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Director: Xiaogang Feng. Starring: Bingbing Fan, Chengpeng Dong, Wei Fan. China 2016. 139 mins. Mandarin with English subtitles.
Superstar actress Bingbing Fan and director Xiaogang Feng reunite 14 years after their hit comedy Cell Phone for a caustically comic fable that lampoons China’s unforgiving bureaucracy. Li (Fan) is a modest provincial café proprietor who stages a fake divorce with her husband Qin in order to claim an apartment only available to singletons. But instead of re-marrying her afterwards as planned, Qin weds someone else and gets the apartment, leaving Li homeless and bitter. She files a lawsuit, but her repeated protests are stonewalled by an increasingly unsympathetic legal system. When Qin goes one step further and defames her, Li heads to Beijing in pursuit of justice, determined to take her case to the very top: the National People’s Congress.
Contains infrequent moderate sex references, references to suicide.
Director: Michaël Dudok De Wit. France/Belgium/Japan 2015. 81 mins.
Renowned Japanese animation giant Studio Ghibli’s first-ever international co-production is a perfect collaboration with Oscar-winning Dutch animator Michaël Dudok De Wit. The Red Turtle, almost a decade in the making, is a dialogue-free fable about a castaway on a desert island, and a touching ode to the cycle of life and the resilience of family. Presented with an elegant simplicity, the sublime visuals pack a real emotional punch. Described by critics as a ‘quiet little masterpiece’ and a ‘wordless wonder’, The Red Turtle won the Special Jury Prize in the Un Certain Regard section at this year’s Cannes. Michaël Dudok De Wit previously made the Oscar-winning animated short Father And Daughter in 2000.
Director: François Ozon.
Starring: Pierre Niney, Paula Beer, Ernst Stotzner. France/Germany 2016. 114 mins.
German/French with English subtitles.
Set in the aftermath of the Great War, François Ozon’s loose adaptation of Ernst Lubitsch’s Broken Lullaby has an unsettling question at its core: could a big lie cause less pain than a simple truth? Anna (Beer) is the German fiancée of Frantz, who was killed in battle by French troops. While tending his grave, she is joined by the mysterious Frenchman Adrien (Niney, Yves Saint Laurent), who claims to have known Frantz in Paris before the war. Little things, however, reveal that this is not the whole story. As the two grow closer over time, Anna is drawn into a shady realm of secrets, lies and moral uncertainty. The subtleties and surprising twists and turns of Ozon’s film deliver much more than a challenging moral fable. Contains infrequent moderate violence.
Director: Sean Foley.
Starring: Julian Barratt, Andrea Riseborough, Essie Davis, Russell Tovey, Simon Farnaby, Harriet Walter, Simon Callow, Steve Coogan. UK 2016. 89 mins.
Written by The Mighty Boosh’s Julian Barratt and Simon Farnaby, this lovingly detailed and very funny off-the-wall comedy features a heavyweight line-up of talent directed by award-winning theatre director Sean Foley (The Play What I Wrote), making his feature debut.
Julian Barratt plays Richard Thorncroft, a washed-up actor who had an ’80s TV hit as Mindhorn, an Isle Of Man detective with a robotic eye that allowed him to literally ‘see the truth’. Decades later he is offered a shot at redemption when a crazed killer is on the loose and is prepared to negotiate only with Mindhorn.
Director: Lone Scherfig.
Starring: Gemma Arterton, Sam Clafin, Bill Nighy. UK 2017. 117 mins.
In 1940, a married woman (Gemma Arterton) and a screenwriter (Sam Claflin) develop a growing attraction while working together on a propaganda film about the evacuation of Allied troops from Dunkirk, France. A beautifully crafted costume drama with terrific performances, Lone Scherfig's new film is a quietly subversive, funny and finally moving account of a little known story from one of the darkest, most uncertain periods of British history.
Director: Jordan Peele
Starring: Daniel Kaluuya, Allison Williams, Bradley Whitford . USA 2017. 104 mins.
American sitcom star Jordan Peele turns writer/director for this smartly observed, almost Hitchcockian comedy thriller concerning Chris (Kaluuya) and Rose (Williams), who’ve reached the stage in their relationship when it’s time for him to meet her parents. Unfortunately, it doesn’t pan out as planned: Rose hasn’t told her parents that Chris is black, and despite their best efforts to appear liberal, her somewhat creepy mum and dad are revealed as being anything but.
Director: Xiaogang Feng. Starring: Bingbing Fan, Chengpeng Dong, Wei Fan. China 2016. 139 mins. Mandarin with English subtitles.
Superstar actress Bingbing Fan and director Xiaogang Feng reunite 14 years after their hit comedy Cell Phone for a caustically comic fable that lampoons China’s unforgiving bureaucracy. Li (Fan) is a modest provincial café proprietor who stages a fake divorce with her husband Qin in order to claim an apartment only available to singletons. But instead of re-marrying her afterwards as planned, Qin weds someone else and gets the apartment, leaving Li homeless and bitter. She files a lawsuit, but her repeated protests are stonewalled by an increasingly unsympathetic legal system. When Qin goes one step further and defames her, Li heads to Beijing in pursuit of justice, determined to take her case to the very top: the National People’s Congress.
Contains infrequent moderate sex references, references to suicide.
Director: Michaël Dudok De Wit. France/Belgium/Japan 2015. 81 mins.
Renowned Japanese animation giant Studio Ghibli’s first-ever international co-production is a perfect collaboration with Oscar-winning Dutch animator Michaël Dudok De Wit. The Red Turtle, almost a decade in the making, is a dialogue-free fable about a castaway on a desert island, and a touching ode to the cycle of life and the resilience of family. Presented with an elegant simplicity, the sublime visuals pack a real emotional punch. Described by critics as a ‘quiet little masterpiece’ and a ‘wordless wonder’, The Red Turtle won the Special Jury Prize in the Un Certain Regard section at this year’s Cannes. Michaël Dudok De Wit previously made the Oscar-winning animated short Father And Daughter in 2000.
Director: François Ozon.
Starring: Pierre Niney, Paula Beer, Ernst Stotzner. France/Germany 2016. 114 mins.
German/French with English subtitles.
Set in the aftermath of the Great War, François Ozon’s loose adaptation of Ernst Lubitsch’s Broken Lullaby has an unsettling question at its core: could a big lie cause less pain than a simple truth? Anna (Beer) is the German fiancée of Frantz, who was killed in battle by French troops. While tending his grave, she is joined by the mysterious Frenchman Adrien (Niney, Yves Saint Laurent), who claims to have known Frantz in Paris before the war. Little things, however, reveal that this is not the whole story. As the two grow closer over time, Anna is drawn into a shady realm of secrets, lies and moral uncertainty. The subtleties and surprising twists and turns of Ozon’s film deliver much more than a challenging moral fable. Contains infrequent moderate violence.
Director: Sean Foley.
Starring: Julian Barratt, Andrea Riseborough, Essie Davis, Russell Tovey, Simon Farnaby, Harriet Walter, Simon Callow, Steve Coogan. UK 2016. 89 mins.
Written by The Mighty Boosh’s Julian Barratt and Simon Farnaby, this lovingly detailed and very funny off-the-wall comedy features a heavyweight line-up of talent directed by award-winning theatre director Sean Foley (The Play What I Wrote), making his feature debut.
Julian Barratt plays Richard Thorncroft, a washed-up actor who had an ’80s TV hit as Mindhorn, an Isle Of Man detective with a robotic eye that allowed him to literally ‘see the truth’. Decades later he is offered a shot at redemption when a crazed killer is on the loose and is prepared to negotiate only with Mindhorn.
Director: Lone Scherfig.
Starring: Gemma Arterton, Sam Clafin, Bill Nighy. UK 2017. 117 mins.
In 1940, a married woman (Gemma Arterton) and a screenwriter (Sam Claflin) develop a growing attraction while working together on a propaganda film about the evacuation of Allied troops from Dunkirk, France. A beautifully crafted costume drama with terrific performances, Lone Scherfig's new film is a quietly subversive, funny and finally moving account of a little known story from one of the darkest, most uncertain periods of British history.
Director: Jordan Peele
Starring: Daniel Kaluuya, Allison Williams, Bradley Whitford . USA 2017. 104 mins.
American sitcom star Jordan Peele turns writer/director for this smartly observed, almost Hitchcockian comedy thriller concerning Chris (Kaluuya) and Rose (Williams), who’ve reached the stage in their relationship when it’s time for him to meet her parents. Unfortunately, it doesn’t pan out as planned: Rose hasn’t told her parents that Chris is black, and despite their best efforts to appear liberal, her somewhat creepy mum and dad are revealed as being anything but.
Director: Xiaogang Feng. Starring: Bingbing Fan, Chengpeng Dong, Wei Fan. China 2016. 139 mins. Mandarin with English subtitles.
Superstar actress Bingbing Fan and director Xiaogang Feng reunite 14 years after their hit comedy Cell Phone for a caustically comic fable that lampoons China’s unforgiving bureaucracy. Li (Fan) is a modest provincial café proprietor who stages a fake divorce with her husband Qin in order to claim an apartment only available to singletons. But instead of re-marrying her afterwards as planned, Qin weds someone else and gets the apartment, leaving Li homeless and bitter. She files a lawsuit, but her repeated protests are stonewalled by an increasingly unsympathetic legal system. When Qin goes one step further and defames her, Li heads to Beijing in pursuit of justice, determined to take her case to the very top: the National People’s Congress.
Contains infrequent moderate sex references, references to suicide.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
The Naked Civil Servant
Director: Jack Gold. Starring: John Hurt. UK 1975. 81 mins.
We begin our season with a brand new high-definition restoration, never before seen in cinemas, of this ITV classic, featuring the late John Hurt’s breakthrough role as the fearless writer and raconteur Quentin Crisp. Navigating the dangers of homophobic pre-WWII London, Crisp proudly and wittily challenges the authorities that seek to suppress him. Hurt’s iconic, BAFTA-winning performance is widely seen as one of the finest in a long and distinguished career.
13.00Criminal Acts: A Charged Past: A season to mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales.
Vintage Sundays: Classic films back on the big screen where they belong.
Director: Michaël Dudok De Wit. France/Belgium/Japan 2015. 81 mins.
Renowned Japanese animation giant Studio Ghibli’s first-ever international co-production is a perfect collaboration with Oscar-winning Dutch animator Michaël Dudok De Wit. The Red Turtle, almost a decade in the making, is a dialogue-free fable about a castaway on a desert island, and a touching ode to the cycle of life and the resilience of family. Presented with an elegant simplicity, the sublime visuals pack a real emotional punch. Described by critics as a ‘quiet little masterpiece’ and a ‘wordless wonder’, The Red Turtle won the Special Jury Prize in the Un Certain Regard section at this year’s Cannes. Michaël Dudok De Wit previously made the Oscar-winning animated short Father And Daughter in 2000.
Director: François Ozon.
Starring: Pierre Niney, Paula Beer, Ernst Stotzner. France/Germany 2016. 114 mins.
German/French with English subtitles.
Set in the aftermath of the Great War, François Ozon’s loose adaptation of Ernst Lubitsch’s Broken Lullaby has an unsettling question at its core: could a big lie cause less pain than a simple truth? Anna (Beer) is the German fiancée of Frantz, who was killed in battle by French troops. While tending his grave, she is joined by the mysterious Frenchman Adrien (Niney, Yves Saint Laurent), who claims to have known Frantz in Paris before the war. Little things, however, reveal that this is not the whole story. As the two grow closer over time, Anna is drawn into a shady realm of secrets, lies and moral uncertainty. The subtleties and surprising twists and turns of Ozon’s film deliver much more than a challenging moral fable. Contains infrequent moderate violence.
Director: Sean Foley.
Starring: Julian Barratt, Andrea Riseborough, Essie Davis, Russell Tovey, Simon Farnaby, Harriet Walter, Simon Callow, Steve Coogan. UK 2016. 89 mins.
Written by The Mighty Boosh’s Julian Barratt and Simon Farnaby, this lovingly detailed and very funny off-the-wall comedy features a heavyweight line-up of talent directed by award-winning theatre director Sean Foley (The Play What I Wrote), making his feature debut.
Julian Barratt plays Richard Thorncroft, a washed-up actor who had an ’80s TV hit as Mindhorn, an Isle Of Man detective with a robotic eye that allowed him to literally ‘see the truth’. Decades later he is offered a shot at redemption when a crazed killer is on the loose and is prepared to negotiate only with Mindhorn.
Director: Lone Scherfig.
Starring: Gemma Arterton, Sam Clafin, Bill Nighy. UK 2017. 117 mins.
In 1940, a married woman (Gemma Arterton) and a screenwriter (Sam Claflin) develop a growing attraction while working together on a propaganda film about the evacuation of Allied troops from Dunkirk, France. A beautifully crafted costume drama with terrific performances, Lone Scherfig's new film is a quietly subversive, funny and finally moving account of a little known story from one of the darkest, most uncertain periods of British history.
Director: Jordan Peele
Starring: Daniel Kaluuya, Allison Williams, Bradley Whitford . USA 2017. 104 mins.
American sitcom star Jordan Peele turns writer/director for this smartly observed, almost Hitchcockian comedy thriller concerning Chris (Kaluuya) and Rose (Williams), who’ve reached the stage in their relationship when it’s time for him to meet her parents. Unfortunately, it doesn’t pan out as planned: Rose hasn’t told her parents that Chris is black, and despite their best efforts to appear liberal, her somewhat creepy mum and dad are revealed as being anything but.
Director: Xiaogang Feng. Starring: Bingbing Fan, Chengpeng Dong, Wei Fan. China 2016. 139 mins. Mandarin with English subtitles.
Superstar actress Bingbing Fan and director Xiaogang Feng reunite 14 years after their hit comedy Cell Phone for a caustically comic fable that lampoons China’s unforgiving bureaucracy. Li (Fan) is a modest provincial café proprietor who stages a fake divorce with her husband Qin in order to claim an apartment only available to singletons. But instead of re-marrying her afterwards as planned, Qin weds someone else and gets the apartment, leaving Li homeless and bitter. She files a lawsuit, but her repeated protests are stonewalled by an increasingly unsympathetic legal system. When Qin goes one step further and defames her, Li heads to Beijing in pursuit of justice, determined to take her case to the very top: the National People’s Congress.
Contains infrequent moderate sex references, references to suicide.
Director: Michaël Dudok De Wit. France/Belgium/Japan 2015. 81 mins.
Renowned Japanese animation giant Studio Ghibli’s first-ever international co-production is a perfect collaboration with Oscar-winning Dutch animator Michaël Dudok De Wit. The Red Turtle, almost a decade in the making, is a dialogue-free fable about a castaway on a desert island, and a touching ode to the cycle of life and the resilience of family. Presented with an elegant simplicity, the sublime visuals pack a real emotional punch. Described by critics as a ‘quiet little masterpiece’ and a ‘wordless wonder’, The Red Turtle won the Special Jury Prize in the Un Certain Regard section at this year’s Cannes. Michaël Dudok De Wit previously made the Oscar-winning animated short Father And Daughter in 2000.
Director: François Ozon.
Starring: Pierre Niney, Paula Beer, Ernst Stotzner. France/Germany 2016. 114 mins.
German/French with English subtitles.
Set in the aftermath of the Great War, François Ozon’s loose adaptation of Ernst Lubitsch’s Broken Lullaby has an unsettling question at its core: could a big lie cause less pain than a simple truth? Anna (Beer) is the German fiancée of Frantz, who was killed in battle by French troops. While tending his grave, she is joined by the mysterious Frenchman Adrien (Niney, Yves Saint Laurent), who claims to have known Frantz in Paris before the war. Little things, however, reveal that this is not the whole story. As the two grow closer over time, Anna is drawn into a shady realm of secrets, lies and moral uncertainty. The subtleties and surprising twists and turns of Ozon’s film deliver much more than a challenging moral fable. Contains infrequent moderate violence.
Director: Sean Foley.
Starring: Julian Barratt, Andrea Riseborough, Essie Davis, Russell Tovey, Simon Farnaby, Harriet Walter, Simon Callow, Steve Coogan. UK 2016. 89 mins.
Written by The Mighty Boosh’s Julian Barratt and Simon Farnaby, this lovingly detailed and very funny off-the-wall comedy features a heavyweight line-up of talent directed by award-winning theatre director Sean Foley (The Play What I Wrote), making his feature debut.
Julian Barratt plays Richard Thorncroft, a washed-up actor who had an ’80s TV hit as Mindhorn, an Isle Of Man detective with a robotic eye that allowed him to literally ‘see the truth’. Decades later he is offered a shot at redemption when a crazed killer is on the loose and is prepared to negotiate only with Mindhorn.
Director: Lone Scherfig.
Starring: Gemma Arterton, Sam Clafin, Bill Nighy. UK 2017. 117 mins.
In 1940, a married woman (Gemma Arterton) and a screenwriter (Sam Claflin) develop a growing attraction while working together on a propaganda film about the evacuation of Allied troops from Dunkirk, France. A beautifully crafted costume drama with terrific performances, Lone Scherfig's new film is a quietly subversive, funny and finally moving account of a little known story from one of the darkest, most uncertain periods of British history.
Director: Jordan Peele
Starring: Daniel Kaluuya, Allison Williams, Bradley Whitford . USA 2017. 104 mins.
American sitcom star Jordan Peele turns writer/director for this smartly observed, almost Hitchcockian comedy thriller concerning Chris (Kaluuya) and Rose (Williams), who’ve reached the stage in their relationship when it’s time for him to meet her parents. Unfortunately, it doesn’t pan out as planned: Rose hasn’t told her parents that Chris is black, and despite their best efforts to appear liberal, her somewhat creepy mum and dad are revealed as being anything but.
Director: Dir. Stanley Donen and Gene Kelly. USA. 1952. 102 mins.
Hollywood’s troubled transition from silent to talking pictures at the end of the 1920s provided the inspiration for perhaps the greatest of movie musicals.
“The most enduring film musical to have come out of Hollywood. In all these years not a frame of it has dated; it still retains all its freshness and sparkle.”
Clive Hirschhorn, Gene Kelly: A Biography, 1984
To follow the acclaim for An American in Paris, which won him the 1951 Oscar for best picture, songwriter-turned-producer Arthur Freed charged screenwriters Betty Comden and Adolph Green with writing a musical based around some of his own most popular early songs. The result was a nostalgic tribute to the Hollywood of a bygone era starring Gene Kelly as Don Lockwood, the swashbuckling silent star at a film studio grappling with the coming of sound.
From the iconic scene in which Lockwood, smitten with young actress Kathy Selden (Debbie Reynolds), dances home during a downpour singing the title song, to the extended ballet sequence featuring Cyd Charisse in a parody of the gangster film, Singin’ in the Rain represents the musical genre at its most energetic and ambitious.
13.00Dementia-Friendly Screening: Open to all but especially for people with dementia and their family, friends and carers. Join us for free tea, coffee and biscuits and a chance to socialise for 30 minutes before the film. The film will start at the time stated.
Director: Xiaogang Feng. Starring: Bingbing Fan, Chengpeng Dong, Wei Fan. China 2016. 139 mins. Mandarin with English subtitles.
Superstar actress Bingbing Fan and director Xiaogang Feng reunite 14 years after their hit comedy Cell Phone for a caustically comic fable that lampoons China’s unforgiving bureaucracy. Li (Fan) is a modest provincial café proprietor who stages a fake divorce with her husband Qin in order to claim an apartment only available to singletons. But instead of re-marrying her afterwards as planned, Qin weds someone else and gets the apartment, leaving Li homeless and bitter. She files a lawsuit, but her repeated protests are stonewalled by an increasingly unsympathetic legal system. When Qin goes one step further and defames her, Li heads to Beijing in pursuit of justice, determined to take her case to the very top: the National People’s Congress.
Contains infrequent moderate sex references, references to suicide.
Director: Michaël Dudok De Wit. France/Belgium/Japan 2015. 81 mins.
Renowned Japanese animation giant Studio Ghibli’s first-ever international co-production is a perfect collaboration with Oscar-winning Dutch animator Michaël Dudok De Wit. The Red Turtle, almost a decade in the making, is a dialogue-free fable about a castaway on a desert island, and a touching ode to the cycle of life and the resilience of family. Presented with an elegant simplicity, the sublime visuals pack a real emotional punch. Described by critics as a ‘quiet little masterpiece’ and a ‘wordless wonder’, The Red Turtle won the Special Jury Prize in the Un Certain Regard section at this year’s Cannes. Michaël Dudok De Wit previously made the Oscar-winning animated short Father And Daughter in 2000.
Director: François Ozon.
Starring: Pierre Niney, Paula Beer, Ernst Stotzner. France/Germany 2016. 114 mins.
German/French with English subtitles.
Set in the aftermath of the Great War, François Ozon’s loose adaptation of Ernst Lubitsch’s Broken Lullaby has an unsettling question at its core: could a big lie cause less pain than a simple truth? Anna (Beer) is the German fiancée of Frantz, who was killed in battle by French troops. While tending his grave, she is joined by the mysterious Frenchman Adrien (Niney, Yves Saint Laurent), who claims to have known Frantz in Paris before the war. Little things, however, reveal that this is not the whole story. As the two grow closer over time, Anna is drawn into a shady realm of secrets, lies and moral uncertainty. The subtleties and surprising twists and turns of Ozon’s film deliver much more than a challenging moral fable. Contains infrequent moderate violence.
Director: Kōji Fukada. Starring: Tadanobu Asano, Mariko Tsutsui, Kanji Furutachi. Japan/France 2016. 120 mins. Japanese with English subtitles.
For married couple Toshio and Akie and their daughter, the days go by as if according to a well-known script: workshop owner Toshio is rarely at home, and hardly a word is spoken on the rare occasions when the whole family is together. One day, their banal co-existence is disturbed by the arrival of the mysterious Yasaka, an old friend from Toshio’s past with a disquieting presence. After Yasaka is welcomed into their home, cracks start to form in the family – with catastrophic consequences. Kōji Fukada’s latest film is a quietly powerful and chilling exploration of evil, guilt and retribution.
18.00Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
Director: Sean Foley.
Starring: Julian Barratt, Andrea Riseborough, Essie Davis, Russell Tovey, Simon Farnaby, Harriet Walter, Simon Callow, Steve Coogan. UK 2016. 89 mins.
Written by The Mighty Boosh’s Julian Barratt and Simon Farnaby, this lovingly detailed and very funny off-the-wall comedy features a heavyweight line-up of talent directed by award-winning theatre director Sean Foley (The Play What I Wrote), making his feature debut.
Julian Barratt plays Richard Thorncroft, a washed-up actor who had an ’80s TV hit as Mindhorn, an Isle Of Man detective with a robotic eye that allowed him to literally ‘see the truth’. Decades later he is offered a shot at redemption when a crazed killer is on the loose and is prepared to negotiate only with Mindhorn.
Director: Lone Scherfig.
Starring: Gemma Arterton, Sam Clafin, Bill Nighy. UK 2017. 117 mins.
In 1940, a married woman (Gemma Arterton) and a screenwriter (Sam Claflin) develop a growing attraction while working together on a propaganda film about the evacuation of Allied troops from Dunkirk, France. A beautifully crafted costume drama with terrific performances, Lone Scherfig's new film is a quietly subversive, funny and finally moving account of a little known story from one of the darkest, most uncertain periods of British history.
Director: Jordan Peele
Starring: Daniel Kaluuya, Allison Williams, Bradley Whitford . USA 2017. 104 mins.
American sitcom star Jordan Peele turns writer/director for this smartly observed, almost Hitchcockian comedy thriller concerning Chris (Kaluuya) and Rose (Williams), who’ve reached the stage in their relationship when it’s time for him to meet her parents. Unfortunately, it doesn’t pan out as planned: Rose hasn’t told her parents that Chris is black, and despite their best efforts to appear liberal, her somewhat creepy mum and dad are revealed as being anything but.
Swiss director Claude Barras’s debut feature is a beautifully rendered, stop-motion animation, adapted by the gifted screenwriter Céline Sciamma (Girlhood, Tomboy) from Giles Paris’s eponymous novel. The improbably nicknamed Courgette (Schlatter) is a shy, bug-eyed kid, consigned to an orphanage after his alcoholic mother’s sudden death. However, Courgette’s unhappiness is tempered by the kindly policeman who escorts him to his new home and adventures with the other misfit children – a football-loving tomboy, shy Alice and an introverted dinosaur fan – are cleverly wrought to show how lessons learnt can shape a child’s character and prepare them for adult life. The story of the growing pains of youngsters is lovingly told, the animation and colouring terrific - all brilliantly befitting the narrative of a film that’s much more than simply kids’ entertainment.
Director: Xiaogang Feng. Starring: Bingbing Fan, Chengpeng Dong, Wei Fan. China 2016. 139 mins. Mandarin with English subtitles.
Superstar actress Bingbing Fan and director Xiaogang Feng reunite 14 years after their hit comedy Cell Phone for a caustically comic fable that lampoons China’s unforgiving bureaucracy. Li (Fan) is a modest provincial café proprietor who stages a fake divorce with her husband Qin in order to claim an apartment only available to singletons. But instead of re-marrying her afterwards as planned, Qin weds someone else and gets the apartment, leaving Li homeless and bitter. She files a lawsuit, but her repeated protests are stonewalled by an increasingly unsympathetic legal system. When Qin goes one step further and defames her, Li heads to Beijing in pursuit of justice, determined to take her case to the very top: the National People’s Congress.
Contains infrequent moderate sex references, references to suicide.
On 1st June, 1967 The Beatles released what would become the world’s first concept album, SGT. PEPPER’S LONELY HEARTS CLUB BAND. Described by Rolling Stone magazine as “The most important rock & roll album ever made…” the album not only changed the course of music but went on to become one of the biggest selling records of all time.
Featuring interviews with former employees, fellow musicians, family members and journalists, and supported by a vast array of original and exclusive never-seen-before footage, the film offers a fascinating insight into the swinging sixties and the twelve months surrounding the album’s release. Examining the band’s disillusionment with touring, their changing relationship with manager, Brian Epstein, and the advent of the Summer Of Love, this star-studded rockumentary explores the creation and recording of one of the most ground-breaking and influential albums in pop history.
Director: Michaël Dudok De Wit. France/Belgium/Japan 2015. 81 mins.
Renowned Japanese animation giant Studio Ghibli’s first-ever international co-production is a perfect collaboration with Oscar-winning Dutch animator Michaël Dudok De Wit. The Red Turtle, almost a decade in the making, is a dialogue-free fable about a castaway on a desert island, and a touching ode to the cycle of life and the resilience of family. Presented with an elegant simplicity, the sublime visuals pack a real emotional punch. Described by critics as a ‘quiet little masterpiece’ and a ‘wordless wonder’, The Red Turtle won the Special Jury Prize in the Un Certain Regard section at this year’s Cannes. Michaël Dudok De Wit previously made the Oscar-winning animated short Father And Daughter in 2000.
Director: François Ozon.
Starring: Pierre Niney, Paula Beer, Ernst Stotzner. France/Germany 2016. 114 mins.
German/French with English subtitles.
Set in the aftermath of the Great War, François Ozon’s loose adaptation of Ernst Lubitsch’s Broken Lullaby has an unsettling question at its core: could a big lie cause less pain than a simple truth? Anna (Beer) is the German fiancée of Frantz, who was killed in battle by French troops. While tending his grave, she is joined by the mysterious Frenchman Adrien (Niney, Yves Saint Laurent), who claims to have known Frantz in Paris before the war. Little things, however, reveal that this is not the whole story. As the two grow closer over time, Anna is drawn into a shady realm of secrets, lies and moral uncertainty. The subtleties and surprising twists and turns of Ozon’s film deliver much more than a challenging moral fable. Contains infrequent moderate violence.
Director: Sean Foley.
Starring: Julian Barratt, Andrea Riseborough, Essie Davis, Russell Tovey, Simon Farnaby, Harriet Walter, Simon Callow, Steve Coogan. UK 2016. 89 mins.
Written by The Mighty Boosh’s Julian Barratt and Simon Farnaby, this lovingly detailed and very funny off-the-wall comedy features a heavyweight line-up of talent directed by award-winning theatre director Sean Foley (The Play What I Wrote), making his feature debut.
Julian Barratt plays Richard Thorncroft, a washed-up actor who had an ’80s TV hit as Mindhorn, an Isle Of Man detective with a robotic eye that allowed him to literally ‘see the truth’. Decades later he is offered a shot at redemption when a crazed killer is on the loose and is prepared to negotiate only with Mindhorn.
Director: Lone Scherfig.
Starring: Gemma Arterton, Sam Clafin, Bill Nighy. UK 2017. 117 mins.
In 1940, a married woman (Gemma Arterton) and a screenwriter (Sam Claflin) develop a growing attraction while working together on a propaganda film about the evacuation of Allied troops from Dunkirk, France. A beautifully crafted costume drama with terrific performances, Lone Scherfig's new film is a quietly subversive, funny and finally moving account of a little known story from one of the darkest, most uncertain periods of British history.
Director: Jordan Peele
Starring: Daniel Kaluuya, Allison Williams, Bradley Whitford . USA 2017. 104 mins.
American sitcom star Jordan Peele turns writer/director for this smartly observed, almost Hitchcockian comedy thriller concerning Chris (Kaluuya) and Rose (Williams), who’ve reached the stage in their relationship when it’s time for him to meet her parents. Unfortunately, it doesn’t pan out as planned: Rose hasn’t told her parents that Chris is black, and despite their best efforts to appear liberal, her somewhat creepy mum and dad are revealed as being anything but.
Swiss director Claude Barras’s debut feature is a beautifully rendered, stop-motion animation, adapted by the gifted screenwriter Céline Sciamma (Girlhood, Tomboy) from Giles Paris’s eponymous novel. The improbably nicknamed Courgette (Schlatter) is a shy, bug-eyed kid, consigned to an orphanage after his alcoholic mother’s sudden death. However, Courgette’s unhappiness is tempered by the kindly policeman who escorts him to his new home and adventures with the other misfit children – a football-loving tomboy, shy Alice and an introverted dinosaur fan – are cleverly wrought to show how lessons learnt can shape a child’s character and prepare them for adult life. The story of the growing pains of youngsters is lovingly told, the animation and colouring terrific - all brilliantly befitting the narrative of a film that’s much more than simply kids’ entertainment.
Director: Patty Jenkins.
Starring: Gal Gadot, Chris Pine, Connie Nelson. USA 2017. 133 mins.
Since Cathy Lee Crosby burst onto the big screen as the original Wonder Woman in 1974 there have several other versions of DC Comics’ legendary female superhero, but now Israeli actress Gal Gadot (Gisele from the Fast & Furious franchise) takes centre stage as the Amazon warrior-princess after a breakout turn last year in Batman V Superman: Dawn Of Justice. Raised as a fearless defender of her island paradise in the early 20th century, young Diana meets Steve Trevor (Pine), an American pilot who informs her of the mighty war raging beyond her shores. Inspired to right the world’s wrong, she leaves for London to discover her true destiny and her full, unearthly powers. Gifted director Patty Jenkins (Monster) is behind the camera, overseeing a stellar cast that includes Robin Wright and Connie Nelson.
Director: Xiaogang Feng. Starring: Bingbing Fan, Chengpeng Dong, Wei Fan. China 2016. 139 mins. Mandarin with English subtitles.
Superstar actress Bingbing Fan and director Xiaogang Feng reunite 14 years after their hit comedy Cell Phone for a caustically comic fable that lampoons China’s unforgiving bureaucracy. Li (Fan) is a modest provincial café proprietor who stages a fake divorce with her husband Qin in order to claim an apartment only available to singletons. But instead of re-marrying her afterwards as planned, Qin weds someone else and gets the apartment, leaving Li homeless and bitter. She files a lawsuit, but her repeated protests are stonewalled by an increasingly unsympathetic legal system. When Qin goes one step further and defames her, Li heads to Beijing in pursuit of justice, determined to take her case to the very top: the National People’s Congress.
Contains infrequent moderate sex references, references to suicide.
Director: Michaël Dudok De Wit. France/Belgium/Japan 2015. 81 mins.
Renowned Japanese animation giant Studio Ghibli’s first-ever international co-production is a perfect collaboration with Oscar-winning Dutch animator Michaël Dudok De Wit. The Red Turtle, almost a decade in the making, is a dialogue-free fable about a castaway on a desert island, and a touching ode to the cycle of life and the resilience of family. Presented with an elegant simplicity, the sublime visuals pack a real emotional punch. Described by critics as a ‘quiet little masterpiece’ and a ‘wordless wonder’, The Red Turtle won the Special Jury Prize in the Un Certain Regard section at this year’s Cannes. Michaël Dudok De Wit previously made the Oscar-winning animated short Father And Daughter in 2000.
Director: François Ozon.
Starring: Pierre Niney, Paula Beer, Ernst Stotzner. France/Germany 2016. 114 mins.
German/French with English subtitles.
Set in the aftermath of the Great War, François Ozon’s loose adaptation of Ernst Lubitsch’s Broken Lullaby has an unsettling question at its core: could a big lie cause less pain than a simple truth? Anna (Beer) is the German fiancée of Frantz, who was killed in battle by French troops. While tending his grave, she is joined by the mysterious Frenchman Adrien (Niney, Yves Saint Laurent), who claims to have known Frantz in Paris before the war. Little things, however, reveal that this is not the whole story. As the two grow closer over time, Anna is drawn into a shady realm of secrets, lies and moral uncertainty. The subtleties and surprising twists and turns of Ozon’s film deliver much more than a challenging moral fable. Contains infrequent moderate violence.
Director: Sean Foley.
Starring: Julian Barratt, Andrea Riseborough, Essie Davis, Russell Tovey, Simon Farnaby, Harriet Walter, Simon Callow, Steve Coogan. UK 2016. 89 mins.
Written by The Mighty Boosh’s Julian Barratt and Simon Farnaby, this lovingly detailed and very funny off-the-wall comedy features a heavyweight line-up of talent directed by award-winning theatre director Sean Foley (The Play What I Wrote), making his feature debut.
Julian Barratt plays Richard Thorncroft, a washed-up actor who had an ’80s TV hit as Mindhorn, an Isle Of Man detective with a robotic eye that allowed him to literally ‘see the truth’. Decades later he is offered a shot at redemption when a crazed killer is on the loose and is prepared to negotiate only with Mindhorn.
Director: Lone Scherfig.
Starring: Gemma Arterton, Sam Clafin, Bill Nighy. UK 2017. 117 mins.
In 1940, a married woman (Gemma Arterton) and a screenwriter (Sam Claflin) develop a growing attraction while working together on a propaganda film about the evacuation of Allied troops from Dunkirk, France. A beautifully crafted costume drama with terrific performances, Lone Scherfig's new film is a quietly subversive, funny and finally moving account of a little known story from one of the darkest, most uncertain periods of British history.
Director: Jordan Peele
Starring: Daniel Kaluuya, Allison Williams, Bradley Whitford . USA 2017. 104 mins.
American sitcom star Jordan Peele turns writer/director for this smartly observed, almost Hitchcockian comedy thriller concerning Chris (Kaluuya) and Rose (Williams), who’ve reached the stage in their relationship when it’s time for him to meet her parents. Unfortunately, it doesn’t pan out as planned: Rose hasn’t told her parents that Chris is black, and despite their best efforts to appear liberal, her somewhat creepy mum and dad are revealed as being anything but.
This fascinating new cinema event, British Museum presents: Hokusai, is a groundbreaking documentary and exclusive private view of the forthcoming British Museum exhibition Hokusai: beyond the Great Wave. Filmed in Japan, the US and the UK, the film focuses on Hokusai’s work, life and times in the great, bustling metropolis of Edo, modern Tokyo.
Introduced by arts presenter Andrew Graham-Dixon, and featuring artists David Hockney, Grayson Perry and Maggi Hambling, this is the first UK biography of Japan’s greatest artist. Using extraordinary close-ups and pioneering 8K Ultra HD video technology, Hokusai’s paintings and prints are examined by world experts who are at the forefront of digital art history.
Hokusai spent his life studying and celebrating our common humanity as well as deeply exploring the natural and spiritual worlds, using the famous volcano Mount Fuji as a protective presence and potential source of immortality. He knew much tragedy, was struck by lightning and lived for years in poverty, but never gave up his pursuit of perfection in his art. Hokusai is an artist who influenced Monet, Van Gogh and other Impressionists, is the father of manga and the only painter with his own emoji.
Twenty-five years after Jenny Livingston’s seminal documentary Paris Is Burning, which shone a light on ’80s Harlem’s ballroom scene, this explosive and uplifting new documentary reveals one of the subculture’s contemporary descendants: the Kiki scene. Part activist movement, part artistic milieu, the Kiki community is a site of radical self-expression for young queer people of colour in New York City, whose ballroom competitions and surrogate queer families provide both creative platforms and a source of succour for individuals facing multiple forms of marginalisation. Shot over four years, the film follows seven members of the community through the difficulties of illness, homelessness and everyday discrimination, as well as the joys of spectacle, camaraderie and personal affirmation.
18.00Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
Director: Jonathan Teplitzky.
Starring: Brian Cox, Miranda Richardson, John Slattery. UK 2017. 98 mins.
June 1944. Allied forces stand on the brink of invasion, but one man stands in their way: Winston Churchill. Exhausted by years of war, Churchill (Cox) fears that history will remember him as an architect of slaughter if the landings fail. Churchill is the untold story of the haunted frailty of Britain’s most celebrated leader, revealing his vital relationship with his wife Clementine (Richardson), the confidant who inspired him to greatness.
This gorgeous mixed programme demonstrates the great creative vision of Frederick Ashton, Founder Choreographer of The Royal Ballet.
The Dream is Ashton's adaptation of Shakespeare's riotous comedy in which a forest sprite plays havoc, armed with a love potion. Symphonic Variations was Ashton's first work after World War II, and one of the Company's first to be performed on the huge main stage of the Royal Opera House, in 1946. With six dancers performing a series of quartets, duets, sextets and solos to Franck’s brooding Variations symphoniques, this seminal masterpiece celebrates the pure beauty of movement. Marguerite and Armand is Ashton's beautiful and emotional retelling of a well-known story, familiar to us through Verdi's opera La traviata. Ashton famously created this poignant ballet on Margot
Fonteyn and Rudolf Nureyev in 1963.
★★★★★ ‘Spellbindingly imaginative. A dazzling production.’
Radio Times
All children, except one, grow up…
Captured live at the National Theatre, a recorded performance of JM Barrie’s much-loved tale screens in cinemas this summer.
When Peter Pan, leader of the Lost Boys, loses his shadow, headstrong Wendy helps him to reattach it. In return, she is invited to Neverland, where Tinker Bell the fairy, Tiger Lily and the vengeful Captain Hook await. A riot of magic, music and make-believe ensues.
A delight for children and adults alike, Sally Cookson (NT Live: Jane Eyre) directs this wondrously inventive production, a co-production with Bristol Old Vic theatre.
Dogwoof proudly presents the UK premiere of Whitney: Can I Be Me followed by a live satellite Q&A with acclaimed director Nick Broomfield. Broadcast live from Sheffield Doc/Fest, this exclusive event creates the ultimate Whitney moment with largely never-before-seen footage and exclusive live recordings. Whitney Houston was the epitome of superstar, an “American Princess” and the most awarded female artist ever. Even though she made millions of dollars, had more consecutive number ones than The Beatles, and became recognised for having one of the greatest voices of all time, she still wasn’t free to be herself and died at just 48 years old. Whitney: Can I Be Me tells Whitney Houston’s incredible and poignant life story with insights from those closest to her.
To coincide with a glorious new exhibition at the National Gallery of London, this film offers a full and fresh biography of Michelangelo who, with Leonardo, is considered one of the greatest artists of the Renaissance – and perhaps of all time. This film explores his relationship with his contemporaries and his immense artistic practice which included painting, sculpture and architecture. Among the works explored are the universally adored David in Florence, the Sistine Chapel in Rome and the Manchester Madonna (today in the National Gallery).
A major new film which gets to the very heart of this tempestuous, passionate giant.
Director: Craig Johnson.
Starring: Woody Harrelson, Laura Dern, Isabella Amara. USA 2017. 94 mins.
Based on the classic graphic novel by Daniel Clowes, Wilson is a comedy drama about a middle-aged, single man with just two friends - who in actual fact don’t seem to like him very much - and a dog. After the death of his father, Wilson - played with gleeful anarchy by Woody Harrelson - searches for his ex-wife, Pippi (Dern) only to discover that there was more to their relationship than he’d realised: a daughter (Amara) given up for adoption, now a teenager. The story of Wilson’s journey is neither a wistful nor a charming one and he appears quite oblivious to any shortcomings in his life. But despite his crazy outlook and unlikeable flaws, his character has strange appeal as do the hilarious deadpan situations he finds himself in.
18.00Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
My Beautiful Laundrette
Director: Stephen Frears. Starring: Daniel-Day Lewis, Gordon Warnecke. UK 1985. 97 mins.
Featuring Daniel Day Lewis in his breakthrough role as a right-wing extremist who falls for a Pakistani man, inadvertently stirring racial prejudices throughout their South London neighbourhood, Stephen Frears' iconic film is both a touching romance and a powerful depiction of the struggles of minorities in Thatcher’s Britain.
13.00Criminal Acts: A Charged Past: A season to mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales.
Vintage Sundays: Classic films back on the big screen where they belong.
A young woman (Lil Dagover) confronts the personification of Death (Bernhard Goetzke), in an effort to save the life of her fiance (Walter Janssen). Death weaves three romantic tragedies and offers to unite the girl with her lover, if she can prevent the death of the lovers in at least one of the episodes. Thus begin three exotic scenarios of ill-fated love, in which the woman must somehow reverse the course of destiny: Persia, Quattrocento Venice, and a fancifully rendered ancient China.
18.00Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
The story has been told before, but never like this. An occupied desert nation. A radical from the wilderness on hunger strike. A girl whose mysterious dance will change the course of the world.
This charged retelling turns the infamous biblical tale on its head, placing the girl we call Salomé at the centre of a revolution.
Internationally acclaimed theatre director Yaël Farber (Les Blancs) draws on multiple accounts to create her urgent, hypnotic production, which will be broadcast live from the stage of the National Theatre.
Director: Stanley Donen.
Starring: Howard Keel, Jane Powell. USA 1954. 102 mins.
When backwoodsman Adam brings his new bride home to his farm, his six unruly brothers decide they would like to get married too. But as Milly sets about turning the unwashed louts into gentlemen, Adam advises the boys to kidnap the objects of their affections rather than woo them.
13.00Dementia-Friendly Screening: Open to all but especially for people with dementia and their family, friends and carers. Join us for free tea, coffee and biscuits and a chance to socialise for 30 minutes before the film. The film will start at the time stated.
Director: Michael Mann.
Starring: Al Pacino, Robert De Niro, Val Kilmer, Tom Sizemore, Jon Voight, Diana Venora, Amy Brenneman, Ashley Judd, Natalie Portman. USA 1995. 171 mins.
Two of America’s finest, most charismatic film actors came together for the first time on screen in Michael Mann’s highly intelligent, stylish, violent thriller – and the result is electrifying. An absorbing duel between two men – one the icy cool mastermind of a criminal gang specialising in high-risk, high-yield heists (De Niro), the other the dogged detective assigned to his case (Pacino) – plays out on the battleground of contemporary LA, a moody, ever shifting city of twisted morals and crumbling relationships. Beautifully crafted, superbly paced and boasting a superlative heist gone wrong among several unforgettable sequences, Heat brought Michael Mann the recognition he long deserved as one of America's most talented directors.
The story has been told before, but never like this. An occupied desert nation. A radical from the wilderness on hunger strike. A girl whose mysterious dance will change the course of the world.
This charged retelling turns the infamous biblical tale on its head, placing the girl we call Salomé at the centre of a revolution.
Internationally acclaimed theatre director Yaël Farber (Les Blancs) draws on multiple accounts to create her urgent, hypnotic production, which will be broadcast live from the stage of the National Theatre.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
Love Is The Devil
Director: John Maybury. Starring: Derek Jacobi, Daniel Craig, Tilda Swinton. UK 1998. 90 mins.
John Maybury’s daring art biopic stars Derek Jacobi as Francis Bacon and Daniel Craig as his muse, a small-time thief drawn into the painter’s bohemian circle. Tilda Swinton gives a standout performance as the foul-mouthed proprietress of the legendary Colony Room, the Soho club that served as a hub for the group, which also included photographer John Deakin and artist Isabel Rawsthorne.
18.00Criminal Acts: A Charged Past: A season to mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales.
Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
This award-winning story follows a young girl named Suzu Urano, who in 1944 moves to the small town of Kure in Hiroshima where she marries Shusaku Hojo, a young clerk who works at the local naval base. Living with his family, Suzu becomes essential to the running of the household and creatively prepares meals during the tough wartime conditions while also carrying out daily housework. In 1945, intense bombings by the US military finally reach Kure, with devastating effect to the townsfolk and their way of life. Suzu’s life is changed irrevocably, but through perseverance and courage, she manages to continue to live life to the fullest.
World-famous tenor Jonas Kaufmann makes his role debut as Otello in Verdi's passionate retelling of Shakespeare's great tragedy of jealousy, deception and murder. Soprano Maria Agresta will be his Desdemona and baritone Ludovic Tézier his nemesis Iago in a new production by Olivier Awardwinning director Keith Warner.
A major work of the opera repertory, Verdi's Otello draws on the full forces of the Orchestra of the Royal Opera House, the Royal Opera Chorus and this stellar line-up of principal singers, with exquisite duets, emotionally potent solo numbers and thrilling choruses.
Particular highlights include Otello and Desdemona's rapturous love duet and Desdemona's poignant 'Willow Song'. Royal Opera Music Director Antonio Pappano conducts this Italian masterpiece.
Director: Andew J. Cohen. Starring: Will Ferrell, Amy Poehler, Allison Tolman. USA 2017. 88mins.
After Scott and Kate Johansen (Will Ferrell and Amy Poehler) lose their daughter Alex’s college fund, they become desperate to earn it back so she can pursue her dream of attending a university. With the help of their neighbor Frank (Jason Mantzoukas), they decide to start an illegal casino in his house.
A collaboration between American film-maker Sofia Coppola and Italian haute couture king Valentino comes in the form of a revival of Giuseppe Verdi’s classic opera, LA TRAVIATA.
Violetta Valéry is a well-known courtesan in Paris whose life appears to be glamorous, but who also suffers from a serious illness. She lives on the money given to her by her male patrons. But when she meets Alfredo Germont, a young man from a good family, they fall in love and move to the country. Alfredo’s father disapproves of their relationship and comes to tell Violetta that her involvement with Alfredo will ruin his family’s reputation. Out of her love for Alfredo, Violetta agrees to leave him and returns to Paris. Thinking she has betrayed him, Alfredo is heartbroken. He follows her to a party and publicly insults her. A few months later, Violetta is close to death. Alfredo, who has learned why Violetta left him, returns to her. He is shocked by her weakness as she strains to get to her feet. They vow to be together forever, but she soon collapses and breathes her last.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
Nighthawks
Director: Ron Peck, Paul Hallam. Starring: Ken Robertson. UK 1978. 114 mins.
Often seen as Britain's first major gay film, Nighthawks is a vivid account of the London gay scene soon after decriminalisation, where, newly freed from the threat of imprisonment, men are able to seek love and sex in the dark confines of Soho clubs.
The Donmar Warehouse presents the first part of Phyllida Lloyd's Shakespeare Trilogy in cinemas, which has been described by The Observer as “one of the most important theatrical events of the last twenty years”.
Julius Caesar depicts the catastrophic consequences of a political leader's extension of his powers beyond the remit of the constitution. As Brutus (Harriet Walter) wrestles with his moral conscience over the assassination of Julius Caesar (Jackie Clune), Mark Antony (Jade Anouka) manipulates the crowd through his subtle and incendiary rhetoric to frenzied mob violence.
“Lloyd's account of Julius Caesar seethes with menace, and here the prison setting makes perfect sense” ***** EVENING STANDARD
Phyllida Lloyd transforms her tense, arresting production of Shakespeare’s famous discourse on power, loyalty and tragic idealism into a gripping version for screen.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
Weekend
Director: Andrew Haigh. Starring: Tom Cullen, Chris New. UK 2011. 97 mins.
Andrew Haigh’s modern classic, a breakout hit and a milestone in British cinema, sees two young men find a one-night-stand turning into something far more serious. As their relationship deepens, they debate their daily struggles in an overwhelmingly straight world, and come to realise that despite almost half a century of progress, the fight for social equality is far from over.
18.00Criminal Acts: A Charged Past: A season to mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales.
Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell.
Andrew Garfield (Silence, Hacksaw Ridge) plays Prior Walter along with a cast including Denise Gough (People, Places and Things), Nathan Lane (The Producers), James McArdle (Star Wars: The Force Awakens) and Russell Tovey (The Pass).
This new staging of Tony Kushner’s multi-award winning two-part play is directed by Olivier and Tony award winning director Marianne Elliott (The Curious Incident of the Dog in the Night-Time and War Horse). Part One: Millennium Approaches was first performed at the National Theatre in 1992 and was followed by Part Two: Perestroika the following year.
Part One: Millennium Approaches will be broadcast live on 20 July 2017.
America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell.
Andrew Garfield (Silence, Hacksaw Ridge) plays Prior Walter along with a cast including Denise Gough (People, Places and Things), Nathan Lane (The Producers), James McArdle (Star Wars: The Force Awakens) and Russell Tovey (The Pass).
This new staging of Tony Kushner’s multi-award winning two-part play is directed by Olivier and Tony award winning director Marianne Elliott (The Curious Incident of the Dog in the Night-Time and War Horse). Part One: Millennium Approaches was first performed at the National Theatre in 1992 and was followed by Part Two: Perestroika the following year.
Part One: Millennium Approaches will be broadcast live on 20 July 2017.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
My Summer Of Love
Director: Pawel Pawlikowski. Starring: Emily Blunt, Natalie Press. UK 2004. 86 mins.
Pawel Pawlikowski's BAFTA-winning drama, a potent depiction of girlhood, young love and endless summers, finally returns to the big screen. A young Emily Blunt shines as bored rich kid Tamsin, who seduces working class Mona, to the dismay of the Christian community in their small Yorkshire village.
Directors: Stanley Donen and Gene Kelly
Starring: Gene Kelly, Frank Sinatra, Jules Munshin, Ann Miller. USA 1949. 98 mins.
Producer Arthur Freed turned New York into a giant sound stage for this hectic 'sailors on leave' romantic comedy, which is notable not only for the superb Leonard Bernstein score but also for the musical numbers shot on location. Few dance sequences in film are as fresh, exhilarating and imaginative as the ballet on top of the Empire State Building.
13.00Dementia-Friendly Screening: Open to all but especially for people with dementia and their family, friends and carers. Join us for free tea, coffee and biscuits and a chance to socialise for 30 minutes before the film. The film will start at the time stated.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
Prick Up Your Ears
Director: Stephen Frears. Starring: Gary Oldman, Alfred Molina. UK 1987. 110 mins.
Stephen Frears and screenwriter Alan Bennett depict the realities of gay life in ’60s London in this classic ’80s drama. Gary Oldman and Alfred Molina star as controversial playwright Joe Orton and his partner Kenneth Halliwell. As Orton scales literary heights and Halliwell struggles to keep up, they descend into an increasingly tumultuous relationship, with devastating consequences.
The decay of Rome reaches violent depths in Shakespeare’s bloodiest play. Blanche McIntyre (The Two Noble Kinsmen) returns to the RSC to direct Shakespeare’s brutal revenge tragedy.
Titus is a ruler exhausted by war and loss. He relinquishes power, but leaves Rome in disorder. Rape, cannibalism and mutilation fill the moral void at the heart of this corrupt society.
Shakespeare presents us with murder as entertainment and, as the body count rises, poses questions about sexuality, family, class and society.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
Early ’60s London, and gay men across the city are being blackmailed, threatening exposure at a time when consensual homosexual acts could still result in imprisonment. Basil Dearden’s classic thriller stars Dirk Bogarde in his most daring role, as a gay lawyer fighting back against the blackmailers who dare to target him.
18.00Criminal Acts: A Charged Past: A season to mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales.
Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
This fender and genre-bending film takes us into the not-too-distant machine-driven future. Kokone should be diligently studying for her university entrance exams, but she just can’t seem to stay awake. Aside from stealing precious study time, her napping is even more distracting, as it brings on strange dreams with warring machines that hint at family secrets that have been dormant for years. She can’t ask her father, a hipster mechanic more talented and artful than his job requires, as he’s always busy modifying motorcycles and cars in flights of fancy. What are these visions that lead Kokone at once closer to and further away from her family?
The incredible Billie Piper (Penny Dreadful, Great Britain) returns in her Evening Standard Best Actress award-winning role. A young woman is driven to the unthinkable by her desperate desire to have a child in Simon Stone’s radical production of Lorca’s achingly powerful masterpiece. The unmissable theatre phenomenon sold out at the Young Vic and critics call it “an extraordinary theatrical triumph” (The Times) and “stunning, searing, unmissable” (Mail on Sunday). Billie Piper’s lead performance is described as “spellbinding” (The Evening Standard), “astonishing” (iNews) and “devastatingly powerful” (The Daily Telegraph). Set in contemporary London, Piper’s portrayal of a woman in her thirties desperate to conceive builds with elemental force to a staggering, shocking, climax. Please note that this broadcast does not have an interval.
★★★★★
“Brutal yet ferociously funny” - Metro
★★★★★
“Billie Piper makes a shattering Yerma in Simon Stone’s inspired reworking of Lorca” - The Observer
★★★★★
“A shatteringly powerful reinvention of a familiar classic” - The Independent
The incredible Billie Piper (Penny Dreadful, Great Britain) returns in her Evening Standard Best Actress award-winning role. A young woman is driven to the unthinkable by her desperate desire to have a child in Simon Stone’s radical production of Lorca’s achingly powerful masterpiece. The unmissable theatre phenomenon sold out at the Young Vic and critics call it “an extraordinary theatrical triumph” (The Times) and “stunning, searing, unmissable” (Mail on Sunday). Billie Piper’s lead performance is described as “spellbinding” (The Evening Standard), “astonishing” (iNews) and “devastatingly powerful” (The Daily Telegraph). Set in contemporary London, Piper’s portrayal of a woman in her thirties desperate to conceive builds with elemental force to a staggering, shocking, climax. Please note that this broadcast does not have an interval.
★★★★★
“Brutal yet ferociously funny” - Metro
★★★★★
“Billie Piper makes a shattering Yerma in Simon Stone’s inspired reworking of Lorca” - The Observer
★★★★★
“A shatteringly powerful reinvention of a familiar classic” - The Independent
In aid of Médecins Sans Frontières / Doctors without Borders (MSF)
7 September 2017
Join us for a unique celebration of John le Carré’s work as he discusses the full breadth of his career – from his extraordinary Cold War novels to his powerful descriptions of the arms trade and the war on terror – and reflects on the continuing story of his most famous creation, the tubby, bespectacled spy, George Smiley.
Featuring readings from his new novel A Legacy Of Spies, and a rare Q&A session, this will be an unmissable opportunity to experience the author direct and in his own words.
The event will be broadcast live to cinemas across the UK and Europe from London’s Royal Festival Hall.
In support of MSF, the leading emergency medical humanitarian aid organisation, John le Carré is donating his speaker’s fee, and the producers of the live cinema broadcast, The Ink Factory, are donating their share of the profits to the charity.
A full-throttle war play that revels in the sweat of the battlefield, Coriolanus transports us back to the emergence of the republic of Rome.
Caius Martius Coriolanus is a fearless soldier but a reluctant leader. His ambitious mother attempts to carve him a path to political power, but he struggles to change his nature and do what is required to achieve greatness. In this new city state struggling to find its feet, where the gap between rich and poor is widening every day, Coriolanus must decide who he really is and where his allegiances lie.
Rome Season Director, Angus Jackson, completes the Royal Shakespeare Company’s collection of Shakespeare’s Roman plays with a visceral production which sees Sope Dirisu (One Night in Miami, Donmar Warehouse, 2016) take on the title role.
Amidst a bustling market, the pirate Conrad falls in love at first sight with the beautiful Medora, the ward of the slave merchant Lankedem’s bazaar. Conrad kidnaps Medora when Lanquedem decides to sell her to the Pasha.
Inspired by Lord Byron’s epic poem and reworked by Alexei Ratmansky from Petipa’s exotic 19th century classic, this miracle of the repertoire is one of the Bolshoi’s most lavish productions. Complete with a magnificent awe-inspring shipwreck and dramatic scenery, this grand romance allows enough dancing for nearly the entire company and made especially for those who seek miracles in theatre.
Leaving the world of J-pop behind her, Mima Kirigoe begins life as an actress on a crime drama show called Double Blind. When offered a lead role in the show as a rape victim, Mima accepts in spite of her manager’s reservations. However, the backlash from fans over her career change and a strange website called ‘Mima's Room’, written by a fake Mima, begin to worry her. When a stalker appears and people involved in Double Blind begin turning up dead, with all the evidence pointing to her, Mima is thrown into a state of confusion, madness and paranoia.
Baptista struggles to marry off his tempestuous daughter Katharina, a shrew who denies that any man could possibly be her match. However when she meets Petruchio, who is as ill-tempered as she, the two forces of nature ignite an unexpected and explosive encounter.
Acclaimed choreographer Jean-Christophe Maillot brings out the wit, fast-paced athleticism and vibrancy from the Bolshoi Ballet dancers in Shakespeare’s rowdy comedy. Principals Ekaterina Krysanova and Vladislav Lantratov clash, challenge and eventually give themselves to one another in a wonderfully entertaining production that can only be seen at the Bolshoi!
As the clock strikes midnight on Christmas Eve, Marie’s wooden nutcracker doll comes to life and transforms into a prince! Soon joined by her other toys that have also come to life, Marie and her prince embark on a dreamy unforgettable adventure.
A holiday tradition for the whole family, The Nutcracker sweeps the Bolshoi stage for two hours of enchantment and magic. Along with Tchaikovsky’s cherished score and and some of the Bolshoi’s greatest artists, The Nutcracker remains a treasure not to be missed!
In Verona, Romeo and Juliet fall madly in love while their respective families, the Montagues and the Capulets, are caught in a bitter rivalry ending in heart-wrenching tragedy…
Alexei Ratmansky, former artistic director of the Bolshoi Ballet, stages the company’s premiere of his production with dramatic urgency and a fresh re-telling of Shakespeare’s beloved classic. His brilliant and detailed adaptation set to Prokofiev’s romantic and cinematic score, reignites the story of literature’s most celebrated star-crossed lovers like no other classical ballet choreographer today.
As he arrives in Paris for the first time, the young and naive Armand is utterly captivated after meeting the ravishing and most desirable courtesan Marguerite Gautier. Their encounter gives birth to a passionate yet doomed love…
Alexandre Dumas fils’s novel comes to life on the Bolshoi stage, with prima Svetlana Zakharova as the ailing Marguerite seeking love and redemption from her life as a courtesan. The Bolshoi brings choreographer John Neumeier’s work of rare beauty and tragic depth to new emotional heights, accompanied by Chopin’s romantic piano score.
'I am all the daughters of my father's house,
And all the brothers too.'
Twelfth Night is a tale of unrequited love – hilarious and heartbreaking. Two twins are separated in a shipwreck, and forced to fend for themselves in a strange land. The first twin, Viola, falls in love with Orsino, who dotes on OIivia, who falls for Viola but is idolised by Malvolio. Enter Sebastian, who is the spitting image of his twin sister...
Christopher Luscombe, Director of the ‘glorious’ (Daily Telegraph) Love’s Labour’s Lost and Much Ado About Nothing (2014 and 2016), returns to the Royal Shakespeare Company to tackle Shakespeare’s greatest comedy, a brilliantly bittersweet account of "the whirligig of time".
In the era of the French Revolution, Jeanne and her brother Jérôme leave Marseille for Paris in support of the revolutionary effort that is taking over the capital. While fighting for freedom, they both encounter love along the way…
Very few ballets can properly depict the Bolshoi’s overflowing energy and fiery passion as can Alexei Ratmansky’s captivating revival of Vasily Vainonen’s The Flames of Paris. With powerful virtuosity and some of the most stunning pas de deux, the Bolshoi Ballet displays an exuberance almost too enormous for the Moscow stage.
When Giselle learns that her beloved Albrecht is promised to another woman, she dies of a broken heart in his arms. While Albrecht grieves, she returns from the dead as a Wili, a vengeful spirit meant to make unfaithful men dance until death…
Prima ballerina Svetlana Zakharova personifies this ultimate ballerina role in the classical repertoire, alongside the sensational Sergei Polunin as Albrecht, in this chilling, yet luminous ballet that continues to captivate audiences for over 150 years at the Bolshoi.
Swanhilda notices her fiancee Franz is infatuated with the beautiful Coppélia who sits reading on her balcony each day. Nearly breaking up the two sweethearts, Coppelia is not what she seems and Swanhilda decides to teach Franz a lesson…
The Bolshoi’s unique version of Coppélia exhibits a fascinating reconstruction of the original 19th century choreography of this ebullient comedy involving a feisty heroine, a boyish fiancee with a wandering eye, and an old dollmaker. The company’s stunning corps de ballet shines in the divertissements and famous “dance of the hours,” and its principals abound in youthful energy and irresistible humor in this effervescent production.
