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When Steve Bannon left his position as White House chief strategist less than a week after the Charlottesville ‘Unite the Right’ rally in August 2017, he was already a notorious figure in Trump’s inner circle, and for bringing a far-right ideology into the highest echelons of American politics. Unconstrained by an official post — though some say he still has a direct line to the White House — he became free to peddle influence as a perceived kingmaker, turning his controversial brand of nationalism into a global movement. The Brink follows Bannon through the 2018 mid-term elections in the United States, shedding light on his efforts to mobilise and unify far-right parties in order to win seats in the May 2019 European Parliamentary elections. To maintain his power and influence, the former Goldman Sachs banker and media investor reinvents himself — as he has many times before — this time as the self-appointed leader of a global populist movement. Keen manipulator of the press and gifted self-promoter, Bannon continues to draw headlines and protests wherever he goes, feeding the powerful myth on which his survival relies.

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In the sleepy small town of Centerville, something isn’t quite right. The moon hangs large and low in the sky, the hours of daylight are becoming unpredictable, and animals are acting strangely. No one quite knows why. News reports are scary and scientists are concerned. But no one foresees the strangest and most dangerous repercussion that will soon plague the townsfolk – the dead rising from their graves. Bill Murray, Adam Driver and Chloë Sevigny star alongside a host of other Jarmusch regulars (including Tilda Swinton as a katana-wielding undertaker) in a droll, quirky tale of zombie uprising in Middle America, centring on a trio of cops leading the fight against the undead horde. Putting the dead into deadpan, it’s a raucous, rueful and satirical glimpse at human habits and desires at the end of the world.

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A world of darkness unfurls in broad daylight in a bold, dread-soaked folk horror from Hereditary director Ari Aster. Dani (Florence Pugh) and Christian (Will Poulter) are on the verge of breaking up. But after a family tragedy keeps them together, a grieving Dani invites herself to join Christian and his friends on a trip to a unique midsummer festival in a remote Swedish village. What begins as a carefree holiday in a land of eternal sunlight takes a sinister turn, as the festivities of the insular locals render the pastoral paradise increasingly unnerving and viscerally disturbing.

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In the aftermath of ENDGAME, Peter Parker (Holland) just wants things to return to some sort of normality after five years of chaos. So he plans to leave the heroics behind for a few weeks and go to Europe on vacation with his friends. But Nick Fury (Jackson) has other ideas, roping Parker into tackling the mystery of several elemental creature attacks across the continent. In the absence of Iron Man, the webslinger must step up and take on new threats in a world that has changed forever.

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NASA’s vaults open for the first time to reveal exquisite audio and vivid film footage of its most celebrated mission: the one that first put men on the moon. The meandering cameras in Cape Canaveral capture a dreamy-eyed portrait of America as it steps into the future. From inside the Apollo 11 spacecraft, the amazingly jocular conversation of the astronauts punctuates each stage of the mission with lightness and charm. The crowds watching the rocket, however, are oblivious to the enormous pressure mission control is under to succeed. Director Todd Miller takes you straight to the heart of this intense scientific and human endeavour, sharing the atmosphere and action from every stage of the mission. The footage is so clean and vibrant, it’s as if you’re there standing at the base of the rocket. Painstakingly crafted and realised, this jaw-dropping immersive experience offers a new look into one of humanity’s greatest achievements. Enter our Apollo 11 book-to-win competition!

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From Danny Boyle and Richard Curtis comes a British musical comedy about dreams of stardom and unexplained phenomena. Aspiring singer-songwriter Jack Malik (Patel) is struggling with his career. He’s just a man with big dreams and a guitar, loved and supported by his childhood best friend, Ellie (James); and he’s far from famous. Until one day, during a mysterious global blackout, a car hits him and he comes round to find that nobody remembers The Beatles – apart from him! Feeling obliged to bring the legendary melodies of the Fab Four back to life, and with a little help from his steely American agent (McKinnon), Jack rises to global stardom faster than you can say, ‘I believe in yesterday.’ But he may have taken on more than he can handle.

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It’s back – the jewel in Pixar’s crown and the story that changed cinema forever. The adventures of Woody, Buzz and the gang continue in another rollercoaster of a movie, which promises to pull on the heartstrings and tickle the funny bones of kids and grown-ups alike. Woody (Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s prized but reluctant new toy, a disposable spork called Forky (Tony Hale), runs away during a family vacation, Woody and friends begin a quest to bring him back where he belongs. On their ensuing road-trip adventure alongside new faces and old friends, the charismatic pull-string cowboy learns just how big the world can be for a toy. Enter our Toy Story 4 Book-To-Win competition

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Having never won a major tournament, ailing football giant SSC Napoli had criminally underachieved. Their fanatical support was unequalled in both passion and size. None were more feared, but they longed for success. On 5 July 1984, Diego Maradona arrived in Naples for a world-record fee, and for seven years all hell broke loose. It was a perfect match: the world’s most celebrated footballer, blessed on the field but cursed off it, and the most dysfunctional city in Europe. The charismatic Argentine quickly led the club to their first-ever title. In the sprawling chaos of Naples, where the devil would have needed bodyguards, Maradona became bigger than God himself. But there was a price: Diego could do as he pleased while performing miracles on the pitch, but when the magic faded he became almost a prisoner of the city. Made by the award-winning team behind SENNA and AMY, using over 500 hours of never-before-seen footage from Maradona’s personal archive, this is the wild and unforgettable story of God-given talent, glory, despair and betrayal, of corruption and ultimately redemption. Contains infrequent strong language, nudity, bloody detail and drug references.

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Eye-poppingly realistic CGI brings to life Disney’s cherished animation about a lion cub’s brave journey from pride outcast to proud king. Jon Favreau’s immersive vision gathers a majestic cast on the African savannah to honour all the seminal moments and iconic songs of the original film. James Earl Jones reprises his role as the wise and just King Mufasa, while Donald Glover is Simba, the young prince who takes his royal destiny to heart. Chiwetel Ejiofor lends his voice to Scar, the king’s scheming brother, who forms his own plans to take the throne.

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Award-winning director Ron Howard and the team behind THE BEATLES: EIGHT DAYS A WEEK celebrate the life of beloved opera star Luciano Pavarotti, who sold over 100 million records in his lifetime and brought opera to the people. Using footage from concerts, interviews and the Pavarotti family archives, Howard goes beyond the iconic public figure to reveal the man himself. Charting his rise from humble beginnings in Northern Italy through to superstardom, PAVAROTTI lifts the curtain on the great tenor as a husband and father, a committed philanthropist, and a fragile artist who had a complex relationship with his unique talents.

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In the sleepy small town of Centerville, something isn’t quite right. The moon hangs large and low in the sky, the hours of daylight are becoming unpredictable, and animals are acting strangely. No one quite knows why. News reports are scary and scientists are concerned. But no one foresees the strangest and most dangerous repercussion that will soon plague the townsfolk – the dead rising from their graves. Bill Murray, Adam Driver and Chloë Sevigny star alongside a host of other Jarmusch regulars (including Tilda Swinton as a katana-wielding undertaker) in a droll, quirky tale of zombie uprising in Middle America, centring on a trio of cops leading the fight against the undead horde. Putting the dead into deadpan, it’s a raucous, rueful and satirical glimpse at human habits and desires at the end of the world.

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A world of darkness unfurls in broad daylight in a bold, dread-soaked folk horror from Hereditary director Ari Aster. Dani (Florence Pugh) and Christian (Will Poulter) are on the verge of breaking up. But after a family tragedy keeps them together, a grieving Dani invites herself to join Christian and his friends on a trip to a unique midsummer festival in a remote Swedish village. What begins as a carefree holiday in a land of eternal sunlight takes a sinister turn, as the festivities of the insular locals render the pastoral paradise increasingly unnerving and viscerally disturbing.

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In the aftermath of ENDGAME, Peter Parker (Holland) just wants things to return to some sort of normality after five years of chaos. So he plans to leave the heroics behind for a few weeks and go to Europe on vacation with his friends. But Nick Fury (Jackson) has other ideas, roping Parker into tackling the mystery of several elemental creature attacks across the continent. In the absence of Iron Man, the webslinger must step up and take on new threats in a world that has changed forever.

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NASA’s vaults open for the first time to reveal exquisite audio and vivid film footage of its most celebrated mission: the one that first put men on the moon. The meandering cameras in Cape Canaveral capture a dreamy-eyed portrait of America as it steps into the future. From inside the Apollo 11 spacecraft, the amazingly jocular conversation of the astronauts punctuates each stage of the mission with lightness and charm. The crowds watching the rocket, however, are oblivious to the enormous pressure mission control is under to succeed. Director Todd Miller takes you straight to the heart of this intense scientific and human endeavour, sharing the atmosphere and action from every stage of the mission. The footage is so clean and vibrant, it’s as if you’re there standing at the base of the rocket. Painstakingly crafted and realised, this jaw-dropping immersive experience offers a new look into one of humanity’s greatest achievements. Enter our Apollo 11 book-to-win competition!

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From Danny Boyle and Richard Curtis comes a British musical comedy about dreams of stardom and unexplained phenomena. Aspiring singer-songwriter Jack Malik (Patel) is struggling with his career. He’s just a man with big dreams and a guitar, loved and supported by his childhood best friend, Ellie (James); and he’s far from famous. Until one day, during a mysterious global blackout, a car hits him and he comes round to find that nobody remembers The Beatles – apart from him! Feeling obliged to bring the legendary melodies of the Fab Four back to life, and with a little help from his steely American agent (McKinnon), Jack rises to global stardom faster than you can say, ‘I believe in yesterday.’ But he may have taken on more than he can handle.

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It’s back – the jewel in Pixar’s crown and the story that changed cinema forever. The adventures of Woody, Buzz and the gang continue in another rollercoaster of a movie, which promises to pull on the heartstrings and tickle the funny bones of kids and grown-ups alike. Woody (Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s prized but reluctant new toy, a disposable spork called Forky (Tony Hale), runs away during a family vacation, Woody and friends begin a quest to bring him back where he belongs. On their ensuing road-trip adventure alongside new faces and old friends, the charismatic pull-string cowboy learns just how big the world can be for a toy. Enter our Toy Story 4 Book-To-Win competition

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Agnès Varda, photographer, installation artist and pioneer of the Nouvelle Vague, is an institution of French cinema. Whether in front of the camera or behind it, she was a visual storyteller who eschewed convention and prescribed approaches to drama. In Varda by Agnès, Varda's final film, she offers a personal insight into her oeuvre, using excerpts from her work to illustrate her unique artistic visions and ideas. ★★★★★ “Two hours in this director’s company is a pleasure.” – Peter Bradshaw, The Guardian

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Eye-poppingly realistic CGI brings to life Disney’s cherished animation about a lion cub’s brave journey from pride outcast to proud king. Jon Favreau’s immersive vision gathers a majestic cast on the African savannah to honour all the seminal moments and iconic songs of the original film. James Earl Jones reprises his role as the wise and just King Mufasa, while Donald Glover is Simba, the young prince who takes his royal destiny to heart. Chiwetel Ejiofor lends his voice to Scar, the king’s scheming brother, who forms his own plans to take the throne.

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Award-winning director Ron Howard and the team behind THE BEATLES: EIGHT DAYS A WEEK celebrate the life of beloved opera star Luciano Pavarotti, who sold over 100 million records in his lifetime and brought opera to the people. Using footage from concerts, interviews and the Pavarotti family archives, Howard goes beyond the iconic public figure to reveal the man himself. Charting his rise from humble beginnings in Northern Italy through to superstardom, PAVAROTTI lifts the curtain on the great tenor as a husband and father, a committed philanthropist, and a fragile artist who had a complex relationship with his unique talents.

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In the sleepy small town of Centerville, something isn’t quite right. The moon hangs large and low in the sky, the hours of daylight are becoming unpredictable, and animals are acting strangely. No one quite knows why. News reports are scary and scientists are concerned. But no one foresees the strangest and most dangerous repercussion that will soon plague the townsfolk – the dead rising from their graves. Bill Murray, Adam Driver and Chloë Sevigny star alongside a host of other Jarmusch regulars (including Tilda Swinton as a katana-wielding undertaker) in a droll, quirky tale of zombie uprising in Middle America, centring on a trio of cops leading the fight against the undead horde. Putting the dead into deadpan, it’s a raucous, rueful and satirical glimpse at human habits and desires at the end of the world.

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A world of darkness unfurls in broad daylight in a bold, dread-soaked folk horror from Hereditary director Ari Aster. Dani (Florence Pugh) and Christian (Will Poulter) are on the verge of breaking up. But after a family tragedy keeps them together, a grieving Dani invites herself to join Christian and his friends on a trip to a unique midsummer festival in a remote Swedish village. What begins as a carefree holiday in a land of eternal sunlight takes a sinister turn, as the festivities of the insular locals render the pastoral paradise increasingly unnerving and viscerally disturbing.

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In the aftermath of ENDGAME, Peter Parker (Holland) just wants things to return to some sort of normality after five years of chaos. So he plans to leave the heroics behind for a few weeks and go to Europe on vacation with his friends. But Nick Fury (Jackson) has other ideas, roping Parker into tackling the mystery of several elemental creature attacks across the continent. In the absence of Iron Man, the webslinger must step up and take on new threats in a world that has changed forever.

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NASA’s vaults open for the first time to reveal exquisite audio and vivid film footage of its most celebrated mission: the one that first put men on the moon. The meandering cameras in Cape Canaveral capture a dreamy-eyed portrait of America as it steps into the future. From inside the Apollo 11 spacecraft, the amazingly jocular conversation of the astronauts punctuates each stage of the mission with lightness and charm. The crowds watching the rocket, however, are oblivious to the enormous pressure mission control is under to succeed. Director Todd Miller takes you straight to the heart of this intense scientific and human endeavour, sharing the atmosphere and action from every stage of the mission. The footage is so clean and vibrant, it’s as if you’re there standing at the base of the rocket. Painstakingly crafted and realised, this jaw-dropping immersive experience offers a new look into one of humanity’s greatest achievements. Enter our Apollo 11 book-to-win competition!

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From Danny Boyle and Richard Curtis comes a British musical comedy about dreams of stardom and unexplained phenomena. Aspiring singer-songwriter Jack Malik (Patel) is struggling with his career. He’s just a man with big dreams and a guitar, loved and supported by his childhood best friend, Ellie (James); and he’s far from famous. Until one day, during a mysterious global blackout, a car hits him and he comes round to find that nobody remembers The Beatles – apart from him! Feeling obliged to bring the legendary melodies of the Fab Four back to life, and with a little help from his steely American agent (McKinnon), Jack rises to global stardom faster than you can say, ‘I believe in yesterday.’ But he may have taken on more than he can handle.

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It’s back – the jewel in Pixar’s crown and the story that changed cinema forever. The adventures of Woody, Buzz and the gang continue in another rollercoaster of a movie, which promises to pull on the heartstrings and tickle the funny bones of kids and grown-ups alike. Woody (Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s prized but reluctant new toy, a disposable spork called Forky (Tony Hale), runs away during a family vacation, Woody and friends begin a quest to bring him back where he belongs. On their ensuing road-trip adventure alongside new faces and old friends, the charismatic pull-string cowboy learns just how big the world can be for a toy. Enter our Toy Story 4 Book-To-Win competition

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On a quest to find his real family, Gonzo discovers – through his breakfast cereal, no less – that his long-lost relatives are actually aliens from another planet. After announcing his findings to the world on UFOMania, Miss Piggy’s talk show, Gonzo becomes the target of paranoid government operative K. Edgar Singer (Jeffrey Tambor). With the help of Kermit and the gang, he must escape from Singer’s compound and get to the rendezvous point in time to meet his alien family.

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Agnès Varda, photographer, installation artist and pioneer of the Nouvelle Vague, is an institution of French cinema. Whether in front of the camera or behind it, she was a visual storyteller who eschewed convention and prescribed approaches to drama. In Varda by Agnès, Varda's final film, she offers a personal insight into her oeuvre, using excerpts from her work to illustrate her unique artistic visions and ideas. ★★★★★ “Two hours in this director’s company is a pleasure.” – Peter Bradshaw, The Guardian

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Eye-poppingly realistic CGI brings to life Disney’s cherished animation about a lion cub’s brave journey from pride outcast to proud king. Jon Favreau’s immersive vision gathers a majestic cast on the African savannah to honour all the seminal moments and iconic songs of the original film. James Earl Jones reprises his role as the wise and just King Mufasa, while Donald Glover is Simba, the young prince who takes his royal destiny to heart. Chiwetel Ejiofor lends his voice to Scar, the king’s scheming brother, who forms his own plans to take the throne.

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Award-winning director Ron Howard and the team behind THE BEATLES: EIGHT DAYS A WEEK celebrate the life of beloved opera star Luciano Pavarotti, who sold over 100 million records in his lifetime and brought opera to the people. Using footage from concerts, interviews and the Pavarotti family archives, Howard goes beyond the iconic public figure to reveal the man himself. Charting his rise from humble beginnings in Northern Italy through to superstardom, PAVAROTTI lifts the curtain on the great tenor as a husband and father, a committed philanthropist, and a fragile artist who had a complex relationship with his unique talents.

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In the sleepy small town of Centerville, something isn’t quite right. The moon hangs large and low in the sky, the hours of daylight are becoming unpredictable, and animals are acting strangely. No one quite knows why. News reports are scary and scientists are concerned. But no one foresees the strangest and most dangerous repercussion that will soon plague the townsfolk – the dead rising from their graves. Bill Murray, Adam Driver and Chloë Sevigny star alongside a host of other Jarmusch regulars (including Tilda Swinton as a katana-wielding undertaker) in a droll, quirky tale of zombie uprising in Middle America, centring on a trio of cops leading the fight against the undead horde. Putting the dead into deadpan, it’s a raucous, rueful and satirical glimpse at human habits and desires at the end of the world.

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A world of darkness unfurls in broad daylight in a bold, dread-soaked folk horror from Hereditary director Ari Aster. Dani (Florence Pugh) and Christian (Will Poulter) are on the verge of breaking up. But after a family tragedy keeps them together, a grieving Dani invites herself to join Christian and his friends on a trip to a unique midsummer festival in a remote Swedish village. What begins as a carefree holiday in a land of eternal sunlight takes a sinister turn, as the festivities of the insular locals render the pastoral paradise increasingly unnerving and viscerally disturbing.

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In the aftermath of ENDGAME, Peter Parker (Holland) just wants things to return to some sort of normality after five years of chaos. So he plans to leave the heroics behind for a few weeks and go to Europe on vacation with his friends. But Nick Fury (Jackson) has other ideas, roping Parker into tackling the mystery of several elemental creature attacks across the continent. In the absence of Iron Man, the webslinger must step up and take on new threats in a world that has changed forever.

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NASA’s vaults open for the first time to reveal exquisite audio and vivid film footage of its most celebrated mission: the one that first put men on the moon. The meandering cameras in Cape Canaveral capture a dreamy-eyed portrait of America as it steps into the future. From inside the Apollo 11 spacecraft, the amazingly jocular conversation of the astronauts punctuates each stage of the mission with lightness and charm. The crowds watching the rocket, however, are oblivious to the enormous pressure mission control is under to succeed. Director Todd Miller takes you straight to the heart of this intense scientific and human endeavour, sharing the atmosphere and action from every stage of the mission. The footage is so clean and vibrant, it’s as if you’re there standing at the base of the rocket. Painstakingly crafted and realised, this jaw-dropping immersive experience offers a new look into one of humanity’s greatest achievements. Enter our Apollo 11 book-to-win competition!

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From Danny Boyle and Richard Curtis comes a British musical comedy about dreams of stardom and unexplained phenomena. Aspiring singer-songwriter Jack Malik (Patel) is struggling with his career. He’s just a man with big dreams and a guitar, loved and supported by his childhood best friend, Ellie (James); and he’s far from famous. Until one day, during a mysterious global blackout, a car hits him and he comes round to find that nobody remembers The Beatles – apart from him! Feeling obliged to bring the legendary melodies of the Fab Four back to life, and with a little help from his steely American agent (McKinnon), Jack rises to global stardom faster than you can say, ‘I believe in yesterday.’ But he may have taken on more than he can handle.

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It’s back – the jewel in Pixar’s crown and the story that changed cinema forever. The adventures of Woody, Buzz and the gang continue in another rollercoaster of a movie, which promises to pull on the heartstrings and tickle the funny bones of kids and grown-ups alike. Woody (Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s prized but reluctant new toy, a disposable spork called Forky (Tony Hale), runs away during a family vacation, Woody and friends begin a quest to bring him back where he belongs. On their ensuing road-trip adventure alongside new faces and old friends, the charismatic pull-string cowboy learns just how big the world can be for a toy. Enter our Toy Story 4 Book-To-Win competition

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WONDER PARK tells the story of a magnificent amusement park where the imagination of a wildly creative girl named June comes alive.

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Going to school for the first time is one of the biggest things you'll do in your life. You're away from home, fitting in with routines and learning so many new things ... whilst also getting along with a class full of new friends. It's exciting, but a massive change! SCHOOL OF ROARS helps children prepare for school life by exploring a child's first year through the relationships and experiences of our mini monsters. Because they're monsters, our little heroes go to school at night, led by teacher Miss Grizzlesniff. The class learn lessons on how to be monsters, like counting the legs on spiders in maths, how to howl at the moon in music, or making delicious Blushberry Blob Cakes in cookery. Our monsters experience life-lessons through their adventures such as caring, sharing, friendship and fun, mirroring the social and emotional behaviour and group dynamics of our audience who are starting school. We are delighted to feature the following episodes: I WANT THE HUMAN Wufflebump really wants to take Brian ‘the class toy human’ home. He thinks the only way to achieve his goal is by being the best at everything. But with each lesson, a fellow classmate gets into trouble and Wufflebump steps in to rescue them, sacrificing his chance for victory… or has he? DRESSING UP The monsters delve into Miss Grizzlesniff’s dressing up chest. Wufflebump dresses up as a super monster, Icklewoo as a pirate, Wingston as an alien and Yummble as a cupcake but poor Meepa can’t find a costume to fit her four monster arms. Can her friends use their imagination and a little bit of spider magic to help? MONSTER ASSEMBLY It’s the day of the class assembly and shy Icklewoo is suffering from stage fright. While the monsters act out ‘The Tale of Yeti”, their performance suffers a set back. Will Icklewoo be brave enough to step in and save the show? DRAGON BRIGADE At film club the monsters decide to make a pretend movie about the dragon brigade. But, when Miss Grizzlesniff gets in a pickle with her popcorn machine, the real dragon brigade rush to her rescue and the monsters capture the action on camera. GROWLING UP Yummble isn’t looking forward to having a new baby brother or sister. He wants his mummy all to himself, so Mrs Grizzlesniff comes up with an idea to make him change his mind. Can the monsters convince him it’s much better to be a monster-mazing big brother rather than a little scrumble Yummble?

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Agnès Varda, photographer, installation artist and pioneer of the Nouvelle Vague, is an institution of French cinema. Whether in front of the camera or behind it, she was a visual storyteller who eschewed convention and prescribed approaches to drama. In Varda by Agnès, Varda's final film, she offers a personal insight into her oeuvre, using excerpts from her work to illustrate her unique artistic visions and ideas. ★★★★★ “Two hours in this director’s company is a pleasure.” – Peter Bradshaw, The Guardian

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Whilst undertaking a highly publicised tour of Europe, a cloistered and naive princess rebels against her restrictive schedule. One night she escapes her luxurious confinement and stumbles upon an American journalist posted to Rome. Peck and Hepburn (in her breakthrough role) make for one of cinema's most charming couples in this whimsical fantasy with a bittersweet finale.

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Eye-poppingly realistic CGI brings to life Disney’s cherished animation about a lion cub’s brave journey from pride outcast to proud king. Jon Favreau’s immersive vision gathers a majestic cast on the African savannah to honour all the seminal moments and iconic songs of the original film. James Earl Jones reprises his role as the wise and just King Mufasa, while Donald Glover is Simba, the young prince who takes his royal destiny to heart. Chiwetel Ejiofor lends his voice to Scar, the king’s scheming brother, who forms his own plans to take the throne.

More details

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Award-winning director Ron Howard and the team behind THE BEATLES: EIGHT DAYS A WEEK celebrate the life of beloved opera star Luciano Pavarotti, who sold over 100 million records in his lifetime and brought opera to the people. Using footage from concerts, interviews and the Pavarotti family archives, Howard goes beyond the iconic public figure to reveal the man himself. Charting his rise from humble beginnings in Northern Italy through to superstardom, PAVAROTTI lifts the curtain on the great tenor as a husband and father, a committed philanthropist, and a fragile artist who had a complex relationship with his unique talents.

More details

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In the sleepy small town of Centerville, something isn’t quite right. The moon hangs large and low in the sky, the hours of daylight are becoming unpredictable, and animals are acting strangely. No one quite knows why. News reports are scary and scientists are concerned. But no one foresees the strangest and most dangerous repercussion that will soon plague the townsfolk – the dead rising from their graves. Bill Murray, Adam Driver and Chloë Sevigny star alongside a host of other Jarmusch regulars (including Tilda Swinton as a katana-wielding undertaker) in a droll, quirky tale of zombie uprising in Middle America, centring on a trio of cops leading the fight against the undead horde. Putting the dead into deadpan, it’s a raucous, rueful and satirical glimpse at human habits and desires at the end of the world.

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A world of darkness unfurls in broad daylight in a bold, dread-soaked folk horror from Hereditary director Ari Aster. Dani (Florence Pugh) and Christian (Will Poulter) are on the verge of breaking up. But after a family tragedy keeps them together, a grieving Dani invites herself to join Christian and his friends on a trip to a unique midsummer festival in a remote Swedish village. What begins as a carefree holiday in a land of eternal sunlight takes a sinister turn, as the festivities of the insular locals render the pastoral paradise increasingly unnerving and viscerally disturbing.

More details

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In the aftermath of ENDGAME, Peter Parker (Holland) just wants things to return to some sort of normality after five years of chaos. So he plans to leave the heroics behind for a few weeks and go to Europe on vacation with his friends. But Nick Fury (Jackson) has other ideas, roping Parker into tackling the mystery of several elemental creature attacks across the continent. In the absence of Iron Man, the webslinger must step up and take on new threats in a world that has changed forever.

More details

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NASA’s vaults open for the first time to reveal exquisite audio and vivid film footage of its most celebrated mission: the one that first put men on the moon. The meandering cameras in Cape Canaveral capture a dreamy-eyed portrait of America as it steps into the future. From inside the Apollo 11 spacecraft, the amazingly jocular conversation of the astronauts punctuates each stage of the mission with lightness and charm. The crowds watching the rocket, however, are oblivious to the enormous pressure mission control is under to succeed. Director Todd Miller takes you straight to the heart of this intense scientific and human endeavour, sharing the atmosphere and action from every stage of the mission. The footage is so clean and vibrant, it’s as if you’re there standing at the base of the rocket. Painstakingly crafted and realised, this jaw-dropping immersive experience offers a new look into one of humanity’s greatest achievements. Enter our Apollo 11 book-to-win competition!

More details

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From Danny Boyle and Richard Curtis comes a British musical comedy about dreams of stardom and unexplained phenomena. Aspiring singer-songwriter Jack Malik (Patel) is struggling with his career. He’s just a man with big dreams and a guitar, loved and supported by his childhood best friend, Ellie (James); and he’s far from famous. Until one day, during a mysterious global blackout, a car hits him and he comes round to find that nobody remembers The Beatles – apart from him! Feeling obliged to bring the legendary melodies of the Fab Four back to life, and with a little help from his steely American agent (McKinnon), Jack rises to global stardom faster than you can say, ‘I believe in yesterday.’ But he may have taken on more than he can handle.

More details

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It’s back – the jewel in Pixar’s crown and the story that changed cinema forever. The adventures of Woody, Buzz and the gang continue in another rollercoaster of a movie, which promises to pull on the heartstrings and tickle the funny bones of kids and grown-ups alike. Woody (Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s prized but reluctant new toy, a disposable spork called Forky (Tony Hale), runs away during a family vacation, Woody and friends begin a quest to bring him back where he belongs. On their ensuing road-trip adventure alongside new faces and old friends, the charismatic pull-string cowboy learns just how big the world can be for a toy. Enter our Toy Story 4 Book-To-Win competition

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After surviving a bullet in the head on her wedding day, The Bride, aka Black Mamba (Uma Thurman), a former assassin, emerges from a coma and swears revenge on her old boss and his deadly squad of trained killers (played by Lucy Liu, Daryl Hannah, Vivica A Fox and Tarantino regular Michael Madsen). Tarantino’s first feature for six years after JACKIE BROWN, KILL BILL marked a welcome return from one of American cinema’s most visually inventive and zeitgeist-attuned filmmakers. Married to the director’s love of the minutiae of popular culture (there are a number of neat gags revolving around Charlie Brown, cereal and the hippest brands of trainers) is an indulgence of his love of the samurai genre, incorporating some stunning martial arts set pieces featuring choreography courtesy of the CROUCHING TIGER, HIDDEN DRAGON team. In her Bruce Lee tracksuit, Thurman (for whom Tarantino wrote the part) makes a feisty heroine with Liu perhaps her most notable foil. In KILL BILL: VOL. 2, as The Bride continues her vengeful assault on the four assassins who left her for dead, she inches ever closer to her ultimate goal of laying waste to her former employer – and the man who ordered the hit on her – Bill (David Carradine). Bringing some of the peripheral characters from the first instalment to the fore, KILL BILL: VOL. 2 is another bravura, adrenalin-inducing exercise in genre filmmaking.

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Going to school for the first time is one of the biggest things you'll do in your life. You're away from home, fitting in with routines and learning so many new things ... whilst also getting along with a class full of new friends. It's exciting, but a massive change! SCHOOL OF ROARS helps children prepare for school life by exploring a child's first year through the relationships and experiences of our mini monsters. Because they're monsters, our little heroes go to school at night, led by teacher Miss Grizzlesniff. The class learn lessons on how to be monsters, like counting the legs on spiders in maths, how to howl at the moon in music, or making delicious Blushberry Blob Cakes in cookery. Our monsters experience life-lessons through their adventures such as caring, sharing, friendship and fun, mirroring the social and emotional behaviour and group dynamics of our audience who are starting school. We are delighted to feature the following episodes: I WANT THE HUMAN Wufflebump really wants to take Brian ‘the class toy human’ home. He thinks the only way to achieve his goal is by being the best at everything. But with each lesson, a fellow classmate gets into trouble and Wufflebump steps in to rescue them, sacrificing his chance for victory… or has he? DRESSING UP The monsters delve into Miss Grizzlesniff’s dressing up chest. Wufflebump dresses up as a super monster, Icklewoo as a pirate, Wingston as an alien and Yummble as a cupcake but poor Meepa can’t find a costume to fit her four monster arms. Can her friends use their imagination and a little bit of spider magic to help? MONSTER ASSEMBLY It’s the day of the class assembly and shy Icklewoo is suffering from stage fright. While the monsters act out ‘The Tale of Yeti”, their performance suffers a set back. Will Icklewoo be brave enough to step in and save the show? DRAGON BRIGADE At film club the monsters decide to make a pretend movie about the dragon brigade. But, when Miss Grizzlesniff gets in a pickle with her popcorn machine, the real dragon brigade rush to her rescue and the monsters capture the action on camera. GROWLING UP Yummble isn’t looking forward to having a new baby brother or sister. He wants his mummy all to himself, so Mrs Grizzlesniff comes up with an idea to make him change his mind. Can the monsters convince him it’s much better to be a monster-mazing big brother rather than a little scrumble Yummble?

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Agnès Varda, photographer, installation artist and pioneer of the Nouvelle Vague, is an institution of French cinema. Whether in front of the camera or behind it, she was a visual storyteller who eschewed convention and prescribed approaches to drama. In Varda by Agnès, Varda's final film, she offers a personal insight into her oeuvre, using excerpts from her work to illustrate her unique artistic visions and ideas. ★★★★★ “Two hours in this director’s company is a pleasure.” – Peter Bradshaw, The Guardian

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An in-depth look at the relationship between the late musician Leonard Cohen and his Norwegian muse Marianne Ihlen.

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Eye-poppingly realistic CGI brings to life Disney’s cherished animation about a lion cub’s brave journey from pride outcast to proud king. Jon Favreau’s immersive vision gathers a majestic cast on the African savannah to honour all the seminal moments and iconic songs of the original film. James Earl Jones reprises his role as the wise and just King Mufasa, while Donald Glover is Simba, the young prince who takes his royal destiny to heart. Chiwetel Ejiofor lends his voice to Scar, the king’s scheming brother, who forms his own plans to take the throne.

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When Steve Bannon left his position as White House chief strategist less than a week after the Charlottesville ‘Unite the Right’ rally in August 2017, he was already a notorious figure in Trump’s inner circle, and for bringing a far-right ideology into the highest echelons of American politics. Unconstrained by an official post — though some say he still has a direct line to the White House — he became free to peddle influence as a perceived kingmaker, turning his controversial brand of nationalism into a global movement. The Brink follows Bannon through the 2018 mid-term elections in the United States, shedding light on his efforts to mobilise and unify far-right parties in order to win seats in the May 2019 European Parliamentary elections. To maintain his power and influence, the former Goldman Sachs banker and media investor reinvents himself — as he has many times before — this time as the self-appointed leader of a global populist movement. Keen manipulator of the press and gifted self-promoter, Bannon continues to draw headlines and protests wherever he goes, feeding the powerful myth on which his survival relies.

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In the sleepy small town of Centerville, something isn’t quite right. The moon hangs large and low in the sky, the hours of daylight are becoming unpredictable, and animals are acting strangely. No one quite knows why. News reports are scary and scientists are concerned. But no one foresees the strangest and most dangerous repercussion that will soon plague the townsfolk – the dead rising from their graves. Bill Murray, Adam Driver and Chloë Sevigny star alongside a host of other Jarmusch regulars (including Tilda Swinton as a katana-wielding undertaker) in a droll, quirky tale of zombie uprising in Middle America, centring on a trio of cops leading the fight against the undead horde. Putting the dead into deadpan, it’s a raucous, rueful and satirical glimpse at human habits and desires at the end of the world.

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A world of darkness unfurls in broad daylight in a bold, dread-soaked folk horror from Hereditary director Ari Aster. Dani (Florence Pugh) and Christian (Will Poulter) are on the verge of breaking up. But after a family tragedy keeps them together, a grieving Dani invites herself to join Christian and his friends on a trip to a unique midsummer festival in a remote Swedish village. What begins as a carefree holiday in a land of eternal sunlight takes a sinister turn, as the festivities of the insular locals render the pastoral paradise increasingly unnerving and viscerally disturbing.

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In the aftermath of ENDGAME, Peter Parker (Holland) just wants things to return to some sort of normality after five years of chaos. So he plans to leave the heroics behind for a few weeks and go to Europe on vacation with his friends. But Nick Fury (Jackson) has other ideas, roping Parker into tackling the mystery of several elemental creature attacks across the continent. In the absence of Iron Man, the webslinger must step up and take on new threats in a world that has changed forever.

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From Danny Boyle and Richard Curtis comes a British musical comedy about dreams of stardom and unexplained phenomena. Aspiring singer-songwriter Jack Malik (Patel) is struggling with his career. He’s just a man with big dreams and a guitar, loved and supported by his childhood best friend, Ellie (James); and he’s far from famous. Until one day, during a mysterious global blackout, a car hits him and he comes round to find that nobody remembers The Beatles – apart from him! Feeling obliged to bring the legendary melodies of the Fab Four back to life, and with a little help from his steely American agent (McKinnon), Jack rises to global stardom faster than you can say, ‘I believe in yesterday.’ But he may have taken on more than he can handle.

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It’s back – the jewel in Pixar’s crown and the story that changed cinema forever. The adventures of Woody, Buzz and the gang continue in another rollercoaster of a movie, which promises to pull on the heartstrings and tickle the funny bones of kids and grown-ups alike. Woody (Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s prized but reluctant new toy, a disposable spork called Forky (Tony Hale), runs away during a family vacation, Woody and friends begin a quest to bring him back where he belongs. On their ensuing road-trip adventure alongside new faces and old friends, the charismatic pull-string cowboy learns just how big the world can be for a toy. Enter our Toy Story 4 Book-To-Win competition

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Agnès Varda, photographer, installation artist and pioneer of the Nouvelle Vague, is an institution of French cinema. Whether in front of the camera or behind it, she was a visual storyteller who eschewed convention and prescribed approaches to drama. In Varda by Agnès, Varda's final film, she offers a personal insight into her oeuvre, using excerpts from her work to illustrate her unique artistic visions and ideas. ★★★★★ “Two hours in this director’s company is a pleasure.” – Peter Bradshaw, The Guardian

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In 1987 during the austere days of Thatcher's Britain, a teenager learns to live life, understand his family and find his own voice through the music of Bruce Springsteen.

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Eye-poppingly realistic CGI brings to life Disney’s cherished animation about a lion cub’s brave journey from pride outcast to proud king. Jon Favreau’s immersive vision gathers a majestic cast on the African savannah to honour all the seminal moments and iconic songs of the original film. James Earl Jones reprises his role as the wise and just King Mufasa, while Donald Glover is Simba, the young prince who takes his royal destiny to heart. Chiwetel Ejiofor lends his voice to Scar, the king’s scheming brother, who forms his own plans to take the throne.

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Award-winning director Ron Howard and the team behind THE BEATLES: EIGHT DAYS A WEEK celebrate the life of beloved opera star Luciano Pavarotti, who sold over 100 million records in his lifetime and brought opera to the people. Using footage from concerts, interviews and the Pavarotti family archives, Howard goes beyond the iconic public figure to reveal the man himself. Charting his rise from humble beginnings in Northern Italy through to superstardom, PAVAROTTI lifts the curtain on the great tenor as a husband and father, a committed philanthropist, and a fragile artist who had a complex relationship with his unique talents.

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In the sleepy small town of Centerville, something isn’t quite right. The moon hangs large and low in the sky, the hours of daylight are becoming unpredictable, and animals are acting strangely. No one quite knows why. News reports are scary and scientists are concerned. But no one foresees the strangest and most dangerous repercussion that will soon plague the townsfolk – the dead rising from their graves. Bill Murray, Adam Driver and Chloë Sevigny star alongside a host of other Jarmusch regulars (including Tilda Swinton as a katana-wielding undertaker) in a droll, quirky tale of zombie uprising in Middle America, centring on a trio of cops leading the fight against the undead horde. Putting the dead into deadpan, it’s a raucous, rueful and satirical glimpse at human habits and desires at the end of the world.

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A world of darkness unfurls in broad daylight in a bold, dread-soaked folk horror from Hereditary director Ari Aster. Dani (Florence Pugh) and Christian (Will Poulter) are on the verge of breaking up. But after a family tragedy keeps them together, a grieving Dani invites herself to join Christian and his friends on a trip to a unique midsummer festival in a remote Swedish village. What begins as a carefree holiday in a land of eternal sunlight takes a sinister turn, as the festivities of the insular locals render the pastoral paradise increasingly unnerving and viscerally disturbing.

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In the aftermath of ENDGAME, Peter Parker (Holland) just wants things to return to some sort of normality after five years of chaos. So he plans to leave the heroics behind for a few weeks and go to Europe on vacation with his friends. But Nick Fury (Jackson) has other ideas, roping Parker into tackling the mystery of several elemental creature attacks across the continent. In the absence of Iron Man, the webslinger must step up and take on new threats in a world that has changed forever.

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NASA’s vaults open for the first time to reveal exquisite audio and vivid film footage of its most celebrated mission: the one that first put men on the moon. The meandering cameras in Cape Canaveral capture a dreamy-eyed portrait of America as it steps into the future. From inside the Apollo 11 spacecraft, the amazingly jocular conversation of the astronauts punctuates each stage of the mission with lightness and charm. The crowds watching the rocket, however, are oblivious to the enormous pressure mission control is under to succeed. Director Todd Miller takes you straight to the heart of this intense scientific and human endeavour, sharing the atmosphere and action from every stage of the mission. The footage is so clean and vibrant, it’s as if you’re there standing at the base of the rocket. Painstakingly crafted and realised, this jaw-dropping immersive experience offers a new look into one of humanity’s greatest achievements. Enter our Apollo 11 book-to-win competition!

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From Danny Boyle and Richard Curtis comes a British musical comedy about dreams of stardom and unexplained phenomena. Aspiring singer-songwriter Jack Malik (Patel) is struggling with his career. He’s just a man with big dreams and a guitar, loved and supported by his childhood best friend, Ellie (James); and he’s far from famous. Until one day, during a mysterious global blackout, a car hits him and he comes round to find that nobody remembers The Beatles – apart from him! Feeling obliged to bring the legendary melodies of the Fab Four back to life, and with a little help from his steely American agent (McKinnon), Jack rises to global stardom faster than you can say, ‘I believe in yesterday.’ But he may have taken on more than he can handle.

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It’s back – the jewel in Pixar’s crown and the story that changed cinema forever. The adventures of Woody, Buzz and the gang continue in another rollercoaster of a movie, which promises to pull on the heartstrings and tickle the funny bones of kids and grown-ups alike. Woody (Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s prized but reluctant new toy, a disposable spork called Forky (Tony Hale), runs away during a family vacation, Woody and friends begin a quest to bring him back where he belongs. On their ensuing road-trip adventure alongside new faces and old friends, the charismatic pull-string cowboy learns just how big the world can be for a toy. Enter our Toy Story 4 Book-To-Win competition

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Force of Nature Natalia follows a season in the life dance superstar Natalia Osipova. With unique access to Natalia's personal archive, we follow her preparations for a fifth season as a principal of the Royal Ballet as she continues to champion contemporary dance with some of the world’s greatest choreographers. We watch the rehearsal process of new ballet Mother by Arthur Pita, a new commission with Sidi Larbi Cherkaoui, and the Royal Ballet's legendary production of La Bayadere directed by Natalia Makarova. Natalia opens up about her life and history, her childhood in Russia, her time with American Ballet Theatre and her journey to the Opera House. It is an unparalleled opportunity to get up close and personal with the leading ballerina of our generation and understand why critics and audiences all over the world call her a force of nature of the dance world.

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Agnès Varda, photographer, installation artist and pioneer of the Nouvelle Vague, is an institution of French cinema. Whether in front of the camera or behind it, she was a visual storyteller who eschewed convention and prescribed approaches to drama. In Varda by Agnès, Varda's final film, she offers a personal insight into her oeuvre, using excerpts from her work to illustrate her unique artistic visions and ideas. ★★★★★ “Two hours in this director’s company is a pleasure.” – Peter Bradshaw, The Guardian

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The story of a family and a company that changed the world, told in three parts on a single evening. Academy Award-winner Sam Mendes (Skyfall, The Ferryman) directs Simon Russell Beale, Adam Godley and Ben Miles who play the Lehman Brothers, their sons and grandsons. On a cold September morning in 1844 a young man from Bavaria stands on a New York dockside. Dreaming of a new life in the new world. He is joined by his two brothers and an American epic begins. 163 years later, the firm they establish – Lehman Brothers – spectacularly collapses into bankruptcy, and triggers the largest financial crisis in history. This critically acclaimed and five-time Olivier Award nominated play features stunning set design from Es Devlin (NT Live: Hamlet) and will be broadcast live from London’s West End as part of National Theatre Live’s 10th Birthday season.

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Eye-poppingly realistic CGI brings to life Disney’s cherished animation about a lion cub’s brave journey from pride outcast to proud king. Jon Favreau’s immersive vision gathers a majestic cast on the African savannah to honour all the seminal moments and iconic songs of the original film. James Earl Jones reprises his role as the wise and just King Mufasa, while Donald Glover is Simba, the young prince who takes his royal destiny to heart. Chiwetel Ejiofor lends his voice to Scar, the king’s scheming brother, who forms his own plans to take the throne.

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Award-winning director Ron Howard and the team behind THE BEATLES: EIGHT DAYS A WEEK celebrate the life of beloved opera star Luciano Pavarotti, who sold over 100 million records in his lifetime and brought opera to the people. Using footage from concerts, interviews and the Pavarotti family archives, Howard goes beyond the iconic public figure to reveal the man himself. Charting his rise from humble beginnings in Northern Italy through to superstardom, PAVAROTTI lifts the curtain on the great tenor as a husband and father, a committed philanthropist, and a fragile artist who had a complex relationship with his unique talents.

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In the sleepy small town of Centerville, something isn’t quite right. The moon hangs large and low in the sky, the hours of daylight are becoming unpredictable, and animals are acting strangely. No one quite knows why. News reports are scary and scientists are concerned. But no one foresees the strangest and most dangerous repercussion that will soon plague the townsfolk – the dead rising from their graves. Bill Murray, Adam Driver and Chloë Sevigny star alongside a host of other Jarmusch regulars (including Tilda Swinton as a katana-wielding undertaker) in a droll, quirky tale of zombie uprising in Middle America, centring on a trio of cops leading the fight against the undead horde. Putting the dead into deadpan, it’s a raucous, rueful and satirical glimpse at human habits and desires at the end of the world.

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A world of darkness unfurls in broad daylight in a bold, dread-soaked folk horror from Hereditary director Ari Aster. Dani (Florence Pugh) and Christian (Will Poulter) are on the verge of breaking up. But after a family tragedy keeps them together, a grieving Dani invites herself to join Christian and his friends on a trip to a unique midsummer festival in a remote Swedish village. What begins as a carefree holiday in a land of eternal sunlight takes a sinister turn, as the festivities of the insular locals render the pastoral paradise increasingly unnerving and viscerally disturbing.

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In the aftermath of ENDGAME, Peter Parker (Holland) just wants things to return to some sort of normality after five years of chaos. So he plans to leave the heroics behind for a few weeks and go to Europe on vacation with his friends. But Nick Fury (Jackson) has other ideas, roping Parker into tackling the mystery of several elemental creature attacks across the continent. In the absence of Iron Man, the webslinger must step up and take on new threats in a world that has changed forever.

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NASA’s vaults open for the first time to reveal exquisite audio and vivid film footage of its most celebrated mission: the one that first put men on the moon. The meandering cameras in Cape Canaveral capture a dreamy-eyed portrait of America as it steps into the future. From inside the Apollo 11 spacecraft, the amazingly jocular conversation of the astronauts punctuates each stage of the mission with lightness and charm. The crowds watching the rocket, however, are oblivious to the enormous pressure mission control is under to succeed. Director Todd Miller takes you straight to the heart of this intense scientific and human endeavour, sharing the atmosphere and action from every stage of the mission. The footage is so clean and vibrant, it’s as if you’re there standing at the base of the rocket. Painstakingly crafted and realised, this jaw-dropping immersive experience offers a new look into one of humanity’s greatest achievements. Enter our Apollo 11 book-to-win competition!

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From Danny Boyle and Richard Curtis comes a British musical comedy about dreams of stardom and unexplained phenomena. Aspiring singer-songwriter Jack Malik (Patel) is struggling with his career. He’s just a man with big dreams and a guitar, loved and supported by his childhood best friend, Ellie (James); and he’s far from famous. Until one day, during a mysterious global blackout, a car hits him and he comes round to find that nobody remembers The Beatles – apart from him! Feeling obliged to bring the legendary melodies of the Fab Four back to life, and with a little help from his steely American agent (McKinnon), Jack rises to global stardom faster than you can say, ‘I believe in yesterday.’ But he may have taken on more than he can handle.

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It’s back – the jewel in Pixar’s crown and the story that changed cinema forever. The adventures of Woody, Buzz and the gang continue in another rollercoaster of a movie, which promises to pull on the heartstrings and tickle the funny bones of kids and grown-ups alike. Woody (Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s prized but reluctant new toy, a disposable spork called Forky (Tony Hale), runs away during a family vacation, Woody and friends begin a quest to bring him back where he belongs. On their ensuing road-trip adventure alongside new faces and old friends, the charismatic pull-string cowboy learns just how big the world can be for a toy. Enter our Toy Story 4 Book-To-Win competition

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Playboy songwriter Brad Allen's (Rock Hudson) succession of romances annoys his neighbor, interior designer Jan Morrow (Doris Day), who shares a telephone party line with him and hears all his breezy routines. After Jan unsuccessfully lodges a complaint against him, Brad sets about to seduce her in the guise of a sincere and upstanding Texas rancher. When mutual friend Jonathan (Tony Randall) discovers that his best friend is moving in on the girl he desires, however, sparks fly.

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Agnès Varda, photographer, installation artist and pioneer of the Nouvelle Vague, is an institution of French cinema. Whether in front of the camera or behind it, she was a visual storyteller who eschewed convention and prescribed approaches to drama. In Varda by Agnès, Varda's final film, she offers a personal insight into her oeuvre, using excerpts from her work to illustrate her unique artistic visions and ideas. ★★★★★ “Two hours in this director’s company is a pleasure.” – Peter Bradshaw, The Guardian

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Sing your hearts out to all the classic tunes in Rocketman, the epic musical fantasy about the breakthrough years of larger-than-life superstar Elton John. Set to John’s most beloved songs, it tells the uncensored human story of how small-town boy and shy piano prodigy Reginald Dwight became one of the most iconic figures in pop culture.

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Tati's most consistently enjoyable comedy, a portrait of the gentle, clumsy, well meaning Hulot on vacation in a provincial seaside resort. A delight of quiet, delicately observed slapstick.

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Featuring one of the most gripping opening scenes in recent memory and a breakout performance from Christoph Waltz as SS Colonel Hans ‘Jew Hunter’ Landa, Tarantino’s epic alternative history of the Second World War is bold, bloody and wildly entertaining. Set in Nazi-occupied France, the film tracks the converging fates of a marauding gang of American soldiers led by Lt. Aldo Raine (Brad Pitt), and Shosanna (Melanie Durant), a vengeful Jewish orphan living under an alias in Paris. “Tarantino’s Inglourious Basterds is a big, bold, audacious war movie that will annoy some, startle others and demonstrate once again that he’s the real thing, a director of quixotic delights.” – Roger Ebert

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'To whom should I complain?' When a young novice nun is compromised by a corrupt official, who offers to save her brother from execution in return for sex, she has no idea where to turn for help. When she threatens to expose him, he tells her that no one would believe her. Shakespeare wrote this play in the early 1600s, yet it remains astonishingly resonant today. Artistic Director Gregory Doran directs this new production.

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Come one, come all! On Thursday 1 August, Dead Heads near and far come together to celebrate the ninth annual Grateful Dead Meet-Up at the Movies. This unmissable event – the first to go global – features the previously unreleased full concert from 17 June 1991 at Giants Stadium. One of only two of the band’s shows recorded on 48-track, 6/17/91 sounds unlike any Dead concert you’ve ever heard, and is widely considered one of their greatest gigs in their final decade of performing. Mixed by Jeffrey Norman in glorious surround sound with video from the multi-camera live edit, this will be the first time the Bruce Hornsby and Vince Welnick line-up has ever appeared on the big screen. Starting with a shocking ‘Eyes Of The World’, the Dead were firing on all cylinders from the opening notes of the show, mixing classics like ‘Truckin’’ and ‘Uncle John’s Band’ with rarities including ‘Saint Of Circumstance’, ‘Might As Well’, ‘New Speedway Boogie’ and ‘China Doll’. But the real standout was the recurrence of ‘Dark Star’, which wove in and out of the setlist, making no less than six distinct appearances and teases during the show. The Dead capped off the spectacular night with a perfect song to send the crowd on its way – The Band’s ‘The Weight’. As a special treat, this extraordinary screening will also feature a reveal of the Grateful Dead’s 2019 box set, featuring the Dead’s legacy manager, archivist and producer David Lemieux.

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Agnès Varda, photographer, installation artist and pioneer of the Nouvelle Vague, is an institution of French cinema. Whether in front of the camera or behind it, she was a visual storyteller who eschewed convention and prescribed approaches to drama. In Varda by Agnès, Varda's final film, she offers a personal insight into her oeuvre, using excerpts from her work to illustrate her unique artistic visions and ideas. ★★★★★ “Two hours in this director’s company is a pleasure.” – Peter Bradshaw, The Guardian

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A mystery preview of an upcoming new release. Details will only be revealed as the opening credits roll. Tickets are just £8 general admission and £5 for Picturehouse Members.

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The definitive surf movie, Bruce Brown’s iconic documentary follows two young American surfers, Robert August and Mike Hynson, as they search the globe for ‘the perfect wave’. Stunningly photographed and set to a great surf-rock score by The Sandals, their unique quest takes them from California to Senegal, Ghana, Nigeria, South Africa, Australia, New Zealand, Tahiti and Hawaii with little more than surfboards and wax as luggage. “Brown leaves analysis of the surf-cult mystique to seagoing sociologists, but demonstrates quite spiritedly that some of the brave souls mistaken for beachniks are, in fact, converts to a difficult, dangerous and dazzling sport” (Time Magazine)

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Tarantino’s first period western stars Jamie Foxx as freed slave turned bounty hunter Django. Aided by German gunslinger Dr King Schultz (Christoph Waltz), Django sets out to rescue his wife from brutal Mississippi plantation boss Calvin Candle (Leonardo DiCaprio). Django’s campaign of cold-blooded revenge is shot through with the director’s trademark black humour, sparky dialogue and visual flair, and features a star-studded cast at the top of their game. A cinematic treat from breathless start to brutal finish.

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Penny Slinger: Out Of The Shadows is the incredible, untold story of the British artist Penny Slinger and the traumatic events that led to the creation of her masterpiece, the 1977 photo-romance An Exorcism. Coming of age against a backdrop of post-war austerity and the subsequent explosion of colour that characterised 1960s counter-culture, Penny Slinger embraced her generation’s quest for personal freedom and sexual liberation, and channelled these desires into her groundbreaking collages, films and sculptures. But despite being at the peak of her powers in the late ’70s, Slinger and her work were virtually forgotten a decade later. Richard Kovitch’s film documents Slinger’s story for the first time, immersing the viewer in 1960s counter-culture and exploring why such a significant body of work could slip from popular memory. It consults her key collaborators, including the radical filmmakers Peter Whitehead and Jack Bond; considers her relationship with the acclaimed feminist playwright Jane Arden; and explains why she’s finally enjoying long overdue recognition from both the art world and a new generation of artists. Propelled by an original, hypnotic soundtrack by Psychological Strategy Board, Out Of The Shadows consolidates this renaissance and presents it anew for a contemporary audience.

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The story of a family and a company that changed the world, told in three parts on a single evening. Academy Award-winner Sam Mendes (Skyfall, The Ferryman) directs Simon Russell Beale, Adam Godley and Ben Miles who play the Lehman Brothers, their sons and grandsons. On a cold September morning in 1844 a young man from Bavaria stands on a New York dockside. Dreaming of a new life in the new world. He is joined by his two brothers and an American epic begins. 163 years later, the firm they establish – Lehman Brothers – spectacularly collapses into bankruptcy, and triggers the largest financial crisis in history. This critically acclaimed and five-time Olivier Award nominated play features stunning set design from Es Devlin (NT Live: Hamlet) and will be broadcast live from London’s West End as part of National Theatre Live’s 10th Birthday season.

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In Almodóvar’s deeply personal and tender new drama, a film director reflects on the choices he’s made in life as past and present come crashing down around him. Salvador Mallo (Antonio Banderas, who deservedly won Best Actor at Cannes Film Festival for his performance), an ageing Madrid-based auteur, is retreating into himself, facing ill health, depression and the decline of his powers. After a chance meeting reunites him with an actor from his past, a wild new chapter begins, sparking a series of reconciliations and reveries in which Salvador revisits old emotional wounds and tries to piece together the puzzle of his life and his art.

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Based on Nicholas Pileggi’s book Wiseguy, Martin Scorsese’s mob-movie masterpiece marked a revival of Hollywood interest in gangsters and gangsterdom. It chronicles three decades of a life in crime, following Brooklyn youngster Henry Hill’s graduation from petty criminal to big-time thief. Widely regarded as one of the greatest films in the crime genre, this is essential viewing for any movie fan.

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Forty years after its original release, Francis Ford Coppola’s Apocalypse Now returns to cinemas looking and sounding better than ever. Restored from the original negative to the highest audio and visual standards by the director himself, Final Cut is Coppola’s preferred and most visceral version of his Oscar-winning Vietnam War epic. This never-before-seen cut features only some of the footage added back into the Redux release, bringing the runtime to just a shade over three hours. This screening includes a Q&A between Coppola and director Steven Soderbergh, recorded at the Tribeca Film Festival in April, in which they reflect on the film’s legacy in light of its 40th anniversary, and the long journey to creating this new restoration. Synopsis A heady mix of ’60s counter-culture and the Vietnam War meshes with hallucinatory visuals, a magnificent score and a monumental screenplay inspired by Conrad’s Heart Of Darkness. Martin Sheen stars as the Special Forces captain dispatched on a secret river-borne mission to Cambodia with a brief to ‘terminate with extreme prejudice’ a demented colonel (Marlon Brando) waging a private war in the hills.

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The story of a family and a company that changed the world, told in three parts on a single evening. Academy Award-winner Sam Mendes (Skyfall, The Ferryman) directs Simon Russell Beale, Adam Godley and Ben Miles who play the Lehman Brothers, their sons and grandsons. On a cold September morning in 1844 a young man from Bavaria stands on a New York dockside. Dreaming of a new life in the new world. He is joined by his two brothers and an American epic begins. 163 years later, the firm they establish – Lehman Brothers – spectacularly collapses into bankruptcy, and triggers the largest financial crisis in history. This critically acclaimed and five-time Olivier Award nominated play features stunning set design from Es Devlin (NT Live: Hamlet) and will be broadcast live from London’s West End as part of National Theatre Live’s 10th Birthday season.

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A beloved tale soars to new heights in a dazzling live-action reimagining of the classic 1941 animation DUMBO, directed by the visionary Tim Burton (BIG FISH). Eccentric circus owner Max Medici (DeVito) enlists former star Holt Farrier (Farrell) and his children to care for Dumbo, a baby elephant whose giant ears have made him the laughing stock of an already struggling troupe. When they discover these floppy ears allow Dumbo to fly, the peculiar pachyderm soars into the limelight and saves the circus. But his wondrous talents also catch the eye of suave impresario V. A. Vandevere (Keaton), whose larger-than-life attraction, Dreamland, hides some dark secrets...

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A legendary warrior's stolen magic sword becomes the centerpiece of epic, intertwining love stories, set against the breathtaking landscapes of ancient China.

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As charming and funny as it is thought-provoking, Hail Satan? traces the extraordinary rise of one of the most colourful and controversial religious movements in American history. When media-savvy members of the Satanic Temple organise a series of public actions designed to advocate religious freedom and challenge corrupt authority, they prove that, with little more than a clever idea, a mischievous sense of humour and a few rebellious friends, you can speak truth to power in some truly profound ways. Director Penny Lane strikes a cunning balance between cheeky, brazen entertainment and serious storytelling in this wickedly topical documentary. It’s a timely look at a group of oft-misunderstood outsiders whose commitment to social and political justice has empowered thousands of people around the world.

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Good girl Sandy and greaser Danny fell in love over the summer. But when they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance?

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Inspired by the serialised matinee action films Steven Spielberg loved as a child, RAIDERS OF THE LOST ARK became one of the defining action/adventure films of its day and remains a hugely enjoyable movie experience. Harrison Ford, fresh from his propulsion to super-stardom through the STAR WARS series, embodied the reluctant yet capable adventurer Indiana Jones, a serious and scholarly archaeology professor who is hired by the US government to track down the Ark of the Covenant ahead of their Nazi rivals. The action set-pieces, tongue-in-cheek humour, impressive production values and a sheer love of cinema make RAIDERS OF THE LOST ARK an irresistibly enjoyable big-screen treat.

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Paul thomas Anderson reunites with several of his Boogie Nights stars in this ensemble drama comprised of six interwoven stories dealing with parents, children, love and lonliness. An epic mosaic of several interrelated characters in search of happiness, forgiveness, and meaning in the San Fernando Valley.

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Four Weeks on Wednesdays from 4th – 25th September at 7–9pm The course will take place in the Community Room at Crouch End Picturehouse Lecturer: Joseph Jenner The influence of Japanese director Yasujirō Ozu on contemporary filmmaking cannot be underestimated. It is evident in the films of Joanna Hog, Jim Jarmush, Claire Denis and Hirokazu Kore-eda, among many others. On this course we will unpick the elements which make up the distinctive style of Ozu’s films covering narrative, shot construction and editing techniques. We will also think about his films in historical context, looking at their place within the broader Japanese film industry and considering the key debates around his work which, on the one hand fetishize the ‘Japaneseness’ of Ozu, while on the other view his films as pure formal exercises that ignore their historical and cultural context. Finally, we will look closely at the works of contemporary directors to think about how the style of Ozu remains embedded in contemporary filmmaking. By the end of the course the students will have a deeper critical appreciation of a remarkably innovative and influential filmmaker. Week One: Ozu’s Aesthetic Week two: Ozu and early 20th century Japanese Cinema Week Three: Translating Ozu in the West Week Four: The Legacy of Ozu Tickets are £60 for the full four week course (£55 concession / £50 Picturehouse Members).

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On Tuesday 10 September, Fane Productions present an evening with the Canadian novelist, poet, literary critic and inventor Margaret Atwood to mark the release of The Testaments, Atwood’s highly anticipated sequel to The Handmaid’s Tale. The event will be broadcast live via satellite from the National Theatre in London. The publication of The Handmaid’s Tale in 1985 and the current, Emmy Award-winning television series have created a cultural phenomenon, as handmaids have become a symbol of women’s rights and a protest against misogyny and oppression. Atwood will be interviewed by broadcaster and author Samira Ahmed in a conversation spanning the length of Atwood’s remarkable career, her diverse range of works, and why she has returned to her seminal handmaid story, 34 years later. “Dear Readers: Everything you've ever asked me about Gilead and its inner workings is the inspiration for this book. Well, almost everything! The other inspiration is the world we've been living in.” With exclusive readings from the new book by special guests, this will be an unmissable and intimate event with Atwood, spotlighting her signature insight, humour and intellect.

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Compelling, blood-curdling and beautiful, Giuseppe Verdi’s masterpiece is being performed for the first time on the unique Bregenz lake stage. Once of Verdi’s most popular works, Rigoletto is an unforgettable tale of sacrifice and revenge, of a father’s rage and a daughter’s shame. It features several of opera’s best-known arias, including Rigoletto’s passionate denouncement ‘Cortigiani, vil razza dannata’, Gilda’s dreamy ‘Caro nome’ and the Duke’s instantly recognisable ‘La donna è mobile’. Directed and designed by Philip Stölzl, this timeless tragedy will delight audiences with a powerhouse combination of entertainment and emotional intensity from the spectacular shore of Lake Constance.

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Premiering at the Sundance Film Festival, The Game Changers is a new film executive produced by James Cameron, Arnold Schwarzenegger and Jackie Chan that documents the explosive rise of plant-based eating in professional sports, mixing real-time, groundbreaking science with cinematic stories of struggle and triumph. The film features some of the strongest, fastest and toughest athletes on the planet — and it’s backed by them too — with additional EPs including Formula One champion Lewis Hamilton, top-ranked tennis player Novak Djokovic, and nine-time NBA All-Star Chris Paul. Directed by Oscar®-winner Louie Psihoyos, The Game Changers follows the story of James Wilks—elite Special Forces trainer and winner of The Ultimate Fighter—as he travels the world on a quest for the truth about meat, protein, and strength. Showcasing elite athletes, special ops soldiers, and visionary scientists. Wilks’ journey exposes outdated myths about food that not only affect human performance, but the health of the entire global population.

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Featuring a Tony Award-winning performance from host of the The Late Late Show, James Corden, the hilarious West End and Broadway hit One Man, Two Guvnors returns to cinemas to mark National Theatre Live’s 10th birthday. Fired from his skiffle band, Francis Henshall becomes minder to Roscoe Crabbe, a small time East End hood, now in Brighton to collect £6,000 from his fiancée’s dad. But Roscoe is really his sister Rachel posing as her own dead brother, who’s been killed by her boyfriend Stanley Stubbers. Holed up at The Cricketers’ Arms, the permanently ravenous Francis spots the chance of an extra meal ticket and takes a second job with one Stanley Stubbers, who is hiding from the police and waiting to be re-united with Rachel. To prevent discovery, Francis must keep his two guvnors apart. Simple.

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Nearly three decades after her first visit to London, the enigmatic Mary Poppins (Blunt) soars back into the capital to look after the Banks children in their time of need. The now grown-up Jane (Mortimer) and Michael Banks (Whishaw) are living in the same house on Cherry Tree Lane, along with Michael’s three children and their housekeeper Ellen (Walters). The family are in danger of losing their home, and Michael is struggling after a personal loss, but the practically perfect nanny returns just in time to rekindle the fun and wonder missing from their lives – with a little help from street lamplighter Jack (Miranda) and her eccentric cousin Topsy (Streep). Boasting wonderful songs, classic 2D animation and cameos from some familiar faces, this is a delightful reunion for all to enjoy, whether you grew up with the magic or are discovering it for the first time.

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Roger Waters, co-founder, creative force and songwriter behind Pink Floyd, presents his highly anticipated concert film, Us + Them, which features state-of-the-art visual production and breathtaking sound. Filmed in Amsterdam on the European leg of his 2017-18 Us + Them tour, on which Waters performed to over two million people worldwide, the film features songs from his legendary Pink Floyd albums (The Dark Side Of The Moon,The Wall, Animals, Wish You Were Here) and from his last album, Is This The Life We Really Want? Waters’ second collaboration with Sean Evans, visionary director of the highly acclaimed movie Roger Waters The Wall, this pioneering film is an inspiring showcase for the tour’s powerful music and message of human rights, liberty and love.

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Multi-award-winning director Emma Rice brings her unique, exuberantly impish vision to Angela Carter’s great last novel in this brand-new theatre production. A big, bawdy tangle of theatrical joy and heartbreak, Wise Children is a celebration of show business, family, forgiveness and hope, with a generous dash of Shakespeare, scandal and mischief, taking the audience on a rollercoaster ride of emotion. In Brixton, Nora and Dora Chance – twin chorus girls born and bred south of the river – are celebrating their 75th birthday. Over the river in Chelsea, their father – and the greatest actor of his generation – Melchior Hazard turns 100 on the same day. As does his twin brother Peregrine. If, in fact, he’s still alive. And if, in truth, Melchior is their real father after all... Performed by a talented ensemble cast, this entertaining, all-singing and dancing show opened to a raft of four and five-star reviews at London’s Old Vic in 2018. Adapted and directed by Emma Rice, the former Artistic Director of Kneehigh and Shakespeare’s Globe, it was filmed for the cinema screen at York Theatre Royal.

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Roger Waters, co-founder, creative force and songwriter behind Pink Floyd, presents his highly anticipated concert film, Us + Them, which features state-of-the-art visual production and breathtaking sound. Filmed in Amsterdam on the European leg of his 2017-18 Us + Them tour, on which Waters performed to over two million people worldwide, the film features songs from his legendary Pink Floyd albums (The Dark Side Of The Moon,The Wall, Animals, Wish You Were Here) and from his last album, Is This The Life We Really Want? Waters’ second collaboration with Sean Evans, visionary director of the highly acclaimed movie Roger Waters The Wall, this pioneering film is an inspiring showcase for the tour’s powerful music and message of human rights, liberty and love.

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Sexual intrigue, jealousy, wit, anger… and retribution! The new Royal Opera Season begins with Mozart’s engaging masterpiece, which follows Don Giovanni, the women he serially seduces, and the vengeance that finally catches up with him. The opera is renowned for its ever-shifting portrayals of complex characters, fast-moving action and mix of the comic and the heartfelt. A cast of international singers – both familiar and making Royal Opera debuts – under conductor Hartmut Haenchen perform the glorious arias and ensembles of this opera favourite. Co-production with Israeli Opera, Gran Teatre del Liceu, Barcelona, and Houston Grand Opera Music: Wolfgang Amadeus Mozart Libretto: Lorenzo da Ponte Conductor: Hartmut Haenchen Director: Kasper Holten Set designer: Es Devlin Video designer: Luke Halls Costume designer: Anja Vang Kragh Lighting designer: Bruno Poet Choreography: Signe Fabricius Don Giovanni: Erwin Schrott Leporello: Roberto Tagliavini Donna Anna: Malin Byström Donna Elvira: Christine Rice Don Ottavio: Daniel Behle Zerlina: Louise Alder Commendatore: Lars Woldt Masetto: Leon Košavić Royal Opera Chorus Orchestra of the Royal Opera House

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Featuring a Tony Award-winning performance from host of the The Late Late Show, James Corden, the hilarious West End and Broadway hit One Man, Two Guvnors returns to cinemas to mark National Theatre Live’s 10th birthday. Fired from his skiffle band, Francis Henshall becomes minder to Roscoe Crabbe, a small time East End hood, now in Brighton to collect £6,000 from his fiancée’s dad. But Roscoe is really his sister Rachel posing as her own dead brother, who’s been killed by her boyfriend Stanley Stubbers. Holed up at The Cricketers’ Arms, the permanently ravenous Francis spots the chance of an extra meal ticket and takes a second job with one Stanley Stubbers, who is hiding from the police and waiting to be re-united with Rachel. To prevent discovery, Francis must keep his two guvnors apart. Simple.

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Hailed as the UK’s most influential comedian of all time, legendary Scot Billy Connolly is coming to cinemas with this brilliant show from his final stand-up tour. Recorded in 2015, during the Australian leg, this whip smart routine is a riotous journey filled with outrageous tales and blistering observations of everyday absurdities. Screening as a special one-night-only event, Connolly will also muse upon his career, life and legacy in a deeply personal interview filmed exclusively for cinema audiences. Prior to retiring in 2016 following his diagnosis with Parkinson's Disease, Connolly toured worldwide continuously for 50 years, performing to an audience of over 10 million. The Sex Life of Bandages is a big screen tribute to an iconic funny-man whose sharp wit and anarchic storytelling is still as hilarious as ever. ★★★★ ‘Can he still hold an audience in his thrall - warm us, cheer us, tickle us? Abso - Billy - lutely!' The Telegraph ★★★★ 'Beautifully funny' The Guardian ★★★★ 'Connolly has still got his funny bones' The Evening Standard

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Multi-award-winning director Emma Rice brings her unique, exuberantly impish vision to Angela Carter’s great last novel in this brand-new theatre production. A big, bawdy tangle of theatrical joy and heartbreak, Wise Children is a celebration of show business, family, forgiveness and hope, with a generous dash of Shakespeare, scandal and mischief, taking the audience on a rollercoaster ride of emotion. In Brixton, Nora and Dora Chance – twin chorus girls born and bred south of the river – are celebrating their 75th birthday. Over the river in Chelsea, their father – and the greatest actor of his generation – Melchior Hazard turns 100 on the same day. As does his twin brother Peregrine. If, in fact, he’s still alive. And if, in truth, Melchior is their real father after all... Performed by a talented ensemble cast, this entertaining, all-singing and dancing show opened to a raft of four and five-star reviews at London’s Old Vic in 2018. Adapted and directed by Emma Rice, the former Artistic Director of Kneehigh and Shakespeare’s Globe, it was filmed for the cinema screen at York Theatre Royal.

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Yannick Nézet-Séguin, the Met’s Music Director, conducts this powerful production of love, loss and loyalty. Franco Zeffirelli’s spectacular staging returns to cinemas with powerhouse soprano Christine Goerke as the icy princess who has sworn never to be possessed by a man. But the unknown suitor Calaf, played by tenor Roberto Aronica, who sings the famed aria ‘Nessun dorma’, is love-struck, and risks his life by attempting to answer the challenging three riddles that promise to unlock her heart.

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Sexual intrigue, jealousy, wit, anger… and retribution! The new Royal Opera Season begins with Mozart’s engaging masterpiece, which follows Don Giovanni, the women he serially seduces, and the vengeance that finally catches up with him. The opera is renowned for its ever-shifting portrayals of complex characters, fast-moving action and mix of the comic and the heartfelt. A cast of international singers – both familiar and making Royal Opera debuts – under conductor Hartmut Haenchen perform the glorious arias and ensembles of this opera favourite. Co-production with Israeli Opera, Gran Teatre del Liceu, Barcelona, and Houston Grand Opera Music: Wolfgang Amadeus Mozart Libretto: Lorenzo da Ponte Conductor: Hartmut Haenchen Director: Kasper Holten Set designer: Es Devlin Video designer: Luke Halls Costume designer: Anja Vang Kragh Lighting designer: Bruno Poet Choreography: Signe Fabricius Don Giovanni: Erwin Schrott Leporello: Roberto Tagliavini Donna Anna: Malin Byström Donna Elvira: Christine Rice Don Ottavio: Daniel Behle Zerlina: Louise Alder Commendatore: Lars Woldt Masetto: Leon Košavić Royal Opera Chorus Orchestra of the Royal Opera House

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This fascinating cinema event opens with a brand-new documentary about the life and work of Paul Gauguin, one of the world’s most popular and important artists. Filmed in Tahiti, France, the Marquesas Islands and the UK, this cinematic film will explore Gauguin’s extraordinary – and at times controversial – artistic achievement, with commentary from his descendants, artists and world experts. It will be followed by an exclusive private view of the National Gallery exhibition Gauguin Portraits, just after it opens in London. Exhibition curators and guest contributors will take cinema audiences on a lively and engaging guided tour, bringing this first ever exhibition of Gauguin’s portraits to the big screen with stunning close-ups and illuminating insights.

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Directors: Kyle Balda, Pierre Coffin, Eric Guillon. Voices: Steve Carell, Kristen Wiig, Trey Parker. USA 2017. 90 mins.

At the end of Despicable Me 2, one-time dastardly supervillain Felonious Gru (Carell) seemed to have hung up his ‘evil’ cape for good. Having settled in the ‘burbs with his feisty super agent wife (Wiig) and three adorable, unicorn-loving, adopted daughters, he’s now out to actively fight crime, not cause it. Until, that is, a long lost, enviably hirsute twin brother (also Carell) pops out of the woodwork to tempt Gru back to the dark side… Eagerly anticipated by everyone from toddlers to adults, this animated threequel also voice casts Trey Parker (co-creator of South Park and The Book Of Mormon) as an ’80s-obsessed baddie with truly villainous shoulder pads. As if that wasn’t enough, one final word will sell it to you: Minions!

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This fascinating cinema event opens with a brand-new documentary about the life and work of Paul Gauguin, one of the world’s most popular and important artists. Filmed in Tahiti, France, the Marquesas Islands and the UK, this cinematic film will explore Gauguin’s extraordinary – and at times controversial – artistic achievement, with commentary from his descendants, artists and world experts. It will be followed by an exclusive private view of the National Gallery exhibition Gauguin Portraits, just after it opens in London. Exhibition curators and guest contributors will take cinema audiences on a lively and engaging guided tour, bringing this first ever exhibition of Gauguin’s portraits to the big screen with stunning close-ups and illuminating insights.

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'The course of true love never did run smooth.’ A feuding fairy King and Queen of the forest cross paths with four runaway lovers and a troupe of actors trying to rehearse a play. As their dispute grows, the magical royal couple meddle with mortal lives leading to love triangles, mistaken identities and transformations… with hilarious, but dark consequences. Shakespeare’s most famous romantic comedy will be captured live from the Bridge Theatre in London. Gwendoline Christie (Game of Thrones), Oliver Chris (Green Wing, NT Live: Young Marx), David Moorst (NT Live: Allelujah!) and Hammed Animashaun (The Barber Shop Chronicles) lead the cast as Titania, Oberon, Puck and Bottom. Directed by Nicholas Hytner, this production of A Midsummer Night’s Dream will build on the success of his immersive staging of Julius Caesar (NT Live 2018). The Bridge Theatre will become a forest – a dream world of flying fairies, contagious fogs and moonlight revels, surrounded by a roving audience following the action on foot.

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Yannick Nézet-Séguin, the Met’s Music Director, conducts this powerful production of love, loss and loyalty. Franco Zeffirelli’s spectacular staging returns to cinemas with powerhouse soprano Christine Goerke as the icy princess who has sworn never to be possessed by a man. But the unknown suitor Calaf, played by tenor Roberto Aronica, who sings the famed aria ‘Nessun dorma’, is love-struck, and risks his life by attempting to answer the challenging three riddles that promise to unlock her heart.

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Royal Opera favourite Bryn Terfel heads the cast for this new production of Donizetti’s comedy of domestic drama across two generations. The witty story of a middle-aged man whose supposed young wife runs rings around him – with her own ulterior romantic purpose in mind – has long delighted and surprised audiences, not least as presented with the sparkle of its music and the virtuoso skill of its performers. Damiano Michieletto’s exhilarating production shows how contemporary the characters still are and how immediate and touching the story remains. Co-production with Opéra national de Paris and Teatro Massimo, Palermo Music: Gaetano Donizetti Lighting designer: Alessandro Carletti Video designer: rocafilm Libretto: Giovanni Ruffini and Gaetano Donizetti Conductor: Evelino Pidò Director: Damiano Michieletto Set designer: Paolo Fantin Costume designer: Agostino Cavalca Don Pasquale: Bryn Terfel Norina: Olga Peretyatko Ernesto: Ioan Hotea Malatesta: Mariusz Kwiecień Royal Opera Chorus Orchestra of the Royal Opera House

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Fassbinder was fascinated by strong, smart women using their wiles to navigate a man’s world; Hawks’ gorgeous musical about two showgirls sailing for Paris while checking out suitably moneyed males fits the bill perfectly. Monroe and Russell are terrific, the musical numbers are simultaneously sumptuous and ironic, and the colour and costumes are ravishing.

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Laurent Pelly’s enchanting production, starring soprano Lisette Oropesa in the effervescent title role, explores the devastating consequences when excess and passion collide. Tenor Michael Fabiano is the besotted Chevalier des Grieux, whose desperate love for Manon proves to be the undoing for both of them. Maurizio Benini conducts Massenet’s sensual score.

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Royal Opera favourite Bryn Terfel heads the cast for this new production of Donizetti’s comedy of domestic drama across two generations. The witty story of a middle-aged man whose supposed young wife runs rings around him – with her own ulterior romantic purpose in mind – has long delighted and surprised audiences, not least as presented with the sparkle of its music and the virtuoso skill of its performers. Damiano Michieletto’s exhilarating production shows how contemporary the characters still are and how immediate and touching the story remains. Co-production with Opéra national de Paris and Teatro Massimo, Palermo Music: Gaetano Donizetti Lighting designer: Alessandro Carletti Video designer: rocafilm Libretto: Giovanni Ruffini and Gaetano Donizetti Conductor: Evelino Pidò Director: Damiano Michieletto Set designer: Paolo Fantin Costume designer: Agostino Cavalca Don Pasquale: Bryn Terfel Norina: Olga Peretyatko Ernesto: Ioan Hotea Malatesta: Mariusz Kwiecień Royal Opera Chorus Orchestra of the Royal Opera House

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'The course of true love never did run smooth.’ A feuding fairy King and Queen of the forest cross paths with four runaway lovers and a troupe of actors trying to rehearse a play. As their dispute grows, the magical royal couple meddle with mortal lives leading to love triangles, mistaken identities and transformations… with hilarious, but dark consequences. Shakespeare’s most famous romantic comedy will be captured live from the Bridge Theatre in London. Gwendoline Christie (Game of Thrones), Oliver Chris (Green Wing, NT Live: Young Marx), David Moorst (NT Live: Allelujah!) and Hammed Animashaun (The Barber Shop Chronicles) lead the cast as Titania, Oberon, Puck and Bottom. Directed by Nicholas Hytner, this production of A Midsummer Night’s Dream will build on the success of his immersive staging of Julius Caesar (NT Live 2018). The Bridge Theatre will become a forest – a dream world of flying fairies, contagious fogs and moonlight revels, surrounded by a roving audience following the action on foot.

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Laurent Pelly’s enchanting production, starring soprano Lisette Oropesa in the effervescent title role, explores the devastating consequences when excess and passion collide. Tenor Michael Fabiano is the besotted Chevalier des Grieux, whose desperate love for Manon proves to be the undoing for both of them. Maurizio Benini conducts Massenet’s sensual score.

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Leonardo da Vinci is acclaimed as the world’s favourite artist. Many TV shows and feature films have showcased his extraordinary genius, but often not examined closely enough is the most crucial element of all: his art. Leonardo’s peerless paintings and drawings will be the focus of LEONARDO: THE WORKS, which presents every single attributed painting in Ultra HD quality – something never seen before on the big screen. Key works include ‘The Mona Lisa’, ‘The Last Supper’, ‘Lady with an Ermine’, ‘Ginevra de’ Benci’, ‘Madonna Litta’, ‘Virgin of the Rocks’ and more than a dozen others. This film also looks afresh at Leonardo’s life – his inventiveness, his sculptural skills, his military foresight and his ability to navigate the treacherous politics of the day – through the prism of his art. To be released on the 500th anniversary of his death, this is the definitive film about Leonardo – the first to truly tell the whole story.

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From The Royal Ballet’s classical origins in the works of Marius Petipa, to the homegrown choreographers who put British ballet on the world stage, this mixed programme highlights the versatility of the Company. Petipa’s Raymonda Act III is Russian classical ballet summarised in one act, full of sparkle and precise technique, while Ashton’s Enigma Variations is quintessentially British in every way – from its score by Elgar and period designs by Julia Trevelyan Oman, to Ashton’s signature style, the essence of British ballet. Concerto, MacMillan’s fusion of classical technique with a contemporary mind, completes a programme that shows the breadth of The Royal Ballet’s heritage.

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Hansard; noun The official report of all parliamentary debates. See two-time Olivier Award winners, Lindsay Duncan (Birdman, About Time) and Alex Jennings (The Lady in the Van, The Queen), in this brand-new play by Simon Wood, broadcast live from the National Theatre in London. It’s a summer’s morning in 1988 and Tory politician Robin Hesketh has returned home to the idyllic Cotswold house he shares with his wife of 30 years, Diana. But all is not as blissful as it seems. Diana has a stinking hangover, a fox is destroying the garden, and secrets are being dug up all over the place. As the day draws on, what starts as gentle ribbing and the familiar rhythms of marital scrapping quickly turns to blood-sport. Don’t miss this witty and devastating portrait of the governing class, directed by Simon Godwin (NT Live: Antony & Cleopatra, Twelfth Night) and part of National Theatre Live’s 10th birthday season.

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Anthony Minghella’s vividly cinematic staging of Puccini’s tale of unrequited love returns to our screens featuring soprano Hui He in the devastating title role. One of the most frequently staged operas of our generation, Madama Butterfly tells the story of a young Japanese girl, Cio-Cio San, who falls in love with Pinkerton, an American naval officer. Tragedy unfolds in this sweeping production, which is a perennial audience favourite. Pier Giorgio Morandi conducts one of opera’s most beautiful and heartbreaking scores, and Plácido Domingo adds another role to his remarkable repertoire, singing ‘Sharpless’ for the first time. The cast also includes tenor Piero Pretti as Pinkerton and mezzosoprano Elizabeth DeShong as Suzuki.

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From The Royal Ballet’s classical origins in the works of Marius Petipa, to the homegrown choreographers who put British ballet on the world stage, this mixed programme highlights the versatility of the Company. Petipa’s Raymonda Act III is Russian classical ballet summarised in one act, full of sparkle and precise technique, while Ashton’s Enigma Variations is quintessentially British in every way – from its score by Elgar and period designs by Julia Trevelyan Oman, to Ashton’s signature style, the essence of British ballet. Concerto, MacMillan’s fusion of classical technique with a contemporary mind, completes a programme that shows the breadth of The Royal Ballet’s heritage.

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Leonardo da Vinci is acclaimed as the world’s favourite artist. Many TV shows and feature films have showcased his extraordinary genius, but often not examined closely enough is the most crucial element of all: his art. Leonardo’s peerless paintings and drawings will be the focus of LEONARDO: THE WORKS, which presents every single attributed painting in Ultra HD quality – something never seen before on the big screen. Key works include ‘The Mona Lisa’, ‘The Last Supper’, ‘Lady with an Ermine’, ‘Ginevra de’ Benci’, ‘Madonna Litta’, ‘Virgin of the Rocks’ and more than a dozen others. This film also looks afresh at Leonardo’s life – his inventiveness, his sculptural skills, his military foresight and his ability to navigate the treacherous politics of the day – through the prism of his art. To be released on the 500th anniversary of his death, this is the definitive film about Leonardo – the first to truly tell the whole story.

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Anthony Minghella’s vividly cinematic staging of Puccini’s tale of unrequited love returns to our screens featuring soprano Hui He in the devastating title role. One of the most frequently staged operas of our generation, Madama Butterfly tells the story of a young Japanese girl, Cio-Cio San, who falls in love with Pinkerton, an American naval officer. Tragedy unfolds in this sweeping production, which is a perennial audience favourite. Pier Giorgio Morandi conducts one of opera’s most beautiful and heartbreaking scores, and Plácido Domingo adds another role to his remarkable repertoire, singing ‘Sharpless’ for the first time. The cast also includes tenor Piero Pretti as Pinkerton and mezzosoprano Elizabeth DeShong as Suzuki.

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Hansard; noun The official report of all parliamentary debates. See two-time Olivier Award winners, Lindsay Duncan (Birdman, About Time) and Alex Jennings (The Lady in the Van, The Queen), in this brand-new play by Simon Wood, broadcast live from the National Theatre in London. It’s a summer’s morning in 1988 and Tory politician Robin Hesketh has returned home to the idyllic Cotswold house he shares with his wife of 30 years, Diana. But all is not as blissful as it seems. Diana has a stinking hangover, a fox is destroying the garden, and secrets are being dug up all over the place. As the day draws on, what starts as gentle ribbing and the familiar rhythms of marital scrapping quickly turns to blood-sport. Don’t miss this witty and devastating portrait of the governing class, directed by Simon Godwin (NT Live: Antony & Cleopatra, Twelfth Night) and part of National Theatre Live’s 10th birthday season.

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Star countertenor Anthony Roth Costanzo headlines as the revolutionary Pharaoh who transformed ancient Egypt. Director Phelim McDermott, whose productions include the hugely successful Satyagraha by Philip Glass, returns to the Met to bring this contemporary production to life, with a virtuosic company and dramatic staging that features acrobatics and juggling. The striking soprano J’Nai Bridges makes her Met debut as Nefertiti. Karen Kamensek conducts Glass’s ritualistic and hypnotic score.

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Star countertenor Anthony Roth Costanzo headlines as the revolutionary Pharaoh who transformed ancient Egypt. Director Phelim McDermott, whose productions include the hugely successful Satyagraha by Philip Glass, returns to the Met to bring this contemporary production to life, with a virtuosic company and dramatic staging that features acrobatics and juggling. The striking soprano J’Nai Bridges makes her Met debut as Nefertiti. Karen Kamensek conducts Glass’s ritualistic and hypnotic score.

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Matthew Warchus directs Andrew Scott (BBC’s Sherlock, Fleabag) in Noël Coward’s provocative comedy Present Laughter. As he prepares to embark on an overseas tour, star actor Garry Essendine’s colourful life is in danger of spiralling out of control. Engulfed by an escalating identity crisis as his many and various relationships compete for his attention, Garry’s few remaining days at home are a chaotic whirlwind of love, sex, panic and soul-searching. Captured live from The Old Vic in London, Present Laughter is a giddy and surprisingly modern reflection on fame, desire and loneliness.

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A classic returns to The Royal Ballet repertory with Ninette de Valois’ charming and funny Coppélia – a story of love, mischief and mechanical dolls. The intricate choreography is set to Delibes’ delightful score and shows off the technical precision and comedic timing of the whole Company. Osbert Lancaster’s designs bring a colourful storybook world to life in this Christmas treat for the whole family. Choreography: Ninette de Valois, after Lev Ivanov and Enrico Cecchetti Music: Léo Delibes Scenario: Charles Nuitter and Arthur Saint-Léon, after E.T.A. Hoffmann Designer: Osbert Lancaster Lighting designer: John B. Read Conductor: Barry Wordsworth Orchestra of the Royal Opera House

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Matthew Warchus directs Andrew Scott (BBC’s Sherlock, Fleabag) in Noël Coward’s provocative comedy Present Laughter. As he prepares to embark on an overseas tour, star actor Garry Essendine’s colourful life is in danger of spiralling out of control. Engulfed by an escalating identity crisis as his many and various relationships compete for his attention, Garry’s few remaining days at home are a chaotic whirlwind of love, sex, panic and soul-searching. Captured live from The Old Vic in London, Present Laughter is a giddy and surprisingly modern reflection on fame, desire and loneliness.

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A classic returns to The Royal Ballet repertory with Ninette de Valois’ charming and funny Coppélia – a story of love, mischief and mechanical dolls. The intricate choreography is set to Delibes’ delightful score and shows off the technical precision and comedic timing of the whole Company. Osbert Lancaster’s designs bring a colourful storybook world to life in this Christmas treat for the whole family. Choreography: Ninette de Valois, after Lev Ivanov and Enrico Cecchetti Music: Léo Delibes Scenario: Charles Nuitter and Arthur Saint-Léon, after E.T.A. Hoffmann Designer: Osbert Lancaster Lighting designer: John B. Read Conductor: Barry Wordsworth Orchestra of the Royal Opera House

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The Royal Ballet's glorious production of The Nutcracker, created by Peter Wright in 1984, is the production par excellence of an all-time ballet favourite. On Christmas Eve, Herr Drosselmeyer the magician sweeps young Clara away on a fantasy adventure in which time is suspended, the family living-room becomes a great battlefield, and a magical journey takes them through the Land of Snow to the Kingdom of Sweets. Tchaikovsky's glittering score, the gorgeous festive stage designs, and The Royal Ballet's captivating dancing including an exquisite pas de deux between the Sugar Plum Fairy and her Prince, make this Nutcracker the quintessential Christmas experience. RECORDED LIVE AT THE ROYAL OPERA HOUSE Thursday 8 December 2016 Choreography: Peter Wright after Lev Ivanov Music: Pyotr Il’yich Tchaikovsky Original scenario: Marius Petipa after E.T.A.Hoffmann Production and scenario: Peter Wright Designer: Julia Trevelyan Oman Lighting designer: Mark Henderson Staging: Christopher Carr Conductor: Boris Gruzin The Sugar Plum Fairy: Lauren Cuthbertson The Prince: Federico Bonelli Clara: Francesca Hayward Hans-Peter/The Nutcracker: Alexander Campbell Herr Drosselmeyer: Gary Avis Orchestra of the Royal Opera House

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The Royal Ballet's glorious production of The Nutcracker, created by Peter Wright in 1984, is the production par excellence of an all-time ballet favourite. On Christmas Eve, Herr Drosselmeyer the magician sweeps young Clara away on a fantasy adventure in which time is suspended, the family living-room becomes a great battlefield, and a magical journey takes them through the Land of Snow to the Kingdom of Sweets. Tchaikovsky's glittering score, the gorgeous festive stage designs, and The Royal Ballet's captivating dancing including an exquisite pas de deux between the Sugar Plum Fairy and her Prince, make this Nutcracker the quintessential Christmas experience. RECORDED LIVE AT THE ROYAL OPERA HOUSE Thursday 8 December 2016 Choreography: Peter Wright after Lev Ivanov Music: Pyotr Il’yich Tchaikovsky Original scenario: Marius Petipa after E.T.A.Hoffmann Production and scenario: Peter Wright Designer: Julia Trevelyan Oman Lighting designer: Mark Henderson Staging: Christopher Carr Conductor: Boris Gruzin The Sugar Plum Fairy: Lauren Cuthbertson The Prince: Federico Bonelli Clara: Francesca Hayward Hans-Peter/The Nutcracker: Alexander Campbell Herr Drosselmeyer: Gary Avis Orchestra of the Royal Opera House

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Celebrate the conclusion to 2019 with the Berliner Philharmoniker's glittering New Year’s Eve Concert. This fantastic event will be conducted by Chief Conductor Kirill Petrenko and features a lively American programme including the star soprano Diana Damrau as guest soloist. Broadcast live from Berlin there are sure to be fireworks as the orchestra takes the audience on a journey through George Gershwin’s An American in Paris and Leonard Bernstein’s Symphonic Dances from West Side Story as well as works from Cole Porter, Carl Loewe, and Kurt Weill.

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After wowing audiences with his astounding production of Lulu in 2015, South African artist William Kentridge now focuses his extraordinary imagination on a new production of Berg’s other operatic masterpiece, which is set in an apocalyptic pre-First World War environment. Met Music Director Yannick Nézet-Séguin is on the podium for this important event, while baritone Peter Mattei makes his highly anticipated role debut as Wozzeck. Soprano Elza van den Heever is Wozzeck’s unfaithful mate, and the commanding cast also includes tenor Christopher Ventris as the Drum-Major, bass-baritone Christian Van Horn as the Doctor, and tenor Gerhard Siegel as the Captain.

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This production of The Sleeping Beauty has delighted audiences in Covent Garden since 1946. A classic of Russian ballet, it established The Royal Ballet both in its new home after the Second World War and as a world-class company. Sixty years later, in 2006, the original staging was revived, returning Oliver Messel’s wonderful designs and glittering costumes to the stage. Pyotr Il’yich Tchaikovsky’s enchanting score and Marius Petipa’s original choreography beautifully combine with sections created for The Royal Ballet by Frederick Ashton, Anthony Dowell and Christopher Wheeldon. This ballet is sure to cast its spell over anyone who sees it. Choreography: Marius Petipa Music: Pyotr Il’yich Tchaikovsky Additional choreography: Frederick Ashton, Anthony Dowell, Christopher Wheeldon Production: Monica Mason and Christopher Newton after Ninette de Valois and Nicholas Sergeyev Original designs: Oliver Messel Additional designs: Peter Farmer Lighting designer: Mark Jonathan Conductor: Simon Hewett

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After wowing audiences with his astounding production of Lulu in 2015, South African artist William Kentridge now focuses his extraordinary imagination on a new production of Berg’s other operatic masterpiece, which is set in an apocalyptic pre-First World War environment. Met Music Director Yannick Nézet-Séguin is on the podium for this important event, while baritone Peter Mattei makes his highly anticipated role debut as Wozzeck. Soprano Elza van den Heever is Wozzeck’s unfaithful mate, and the commanding cast also includes tenor Christopher Ventris as the Drum-Major, bass-baritone Christian Van Horn as the Doctor, and tenor Gerhard Siegel as the Captain.

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This production of The Sleeping Beauty has delighted audiences in Covent Garden since 1946. A classic of Russian ballet, it established The Royal Ballet both in its new home after the Second World War and as a world-class company. Sixty years later, in 2006, the original staging was revived, returning Oliver Messel’s wonderful designs and glittering costumes to the stage. Pyotr Il’yich Tchaikovsky’s enchanting score and Marius Petipa’s original choreography beautifully combine with sections created for The Royal Ballet by Frederick Ashton, Anthony Dowell and Christopher Wheeldon. This ballet is sure to cast its spell over anyone who sees it. Choreography: Marius Petipa Music: Pyotr Il’yich Tchaikovsky Additional choreography: Frederick Ashton, Anthony Dowell, Christopher Wheeldon Production: Monica Mason and Christopher Newton after Ninette de Valois and Nicholas Sergeyev Original designs: Oliver Messel Additional designs: Peter Farmer Lighting designer: Mark Jonathan Conductor: Simon Hewett

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For the first time in history, the Royal Academy of Arts in London, in collaboration with the Museum of Fine Arts in Boston, is bringing together Lucian Freud’s self-portraits. This intensely compelling exhibition will display more than 50 paintings, prints and drawings in which this modern master of British art turned his unflinching eye firmly on himself. One of the most celebrated painters of our time, Lucian Freud is also one of very few twentieth-century artists who portrayed themselves with such consistency. Spanning nearly seven decades, his self-portraits give a fascinating insight into both his psyche and his development as a painter, from his earliest portrait painted in 1939 to the final one executed 64 years later. When seen together, his works represent an engrossing study of the dynamic of ageing and the process of self-representation.

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For the first time in history, the Royal Academy of Arts in London, in collaboration with the Museum of Fine Arts in Boston, is bringing together Lucian Freud’s self-portraits. This intensely compelling exhibition will display more than 50 paintings, prints and drawings in which this modern master of British art turned his unflinching eye firmly on himself. One of the most celebrated painters of our time, Lucian Freud is also one of very few twentieth-century artists who portrayed themselves with such consistency. Spanning nearly seven decades, his self-portraits give a fascinating insight into both his psyche and his development as a painter, from his earliest portrait painted in 1939 to the final one executed 64 years later. When seen together, his works represent an engrossing study of the dynamic of ageing and the process of self-representation.

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Puccini’s opera of young love in 19th-century Paris is packed with beautiful music, including lyrical arias, celebratory choruses for Act II’s evocation of Christmas Eve in the Latin Quarter, and a poignant final scene over which the composer himself wept. Richard Jones’s character-led production perfectly captures La bohème’s mixture of comedy, romance and tragedy, with striking designs by Stewart Laing. The cast features some of the greatest interpreters of Puccini’s bohemian lovers performing today, as well as former members of The Royal Opera’s Jette Parker Young Artists Programme. Co-production with Teatro Real, Madrid and Lyric Opera of Chicago Music: Giacomo Puccini Libretto: Giuseppe Giacosa and Luigi Illica Conductor: Emmanuel Villaume Director: Richard Jones Designer: Stewart Laing Lighting designer: Mimi Jordan Sherin Movement director: Sarah Fahie Mimì: Sonya Yoncheva Rodolfo: Charles Castronovo Marcello: Andrzej Filończyk Musetta: Aida Garifullina Schaunard: Gyula Nagy Colline: Peter Kellner Royal Opera Chorus Orchestra of the Royal Opera House

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The final stage work of George Gershwin, Porgy and Bess is largely regarded as one of the greatest American operas of the twentieth century. It returns for its first Met performances in almost three decades, starring bass-baritone Eric Owens and soprano Angel Blue in the title roles. This new co-production with the English National Opera and Dutch National Opera was hailed as a triumph at its premiere in London earlier this year. Featuring the much-loved arias ‘Summertime’ and ‘I Got Plenty o’ Nuttin’, director James Robinson’s stylish production transports audiences to Catfish Row, a setting vibrant with the music, dancing, emotion and heartbreak of its inhabitants.

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Puccini’s opera of young love in 19th-century Paris is packed with beautiful music, including lyrical arias, celebratory choruses for Act II’s evocation of Christmas Eve in the Latin Quarter, and a poignant final scene over which the composer himself wept. Richard Jones’s character-led production perfectly captures La bohème’s mixture of comedy, romance and tragedy, with striking designs by Stewart Laing. The cast features some of the greatest interpreters of Puccini’s bohemian lovers performing today, as well as former members of The Royal Opera’s Jette Parker Young Artists Programme. Co-production with Teatro Real, Madrid and Lyric Opera of Chicago Music: Giacomo Puccini Libretto: Giuseppe Giacosa and Luigi Illica Conductor: Emmanuel Villaume Director: Richard Jones Designer: Stewart Laing Lighting designer: Mimi Jordan Sherin Movement director: Sarah Fahie Mimì: Sonya Yoncheva Rodolfo: Charles Castronovo Marcello: Andrzej Filończyk Musetta: Aida Garifullina Schaunard: Gyula Nagy Colline: Peter Kellner Royal Opera Chorus Orchestra of the Royal Opera House

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The final stage work of George Gershwin, Porgy and Bess is largely regarded as one of the greatest American operas of the twentieth century. It returns for its first Met performances in almost three decades, starring bass-baritone Eric Owens and soprano Angel Blue in the title roles. This new co-production with the English National Opera and Dutch National Opera was hailed as a triumph at its premiere in London earlier this year. Featuring the much-loved arias ‘Summertime’ and ‘I Got Plenty o’ Nuttin’, director James Robinson’s stylish production transports audiences to Catfish Row, a setting vibrant with the music, dancing, emotion and heartbreak of its inhabitants.

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Choreographer Cathy Marston is previously an Associate Artist of the Royal Opera House and Director of Bern Ballett, and much in demand internationally. The inspiration for her first work for The Royal Ballet Main Stage is the momentous life and career of the cellist Jacqueline du Pré. A new work by Liam Scarlett, The Royal Ballet’s Artist in Residence, provides the second part of the programme. NEW CATHY MARSTON Choreography: Cathy Marston Music: Philip Feeney Scenario: Cathy Marston and Edward Kemp Set designer: Hildegard Bechtler Costume designer: Bregje van Balen Lighting designer: Jon Clark Conductor: Andrea Molino NEW LIAM SCARLETT Choreographer: Liam Scarlett

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In Ancient Rome, Agrippina plots the downfall of Emperor Claudius to secure the throne for her son Nero. Mezzo-soprano Joyce DiDonato leads as the imperious empress in the Met’s first-ever performance of Handel’s first operatic triumph, a tale of deception and deceit. Harry Bicket conducts Sir David McVicar’s wry new production, which gives this Baroque black comedy a politically charged, modern updating.

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Choreographer Cathy Marston is previously an Associate Artist of the Royal Opera House and Director of Bern Ballett, and much in demand internationally. The inspiration for her first work for The Royal Ballet Main Stage is the momentous life and career of the cellist Jacqueline du Pré. A new work by Liam Scarlett, The Royal Ballet’s Artist in Residence, provides the second part of the programme. NEW CATHY MARSTON Choreography: Cathy Marston Music: Philip Feeney Scenario: Cathy Marston and Edward Kemp Set designer: Hildegard Bechtler Costume designer: Bregje van Balen Lighting designer: Jon Clark Conductor: Andrea Molino NEW LIAM SCARLETT Choreographer: Liam Scarlett

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In Ancient Rome, Agrippina plots the downfall of Emperor Claudius to secure the throne for her son Nero. Mezzo-soprano Joyce DiDonato leads as the imperious empress in the Met’s first-ever performance of Handel’s first operatic triumph, a tale of deception and deceit. Harry Bicket conducts Sir David McVicar’s wry new production, which gives this Baroque black comedy a politically charged, modern updating.

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The award-winning Sir Bryn Terfel CBE returns to the Met for the first time since 2012 as the mysterious seafarer searching for salvation. Condemned to sail the seas for eternity on his ghostly ship, the Captain is offered a chance of redemption by true love. François Girard, whose mesmerising staging of Parsifal recently wowed Met audiences, directs Wagner’s eerie early masterwork in this co-production with Puccini L’Opéra de Québec and Amsterdam’s Dutch National Opera.

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Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, Jonas Kaufmann plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime. The music is transcendent throughout and includes the famous Act I Quartet, the Prisoners’ Chorus and Florestan’s impassioned Act II cry in the darkness and vision of hope. Tobias Kratzer’s new staging brings together the dark reality of the French Revolutionary ‘Terror’ and our own time to illuminate Fidelio’s inspiring message of shared humanity. Music: Ludwig van Beethoven Libretto: Joseph Sonnleithner, Stephan von Breuning and George Friedrich Treitschke Conductor: Antonio Pappano Director: Tobias Kratzer Set and costume designer: Rainer Sellmaier Lighting designer: Michael Bauer Video designer: Manuel Braun Dramaturg: Bettina Bartz Leonore (Fidelio): Lise Davidsen Florestan: Jonas Kaufmann Rocco: Georg Zeppenfeld Don Pizarro: Simon Neal Marzelline: Amanda Forsythe Royal Opera Chorus Orchestra of the Royal Opera House

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The award-winning Sir Bryn Terfel CBE returns to the Met for the first time since 2012 as the mysterious seafarer searching for salvation. Condemned to sail the seas for eternity on his ghostly ship, the Captain is offered a chance of redemption by true love. François Girard, whose mesmerising staging of Parsifal recently wowed Met audiences, directs Wagner’s eerie early masterwork in this co-production with Puccini L’Opéra de Québec and Amsterdam’s Dutch National Opera.

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Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, Jonas Kaufmann plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime. The music is transcendent throughout and includes the famous Act I Quartet, the Prisoners’ Chorus and Florestan’s impassioned Act II cry in the darkness and vision of hope. Tobias Kratzer’s new staging brings together the dark reality of the French Revolutionary ‘Terror’ and our own time to illuminate Fidelio’s inspiring message of shared humanity. Music: Ludwig van Beethoven Libretto: Joseph Sonnleithner, Stephan von Breuning and George Friedrich Treitschke Conductor: Antonio Pappano Director: Tobias Kratzer Set and costume designer: Rainer Sellmaier Lighting designer: Michael Bauer Video designer: Manuel Braun Dramaturg: Bettina Bartz Leonore (Fidelio): Lise Davidsen Florestan: Jonas Kaufmann Rocco: Georg Zeppenfeld Don Pizarro: Simon Neal Marzelline: Amanda Forsythe Royal Opera Chorus Orchestra of the Royal Opera House

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Liam Scarlett’s glorious production of Swan Lake, new in 2018, returns for its first revival. While remaining faithful to the Marius Petipa/Lev Ivanov text, Scarlett’s additional choreography and John Macfarlane’s magnificent designs breathe new life into what is arguably the best-known and most-loved classical ballet. The entire Company shines in this eternal tale of doomed love, a masterpiece filled with iconic moments. Tchaikovsky’s first score for ballet soars with its symphonic sweep and combines perfectly with exquisite choreography from the grand pas de deux of Prince Siegfried and Odile to the swans at the lakeside. An intoxicating, irresistible mix of spectacle and intimate passion. Choreography: Liam Scarlett after Marius Petipa and Lev Ivanov Music: Pyotr Il’yich Tchaikovsky Additional choreography:Frederick Ashton Production: Liam Scarlett Designer: John Macfarlane Lighting designer: David Finn Conductor: Koen Kessels

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Liam Scarlett’s glorious production of Swan Lake, new in 2018, returns for its first revival. While remaining faithful to the Marius Petipa/Lev Ivanov text, Scarlett’s additional choreography and John Macfarlane’s magnificent designs breathe new life into what is arguably the best-known and most-loved classical ballet. The entire Company shines in this eternal tale of doomed love, a masterpiece filled with iconic moments. Tchaikovsky’s first score for ballet soars with its symphonic sweep and combines perfectly with exquisite choreography from the grand pas de deux of Prince Siegfried and Odile to the swans at the lakeside. An intoxicating, irresistible mix of spectacle and intimate passion. Choreography: Liam Scarlett after Marius Petipa and Lev Ivanov Music: Pyotr Il’yich Tchaikovsky Additional choreography:Frederick Ashton Production: Liam Scarlett Designer: John Macfarlane Lighting designer: David Finn Conductor: Koen Kessels

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The story of Christ’s death and resurrection has dominated western culture for the past 2000 years. It’s perhaps the most significant historical event of all time, as recounted by the gospels but, equally, as depicted by the greatest artists in history. From the triumphant to the savage, the ethereal to the tactile, some of western civilisation’s greatest artworks focus on this pivotal moment. This beautifully crafted film explores the Easter story as depicted in art, from the time of the early Christians to the present day. Shot on location in Jerusalem, United States and throughout Europe, it explores the different ways artists have depicted the Easter story through the ages and thus depicts the history of us all.

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Superstar soprano Anna Netrebko returns in the title role as the explosive diva in Puccini’s best-loved operatic thriller. Set in Rome during the Napoleonic wars, this tragic tale of passion, murder, lust and love, set to a famously romantic score, is an enduring classic. Bertrand de Billy conducts Sir David McVicar’s evocative production, with tenor Brian Jagde as Tosca’s impassioned lover, Cavaradossi, and baritone Michael Volle as the sinister Scarpia.

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For the first time in history, the Royal Academy of Arts in London, in collaboration with the Museum of Fine Arts in Boston, is bringing together Lucian Freud’s self-portraits. This intensely compelling exhibition will display more than 50 paintings, prints and drawings in which this modern master of British art turned his unflinching eye firmly on himself. One of the most celebrated painters of our time, Lucian Freud is also one of very few twentieth-century artists who portrayed themselves with such consistency. Spanning nearly seven decades, his self-portraits give a fascinating insight into both his psyche and his development as a painter, from his earliest portrait painted in 1939 to the final one executed 64 years later. When seen together, his works represent an engrossing study of the dynamic of ageing and the process of self-representation.

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Superstar soprano Anna Netrebko returns in the title role as the explosive diva in Puccini’s best-loved operatic thriller. Set in Rome during the Napoleonic wars, this tragic tale of passion, murder, lust and love, set to a famously romantic score, is an enduring classic. Bertrand de Billy conducts Sir David McVicar’s evocative production, with tenor Brian Jagde as Tosca’s impassioned lover, Cavaradossi, and baritone Michael Volle as the sinister Scarpia.

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Two opera classics are drawn together in this wonderfully observed re-creation of life in a south Italian village as a travelling theatre visits and emotions erupt. The award-winning production by Damiano Michieletto presents vividly the fast-moving and shocking events brought about by secret love and uncontrollable jealousy. The music is full of Italianate melody in the great choruses that bring the villagers together in celebration and revelry, alongside the solo arias and tense confrontations that provoke violence and tragedy. With thrilling singing and intense drama, ‘Cav and Pag’ distils into one wonderful night out, the enduring appeal of Italian opera in its most familiar form. A co-production with Opera Australia, La Monnaie, Brussels, and the Göteborg Opera. Conductor: Daniel Oren Director: Damiano Michieletto Set designer: Paolo Fantin Costume designer: Carla Teti Lighting designer: Alessandro Carletti CAVALLERIA RUSTICANA Music: Pietro Mascagni Libretto: Giovanni Targioni-Tozzetti and Guido Menasci Turiddu: Yonghoon Lee Santuzza: Liudmyla Monastyrska Alfio: Dimitri Platanias Lola: Josè Maria Lo Monaco PAGLIACCI Music: Ruggero Leoncavallo Libretto: Ruggero Leoncavallo Canio: Roberto Alagna Tonio: Dimitri Platanias Nedda: Aleksandra Kurzak Silvio: Bogdan Baciu Beppe: Mikeldi Atxlandabaso

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Two opera classics are drawn together in this wonderfully observed re-creation of life in a south Italian village as a travelling theatre visits and emotions erupt. The award-winning production by Damiano Michieletto presents vividly the fast-moving and shocking events brought about by secret love and uncontrollable jealousy. The music is full of Italianate melody in the great choruses that bring the villagers together in celebration and revelry, alongside the solo arias and tense confrontations that provoke violence and tragedy. With thrilling singing and intense drama, ‘Cav and Pag’ distils into one wonderful night out, the enduring appeal of Italian opera in its most familiar form. A co-production with Opera Australia, La Monnaie, Brussels, and the Göteborg Opera. Conductor: Daniel Oren Director: Damiano Michieletto Set designer: Paolo Fantin Costume designer: Carla Teti Lighting designer: Alessandro Carletti CAVALLERIA RUSTICANA Music: Pietro Mascagni Libretto: Giovanni Targioni-Tozzetti and Guido Menasci Turiddu: Yonghoon Lee Santuzza: Liudmyla Monastyrska Alfio: Dimitri Platanias Lola: Josè Maria Lo Monaco PAGLIACCI Music Ruggero Leoncavallo Libretto Ruggero Leoncavallo Canio Roberto Alagna Tonio Dimitri Platanias Nedda Aleksandra Kurzak Silvio Bogdan Baciu Beppe Mikeldi Atxlandabaso

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Set in sixteenth-century Britain, Donizetti’s thrilling historical drama follows Mary, Queen of Scots and her bitter rivalry with the cousin responsible for imprisoning her, Queen Elizabeth I. Soprano Diana Damrau and mezzo-soprano Jamie Barton square off as two of history’s most formidable monarchs, and Maurizio Benini conducts.

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Set in sixteenth-century Britain, Donizetti’s thrilling historical drama follows Mary, Queen of Scots and her bitter rivalry with the cousin responsible for imprisoning her, Queen Elizabeth I. Soprano Diana Damrau and mezzo-soprano Jamie Barton square off as two of history’s most formidable monarchs, and Maurizio Benini conducts.

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Dante’s Divine Comedy is an epic journey through the afterlife: it encompasses the horrifying drama of Inferno and its damned, the lyrical mysticism of pilgrims on mount Purgatorio and the dazzling spheres of Paradiso with their endless configurations of light. The poem was inspired by the agony of Dante’s own exile, and traces his path from crisis to revelation guided by his literary hero Virgil and his lost love Beatrice. In this new work, The Royal Ballet’s trailblazing Resident Choreographer Wayne McGregor collaborates with an award-winning team – contemporary composer Thomas Adès, artist Tacita Dean, lighting designer Lucy Carter and dramaturg Uzma Hameed – to bring us closer to Dante and his extraordinary vision. A collaboration between Wayne McGregor, Thomas Adès, Tacita Dean, Lucy Carter and Uzma Hameed Choreography: Wayne McGregor Music: Thomas Adès Design: Tacita Dean Lighting design (part one): Lucy Carter, Simon Bennison Lighting design (parts two and three): Lucy Carter Dramaturg: Uzma Hameed Conductor: Koen Kessels

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Dante’s Divine Comedy is an epic journey through the afterlife: it encompasses the horrifying drama of Inferno and its damned, the lyrical mysticism of pilgrims on mount Purgatorio and the dazzling spheres of Paradiso with their endless configurations of light. The poem was inspired by the agony of Dante’s own exile, and traces his path from crisis to revelation guided by his literary hero Virgil and his lost love Beatrice. In this new work, The Royal Ballet’s trailblazing Resident Choreographer Wayne McGregor collaborates with an award-winning team – contemporary composer Thomas Adès, artist Tacita Dean, lighting designer Lucy Carter and dramaturg Uzma Hameed – to bring us closer to Dante and his extraordinary vision. A collaboration between Wayne McGregor, Thomas Adès, Tacita Dean, Lucy Carter and Uzma Hameed Choreography: Wayne McGregor Music: Thomas Adès Design: Tacita Dean Lighting design (part one): Lucy Carter, Simon Bennison Lighting design (parts two and three): Lucy Carter Dramaturg: Uzma Hameed Conductor: Koen Kessels

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Strauss’s thrilling and audacious adaptation of Greek tragedy receives a new staging by the award-winning director Christof Loy. This uncompromising opera, about a daughter intent on bloody revenge and a mother driven to madness, has provoked critics to lively debate and both shocked and excited audiences since its 1909 premiere. Antonio Pappano conducts music that combines violence with moments of exquisite tenderness in his first Strauss interpretation for The Royal Opera since 2002. The outstanding cast includes Nina Stemme (Brünnhilde in last Season’s Der Ring des Nibelungen) in the title role, and Karita Mattila in her role debut as the haunted queen Klytämnestra. Music: Richard Strauss Libretto: Hugo von Hofmannsthal Conductor: Antonio Pappano Director: Christof Loy Designer: Johannes Leiacker Lighting designer: Olaf Winter Elektra Nina: Stemme Chrysothemis: Sara Jakubiak Klytämnestra: Karita Mattila Orest: Christof Fischesser Ägisth: Joseph Kaiser Royal Opera Chorus Orchestra of the Royal Opera House

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Strauss’s thrilling and audacious adaptation of Greek tragedy receives a new staging by the award-winning director Christof Loy. This uncompromising opera, about a daughter intent on bloody revenge and a mother driven to madness, has provoked critics to lively debate and both shocked and excited audiences since its 1909 premiere. Antonio Pappano conducts music that combines violence with moments of exquisite tenderness in his first Strauss interpretation for The Royal Opera since 2002. The outstanding cast includes Nina Stemme (Brünnhilde in last Season’s Der Ring des Nibelungen) in the title role, and Karita Mattila in her role debut as the haunted queen Klytämnestra. Music: Richard Strauss Libretto: Hugo von Hofmannsthal Conductor: Antonio Pappano Director: Christof Loy Designer: Johannes Leiacker Lighting designer: Olaf Winter Elektra Nina: Stemme Chrysothemis: Sara Jakubiak Klytämnestra: Karita Mattila Orest: Christof Fischesser Ägisth: Joseph Kaiser Royal Opera Chorus Orchestra of the Royal Opera House

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“I never paint dreams or nightmares. I paint my own reality” We might think we already know Frida Kahlo – the image of floral crowns, big brows and folk style clothing have made her a muse to generations – but what lies beneath the surface of this intensely passionate woman? This highly engaging film takes us on a journey through the life of one of the most prevalent female icons. Kahlo was a prolific self-portraitist, using the canvas as a mirror through all stages of her turbulent and, at times, tragic life. Guided by interview, commentary and the artist’s own words, Exhibition On Screen uncovers that this, however, was not a life defined by tragedy. Featuring key exhibitions and interviews with world-renowned Kahlo curators, this personal and intimate film explores the extraordinary symbolism and themes in these personal canvases to seek a deeper understanding of the real Frida. Displaying a treasure trove of colour and a feast of vibrancy on screen, it offers privileged access to her works and highlights the source of her feverish creativity, her resilience and her unmatched lust for life, men, women, politics and her cultural heritage.

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“I never paint dreams or nightmares. I paint my own reality” We might think we already know Frida Kahlo – the image of floral crowns, big brows and folk style clothing have made her a muse to generations – but what lies beneath the surface of this intensely passionate woman? This highly engaging film takes us on a journey through the life of one of the most prevalent female icons. Kahlo was a prolific self-portraitist, using the canvas as a mirror through all stages of her turbulent and, at times, tragic life. Guided by interview, commentary and the artist’s own words, Exhibition On Screen uncovers that this, however, was not a life defined by tragedy. Featuring key exhibitions and interviews with world-renowned Kahlo curators, this personal and intimate film explores the extraordinary symbolism and themes in these personal canvases to seek a deeper understanding of the real Frida. Displaying a treasure trove of colour and a feast of vibrancy on screen, it offers privileged access to her works and highlights the source of her feverish creativity, her resilience and her unmatched lust for life, men, women, politics and her cultural heritage.

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