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A Private War tells the extraordinary and incredibly moving story of one of the most celebrated war correspondents of all time, Marie Colvin. In a world where journalism is under attack, Colvin (played by an outstanding Rosamund Pike) is an utterly fearless and rebellious spirit, driven to the frontlines of conflicts across the globe to give voice to the voiceless, while testing the limits between bravery and bravado. Her mission to show the true cost of war leads her – along with renowned war photographer Paul Conroy (Jamie Dornan) – to embark on the most dangerous assignment of their lives in the besieged Syrian city of Homs.
Adapted from James Baldwin’s powerful novel by Moonlight director Barry Jenkins, If Beale Street Could Talk is a lyrical celebration of love, both familial and romantic, told through the prism of a young African-American couple’s struggle for justice in 1970s Harlem. At the centre of the story is Tish, a newly engaged woman who races against the clock to prove her lover’s innocence while carrying their first-born child to term.
Jenkins’ elegant third feature sings with soulful performances from a largely unknown cast, and paints a wonderful portrait of New York against a backdrop of social change and injustice. It’s a dreamy, sometimes heartbreaking tale of love against impossible odds, and a timely reminder that compassion can be a force of nature.
Mary Queen of Scots explores the turbulent life of the charismatic Mary Stuart. Queen of France at 16 and widowed at 18, Mary defies pressure to remarry. Instead, she returns to her native Scotland to reclaim her rightful throne. But Scotland and England fall under the rule of the compelling Elizabeth I. Each young Queen beholds her "sister" in fear and fascination. Rivals in power and in love, and female regents in a masculine world, the two must decide how to play the game of marriage versus independence. Determined to rule as much more than a figurehead, Mary asserts her claim to the English throne, threatening Elizabeth's sovereignty. Betrayal, rebellion, and conspiracies within each court imperil both thrones - and change the course of history.
Recent winner of the top prize at Toronto International Film Festival, Green Book is the uplifting true story of an unlikely friendship that transcended race and class.
Set in 1962, Italian-American Tony Lip (Viggo Mortensen) is hired to chauffeur African-American pianist Dr. Don Shirley (Mahershala Ali) on a concert tour through the Deep South. Don is aware of the troubles that he might face in different locations due to the colour of his skin and requires someone to act as both driver and bouncer. They must rely on The Green Book, a guide to the few establishments that are safe for African-Americans and embark on a journey that will change both of their lives.
With strong performances from Ali (following his Oscar-winning turn in Moonlight) and Mortensen (A History of Violence), there is also a great chemistry between the leads. Director Peter Farrelly, best known for his crowd-pleasing comedies Dumb and Dumber and There’s Something About Mary, succeeds brilliantly in making the vital subject of racial division in the 1960s America into a smart and charming film.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
A Private War tells the extraordinary and incredibly moving story of one of the most celebrated war correspondents of all time, Marie Colvin. In a world where journalism is under attack, Colvin (played by an outstanding Rosamund Pike) is an utterly fearless and rebellious spirit, driven to the frontlines of conflicts across the globe to give voice to the voiceless, while testing the limits between bravery and bravado. Her mission to show the true cost of war leads her – along with renowned war photographer Paul Conroy (Jamie Dornan) – to embark on the most dangerous assignment of their lives in the besieged Syrian city of Homs.
Not content to stop at his legendary Shakespeare roles and acclaimed productions of the bard’s plays, Kenneth Branagh now directs a film about the playwright’s last years, in which he stars as the man himself.
The year is 1613. Shakespeare is acknowledged as the greatest writer of the age. Disaster strikes when his renowned Globe Theatre burns to the ground, and a devastated Shakespeare returns to Stratford to face a troubled past and a neglected family. Haunted by the death of his only son Hamnet, he struggles to mend the broken relationships with his wife and daughters. In so doing, he is ruthlessly forced to examine his own failings as husband and father. His very personal search for the truth uncovers secrets and lies within a family at war.
Featuring turns from British acting legends Judi Dench and Ian McKellen, All Is True is a beguiling mix of fact and fiction about England’s greatest poet.
Contains infrequent strong language, moderate sex references.
Adapted from James Baldwin’s powerful novel by Moonlight director Barry Jenkins, If Beale Street Could Talk is a lyrical celebration of love, both familial and romantic, told through the prism of a young African-American couple’s struggle for justice in 1970s Harlem. At the centre of the story is Tish, a newly engaged woman who races against the clock to prove her lover’s innocence while carrying their first-born child to term.
Jenkins’ elegant third feature sings with soulful performances from a largely unknown cast, and paints a wonderful portrait of New York against a backdrop of social change and injustice. It’s a dreamy, sometimes heartbreaking tale of love against impossible odds, and a timely reminder that compassion can be a force of nature.
17.30Audio Described: Everyone welcome. Audio Description is available for this film, and is undetectable to anyone not wearing a headset
HOH Subtitled: This screening has subtitles for people with hearing loss
Just how did US politics reach the state it finds itself in? Adam McKay follows his dramatic retelling of the 2008 banking crisis,The Big Short, with another darkly comic yarn drawn from the tangled world of current affairs.
Starring an unrecognisable Christian Bale as Dick Cheney, Vice is a pull-no-punches account of how a bureaucratic Washington insider quietly became the most powerful man in the world as Vice President to George W. Bush, reshaping the globe in ways that still resonate today.
Recent winner of the top prize at Toronto International Film Festival, Green Book is the uplifting true story of an unlikely friendship that transcended race and class.
Set in 1962, Italian-American Tony Lip (Viggo Mortensen) is hired to chauffeur African-American pianist Dr. Don Shirley (Mahershala Ali) on a concert tour through the Deep South. Don is aware of the troubles that he might face in different locations due to the colour of his skin and requires someone to act as both driver and bouncer. They must rely on The Green Book, a guide to the few establishments that are safe for African-Americans and embark on a journey that will change both of their lives.
With strong performances from Ali (following his Oscar-winning turn in Moonlight) and Mortensen (A History of Violence), there is also a great chemistry between the leads. Director Peter Farrelly, best known for his crowd-pleasing comedies Dumb and Dumber and There’s Something About Mary, succeeds brilliantly in making the vital subject of racial division in the 1960s America into a smart and charming film.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
This timeless, Oscar®* winning classic is a phenomenally popular coming-of-age tale beloved by generations. Teenager Baby (Jennifer Grey), goes with her family on vacation to Kellerman’s holiday resort in the Catskill Mountains. Things are pretty tame until she meets Johnny (Patrick Swayze), a dance teacher at the resort who mesmerises Baby with his dance moves, his passion and his misunderstood ‘bad boy’ image. During the summer of 1963, Johnny teaches Baby how to dance. And, more importantly, how to love.
The true story of the pioneering lawyer Ruth Bader Ginsburg (Jones), her struggles for equal rights in law and what she had to overcome in order to become a female US Supreme Court Justice – the second-ever woman in such a position.
The film focuses on the first sex discrimination case that Ruth Ginsburg took on, in the early 1970s, when she represented Charles Moritz (Chris Mulkey), a Colorado man looking after his elderly mother who was denied a tax benefit routinely given to women caring for family members. From that moment, Ruth was on a quest to banish sex discrimination in law. This film is about that legal crusade but is also about the woman at home with her children, and a portrait of Ruth’s extraordinary marriage to Marty Ginsburg (Hammer). On the Basis Of Sex tells the story of a fascinating woman, with compelling insights into the arguments of our time.
Contains infrequent strong language.
A Private War tells the extraordinary and incredibly moving story of one of the most celebrated war correspondents of all time, Marie Colvin. In a world where journalism is under attack, Colvin (played by an outstanding Rosamund Pike) is an utterly fearless and rebellious spirit, driven to the frontlines of conflicts across the globe to give voice to the voiceless, while testing the limits between bravery and bravado. Her mission to show the true cost of war leads her – along with renowned war photographer Paul Conroy (Jamie Dornan) – to embark on the most dangerous assignment of their lives in the besieged Syrian city of Homs.
Adapted from James Baldwin’s powerful novel by Moonlight director Barry Jenkins, If Beale Street Could Talk is a lyrical celebration of love, both familial and romantic, told through the prism of a young African-American couple’s struggle for justice in 1970s Harlem. At the centre of the story is Tish, a newly engaged woman who races against the clock to prove her lover’s innocence while carrying their first-born child to term.
Jenkins’ elegant third feature sings with soulful performances from a largely unknown cast, and paints a wonderful portrait of New York against a backdrop of social change and injustice. It’s a dreamy, sometimes heartbreaking tale of love against impossible odds, and a timely reminder that compassion can be a force of nature.
At the age of 51, Lee Israel (McCarthy) has spent years behind the typewriter, writing best-selling celebrity biographies, profiling the glossiest names in showbiz. When her career goes into a sudden slump and she's left with nothing but her beloved cat, some moth-eaten cardigans and a point-blank eviction warning, she takes a questionable route to keep the wolf from the door. Expertly faking letters from the stars, she sells them out of her New York flat for hundreds of dollars. But it’s not long before the FBI smell a rat. Lee enlists the help of loyal friend Jack Hock (Grant) to keep tricks afloat. Adapted from Lee Israel’s memoir of the same name, Can You Ever Forgive Me? recounts a true story of one woman who played with fire, got burnt but still enjoyed the ride.
From acclaimed director Nadine Labaki (CARAMEL, WHERE DO WE GO NOW?) comes a stunning and unforgettable new film.
In a courtroom, a young boy named Zain (Zain Al Rafeea) stands before a judge. He asks to sue his own parents for giving him life. The circumstances that have brought him to this point take us on a journey through his poverty-stricken upbringing in Beirut where he lives with his family.
Forced to live by his wits in order to survive, Zain’s life reaches a turning point when his parents make an unforgivable deal that will see his younger sister married off. Left distraught by this terrible act, Zain takes to the road. While looking for work at a fairground, he befriends a young woman who is working illegally as a cleaner and helps to look after her adorable one-year-old baby, Jonas. Zain and Jonas form a touching bond but things get much more complicated when circumstances force Zain to make choices that will have huge ramifications.
CAPERNAUM is a tribute to the resilience of the human spirit – a battle cry for the forgotten, the unwanted and the lost that offers hope in the most unexpected of places.
Recent winner of the top prize at Toronto International Film Festival, Green Book is the uplifting true story of an unlikely friendship that transcended race and class.
Set in 1962, Italian-American Tony Lip (Viggo Mortensen) is hired to chauffeur African-American pianist Dr. Don Shirley (Mahershala Ali) on a concert tour through the Deep South. Don is aware of the troubles that he might face in different locations due to the colour of his skin and requires someone to act as both driver and bouncer. They must rely on The Green Book, a guide to the few establishments that are safe for African-Americans and embark on a journey that will change both of their lives.
With strong performances from Ali (following his Oscar-winning turn in Moonlight) and Mortensen (A History of Violence), there is also a great chemistry between the leads. Director Peter Farrelly, best known for his crowd-pleasing comedies Dumb and Dumber and There’s Something About Mary, succeeds brilliantly in making the vital subject of racial division in the 1960s America into a smart and charming film.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
The true story of the pioneering lawyer Ruth Bader Ginsburg (Jones), her struggles for equal rights in law and what she had to overcome in order to become a female US Supreme Court Justice – the second-ever woman in such a position.
The film focuses on the first sex discrimination case that Ruth Ginsburg took on, in the early 1970s, when she represented Charles Moritz (Chris Mulkey), a Colorado man looking after his elderly mother who was denied a tax benefit routinely given to women caring for family members. From that moment, Ruth was on a quest to banish sex discrimination in law. This film is about that legal crusade but is also about the woman at home with her children, and a portrait of Ruth’s extraordinary marriage to Marty Ginsburg (Hammer). On the Basis Of Sex tells the story of a fascinating woman, with compelling insights into the arguments of our time.
Contains infrequent strong language.
A Private War tells the extraordinary and incredibly moving story of one of the most celebrated war correspondents of all time, Marie Colvin. In a world where journalism is under attack, Colvin (played by an outstanding Rosamund Pike) is an utterly fearless and rebellious spirit, driven to the frontlines of conflicts across the globe to give voice to the voiceless, while testing the limits between bravery and bravado. Her mission to show the true cost of war leads her – along with renowned war photographer Paul Conroy (Jamie Dornan) – to embark on the most dangerous assignment of their lives in the besieged Syrian city of Homs.
Adapted from James Baldwin’s powerful novel by Moonlight director Barry Jenkins, If Beale Street Could Talk is a lyrical celebration of love, both familial and romantic, told through the prism of a young African-American couple’s struggle for justice in 1970s Harlem. At the centre of the story is Tish, a newly engaged woman who races against the clock to prove her lover’s innocence while carrying their first-born child to term.
Jenkins’ elegant third feature sings with soulful performances from a largely unknown cast, and paints a wonderful portrait of New York against a backdrop of social change and injustice. It’s a dreamy, sometimes heartbreaking tale of love against impossible odds, and a timely reminder that compassion can be a force of nature.
At the age of 51, Lee Israel (McCarthy) has spent years behind the typewriter, writing best-selling celebrity biographies, profiling the glossiest names in showbiz. When her career goes into a sudden slump and she's left with nothing but her beloved cat, some moth-eaten cardigans and a point-blank eviction warning, she takes a questionable route to keep the wolf from the door. Expertly faking letters from the stars, she sells them out of her New York flat for hundreds of dollars. But it’s not long before the FBI smell a rat. Lee enlists the help of loyal friend Jack Hock (Grant) to keep tricks afloat. Adapted from Lee Israel’s memoir of the same name, Can You Ever Forgive Me? recounts a true story of one woman who played with fire, got burnt but still enjoyed the ride.
From acclaimed director Nadine Labaki (CARAMEL, WHERE DO WE GO NOW?) comes a stunning and unforgettable new film.
In a courtroom, a young boy named Zain (Zain Al Rafeea) stands before a judge. He asks to sue his own parents for giving him life. The circumstances that have brought him to this point take us on a journey through his poverty-stricken upbringing in Beirut where he lives with his family.
Forced to live by his wits in order to survive, Zain’s life reaches a turning point when his parents make an unforgivable deal that will see his younger sister married off. Left distraught by this terrible act, Zain takes to the road. While looking for work at a fairground, he befriends a young woman who is working illegally as a cleaner and helps to look after her adorable one-year-old baby, Jonas. Zain and Jonas form a touching bond but things get much more complicated when circumstances force Zain to make choices that will have huge ramifications.
CAPERNAUM is a tribute to the resilience of the human spirit – a battle cry for the forgotten, the unwanted and the lost that offers hope in the most unexpected of places.
Recent winner of the top prize at Toronto International Film Festival, Green Book is the uplifting true story of an unlikely friendship that transcended race and class.
Set in 1962, Italian-American Tony Lip (Viggo Mortensen) is hired to chauffeur African-American pianist Dr. Don Shirley (Mahershala Ali) on a concert tour through the Deep South. Don is aware of the troubles that he might face in different locations due to the colour of his skin and requires someone to act as both driver and bouncer. They must rely on The Green Book, a guide to the few establishments that are safe for African-Americans and embark on a journey that will change both of their lives.
With strong performances from Ali (following his Oscar-winning turn in Moonlight) and Mortensen (A History of Violence), there is also a great chemistry between the leads. Director Peter Farrelly, best known for his crowd-pleasing comedies Dumb and Dumber and There’s Something About Mary, succeeds brilliantly in making the vital subject of racial division in the 1960s America into a smart and charming film.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
The true story of the pioneering lawyer Ruth Bader Ginsburg (Jones), her struggles for equal rights in law and what she had to overcome in order to become a female US Supreme Court Justice – the second-ever woman in such a position.
The film focuses on the first sex discrimination case that Ruth Ginsburg took on, in the early 1970s, when she represented Charles Moritz (Chris Mulkey), a Colorado man looking after his elderly mother who was denied a tax benefit routinely given to women caring for family members. From that moment, Ruth was on a quest to banish sex discrimination in law. This film is about that legal crusade but is also about the woman at home with her children, and a portrait of Ruth’s extraordinary marriage to Marty Ginsburg (Hammer). On the Basis Of Sex tells the story of a fascinating woman, with compelling insights into the arguments of our time.
Contains infrequent strong language.
A Private War tells the extraordinary and incredibly moving story of one of the most celebrated war correspondents of all time, Marie Colvin. In a world where journalism is under attack, Colvin (played by an outstanding Rosamund Pike) is an utterly fearless and rebellious spirit, driven to the frontlines of conflicts across the globe to give voice to the voiceless, while testing the limits between bravery and bravado. Her mission to show the true cost of war leads her – along with renowned war photographer Paul Conroy (Jamie Dornan) – to embark on the most dangerous assignment of their lives in the besieged Syrian city of Homs.
Adapted from James Baldwin’s powerful novel by Moonlight director Barry Jenkins, If Beale Street Could Talk is a lyrical celebration of love, both familial and romantic, told through the prism of a young African-American couple’s struggle for justice in 1970s Harlem. At the centre of the story is Tish, a newly engaged woman who races against the clock to prove her lover’s innocence while carrying their first-born child to term.
Jenkins’ elegant third feature sings with soulful performances from a largely unknown cast, and paints a wonderful portrait of New York against a backdrop of social change and injustice. It’s a dreamy, sometimes heartbreaking tale of love against impossible odds, and a timely reminder that compassion can be a force of nature.
At the age of 51, Lee Israel (McCarthy) has spent years behind the typewriter, writing best-selling celebrity biographies, profiling the glossiest names in showbiz. When her career goes into a sudden slump and she's left with nothing but her beloved cat, some moth-eaten cardigans and a point-blank eviction warning, she takes a questionable route to keep the wolf from the door. Expertly faking letters from the stars, she sells them out of her New York flat for hundreds of dollars. But it’s not long before the FBI smell a rat. Lee enlists the help of loyal friend Jack Hock (Grant) to keep tricks afloat. Adapted from Lee Israel’s memoir of the same name, Can You Ever Forgive Me? recounts a true story of one woman who played with fire, got burnt but still enjoyed the ride.
From acclaimed director Nadine Labaki (CARAMEL, WHERE DO WE GO NOW?) comes a stunning and unforgettable new film.
In a courtroom, a young boy named Zain (Zain Al Rafeea) stands before a judge. He asks to sue his own parents for giving him life. The circumstances that have brought him to this point take us on a journey through his poverty-stricken upbringing in Beirut where he lives with his family.
Forced to live by his wits in order to survive, Zain’s life reaches a turning point when his parents make an unforgivable deal that will see his younger sister married off. Left distraught by this terrible act, Zain takes to the road. While looking for work at a fairground, he befriends a young woman who is working illegally as a cleaner and helps to look after her adorable one-year-old baby, Jonas. Zain and Jonas form a touching bond but things get much more complicated when circumstances force Zain to make choices that will have huge ramifications.
CAPERNAUM is a tribute to the resilience of the human spirit – a battle cry for the forgotten, the unwanted and the lost that offers hope in the most unexpected of places.
A hard-working shoemaker struggles to support his family. But when he sees a poor lady in need of help, he gives her his final pair of shoes. The next morning he awakes to find that his last piece of leather has been transformed into the most magnificent pair of magical shoes. But who has mysteriously made them?
Northern Ballet’s Elves & the Shoemaker stomps onto the big screen as part of our fantastic season of interactive ballets for children, narrated by Anita Rani.
With playful characters and spellbinding music, this adorable ballet is sure to have your little ones dancing with excitement!
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
BOHEMIAN RHAPSODY is a foot-stomping celebration of Queen, their music and their extraordinary lead singer Freddie Mercury, who defied stereotypes and shattered convention to become one of the most beloved entertainers on the planet. The film traces the meteoric rise of the band through their iconic songs and revolutionary sound, their near-implosion as Mercury's lifestyle spirals out of control, and their triumphant reunion on the eve of Live Aid, where Mercury, facing a life-threatening illness, leads the band in one of the greatest performances in the history of rock music. In the process, cementing the legacy of a band that were always more like a family, and who continue to inspire outsiders, dreamers and music lovers to this day.
Sing-Along with Queen in these special screenings with the song lyrics shown live on screen
Sonic Youth released their sixth album Daydream Nation on October 18,1988. The album was an immediate critical success. Robert Palmer wrote in Rolling Stone that it “presents the definitive American guitar band of the Eighties at the height of its powers and prescience”. Time has not dimmed the album’s lustre: It was selected to the Library of Congress’s National Recording Registry in 2005, and in 2013 Consequence of Sound declared “the record simply rules.”
In celebration of the album’s 30th anniversary, Sonic Youth & filmmaker Lance Bangs will present a program of Daydream Nation-related films. Daydream-era documentary Put Blood in the Music (SY edit) will be shown in a brand-new, restored transfer. Lance Bangs will also present excerpts from his new concert film of the band performing the album in its entirety in Glasgow in 2007. A few unseen gems from the band’s archives will round out the bill.
The true story of the pioneering lawyer Ruth Bader Ginsburg (Jones), her struggles for equal rights in law and what she had to overcome in order to become a female US Supreme Court Justice – the second-ever woman in such a position.
The film focuses on the first sex discrimination case that Ruth Ginsburg took on, in the early 1970s, when she represented Charles Moritz (Chris Mulkey), a Colorado man looking after his elderly mother who was denied a tax benefit routinely given to women caring for family members. From that moment, Ruth was on a quest to banish sex discrimination in law. This film is about that legal crusade but is also about the woman at home with her children, and a portrait of Ruth’s extraordinary marriage to Marty Ginsburg (Hammer). On the Basis Of Sex tells the story of a fascinating woman, with compelling insights into the arguments of our time.
Contains infrequent strong language.
A Private War tells the extraordinary and incredibly moving story of one of the most celebrated war correspondents of all time, Marie Colvin. In a world where journalism is under attack, Colvin (played by an outstanding Rosamund Pike) is an utterly fearless and rebellious spirit, driven to the frontlines of conflicts across the globe to give voice to the voiceless, while testing the limits between bravery and bravado. Her mission to show the true cost of war leads her – along with renowned war photographer Paul Conroy (Jamie Dornan) – to embark on the most dangerous assignment of their lives in the besieged Syrian city of Homs.
Adapted from James Baldwin’s powerful novel by Moonlight director Barry Jenkins, If Beale Street Could Talk is a lyrical celebration of love, both familial and romantic, told through the prism of a young African-American couple’s struggle for justice in 1970s Harlem. At the centre of the story is Tish, a newly engaged woman who races against the clock to prove her lover’s innocence while carrying their first-born child to term.
Jenkins’ elegant third feature sings with soulful performances from a largely unknown cast, and paints a wonderful portrait of New York against a backdrop of social change and injustice. It’s a dreamy, sometimes heartbreaking tale of love against impossible odds, and a timely reminder that compassion can be a force of nature.
At the age of 51, Lee Israel (McCarthy) has spent years behind the typewriter, writing best-selling celebrity biographies, profiling the glossiest names in showbiz. When her career goes into a sudden slump and she's left with nothing but her beloved cat, some moth-eaten cardigans and a point-blank eviction warning, she takes a questionable route to keep the wolf from the door. Expertly faking letters from the stars, she sells them out of her New York flat for hundreds of dollars. But it’s not long before the FBI smell a rat. Lee enlists the help of loyal friend Jack Hock (Grant) to keep tricks afloat. Adapted from Lee Israel’s memoir of the same name, Can You Ever Forgive Me? recounts a true story of one woman who played with fire, got burnt but still enjoyed the ride.
From acclaimed director Nadine Labaki (CARAMEL, WHERE DO WE GO NOW?) comes a stunning and unforgettable new film.
In a courtroom, a young boy named Zain (Zain Al Rafeea) stands before a judge. He asks to sue his own parents for giving him life. The circumstances that have brought him to this point take us on a journey through his poverty-stricken upbringing in Beirut where he lives with his family.
Forced to live by his wits in order to survive, Zain’s life reaches a turning point when his parents make an unforgivable deal that will see his younger sister married off. Left distraught by this terrible act, Zain takes to the road. While looking for work at a fairground, he befriends a young woman who is working illegally as a cleaner and helps to look after her adorable one-year-old baby, Jonas. Zain and Jonas form a touching bond but things get much more complicated when circumstances force Zain to make choices that will have huge ramifications.
CAPERNAUM is a tribute to the resilience of the human spirit – a battle cry for the forgotten, the unwanted and the lost that offers hope in the most unexpected of places.
A decade after Mamma Mia! The Movie, we’re heading back to the Greek island of Kalokairi for another joyful and infectious musical based on the songs of ABBA. Ten years on from the events of the first movie, Sophie (Seyfried) is pregnant and wants to learn more about her mother’s past. The film begins to flit between past and present as Sophie learns the trials Donna (Streep) went through before she was born, and how those experiences could solve her own worries. Lily James (Baby Driver, Darkest Hour) joins the fun under the sun to play Donna’s younger self, while Jeremy Irvine, Hugh Skinner and Josh Dylan feature as young Sam, Harry and Bill respectively.
11.00Dementia-Friendly Screening: Open to all but especially for people with dementia and their family, friends and carers. Join us for free tea, coffee and biscuits and a chance to socialise for 30 minutes before the film. The film will start at the time stated.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
Voted the nation's favourite bedtime story, the magical tale of a plucky mouse who takes a walk through the woods in search of a nut is brought to enchanting life in an all-star adaptation of Julia Donaldson and Axel Scheffle's bestselling book.
This beautifully animated, BAFTA-nominated treat features the vocal talents of Robbie Coltrane as The Gruffalo, Helena Bonham Carter as the narrator, Rob Brydon as the Snake and James Corden as the Mouse. Join us to take a walk in a deep, dark wood…
The true story of the pioneering lawyer Ruth Bader Ginsburg (Jones), her struggles for equal rights in law and what she had to overcome in order to become a female US Supreme Court Justice – the second-ever woman in such a position.
The film focuses on the first sex discrimination case that Ruth Ginsburg took on, in the early 1970s, when she represented Charles Moritz (Chris Mulkey), a Colorado man looking after his elderly mother who was denied a tax benefit routinely given to women caring for family members. From that moment, Ruth was on a quest to banish sex discrimination in law. This film is about that legal crusade but is also about the woman at home with her children, and a portrait of Ruth’s extraordinary marriage to Marty Ginsburg (Hammer). On the Basis Of Sex tells the story of a fascinating woman, with compelling insights into the arguments of our time.
Contains infrequent strong language.
12.30Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
A Private War tells the extraordinary and incredibly moving story of one of the most celebrated war correspondents of all time, Marie Colvin. In a world where journalism is under attack, Colvin (played by an outstanding Rosamund Pike) is an utterly fearless and rebellious spirit, driven to the frontlines of conflicts across the globe to give voice to the voiceless, while testing the limits between bravery and bravado. Her mission to show the true cost of war leads her – along with renowned war photographer Paul Conroy (Jamie Dornan) – to embark on the most dangerous assignment of their lives in the besieged Syrian city of Homs.
15.10Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Adapted from James Baldwin’s powerful novel by Moonlight director Barry Jenkins, If Beale Street Could Talk is a lyrical celebration of love, both familial and romantic, told through the prism of a young African-American couple’s struggle for justice in 1970s Harlem. At the centre of the story is Tish, a newly engaged woman who races against the clock to prove her lover’s innocence while carrying their first-born child to term.
Jenkins’ elegant third feature sings with soulful performances from a largely unknown cast, and paints a wonderful portrait of New York against a backdrop of social change and injustice. It’s a dreamy, sometimes heartbreaking tale of love against impossible odds, and a timely reminder that compassion can be a force of nature.
12.20Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
At the age of 51, Lee Israel (McCarthy) has spent years behind the typewriter, writing best-selling celebrity biographies, profiling the glossiest names in showbiz. When her career goes into a sudden slump and she's left with nothing but her beloved cat, some moth-eaten cardigans and a point-blank eviction warning, she takes a questionable route to keep the wolf from the door. Expertly faking letters from the stars, she sells them out of her New York flat for hundreds of dollars. But it’s not long before the FBI smell a rat. Lee enlists the help of loyal friend Jack Hock (Grant) to keep tricks afloat. Adapted from Lee Israel’s memoir of the same name, Can You Ever Forgive Me? recounts a true story of one woman who played with fire, got burnt but still enjoyed the ride.
From acclaimed director Nadine Labaki (CARAMEL, WHERE DO WE GO NOW?) comes a stunning and unforgettable new film.
In a courtroom, a young boy named Zain (Zain Al Rafeea) stands before a judge. He asks to sue his own parents for giving him life. The circumstances that have brought him to this point take us on a journey through his poverty-stricken upbringing in Beirut where he lives with his family.
Forced to live by his wits in order to survive, Zain’s life reaches a turning point when his parents make an unforgivable deal that will see his younger sister married off. Left distraught by this terrible act, Zain takes to the road. While looking for work at a fairground, he befriends a young woman who is working illegally as a cleaner and helps to look after her adorable one-year-old baby, Jonas. Zain and Jonas form a touching bond but things get much more complicated when circumstances force Zain to make choices that will have huge ramifications.
CAPERNAUM is a tribute to the resilience of the human spirit – a battle cry for the forgotten, the unwanted and the lost that offers hope in the most unexpected of places.
12.10Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
15.00Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Based on true events, Woman Walks Ahead tells the story of Catherine Weldon (Jessica Chastain), a widowed artist from New York who, in the 1880s, traveled alone to North Dakota to paint a portrait of Chief Sitting Bull (Michael Greyeyes). Her arrival at Standing Rock is met with open hostility by a US Army officer (Sam Rockwell), who has stationed troops around the Lakota reservation to undermine Native American claims to the land. As Catherine and Sitting Bull grow closer, and as their friendship—and his life—are threatened by government forces, Catherine must stand up and fight for what is most important to her.
18.00Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
15.20Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Based on a true story, FIGHTING WITH MY FAMILY follows reformed gangster Ricky, wife Julia, daughter Paige and son Zak as they make a living wrestling together in tiny venues. When Paige and Zak get the opportunity to try out for WWE, the family grabs a once-in-a-lifetime chance to turn their wildest dreams into a dazzling future. However, brother and sister quickly discover that to become superstars, both their talent and their relationship will be put to the test.
FIGHTING WITH MY FAMILY is a heartwarming and smart comedy that proves everything is worth fighting for when it comes to family.
The true story of the pioneering lawyer Ruth Bader Ginsburg (Jones), her struggles for equal rights in law and what she had to overcome in order to become a female US Supreme Court Justice – the second-ever woman in such a position.
The film focuses on the first sex discrimination case that Ruth Ginsburg took on, in the early 1970s, when she represented Charles Moritz (Chris Mulkey), a Colorado man looking after his elderly mother who was denied a tax benefit routinely given to women caring for family members. From that moment, Ruth was on a quest to banish sex discrimination in law. This film is about that legal crusade but is also about the woman at home with her children, and a portrait of Ruth’s extraordinary marriage to Marty Ginsburg (Hammer). On the Basis Of Sex tells the story of a fascinating woman, with compelling insights into the arguments of our time.
Contains infrequent strong language.
A Private War tells the extraordinary and incredibly moving story of one of the most celebrated war correspondents of all time, Marie Colvin. In a world where journalism is under attack, Colvin (played by an outstanding Rosamund Pike) is an utterly fearless and rebellious spirit, driven to the frontlines of conflicts across the globe to give voice to the voiceless, while testing the limits between bravery and bravado. Her mission to show the true cost of war leads her – along with renowned war photographer Paul Conroy (Jamie Dornan) – to embark on the most dangerous assignment of their lives in the besieged Syrian city of Homs.
Adapted from James Baldwin’s powerful novel by Moonlight director Barry Jenkins, If Beale Street Could Talk is a lyrical celebration of love, both familial and romantic, told through the prism of a young African-American couple’s struggle for justice in 1970s Harlem. At the centre of the story is Tish, a newly engaged woman who races against the clock to prove her lover’s innocence while carrying their first-born child to term.
Jenkins’ elegant third feature sings with soulful performances from a largely unknown cast, and paints a wonderful portrait of New York against a backdrop of social change and injustice. It’s a dreamy, sometimes heartbreaking tale of love against impossible odds, and a timely reminder that compassion can be a force of nature.
At the age of 51, Lee Israel (McCarthy) has spent years behind the typewriter, writing best-selling celebrity biographies, profiling the glossiest names in showbiz. When her career goes into a sudden slump and she's left with nothing but her beloved cat, some moth-eaten cardigans and a point-blank eviction warning, she takes a questionable route to keep the wolf from the door. Expertly faking letters from the stars, she sells them out of her New York flat for hundreds of dollars. But it’s not long before the FBI smell a rat. Lee enlists the help of loyal friend Jack Hock (Grant) to keep tricks afloat. Adapted from Lee Israel’s memoir of the same name, Can You Ever Forgive Me? recounts a true story of one woman who played with fire, got burnt but still enjoyed the ride.
From acclaimed director Nadine Labaki (CARAMEL, WHERE DO WE GO NOW?) comes a stunning and unforgettable new film.
In a courtroom, a young boy named Zain (Zain Al Rafeea) stands before a judge. He asks to sue his own parents for giving him life. The circumstances that have brought him to this point take us on a journey through his poverty-stricken upbringing in Beirut where he lives with his family.
Forced to live by his wits in order to survive, Zain’s life reaches a turning point when his parents make an unforgivable deal that will see his younger sister married off. Left distraught by this terrible act, Zain takes to the road. While looking for work at a fairground, he befriends a young woman who is working illegally as a cleaner and helps to look after her adorable one-year-old baby, Jonas. Zain and Jonas form a touching bond but things get much more complicated when circumstances force Zain to make choices that will have huge ramifications.
CAPERNAUM is a tribute to the resilience of the human spirit – a battle cry for the forgotten, the unwanted and the lost that offers hope in the most unexpected of places.
The latest from Greek auteur Yorgos Lanthimos (Dogtooth, The Lobster and The Killing of a Sacred Deer) is a delightfully witty and physical comedy. It’s the early 18th Century, England are fighting the French and Olivia Colman’s Queen Anne in poor health. Vying for the Queen’s affections are her devoted friend, Lady Sarah (Rachel Weisz), and Lady Sarah’s cousin, Abigail (Emma Stone). Newly arrived at the palace and aware the Queen is charmed by her personality, the wily Abigial sees a chance to restore the social status that has been battered by her father’s ruinous wagers.
What follows is a riotous game of one-up-womanship, directed with a fierce, pacy intelligence by Lanthimos and superbly complemented by Robbie Ryan’s cinematography, Sandy Powell’s costume designs and Fiona Crombie’s spectacular sets. At the centre of this wickedly amusing tale are the three powerhouse performances from Weisz, Stone and, especially, Colman, who won the Best Actress at the Venice Film Festival for her uproarious portrayal of Queen Anne.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
Based on a true story, FIGHTING WITH MY FAMILY follows reformed gangster Ricky, wife Julia, daughter Paige and son Zak as they make a living wrestling together in tiny venues. When Paige and Zak get the opportunity to try out for WWE, the family grabs a once-in-a-lifetime chance to turn their wildest dreams into a dazzling future. However, brother and sister quickly discover that to become superstars, both their talent and their relationship will be put to the test.
FIGHTING WITH MY FAMILY is a heartwarming and smart comedy that proves everything is worth fighting for when it comes to family.
The true story of the pioneering lawyer Ruth Bader Ginsburg (Jones), her struggles for equal rights in law and what she had to overcome in order to become a female US Supreme Court Justice – the second-ever woman in such a position.
The film focuses on the first sex discrimination case that Ruth Ginsburg took on, in the early 1970s, when she represented Charles Moritz (Chris Mulkey), a Colorado man looking after his elderly mother who was denied a tax benefit routinely given to women caring for family members. From that moment, Ruth was on a quest to banish sex discrimination in law. This film is about that legal crusade but is also about the woman at home with her children, and a portrait of Ruth’s extraordinary marriage to Marty Ginsburg (Hammer). On the Basis Of Sex tells the story of a fascinating woman, with compelling insights into the arguments of our time.
Contains infrequent strong language.
A Private War tells the extraordinary and incredibly moving story of one of the most celebrated war correspondents of all time, Marie Colvin. In a world where journalism is under attack, Colvin (played by an outstanding Rosamund Pike) is an utterly fearless and rebellious spirit, driven to the frontlines of conflicts across the globe to give voice to the voiceless, while testing the limits between bravery and bravado. Her mission to show the true cost of war leads her – along with renowned war photographer Paul Conroy (Jamie Dornan) – to embark on the most dangerous assignment of their lives in the besieged Syrian city of Homs.
Adapted from James Baldwin’s powerful novel by Moonlight director Barry Jenkins, If Beale Street Could Talk is a lyrical celebration of love, both familial and romantic, told through the prism of a young African-American couple’s struggle for justice in 1970s Harlem. At the centre of the story is Tish, a newly engaged woman who races against the clock to prove her lover’s innocence while carrying their first-born child to term.
Jenkins’ elegant third feature sings with soulful performances from a largely unknown cast, and paints a wonderful portrait of New York against a backdrop of social change and injustice. It’s a dreamy, sometimes heartbreaking tale of love against impossible odds, and a timely reminder that compassion can be a force of nature.
At the age of 51, Lee Israel (McCarthy) has spent years behind the typewriter, writing best-selling celebrity biographies, profiling the glossiest names in showbiz. When her career goes into a sudden slump and she's left with nothing but her beloved cat, some moth-eaten cardigans and a point-blank eviction warning, she takes a questionable route to keep the wolf from the door. Expertly faking letters from the stars, she sells them out of her New York flat for hundreds of dollars. But it’s not long before the FBI smell a rat. Lee enlists the help of loyal friend Jack Hock (Grant) to keep tricks afloat. Adapted from Lee Israel’s memoir of the same name, Can You Ever Forgive Me? recounts a true story of one woman who played with fire, got burnt but still enjoyed the ride.
From acclaimed director Nadine Labaki (CARAMEL, WHERE DO WE GO NOW?) comes a stunning and unforgettable new film.
In a courtroom, a young boy named Zain (Zain Al Rafeea) stands before a judge. He asks to sue his own parents for giving him life. The circumstances that have brought him to this point take us on a journey through his poverty-stricken upbringing in Beirut where he lives with his family.
Forced to live by his wits in order to survive, Zain’s life reaches a turning point when his parents make an unforgivable deal that will see his younger sister married off. Left distraught by this terrible act, Zain takes to the road. While looking for work at a fairground, he befriends a young woman who is working illegally as a cleaner and helps to look after her adorable one-year-old baby, Jonas. Zain and Jonas form a touching bond but things get much more complicated when circumstances force Zain to make choices that will have huge ramifications.
CAPERNAUM is a tribute to the resilience of the human spirit – a battle cry for the forgotten, the unwanted and the lost that offers hope in the most unexpected of places.
Just how did US politics reach the state it finds itself in? Adam McKay follows his dramatic retelling of the 2008 banking crisis,The Big Short, with another darkly comic yarn drawn from the tangled world of current affairs.
Starring an unrecognisable Christian Bale as Dick Cheney, Vice is a pull-no-punches account of how a bureaucratic Washington insider quietly became the most powerful man in the world as Vice President to George W. Bush, reshaping the globe in ways that still resonate today.
Moroccan-born French screenwriter, director and editor Robin Campillo, whose various credits include The Class (2008) and Eastern Boys (2013), draws on his own personal experience of the AIDS activist group ACT UP-Paris in the 1990s in this extraordinary portrait of its members, the issues they faced and the political activism they engaged in. Winner of the Grand Prix at this year’s Cannes Film Festival and destined to become a modern queer classic, 120 BPM (Beats Per Minute) is by turns urgent, heart-breaking, sensual and life-affirming.
A film structured around the power of discourse, with many of its scenes taking place during the group’s weekly meetings, 120 BPM revolves around HIV-negative new member Nathan (Arnaud Valois) and his blossoming romantic relationship with strident group member Sean (Nahuel Pérez Biscayart). Campillo has created an inspiring and deeply emotional tale that brilliantly balances the personal and the political.
Full of wit and invention, Donizetti’s comic opera is a delight. The famous aria “Ah, Mes Amis,” with its nine high Cs, is known as the Mount Everest for tenors one of opera’s most show-stopping numbers. Bel canto stars Pretty Yende and Javier Camarena takes on the challenging vocal fireworks in this revival, a co-production with London’s Royal Opera House and the Wiener StaatsoperLaurent Pelly’s hilarious staging. Orphaned as a small child and raised by an entire army regiment, the spirited Marie has grown up as the regiment’s ‘daughter’, raising morale and spreading joy. Tonio, a local man, falls in love with her and even joins the army for her sake. But a chance encounter with a noblewoman sparks a sudden revelation, and a tale unfolds of secret identities, long-lost family, and murky pasts.
The ultimate western, which draws from all the archetypes of the genre and distils them down to their mythic core, Sergio Leone’s revisionist masterpiece is fifty years old this year.
To get his hands on prime land in Sweetwater, crippled railroad baron Morton (Gabriele Ferzetti) hires some killers led by blue-eyed sadist Frank (Fonda), who wipe out property owner Brett McBain (Frank Wolff) and his family. McBain’s newly arrived bride, Jill (Cardinale), however, inherits the land instead. Both outlaw Cheyenne (Robards) and mysterious ‘Harmonica’ (Bronson) take it upon themselves to look after Jill and thwart Frank’s plans to seize her land. As alliances and betrayals mutate, it soon becomes clear that Harmonica wants to get Frank for another reason – “something to do with death”.
Celebrate the 40th Anniversary of this iconic Sci-Fi classic at your local Picturehouse!
When commercial towing vehicle Nostromo, heading back to Earth, intercepts an SoS signal from a nearby planet, the crew are under obligation to investigate. After a bad landing on the planet, some crew members leave the ship to explore the area. At the same time as they discover a hive colony of some unknown creature, the ship's computer deciphers the message to be a warning, not a call for help. When one of the eggs is disturbed, the crew do not know the danger they are in until it is too late.
Alien contains a sequence of flashing lights which might affect customers who are susceptible to photosensitive epilepsy.
Full of wit and invention, Donizetti’s comic opera is a delight. The famous aria “Ah, Mes Amis,” with its nine high Cs, is known as the Mount Everest for tenors one of opera’s most show-stopping numbers. Bel canto stars Pretty Yende and Javier Camarena takes on the challenging vocal fireworks in this revival, a co-production with London’s Royal Opera House and the Wiener StaatsoperLaurent Pelly’s hilarious staging. Orphaned as a small child and raised by an entire army regiment, the spirited Marie has grown up as the regiment’s ‘daughter’, raising morale and spreading joy. Tonio, a local man, falls in love with her and even joins the army for her sake. But a chance encounter with a noblewoman sparks a sudden revelation, and a tale unfolds of secret identities, long-lost family, and murky pasts.
Between being bullied at school, put upon by her overbearing boss at the local arcade and having to look after her younger brother, sister and manic-depressive mother, life isn’t easy for Sarah Taylor.
However, when Sarah’s drama teacher channels her ferocious and volatile energies in to a stand-up comedy routine for the graduation showcase, Sarah discovers that she may have a hidden talent.
As her love for comedy grows and the showcase draws nearer, the delicate balance in her life becomes increasingly difficult to maintain. Little by little the walls start to close in, ultimately forcing her to choose between her responsibilities as a carer and her newfound passion for comedy.
18.00Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
To celebrate International Women's Day, join us for a Live Q&A with Tracy Edwards, the skipper of Maiden. The Q&A will be broadcast live across the UK and Ireland via satellite.
Maiden tells the inspirational story of how Tracy Edwards, a 24-year-old cook on charter boats, became the skipper of the first ever all-female crew to enter the Whitbread Round the World Race in 1989.
Tracy’s dream met opposition on all sides: her male competitors thought an all-women crew would never make it; the chauvinistic yachting press took bets on her failure; potential sponsors rejected her, fearing they would die at sea and generate bad publicity. But Tracy refused to give up: she re-mortgaged her home and bought a second-hand boat, putting everything on the line to ensure the team made it to the start line. With the support of her remarkable crew, she went on to shock the sport and prove that women are the equal of men.
Contains infrequent strong language, references to sexism.
Set in the 1990s, Marvel Studios’ “Captain Marvel” is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe that follows the journey of Carol Danvers as she becomes one of the universe’s most powerful heroes. While a galactic war between two alien races reaches Earth, Danvers finds herself and a small cadre of allies at the centre of the maelstrom.
Set in the 1990s, Marvel Studios’ “Captain Marvel” is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe that follows the journey of Carol Danvers as she becomes one of the universe’s most powerful heroes. While a galactic war between two alien races reaches Earth, Danvers finds herself and a small cadre of allies at the centre of the maelstrom.
Music: Pyotr Ilyich Tchaikovsky
Choreography: Yuri Grigorovich
Libretto after Ivan Vsevolojski and Marius Petipa
Cast: Olga Smirnova (Princess Aurora), Semyon Chudin (Prince Désiré), Alexei Loparevich (The Evil Fairy Carabosse), Yulia Stepanova (The Lilac Fairy), Vitaly Biktimirov (Catalabutte), Artemy Belyakov (Bluebird), Anastasia Denisova (Princess Florine)
The Princess Aurora falls under the curse of the Evil Fairy Carabosse on her sixtenth birthday, falling into a deep slumber of one hundred years. Only the kiss of a prince could break the spell. A resplendent fairytale ballet perfomed by the Bolshoi, The Sleeping Beauty features scores of magical characters including fairies, the Little Red Riding Hood, Puss in Boots, and a beautiful young Princess Aurora performed by Olga Smirnova, a “truly extraordinary talent” (The Telegraph). This is classical ballet at its finest.
Captured live on Jan. 22, 2017
Underpinned by complex moral themes and spectacular
vistas of Monument Valley, The Searchers follows a
grizzled war veteran (John Wayne in one of the best
performances of his career) on an obsessive five-year
odyssey to rescue his niece from the Comanches who
abducted her. It’s a grim quest, but one which is
miraculously purified of its furies in a final moment of
epiphany. For many, it’s the greatest film in the genre.
★★★★ “In the flawed vision of The Searchers we can see
Ford, Wayne and the Western itself, awkwardly learning
that a man who hates Indians can no longer be an
uncomplicated hero.” – Roger Ebert
This preview screening will be followed by a live satellite Q&A with director Ralph Fiennes and very special guests.
The incredible true story of legendary dancer Rudolf Nureyev (played by Oleg Ivenko) is brought vividly to life by actor-director Ralph Fiennes and BAFTA-winning screenwriter David Hare. From Nureyev’s poverty-stricken childhood in the Soviety city of Ufa, to his blossoming as a student dancer in Leningrad, to his nail-biting escape from the KGB and defection to the West at the height of the Cold War, The White Crow is a gripping, revelatory look at a unique artist who transformed the world of ballet forever.
Music: Pyotr Ilyich Tchaikovsky
Choreography: Yuri Grigorovich
Libretto after Ivan Vsevolojski and Marius Petipa
Cast: Olga Smirnova (Princess Aurora), Semyon Chudin (Prince Désiré), Alexei Loparevich (The Evil Fairy Carabosse), Yulia Stepanova (The Lilac Fairy), Vitaly Biktimirov (Catalabutte), Artemy Belyakov (Bluebird), Anastasia Denisova (Princess Florine)
The Princess Aurora falls under the curse of the Evil Fairy Carabosse on her sixtenth birthday, falling into a deep slumber of one hundred years. Only the kiss of a prince could break the spell. A resplendent fairytale ballet perfomed by the Bolshoi, The Sleeping Beauty features scores of magical characters including fairies, the Little Red Riding Hood, Puss in Boots, and a beautiful young Princess Aurora performed by Olga Smirnova, a “truly extraordinary talent” (The Telegraph). This is classical ballet at its finest.
Captured live on Jan. 22, 2017
Four crazy 80s and 90s cult classics playing through the small hours of one unforgettable night! Featuring Runaway Train, Showgirls, RoboCop & Pieces - with all movies screening from vintage 35mm prints!
George Stevens’ legendary rendition of the quintessential frontier myth earned six Academy Award nominations and made Shane one of the classics of American cinema. The story brings Shane (Ladd), a drifter and retired gunfighter, to the aid of a homestead family terrorized by a wealthy cattleman and his hired gun (Palance). In fighting the last decisive battle, Shane sees the end of his own way of life. Mysterious, moody and atmospheric, the film is enhanced by the intense performances of its splendid cast.
In 1998, director Hideo Nakata (Dark Water) unleashed a chilling tale of technological terror on unsuspecting audiences, which redefined the horror genre, launched the J-horror boom in the West and introducing a generation of moviegoers to a creepy, dark-haired girl called Sadako. The film’s success spawned a slew of remakes, reimaginations and imitators, but none could quite boast the power of Nakata’s original masterpiece, which melded traditional Japanese folklore with contemporary anxieties about the spread of technology.
A group of teenage friends are found dead, their bodies grotesquely contorted, their faces twisted in terror. Reiko (Nanako Matsushima, When Marnie Was There), a journalist and the aunt of one of the victims, sets out to investigate the shocking phenomenon, and in the process uncovers a creepy urban legend about a supposedly cursed videotape, the contents of which causes anyone who views it to die within a week – unless they can persuade someone else to watch it, and, in so doing, pass on the curse…
Charlotte Rampling (45 YEARS, RED SPARROW, SWIMMING POOL) won Best Actress at the Venice Film Festival for her magnificent performance as Hannah, a woman whose life falls apart as she drifts between reality and denial after her husband’s imprisonment.
Beautiful, elegant and heart-breaking film making from Andrea Pallaoro (MEDEAS). A wrenching, intimate portrait of someone becoming disconnected from family, friends and society.
18.00Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
Join an incredible array of singers and musicians who came together to honor one of the world’s most remarkable artists, Joni Mitchell, on her 75th birthday. The hand-selected group of peers and protégés including Brandi Carlile, Glen Hansard, Emmylou Harris, Norah Jones, Chaka Khan, Diana Krall, Kris Kristofferson, Los Lobos with La Marisoul, Cesar Castro & Xochi Flores, Graham Nash, Seal, James Taylor, Rufus Wainwright and more paid tribute to the iconic artist, performing songs from all stages of Mitchell’s life and career, across her entire catalog of 19 studio albums. Captured over two nights in November 2018 by The Music Center at the Dorothy Chandler Pavilion in Los Angeles, the entire concert, along with special behind-the-scenes interviews with the artists, will be shown in cinemas for one night, Thursday 21 March.
As an artist, Mitchell performed with an emotional honesty that resonated with a wide audience. The unifying effect of Mitchell’s music rings out with a closing group singalong to “Big Yellow Taxi” during which Mitchell herself is captured on camera. But the biggest moment, the most emotional, is saved for the end when the celebrated singer takes to the stage to blow out candles on a cake after the crowd serenades her with 'Happy Birthday'.
In 1913, as the wild frontier is tamed and the new world of the twentieth century takes hold, an aging gang of gunslingers head to Mexico for one last job: the robbery of a railroad store. But a posse of bounty hunters are lying in wait…
Brutal, callous and passionate from its opening sequence, Peckinpah’s elegiac film rewrites John Ford’s western mythology by looking at the Old West from the point of view of the marginalised outlaws rather than the law-abiding settlers.
Three Little pigs set out into the world. One builds a house of straw. The second a house made of sticks. The third pig builds his house with bricks. Then along comes a very hungry wolf...
Northern Ballet’s Three Little Pigs hits the big screen as part of our fantastic season of interactive ballets for children, narrated by Anita Rani.
With playful characters and spellbinding music, this adorable ballet is sure to have your little ones dancing all the way home with excitement!
With playful characters and spellbinding music, this adorable ballet is sure to have your little ones dancing with excitement!
On the 75th anniversary of the real-life POW escape from the Stalag Luft III prison in German-occupied Poland, Dan Snow hosts a commemorative evening at the Eventim Apollo in London, which will be broadcast live as a pre-show across UK cinemas, followed by a screening of The Great Escape.
John Sturges’ dramatisation of the true story of a group of Allied POWs who successfully escaped from Stalag Luft III in Upper Silesia in March 1944 is arguably the best Second World War adventure film ever made.
A host of big-name stars mesh beautifully in this meticulous recreation of the legendary escape. Although this is a film about courage, Sturges wisely takes a low-key approach, leavened with humour, rather than allowing the cast to indulge in macho antics.
Two small-town sisters -- an aspiring writer, Ruth (Betty Garrett), and a would-be actress, Eileen (Janet Leigh) -- move to New York City. They find lodging in a shabby apartment and struggle to locate promising gigs. Ruth eventually meets magazine editor Bob Baker (Jack Lemmon), who tells her to write about her life experiences rather than fiction. As it turns out, Eileen's life, with her various romantic encounters, is far more interesting, so Ruth steals the stories for herself.
11.00Dementia-Friendly Screening: Open to all but especially for people with dementia and their family, friends and carers. Join us for free tea, coffee and biscuits and a chance to socialise for 30 minutes before the film. The film will start at the time stated.
Diana Ross: Live in Central Park was originally directed by the award-winning Steve Binder, who along with Diana has put together a presentation that will feature never-before-seen footage, the best of the Central Park concert and inspired, heartfelt messages from the Ross family, including sons Ross and Evan and daughters Rhonda and Chudney, with Tracee Ellis Ross delivering a passionate introduction to the presentation capturing the magnitude of the event.
Highlighting the superstar status of Diana, together with archive footage it celebrates her three decade legacy and what made this unexpected turn of events and concert so iconic.
From the director of Rise Of The Planet Of The Apes comes a smart sci-fi thriller in the vein of District 9 and Arrival. Set in a Chicago neighbourhood nearly a decade after Earth’s occupation by an extra-terrestrial force, Captive State explores the lives on both sides of the conflict – the collaborators and dissidents. Directed by Rupert Wyatt, and starring John Goodman and Vera Farmiga.
Contains moderate violence, threat, injury detail and infrequent strong language.
Featuring some of the most glorious music ever written—including, of course, the Ride of the Valkyries —Die Walküre is the second of the four operas that comprise Wagner’s Ring cycle, a story of monsters, gods, and humans on a superhuman scale. When twins Siegmund and Sieglinde find each other at last, Siegmund promises to release Sieglinde from her forced marriage by killing her husband, Hunding. The god Wotan instructs Valkyrie warrior Brünnhilde to defend Hunding. But, moved by the twins’ mutual devotion, Brünnhilde refuses to obey, forging an alliance with Sieglinde that has far-reaching consequences for them both. Soprano Christine Goerke sings Brünnhilde, tenor Stuart Skelton and soprano Eva-Maria Westbroek are the love-struck twins, and Ring cycle veteran Philippe Jordan conducts.
Rose-Lynn Harlan is bursting with raw talent, charisma and cheek. Fresh out of jail and with two young kids, all she wants is to get out of Glasgow and make it as a country singer. Her mum Marion has had a bellyful of Rose-Lynn’s Nashville nonsense. Forced to take responsibility, Rose-Lynn gets a cleaning job, only to find an unlikely champion in the middle-class lady of the house.
A comedy-drama about mothers and daughters, dreams and reality and three chords and the truth.
Featuring some of the most glorious music ever written—including, of course, the Ride of the Valkyries —Die Walküre is the second of the four operas that comprise Wagner’s Ring cycle, a story of monsters, gods, and humans on a superhuman scale. When twins Siegmund and Sieglinde find each other at last, Siegmund promises to release Sieglinde from her forced marriage by killing her husband, Hunding. The god Wotan instructs Valkyrie warrior Brünnhilde to defend Hunding. But, moved by the twins’ mutual devotion, Brünnhilde refuses to obey, forging an alliance with Sieglinde that has far-reaching consequences for them both. Soprano Christine Goerke sings Brünnhilde, tenor Stuart Skelton and soprano Eva-Maria Westbroek are the love-struck twins, and Ring cycle veteran Philippe Jordan conducts.
Music: Dmitri Shostakovich
Choreography: Yuri Grigorovich
Libretto Yuri Grigorovich and Isaak Glikman
Cast: Nina Kaptsova (Rita), Ruslan Skvortsov (Boris), Mikhail Lobukhin (Yashka) and Ekaterina Krysanova (Lyuska)
In the 1920’s, The Golden Age cabaret is a favorite nightly haunt. The young fisherman Boris falls in love with Rita. He follows her to the cabaret and realizes that she is the beautiful dancer “Mademoiselle Margot,”, but also the love interest of the local gangster Yashka… With its jazzy score by Shostakovich and its music-hall atmosphere featuring beautiful tangos, The Golden Age is a refreshing and colorful dive into the roaring 20’s. A historic ballet that can be seen only at the Bolshoi!
A hard-working shoemaker struggles to support his family. But when he sees a poor lady in need of help, he gives her his final pair of shoes. The next morning he awakes to find that his last piece of leather has been transformed into the most magnificent pair of magical shoes. But who has mysteriously made them?
Northern Ballet’s Elves & the Shoemaker stomps onto the big screen as part of our fantastic season of interactive ballets for children, narrated by Anita Rani.
With playful characters and spellbinding music, this adorable ballet is sure to have your little ones dancing with excitement!
In this new stage version of All About Eve, Gillian Anderson (X-Files, A Streetcar Named Desire) stars as Margo Channing, the role immortalised by Bette Davis in Joseph Mankiewicz’s 1950 film. Margo Channing, grande dame of the theatre, is a star actress at the peak of fame, worshipped by her fans but haunted by insecurity about ageing and a terror of the abyss. She finds her life invaded by the ingénue Eve Harrington (Lily James) who barely conceals her own ambition to usurp the star on her pedestal. One of the world’s most innovative and sought-after directors, Ivo van Hove (A View From The Bridge) delves into the ambition, jealousy, egocentricity and cynicism within the entertainment industry and asks what is it with our seeming never-ending obsession with youth and celebrity. With original music by P. J. Harvey.
Music: Dmitri Shostakovich
Choreography: Yuri Grigorovich
Libretto Yuri Grigorovich and Isaak Glikman
Cast: Nina Kaptsova (Rita), Ruslan Skvortsov (Boris), Mikhail Lobukhin (Yashka) and Ekaterina Krysanova (Lyuska)
In the 1920’s, The Golden Age cabaret is a favorite nightly haunt. The young fisherman Boris falls in love with Rita. He follows her to the cabaret and realizes that she is the beautiful dancer “Mademoiselle Margot,”, but also the love interest of the local gangster Yashka… With its jazzy score by Shostakovich and its music-hall atmosphere featuring beautiful tangos, The Golden Age is a refreshing and colorful dive into the roaring 20’s. A historic ballet that can be seen only at the Bolshoi!
From the National Gallery, London and Rijksmuseum, Amsterdam
Every Rembrandt exhibition is eagerly anticipated but this major show hosted by London’s National Gallery and Amsterdam’s Rijksmuseum was an event like no other. Given privileged access to both galleries the film documents this landmark exhibition, whilst interweaving Rembrandt’s life story, with behind-the-scenes preparations at these world famous institutions. Exploring many of the exhibition’s key works, through contributions from specially invited guests including curators and leading art historians, this Exhibition on Screen favourite makes a welcome return to the big screen marking the 350th anniversary of Rembrandt's death. For many, Rembrandt is the greatest artist that ever lived and this deeply moving film seeks to explore the truth about the man behind the legend.
Come into the forest; dare to change your state of mind.
Rosalind is banished, wrestling with her heart and her head. With her cousin by her side, she journeys to a world of exile where barriers are broken down and all can discover their deeper selves.
Kimberley Sykes (Dido, Queen of Carthage) directs a riotous, exhilarating version of Shakespeare's romantic comedy.
Three Little pigs set out into the world. One builds a house of straw. The second a house made of sticks. The third pig builds his house with bricks. Then along comes a very hungry wolf...
Northern Ballet’s Three Little Pigs hits the big screen as part of our fantastic season of interactive ballets for children, narrated by Anita Rani.
With playful characters and spellbinding music, this adorable ballet is sure to have your little ones dancing all the way home with excitement!
With playful characters and spellbinding music, this adorable ballet is sure to have your little ones dancing with excitement!
In this new stage version of All About Eve, Gillian Anderson (X-Files, A Streetcar Named Desire) stars as Margo Channing, the role immortalised by Bette Davis in Joseph Mankiewicz’s 1950 film. Margo Channing, grande dame of the theatre, is a star actress at the peak of fame, worshipped by her fans but haunted by insecurity about ageing and a terror of the abyss. She finds her life invaded by the ingénue Eve Harrington (Lily James) who barely conceals her own ambition to usurp the star on her pedestal. One of the world’s most innovative and sought-after directors, Ivo van Hove (A View From The Bridge) delves into the ambition, jealousy, egocentricity and cynicism within the entertainment industry and asks what is it with our seeming never-ending obsession with youth and celebrity. With original music by P. J. Harvey.
Met Music Director Yannick Nézet-Séguin leads Poulenc’s masterpiece. As the French Revolution begins, shy Blanche, sung by mezzo-soprano Isabel Leonard, becomes a novice nun under an elderly prioress—Met legend Karita Mattila. Blanche’s aristocratic family flees the Terror, but she remains behind, struggling between her fear of the guillotine and her duty to the convent. When the nuns are expelled from the convent and threatened with death, Blanche must make an agonising decision. In the shattering final scene, the nuns walk towards the guillotine singing Salve Regina: Their voices are cut off, one by one, with each stroke of the blade, until all are silenced. Poulenc’s devastating portrayal of faith and martyrdom is live in HD for the first time.
Academy Award winner Sally Field (Steel Magnolias, Brothers & Sisters) and Bill Pullman (The Sinner, Independence Day) star in Arthur Miller’s blistering drama All My Sons, broadcast live from The Old Vic in London.
America, 1947. Despite hard choices and even harder knocks, Joe and Kate Keller are a success story. They’ve built a home, raised two sons and established a thriving business. But nothing lasts forever and their contented lives, already shadowed by the loss of their eldest boy to war, are about to shatter. Long-buried truths are forced to the surface by the return of a figure from the past, and the price of their American dream is laid bare.
Jeremy Herrin (NT Live: This House) directs the cast, which also includes Jenna Coleman (Victoria), and Colin Morgan (Merlin) alongside Bessie Carter, Oliver Johnstone, Kayla Meikle and Sule Rimi.
Met Music Director Yannick Nézet-Séguin leads Poulenc’s masterpiece. As the French Revolution begins, shy Blanche, sung by mezzo-soprano Isabel Leonard, becomes a novice nun under an elderly prioress—Met legend Karita Mattila. Blanche’s aristocratic family flees the Terror, but she remains behind, struggling between her fear of the guillotine and her duty to the convent. When the nuns are expelled from the convent and threatened with death, Blanche must make an agonising decision. In the shattering final scene, the nuns walk towards the guillotine singing Salve Regina: Their voices are cut off, one by one, with each stroke of the blade, until all are silenced. Poulenc’s devastating portrayal of faith and martyrdom is live in HD for the first time.
Carmen Suite
Music: Georges Bizet and Rodion Shchedrin
Choreography: Alberto Alonso
Libretto Alberto Alonso after Carmen de Prosper Mérimée
Petrushka
Music: Igor Stravinsky
Choreography: Edward Clug
Cast: The Bolshoi Principals, Soloists and Corps de Ballet
Carmen is as passionate and free-spirited as ever as she finds herself caught in a love triangle. The passionate one act ballet by Cuban choreographer Alberto Alonso originally conceived for legendary Bolshoi prima ballerina Maya Plisetskaya will captivate audiences alongside Petrushka, a new creation for the Bolshoi by contemporary choreographer Edward Clug, in an evening encapsulating the soul of Russian Ballet
Matthew Bourne’s bold and beautiful Swan Lake replaces the traditional female corps de ballet with a male ensemble which, when it was first performed in 1995, took the dance world by storm. No longer the dainty, sinuous swans of the original story but instead hissing, stamping birds, unpredictable, sometimes dangerous. Danced to Tchaikovsky’s spellbinding score, Bourne’s contemporary adaptation subverts the conventional tale of Odette, Prince Siegfried and the evil Baron von Rothbart, omitting some of the characters and twists of plot. Instead, his passionate story of male love tells of a lonely and repressed Prince Siegfried who is dominated by his regal mother and her Machiavellian press secretary. The Swan is everything the Prince needs and can’t have. Twenty-three years on, as vibrant as ever, Bourne’s Swan Lake comes to cinemas, re-imagined for the twenty-first century. Retaining Lez Brotherson’s award-winning designs, this new production was filmed last year at Sadler’s Wells in London.
Carmen Suite
Music: Georges Bizet and Rodion Shchedrin
Choreography: Alberto Alonso
Libretto Alberto Alonso after Carmen de Prosper Mérimée
Petrushka
Music: Igor Stravinsky
Choreography: Edward Clug
Cast: The Bolshoi Principals, Soloists and Corps de Ballet
Carmen is as passionate and free-spirited as ever as she finds herself caught in a love triangle. The passionate one act ballet by Cuban choreographer Alberto Alonso originally conceived for legendary Bolshoi prima ballerina Maya Plisetskaya will captivate audiences alongside Petrushka, a new creation for the Bolshoi by contemporary choreographer Edward Clug, in an evening encapsulating the soul of Russian Ballet
Matthew Bourne’s bold and beautiful Swan Lake replaces the traditional female corps de ballet with a male ensemble which, when it was first performed in 1995, took the dance world by storm. No longer the dainty, sinuous swans of the original story but instead hissing, stamping birds, unpredictable, sometimes dangerous. Danced to Tchaikovsky’s spellbinding score, Bourne’s contemporary adaptation subverts the conventional tale of Odette, Prince Siegfried and the evil Baron von Rothbart, omitting some of the characters and twists of plot. Instead, his passionate story of male love tells of a lonely and repressed Prince Siegfried who is dominated by his regal mother and her Machiavellian press secretary. The Swan is everything the Prince needs and can’t have. Twenty-three years on, as vibrant as ever, Bourne’s Swan Lake comes to cinemas, re-imagined for the twenty-first century. Retaining Lez Brotherson’s award-winning designs, this new production was filmed last year at Sadler’s Wells in London.
Academy Award winner Sally Field (Steel Magnolias, Brothers & Sisters) and Bill Pullman (The Sinner, Independence Day) star in Arthur Miller’s blistering drama All My Sons, broadcast live from The Old Vic in London.
America, 1947. Despite hard choices and even harder knocks, Joe and Kate Keller are a success story. They’ve built a home, raised two sons and established a thriving business. But nothing lasts forever and their contented lives, already shadowed by the loss of their eldest boy to war, are about to shatter. Long-buried truths are forced to the surface by the return of a figure from the past, and the price of their American dream is laid bare.
Jeremy Herrin (NT Live: This House) directs the cast, which also includes Jenna Coleman (Victoria), and Colin Morgan (Merlin) alongside Bessie Carter, Oliver Johnstone, Kayla Meikle and Sule Rimi.
In a reimagined 1590, England is a matriarchy.
Baptista Minola is seeking to sell off her son Katherine to the highest bidder. Cue an explosive battle of the sexes in this electrically charged love story.
Justin Audibert (Snow in Midsummer, The Jew of Malta) turns Shakespeare's fierce, energetic comedy of gender and materialism on its head to offer a fresh perspective on its portrayal of hierarchy and power.
"I envy the Japanese" Van Gogh wrote to his brother Theo. In the exhibition on which this film is based - VAN GOGH & JAPAN at the Van Gogh Museum in Amsterdam - one can see why. Though Vincent van Gogh never visited Japan it is the country that had the most profound influence on him and his art. One cannot understand Van Gogh without understanding how Japanese art arrived in Paris in the middle of the 19th century and the profound impact it had on artists like Monet, Degas and, above all, Van Gogh.
Visiting the new galleries of Japanese art in Paris and then creating his own image of Japan – through in-depth research, print collecting and detailed discussions with other artists – Van Gogh’s encounter with Japanese artworks gave his work a new and exciting direction. After leaving Paris for the south of France – to what he thought of as near to a kind of Japan as he could find - the productive and yet troubled years that followed must all be seen in the context of Van Gogh bending Japanese influences to his will and defining himself as a modern artist with clear Asian precursors. In this little known story of Van Gogh’s art we see just how important his study of Japan was. The film travels not only to France and the Netherlands but also to Japan to further explore the remarkable heritage that so affected Van Gogh and made him the artist we know of today.
"I envy the Japanese" Van Gogh wrote to his brother Theo. In the exhibition on which this film is based - VAN GOGH & JAPAN at the Van Gogh Museum in Amsterdam - one can see why. Though Vincent van Gogh never visited Japan it is the country that had the most profound influence on him and his art. One cannot understand Van Gogh without understanding how Japanese art arrived in Paris in the middle of the 19th century and the profound impact it had on artists like Monet, Degas and, above all, Van Gogh.
Visiting the new galleries of Japanese art in Paris and then creating his own image of Japan – through in-depth research, print collecting and detailed discussions with other artists – Van Gogh’s encounter with Japanese artworks gave his work a new and exciting direction. After leaving Paris for the south of France – to what he thought of as near to a kind of Japan as he could find - the productive and yet troubled years that followed must all be seen in the context of Van Gogh bending Japanese influences to his will and defining himself as a modern artist with clear Asian precursors. In this little known story of Van Gogh’s art we see just how important his study of Japan was. The film travels not only to France and the Netherlands but also to Japan to further explore the remarkable heritage that so affected Van Gogh and made him the artist we know of today.
Double-meanings, disguises and dirty laundry abound in The Merry Wives of Windsor as Sir John Falstaff sets about improving his financial situation by wooing Mistress Page and Mistress Ford. But the 'Merry Wives' quickly cotton on to his tricks and decide to have a bit of fun of their own at Falstaff's expense...The Merry Wives of Windsor is the only comedy that Shakespeare set in his native land, and with its witty mix of verbal and physical humour, the play celebrates a tradition that reaches right down to the contemporary English sitcom. Directed by Nicole Charles and Elle While, and staged at the beautiful and iconic Globe Theatre in London, a reconstruction of an open-air Elizabethan playhouse on the bank of the River Thames, this new production of The Merry Wives of Windsor will be broadcast live to cinemas and will feature exclusive behind-the-scenes insights into the play.
This expressive new work, created for Northern Ballet, tells the story of Queen Victoria from the perspective of her youngest daughter and lifelong companion, Princess Beatrice. In a multi-layered narrative ballet, choreographer Cathy Marston (the acclaimed Jane Eyre, also for Northern Ballet) traces the life of the queen/wife/mother through chapters of passion and tragedy as Beatrice transcribes her mother’s intimate diaries. Going back in time from Victoria’s deathbed, the princess relives her memories of her mother as a secluded widow before discovering her anew through her challenging relationship with her own mother, the Princess Victoria of Saxe-Coburg-Saalfeld. Beatrice also discovers the truth about her parents’ marriage and her mother’s ambiguous relationship with John Brown as well as revisiting political events such as the Opium Wars and the Great Exhibition. The ballet has a score commissioned from Philip Feeney and is a co-production between Northern Ballet and The National Ballet of Canada.
Andrea Levy’s Orange Prize-winning novel Small Island comes to life in an epic new theatre adaptation. Experience the play in cinemas, filmed live on stage as part of National Theatre Live’s 10th birthday.
Small Island embarks on a journey from Jamaica to Britain, through the Second World War to 1948 – the year the HMT Empire Windrush docked at Tilbury.
The play follows three intricately connected stories. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots. Hope and humanity meet stubborn reality as the play traces the tangled history of Jamaica and the UK.
A company of 40 actors take to the stage of the National Theatre in this timely and moving story.
Andrea Levy’s Orange Prize-winning novel Small Island comes to life in an epic new theatre adaptation. Experience the play in cinemas, filmed live on stage as part of National Theatre Live’s 10th birthday.
Small Island embarks on a journey from Jamaica to Britain, through the Second World War to 1948 – the year the HMT Empire Windrush docked at Tilbury.
The play follows three intricately connected stories. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots. Hope and humanity meet stubborn reality as the play traces the tangled history of Jamaica and the UK.
A company of 40 actors take to the stage of the National Theatre in this timely and moving story.
'To whom should I complain?'
When a young novice nun is compromised by a corrupt official, who offers to save her brother from execution in return for sex, she has no idea where to turn for help. When she threatens to expose him, he tells her that no one would believe her.
Shakespeare wrote this play in the early 1600s, yet it remains astonishingly resonant today. Artistic Director Gregory Doran directs this new production.
