador revisits old emotional wounds and tries to piece together the puzzle of his life and his art.

More details

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This live-action reimagining of one of Nickelodeon’s most popular pre-school cartoons fast-forwards to the teenage years of the iconic young explorer. Now Dora (Isabela Moner) faces her most dangerous adventure yet: high school. As intrepid as ever, she ends up leading Boots (her best friend, a monkey), Diego (Jeffrey Wahlberg), a mysterious jungle dweller (Eugenio Derbez), and a ragtag group of teens on a quest to save her parents (Eva Longoria, Michael Peña) and solve the mystery behind a lost city of gold.

More details

Description

The ninth film from writer-director Quentin Tarantino is a sprawling fairy-tale tribute to the final moments of Hollywood’s golden age. The year is 1969, and fading actor Rick Dalton (Leonardo DiCaprio) and his long-time stunt double Cliff Booth (Brad Pitt) are struggling to keep up with the changing times. When Rick’s western TV show ‘Bounty Law’ is cancelled, the former teenage heartthrob sees his career and youth slipping away. The changing of the guard seems to have no effect on Cliff, but the same can’t be said for his counterpart. This is until Rick notices he has a very famous new next-door neighbour: Sharon Tate (Margot Robbie). Charles Manson’s cult of followers serves as a worrying backdrop for ONCE UPON A TIME…IN HOLLYWOOD – one that Los Angeles will never forget.

More details

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In 1987 during the austere days of Thatcher's Britain, a teenager learns to live life, understand his family and find his own voice through the music of Bruce Springsteen.

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Marianne & Leonard: Words Of Love is the beautiful yet tragic love story of Leonard Cohen and his Norwegian muse, Marianne Ihlen. Their love began on the idyllic Greek island of Hydra in 1960 as part of a bohemian community of foreign artists, writers and musicians. The film follows their relationship from the early days on Hydra, a humble time of ‘free love’ and open marriage, to how their love evolved when Leonard became a successful musician. It was on Hydra in 1968 that director Nick Broomfield, then aged 20, first met Marianne Ihlen. Marianne introduced him to Leonard Cohen’s music and also encouraged Broomfield to make his first film. She was an enormous influence on him. Marianne and Leonard’s was a love story that would continue for the rest of their lives. Along the way we learn of the tragedy that befell those that could not survive the beauty of Hydra, the highs and lows of Leonard’s career, and the inspirational power that Marianne possessed. Contains drug references, moderate sex references and infrequent strong language.

More details

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Eye-poppingly realistic CGI brings to life Disney’s cherished animation about a lion cub’s brave journey from pride outcast to proud king. Jon Favreau’s immersive vision gathers a majestic cast on the African savannah to honour all the seminal moments and iconic songs of the original film. James Earl Jones reprises his role as the wise and just King Mufasa, while Donald Glover is Simba, the young prince who takes his royal destiny to heart. Chiwetel Ejiofor lends his voice to Scar, the king’s scheming brother, who forms his own plans to take the throne.

More details

Description

From Danny Boyle and Richard Curtis comes a British musical comedy about dreams of stardom and unexplained phenomena. Aspiring singer-songwriter Jack Malik (Patel) is struggling with his career. He’s just a man with big dreams and a guitar, loved and supported by his childhood best friend, Ellie (James); and he’s far from famous. Until one day, during a mysterious global blackout, a car hits him and he comes round to find that nobody remembers The Beatles – apart from him! Feeling obliged to bring the legendary melodies of the Fab Four back to life, and with a little help from his steely American agent (McKinnon), Jack rises to global stardom faster than you can say, ‘I believe in yesterday.’ But he may have taken on more than he can handle.

More details

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It’s back – the jewel in Pixar’s crown and the story that changed cinema forever. The adventures of Woody, Buzz and the gang continue in another rollercoaster of a movie, which promises to pull on the heartstrings and tickle the funny bones of kids and grown-ups alike. Woody (Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s prized but reluctant new toy, a disposable spork called Forky (Tony Hale), runs away during a family vacation, Woody and friends begin a quest to bring him back where he belongs. On their ensuing road-trip adventure alongside new faces and old friends, the charismatic pull-string cowboy learns just how big the world can be for a toy.

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Lil’ Patch, Black Whiskers and pirate adventures on the high seas. Episodes are: • For Real FM • Black Whiskers • Message in A Bottle

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Matthias Schoenaerts gives a quietly devastating performance in this powerful first feature from actress turned writer-director Laure de Clermont-Tonnerre. In a prison compound in the state of Nevada, repeat violent offender Roman Coleman (Schoenaerts) is doing time for brutally attacking and injuring his wife. His psychologist (Connie Britton) prescribes an unorthodox method of rehabilitation: a state-mandated therapy programme in which prisoners are taught to tame mustangs – wild horses which live on the plains. Helped by fellow inmate Henry (Mitchell) and no-nonsense rancher Myles (Dern), the seemingly intransigent Roman makes progress as he discovers his own humanity through his relationship with the mercurial mustang. A vivid reexploration of the American West and a moving redemption story.

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Iconic British artist L. S. Lowry (Spall) lived most of his life with his over-bearing mother (Redgrave). Bed-ridden and unhappy, she tried to dissuade her son from pursuing his artistic ambitions. But Lowry was inspired by the urban life around him, and persisted in painting long into the night. Anchored by excellent performances from Spall and Redgrave, this powerful yet humorous story imagines the impact this obsessive mother-and-son relationship had on the great artist. This screening is followed by an exclusive gallery talk from The Lowry Centre in Salford, where Timothy Spall will discuss L. S. Lowry’s life and art with gallery curator Claire Stewart.

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As charming and funny as it is thought-provoking, Hail Satan? traces the extraordinary rise of one of the most colourful and controversial religious movements in American history. When media-savvy members of the Satanic Temple organise a series of public actions designed to advocate religious freedom and challenge corrupt authority, they prove that, with little more than a clever idea, a mischievous sense of humour and a few rebellious friends, you can speak truth to power in some truly profound ways. Director Penny Lane strikes a cunning balance between cheeky, brazen entertainment and serious storytelling in this wickedly topical documentary. It’s a timely look at a group of oft-misunderstood outsiders whose commitment to social and political justice has empowered thousands of people around the world.

More details

Description

In Almodóvar’s deeply personal and tender new drama, a film director reflects on the choices he’s made in life as past and present come crashing down around him. Salvador Mallo (Antonio Banderas, who deservedly won Best Actor at Cannes Film Festival for his performance), an ageing Madrid-based auteur, is retreating into himself, facing ill health, depression and the decline of his powers. After a chance meeting reunites him with an actor from his past, a wild new chapter begins, sparking a series of reconciliations and reveries in which Salvador revisits old emotional wounds and tries to piece together the puzzle of his life and his art.

More details

Description

This live-action reimagining of one of Nickelodeon’s most popular pre-school cartoons fast-forwards to the teenage years of the iconic young explorer. Now Dora (Isabela Moner) faces her most dangerous adventure yet: high school. As intrepid as ever, she ends up leading Boots (her best friend, a monkey), Diego (Jeffrey Wahlberg), a mysterious jungle dweller (Eugenio Derbez), and a ragtag group of teens on a quest to save her parents (Eva Longoria, Michael Peña) and solve the mystery behind a lost city of gold.

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The ninth film from writer-director Quentin Tarantino is a sprawling fairy-tale tribute to the final moments of Hollywood’s golden age. The year is 1969, and fading actor Rick Dalton (Leonardo DiCaprio) and his long-time stunt double Cliff Booth (Brad Pitt) are struggling to keep up with the changing times. When Rick’s western TV show ‘Bounty Law’ is cancelled, the former teenage heartthrob sees his career and youth slipping away. The changing of the guard seems to have no effect on Cliff, but the same can’t be said for his counterpart. This is until Rick notices he has a very famous new next-door neighbour: Sharon Tate (Margot Robbie). Charles Manson’s cult of followers serves as a worrying backdrop for ONCE UPON A TIME…IN HOLLYWOOD – one that Los Angeles will never forget.

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In 1987 during the austere days of Thatcher's Britain, a teenager learns to live life, understand his family and find his own voice through the music of Bruce Springsteen.

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Marianne & Leonard: Words Of Love is the beautiful yet tragic love story of Leonard Cohen and his Norwegian muse, Marianne Ihlen. Their love began on the idyllic Greek island of Hydra in 1960 as part of a bohemian community of foreign artists, writers and musicians. The film follows their relationship from the early days on Hydra, a humble time of ‘free love’ and open marriage, to how their love evolved when Leonard became a successful musician. It was on Hydra in 1968 that director Nick Broomfield, then aged 20, first met Marianne Ihlen. Marianne introduced him to Leonard Cohen’s music and also encouraged Broomfield to make his first film. She was an enormous influence on him. Marianne and Leonard’s was a love story that would continue for the rest of their lives. Along the way we learn of the tragedy that befell those that could not survive the beauty of Hydra, the highs and lows of Leonard’s career, and the inspirational power that Marianne possessed. Contains drug references, moderate sex references and infrequent strong language.

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Eye-poppingly realistic CGI brings to life Disney’s cherished animation about a lion cub’s brave journey from pride outcast to proud king. Jon Favreau’s immersive vision gathers a majestic cast on the African savannah to honour all the seminal moments and iconic songs of the original film. James Earl Jones reprises his role as the wise and just King Mufasa, while Donald Glover is Simba, the young prince who takes his royal destiny to heart. Chiwetel Ejiofor lends his voice to Scar, the king’s scheming brother, who forms his own plans to take the throne.

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From Danny Boyle and Richard Curtis comes a British musical comedy about dreams of stardom and unexplained phenomena. Aspiring singer-songwriter Jack Malik (Patel) is struggling with his career. He’s just a man with big dreams and a guitar, loved and supported by his childhood best friend, Ellie (James); and he’s far from famous. Until one day, during a mysterious global blackout, a car hits him and he comes round to find that nobody remembers The Beatles – apart from him! Feeling obliged to bring the legendary melodies of the Fab Four back to life, and with a little help from his steely American agent (McKinnon), Jack rises to global stardom faster than you can say, ‘I believe in yesterday.’ But he may have taken on more than he can handle.

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It’s back – the jewel in Pixar’s crown and the story that changed cinema forever. The adventures of Woody, Buzz and the gang continue in another rollercoaster of a movie, which promises to pull on the heartstrings and tickle the funny bones of kids and grown-ups alike. Woody (Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s prized but reluctant new toy, a disposable spork called Forky (Tony Hale), runs away during a family vacation, Woody and friends begin a quest to bring him back where he belongs. On their ensuing road-trip adventure alongside new faces and old friends, the charismatic pull-string cowboy learns just how big the world can be for a toy.

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As charming and funny as it is thought-provoking, Hail Satan? traces the extraordinary rise of one of the most colourful and controversial religious movements in American history. When media-savvy members of the Satanic Temple organise a series of public actions designed to advocate religious freedom and challenge corrupt authority, they prove that, with little more than a clever idea, a mischievous sense of humour and a few rebellious friends, you can speak truth to power in some truly profound ways. Director Penny Lane strikes a cunning balance between cheeky, brazen entertainment and serious storytelling in this wickedly topical documentary. It’s a timely look at a group of oft-misunderstood outsiders whose commitment to social and political justice has empowered thousands of people around the world.

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In Almodóvar’s deeply personal and tender new drama, a film director reflects on the choices he’s made in life as past and present come crashing down around him. Salvador Mallo (Antonio Banderas, who deservedly won Best Actor at Cannes Film Festival for his performance), an ageing Madrid-based auteur, is retreating into himself, facing ill health, depression and the decline of his powers. After a chance meeting reunites him with an actor from his past, a wild new chapter begins, sparking a series of reconciliations and reveries in which Salvador revisits old emotional wounds and tries to piece together the puzzle of his life and his art.

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This live-action reimagining of one of Nickelodeon’s most popular pre-school cartoons fast-forwards to the teenage years of the iconic young explorer. Now Dora (Isabela Moner) faces her most dangerous adventure yet: high school. As intrepid as ever, she ends up leading Boots (her best friend, a monkey), Diego (Jeffrey Wahlberg), a mysterious jungle dweller (Eugenio Derbez), and a ragtag group of teens on a quest to save her parents (Eva Longoria, Michael Peña) and solve the mystery behind a lost city of gold.

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The ninth film from writer-director Quentin Tarantino is a sprawling fairy-tale tribute to the final moments of Hollywood’s golden age. The year is 1969, and fading actor Rick Dalton (Leonardo DiCaprio) and his long-time stunt double Cliff Booth (Brad Pitt) are struggling to keep up with the changing times. When Rick’s western TV show ‘Bounty Law’ is cancelled, the former teenage heartthrob sees his career and youth slipping away. The changing of the guard seems to have no effect on Cliff, but the same can’t be said for his counterpart. This is until Rick notices he has a very famous new next-door neighbour: Sharon Tate (Margot Robbie). Charles Manson’s cult of followers serves as a worrying backdrop for ONCE UPON A TIME…IN HOLLYWOOD – one that Los Angeles will never forget.

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In 1987 during the austere days of Thatcher's Britain, a teenager learns to live life, understand his family and find his own voice through the music of Bruce Springsteen.

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Marianne & Leonard: Words Of Love is the beautiful yet tragic love story of Leonard Cohen and his Norwegian muse, Marianne Ihlen. Their love began on the idyllic Greek island of Hydra in 1960 as part of a bohemian community of foreign artists, writers and musicians. The film follows their relationship from the early days on Hydra, a humble time of ‘free love’ and open marriage, to how their love evolved when Leonard became a successful musician. It was on Hydra in 1968 that director Nick Broomfield, then aged 20, first met Marianne Ihlen. Marianne introduced him to Leonard Cohen’s music and also encouraged Broomfield to make his first film. She was an enormous influence on him. Marianne and Leonard’s was a love story that would continue for the rest of their lives. Along the way we learn of the tragedy that befell those that could not survive the beauty of Hydra, the highs and lows of Leonard’s career, and the inspirational power that Marianne possessed. Contains drug references, moderate sex references and infrequent strong language.

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Eye-poppingly realistic CGI brings to life Disney’s cherished animation about a lion cub’s brave journey from pride outcast to proud king. Jon Favreau’s immersive vision gathers a majestic cast on the African savannah to honour all the seminal moments and iconic songs of the original film. James Earl Jones reprises his role as the wise and just King Mufasa, while Donald Glover is Simba, the young prince who takes his royal destiny to heart. Chiwetel Ejiofor lends his voice to Scar, the king’s scheming brother, who forms his own plans to take the throne.

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From Danny Boyle and Richard Curtis comes a British musical comedy about dreams of stardom and unexplained phenomena. Aspiring singer-songwriter Jack Malik (Patel) is struggling with his career. He’s just a man with big dreams and a guitar, loved and supported by his childhood best friend, Ellie (James); and he’s far from famous. Until one day, during a mysterious global blackout, a car hits him and he comes round to find that nobody remembers The Beatles – apart from him! Feeling obliged to bring the legendary melodies of the Fab Four back to life, and with a little help from his steely American agent (McKinnon), Jack rises to global stardom faster than you can say, ‘I believe in yesterday.’ But he may have taken on more than he can handle.

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It’s back – the jewel in Pixar’s crown and the story that changed cinema forever. The adventures of Woody, Buzz and the gang continue in another rollercoaster of a movie, which promises to pull on the heartstrings and tickle the funny bones of kids and grown-ups alike. Woody (Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s prized but reluctant new toy, a disposable spork called Forky (Tony Hale), runs away during a family vacation, Woody and friends begin a quest to bring him back where he belongs. On their ensuing road-trip adventure alongside new faces and old friends, the charismatic pull-string cowboy learns just how big the world can be for a toy.

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As charming and funny as it is thought-provoking, Hail Satan? traces the extraordinary rise of one of the most colourful and controversial religious movements in American history. When media-savvy members of the Satanic Temple organise a series of public actions designed to advocate religious freedom and challenge corrupt authority, they prove that, with little more than a clever idea, a mischievous sense of humour and a few rebellious friends, you can speak truth to power in some truly profound ways. Director Penny Lane strikes a cunning balance between cheeky, brazen entertainment and serious storytelling in this wickedly topical documentary. It’s a timely look at a group of oft-misunderstood outsiders whose commitment to social and political justice has empowered thousands of people around the world.

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In Almodóvar’s deeply personal and tender new drama, a film director reflects on the choices he’s made in life as past and present come crashing down around him. Salvador Mallo (Antonio Banderas, who deservedly won Best Actor at Cannes Film Festival for his performance), an ageing Madrid-based auteur, is retreating into himself, facing ill health, depression and the decline of his powers. After a chance meeting reunites him with an actor from his past, a wild new chapter begins, sparking a series of reconciliations and reveries in which Salvador revisits old emotional wounds and tries to piece together the puzzle of his life and his art.

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This live-action reimagining of one of Nickelodeon’s most popular pre-school cartoons fast-forwards to the teenage years of the iconic young explorer. Now Dora (Isabela Moner) faces her most dangerous adventure yet: high school. As intrepid as ever, she ends up leading Boots (her best friend, a monkey), Diego (Jeffrey Wahlberg), a mysterious jungle dweller (Eugenio Derbez), and a ragtag group of teens on a quest to save her parents (Eva Longoria, Michael Peña) and solve the mystery behind a lost city of gold.

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The ninth film from writer-director Quentin Tarantino is a sprawling fairy-tale tribute to the final moments of Hollywood’s golden age. The year is 1969, and fading actor Rick Dalton (Leonardo DiCaprio) and his long-time stunt double Cliff Booth (Brad Pitt) are struggling to keep up with the changing times. When Rick’s western TV show ‘Bounty Law’ is cancelled, the former teenage heartthrob sees his career and youth slipping away. The changing of the guard seems to have no effect on Cliff, but the same can’t be said for his counterpart. This is until Rick notices he has a very famous new next-door neighbour: Sharon Tate (Margot Robbie). Charles Manson’s cult of followers serves as a worrying backdrop for ONCE UPON A TIME…IN HOLLYWOOD – one that Los Angeles will never forget.

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In 1987 during the austere days of Thatcher's Britain, a teenager learns to live life, understand his family and find his own voice through the music of Bruce Springsteen.

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Marianne & Leonard: Words Of Love is the beautiful yet tragic love story of Leonard Cohen and his Norwegian muse, Marianne Ihlen. Their love began on the idyllic Greek island of Hydra in 1960 as part of a bohemian community of foreign artists, writers and musicians. The film follows their relationship from the early days on Hydra, a humble time of ‘free love’ and open marriage, to how their love evolved when Leonard became a successful musician. It was on Hydra in 1968 that director Nick Broomfield, then aged 20, first met Marianne Ihlen. Marianne introduced him to Leonard Cohen’s music and also encouraged Broomfield to make his first film. She was an enormous influence on him. Marianne and Leonard’s was a love story that would continue for the rest of their lives. Along the way we learn of the tragedy that befell those that could not survive the beauty of Hydra, the highs and lows of Leonard’s career, and the inspirational power that Marianne possessed. Contains drug references, moderate sex references and infrequent strong language.

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Eye-poppingly realistic CGI brings to life Disney’s cherished animation about a lion cub’s brave journey from pride outcast to proud king. Jon Favreau’s immersive vision gathers a majestic cast on the African savannah to honour all the seminal moments and iconic songs of the original film. James Earl Jones reprises his role as the wise and just King Mufasa, while Donald Glover is Simba, the young prince who takes his royal destiny to heart. Chiwetel Ejiofor lends his voice to Scar, the king’s scheming brother, who forms his own plans to take the throne.

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From Danny Boyle and Richard Curtis comes a British musical comedy about dreams of stardom and unexplained phenomena. Aspiring singer-songwriter Jack Malik (Patel) is struggling with his career. He’s just a man with big dreams and a guitar, loved and supported by his childhood best friend, Ellie (James); and he’s far from famous. Until one day, during a mysterious global blackout, a car hits him and he comes round to find that nobody remembers The Beatles – apart from him! Feeling obliged to bring the legendary melodies of the Fab Four back to life, and with a little help from his steely American agent (McKinnon), Jack rises to global stardom faster than you can say, ‘I believe in yesterday.’ But he may have taken on more than he can handle.

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It’s back – the jewel in Pixar’s crown and the story that changed cinema forever. The adventures of Woody, Buzz and the gang continue in another rollercoaster of a movie, which promises to pull on the heartstrings and tickle the funny bones of kids and grown-ups alike. Woody (Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s prized but reluctant new toy, a disposable spork called Forky (Tony Hale), runs away during a family vacation, Woody and friends begin a quest to bring him back where he belongs. On their ensuing road-trip adventure alongside new faces and old friends, the charismatic pull-string cowboy learns just how big the world can be for a toy.

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Don’t let her small stature fool you. Standing at less than five feet tall, Dr Ruth Westheimer is a force. A pioneer in the field of sex therapy, she became a household name in the ’80s and ’90s. At 90 years old, she hasn’t stopped working – and still promises the best sex you’ve ever had if you listen to her. Filmmaker Ryan White captures Dr Ruth’s exuberant and snappy personality as she travels from speaking engagements to TV and radio appearances. Her infectious energy is coloured with an almost arresting openness that is joyous and non-judgmental, and the affable rapport between filmmaker and subject is a welcome source of laughter. Running alongside her optimism, however, are storybook-like animations that bring Dr Ruth’s childhood as an orphan of the Holocaust to life. Being separated from her parents and never seeing them again shaped how she would embrace the world. The film is an inspiring and entertaining portrait of a trailblazer that reveals the darkness she emerged from to bring light to so many people.

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Paul thomas Anderson reunites with several of his Boogie Nights stars in this ensemble drama comprised of six interwoven stories dealing with parents, children, love and lonliness. An epic mosaic of several interrelated characters in search of happiness, forgiveness, and meaning in the San Fernando Valley.

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After the tragic death of her son, a woman returns to her native Barcelona to start a new life and tell the boy’s transgender father about the son he never knew he had. Enriched with emotional maturity and depth, this riveting melodrama is an exploration of strong women, probing ideas of motherhood, female solidarity and the very notion of being a woman. Bursting with superb performances, moving insight, a genuinely witty script and splendid visuals, it confirmed Almodóvar as one of the world's foremost directors.

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Float down to Picturehouse for a double bill of both parts of Andy Muschietti’s IT story. Released in 2017, CHAPTER ONE became the highest-grossing horror movie of all time. A winning mixture of small-town ’80s Spielbergia and superbly orchestrated scares, the film follows a gang of misfit kids – known as the Losers’ Club – who confront an ancient, shape-shifting demon on a killing spree in their hometown of Derry, Maine. In CHAPTER TWO, nearly three decades after the events of the first, a devastating phone call brings the Losers’ Club back to Derry to destroy the supernatural evil once and for all. But to succeed, they’ll first have to conquer a few deep-set demons of their own. (Because five hours is a heck of a long time to sit in a cinema seat, there’ll be a brief interval between the films for a comfort break, a leg-stretch, and, if necessary, a change of underwear.)

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Freddy is 30 and yearns to start a family but for him this ordinary desire comes with unique challenges. He is a gay transgender man. Deciding to carry his own baby took years of soul searching, but nothing could prepare him for the reality of pregnancy, as both a physical experience and one that challenges society's fundamental understanding of gender, parenthood and family. He quickly realises that what to him feels pragmatic, to others feels deeply confusing and confronting; this was not part of his plan. Against a backdrop of increasing hostility towards trans people the world over, Freddy is forced to confront his own naivety, mine unknown depths of courage and lean on every friend and family member who will stand by him. Made with unprecedented access and collaboration over three years, the film follows Freddy from preparing to conceive right through to birth. It is an intimate, audacious and lyrical story for the cinema about conception, pregnancy, birth and what makes us who we are. A Grain Media Production for BBC TWO In association with Glimmer Films and The Guardian. A film by Jeanie Finlay. www.seahorsefilm.com

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The much anticipated conclusion to Muschietti’s supernatural clown nightmare, based on the novel by Stephen King. After the Losers’ Club defeated the shape-shifting, child-devouring Pennywise all those years ago, the group of childhood friends have drifted apart, away from Derry and the terrible memories the town holds. Only Mike never left. Despite Pennywise’s banishment, an evil presence lurks, and there are unexplained and reoccurring hate crimes in the town. Then, after 27 years, the creature remerges in shocking fashion and children of Derry start to disappear once more. To fulfil its pledge, the Losers’ Club must now regroup and destroy the clown, and it falls to Mike to summon his former colleagues. But IT has returned stronger and more sinister, and it waits and watches for a chance to exact its horrifying, wrathful vengeance.

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A mystery preview of an upcoming new release. Details will only be revealed as the opening credits roll. Tickets are just £8 general admission and £5 for Picturehouse Members.

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The much anticipated conclusion to Muschietti’s supernatural clown nightmare, based on the novel by Stephen King. After the Losers’ Club defeated the shape-shifting, child-devouring Pennywise all those years ago, the group of childhood friends have drifted apart, away from Derry and the terrible memories the town holds. Only Mike never left. Despite Pennywise’s banishment, an evil presence lurks, and there are unexplained and reoccurring hate crimes in the town. Then, after 27 years, the creature remerges in shocking fashion and children of Derry start to disappear once more. To fulfil its pledge, the Losers’ Club must now regroup and destroy the clown, and it falls to Mike to summon his former colleagues. But IT has returned stronger and more sinister, and it waits and watches for a chance to exact its horrifying, wrathful vengeance.

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The much anticipated conclusion to Muschietti’s supernatural clown nightmare, based on the novel by Stephen King. After the Losers’ Club defeated the shape-shifting, child-devouring Pennywise all those years ago, the group of childhood friends have drifted apart, away from Derry and the terrible memories the town holds. Only Mike never left. Despite Pennywise’s banishment, an evil presence lurks, and there are unexplained and reoccurring hate crimes in the town. Then, after 27 years, the creature remerges in shocking fashion and children of Derry start to disappear once more. To fulfil its pledge, the Losers’ Club must now regroup and destroy the clown, and it falls to Mike to summon his former colleagues. But IT has returned stronger and more sinister, and it waits and watches for a chance to exact its horrifying, wrathful vengeance.

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Insurance man Walter Neff schemes the perfect murder with the beautiful wife of one of his clients: kill her husband and make off with the insurance money. But Walter's colleague - a shrewd insurance investigator - has a feeling that not all is as it seems with the widow's claim. A classic Film Noir thriller and a template for the genre.

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The much anticipated conclusion to Muschietti’s supernatural clown nightmare, based on the novel by Stephen King. After the Losers’ Club defeated the shape-shifting, child-devouring Pennywise all those years ago, the group of childhood friends have drifted apart, away from Derry and the terrible memories the town holds. Only Mike never left. Despite Pennywise’s banishment, an evil presence lurks, and there are unexplained and reoccurring hate crimes in the town. Then, after 27 years, the creature remerges in shocking fashion and children of Derry start to disappear once more. To fulfil its pledge, the Losers’ Club must now regroup and destroy the clown, and it falls to Mike to summon his former colleagues. But IT has returned stronger and more sinister, and it waits and watches for a chance to exact its horrifying, wrathful vengeance.

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On Tuesday 10 September, Fane Productions present an evening with the Canadian novelist, poet, literary critic and inventor Margaret Atwood to mark the release of The Testaments, Atwood’s highly anticipated sequel to The Handmaid’s Tale. The event will be broadcast live via satellite from the National Theatre in London. The publication of The Handmaid’s Tale in 1985 and the current, Emmy Award-winning television series have created a cultural phenomenon, as handmaids have become a symbol of women’s rights and a protest against misogyny and oppression. Atwood will be interviewed by broadcaster and author Samira Ahmed in a conversation spanning the length of Atwood’s remarkable career, her diverse range of works, and why she has returned to her seminal handmaid story, 34 years later. “Dear Readers: Everything you've ever asked me about Gilead and its inner workings is the inspiration for this book. Well, almost everything! The other inspiration is the world we've been living in.” With exclusive readings from the new book by special guests, this will be an unmissable and intimate event with Atwood, spotlighting her signature insight, humour and intellect.

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The much anticipated conclusion to Muschietti’s supernatural clown nightmare, based on the novel by Stephen King. After the Losers’ Club defeated the shape-shifting, child-devouring Pennywise all those years ago, the group of childhood friends have drifted apart, away from Derry and the terrible memories the town holds. Only Mike never left. Despite Pennywise’s banishment, an evil presence lurks, and there are unexplained and reoccurring hate crimes in the town. Then, after 27 years, the creature remerges in shocking fashion and children of Derry start to disappear once more. To fulfil its pledge, the Losers’ Club must now regroup and destroy the clown, and it falls to Mike to summon his former colleagues. But IT has returned stronger and more sinister, and it waits and watches for a chance to exact its horrifying, wrathful vengeance.

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The much anticipated conclusion to Muschietti’s supernatural clown nightmare, based on the novel by Stephen King. After the Losers’ Club defeated the shape-shifting, child-devouring Pennywise all those years ago, the group of childhood friends have drifted apart, away from Derry and the terrible memories the town holds. Only Mike never left. Despite Pennywise’s banishment, an evil presence lurks, and there are unexplained and reoccurring hate crimes in the town. Then, after 27 years, the creature remerges in shocking fashion and children of Derry start to disappear once more. To fulfil its pledge, the Losers’ Club must now regroup and destroy the clown, and it falls to Mike to summon his former colleagues. But IT has returned stronger and more sinister, and it waits and watches for a chance to exact its horrifying, wrathful vengeance.

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See the award-winning one-woman show that inspired the BBC’s hit TV series Fleabag, broadcast live to cinemas from London’s West End. Written and performed by Phoebe Waller-Bridge (TV's Fleabag, Killing Eve) and directed by Vicky Jones, Fleabag is a rip-roaring look at some sort of woman living her sort of life. Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that’s just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose. ★★★★★ “Witty, filthy and supreme.” – The Guardian Encore screenings are available for this popular show. Please check cinema listings for details.

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The much anticipated conclusion to Muschietti’s supernatural clown nightmare, based on the novel by Stephen King. After the Losers’ Club defeated the shape-shifting, child-devouring Pennywise all those years ago, the group of childhood friends have drifted apart, away from Derry and the terrible memories the town holds. Only Mike never left. Despite Pennywise’s banishment, an evil presence lurks, and there are unexplained and reoccurring hate crimes in the town. Then, after 27 years, the creature remerges in shocking fashion and children of Derry start to disappear once more. To fulfil its pledge, the Losers’ Club must now regroup and destroy the clown, and it falls to Mike to summon his former colleagues. But IT has returned stronger and more sinister, and it waits and watches for a chance to exact its horrifying, wrathful vengeance.

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Intrigue, pageantry, romance, skulduggery, zingers from Maggie Smith ¬– the big screen bow of Downton Abbey takes all the things you love about the TV show and rolls them out on a much grander scale. The beloved upstairs-downstairs story continues in 1927, as the Crawleys and their intrepid staff prepare for the most important moment of their lives: a royal visit. Naturally the impending arrival of King George V and Queen Mary causes quite the stir in the community, and prompts a flurry of silver-polishing, meal-planning and spring-cleaning in the household to ensure everything is in ship-shape. But with the Great Depression looming and fewer servants to run the estate, all hands on deck might not be enough. Faced with the exacting demands of the overbearing royal butler and his staff, Lady Mary (Michelle Dockery) reaches out to the now-retired butler Carson (Jim Carter) to help restore a little sense of Downton’s former glory.

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Intrigue, pageantry, romance, skulduggery, zingers from Maggie Smith ¬– the big screen bow of Downton Abbey takes all the things you love about the TV show and rolls them out on a much grander scale. The beloved upstairs-downstairs story continues in 1927, as the Crawleys and their intrepid staff prepare for the most important moment of their lives: a royal visit. Naturally the impending arrival of King George V and Queen Mary causes quite the stir in the community, and prompts a flurry of silver-polishing, meal-planning and spring-cleaning in the household to ensure everything is in ship-shape. But with the Great Depression looming and fewer servants to run the estate, all hands on deck might not be enough. Faced with the exacting demands of the overbearing royal butler and his staff, Lady Mary (Michelle Dockery) reaches out to the now-retired butler Carson (Jim Carter) to help restore a little sense of Downton’s former glory.

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Intrigue, pageantry, romance, skulduggery, zingers from Maggie Smith ¬– the big screen bow of Downton Abbey takes all the things you love about the TV show and rolls them out on a much grander scale. The beloved upstairs-downstairs story continues in 1927, as the Crawleys and their intrepid staff prepare for the most important moment of their lives: a royal visit. Naturally the impending arrival of King George V and Queen Mary causes quite the stir in the community, and prompts a flurry of silver-polishing, meal-planning and spring-cleaning in the household to ensure everything is in ship-shape. But with the Great Depression looming and fewer servants to run the estate, all hands on deck might not be enough. Faced with the exacting demands of the overbearing royal butler and his staff, Lady Mary (Michelle Dockery) reaches out to the now-retired butler Carson (Jim Carter) to help restore a little sense of Downton’s former glory.

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“All this unbridled joy has given me quite an appetite.” – the Dowager Countess Intrigue, pageantry, romance, skulduggery, zingers from Maggie Smith ¬– the big screen bow of Downton Abbey takes all the things you love about the TV show and rolls them out beautifully with plenty of pomp and no little circumstance. It wouldn’t be a grand day out with the Granthams without a spot of afternoon tea though, so we’re serving up our own regal spread of treats before 16.00 screenings on Sunday 15 September. The £20 ticket price includes: • a selection of freshly made sandwiches • four small cakes • a large scone with jam and clotted cream • a specialty coffee or pot of tea • entry to the film. Splendid! Tea 15.00. Film 16.00.

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Packed with irreverence and subversive humour, the animated story of the secret lives of pets continues with new challenges for Max, Gidget, Snowball and the gang to contend with. For terrier Max, it’s ditching his anxiety about protecting his owner’s toddler; for Pomeranian Gidget, it’s rescuing Max’s favourite toy from a flat full of felines; and for crazy-but-cute bunny Snowball, it’s being a hero after only pretending to be one. Can our furry friends summon the courage to face their biggest fears?

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Dixon Steele, a moody, volatile Hollywood screenwriter who's had his heyday, is accused of murdering a coat check girl from a showbiz restaurant. Laurel, an actress who lives in Dixon's apartment complex, provides an alibi for her neighbour when questioned by the police, and the pair start a relationship. But the chief of police is unconvinced of Dixon’s innocence and, after learning of his violent past, Laurel begins to question if she is putting herself in danger by staying with him.

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Intrigue, pageantry, romance, skulduggery, zingers from Maggie Smith ¬– the big screen bow of Downton Abbey takes all the things you love about the TV show and rolls them out on a much grander scale. The beloved upstairs-downstairs story continues in 1927, as the Crawleys and their intrepid staff prepare for the most important moment of their lives: a royal visit. Naturally the impending arrival of King George V and Queen Mary causes quite the stir in the community, and prompts a flurry of silver-polishing, meal-planning and spring-cleaning in the household to ensure everything is in ship-shape. But with the Great Depression looming and fewer servants to run the estate, all hands on deck might not be enough. Faced with the exacting demands of the overbearing royal butler and his staff, Lady Mary (Michelle Dockery) reaches out to the now-retired butler Carson (Jim Carter) to help restore a little sense of Downton’s former glory.

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From the 2019 Bregenz Festival in Austria comes one of Giuseppe Verdi’s masterpieces, the tragic RIGOLETTO. Compelling, blood-curdling and beautiful, the work is being performed on the huge Bregenz stage which juts out over Lake Constance in front of an audience of some 7,000. RIGOLETTO is an unforgettable tale of a sacrifice and revenge, of a father's rage and a daughter's shame. It features several of opera's best-known arias-including Rigoletto's passionate denouncement ‘Cortigiani, Vil Razza Dannata’, Gilda's dreamy ‘Caro Nome’ and the Duke's ‘La Donna E Mobile’. Directed and designed by Philip Stölzl, this spectacular production features a 14-meter high jester’s head with moving eyes and mouth, and singers at times performing on trapezes, hanging out of balloons or lying in hammocks 30 meters up. Stunning playing from the Wiener Symphoniker conducted by Enrique Mazzola.

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Intrigue, pageantry, romance, skulduggery, zingers from Maggie Smith ¬– the big screen bow of Downton Abbey takes all the things you love about the TV show and rolls them out on a much grander scale. The beloved upstairs-downstairs story continues in 1927, as the Crawleys and their intrepid staff prepare for the most important moment of their lives: a royal visit. Naturally the impending arrival of King George V and Queen Mary causes quite the stir in the community, and prompts a flurry of silver-polishing, meal-planning and spring-cleaning in the household to ensure everything is in ship-shape. But with the Great Depression looming and fewer servants to run the estate, all hands on deck might not be enough. Faced with the exacting demands of the overbearing royal butler and his staff, Lady Mary (Michelle Dockery) reaches out to the now-retired butler Carson (Jim Carter) to help restore a little sense of Downton’s former glory.

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Mixing groundbreaking science with cinematic stories of struggle and triumph, this revelatory documentary traces the explosive rise of plant-based eating in professional sport. James Wilks, elite special-forces trainer and mixed martial artist, travels the world in search of the truth about meat, protein and strength. Showcasing elite athletes, soldiers and visionary scientists, his journey exposes outdated myths about food that not only affect human performance, but also the health of the global population. The film features some of the strongest, fastest and toughest sportsmen on the planet, and it’s backed by them too: Lewis Hamilton, Novak Djokovic and Chris Paul rank among its executive producers, alongside James Cameron, Arnold Schwarzenegger and Jackie Chan. Eye-opening stuff.

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Intrigue, pageantry, romance, skulduggery, zingers from Maggie Smith ¬– the big screen bow of Downton Abbey takes all the things you love about the TV show and rolls them out on a much grander scale. The beloved upstairs-downstairs story continues in 1927, as the Crawleys and their intrepid staff prepare for the most important moment of their lives: a royal visit. Naturally the impending arrival of King George V and Queen Mary causes quite the stir in the community, and prompts a flurry of silver-polishing, meal-planning and spring-cleaning in the household to ensure everything is in ship-shape. But with the Great Depression looming and fewer servants to run the estate, all hands on deck might not be enough. Faced with the exacting demands of the overbearing royal butler and his staff, Lady Mary (Michelle Dockery) reaches out to the now-retired butler Carson (Jim Carter) to help restore a little sense of Downton’s former glory.

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When an old friend brings filmmaker Enrique Goded (Fele Martínez) a semi-autobiographical script chronicling their adolescence, Enrique is forced to relive his youth spent at a Catholic boarding school. Weaving through past and present, the script follows a transvestite performer (Gael García Bernal) who reconnects with a grade school sweetheart. Spurred on by this chance encounter, the character reflects on her childhood sexual victimisation and the trauma of closeting her sexual orientation.

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Intrigue, pageantry, romance, skulduggery, zingers from Maggie Smith ¬– the big screen bow of Downton Abbey takes all the things you love about the TV show and rolls them out on a much grander scale. The beloved upstairs-downstairs story continues in 1927, as the Crawleys and their intrepid staff prepare for the most important moment of their lives: a royal visit. Naturally the impending arrival of King George V and Queen Mary causes quite the stir in the community, and prompts a flurry of silver-polishing, meal-planning and spring-cleaning in the household to ensure everything is in ship-shape. But with the Great Depression looming and fewer servants to run the estate, all hands on deck might not be enough. Faced with the exacting demands of the overbearing royal butler and his staff, Lady Mary (Michelle Dockery) reaches out to the now-retired butler Carson (Jim Carter) to help restore a little sense of Downton’s former glory.

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See the award-winning one-woman show that inspired the BBC’s hit TV series Fleabag. Written and performed by Phoebe Waller-Bridge (TV's Fleabag, Killing Eve) and directed by Vicky Jones, Fleabag is a rip-roaring look at some sort of woman living her sort of life. Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that’s just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose. ★★★★★ “Witty, filthy and supreme.” – The Guardian This encore show is a recording of the performance broadcast live to cinemas on 12 September from London’s West End.

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See the award-winning one-woman show that inspired the BBC’s hit TV series Fleabag. Written and performed by Phoebe Waller-Bridge (TV's Fleabag, Killing Eve) and directed by Vicky Jones, Fleabag is a rip-roaring look at some sort of woman living her sort of life. Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that’s just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose. ★★★★★ “Witty, filthy and supreme.” – The Guardian This encore show is a recording of the performance broadcast live to cinemas on 12 September from London’s West End.

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See the award-winning one-woman show that inspired the BBC’s hit TV series Fleabag. Written and performed by Phoebe Waller-Bridge (TV's Fleabag, Killing Eve) and directed by Vicky Jones, Fleabag is a rip-roaring look at some sort of woman living her sort of life. Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that’s just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose. ★★★★★ “Witty, filthy and supreme.” – The Guardian This encore show is a recording of the performance broadcast live to cinemas on 12 September from London’s West End.

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Top-notch film noir, adapted from Hemingway's short story of robbery and betrayal. Two hit men walk into a diner asking for a man called "the Swede" (Burt Lancaster). When the killers find the Swede, he's expecting them and doesn't put up a fight. Since the Swede had a life insurance policy, an investigator (Edmond O'Brien), on a hunch, decides to look into the murder. As the Swede's past is laid bare, it comes to light that he was in love with a beautiful woman (Ava Gardner) who may have lured him into pulling off a bank robbery overseen by another man (Albert Dekker).

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See the award-winning one-woman show that inspired the BBC’s hit TV series Fleabag. Written and performed by Phoebe Waller-Bridge (TV's Fleabag, Killing Eve) and directed by Vicky Jones, Fleabag is a rip-roaring look at some sort of woman living her sort of life. Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that’s just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose. ★★★★★ “Witty, filthy and supreme.” – The Guardian This encore show is a recording of the performance broadcast live to cinemas on 12 September from London’s West End.

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See the award-winning one-woman show that inspired the BBC’s hit TV series Fleabag. Written and performed by Phoebe Waller-Bridge (TV's Fleabag, Killing Eve) and directed by Vicky Jones, Fleabag is a rip-roaring look at some sort of woman living her sort of life. Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that’s just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose. ★★★★★ “Witty, filthy and supreme.” – The Guardian This encore show is a recording of the performance broadcast live to cinemas on 12 September from London’s West End.

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A brilliant synthesis of love story, melodrama, ghost story and thriller, Volver stands as a towering achievement even amid Almodóvar’s superb body of work. Calling the film “the deepest return to my roots”, the director goes back to his birthplace, La Mancha, to tell the story of a group of women, all inspired by women from his own childhood. Three generations survive fire, insanity and even death by means of goodness, lies and boundless vitality. They are Raimunda (Penelope Cruz), married with a teenage daughter, Sole (Lola Dueñas), her sister, and their mother (Carmen Maura), who died in a fire, but who appears to Sole. The film is visually sumptuous, and the performances equally strong.

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See the award-winning one-woman show that inspired the BBC’s hit TV series Fleabag. Written and performed by Phoebe Waller-Bridge (TV's Fleabag, Killing Eve) and directed by Vicky Jones, Fleabag is a rip-roaring look at some sort of woman living her sort of life. Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that’s just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose. ★★★★★ “Witty, filthy and supreme.” – The Guardian This encore show is a recording of the performance broadcast live to cinemas on 12 September from London’s West End.

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Featuring a Tony Award-winning performance from host of the The Late Late Show, James Corden, the hilarious West End and Broadway hit One Man, Two Guvnors returns to cinemas to mark National Theatre Live’s 10th birthday. Fired from his skiffle band, Francis Henshall becomes minder to Roscoe Crabbe, a small time East End hood, now in Brighton to collect £6,000 from his fiancée’s dad. But Roscoe is really his sister Rachel posing as her own dead brother, who’s been killed by her boyfriend Stanley Stubbers. Holed up at The Cricketers’ Arms, the permanently ravenous Francis spots the chance of an extra meal ticket and takes a second job with one Stanley Stubbers, who is hiding from the police and waiting to be re-united with Rachel. To prevent discovery, Francis must keep his two guvnors apart. Simple.

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Includes a post-screening discussion hosted by Help Refugees. For Sama is both an intimate and epic journey into the female experience of war. A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Waad’s camera captures incredible stories of loss, laughter and survival as she wrestles with an impossible choice – whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much. For Sama was awarded the Prix L’Œil d’Or for Best Documentary at the 2019 Cannes Film Festival. It also won the Grand Jury Award for Best Documentary at the SXSW Film Festival, and the Special Jury Prize for International Feature Documentary at the Hot Docs Festival.

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See the award-winning one-woman show that inspired the BBC’s hit TV series Fleabag. Written and performed by Phoebe Waller-Bridge (TV's Fleabag, Killing Eve) and directed by Vicky Jones, Fleabag is a rip-roaring look at some sort of woman living her sort of life. Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that’s just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose. ★★★★★ “Witty, filthy and supreme.” – The Guardian This encore show is a recording of the performance broadcast live to cinemas on 12 September from London’s West End.

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Nearly three decades after her first visit to London, the enigmatic Mary Poppins (Blunt) soars back into the capital to look after the Banks children in their time of need. The now grown-up Jane (Mortimer) and Michael Banks (Whishaw) are living in the same house on Cherry Tree Lane, along with Michael’s three children and their housekeeper Ellen (Walters). The family are in danger of losing their home, and Michael is struggling after a personal loss, but the practically perfect nanny returns just in time to rekindle the fun and wonder missing from their lives – with a little help from street lamplighter Jack (Miranda) and her eccentric cousin Topsy (Streep). Boasting wonderful songs, classic 2D animation and cameos from some familiar faces, this is a delightful reunion for all to enjoy, whether you grew up with the magic or are discovering it for the first time.

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Beginning with perhaps the most celebrated tracking shot in history, Orson Welles’s bravura film noir is a shadowy tale of murder, malevolence and police corruption. When a car bomb explodes on the US-Mexican border, Mike Vargas (Heston), a Mexican official investigating drug trafficking, is drawn into the case. Vargas is convinced that American cop Hank Quinlan (Welles) is planting evidence to incriminate the prime suspect, and he becomes obsessed with exposing Quinlan as a rotten apple. Quinlan then seeks revenge by conspiring with gangsters, who terrorise Vargas’s wife Susan (Leigh). Welles gives a stunning performance as a man increasingly depleted of humanity, and his deliriously daring thriller with a dark emotional core is one of the greatest of its genre.

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HITSVILLE: THE MAKING OF MOTOWN chronicles the astronomical success and enduring cultural impact of Motown Records, which will be celebrating its 60th anniversary this September. The remarkable story of the legendary Motown Records is told through behind-the-scenes footage unearthed from Motown’s vaults, rare performance footage and new and exclusive interviews with the label’s visionary founder, Berry Gordy and many of its superstar artists and creative figures. HITSVILLE is the first documentary about the iconic studio with Gordy’s participation, providing the ultimate account of one of modern history’s greatest cultural phenomenons. This special preview screening includes exclusive footage from the World Premiere, including stars like Berry Gordy, Smokey Robinson, Stevie Wonder, Mary Wilson (The Supremes), TJ Jackson and James Cordon

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See the award-winning one-woman show that inspired the BBC’s hit TV series Fleabag. Written and performed by Phoebe Waller-Bridge (TV's Fleabag, Killing Eve) and directed by Vicky Jones, Fleabag is a rip-roaring look at some sort of woman living her sort of life. Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that’s just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose. ★★★★★ “Witty, filthy and supreme.” – The Guardian This encore show is a recording of the performance broadcast live to cinemas on 12 September from London’s West End.

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Roger Waters, co-founder, creative force and songwriter behind Pink Floyd, presents his highly anticipated concert film, Us + Them, which features state-of-the-art visual production and breathtaking sound. Filmed in Amsterdam on the European leg of his 2017-18 Us + Them tour, on which Waters performed to over two million people worldwide, the film features songs from his legendary Pink Floyd albums (The Dark Side Of The Moon,The Wall, Animals, Wish You Were Here) and from his last album, Is This The Life We Really Want? Waters’ second collaboration with Sean Evans, visionary director of the highly acclaimed movie Roger Waters The Wall, this pioneering film is an inspiring showcase for the tour’s powerful music and message of human rights, liberty and love.

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See the award-winning one-woman show that inspired the BBC’s hit TV series Fleabag. Written and performed by Phoebe Waller-Bridge (TV's Fleabag, Killing Eve) and directed by Vicky Jones, Fleabag is a rip-roaring look at some sort of woman living her sort of life. Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that’s just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose. ★★★★★ “Witty, filthy and supreme.” – The Guardian This encore show is a recording of the performance broadcast live to cinemas on 12 September from London’s West End.

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Multi-award-winning director Emma Rice brings her unique, exuberantly impish vision to Angela Carter’s great last novel in this brand-new theatre production. A big, bawdy tangle of theatrical joy and heartbreak, Wise Children is a celebration of show business, family, forgiveness and hope, with a generous dash of Shakespeare, scandal and mischief, taking the audience on a rollercoaster ride of emotion. In Brixton, Nora and Dora Chance – twin chorus girls born and bred south of the river – are celebrating their 75th birthday. Over the river in Chelsea, their father – and the greatest actor of his generation – Melchior Hazard turns 100 on the same day. As does his twin brother Peregrine. If, in fact, he’s still alive. And if, in truth, Melchior is their real father after all... Performed by a talented ensemble cast, this entertaining, all-singing and dancing show opened to a raft of four and five-star reviews at London’s Old Vic in 2018. Adapted and directed by Emma Rice, the former Artistic Director of Kneehigh and Shakespeare’s Globe, it was filmed for the cinema screen at York Theatre Royal.

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Roger Waters, co-founder, creative force and songwriter behind Pink Floyd, presents his highly anticipated concert film, Us + Them, which features state-of-the-art visual production and breathtaking sound. Filmed in Amsterdam on the European leg of his 2017-18 Us + Them tour, on which Waters performed to over two million people worldwide, the film features songs from his legendary Pink Floyd albums (The Dark Side Of The Moon,The Wall, Animals, Wish You Were Here) and from his last album, Is This The Life We Really Want? Waters’ second collaboration with Sean Evans, visionary director of the highly acclaimed movie Roger Waters The Wall, this pioneering film is an inspiring showcase for the tour’s powerful music and message of human rights, liberty and love.

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Gloria Swanson as Norma Desmond, an aging silent film queen, and William Holden as the struggling writer who is held in thrall by her madness, created two of the screen's most memorable characters in Sunset Boulevard. Winner of three Academy Awards., director Billy Wilder's orchestration of the bizarre tale is a true cinematic classic. From the unforgettable opening sequence through the inevitable unfolding of tragic destiny, the film is the definitive statement on the dark and desperate side of Hollywood. Erich von Stroheim as Desmond's discoverer, ex-husband and butler, and Nancy Olson as the bright spot in unrelenting ominousness, are equally celebrated for their masterful performances.

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Sexual intrigue, jealousy, wit, anger… and retribution! The new Royal Opera Season begins with Mozart’s engaging masterpiece, which follows Don Giovanni, the women he serially seduces, and the vengeance that finally catches up with him. The opera is renowned for its ever-shifting portrayals of complex characters, fast-moving action and mix of the comic and the heartfelt. A cast of international singers – both familiar and making Royal Opera debuts – under conductor Hartmut Haenchen perform the glorious arias and ensembles of this opera favourite. Co-production with Israeli Opera, Gran Teatre del Liceu, Barcelona, and Houston Grand Opera Music: Wolfgang Amadeus Mozart Libretto: Lorenzo da Ponte Conductor: Hartmut Haenchen Director: Kasper Holten Set designer: Es Devlin Video designer: Luke Halls Costume designer: Anja Vang Kragh Lighting designer: Bruno Poet Choreography: Signe Fabricius Don Giovanni: Erwin Schrott Leporello: Roberto Tagliavini Donna Anna: Malin Byström Donna Elvira: Christine Rice Don Ottavio: Daniel Behle Zerlina: Louise Alder Commendatore: Lars Woldt Masetto: Leon Košavić Royal Opera Chorus Orchestra of the Royal Opera House

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Featuring a Tony Award-winning performance from host of the The Late Late Show, James Corden, the hilarious West End and Broadway hit One Man, Two Guvnors returns to cinemas to mark National Theatre Live’s 10th birthday. Fired from his skiffle band, Francis Henshall becomes minder to Roscoe Crabbe, a small time East End hood, now in Brighton to collect £6,000 from his fiancée’s dad. But Roscoe is really his sister Rachel posing as her own dead brother, who’s been killed by her boyfriend Stanley Stubbers. Holed up at The Cricketers’ Arms, the permanently ravenous Francis spots the chance of an extra meal ticket and takes a second job with one Stanley Stubbers, who is hiding from the police and waiting to be re-united with Rachel. To prevent discovery, Francis must keep his two guvnors apart. Simple.

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On October 9, 2019, Trafalgar Releasing presents S&M2, a must-see celebration of the 20th anniversary of Metallica’s groundbreaking S&M concerts and album recorded with the San Francisco Symphony. See them once again perform with the Symphony as legendary conductor Michael Tilson Thomas leads a portion of the show, kicking off his final season in San Francisco. Recorded live on September 6th and 8th, the shows also commemorate the opening of the state-of-the-art Chase Center, a historic addition to the city’s waterfront. Including several tracks from the original '99 S&M release as well as symphonic versions of new songs released since then, this theatrical release gives millions of fans around the world the chance to eclipse time and experience the show as a modern-day big screen concert.

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Hailed as the UK’s most influential comedian of all time, legendary Scot Billy Connolly is coming to cinemas with this brilliant show from his final stand-up tour. Recorded in 2015 during the Australian leg, this whipsmart routine is a riotous journey filled with outrageous tales and blistering observations of everyday absurdities. This one-night-only event also includes a cinema-exclusive interview with Connolly, who muses upon his career, life and legacy. Before retiring in 2016 following his diagnosis with Parkinson’s Disease, Connolly toured continuously for 50 years, performing to a combined audience of over ten million people. The Sex Life Of Bandages is a big-screen tribute to an iconic funny-man whose sharp wit and anarchic storytelling remains as hilarious as ever. ★★★★ ‘Can he still hold an audience in his thrall - warm us, cheer us, tickle us? Abso - Billy - lutely!' - The Telegraph ★★★★ 'Beautifully funny' - The Guardian ★★★★ 'Connolly has still got his funny bones' - The Evening Standard

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Multi-award-winning director Emma Rice brings her unique, exuberantly impish vision to Angela Carter’s great last novel in this brand-new theatre production. A big, bawdy tangle of theatrical joy and heartbreak, Wise Children is a celebration of show business, family, forgiveness and hope, with a generous dash of Shakespeare, scandal and mischief, taking the audience on a rollercoaster ride of emotion. In Brixton, Nora and Dora Chance – twin chorus girls born and bred south of the river – are celebrating their 75th birthday. Over the river in Chelsea, their father – and the greatest actor of his generation – Melchior Hazard turns 100 on the same day. As does his twin brother Peregrine. If, in fact, he’s still alive. And if, in truth, Melchior is their real father after all... Performed by a talented ensemble cast, this entertaining, all-singing and dancing show opened to a raft of four and five-star reviews at London’s Old Vic in 2018. Adapted and directed by Emma Rice, the former Artistic Director of Kneehigh and Shakespeare’s Globe, it was filmed for the cinema screen at York Theatre Royal.

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Yannick Nézet-Séguin, the Met’s Music Director, conducts this powerful production of love, loss and loyalty. Franco Zeffirelli’s spectacular staging returns to cinemas with powerhouse soprano Christine Goerke as the icy princess who has sworn never to be possessed by a man. But the unknown suitor Calaf, played by tenor Roberto Aronica, who sings the famed aria ‘Nessun dorma’, is love-struck, and risks his life by attempting to answer the challenging three riddles that promise to unlock her heart.

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On the hottest day of the year on a street in the Bedford-Stuyvesant section of Brooklyn, everyone's hate and bigotry smolders and builds until it explodes into violence.

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Sexual intrigue, jealousy, wit, anger… and retribution! The new Royal Opera Season begins with Mozart’s engaging masterpiece, which follows Don Giovanni, the women he serially seduces, and the vengeance that finally catches up with him. The opera is renowned for its ever-shifting portrayals of complex characters, fast-moving action and mix of the comic and the heartfelt. A cast of international singers – both familiar and making Royal Opera debuts – under conductor Hartmut Haenchen perform the glorious arias and ensembles of this opera favourite. Co-production with Israeli Opera, Gran Teatre del Liceu, Barcelona, and Houston Grand Opera Music: Wolfgang Amadeus Mozart Libretto: Lorenzo da Ponte Conductor: Hartmut Haenchen Director: Kasper Holten Set designer: Es Devlin Video designer: Luke Halls Costume designer: Anja Vang Kragh Lighting designer: Bruno Poet Choreography: Signe Fabricius Don Giovanni: Erwin Schrott Leporello: Roberto Tagliavini Donna Anna: Malin Byström Donna Elvira: Christine Rice Don Ottavio: Daniel Behle Zerlina: Louise Alder Commendatore: Lars Woldt Masetto: Leon Košavić Royal Opera Chorus Orchestra of the Royal Opera House

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This fascinating cinema event opens with a brand-new documentary about the life and work of Paul Gauguin, one of the world’s most popular and important artists. Filmed in Tahiti, France, the Marquesas Islands and the UK, this cinematic film will explore Gauguin’s extraordinary – and at times controversial – artistic achievement, with commentary from his descendants, artists and world experts. It will be followed by an exclusive private view of the National Gallery exhibition Gauguin Portraits, just after it opens in London. Exhibition curators and guest contributors will take cinema audiences on a lively and engaging guided tour, bringing this first ever exhibition of Gauguin’s portraits to the big screen with stunning close-ups and illuminating insights.

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Six weeks on Tuesdays from, 15th October – 19th November 7-9 pm The course will take place in the Community Room at Crouch End Picturehouse Course Leader: Dr Julia Wagner This 6-week short course will explore the styles, movements and persuasive techniques of political films, from early cinema to today. No prior knowledge necessary. Sessions will consist of lectures, group discussion and the viewing of clips from films being talked about. Course outline: Week 1: Persuasion and resistance: How have newsreel, documentary and fiction films galvanised support and opposition in wartime? We consider government-sponsored propaganda as well as critical filmmaking. Week 2: Comedy and horror: Exploring political allegory in genre films. We look at the aesthetic, narrative and symbolic elements of comedy, horror and other genre films, analysing their persuasive and political function. Week 3: Politicians on film: The styles, subjects and appeal of political biopics. A prolific and popular genre of filmmaking, biopics tell us a lot about how we choose, celebrate and construct cultural heroes – and the actors who play them. Week 4: Strength in numbers: film collectives and social activism. This lecture focuses on feminist filmmakers, working in collectives to produce alternative socio-political narratives, which flourished in the UK and other countries including South America during the 1980s. Week 5: Rights, fights and minority voices. How do films represent political struggle and raise consciousness? We explore politically challenging films often made in hostile environments, including gay rights activism, post-colonial and post-war cultural narratives. Week 6: Exposé and outrage: How do subversive documentaries probe and expose people in power? Who is exposed and who is outraged, and how are these effects achieved? We look at the movements, implications and ethical considerations of polemical documentaries. Tickets are £80 for the full six week course (£75 concession / £70 Picturehouse Members)

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Directors: Kyle Balda, Pierre Coffin, Eric Guillon. Voices: Steve Carell, Kristen Wiig, Trey Parker. USA 2017. 90 mins. At the end of Despicable Me 2, one-time dastardly supervillain Felonious Gru (Carell) seemed to have hung up his ‘evil’ cape for good. Having settled in the ‘burbs with his feisty super agent wife (Wiig) and three adorable, unicorn-loving, adopted daughters, he’s now out to actively fight crime, not cause it. Until, that is, a long lost, enviably hirsute twin brother (also Carell) pops out of the woodwork to tempt Gru back to the dark side… Eagerly anticipated by everyone from toddlers to adults, this animated threequel also voice casts Trey Parker (co-creator of South Park and The Book Of Mormon) as an ’80s-obsessed baddie with truly villainous shoulder pads. As if that wasn’t enough, one final word will sell it to you: Minions!

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This fascinating cinema event opens with a brand-new documentary about the life and work of Paul Gauguin, one of the world’s most popular and important artists. Filmed in Tahiti, France, the Marquesas Islands and the UK, this cinematic film will explore Gauguin’s extraordinary – and at times controversial – artistic achievement, with commentary from his descendants, artists and world experts. It will be followed by an exclusive private view of the National Gallery exhibition Gauguin Portraits, just after it opens in London. Exhibition curators and guest contributors will take cinema audiences on a lively and engaging guided tour, bringing this first ever exhibition of Gauguin’s portraits to the big screen with stunning close-ups and illuminating insights.

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'The course of true love never did run smooth.’ A feuding fairy King and Queen of the forest cross paths with four runaway lovers and a troupe of actors trying to rehearse a play. As their dispute grows, the magical royal couple meddle with mortal lives leading to love triangles, mistaken identities and transformations… with hilarious, but dark consequences. Shakespeare’s most famous romantic comedy will be captured live from the Bridge Theatre in London. Gwendoline Christie (Game of Thrones), Oliver Chris (Green Wing, NT Live: Young Marx), David Moorst (NT Live: Allelujah!) and Hammed Animashaun (The Barber Shop Chronicles) lead the cast as Titania, Oberon, Puck and Bottom. Directed by Nicholas Hytner, this production of A Midsummer Night’s Dream will build on the success of his immersive staging of Julius Caesar (NT Live 2018). The Bridge Theatre will become a forest – a dream world of flying fairies, contagious fogs and moonlight revels, surrounded by a roving audience following the action on foot.

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Yannick Nézet-Séguin, the Met’s Music Director, conducts this powerful production of love, loss and loyalty. Franco Zeffirelli’s spectacular staging returns to cinemas with powerhouse soprano Christine Goerke as the icy princess who has sworn never to be possessed by a man. But the unknown suitor Calaf, played by tenor Roberto Aronica, who sings the famed aria ‘Nessun dorma’, is love-struck, and risks his life by attempting to answer the challenging three riddles that promise to unlock her heart.

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Robert Mulligan's classic adaptation of Harper Lee's Pulitzer Prize-winning novel set in the racially charged atmosphere of Macon County, Alabama in the 1930s, TO KILL A MOCKINGBIRD is a poignant coming-of-age story. It is told from the perspective of a young girl nicknamed Scout (Mary Badham) whose widowed father Atticus Finch (Peck), an attorney, decides to defend a black man (Brock Peters) charged with raping a white woman. But the bigoted townspeople would rather lynch the accused than try him, and they make life hellish for the lawyer, his daughter and his son Jem. While their father is in the throes of the trial, his bright, inquisitive children learn a hard and unforgettable lesson in justice, morality and prejudice, part of which requires overcoming their unfounded fear of their mysterious neighbour Boo Radley (a very young Robert Duvall).

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Four Weeks on Monday's October 21st - Nov 11th, 7-9pm The course will take place in the Community Room at Crouch End Picturehouse Lecturer: Joseph Jenner The influence of Japanese director Yasujirō Ozu on contemporary filmmaking cannot be underestimated. It is evident in the films of Joanna Hog, Jim Jarmush, Claire Denis and Hirokazu Kore-eda, among many others. On this course we will unpick the elements which make up the distinctive style of Ozu’s films covering narrative, shot construction and editing techniques. We will also think about his films in historical context, looking at their place within the broader Japanese film industry and considering the key debates around his work which, on the one hand fetishize the ‘Japaneseness’ of Ozu, while on the other view his films as pure formal exercises that ignore their historical and cultural context. Finally, we will look closely at the works of contemporary directors to think about how the style of Ozu remains embedded in contemporary filmmaking. By the end of the course the students will have a deeper critical appreciation of a remarkably innovative and influential filmmaker. Week One: Ozu’s Aesthetic Week two: Ozu and early 20th century Japanese Cinema Week Three: Translating Ozu in the West Week Four: The Legacy of Ozu Tickets are £70 for the full four week course (£65 concession / £60 Picturehouse Members).

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Matthew Bourne’s Romeo and Juliet has been hailed as ‘the single most eagerly awaited dance show for 2019’ by The Daily Telegraph. This passionate and contemporary re-imagining of Shakespeare’s classic story of love and conflict is set in the not too distant future in ‘The Verona Institute’. Here ‘difficult’ young people are mysteriously confined by a society that seeks to divide and crush their youthful spirit and individuality. Our two young lovers must follow their hearts as they risk everything to be together. A timeless story of forbidden love, repressed emotions and teenage discovery, filmed live at Sadler’s Wells in London especially for cinemas. Bursting with youth, vitality and Matthew Bourne’s trademark storytelling, the UK’s brightest young dance talent join the New Adventures company, with direction and choreography by Matthew Bourne, design by Lez Brotherston, lighting by Paule Constable, sound by Paul Groothuis and new orchestrations of the Prokofiev score by Terry Davies, played live by the New Adventures Orchestra conducted by Brett Morris.

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Royal Opera favourite Bryn Terfel heads the cast for this new production of Donizetti’s comedy of domestic drama across two generations. The witty story of a middle-aged man whose supposed young wife runs rings around him – with her own ulterior romantic purpose in mind – has long delighted and surprised audiences, not least as presented with the sparkle of its music and the virtuoso skill of its performers. Damiano Michieletto’s exhilarating production shows how contemporary the characters still are and how immediate and touching the story remains. Co-production with Opéra national de Paris and Teatro Massimo, Palermo Music: Gaetano Donizetti Lighting designer: Alessandro Carletti Video designer: rocafilm Libretto: Giovanni Ruffini and Gaetano Donizetti Conductor: Evelino Pidò Director: Damiano Michieletto Set designer: Paolo Fantin Costume designer: Agostino Cavalca Don Pasquale: Bryn Terfel Norina: Olga Peretyatko Ernesto: Ioan Hotea Malatesta: Mariusz Kwiecień Royal Opera Chorus Orchestra of the Royal Opera House

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Fassbinder was fascinated by strong, smart women using their wiles to navigate a man’s world; Hawks’ gorgeous musical about two showgirls sailing for Paris while checking out suitably moneyed males fits the bill perfectly. Monroe and Russell are terrific, the musical numbers are simultaneously sumptuous and ironic, and the colour and costumes are ravishing.

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Laurent Pelly’s enchanting production, starring soprano Lisette Oropesa in the effervescent title role, explores the devastating consequences when excess and passion collide. Tenor Michael Fabiano is the besotted Chevalier des Grieux, whose desperate love for Manon proves to be the undoing for both of them. Maurizio Benini conducts Massenet’s sensual score.

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A slow-burning masterwork of the early 1990s, this third feature by Charles Burnett is a singular piece of American mythmaking. In a towering performance, Danny Glover plays the enigmatic southern drifter Harry, a devilish charmer who turns up out of the blue on the South Central Los Angeles doorstep of his old friends. In short order, Harry’s presence seems to cast a chaotic spell on what appeared to be a peaceful household, exposing smoldering tensions between parents and children, tradition and change, virtue and temptation. Interweaving evocative strains of gospel and blues with rich, poetic-realist images, To Sleep with Anger is a sublimely stirring film from an autonomous artistic sensibility, a portrait of family resilience steeped in the traditions of African American mysticism and folklore.

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Royal Opera favourite Bryn Terfel heads the cast for this new production of Donizetti’s comedy of domestic drama across two generations. The witty story of a middle-aged man whose supposed young wife runs rings around him – with her own ulterior romantic purpose in mind – has long delighted and surprised audiences, not least as presented with the sparkle of its music and the virtuoso skill of its performers. Damiano Michieletto’s exhilarating production shows how contemporary the characters still are and how immediate and touching the story remains. Co-production with Opéra national de Paris and Teatro Massimo, Palermo Music: Gaetano Donizetti Lighting designer: Alessandro Carletti Video designer: rocafilm Libretto: Giovanni Ruffini and Gaetano Donizetti Conductor: Evelino Pidò Director: Damiano Michieletto Set designer: Paolo Fantin Costume designer: Agostino Cavalca Don Pasquale: Bryn Terfel Norina: Olga Peretyatko Ernesto: Ioan Hotea Malatesta: Mariusz Kwiecień Royal Opera Chorus Orchestra of the Royal Opera House

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'The course of true love never did run smooth.’ A feuding fairy King and Queen of the forest cross paths with four runaway lovers and a troupe of actors trying to rehearse a play. As their dispute grows, the magical royal couple meddle with mortal lives leading to love triangles, mistaken identities and transformations… with hilarious, but dark consequences. Shakespeare’s most famous romantic comedy will be captured live from the Bridge Theatre in London. Gwendoline Christie (Game of Thrones), Oliver Chris (Green Wing, NT Live: Young Marx), David Moorst (NT Live: Allelujah!) and Hammed Animashaun (The Barber Shop Chronicles) lead the cast as Titania, Oberon, Puck and Bottom. Directed by Nicholas Hytner, this production of A Midsummer Night’s Dream will build on the success of his immersive staging of Julius Caesar (NT Live 2018). The Bridge Theatre will become a forest – a dream world of flying fairies, contagious fogs and moonlight revels, surrounded by a roving audience following the action on foot.

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Laurent Pelly’s enchanting production, starring soprano Lisette Oropesa in the effervescent title role, explores the devastating consequences when excess and passion collide. Tenor Michael Fabiano is the besotted Chevalier des Grieux, whose desperate love for Manon proves to be the undoing for both of them. Maurizio Benini conducts Massenet’s sensual score.

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When all-American couple Janet and Brad’s car breaks down outside an Old Dark House, they’re in for a night of frights and frolics at the hands of Dr Frank N. Furter and all manner of kinky Transylvanians in this cult musical comedy. Contains moderate sex and one use of strong language.

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We’re thrilled to welcome producer Frederick Marx for a live post-screening Q&A to celebrate the 25th anniversary of this seminal film. Of the 500,000 kids who play basketball in American high school every year, about 25 will make the grade to play one season professionally. Steven James’ extraordinary and entertaining HOOP DREAMS documents the lives and dreams of two real-life hopefuls growing up in a deprived Chicago suburb, charting an odyssey that begins when two teenagers are spotted by recruiters for St. Joseph’s, a Catholic ‘public school’ and powerhouse of basketball prowess, to the time, four-and-a half years later, when they’re on the threshold of uncertain careers. More than a sports-documentary, HOOP DREAMS captures the gut-wrenching tension of vocational sport but devotes equal concern to adolescent uncertainties, family pressures and the bleak realities of inner city life. The late Roger Ebert was famously an early advocate for this film and said in an October 1994 review, “A film like Hoop Dreams is what the movies are for. It takes us, shakes us, and makes us think in new ways about the world around us. It gives us the impression of having touched life itself… It is one of the great movie-going experiences of my lifetime.”

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Miyazaki’s superbly animated tale is considered to be one of the best-loved family films of all time. The story follows Satsuki (Hidaka) and Mei (Sakamoto), two young girls who find their new home is by a mystical forest inhabited by a menagerie of fantastical creatures called Totoros. They befriend O-Totoro, the biggest and eldest of them, and king of the forest. While the girls' mother lies sick in hospital, O-Totoro takes them on a magical adventure and helps them to understand the realities of life. Containing a powerful ecological theme, this is a lovingly crafted work of depth, import and beauty.

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Leonardo da Vinci is acclaimed as the world’s favourite artist. Many TV shows and feature films have showcased his extraordinary genius, but often not examined closely enough is the most crucial element of all: his art. Leonardo’s peerless paintings and drawings will be the focus of LEONARDO: THE WORKS, which presents every single attributed painting in Ultra HD quality – something never seen before on the big screen. Key works include ‘The Mona Lisa’, ‘The Last Supper’, ‘Lady with an Ermine’, ‘Ginevra de’ Benci’, ‘Madonna Litta’, ‘Virgin of the Rocks’ and more than a dozen others. This film also looks afresh at Leonardo’s life – his inventiveness, his sculptural skills, his military foresight and his ability to navigate the treacherous politics of the day – through the prism of his art. To be released on the 500th anniversary of his death, this is the definitive film about Leonardo – the first to truly tell the whole story.

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From The Royal Ballet’s classical origins in the works of Marius Petipa, to the homegrown choreographers who put British ballet on the world stage, this mixed programme highlights the versatility of the Company. Petipa’s Raymonda Act III is Russian classical ballet summarised in one act, full of sparkle and precise technique, while Ashton’s Enigma Variations is quintessentially British in every way – from its score by Elgar and period designs by Julia Trevelyan Oman, to Ashton’s signature style, the essence of British ballet. Concerto, MacMillan’s fusion of classical technique with a contemporary mind, completes a programme that shows the breadth of The Royal Ballet’s heritage.

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Matthew Bourne’s Romeo and Juliet has been hailed as ‘the single most eagerly awaited dance show for 2019’ by The Daily Telegraph. This passionate and contemporary re-imagining of Shakespeare’s classic story of love and conflict is set in the not too distant future in ‘The Verona Institute’. Here ‘difficult’ young people are mysteriously confined by a society that seeks to divide and crush their youthful spirit and individuality. Our two young lovers must follow their hearts as they risk everything to be together. A timeless story of forbidden love, repressed emotions and teenage discovery, filmed live at Sadler’s Wells in London especially for cinemas. Bursting with youth, vitality and Matthew Bourne’s trademark storytelling, the UK’s brightest young dance talent join the New Adventures company, with direction and choreography by Matthew Bourne, design by Lez Brotherston, lighting by Paule Constable, sound by Paul Groothuis and new orchestrations of the Prokofiev score by Terry Davies, played live by the New Adventures Orchestra conducted by Brett Morris.

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Hansard; noun The official report of all parliamentary debates. See two-time Olivier Award winners, Lindsay Duncan (Birdman, About Time) and Alex Jennings (The Lady in the Van, The Queen), in this brand-new play by Simon Wood, broadcast live from the National Theatre in London. It’s a summer’s morning in 1988 and Tory politician Robin Hesketh has returned home to the idyllic Cotswold house he shares with his wife of 30 years, Diana. But all is not as blissful as it seems. Diana has a stinking hangover, a fox is destroying the garden, and secrets are being dug up all over the place. As the day draws on, what starts as gentle ribbing and the familiar rhythms of marital scrapping quickly turns to blood-sport. Don’t miss this witty and devastating portrait of the governing class, directed by Simon Godwin (NT Live: Antony & Cleopatra, Twelfth Night) and part of National Theatre Live’s 10th birthday season.

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Anthony Minghella’s vividly cinematic staging of Puccini’s tale of unrequited love returns to our screens featuring soprano Hui He in the devastating title role. One of the most frequently staged operas of our generation, Madama Butterfly tells the story of a young Japanese girl, Cio-Cio San, who falls in love with Pinkerton, an American naval officer. Tragedy unfolds in this sweeping production, which is a perennial audience favourite. Pier Giorgio Morandi conducts one of opera’s most beautiful and heartbreaking scores, and Plácido Domingo adds another role to his remarkable repertoire, singing ‘Sharpless’ for the first time. The cast also includes tenor Piero Pretti as Pinkerton and mezzosoprano Elizabeth DeShong as Suzuki.

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The Broadway 1980 musical filmed live at the West End revival in 2018. 42nd Street tells the story of Peggy Sawyer, a talented young dancer in New York fresh off the bus from small-town America and just another face in the chorus line in Broadway’s newest show. But when the leading lady is injured, Peggy has the opportunity she’s always dreamt of. Starring Clare Halse, Bonnie Langford and Ashley Day, and featuring classic numbers such as ‘We’re In The Money’ and ‘Lullaby Of Broadway’. ★★★★★ “Glorious” – Express ★★★★★ “Utterly moreish extravaganza of glitz” – The Times ★★★★★ “Achingly beautiful revival of an American classic” – The Telegraph

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A fantasy adventure film unlike any other, Spirited Away tells the story of Chihiro, a capricious 10-year-old girl who believes the entire world should submit to her every whim. While en route to a new home, Chihiro and her parents stumble upon a mysterious tunnel, which leads them to a ghostly town. There, Chihiro’s parents greedily devour the buffet in an abandoned restaurant and unceremoniously turn into pigs as she looks on. They have unwittingly strayed into the Land of the Spirits, a world inhabited by ancient gods and magical beings, who holiday at a giant bath house run by the demonic sorceress, Yubaba. Chihiro finds an ally in the enigmatic Haku, who explains that in order to survive this strange and perilous world, Chihiro must make herself useful by working hard at the bath house. Chihiro renounces her laziness, her reason, her memories, even her name… This visionary work from legendary animator Miyazaki is a surreal fable and an enchanting fairytale.

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From The Royal Ballet’s classical origins in the works of Marius Petipa, to the homegrown choreographers who put British ballet on the world stage, this mixed programme highlights the versatility of the Company. Petipa’s Raymonda Act III is Russian classical ballet summarised in one act, full of sparkle and precise technique, while Ashton’s Enigma Variations is quintessentially British in every way – from its score by Elgar and period designs by Julia Trevelyan Oman, to Ashton’s signature style, the essence of British ballet. Concerto, MacMillan’s fusion of classical technique with a contemporary mind, completes a programme that shows the breadth of The Royal Ballet’s heritage.

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Leonardo da Vinci is acclaimed as the world’s favourite artist. Many TV shows and feature films have showcased his extraordinary genius, but often not examined closely enough is the most crucial element of all: his art. Leonardo’s peerless paintings and drawings will be the focus of LEONARDO: THE WORKS, which presents every single attributed painting in Ultra HD quality – something never seen before on the big screen. Key works include ‘The Mona Lisa’, ‘The Last Supper’, ‘Lady with an Ermine’, ‘Ginevra de’ Benci’, ‘Madonna Litta’, ‘Virgin of the Rocks’ and more than a dozen others. This film also looks afresh at Leonardo’s life – his inventiveness, his sculptural skills, his military foresight and his ability to navigate the treacherous politics of the day – through the prism of his art. To be released on the 500th anniversary of his death, this is the definitive film about Leonardo – the first to truly tell the whole story.

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The Broadway 1980 musical filmed live at the West End revival in 2018. 42nd Street tells the story of Peggy Sawyer, a talented young dancer in New York fresh off the bus from small-town America and just another face in the chorus line in Broadway’s newest show. But when the leading lady is injured, Peggy has the opportunity she’s always dreamt of. Starring Clare Halse, Bonnie Langford and Ashley Day, and featuring classic numbers such as ‘We’re In The Money’ and ‘Lullaby Of Broadway’. ★★★★★ “Glorious” – Express ★★★★★ “Utterly moreish extravaganza of glitz” – The Times ★★★★★ “Achingly beautiful revival of an American classic” – The Telegraph

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Anthony Minghella’s vividly cinematic staging of Puccini’s tale of unrequited love returns to our screens featuring soprano Hui He in the devastating title role. One of the most frequently staged operas of our generation, Madama Butterfly tells the story of a young Japanese girl, Cio-Cio San, who falls in love with Pinkerton, an American naval officer. Tragedy unfolds in this sweeping production, which is a perennial audience favourite. Pier Giorgio Morandi conducts one of opera’s most beautiful and heartbreaking scores, and Plácido Domingo adds another role to his remarkable repertoire, singing ‘Sharpless’ for the first time. The cast also includes tenor Piero Pretti as Pinkerton and mezzosoprano Elizabeth DeShong as Suzuki.

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Miyazaki’s eagerly awaited follow-up to SPIRITED AWAY is a freestyle adaptation of Diana Wynne Jones’s novel and a delight for all fans of the Japanese animators, Studio Ghibli. Cursed by the Witch of the Waste to take on the form of a 90-year-old woman, but unable to explain her predicament, Sophie soldiers on undeterred. She finds a job as a cleaner in a clanking walking castle with huge chicken legs, smokestacks and wings. Within, dandified wizard, Howl, his assistant and a talking fire-sprite use their sorcery as a military weapon, outwitting warmongering factions and battling inner demons. As if conceived by Hieronymous Bosch himself, the intricate castle design is the centrepiece of an enchanting animation that is brimming with imaginative treats from start to finish.

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Shakespeare’s bleakly comic tragedy about money, status, friendship and falsehood. Lady Timon is a celebrated rich philanthropist, generous and popular. She doles out money and gifts to all in need. But when her money runs out, she quickly discovers that her admirers were largely fair-weather sycophants. Quite alone, she flees her home city of Athens to take a hermit’s refuge in the woods. This bracingly subversive 2017 production from the RSC is directed by Simon Godwin and stars Kathryn Hunter in the gender-flipped lead role.

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Hansard; noun The official report of all parliamentary debates. See two-time Olivier Award winners, Lindsay Duncan (Birdman, About Time) and Alex Jennings (The Lady in the Van, The Queen), in this brand-new play by Simon Wood, broadcast live from the National Theatre in London. It’s a summer’s morning in 1988 and Tory politician Robin Hesketh has returned home to the idyllic Cotswold house he shares with his wife of 30 years, Diana. But all is not as blissful as it seems. Diana has a stinking hangover, a fox is destroying the garden, and secrets are being dug up all over the place. As the day draws on, what starts as gentle ribbing and the familiar rhythms of marital scrapping quickly turns to blood-sport. Don’t miss this witty and devastating portrait of the governing class, directed by Simon Godwin (NT Live: Antony & Cleopatra, Twelfth Night) and part of National Theatre Live’s 10th birthday season.

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Star countertenor Anthony Roth Costanzo headlines as the revolutionary Pharaoh who transformed ancient Egypt. Director Phelim McDermott, whose productions include the hugely successful Satyagraha by Philip Glass, returns to the Met to bring this contemporary production to life, with a virtuosic company and dramatic staging that features acrobatics and juggling. The striking soprano J’Nai Bridges makes her Met debut as Nefertiti. Karen Kamensek conducts Glass’s ritualistic and hypnotic score.

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When Prince Ashitaka slays a raging boar god, he is wounded and becomes infected with the sickness that had sent the beast berserk, a malady stemming from humankind’s disharmony with nature. Set at the time of Japan’s transition from the Middle Ages to the modern era, Princess Mononoke is a morally complex tale that blends a fantasy quest with social comment for our times.

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Star countertenor Anthony Roth Costanzo headlines as the revolutionary Pharaoh who transformed ancient Egypt. Director Phelim McDermott, whose productions include the hugely successful Satyagraha by Philip Glass, returns to the Met to bring this contemporary production to life, with a virtuosic company and dramatic staging that features acrobatics and juggling. The striking soprano J’Nai Bridges makes her Met debut as Nefertiti. Karen Kamensek conducts Glass’s ritualistic and hypnotic score.

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Matthew Warchus directs Andrew Scott (BBC’s Sherlock, Fleabag) in Noël Coward’s provocative comedy Present Laughter. As he prepares to embark on an overseas tour, star actor Garry Essendine’s colourful life is in danger of spiralling out of control. Engulfed by an escalating identity crisis as his many and various relationships compete for his attention, Garry’s few remaining days at home are a chaotic whirlwind of love, sex, panic and soul-searching. Captured live from The Old Vic in London, Present Laughter is a giddy and surprisingly modern reflection on fame, desire and loneliness.

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A classic returns to The Royal Ballet repertory with Ninette de Valois’ charming and funny Coppélia – a story of love, mischief and mechanical dolls. The intricate choreography is set to Delibes’ delightful score and shows off the technical precision and comedic timing of the whole Company. Osbert Lancaster’s designs bring a colourful storybook world to life in this Christmas treat for the whole family. Choreography: Ninette de Valois, after Lev Ivanov and Enrico Cecchetti Music: Léo Delibes Scenario: Charles Nuitter and Arthur Saint-Léon, after E.T.A. Hoffmann Designer: Osbert Lancaster Lighting designer: John B. Read Conductor: Barry Wordsworth Orchestra of the Royal Opera House

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Matthew Warchus directs Andrew Scott (BBC’s Sherlock, Fleabag) in Noël Coward’s provocative comedy Present Laughter. As he prepares to embark on an overseas tour, star actor Garry Essendine’s colourful life is in danger of spiralling out of control. Engulfed by an escalating identity crisis as his many and various relationships compete for his attention, Garry’s few remaining days at home are a chaotic whirlwind of love, sex, panic and soul-searching. Captured live from The Old Vic in London, Present Laughter is a giddy and surprisingly modern reflection on fame, desire and loneliness.

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A classic returns to The Royal Ballet repertory with Ninette de Valois’ charming and funny Coppélia – a story of love, mischief and mechanical dolls. The intricate choreography is set to Delibes’ delightful score and shows off the technical precision and comedic timing of the whole Company. Osbert Lancaster’s designs bring a colourful storybook world to life in this Christmas treat for the whole family. Choreography: Ninette de Valois, after Lev Ivanov and Enrico Cecchetti Music: Léo Delibes Scenario: Charles Nuitter and Arthur Saint-Léon, after E.T.A. Hoffmann Designer: Osbert Lancaster Lighting designer: John B. Read Conductor: Barry Wordsworth Orchestra of the Royal Opera House

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The Royal Ballet's glorious production of The Nutcracker, created by Peter Wright in 1984, is the production par excellence of an all-time ballet favourite. On Christmas Eve, Herr Drosselmeyer the magician sweeps young Clara away on a fantasy adventure in which time is suspended, the family living-room becomes a great battlefield, and a magical journey takes them through the Land of Snow to the Kingdom of Sweets. Tchaikovsky's glittering score, the gorgeous festive stage designs, and The Royal Ballet's captivating dancing including an exquisite pas de deux between the Sugar Plum Fairy and her Prince, make this Nutcracker the quintessential Christmas experience. RECORDED LIVE AT THE ROYAL OPERA HOUSE Thursday 8 December 2016 Choreography: Peter Wright after Lev Ivanov Music: Pyotr Il’yich Tchaikovsky Original scenario: Marius Petipa after E.T.A.Hoffmann Production and scenario: Peter Wright Designer: Julia Trevelyan Oman Lighting designer: Mark Henderson Staging: Christopher Carr Conductor: Boris Gruzin The Sugar Plum Fairy: Lauren Cuthbertson The Prince: Federico Bonelli Clara: Francesca Hayward Hans-Peter/The Nutcracker: Alexander Campbell Herr Drosselmeyer: Gary Avis Orchestra of the Royal Opera House

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The Royal Ballet's glorious production of The Nutcracker, created by Peter Wright in 1984, is the production par excellence of an all-time ballet favourite. On Christmas Eve, Herr Drosselmeyer the magician sweeps young Clara away on a fantasy adventure in which time is suspended, the family living-room becomes a great battlefield, and a magical journey takes them through the Land of Snow to the Kingdom of Sweets. Tchaikovsky's glittering score, the gorgeous festive stage designs, and The Royal Ballet's captivating dancing including an exquisite pas de deux between the Sugar Plum Fairy and her Prince, make this Nutcracker the quintessential Christmas experience. RECORDED LIVE AT THE ROYAL OPERA HOUSE Thursday 8 December 2016 Choreography: Peter Wright after Lev Ivanov Music: Pyotr Il’yich Tchaikovsky Original scenario: Marius Petipa after E.T.A.Hoffmann Production and scenario: Peter Wright Designer: Julia Trevelyan Oman Lighting designer: Mark Henderson Staging: Christopher Carr Conductor: Boris Gruzin The Sugar Plum Fairy: Lauren Cuthbertson The Prince: Federico Bonelli Clara: Francesca Hayward Hans-Peter/The Nutcracker: Alexander Campbell Herr Drosselmeyer: Gary Avis Orchestra of the Royal Opera House

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With the partnership between the Berlin Philharmonikier and their new conductor Kirill Petrenko just beginning, you can look forward to getting to know the orchestra all over again, from new perspectives. Their 2019 New Year’s Eve concert will feature George Gershwin’s An American In Paris, Leonard Bernstein’s ‘Symphonic Dances’ from West Side Story, and works by Cole Porter, Carl Loewe and Kurt Weill. Guest soloist soprano Diana Damau stars. So, join the Berliner Philharmoniker as they enter the Petrenko era!

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After wowing audiences with his astounding production of Lulu in 2015, South African artist William Kentridge now focuses his extraordinary imagination on a new production of Berg’s other operatic masterpiece, which is set in an apocalyptic pre-First World War environment. Met Music Director Yannick Nézet-Séguin is on the podium for this important event, while baritone Peter Mattei makes his highly anticipated role debut as Wozzeck. Soprano Elza van den Heever is Wozzeck’s unfaithful mate, and the commanding cast also includes tenor Christopher Ventris as the Drum-Major, bass-baritone Christian Van Horn as the Doctor, and tenor Gerhard Siegel as the Captain.

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This production of The Sleeping Beauty has delighted audiences in Covent Garden since 1946. A classic of Russian ballet, it established The Royal Ballet both in its new home after the Second World War and as a world-class company. Sixty years later, in 2006, the original staging was revived, returning Oliver Messel’s wonderful designs and glittering costumes to the stage. Pyotr Il’yich Tchaikovsky’s enchanting score and Marius Petipa’s original choreography beautifully combine with sections created for The Royal Ballet by Frederick Ashton, Anthony Dowell and Christopher Wheeldon. This ballet is sure to cast its spell over anyone who sees it. Choreography: Marius Petipa Music: Pyotr Il’yich Tchaikovsky Additional choreography: Frederick Ashton, Anthony Dowell, Christopher Wheeldon Production: Monica Mason and Christopher Newton after Ninette de Valois and Nicholas Sergeyev Original designs: Oliver Messel Additional designs: Peter Farmer Lighting designer: Mark Jonathan Conductor: Simon Hewett

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After wowing audiences with his astounding production of Lulu in 2015, South African artist William Kentridge now focuses his extraordinary imagination on a new production of Berg’s other operatic masterpiece, which is set in an apocalyptic pre-First World War environment. Met Music Director Yannick Nézet-Séguin is on the podium for this important event, while baritone Peter Mattei makes his highly anticipated role debut as Wozzeck. Soprano Elza van den Heever is Wozzeck’s unfaithful mate, and the commanding cast also includes tenor Christopher Ventris as the Drum-Major, bass-baritone Christian Van Horn as the Doctor, and tenor Gerhard Siegel as the Captain.

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This production of The Sleeping Beauty has delighted audiences in Covent Garden since 1946. A classic of Russian ballet, it established The Royal Ballet both in its new home after the Second World War and as a world-class company. Sixty years later, in 2006, the original staging was revived, returning Oliver Messel’s wonderful designs and glittering costumes to the stage. Pyotr Il’yich Tchaikovsky’s enchanting score and Marius Petipa’s original choreography beautifully combine with sections created for The Royal Ballet by Frederick Ashton, Anthony Dowell and Christopher Wheeldon. This ballet is sure to cast its spell over anyone who sees it. Choreography: Marius Petipa Music: Pyotr Il’yich Tchaikovsky Additional choreography: Frederick Ashton, Anthony Dowell, Christopher Wheeldon Production: Monica Mason and Christopher Newton after Ninette de Valois and Nicholas Sergeyev Original designs: Oliver Messel Additional designs: Peter Farmer Lighting designer: Mark Jonathan Conductor: Simon Hewett

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For the first time in history, the Royal Academy of Arts in London, in collaboration with the Museum of Fine Arts in Boston, is bringing together Lucian Freud’s self-portraits. This intensely compelling exhibition will display more than 50 paintings, prints and drawings in which this modern master of British art turned his unflinching eye firmly on himself. One of the most celebrated painters of our time, Lucian Freud is also one of very few twentieth-century artists who portrayed themselves with such consistency. Spanning nearly seven decades, his self-portraits give a fascinating insight into both his psyche and his development as a painter, from his earliest portrait painted in 1939 to the final one executed 64 years later. When seen together, his works represent an engrossing study of the dynamic of ageing and the process of self-representation.

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For the first time in history, the Royal Academy of Arts in London, in collaboration with the Museum of Fine Arts in Boston, is bringing together Lucian Freud’s self-portraits. This intensely compelling exhibition will display more than 50 paintings, prints and drawings in which this modern master of British art turned his unflinching eye firmly on himself. One of the most celebrated painters of our time, Lucian Freud is also one of very few twentieth-century artists who portrayed themselves with such consistency. Spanning nearly seven decades, his self-portraits give a fascinating insight into both his psyche and his development as a painter, from his earliest portrait painted in 1939 to the final one executed 64 years later. When seen together, his works represent an engrossing study of the dynamic of ageing and the process of self-representation.

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Puccini’s opera of young love in 19th-century Paris is packed with beautiful music, including lyrical arias, celebratory choruses for Act II’s evocation of Christmas Eve in the Latin Quarter, and a poignant final scene over which the composer himself wept. Richard Jones’s character-led production perfectly captures La bohème’s mixture of comedy, romance and tragedy, with striking designs by Stewart Laing. The cast features some of the greatest interpreters of Puccini’s bohemian lovers performing today, as well as former members of The Royal Opera’s Jette Parker Young Artists Programme. Co-production with Teatro Real, Madrid and Lyric Opera of Chicago Music: Giacomo Puccini Libretto: Giuseppe Giacosa and Luigi Illica Conductor: Emmanuel Villaume Director: Richard Jones Designer: Stewart Laing Lighting designer: Mimi Jordan Sherin Movement director: Sarah Fahie Mimì: Sonya Yoncheva Rodolfo: Charles Castronovo Marcello: Andrzej Filończyk Musetta: Aida Garifullina Schaunard: Gyula Nagy Colline: Peter Kellner Royal Opera Chorus Orchestra of the Royal Opera House

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The final stage work of George Gershwin, Porgy and Bess is largely regarded as one of the greatest American operas of the twentieth century. It returns for its first Met performances in almost three decades, starring bass-baritone Eric Owens and soprano Angel Blue in the title roles. This new co-production with the English National Opera and Dutch National Opera was hailed as a triumph at its premiere in London earlier this year. Featuring the much-loved arias ‘Summertime’ and ‘I Got Plenty o’ Nuttin’, director James Robinson’s stylish production transports audiences to Catfish Row, a setting vibrant with the music, dancing, emotion and heartbreak of its inhabitants.

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Puccini’s opera of young love in 19th-century Paris is packed with beautiful music, including lyrical arias, celebratory choruses for Act II’s evocation of Christmas Eve in the Latin Quarter, and a poignant final scene over which the composer himself wept. Richard Jones’s character-led production perfectly captures La bohème’s mixture of comedy, romance and tragedy, with striking designs by Stewart Laing. The cast features some of the greatest interpreters of Puccini’s bohemian lovers performing today, as well as former members of The Royal Opera’s Jette Parker Young Artists Programme. Co-production with Teatro Real, Madrid and Lyric Opera of Chicago Music: Giacomo Puccini Libretto: Giuseppe Giacosa and Luigi Illica Conductor: Emmanuel Villaume Director: Richard Jones Designer: Stewart Laing Lighting designer: Mimi Jordan Sherin Movement director: Sarah Fahie Mimì: Sonya Yoncheva Rodolfo: Charles Castronovo Marcello: Andrzej Filończyk Musetta: Aida Garifullina Schaunard: Gyula Nagy Colline: Peter Kellner Royal Opera Chorus Orchestra of the Royal Opera House

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The final stage work of George Gershwin, Porgy and Bess is largely regarded as one of the greatest American operas of the twentieth century. It returns for its first Met performances in almost three decades, starring bass-baritone Eric Owens and soprano Angel Blue in the title roles. This new co-production with the English National Opera and Dutch National Opera was hailed as a triumph at its premiere in London earlier this year. Featuring the much-loved arias ‘Summertime’ and ‘I Got Plenty o’ Nuttin’, director James Robinson’s stylish production transports audiences to Catfish Row, a setting vibrant with the music, dancing, emotion and heartbreak of its inhabitants.

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Choreographer Cathy Marston is previously an Associate Artist of the Royal Opera House and Director of Bern Ballett, and much in demand internationally. The inspiration for her first work for The Royal Ballet Main Stage is the momentous life and career of the cellist Jacqueline du Pré. A new work by Liam Scarlett, The Royal Ballet’s Artist in Residence, provides the second part of the programme. NEW CATHY MARSTON Choreography: Cathy Marston Music: Philip Feeney Scenario: Cathy Marston and Edward Kemp Set designer: Hildegard Bechtler Costume designer: Bregje van Balen Lighting designer: Jon Clark Conductor: Andrea Molino NEW LIAM SCARLETT Choreographer: Liam Scarlett

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In Ancient Rome, Agrippina plots the downfall of Emperor Claudius to secure the throne for her son Nero. Mezzo-soprano Joyce DiDonato leads as the imperious empress in the Met’s first-ever performance of Handel’s first operatic triumph, a tale of deception and deceit. Harry Bicket conducts Sir David McVicar’s wry new production, which gives this Baroque black comedy a politically charged, modern updating.

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Choreographer Cathy Marston is previously an Associate Artist of the Royal Opera House and Director of Bern Ballett, and much in demand internationally. The inspiration for her first work for The Royal Ballet Main Stage is the momentous life and career of the cellist Jacqueline du Pré. A new work by Liam Scarlett, The Royal Ballet’s Artist in Residence, provides the second part of the programme. NEW CATHY MARSTON Choreography: Cathy Marston Music: Philip Feeney Scenario: Cathy Marston and Edward Kemp Set designer: Hildegard Bechtler Costume designer: Bregje van Balen Lighting designer: Jon Clark Conductor: Andrea Molino NEW LIAM SCARLETT Choreographer: Liam Scarlett

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In Ancient Rome, Agrippina plots the downfall of Emperor Claudius to secure the throne for her son Nero. Mezzo-soprano Joyce DiDonato leads as the imperious empress in the Met’s first-ever performance of Handel’s first operatic triumph, a tale of deception and deceit. Harry Bicket conducts Sir David McVicar’s wry new production, which gives this Baroque black comedy a politically charged, modern updating.

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The award-winning Sir Bryn Terfel CBE returns to the Met for the first time since 2012 as the mysterious seafarer searching for salvation. Condemned to sail the seas for eternity on his ghostly ship, the Captain is offered a chance of redemption by true love. François Girard, whose mesmerising staging of Parsifal recently wowed Met audiences, directs Wagner’s eerie early masterwork in this co-production with Puccini L’Opéra de Québec and Amsterdam’s Dutch National Opera.

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Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, Jonas Kaufmann plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime. The music is transcendent throughout and includes the famous Act I Quartet, the Prisoners’ Chorus and Florestan’s impassioned Act II cry in the darkness and vision of hope. Tobias Kratzer’s new staging brings together the dark reality of the French Revolutionary ‘Terror’ and our own time to illuminate Fidelio’s inspiring message of shared humanity. Music: Ludwig van Beethoven Libretto: Joseph Sonnleithner, Stephan von Breuning and George Friedrich Treitschke Conductor: Antonio Pappano Director: Tobias Kratzer Set and costume designer: Rainer Sellmaier Lighting designer: Michael Bauer Video designer: Manuel Braun Dramaturg: Bettina Bartz Leonore (Fidelio): Lise Davidsen Florestan: Jonas Kaufmann Rocco: Georg Zeppenfeld Don Pizarro: Simon Neal Marzelline: Amanda Forsythe Royal Opera Chorus Orchestra of the Royal Opera House

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The award-winning Sir Bryn Terfel CBE returns to the Met for the first time since 2012 as the mysterious seafarer searching for salvation. Condemned to sail the seas for eternity on his ghostly ship, the Captain is offered a chance of redemption by true love. François Girard, whose mesmerising staging of Parsifal recently wowed Met audiences, directs Wagner’s eerie early masterwork in this co-production with Puccini L’Opéra de Québec and Amsterdam’s Dutch National Opera.

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Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, Jonas Kaufmann plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime. The music is transcendent throughout and includes the famous Act I Quartet, the Prisoners’ Chorus and Florestan’s impassioned Act II cry in the darkness and vision of hope. Tobias Kratzer’s new staging brings together the dark reality of the French Revolutionary ‘Terror’ and our own time to illuminate Fidelio’s inspiring message of shared humanity. Music: Ludwig van Beethoven Libretto: Joseph Sonnleithner, Stephan von Breuning and George Friedrich Treitschke Conductor: Antonio Pappano Director: Tobias Kratzer Set and costume designer: Rainer Sellmaier Lighting designer: Michael Bauer Video designer: Manuel Braun Dramaturg: Bettina Bartz Leonore (Fidelio): Lise Davidsen Florestan: Jonas Kaufmann Rocco: Georg Zeppenfeld Don Pizarro: Simon Neal Marzelline: Amanda Forsythe Royal Opera Chorus Orchestra of the Royal Opera House

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Liam Scarlett’s glorious production of Swan Lake, new in 2018, returns for its first revival. While remaining faithful to the Marius Petipa/Lev Ivanov text, Scarlett’s additional choreography and John Macfarlane’s magnificent designs breathe new life into what is arguably the best-known and most-loved classical ballet. The entire Company shines in this eternal tale of doomed love, a masterpiece filled with iconic moments. Tchaikovsky’s first score for ballet soars with its symphonic sweep and combines perfectly with exquisite choreography from the grand pas de deux of Prince Siegfried and Odile to the swans at the lakeside. An intoxicating, irresistible mix of spectacle and intimate passion. Choreography: Liam Scarlett after Marius Petipa and Lev Ivanov Music: Pyotr Il’yich Tchaikovsky Additional choreography:Frederick Ashton Production: Liam Scarlett Designer: John Macfarlane Lighting designer: David Finn Conductor: Koen Kessels

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Liam Scarlett’s glorious production of Swan Lake, new in 2018, returns for its first revival. While remaining faithful to the Marius Petipa/Lev Ivanov text, Scarlett’s additional choreography and John Macfarlane’s magnificent designs breathe new life into what is arguably the best-known and most-loved classical ballet. The entire Company shines in this eternal tale of doomed love, a masterpiece filled with iconic moments. Tchaikovsky’s first score for ballet soars with its symphonic sweep and combines perfectly with exquisite choreography from the grand pas de deux of Prince Siegfried and Odile to the swans at the lakeside. An intoxicating, irresistible mix of spectacle and intimate passion. Choreography: Liam Scarlett after Marius Petipa and Lev Ivanov Music: Pyotr Il’yich Tchaikovsky Additional choreography:Frederick Ashton Production: Liam Scarlett Designer: John Macfarlane Lighting designer: David Finn Conductor: Koen Kessels

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The story of Christ’s death and resurrection has dominated western culture for the past 2000 years. It’s perhaps the most significant historical event of all time, as recounted by the gospels but, equally, as depicted by the greatest artists in history. From the triumphant to the savage, the ethereal to the tactile, some of western civilisation’s greatest artworks focus on this pivotal moment. This beautifully crafted film explores the Easter story as depicted in art, from the time of the early Christians to the present day. Shot on location in Jerusalem, United States and throughout Europe, it explores the different ways artists have depicted the Easter story through the ages and thus depicts the history of us all.

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Superstar soprano Anna Netrebko returns in the title role as the explosive diva in Puccini’s best-loved operatic thriller. Set in Rome during the Napoleonic wars, this tragic tale of passion, murder, lust and love, set to a famously romantic score, is an enduring classic. Bertrand de Billy conducts Sir David McVicar’s evocative production, with tenor Brian Jagde as Tosca’s impassioned lover, Cavaradossi, and baritone Michael Volle as the sinister Scarpia.

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For the first time in history, the Royal Academy of Arts in London, in collaboration with the Museum of Fine Arts in Boston, is bringing together Lucian Freud’s self-portraits. This intensely compelling exhibition will display more than 50 paintings, prints and drawings in which this modern master of British art turned his unflinching eye firmly on himself. One of the most celebrated painters of our time, Lucian Freud is also one of very few twentieth-century artists who portrayed themselves with such consistency. Spanning nearly seven decades, his self-portraits give a fascinating insight into both his psyche and his development as a painter, from his earliest portrait painted in 1939 to the final one executed 64 years later. When seen together, his works represent an engrossing study of the dynamic of ageing and the process of self-representation.

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Superstar soprano Anna Netrebko returns in the title role as the explosive diva in Puccini’s best-loved operatic thriller. Set in Rome during the Napoleonic wars, this tragic tale of passion, murder, lust and love, set to a famously romantic score, is an enduring classic. Bertrand de Billy conducts Sir David McVicar’s evocative production, with tenor Brian Jagde as Tosca’s impassioned lover, Cavaradossi, and baritone Michael Volle as the sinister Scarpia.

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Two opera classics are drawn together in this wonderfully observed re-creation of life in a south Italian village as a travelling theatre visits and emotions erupt. The award-winning production by Damiano Michieletto presents vividly the fast-moving and shocking events brought about by secret love and uncontrollable jealousy. The music is full of Italianate melody in the great choruses that bring the villagers together in celebration and revelry, alongside the solo arias and tense confrontations that provoke violence and tragedy. With thrilling singing and intense drama, ‘Cav and Pag’ distils into one wonderful night out, the enduring appeal of Italian opera in its most familiar form. A co-production with Opera Australia, La Monnaie, Brussels, and the Göteborg Opera. Conductor: Daniel Oren Director: Damiano Michieletto Set designer: Paolo Fantin Costume designer: Carla Teti Lighting designer: Alessandro Carletti CAVALLERIA RUSTICANA Music: Pietro Mascagni Libretto: Giovanni Targioni-Tozzetti and Guido Menasci Turiddu: Yonghoon Lee Santuzza: Liudmyla Monastyrska Alfio: Dimitri Platanias Lola: Josè Maria Lo Monaco PAGLIACCI Music: Ruggero Leoncavallo Libretto: Ruggero Leoncavallo Canio: Roberto Alagna Tonio: Dimitri Platanias Nedda: Aleksandra Kurzak Silvio: Bogdan Baciu Beppe: Mikeldi Atxlandabaso

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Two opera classics are drawn together in this wonderfully observed re-creation of life in a south Italian village as a travelling theatre visits and emotions erupt. The award-winning production by Damiano Michieletto presents vividly the fast-moving and shocking events brought about by secret love and uncontrollable jealousy. The music is full of Italianate melody in the great choruses that bring the villagers together in celebration and revelry, alongside the solo arias and tense confrontations that provoke violence and tragedy. With thrilling singing and intense drama, ‘Cav and Pag’ distils into one wonderful night out, the enduring appeal of Italian opera in its most familiar form. A co-production with Opera Australia, La Monnaie, Brussels, and the Göteborg Opera. Conductor: Daniel Oren Director: Damiano Michieletto Set designer: Paolo Fantin Costume designer: Carla Teti Lighting designer: Alessandro Carletti CAVALLERIA RUSTICANA Music: Pietro Mascagni Libretto: Giovanni Targioni-Tozzetti and Guido Menasci Turiddu: Yonghoon Lee Santuzza: Liudmyla Monastyrska Alfio: Dimitri Platanias Lola: Josè Maria Lo Monaco PAGLIACCI Music Ruggero Leoncavallo Libretto Ruggero Leoncavallo Canio Roberto Alagna Tonio Dimitri Platanias Nedda Aleksandra Kurzak Silvio Bogdan Baciu Beppe Mikeldi Atxlandabaso

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Set in sixteenth-century Britain, Donizetti’s thrilling historical drama follows Mary, Queen of Scots and her bitter rivalry with the cousin responsible for imprisoning her, Queen Elizabeth I. Soprano Diana Damrau and mezzo-soprano Jamie Barton square off as two of history’s most formidable monarchs, and Maurizio Benini conducts.

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Set in sixteenth-century Britain, Donizetti’s thrilling historical drama follows Mary, Queen of Scots and her bitter rivalry with the cousin responsible for imprisoning her, Queen Elizabeth I. Soprano Diana Damrau and mezzo-soprano Jamie Barton square off as two of history’s most formidable monarchs, and Maurizio Benini conducts.

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Dante’s Divine Comedy is an epic journey through the afterlife: it encompasses the horrifying drama of Inferno and its damned, the lyrical mysticism of pilgrims on mount Purgatorio and the dazzling spheres of Paradiso with their endless configurations of light. The poem was inspired by the agony of Dante’s own exile, and traces his path from crisis to revelation guided by his literary hero Virgil and his lost love Beatrice. In this new work, The Royal Ballet’s trailblazing Resident Choreographer Wayne McGregor collaborates with an award-winning team – contemporary composer Thomas Adès, artist Tacita Dean, lighting designer Lucy Carter and dramaturg Uzma Hameed – to bring us closer to Dante and his extraordinary vision. A collaboration between Wayne McGregor, Thomas Adès, Tacita Dean, Lucy Carter and Uzma Hameed Choreography: Wayne McGregor Music: Thomas Adès Design: Tacita Dean Lighting design (part one): Lucy Carter, Simon Bennison Lighting design (parts two and three): Lucy Carter Dramaturg: Uzma Hameed Conductor: Koen Kessels

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Dante’s Divine Comedy is an epic journey through the afterlife: it encompasses the horrifying drama of Inferno and its damned, the lyrical mysticism of pilgrims on mount Purgatorio and the dazzling spheres of Paradiso with their endless configurations of light. The poem was inspired by the agony of Dante’s own exile, and traces his path from crisis to revelation guided by his literary hero Virgil and his lost love Beatrice. In this new work, The Royal Ballet’s trailblazing Resident Choreographer Wayne McGregor collaborates with an award-winning team – contemporary composer Thomas Adès, artist Tacita Dean, lighting designer Lucy Carter and dramaturg Uzma Hameed – to bring us closer to Dante and his extraordinary vision. A collaboration between Wayne McGregor, Thomas Adès, Tacita Dean, Lucy Carter and Uzma Hameed Choreography: Wayne McGregor Music: Thomas Adès Design: Tacita Dean Lighting design (part one): Lucy Carter, Simon Bennison Lighting design (parts two and three): Lucy Carter Dramaturg: Uzma Hameed Conductor: Koen Kessels

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Strauss’s thrilling and audacious adaptation of Greek tragedy receives a new staging by the award-winning director Christof Loy. This uncompromising opera, about a daughter intent on bloody revenge and a mother driven to madness, has provoked critics to lively debate and both shocked and excited audiences since its 1909 premiere. Antonio Pappano conducts music that combines violence with moments of exquisite tenderness in his first Strauss interpretation for The Royal Opera since 2002. The outstanding cast includes Nina Stemme (Brünnhilde in last Season’s Der Ring des Nibelungen) in the title role, and Karita Mattila in her role debut as the haunted queen Klytämnestra. Music: Richard Strauss Libretto: Hugo von Hofmannsthal Conductor: Antonio Pappano Director: Christof Loy Designer: Johannes Leiacker Lighting designer: Olaf Winter Elektra Nina: Stemme Chrysothemis: Sara Jakubiak Klytämnestra: Karita Mattila Orest: Christof Fischesser Ägisth: Joseph Kaiser Royal Opera Chorus Orchestra of the Royal Opera House

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Strauss’s thrilling and audacious adaptation of Greek tragedy receives a new staging by the award-winning director Christof Loy. This uncompromising opera, about a daughter intent on bloody revenge and a mother driven to madness, has provoked critics to lively debate and both shocked and excited audiences since its 1909 premiere. Antonio Pappano conducts music that combines violence with moments of exquisite tenderness in his first Strauss interpretation for The Royal Opera since 2002. The outstanding cast includes Nina Stemme (Brünnhilde in last Season’s Der Ring des Nibelungen) in the title role, and Karita Mattila in her role debut as the haunted queen Klytämnestra. Music: Richard Strauss Libretto: Hugo von Hofmannsthal Conductor: Antonio Pappano Director: Christof Loy Designer: Johannes Leiacker Lighting designer: Olaf Winter Elektra Nina: Stemme Chrysothemis: Sara Jakubiak Klytämnestra: Karita Mattila Orest: Christof Fischesser Ägisth: Joseph Kaiser Royal Opera Chorus Orchestra of the Royal Opera House

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“I never paint dreams or nightmares. I paint my own reality” We might think we already know Frida Kahlo – the image of floral crowns, big brows and folk style clothing have made her a muse to generations – but what lies beneath the surface of this intensely passionate woman? This highly engaging film takes us on a journey through the life of one of the most prevalent female icons. Kahlo was a prolific self-portraitist, using the canvas as a mirror through all stages of her turbulent and, at times, tragic life. Guided by interview, commentary and the artist’s own words, Exhibition On Screen uncovers that this, however, was not a life defined by tragedy. Featuring key exhibitions and interviews with world-renowned Kahlo curators, this personal and intimate film explores the extraordinary symbolism and themes in these personal canvases to seek a deeper understanding of the real Frida. Displaying a treasure trove of colour and a feast of vibrancy on screen, it offers privileged access to her works and highlights the source of her feverish creativity, her resilience and her unmatched lust for life, men, women, politics and her cultural heritage.

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“I never paint dreams or nightmares. I paint my own reality” We might think we already know Frida Kahlo – the image of floral crowns, big brows and folk style clothing have made her a muse to generations – but what lies beneath the surface of this intensely passionate woman? This highly engaging film takes us on a journey through the life of one of the most prevalent female icons. Kahlo was a prolific self-portraitist, using the canvas as a mirror through all stages of her turbulent and, at times, tragic life. Guided by interview, commentary and the artist’s own words, Exhibition On Screen uncovers that this, however, was not a life defined by tragedy. Featuring key exhibitions and interviews with world-renowned Kahlo curators, this personal and intimate film explores the extraordinary symbolism and themes in these personal canvases to seek a deeper understanding of the real Frida. Displaying a treasure trove of colour and a feast of vibrancy on screen, it offers privileged access to her works and highlights the source of her feverish creativity, her resilience and her unmatched lust for life, men, women, politics and her cultural heritage.

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