29 Apr 20
I don't know that I ever plan to watch a particular film. I just watched Staying Vertical, by Alain Guiraudie. That was really brilliant. Completely went off on its own tangents. Unexpectedly dreamlike and whimsical and outrageous. Another of those films where I think 'Hang on, how did he get the funding for that when I can't get the funding for this!?'
I'm reading a book called The Big Goodbye: Chinatown and the Last Years of Hollywood by Sam Wasson. I watched Chinatown again the other day. Then I read about this book. But I'm finding it a little strange - it's written like fiction, like a poetic license recreation of real events. I'm also reading that David Lynch book Room To Dream. I watched The Elephant Man again last night. What a beautiful sad and empathetic film.
I'm also reading a couple of those Zen type books about being mindful and living in the moment and being authentic and not selfish and going with the flow and all that jazz. Don't know if it's sinking in or not. I had to write a memo to myself yesterday morning saying 'Anxiety is just turbulence'. It felt very clear to me at the time that I understood what anxiety was and that I had conquered it. But I'm not sure I have. I'm drinking prodigious amounts of coffee as I'm off booze during this lockdown for various reasons. So I've got the shakes like Shakin' Stevens.
I like a podcast called Talk Easy by Sam Fragoso. He's a young filmmaker and ex-journalist in Los Angeles and he talks to film people, musicians, academics and has very open, sincere and funny conversations with them. I look for some kind of meditative comfort from the podcasts and music I'm listening to at the moment during this pandemic!
I've been listening to the very quiet Yawny Yawn by Bill Ryder Jones, Adalita by Adalita who is an Australian singer-songwriter, playing quite minimal electric guitar music with vocals, and then also Life Without Buildings has been pepping me up too, a Glasgow band from the early 21st century. Quite a lot of yelping. Probably very 'love it or hate it'. I think all these choices are 'love it or hate it' actually!
Terri White of Empire coming up to me after The Greasy Strangler press screening at Picturehouse Central to tell me how much she loved it. I had no idea how anybody in the UK would take it. Empire was wonderfully supportive. The Greasy Strangler won the Best Comedy Award at the Empire Magazine Film Awards also which was unexpected and exciting too!"
I tried to make a film that I would want to make and a film that I would want to see! Beyond that, what Peter Bradshaw wrote in his Guardian review was fun: 'With his previous feature, The Greasy Strangler, film-maker Jim Hosking set the bar of bizarreness very high. Now he has pole-vaulted over it.'
An Evening With Beverly Luff Linn is available to watch at home.
Picturehouse Green Screen proudly presents The Oil Machine plus panel tour (at select cinemas). Some of the UK's leading thinkers, activists and politicians will be attending this national tour.
FEELS has partnered up with Picturehouse Cinemas and Dark Matter to bring you a short film night and networking space for Black and Brown filmmakers aged 18-35. RSVP now!
From familiar favourites to the brilliantly unconventional, turn a page this year and join us for Christmas Stories: a season of the best in festive film.
Get gifting with our limited edition Christmas gift crackers. Secret Santa? Sorted! They're perfect to share at Christmas dinner or the perfect gift for the film lover in your life. Our gift crackers will be exclusively available to buy in-cinema, and they're limited edition – so don't miss out!
We're working with NHS Blood and Transplant and Marvel Studios' Black Panther: Wakanda Forever in a bid to boost blood donors of Black heritage.