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Having never won a major tournament, ailing football giant SSC Napoli had criminally underachieved. Their fanatical support was unequalled in both passion and size. None were more feared, but they longed for success.
On 5 July 1984, Diego Maradona arrived in Naples for a world-record fee, and for seven years all hell broke loose. It was a perfect match: the world’s most celebrated footballer, blessed on the field but cursed off it, and the most dysfunctional city in Europe.
The charismatic Argentine quickly led the club to their first-ever title. In the sprawling chaos of Naples, where the devil would have needed bodyguards, Maradona became bigger than God himself. But there was a price: Diego could do as he pleased while performing miracles on the pitch, but when the magic faded he became almost a prisoner of the city.
Made by the award-winning team behind SENNA and AMY, using over 500 hours of never-before-seen footage from Maradona’s personal archive, this is the wild and unforgettable story of God-given talent, glory, despair and betrayal, of corruption and ultimately redemption.
Contains infrequent strong language, nudity, bloody detail and drug references.
ROCKETMAN is an epic musical fantasy about the breakthrough years of larger-than-life superstar Elton John (Taron Egerton). Set to John’s most beloved songs (performed by Egerton), it tells the uncensored human story of how small-town boy and shy piano prodigy Reginald Dwight became one of the most iconic figures in pop culture. ROCKETMAN also stars Jamie Bell as John’s longtime lyricist and writing partner Bernie Taupin, Richard Madden as John’s first manager, John Reid, and Bryce Dallas Howard as John’s mother Sheila Farebrother. Dexter Fletcher, who took over directorial duties for the smash hit musical biopic BOHEMIAN RHAPSODY, is at the helm.
It’s back – the jewel in Pixar’s crown and the story that changed cinema forever. The adventures of Woody, Buzz and the gang continue in another rollercoaster of a movie, which promises to pull on the heartstrings and tickle the funny bones of kids and grown-ups alike.
Woody (Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s prized but reluctant new toy, a disposable spork called Forky (Tony Hale), runs away during a family vacation, Woody and friends begin a quest to bring him back where he belongs. On their ensuing road-trip adventure alongside new faces and old friends, the charismatic pull-string cowboy learns just how big the world can be for a toy.
Enter our Toy Story 4 Book-To-Win competition
Based on the short story Triple Word Score by scriptwriter Frank Cottrell Boyce, this quirky and moving dramedy tells the story of a family with an exceptional Scrabble vocabulary who cannot put their words to use and communicate with each other. Bill Nighy stars as Alan, a father on a journey to reconnect with his two sons.
Katherine Newbury (Thompson) is a pioneer and legendary host on the late-night talk-show circuit. When she’s accused of being a “woman who hates women”, she puts affirmative action on the to-do list, and – presto! ¬– Molly (Kaling) is hired as the one woman in Katherine’s all-male writers’ room. But Molly might be too little too late, as the formidable Katherine also faces the reality of low ratings and a network that wants to replace her. Molly, wanting to prove she’s not simply a diversity hire who’s disrupting the comfort of the brotherhood, is determined to help Katherine by revitalising her show and career – and possibly effect even bigger change at the same time.
Thompson brings pathos and amusingly severe charm to the pantsuit-clad Katherine. Smartly written by Kaling and snappily directed by Nisha Ganatra, LATE NIGHT takes on white privilege, entitlement and a culture veering toward crassness and conservatism. Questioning how women in power are ‘supposed’ to act, it delivers a winsome, sophisticated comedy about the times in which we live.
Hedonism before high school ends is the subject of actress Olivia Wilde’s joyous directorial debut, a fresh and modern coming-of-age comedy with superb turns from Feldstein (LADY BIRD) and Dever. On the eve of graduation, two bookish BFFs realise they should have worked less and played more. Throwing in the textbooks and shedding their sensible personas, the girls set out on a mission to cram four years of fun into one crazy night.
Having never won a major tournament, ailing football giant SSC Napoli had criminally underachieved. Their fanatical support was unequalled in both passion and size. None were more feared, but they longed for success.
On 5 July 1984, Diego Maradona arrived in Naples for a world-record fee, and for seven years all hell broke loose. It was a perfect match: the world’s most celebrated footballer, blessed on the field but cursed off it, and the most dysfunctional city in Europe.
The charismatic Argentine quickly led the club to their first-ever title. In the sprawling chaos of Naples, where the devil would have needed bodyguards, Maradona became bigger than God himself. But there was a price: Diego could do as he pleased while performing miracles on the pitch, but when the magic faded he became almost a prisoner of the city.
Made by the award-winning team behind SENNA and AMY, using over 500 hours of never-before-seen footage from Maradona’s personal archive, this is the wild and unforgettable story of God-given talent, glory, despair and betrayal, of corruption and ultimately redemption.
Contains infrequent strong language, nudity, bloody detail and drug references.
ROCKETMAN is an epic musical fantasy about the breakthrough years of larger-than-life superstar Elton John (Taron Egerton). Set to John’s most beloved songs (performed by Egerton), it tells the uncensored human story of how small-town boy and shy piano prodigy Reginald Dwight became one of the most iconic figures in pop culture. ROCKETMAN also stars Jamie Bell as John’s longtime lyricist and writing partner Bernie Taupin, Richard Madden as John’s first manager, John Reid, and Bryce Dallas Howard as John’s mother Sheila Farebrother. Dexter Fletcher, who took over directorial duties for the smash hit musical biopic BOHEMIAN RHAPSODY, is at the helm.
Best mates Johnno and Spanner share a deep bond. Now on the cusp of adulthood, life is destined to take them in different directions – Johnno's family are moving him to a new town and a better life, leaving Spanner behind to face a precarious future. In pursuit of adventure and escape the boys head out on one last night together to an illegal rave before parting ways indefinitely. A universal story of friendship, rebellion, and the irresistible power of gathering youth, set to the soundtrack as eclectic and electrifying as the scene it gave birth to, BEATS is a story for our time.
It’s back – the jewel in Pixar’s crown and the story that changed cinema forever. The adventures of Woody, Buzz and the gang continue in another rollercoaster of a movie, which promises to pull on the heartstrings and tickle the funny bones of kids and grown-ups alike.
Woody (Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s prized but reluctant new toy, a disposable spork called Forky (Tony Hale), runs away during a family vacation, Woody and friends begin a quest to bring him back where he belongs. On their ensuing road-trip adventure alongside new faces and old friends, the charismatic pull-string cowboy learns just how big the world can be for a toy.
Enter our Toy Story 4 Book-To-Win competition
Based on the short story Triple Word Score by scriptwriter Frank Cottrell Boyce, this quirky and moving dramedy tells the story of a family with an exceptional Scrabble vocabulary who cannot put their words to use and communicate with each other. Bill Nighy stars as Alan, a father on a journey to reconnect with his two sons.
Katherine Newbury (Thompson) is a pioneer and legendary host on the late-night talk-show circuit. When she’s accused of being a “woman who hates women”, she puts affirmative action on the to-do list, and – presto! ¬– Molly (Kaling) is hired as the one woman in Katherine’s all-male writers’ room. But Molly might be too little too late, as the formidable Katherine also faces the reality of low ratings and a network that wants to replace her. Molly, wanting to prove she’s not simply a diversity hire who’s disrupting the comfort of the brotherhood, is determined to help Katherine by revitalising her show and career – and possibly effect even bigger change at the same time.
Thompson brings pathos and amusingly severe charm to the pantsuit-clad Katherine. Smartly written by Kaling and snappily directed by Nisha Ganatra, LATE NIGHT takes on white privilege, entitlement and a culture veering toward crassness and conservatism. Questioning how women in power are ‘supposed’ to act, it delivers a winsome, sophisticated comedy about the times in which we live.
Hedonism before high school ends is the subject of actress Olivia Wilde’s joyous directorial debut, a fresh and modern coming-of-age comedy with superb turns from Feldstein (LADY BIRD) and Dever. On the eve of graduation, two bookish BFFs realise they should have worked less and played more. Throwing in the textbooks and shedding their sensible personas, the girls set out on a mission to cram four years of fun into one crazy night.
Having never won a major tournament, ailing football giant SSC Napoli had criminally underachieved. Their fanatical support was unequalled in both passion and size. None were more feared, but they longed for success.
On 5 July 1984, Diego Maradona arrived in Naples for a world-record fee, and for seven years all hell broke loose. It was a perfect match: the world’s most celebrated footballer, blessed on the field but cursed off it, and the most dysfunctional city in Europe.
The charismatic Argentine quickly led the club to their first-ever title. In the sprawling chaos of Naples, where the devil would have needed bodyguards, Maradona became bigger than God himself. But there was a price: Diego could do as he pleased while performing miracles on the pitch, but when the magic faded he became almost a prisoner of the city.
Made by the award-winning team behind SENNA and AMY, using over 500 hours of never-before-seen footage from Maradona’s personal archive, this is the wild and unforgettable story of God-given talent, glory, despair and betrayal, of corruption and ultimately redemption.
Contains infrequent strong language, nudity, bloody detail and drug references.
ROCKETMAN is an epic musical fantasy about the breakthrough years of larger-than-life superstar Elton John (Taron Egerton). Set to John’s most beloved songs (performed by Egerton), it tells the uncensored human story of how small-town boy and shy piano prodigy Reginald Dwight became one of the most iconic figures in pop culture. ROCKETMAN also stars Jamie Bell as John’s longtime lyricist and writing partner Bernie Taupin, Richard Madden as John’s first manager, John Reid, and Bryce Dallas Howard as John’s mother Sheila Farebrother. Dexter Fletcher, who took over directorial duties for the smash hit musical biopic BOHEMIAN RHAPSODY, is at the helm.
Best mates Johnno and Spanner share a deep bond. Now on the cusp of adulthood, life is destined to take them in different directions – Johnno's family are moving him to a new town and a better life, leaving Spanner behind to face a precarious future. In pursuit of adventure and escape the boys head out on one last night together to an illegal rave before parting ways indefinitely. A universal story of friendship, rebellion, and the irresistible power of gathering youth, set to the soundtrack as eclectic and electrifying as the scene it gave birth to, BEATS is a story for our time.
It’s back – the jewel in Pixar’s crown and the story that changed cinema forever. The adventures of Woody, Buzz and the gang continue in another rollercoaster of a movie, which promises to pull on the heartstrings and tickle the funny bones of kids and grown-ups alike.
Woody (Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s prized but reluctant new toy, a disposable spork called Forky (Tony Hale), runs away during a family vacation, Woody and friends begin a quest to bring him back where he belongs. On their ensuing road-trip adventure alongside new faces and old friends, the charismatic pull-string cowboy learns just how big the world can be for a toy.
Enter our Toy Story 4 Book-To-Win competition
Based on the short story Triple Word Score by scriptwriter Frank Cottrell Boyce, this quirky and moving dramedy tells the story of a family with an exceptional Scrabble vocabulary who cannot put their words to use and communicate with each other. Bill Nighy stars as Alan, a father on a journey to reconnect with his two sons.
One of the finest British films ever made, this black comic masterpiece is a hilarious study in the gentle art of murder. Alec Guinness famously takes on eight different roles in the story of an ambitious young man who plots to secure a family fortune by creatively dispatching those ahead of him in the line of succession. One of the sharpest and subtlest comedies to come out of Ealing Studios, and arguably the greatest film it produced.
“Quintessential British comedy” – Empire Magazine
Katherine Newbury (Thompson) is a pioneer and legendary host on the late-night talk-show circuit. When she’s accused of being a “woman who hates women”, she puts affirmative action on the to-do list, and – presto! ¬– Molly (Kaling) is hired as the one woman in Katherine’s all-male writers’ room. But Molly might be too little too late, as the formidable Katherine also faces the reality of low ratings and a network that wants to replace her. Molly, wanting to prove she’s not simply a diversity hire who’s disrupting the comfort of the brotherhood, is determined to help Katherine by revitalising her show and career – and possibly effect even bigger change at the same time.
Thompson brings pathos and amusingly severe charm to the pantsuit-clad Katherine. Smartly written by Kaling and snappily directed by Nisha Ganatra, LATE NIGHT takes on white privilege, entitlement and a culture veering toward crassness and conservatism. Questioning how women in power are ‘supposed’ to act, it delivers a winsome, sophisticated comedy about the times in which we live.
Hedonism before high school ends is the subject of actress Olivia Wilde’s joyous directorial debut, a fresh and modern coming-of-age comedy with superb turns from Feldstein (LADY BIRD) and Dever. On the eve of graduation, two bookish BFFs realise they should have worked less and played more. Throwing in the textbooks and shedding their sensible personas, the girls set out on a mission to cram four years of fun into one crazy night.
Having never won a major tournament, ailing football giant SSC Napoli had criminally underachieved. Their fanatical support was unequalled in both passion and size. None were more feared, but they longed for success.
On 5 July 1984, Diego Maradona arrived in Naples for a world-record fee, and for seven years all hell broke loose. It was a perfect match: the world’s most celebrated footballer, blessed on the field but cursed off it, and the most dysfunctional city in Europe.
The charismatic Argentine quickly led the club to their first-ever title. In the sprawling chaos of Naples, where the devil would have needed bodyguards, Maradona became bigger than God himself. But there was a price: Diego could do as he pleased while performing miracles on the pitch, but when the magic faded he became almost a prisoner of the city.
Made by the award-winning team behind SENNA and AMY, using over 500 hours of never-before-seen footage from Maradona’s personal archive, this is the wild and unforgettable story of God-given talent, glory, despair and betrayal, of corruption and ultimately redemption.
Contains infrequent strong language, nudity, bloody detail and drug references.
Best mates Johnno and Spanner share a deep bond. Now on the cusp of adulthood, life is destined to take them in different directions – Johnno's family are moving him to a new town and a better life, leaving Spanner behind to face a precarious future. In pursuit of adventure and escape the boys head out on one last night together to an illegal rave before parting ways indefinitely. A universal story of friendship, rebellion, and the irresistible power of gathering youth, set to the soundtrack as eclectic and electrifying as the scene it gave birth to, BEATS is a story for our time.
It’s back – the jewel in Pixar’s crown and the story that changed cinema forever. The adventures of Woody, Buzz and the gang continue in another rollercoaster of a movie, which promises to pull on the heartstrings and tickle the funny bones of kids and grown-ups alike.
Woody (Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s prized but reluctant new toy, a disposable spork called Forky (Tony Hale), runs away during a family vacation, Woody and friends begin a quest to bring him back where he belongs. On their ensuing road-trip adventure alongside new faces and old friends, the charismatic pull-string cowboy learns just how big the world can be for a toy.
Enter our Toy Story 4 Book-To-Win competition
Based on the short story Triple Word Score by scriptwriter Frank Cottrell Boyce, this quirky and moving dramedy tells the story of a family with an exceptional Scrabble vocabulary who cannot put their words to use and communicate with each other. Bill Nighy stars as Alan, a father on a journey to reconnect with his two sons.
Katherine Newbury (Thompson) is a pioneer and legendary host on the late-night talk-show circuit. When she’s accused of being a “woman who hates women”, she puts affirmative action on the to-do list, and – presto! ¬– Molly (Kaling) is hired as the one woman in Katherine’s all-male writers’ room. But Molly might be too little too late, as the formidable Katherine also faces the reality of low ratings and a network that wants to replace her. Molly, wanting to prove she’s not simply a diversity hire who’s disrupting the comfort of the brotherhood, is determined to help Katherine by revitalising her show and career – and possibly effect even bigger change at the same time.
Thompson brings pathos and amusingly severe charm to the pantsuit-clad Katherine. Smartly written by Kaling and snappily directed by Nisha Ganatra, LATE NIGHT takes on white privilege, entitlement and a culture veering toward crassness and conservatism. Questioning how women in power are ‘supposed’ to act, it delivers a winsome, sophisticated comedy about the times in which we live.
Hedonism before high school ends is the subject of actress Olivia Wilde’s joyous directorial debut, a fresh and modern coming-of-age comedy with superb turns from Feldstein (LADY BIRD) and Dever. On the eve of graduation, two bookish BFFs realise they should have worked less and played more. Throwing in the textbooks and shedding their sensible personas, the girls set out on a mission to cram four years of fun into one crazy night.
Having never won a major tournament, ailing football giant SSC Napoli had criminally underachieved. Their fanatical support was unequalled in both passion and size. None were more feared, but they longed for success.
On 5 July 1984, Diego Maradona arrived in Naples for a world-record fee, and for seven years all hell broke loose. It was a perfect match: the world’s most celebrated footballer, blessed on the field but cursed off it, and the most dysfunctional city in Europe.
The charismatic Argentine quickly led the club to their first-ever title. In the sprawling chaos of Naples, where the devil would have needed bodyguards, Maradona became bigger than God himself. But there was a price: Diego could do as he pleased while performing miracles on the pitch, but when the magic faded he became almost a prisoner of the city.
Made by the award-winning team behind SENNA and AMY, using over 500 hours of never-before-seen footage from Maradona’s personal archive, this is the wild and unforgettable story of God-given talent, glory, despair and betrayal, of corruption and ultimately redemption.
Contains infrequent strong language, nudity, bloody detail and drug references.
ROCKETMAN is an epic musical fantasy about the breakthrough years of larger-than-life superstar Elton John (Taron Egerton). Set to John’s most beloved songs (performed by Egerton), it tells the uncensored human story of how small-town boy and shy piano prodigy Reginald Dwight became one of the most iconic figures in pop culture. ROCKETMAN also stars Jamie Bell as John’s longtime lyricist and writing partner Bernie Taupin, Richard Madden as John’s first manager, John Reid, and Bryce Dallas Howard as John’s mother Sheila Farebrother. Dexter Fletcher, who took over directorial duties for the smash hit musical biopic BOHEMIAN RHAPSODY, is at the helm.
Hopster Original: Rainbow Stories
Discover a range of heart-warming stories featuring positive LGBT+ characters. These short animated films encourage children to celebrate diversity and dare to be who they want to be.
Created by Hopster Studios in partnership with Diversity Role Models, a UK-based education charity, Rainbow Stories was designed to nurture empathy and acceptance in the next generation.
Peter, Mark, James and Einstein
Based on a true and heartwarming story about a boy called James and how he finds happiness in his new home with his newly adopted parents Peter, James and Einstein the cat.
Stella/Stuart
The true story of a young girl named Stella who is uncomfortable as a female and wants to be a boy named Stuart. This positive story is about being true to yourself and finding the confidence to trust and find acceptance in your friends and family.
Lyndsey and Holly
This is an empowering true story of how Lydnsey overcame bullying/teasing at school to become a doctor, and marry the love of her life, a girl called Holly.
Hopster Original: Love is Love
Celebrate love with this catchy tune by Hopster that introduces children to different types of families.
Encouraging acceptance and diversity, Love is Love shows children how colourful and different families can be. The song teaches kids that they might have one mum one dad, same-sex parents or might be looked after by their grandparents, it is love that counts and binds them all together.
Love is Love
Love is Love is an uplifting song that celebrates love and all the colours of the rainbow and reflects modern day families and relationships.
Family Question Time
Family Question Time is a mini animated documentary which offers a snapshot of real-life families being silly and talking about their lives.
The Bravest Knight Who Ever Lived
Knights, dragons, and princesses are the things all good fairytales are made of, but what happens when the tale has an LGBTQ ending? Follow Cedric on his journey from his days on a humble pumpkin farm to the adventures that lead him to become a full-fledged knight. Will he follow his heart, and prove that sometimes the bravest thing you can do is choose for yourself how your fairytale ends?
Rosaline
The story of Rosaline incorporates LGBT themes in a fun, fairytale adventure through the woods. To find her sweetheart, Rosaline must first get by a tricky witch, a hungry wolf, and a well-intentioned fairy godmother! This picture book for children and adults alike emphasizes the value of being true to yourself.
Pop’n Olly: Little Red Riding Dude
A story about pride and always being yourself.
Join Christopher, or as he is better known 'Little red Riding Dude', as he journeys to his Grandma's house. But who will he meet along the way?
Pop’n Olly: Goldilocks and the Different Bear Families
A simple story for pre-school children, helping them to understand that families can come in all different shapes and sizes.
Goldilocks is out meeting all the different families in the village, but what is she delivering to them?
Academy Award winner Sally Field (Steel Magnolias, Brothers & Sisters) and Bill Pullman (The Sinner, Independence Day) star in Arthur Miller’s blistering drama All My Sons, broadcast live from The Old Vic in London.
America, 1947. Despite hard choices and even harder knocks, Joe and Kate Keller are a success story. They’ve built a home, raised two sons and established a thriving business. But nothing lasts forever and their contented lives, already shadowed by the loss of their eldest boy to war, are about to shatter. Long-buried truths are forced to the surface by the return of a figure from the past, and the price of their American dream is laid bare.
Jeremy Herrin (NT Live: This House) directs the cast, which also includes Jenna Coleman (Victoria), and Colin Morgan (Merlin) alongside Bessie Carter, Oliver Johnstone, Kayla Meikle and Sule Rimi.
They had a date with fate in Casablanca… Bogart plays Rick Blaine, a cynical but good-hearted American in WWII Casablanca, whose café is the gathering place for everyone from the French police to black marketeers to the Nazis. When his long-lost love, Ilsa (Bergman), appears with her Resistance leader husband, Victor (Henreid), Rick is pulled into both a love triangle and a web of political intrigue. Ilsa and Victor need to escape from Morocco, and Rick may be the only one who can help them. Still eminently quotable to this day, Casablanca has lost none of its excitement, drama or comedy, and ranks among the most romantic films of all time.
11.00Dementia-Friendly Screening: Open to all but especially for people with dementia and their family, friends and carers. Join us for free tea, coffee and biscuits and a chance to socialise for 30 minutes before the film. The film will start at the time stated.
This expressive new work, created for Northern Ballet, tells the story of Queen Victoria from the perspective of her youngest daughter and lifelong companion, Princess Beatrice. In a multi-layered narrative ballet, choreographer Cathy Marston (the acclaimed Jane Eyre, also for Northern Ballet) traces the life of the queen/wife/mother through chapters of passion and tragedy as Beatrice transcribes her mother’s intimate diaries. Going back in time from Victoria’s deathbed, the princess relives her memories of her mother as a secluded widow before discovering her anew through her challenging relationship with her own mother, the Princess Victoria of Saxe-Coburg-Saalfeld. Beatrice also discovers the truth about her parents’ marriage and her mother’s ambiguous relationship with John Brown as well as revisiting political events such as the Opium Wars and the Great Exhibition. The ballet has a score commissioned from Philip Feeney and is a co-production between Northern Ballet and The National Ballet of Canada.
It’s back – the jewel in Pixar’s crown and the story that changed cinema forever. The adventures of Woody, Buzz and the gang continue in another rollercoaster of a movie, which promises to pull on the heartstrings and tickle the funny bones of kids and grown-ups alike.
Woody (Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s prized but reluctant new toy, a disposable spork called Forky (Tony Hale), runs away during a family vacation, Woody and friends begin a quest to bring him back where he belongs. On their ensuing road-trip adventure alongside new faces and old friends, the charismatic pull-string cowboy learns just how big the world can be for a toy.
Enter our Toy Story 4 Book-To-Win competition
13.10Audio Described: Everyone welcome. Audio Description is available for this film, and is undetectable to anyone not wearing a headset
Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
15.30Audio Described: Everyone welcome. Audio Description is available for this film, and is undetectable to anyone not wearing a headset
Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
18.00Audio Described: Everyone welcome. Audio Description is available for this film, and is undetectable to anyone not wearing a headset
Select:
20.30Audio Described: Everyone welcome. Audio Description is available for this film, and is undetectable to anyone not wearing a headset
Katherine Newbury (Thompson) is a pioneer and legendary host on the late-night talk-show circuit. When she’s accused of being a “woman who hates women”, she puts affirmative action on the to-do list, and – presto! ¬– Molly (Kaling) is hired as the one woman in Katherine’s all-male writers’ room. But Molly might be too little too late, as the formidable Katherine also faces the reality of low ratings and a network that wants to replace her. Molly, wanting to prove she’s not simply a diversity hire who’s disrupting the comfort of the brotherhood, is determined to help Katherine by revitalising her show and career – and possibly effect even bigger change at the same time.
Thompson brings pathos and amusingly severe charm to the pantsuit-clad Katherine. Smartly written by Kaling and snappily directed by Nisha Ganatra, LATE NIGHT takes on white privilege, entitlement and a culture veering toward crassness and conservatism. Questioning how women in power are ‘supposed’ to act, it delivers a winsome, sophisticated comedy about the times in which we live.
12.45Audio Described: Everyone welcome. Audio Description is available for this film, and is undetectable to anyone not wearing a headset
Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Hedonism before high school ends is the subject of actress Olivia Wilde’s joyous directorial debut, a fresh and modern coming-of-age comedy with superb turns from Feldstein (LADY BIRD) and Dever. On the eve of graduation, two bookish BFFs realise they should have worked less and played more. Throwing in the textbooks and shedding their sensible personas, the girls set out on a mission to cram four years of fun into one crazy night.
15.20Audio Described: Everyone welcome. Audio Description is available for this film, and is undetectable to anyone not wearing a headset
Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Having never won a major tournament, ailing football giant SSC Napoli had criminally underachieved. Their fanatical support was unequalled in both passion and size. None were more feared, but they longed for success.
On 5 July 1984, Diego Maradona arrived in Naples for a world-record fee, and for seven years all hell broke loose. It was a perfect match: the world’s most celebrated footballer, blessed on the field but cursed off it, and the most dysfunctional city in Europe.
The charismatic Argentine quickly led the club to their first-ever title. In the sprawling chaos of Naples, where the devil would have needed bodyguards, Maradona became bigger than God himself. But there was a price: Diego could do as he pleased while performing miracles on the pitch, but when the magic faded he became almost a prisoner of the city.
Made by the award-winning team behind SENNA and AMY, using over 500 hours of never-before-seen footage from Maradona’s personal archive, this is the wild and unforgettable story of God-given talent, glory, despair and betrayal, of corruption and ultimately redemption.
Contains infrequent strong language, nudity, bloody detail and drug references.
15.10Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
ROCKETMAN is an epic musical fantasy about the breakthrough years of larger-than-life superstar Elton John (Taron Egerton). Set to John’s most beloved songs (performed by Egerton), it tells the uncensored human story of how small-town boy and shy piano prodigy Reginald Dwight became one of the most iconic figures in pop culture. ROCKETMAN also stars Jamie Bell as John’s longtime lyricist and writing partner Bernie Taupin, Richard Madden as John’s first manager, John Reid, and Bryce Dallas Howard as John’s mother Sheila Farebrother. Dexter Fletcher, who took over directorial duties for the smash hit musical biopic BOHEMIAN RHAPSODY, is at the helm.
12.30Audio Described: Everyone welcome. Audio Description is available for this film, and is undetectable to anyone not wearing a headset
Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
In this modern epic, Kim Nguyen exposes the ruthless edge of our increasingly digital world. Cousins from New York, Vincent (Eisenberg) and Anton (Skarsgård) are players in the high-stakes game of High Frequency Trading, where winning is measured in milliseconds. Their dream? To build a fiber-optic cable straight between Kansas and New Jersey, making them millions. But nothing is straightforward for this flawed pair. Anton is the brains, Vincent is the hustler, and together they push each other and everyone around them to breaking point on their quixotic adventure. Constantly breathing down their necks is their old boss Eva Torres (Hayek) a powerful, intoxicating and manipulative trader who will stop at nothing to come between them and beat them at their own game. No matter what the cost, Vincent and Anton are determined to cut through America, only to find redemption at the end of their line, not through money, but through family and reconnecting to the land.
18.00Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
From director Todd Douglas Miller (Dinosaur 13) comes a cinematic experience fifty years in the making. Crafted from a newly discovered trove of 70mm footage, and more than 11,000 hours of uncatalogued audio recordings, Apollo 11 takes us straight to the heart of NASA’s most celebrated mission—the one that first put men on the moon, and forever made Neil Armstrong and Buzz Aldrin into household names. Immersed in the perspectives of the astronauts, the team in Mission Control, and the millions of spectators on the ground, we vividly experience those momentous days and hours in 1969 when humankind took a giant leap into the future.
Enter our Apollo 11 Book-To-Win Competition
18.30True Stories: - A season of films exploring true stories: from individuals challenging society’s dominant cultural and political stories, no matter the risk to their own liberty; looking in from the outside at those seeking to sow stories of fear; artists telling stories on film, canvas and landscapes; and stories of death-defying courage in acts from the pioneering to the everyday. Playing across all Picturehouse cinemas from June to September.
Preview: We're pleased to present exclusive previews of this film at Picturehouse Cinemas, prior to its general release.
Playing in cinemas for one night only, WHAT WE LEFT BEHIND takes a fascinating in-depth look at the past, present and future of DEEP SPACE NINE, a series whose dark, edgy take on Gene Roddenberry’s vision was often misunderstood when it premiered but has grown into a beloved mainstay in the Star Trek franchise.
Featuring extensive new interviews with the cast and crew of the show as well as newly remastered HD footage from the television series, this documentary also focuses on the original writers of the series as they craft a brand-new episode, developing what would be the eighth-season premiere if the show were to return to the air today.
To round off the evening, a recorded roundtable discussion with directors Ira Steven Behr, David Zappone and the film’s producers will provide a comprehensive look at the making of the film, the show’s fans and the series’ ongoing appeal to Trekkers of all ages.
It’s back – the jewel in Pixar’s crown and the story that changed cinema forever. The adventures of Woody, Buzz and the gang continue in another rollercoaster of a movie, which promises to pull on the heartstrings and tickle the funny bones of kids and grown-ups alike.
Woody (Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s prized but reluctant new toy, a disposable spork called Forky (Tony Hale), runs away during a family vacation, Woody and friends begin a quest to bring him back where he belongs. On their ensuing road-trip adventure alongside new faces and old friends, the charismatic pull-string cowboy learns just how big the world can be for a toy.
Enter our Toy Story 4 Book-To-Win competition
13.00Audio Described: Everyone welcome. Audio Description is available for this film, and is undetectable to anyone not wearing a headset
Cameo Wednesday Specials: £4 tickets for concessions. You may be asked for proof of age or to show a valid photo student ID.
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15.30Audio Described: Everyone welcome. Audio Description is available for this film, and is undetectable to anyone not wearing a headset
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18.00Audio Described: Everyone welcome. Audio Description is available for this film, and is undetectable to anyone not wearing a headset
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20.20Audio Described: Everyone welcome. Audio Description is available for this film, and is undetectable to anyone not wearing a headset
Katherine Newbury (Thompson) is a pioneer and legendary host on the late-night talk-show circuit. When she’s accused of being a “woman who hates women”, she puts affirmative action on the to-do list, and – presto! ¬– Molly (Kaling) is hired as the one woman in Katherine’s all-male writers’ room. But Molly might be too little too late, as the formidable Katherine also faces the reality of low ratings and a network that wants to replace her. Molly, wanting to prove she’s not simply a diversity hire who’s disrupting the comfort of the brotherhood, is determined to help Katherine by revitalising her show and career – and possibly effect even bigger change at the same time.
Thompson brings pathos and amusingly severe charm to the pantsuit-clad Katherine. Smartly written by Kaling and snappily directed by Nisha Ganatra, LATE NIGHT takes on white privilege, entitlement and a culture veering toward crassness and conservatism. Questioning how women in power are ‘supposed’ to act, it delivers a winsome, sophisticated comedy about the times in which we live.
Hedonism before high school ends is the subject of actress Olivia Wilde’s joyous directorial debut, a fresh and modern coming-of-age comedy with superb turns from Feldstein (LADY BIRD) and Dever. On the eve of graduation, two bookish BFFs realise they should have worked less and played more. Throwing in the textbooks and shedding their sensible personas, the girls set out on a mission to cram four years of fun into one crazy night.
Having never won a major tournament, ailing football giant SSC Napoli had criminally underachieved. Their fanatical support was unequalled in both passion and size. None were more feared, but they longed for success.
On 5 July 1984, Diego Maradona arrived in Naples for a world-record fee, and for seven years all hell broke loose. It was a perfect match: the world’s most celebrated footballer, blessed on the field but cursed off it, and the most dysfunctional city in Europe.
The charismatic Argentine quickly led the club to their first-ever title. In the sprawling chaos of Naples, where the devil would have needed bodyguards, Maradona became bigger than God himself. But there was a price: Diego could do as he pleased while performing miracles on the pitch, but when the magic faded he became almost a prisoner of the city.
Made by the award-winning team behind SENNA and AMY, using over 500 hours of never-before-seen footage from Maradona’s personal archive, this is the wild and unforgettable story of God-given talent, glory, despair and betrayal, of corruption and ultimately redemption.
Contains infrequent strong language, nudity, bloody detail and drug references.
ROCKETMAN is an epic musical fantasy about the breakthrough years of larger-than-life superstar Elton John (Taron Egerton). Set to John’s most beloved songs (performed by Egerton), it tells the uncensored human story of how small-town boy and shy piano prodigy Reginald Dwight became one of the most iconic figures in pop culture. ROCKETMAN also stars Jamie Bell as John’s longtime lyricist and writing partner Bernie Taupin, Richard Madden as John’s first manager, John Reid, and Bryce Dallas Howard as John’s mother Sheila Farebrother. Dexter Fletcher, who took over directorial duties for the smash hit musical biopic BOHEMIAN RHAPSODY, is at the helm.
13.15Audio Described: Everyone welcome. Audio Description is available for this film, and is undetectable to anyone not wearing a headset
Cameo Wednesday Specials: £4 tickets for concessions. You may be asked for proof of age or to show a valid photo student ID.
HOH Subtitled: This screening has subtitles for people with hearing loss
Andrea Levy’s Orange Prize-winning novel Small Island comes to life in an epic new theatre adaptation. Experience the play in cinemas, filmed live on stage as part of National Theatre Live’s 10th birthday.
Small Island embarks on a journey from Jamaica to Britain, through the Second World War to 1948 – the year the HMT Empire Windrush docked at Tilbury.
The play follows three intricately connected stories. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots. Hope and humanity meet stubborn reality as the play traces the tangled history of Jamaica and the UK.
A company of 40 actors take to the stage of the National Theatre in this timely and moving story.
It’s back – the jewel in Pixar’s crown and the story that changed cinema forever. The adventures of Woody, Buzz and the gang continue in another rollercoaster of a movie, which promises to pull on the heartstrings and tickle the funny bones of kids and grown-ups alike.
Woody (Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s prized but reluctant new toy, a disposable spork called Forky (Tony Hale), runs away during a family vacation, Woody and friends begin a quest to bring him back where he belongs. On their ensuing road-trip adventure alongside new faces and old friends, the charismatic pull-string cowboy learns just how big the world can be for a toy.
Enter our Toy Story 4 Book-To-Win competition
Katherine Newbury (Thompson) is a pioneer and legendary host on the late-night talk-show circuit. When she’s accused of being a “woman who hates women”, she puts affirmative action on the to-do list, and – presto! ¬– Molly (Kaling) is hired as the one woman in Katherine’s all-male writers’ room. But Molly might be too little too late, as the formidable Katherine also faces the reality of low ratings and a network that wants to replace her. Molly, wanting to prove she’s not simply a diversity hire who’s disrupting the comfort of the brotherhood, is determined to help Katherine by revitalising her show and career – and possibly effect even bigger change at the same time.
Thompson brings pathos and amusingly severe charm to the pantsuit-clad Katherine. Smartly written by Kaling and snappily directed by Nisha Ganatra, LATE NIGHT takes on white privilege, entitlement and a culture veering toward crassness and conservatism. Questioning how women in power are ‘supposed’ to act, it delivers a winsome, sophisticated comedy about the times in which we live.
16.00Audio Described: Everyone welcome. Audio Description is available for this film, and is undetectable to anyone not wearing a headset
HOH Subtitled: This screening has subtitles for people with hearing loss
Hedonism before high school ends is the subject of actress Olivia Wilde’s joyous directorial debut, a fresh and modern coming-of-age comedy with superb turns from Feldstein (LADY BIRD) and Dever. On the eve of graduation, two bookish BFFs realise they should have worked less and played more. Throwing in the textbooks and shedding their sensible personas, the girls set out on a mission to cram four years of fun into one crazy night.
Having never won a major tournament, ailing football giant SSC Napoli had criminally underachieved. Their fanatical support was unequalled in both passion and size. None were more feared, but they longed for success.
On 5 July 1984, Diego Maradona arrived in Naples for a world-record fee, and for seven years all hell broke loose. It was a perfect match: the world’s most celebrated footballer, blessed on the field but cursed off it, and the most dysfunctional city in Europe.
The charismatic Argentine quickly led the club to their first-ever title. In the sprawling chaos of Naples, where the devil would have needed bodyguards, Maradona became bigger than God himself. But there was a price: Diego could do as he pleased while performing miracles on the pitch, but when the magic faded he became almost a prisoner of the city.
Made by the award-winning team behind SENNA and AMY, using over 500 hours of never-before-seen footage from Maradona’s personal archive, this is the wild and unforgettable story of God-given talent, glory, despair and betrayal, of corruption and ultimately redemption.
Contains infrequent strong language, nudity, bloody detail and drug references.
ROCKETMAN is an epic musical fantasy about the breakthrough years of larger-than-life superstar Elton John (Taron Egerton). Set to John’s most beloved songs (performed by Egerton), it tells the uncensored human story of how small-town boy and shy piano prodigy Reginald Dwight became one of the most iconic figures in pop culture. ROCKETMAN also stars Jamie Bell as John’s longtime lyricist and writing partner Bernie Taupin, Richard Madden as John’s first manager, John Reid, and Bryce Dallas Howard as John’s mother Sheila Farebrother. Dexter Fletcher, who took over directorial duties for the smash hit musical biopic BOHEMIAN RHAPSODY, is at the helm.
The story of Cinderella to Jules Massenet’s sensuous and lavish score. Original production conceived and directed for the Glyndebourne Tour by Fiona Shaw. Revived and directed for Festival 2019 by Fiona Dunn.
With its enchanting love story and broad, burlesque comedy, Cendrillon is one of the great operatic fairy tales. Massenet’s beautiful, lyrical music brings the familiar characters from Perrault’s story to life – a loving, yet hapless father, a jovially villainous stepmother, the lonely prince and a fairy godmother. The gently courageous Cendrillon, never quite sure whether she is dreaming or awake, is perhaps the most bewitching of all Cinderellas. The opera is full of wonderful music, from the impassioned love duet for Cendrillon and her Prince to the coloratura effervescence of the Fairy Godmother and the brilliantly scored ‘Marche Des Princesses’. Glyndebourne favourite Danielle de Niese sings the lead role in this performance, conducted by John Wilson.
Tarantino’s assured debut is visceral and funny, evoking Stanley Kubrick's THE KILLING with a fractured, time-jumping narrative about robbery and betrayal among thieves. Six men, all professional criminals, are brought together by a shadowy mastermind to carry out a jewellery heist. None of them know each other. Each is given a code name, so that if one is caught he cannot divulge the identities of the others or the man who hired them. The heist goes ahead smoothly, but on the way out the police ambush them. The surviving members of the team meet up at the designated rendezvous – a disused warehouse – and this is where the drama really begins. In an atmosphere of mutual distrust, each one tries to analyse what happened. One of them is a traitor, but who is it?
20.30Culture Shock: Dedicated to bringing you the best in cult and genre films.
Quentin Tarantino Season: In the lead up to Once Upon A Time In Hollywood, released Wed 14th Aug, we look back at some of Quentin's best films.
Set in an ever-so English 1930s seaside hotel, ENO’s iconic production of THE MIKADO is a popular hit with audiences of all ages. Experience Gilbert and Sullivan’s irresistible combination of virtuosic wit, memorable melodies and hilarious antics in this much-loved production from Jonathan Miller.
‘A glorious production of Gilbert & Sullivan’s best comic opera’ **** Daily Express
‘Bright and Sharp. The pace never really lets up’ ***** The Guardian
‘Hilariously funny’’ ***** Bachtrack
In an underbelly of Edinburgh that the city fathers never dreamt of, Mark Renton and his so-called friends - a group of losers, liars, psychos and drug addicts - throw themselves in the nothingness of heroin and search the murky depths at bottom of the bottle; financing their habits through lives of petty crime.
The Cold Blue is a tribute to the men who fought and risked their lives to help achieve victory 75 years ago. Extraordinary never-before-seen colour footage shot by one of the greatest directors, William Wyler, takes us 30,000 feet over Nazi Germany, battling killer flak, enemy fighters and the biting cold. All the odds were stacked against returning home alive; men died to bring this harrowing footage into cinemas today.
Wyler went to Europe in 1943 to document the air war in progress and flew actual combat missions with B-17s. Incredibly, all of the raw colour footage he shot for The Memphis Belle was recently discovered in the vaults of the National Archives, and a new film has been constructed out of the material.
The Cold Blue will play alongside an exclusive behind-the-scenes look at the making of the film. It includes an evocative look at the Second World War from a range of unique perspectives; how the UK viewed the support of the Allied troops; poignant and difficult moments brought to life via incredible colour footage; and interviews with veterans of the Eighth Air Force, director Erik Nelson and Wyler’s daughter Catherine.
To some it’s a flashy, gratuitously violent triumph of style over content; to others it’s the film that confirmed Tarantino as one of the most distinguished and talented contemporary American directors. Unquestionably it’s one of the most influential films of its time. PULP FICTION is a superbly written, complex, ultra-violent, almost unbearably tense and often hilarious thriller with an outstanding cast and some surprising performances, most notably from John Travolta. Drawing his inspiration from the lurid low-life characters found in the cheap yellow-paged crime novels of the 1930s and ’40s, Tarantino weaves together three tales of small-time criminal life in Los Angeles.
20.00Culture Shock: Dedicated to bringing you the best in cult and genre films.
Quentin Tarantino Season: In the lead up to Once Upon A Time In Hollywood, released Wed 14th Aug, we look back at some of Quentin's best films.
A classic Aardman stop-motion animation with a healthy mix of comedy and adventure.
Mrs. Tweedy (Miranda Richardson) operates a chicken farm, where most of the birds have resigned themselves to a short and uneventful life of producing eggs and ending up as the main course of someone's Sunday dinner. But when Rocky (Mel Gibson), a rooster from America, arrives on the farm, things begin to change. Rocky soon finds romance with a hen named Ginger (Julia Sawalha) who longs for a better life and has been trying to find a way out of the farm for some time; together they devise a plan to escape to freedom. However, Rocky and Ginger soon find themselves racing against the clock when Mrs. Tweedy decides it's time to turn the entire flock into chicken pies.
When James Fox's gangster on the run hides out from ex-colleagues in a Notting Hill basement he intrudes upon a reclusive pop star (Mick Jagger) brooding in drug-bolstered exile with his sexual camp followers (Anita Pallenberg, Michelle Breton). In the initial confrontation each recognises something of himself in the other and with Fox waiting vainly for his chance of escape as retribution closes in, all borders between reality and fantasy – and sexual and psychic barriers – break down. Unique, psychedelic and kaleidoscopic, establishing Roeg at a stroke as a major and inimitable talent in British cinema in the 70s.
Acclaimed at the time of its release forty years ago as the most exciting, stirring and perceptive youth film since REBEL WITHOUT A CAUSE, QUADROPHENIA was the sensational feature debut from Franc Roddam, a successful TV director who has gone on to create AUF WIEDERSEHN PET and MASTERCHEF.
Like TOMMY before it, the film was based on a concept album by ‘The Who’ and became an instant cult classic both in the UK and in America, influencing an entire generation of filmmakers. Deliberately naturalistic, the film centres on a remarkable recreation of the world of the Mods and Rockers in the mid ’60s, brilliantly capturing the essence of the era and starkly portraying the notorious pitched battles on the Brighton seafront.
Dramatic, moving & deeply human, this is the definitive story of Neil Armstrong – the first man on the moon.Narrated by Harrison Ford, and featuring breath-taking NASA footage, re-mastered archive material and never-before-seen home movie footage, this intimate and often surprising documentary, tells the incredible untold story of a determined family man who became a reluctant world icon.
ARMSTRONG also includes major interviews with his family, an exceptional cast of fellow astronauts and aviators, those who knew him in his youth and later life, together with newly filmed sequences at some of the key locations from his life story.
A classic Aardman stop-motion animation with a healthy mix of comedy and adventure.
Mrs. Tweedy (Miranda Richardson) operates a chicken farm, where most of the birds have resigned themselves to a short and uneventful life of producing eggs and ending up as the main course of someone's Sunday dinner. But when Rocky (Mel Gibson), a rooster from America, arrives on the farm, things begin to change. Rocky soon finds romance with a hen named Ginger (Julia Sawalha) who longs for a better life and has been trying to find a way out of the farm for some time; together they devise a plan to escape to freedom. However, Rocky and Ginger soon find themselves racing against the clock when Mrs. Tweedy decides it's time to turn the entire flock into chicken pies.
When a mild-mannered Uber driver named Stu (Kumail Nanjiani) picks up a passenger (Dave Bautista) who turns out to be a cop hot on the trail of a brutal killer, he’s thrust into a harrowing ordeal where he desperately tries to hold onto his wits, his life and his five-star rating. Directed by Michael Dowse, this action-comedy from 20th Century Fox also stars Iko Uwais, Natalie Morales, Betty Gilpin, Jimmy Tatro, Mira Sorvino and Karen Gillan.
Andrea Levy’s Orange Prize-winning novel Small Island comes to life in an epic new theatre adaptation. Experience the play in cinemas, filmed live on stage as part of National Theatre Live’s 10th birthday.
Small Island embarks on a journey from Jamaica to Britain, through the Second World War to 1948 – the year the HMT Empire Windrush docked at Tilbury.
The play follows three intricately connected stories. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots. Hope and humanity meet stubborn reality as the play traces the tangled history of Jamaica and the UK.
A company of 40 actors take to the stage of the National Theatre in this timely and moving story.
For Serbian filmmaker Mila Turajlic, a locked door in her mother's apartment in Belgrade provides the gateway to both her remarkable family history and her country's tumultuous political inheritance.
At 8pm on Sunday 9th July 1978 in The Rocket, a small smokey pub in Crawley Sussex, The Cure performed their very first show. Around 65 people joined in the fun.
At 8pm on Saturday 7th July 2018 in Hyde Park, a big green space in London, The Cure took to the stage to celebrate 40 years of playing live. Around 65,000 people joined in the fun.
To capture this second historic event in all its technicolour glory, the band turned to the man responsible for most of The Cure’s iconic videos, as well as their award-winning 1986 film ‘In Orange’ – long-time collaborator and maverick director Tim Pope.
The performance Tim Pope filmed that perfect summer evening was one of the most memorable concerts of The Cure’s long career; as giant sized screens danced, glitched and fizzled with images of raging seas, shimmering webs and broken hearts, The Cure flowed, floated, pushed, pounded and powered their way through a 29-song, 135-minute spectacular, on a spellbinding trip through four decades of alternative popular music.
From ‘Lovesong’ to ‘Lullaby’, from ‘Boys Don’t Cry’ to ‘Burn’, from ‘Fascination Street’ to ‘Friday I’m in Love’, Robert Smith and his extraordinary band – Simon Gallup, Jason Cooper, Roger O’Donnell and Reeves Gabrels – take us on a magical trip through time. Captured in glorious 4K with a 5.1 audio mix, it’s a fabulously immersive cinematic experience.
Firmly stamped with Tarantino's trademark visual flair, hip dialogue, supreme soundtrack and cool stars, JACKIE BROWN is also his most mature and emotionally satisfying work. Brilliantly adapted from Elmore Leonard's novel RUM PUNCH, the film stars ’70s icon Pam Grier as an airline stewardess who, caught smuggling cash by the Feds, is offered the chance to save herself by leading them to Ordell Robbie (Samuel L. Jackson), the arms dealer she works for. With the help of a sympathetic bail bondsman (an Oscar-nominated Robert Forster), she comes up with a bold, almost foolhardy plan to play the violent Ordell off against the determined cops and walk away with a fortune.
Brilliantly adapted from Elmore Leonard's novel Rum Punch, the film stars '70s icon Pam Grier as an airline stewardess who, caught smuggling cash by the Feds, is offered the chance to save herself by leading them to Ordell Robbie (Samuel L. Jackson), the arms dealer she works for.
With the help of a sympathetic bail bondsman (an Oscar-nominated Robert Forster), she comes up with a bold, almost foolhardy plan to play the violent Ordell off against the determined cops and in doing so walk away with a fortune.
Influenced by the '70s chic, colourful characters, pumped-up music and non-stop action that were hallmarks of classic Blaxploitation films, Tarantino has imbued JACKIE BROWN with his distinctive touch.
But the real success of the film lies in the masterful performance of Pam Grier as a strong woman with the ability to take retribution on the men who challenge her.
20.00Culture Shock: Dedicated to bringing you the best in cult and genre films.
Quentin Tarantino Season: In the lead up to Once Upon A Time In Hollywood, released Wed 14th Aug, we look back at some of Quentin's best films.
Exclusive preview with a satellite Q&A July 13th featuring an introduction from director Ron Howard, special guests and a Three Tenors aria remastered for the first time on the big screen.
Award-winning director Ron Howard and the team behind THE BEATLES: EIGHT DAYS A WEEK celebrate the life of beloved opera star Luciano Pavarotti, who sold over 100 million records in his lifetime and brought opera to the people. Using footage from concerts, interviews and the Pavarotti family archives, Howard goes beyond the iconic public figure to reveal the man himself. Charting his rise from humble beginnings in Northern Italy through to superstardom, PAVAROTTI lifts the curtain on the great tenor as a husband and father, a committed philanthropist, and a fragile artist who had a complex relationship with his unique talents.
Rossini’s celebrated opera ‘buffa’ is a perfect marriage of wit, energy and musical invention. When Count Almaviva falls in love with Rosina, he enlists the help of his Mr-Fix-It barber, the irrepressible Figaro, to help him outwit Rosina’s guardian Bartolo. But Bartolo plans to marry Rosina himself, and a comic and fast-paced battle of wills ensues. Rossini’s masterpiece was completed, legend has it, in just 13 days. His score fizzes with virtuosic brilliance , from the stunning, ubiquitously known Overture to the bravura solo arias – including the immortal ‘Una Voce Poco Fa’ and Figaro’s ‘Largo Al Factotum’ - while breathtaking, intricate ensemble singing weaves together the strands of the comic tale. In this revival of Annabel Arden’s 2016 production for Glyndebourne, Danielle de Niese stars as Rosina. Opera’s greatest comedy, filled with its greatest hits. A treat for all.
One of Nicolas Roeg’s most elliptical, not to say intractable, films, in which he takes his cross-cutting, kaleidoscopic style to its furthest limits. A simple story by Walter Tevis, about a disorientated alien visitor (Bowie) trying to get back to his own planet, is transformed into a dense extravaganza - part road movie, part corporate thriller, part sci-fi fantasy.
The seaside town of Amity, Massachusetts depends on its summer tourist trade. So when a swimmer is killed by a great white shark, no one wants to take up Sheriff Brody’s (Scheider) suggestion of closing the beach.
Soon Brody himself, along with a mercenary shark hunter (Shaw) and an oceanographer (Dreyfuss), is locked in an unbearably tense duel at sea with the deadly creature.
With an iconic score by John Williams, this is the film that put Spielberg on the map.
Rossini’s celebrated opera ‘buffa’ is a perfect marriage of wit, energy and musical invention. When Count Almaviva falls in love with Rosina, he enlists the help of his Mr-Fix-It barber, the irrepressible Figaro, to help him outwit Rosina’s guardian Bartolo. But Bartolo plans to marry Rosina himself, and a comic and fast-paced battle of wills ensues. Rossini’s masterpiece was completed, legend has it, in just 13 days. His score fizzes with virtuosic brilliance , from the stunning, ubiquitously known Overture to the bravura solo arias – including the immortal ‘Una Voce Poco Fa’ and Figaro’s ‘Largo Al Factotum’ - while breathtaking, intricate ensemble singing weaves together the strands of the comic tale. In this revival of Annabel Arden’s 2016 production for Glyndebourne, Danielle de Niese stars as Rosina. Opera’s greatest comedy, filled with its greatest hits. A treat for all.
Nominated for the Best Animated Feature Oscar at the 2010 Academy Awards, THE SECRET OF KELLS is a charming, traditionally animated comedy adventure with an impressive voice cast. The action takes place in ninth-century Ireland, where Viking marauders have forced inhabitants of the Abbey of Kells to erect a huge wall to defend their land. Abbot Cellach (Gleeson, PERRIER'S BOUNTY) expects his nephew Brendan (McGuire) to continue protecting the township, but a mysterious manuscript illuminator (Lally, ALEXANDER) rolls into town with unfinished scrolls and urges Brendan to embark on a quest with him. Filled with peril, their trip takes them far and wide to an enchanted forest where mythical creatures dwell, and here Brendan learns that in order to complete the book he must first face his greatest fears.
After surviving a bullet in the head on her wedding day, The Bride, aka Black Mamba (Uma Thurman), a former assassin, emerges from a coma and swears revenge on her old boss and his deadly squad of trained killers (played by Lucy Liu, Daryl Hannah, Vivica A Fox and Tarantino regular Michael Madsen).
Tarantino’s first feature for six years after JACKIE BROWN, KILL BILL marked a welcome return from one of American cinema’s most visually inventive and zeitgeist-attuned filmmakers. Married to the director’s love of the minutiae of popular culture (there are a number of neat gags revolving around Charlie Brown, cereal and the hippest brands of trainers) is an indulgence of his love of the samurai genre, incorporating some stunning martial arts set pieces featuring choreography courtesy of the CROUCHING TIGER, HIDDEN DRAGON team. In her Bruce Lee tracksuit, Thurman (for whom Tarantino wrote the part) makes a feisty heroine with Liu perhaps her most notable foil.
In KILL BILL: VOL. 2, as The Bride continues her vengeful assault on the four assassins who left her for dead, she inches ever closer to her ultimate goal of laying waste to her former employer – and the man who ordered the hit on her – Bill (David Carradine). Bringing some of the peripheral characters from the first instalment to the fore, KILL BILL: VOL. 2 is another bravura, adrenalin-inducing exercise in genre filmmaking.
18.15Culture Shock: Dedicated to bringing you the best in cult and genre films.
Quentin Tarantino Season: In the lead up to Once Upon A Time In Hollywood, released Wed 14th Aug, we look back at some of Quentin's best films.
From the 2016–17 season
Tony Award-winning director Bartlett Sher's staging of Gounod's Roméo et Juliette updates the action to 18th-century Verona and conjures both the magic and heartbreak of this timeless love story.
Nominated for the Best Animated Feature Oscar at the 2010 Academy Awards, THE SECRET OF KELLS is a charming, traditionally animated comedy adventure with an impressive voice cast. The action takes place in ninth-century Ireland, where Viking marauders have forced inhabitants of the Abbey of Kells to erect a huge wall to defend their land. Abbot Cellach (Gleeson, PERRIER'S BOUNTY) expects his nephew Brendan (McGuire) to continue protecting the township, but a mysterious manuscript illuminator (Lally, ALEXANDER) rolls into town with unfinished scrolls and urges Brendan to embark on a quest with him. Filled with peril, their trip takes them far and wide to an enchanted forest where mythical creatures dwell, and here Brendan learns that in order to complete the book he must first face his greatest fears.
The story of a family and a company that changed the world, told in three parts on a single evening.
Academy Award-winner Sam Mendes (Skyfall, The Ferryman) directs Simon Russell Beale, Adam Godley and Ben Miles who play the Lehman Brothers, their sons and grandsons.
On a cold September morning in 1844 a young man from Bavaria stands on a New York dockside. Dreaming of a new life in the new world. He is joined by his two brothers and an American epic begins.
163 years later, the firm they establish – Lehman Brothers – spectacularly collapses into bankruptcy, and triggers the largest financial crisis in history.
This critically acclaimed and five-time Olivier Award nominated play features stunning set design from Es Devlin (NT Live: Hamlet) and will be broadcast live from London’s West End as part of National Theatre Live’s 10th Birthday season.
Playboy songwriter Brad Allen's (Rock Hudson) succession of romances annoys his neighbor, interior designer Jan Morrow (Doris Day), who shares a telephone party line with him and hears all his breezy routines. After Jan unsuccessfully lodges a complaint against him, Brad sets about to seduce her in the guise of a sincere and upstanding Texas rancher. When mutual friend Jonathan (Tony Randall) discovers that his best friend is moving in on the girl he desires, however, sparks fly.
11.00Dementia-Friendly Screening: Open to all but especially for people with dementia and their family, friends and carers. Join us for free tea, coffee and biscuits and a chance to socialise for 30 minutes before the film. The film will start at the time stated.
Featuring one of the most gripping opening scenes in recent memory and a breakout performance from Christoph Waltz as SS Colonel Hans ‘Jew Hunter’ Landa, Tarantino’s epic alternative history of the Second World War is bold, bloody and wildly entertaining. Set in Nazi-occupied France, the film tracks the converging fates of a marauding gang of American soldiers led by Lt. Aldo Raine (Brad Pitt), and Shosanna (Melanie Durant), a vengeful Jewish orphan living under an alias in Paris.
“Tarantino’s Inglourious Basterds is a big, bold, audacious war movie that will annoy some, startle others and demonstrate once again that he’s the real thing, a director of quixotic delights.” – Roger Ebert
20.00Culture Shock: Dedicated to bringing you the best in cult and genre films.
Quentin Tarantino Season: In the lead up to Once Upon A Time In Hollywood, released Wed 14th Aug, we look back at some of Quentin's best films.
'To whom should I complain?'
When a young novice nun is compromised by a corrupt official, who offers to save her brother from execution in return for sex, she has no idea where to turn for help. When she threatens to expose him, he tells her that no one would believe her.
Shakespeare wrote this play in the early 1600s, yet it remains astonishingly resonant today. Artistic Director Gregory Doran directs this new production.
Come one, come all! On Thursday, August 1, join Dead Heads in your neighborhood - and around the world - when Trafalgar Releasing and Rhino Entertainment celebrate the 9th Annual Grateful Dead Meet-Up at the Movies. This can’t-miss event - the first to go global - features the previously unreleased complete June 17, 1991 concert from Giants Stadium. Widely considered one of the greatest shows of the band's final decade of performing, 6/17/91 also sounds unlike any Dead show you've ever heard as it was one of only two recorded on 48-track. Mixed by Jeffrey Norman in glorious surround sound with video from the multi-camera live edit, this will be the first time the Bruce Hornsby and Vince Welnick line-up has ever appeared on the big screen.
Opening with a shocking "Eyes Of The World," the Dead were firing on all cylinders from the opening notes of the show, mixing beloved classics like "Truckin’" and "Uncle John’s Band" with rarities including "Saint Of Circumstance," "Might As Well," "New Speedway Boogie," and "China Doll." But the real standout was the recurrence of "Dark Star," which wove in and out of the setlist, making no less than six distinct appearances and teases during the show. The Dead capped off the spectacular night with a perfect song to send the crowd on its way – The Band’s “The Weight.”
As a special treat, this extraordinary screening will also feature a reveal of the Grateful Dead's 2019 boxed set, featuring the Dead's legacy manager, archivist and producer David Lemieux.
Join us, won’t you?
Agnès Varda, photographer, installation artist and pioneer of the Nouvelle Vague, is an institution of French cinema. Taking a seat on a theatre stage, she uses photos and film excerpts to provide an insight into her unorthodox oeuvre.
18.00True Stories: - A season of films exploring true stories: from individuals challenging society’s dominant cultural and political stories, no matter the risk to their own liberty; looking in from the outside at those seeking to sow stories of fear; artists telling stories on film, canvas and landscapes; and stories of death-defying courage in acts from the pioneering to the everyday. Playing across all Picturehouse cinemas from June to September.
Eighty years after release, Walt Disney’s first ground-breaking animated cartoon feature continues to captivate audiences young and old with its unique blend of fairy tale, fantasy, laughter, thrills and tears. Boldly reworking the Brothers Grimm tale, this hand-crafted Technicolor masterpiece was the gorgeous result of the years of love bestowed upon it by perfectionist Disney and his dedicated studio team. By turns charming, creepy, cute and comical - and jam-packed with wonderful characters - this evergreen story of a beautiful princess, a wicked witch and those dauntless dwarfs took the world by storm, and remains a timeless treat for all the family.
Enchantment meets the politics of the Enlightenment in Mozart’s fairy-tale opera, Die Zauberflöte. Prince Tamino is on a quest to rescue Princess Pamina, daughter of the Queen of the Night, who has been kidnapped by her father, the evil Sarastro. With the help of the foolish bird-catcher Papageno, Tamino must brave not only dragons and the forces of darkness, but trials of fire and water in order to arrive at the truth and win Pamina as his bride. Composed just months before Mozart’s death, Die Zauberflöte is a heady blend of knock-about comedy and fantasy, its beautiful melodies woven into an allegory of wicked queens, noble princes, ancient Egyptian mythology and the lore of the Freemasons. In this new production by Barbe & Doucet, Antonello Manacorda conducts the Orchestra of the Age of Enlightenment and a cast that includes Sofia Fomina, Björn Bürger and Caroline Wettergreen.
Tarantino’s first period western stars Jamie Foxx as freed slave turned bounty hunter Django. Aided by German gunslinger Dr King Schultz (Christoph Waltz), Django sets out to rescue his wife from brutal Mississippi plantation boss Calvin Candle (Leonardo DiCaprio). Django’s campaign of cold-blooded revenge is shot through with the director’s trademark black humour, sparky dialogue and visual flair, and features a star-studded cast at the top of their game. A cinematic treat from breathless start to brutal finish.
20.00Culture Shock: Dedicated to bringing you the best in cult and genre films.
Quentin Tarantino Season: In the lead up to Once Upon A Time In Hollywood, released Wed 14th Aug, we look back at some of Quentin's best films.
From the 2013–14 season
Franco Zeffirelli's picturesque staging, an audience favorite for more than 30 years, features a winning young cast, including soprano Kristine Opolais and tenor Vittorio Grigolo as the lovers
Mimì and Rodolfo. Stefano Ranzani conducts.
Eighty years after release, Walt Disney’s first ground-breaking animated cartoon feature continues to captivate audiences young and old with its unique blend of fairy tale, fantasy, laughter, thrills and tears. Boldly reworking the Brothers Grimm tale, this hand-crafted Technicolor masterpiece was the gorgeous result of the years of love bestowed upon it by perfectionist Disney and his dedicated studio team. By turns charming, creepy, cute and comical - and jam-packed with wonderful characters - this evergreen story of a beautiful princess, a wicked witch and those dauntless dwarfs took the world by storm, and remains a timeless treat for all the family.
Enchantment meets the politics of the Enlightenment in Mozart’s fairy-tale opera, Die Zauberflöte. Prince Tamino is on a quest to rescue Princess Pamina, daughter of the Queen of the Night, who has been kidnapped by her father, the evil Sarastro. With the help of the foolish bird-catcher Papageno, Tamino must brave not only dragons and the forces of darkness, but trials of fire and water in order to arrive at the truth and win Pamina as his bride. Composed just months before Mozart’s death, Die Zauberflöte is a heady blend of knock-about comedy and fantasy, its beautiful melodies woven into an allegory of wicked queens, noble princes, ancient Egyptian mythology and the lore of the Freemasons. In this new production by Barbe & Doucet, Antonello Manacorda conducts the Orchestra of the Age of Enlightenment and a cast that includes Sofia Fomina, Björn Bürger and Caroline Wettergreen.
Based on Nicholas Pileggi’s book Wiseguy, Martin Scorsese’s mob-movie masterpiece marked a revival of Hollywood interest in gangsters and gangsterdom. It chronicles three decades of a life in crime, following Brooklyn youngster Henry Hill’s graduation from petty criminal to big-time thief. Widely regarded as one of the greatest films in the crime genre, this is essential viewing for any movie fan.
The Short Com International Film Festival makes its long anticipated return to The Cameo Cinema. Screening the funniest selected short films from the past year, Short Com guarantees laughs from a packed programme of short films from around the globe by exciting new film-making talent. Previous screenings in London, Bristol, Manchester and as part of the Glasgow Short Film Festival, Short Com is delighted to return to Edinburgh and to the Cameo Cinema.
The story of a family and a company that changed the world, told in three parts on a single evening.
Academy Award-winner Sam Mendes (Skyfall, The Ferryman) directs Simon Russell Beale, Adam Godley and Ben Miles who play the Lehman Brothers, their sons and grandsons.
On a cold September morning in 1844 a young man from Bavaria stands on a New York dockside. Dreaming of a new life in the new world. He is joined by his two brothers and an American epic begins.
163 years later, the firm they establish – Lehman Brothers – spectacularly collapses into bankruptcy, and triggers the largest financial crisis in history.
This critically acclaimed and five-time Olivier Award nominated play features stunning set design from Es Devlin (NT Live: Hamlet) and will be broadcast live from London’s West End as part of National Theatre Live’s 10th Birthday season.
A legendary warrior's stolen magic sword becomes the centerpiece of epic, intertwining love stories, set against the breathtaking landscapes of ancient China.
From the 2006–07 season
Rossini's madcap comedy receives a spirited production by Tony Award-winning director Bartlett Sher and stars mezzo-soprano Joyce DiDonato, tenor Juan Diego Flórez, and baritone
Peter Mattei. Maurizio Benini conducts.
The Holy Trinity of Rock returns to the big screen on Wednesday, August 21, when the first "Annual Exercise in Fan Indulgence" Cinema Strangiato brings Rush fans together in movie theatres worldwide. Featuring R40+, this global fan event will give audiences a special look into some of the best performances from R40 LIVE, including songs such as “Closer to the Heart", "Subdivisions", "Tom Sawyer" and more, as well as unreleased backstage moments and candid footage left on the cutting room floor. R40+ also includes unseen soundcheck performances of the fan-favorite "Jacob's Ladder", exclusive new interviews with Tom Morello, Billy Corgan, Taylor Hawkins, producer Nick Raskulinecz, violinist Jonathan Dinklage and more. As a special bonus, fans will get a glimpse into the madness and passion that went in to the making of Geddy Lee's new book, Geddy Lee's Big Beautiful Book of Bass - featuring a brand-new interview from the man himself.
Inspired by the serialised matinee action films Steven Spielberg loved as a child, RAIDERS OF THE LOST ARK became one of the defining action/adventure films of its day and remains a hugely enjoyable movie experience.
Harrison Ford, fresh from his propulsion to super-stardom through the STAR WARS series, embodied the reluctant yet capable adventurer Indiana Jones, a serious and scholarly archaeology professor who is hired by the US government to track down the Ark of the Covenant ahead of their Nazi rivals.
The action set-pieces, tongue-in-cheek humour, impressive production values and a sheer love of cinema make RAIDERS OF THE LOST ARK an irresistibly enjoyable big-screen treat.
Paul thomas Anderson reunites with several of his Boogie Nights stars in this ensemble drama comprised of six interwoven stories dealing with parents, children, love and lonliness. An epic mosaic of several interrelated characters in search of happiness, forgiveness, and meaning in the San Fernando Valley.
From the 2018–19 season
Soprano Anna Netrebko and mezzo-soprano Anita Rachvelishvili offer blazing performances in Verdi's grand drama of ancient Egypt, seen in a stunning production by Sonja Frisell. Nicola Luisotti conducts.
On Tuesday 10 September, Fane Productions present an evening with the Canadian novelist, poet, literary critic and inventor Margaret Atwood to mark the release of The Testaments, Atwood’s highly anticipated sequel to The Handmaid’s Tale. The event will be broadcast live via satellite from the National Theatre in London.
The publication of The Handmaid’s Tale in 1985 and the current, Emmy Award-winning television series have created a cultural phenomenon, as handmaids have become a symbol of women’s rights and a protest against misogyny and oppression.
Atwood will be interviewed by broadcaster and author Samira Ahmed in a conversation spanning the length of Atwood’s remarkable career, her diverse range of works, and why she has returned to her seminal handmaid story, 34 years later.
“Dear Readers: Everything you've ever asked me about Gilead and its inner workings is the inspiration for this book. Well, almost everything! The other inspiration is the world we've been living in.”
With exclusive readings from the new book by special guests, this will be an unmissable and intimate event with Atwood, spotlighting her signature insight, humour and intellect.
Compelling, blood-curdling and beautiful, Giuseppe Verdi’s masterpiece is being performed for the first time on the unique Bregenz lake stage. Once of Verdi’s most popular works, Rigoletto is an unforgettable tale of sacrifice and revenge, of a father’s rage and a daughter’s shame. It features several of opera’s best-known arias, including Rigoletto’s passionate denouncement ‘Cortigiani, vil razza dannata’, Gilda’s dreamy ‘Caro nome’ and the Duke’s instantly recognisable ‘La donna è mobile’.
Directed and designed by Philip Stölzl, this timeless tragedy will delight audiences with a powerhouse combination of entertainment and emotional intensity from the spectacular shore of Lake Constance.
Featuring a Tony Award-winning performance from host of the The Late Late Show, James Corden, the hilarious West End and Broadway hit One Man, Two Guvnors returns to cinemas to mark National Theatre Live’s 10th birthday.
Fired from his skiffle band, Francis Henshall becomes minder to Roscoe Crabbe, a small time East End hood, now in Brighton to collect £6,000 from his fiancée’s dad. But Roscoe is really his sister Rachel posing as her own dead brother, who’s been killed by her boyfriend Stanley Stubbers.
Holed up at The Cricketers’ Arms, the permanently ravenous Francis spots the chance of an extra meal ticket and takes a second job with one Stanley Stubbers, who is hiding from the police and waiting to be re-united with Rachel. To prevent discovery, Francis must keep his two guvnors apart. Simple.
The Vinyl Revival explores the renaissance in all things vinyl. We hear from passionate new record shops owners as well the established die-hards still going and thriving. We speak with musicians and music industry pundits, experts on culture and music history. The film discusses the importance of the record shop and vinyl as a whole. We answer the why’s of vinyl’s revival, the human need for belonging, the love of history, and the stories of how the humble little record shop has shaped so many lives.
Contributors include: Philip Selway (Radiohead), Jen Otter Bikerdike (Rock and Roll Historian), Nick Mason (Pink Floyd) and Ade Utley (Portishead)
Each screening will be followed by a Q&A.
Nearly three decades after her first visit to London, the enigmatic Mary Poppins (Blunt) soars back into the capital to look after the Banks children in their time of need.
The now grown-up Jane (Mortimer) and Michael Banks (Whishaw) are living in the same house on Cherry Tree Lane, along with Michael’s three children and their housekeeper Ellen (Walters).
The family are in danger of losing their home, and Michael is struggling after a personal loss, but the practically perfect nanny returns just in time to rekindle the fun and wonder missing from their lives – with a little help from street lamplighter Jack (Miranda) and her eccentric cousin Topsy (Streep).
Boasting wonderful songs, classic 2D animation and cameos from some familiar faces, this is a delightful reunion for all to enjoy, whether you grew up with the magic or are discovering it for the first time.
11.00Audio Described: Everyone welcome. Audio Description is available for this film, and is undetectable to anyone not wearing a headset
Dementia-Friendly Screening: Open to all but especially for people with dementia and their family, friends and carers. Join us for free tea, coffee and biscuits and a chance to socialise for 30 minutes before the film. The film will start at the time stated.
Multi-award-winning director Emma Rice brings her unique, exuberantly impish vision to Angela Carter’s great last novel in this brand-new theatre production. A big, bawdy tangle of theatrical joy and heartbreak, Wise Children is a celebration of show business, family, forgiveness and hope, with a generous dash of Shakespeare, scandal and mischief, taking the audience on a rollercoaster ride of emotion.
In Brixton, Nora and Dora Chance – twin chorus girls born and bred south of the river – are celebrating their 75th birthday. Over the river in Chelsea, their father – and the greatest actor of his generation – Melchior Hazard turns 100 on the same day. As does his twin brother Peregrine. If, in fact, he’s still alive. And if, in truth, Melchior is their real father after all...
Performed by a talented ensemble cast, this entertaining, all-singing and dancing show opened to a raft of four and five-star reviews at London’s Old Vic in 2018. Adapted and directed by Emma Rice, the former Artistic Director of Kneehigh and Shakespeare’s Globe, it was filmed for the cinema screen at York Theatre Royal.
Featuring a Tony Award-winning performance from host of the The Late Late Show, James Corden, the hilarious West End and Broadway hit One Man, Two Guvnors returns to cinemas to mark National Theatre Live’s 10th birthday.
Fired from his skiffle band, Francis Henshall becomes minder to Roscoe Crabbe, a small time East End hood, now in Brighton to collect £6,000 from his fiancée’s dad. But Roscoe is really his sister Rachel posing as her own dead brother, who’s been killed by her boyfriend Stanley Stubbers.
Holed up at The Cricketers’ Arms, the permanently ravenous Francis spots the chance of an extra meal ticket and takes a second job with one Stanley Stubbers, who is hiding from the police and waiting to be re-united with Rachel. To prevent discovery, Francis must keep his two guvnors apart. Simple.
Multi-award-winning director Emma Rice brings her unique, exuberantly impish vision to Angela Carter’s great last novel in this brand-new theatre production. A big, bawdy tangle of theatrical joy and heartbreak, Wise Children is a celebration of show business, family, forgiveness and hope, with a generous dash of Shakespeare, scandal and mischief, taking the audience on a rollercoaster ride of emotion.
In Brixton, Nora and Dora Chance – twin chorus girls born and bred south of the river – are celebrating their 75th birthday. Over the river in Chelsea, their father – and the greatest actor of his generation – Melchior Hazard turns 100 on the same day. As does his twin brother Peregrine. If, in fact, he’s still alive. And if, in truth, Melchior is their real father after all...
Performed by a talented ensemble cast, this entertaining, all-singing and dancing show opened to a raft of four and five-star reviews at London’s Old Vic in 2018. Adapted and directed by Emma Rice, the former Artistic Director of Kneehigh and Shakespeare’s Globe, it was filmed for the cinema screen at York Theatre Royal.
Yannick Nézet-Séguin, the Met’s Music Director, conducts this powerful production of love, loss and loyalty. Franco Zeffirelli’s spectacular staging returns to cinemas with powerhouse soprano Christine Goerke as the icy princess who has sworn never to be possessed by a man. But the unknown suitor Calaf, played by tenor Roberto Aronica, who sings the famed aria ‘Nessun dorma’, is love-struck, and risks his life by attempting to answer the challenging three riddles that promise to unlock her heart.
This fascinating cinema event opens with a brand-new documentary about the life and work of Paul Gauguin, one of the world’s most popular and important artists. Filmed in Tahiti, France, the Marquesas Islands and the UK, this cinematic film will explore Gauguin’s extraordinary – and at times controversial – artistic achievement, with commentary from his descendants, artists and world experts. It will be followed by an exclusive private view of the National Gallery exhibition Gauguin Portraits, just after it opens in London. Exhibition curators and guest contributors will take cinema audiences on a lively and engaging guided tour, bringing this first ever exhibition of Gauguin’s portraits to the big screen with stunning close-ups and illuminating insights.
Yannick Nézet-Séguin, the Met’s Music Director, conducts this powerful production of love, loss and loyalty. Franco Zeffirelli’s spectacular staging returns to cinemas with powerhouse soprano Christine Goerke as the icy princess who has sworn never to be possessed by a man. But the unknown suitor Calaf, played by tenor Roberto Aronica, who sings the famed aria ‘Nessun dorma’, is love-struck, and risks his life by attempting to answer the challenging three riddles that promise to unlock her heart.
This fascinating cinema event opens with a brand-new documentary about the life and work of Paul Gauguin, one of the world’s most popular and important artists. Filmed in Tahiti, France, the Marquesas Islands and the UK, this cinematic film will explore Gauguin’s extraordinary – and at times controversial – artistic achievement, with commentary from his descendants, artists and world experts. It will be followed by an exclusive private view of the National Gallery exhibition Gauguin Portraits, just after it opens in London. Exhibition curators and guest contributors will take cinema audiences on a lively and engaging guided tour, bringing this first ever exhibition of Gauguin’s portraits to the big screen with stunning close-ups and illuminating insights.
'The course of true love never did run smooth.’
A feuding fairy King and Queen of the forest cross paths with four runaway lovers and a troupe of actors trying to rehearse a play. As their dispute grows, the magical royal couple meddle with mortal lives leading to love triangles, mistaken identities and transformations… with hilarious, but dark consequences.
Shakespeare’s most famous romantic comedy will be captured live from the Bridge Theatre in London. Gwendoline Christie (Game of Thrones), Oliver Chris (Green Wing, NT Live: Young Marx), David Moorst (NT Live: Allelujah!) and Hammed Animashaun (The Barber Shop Chronicles) lead the cast as Titania, Oberon, Puck and Bottom.
Directed by Nicholas Hytner, this production of A Midsummer Night’s Dream will build on the success of his immersive staging of Julius Caesar (NT Live 2018). The Bridge Theatre will become a forest – a dream world of flying fairies, contagious fogs and moonlight revels, surrounded by a roving audience following the action on foot.
Laurent Pelly’s enchanting production, starring soprano Lisette Oropesa in the effervescent title role, explores the devastating consequences when excess and passion collide. Tenor Michael Fabiano is the besotted Chevalier des Grieux, whose desperate love for Manon proves to be the undoing for both of them. Maurizio Benini conducts Massenet’s sensual score.
Music: Alexander Glazuno
Choerography: Yuri Grigorovich (after Marius Petipa)
Libretto: Yuri Grigorovich (after Lidia Pashkova)
Cast: The Bolshoi Principals, Soloists and Corps de Ballet
Synopsis: Raymondais betrothed to Jean de Brienne, a gallant knight who pledged to go on a crusade led by the King of Hungary. When her beloved leaves, Abderakhman, a foreign knight, makes a bid for the hand of Raymonda and threatens her fate when she rejects him...
The ballet: Raymondais a must-see of the Bolshoi, a work of living dance history. Being one of legendary choreographer Marius Petipa’s final works, he fully armed this ballet with beautiful court scenes, romantic corps de ballet dances, Hungarian czardas and a title role suited for the most outstanding ballerina.
Laurent Pelly’s enchanting production, starring soprano Lisette Oropesa in the effervescent title role, explores the devastating consequences when excess and passion collide. Tenor Michael Fabiano is the besotted Chevalier des Grieux, whose desperate love for Manon proves to be the undoing for both of them. Maurizio Benini conducts Massenet’s sensual score.
'The course of true love never did run smooth.’
A feuding fairy King and Queen of the forest cross paths with four runaway lovers and a troupe of actors trying to rehearse a play. As their dispute grows, the magical royal couple meddle with mortal lives leading to love triangles, mistaken identities and transformations… with hilarious, but dark consequences.
Shakespeare’s most famous romantic comedy will be captured live from the Bridge Theatre in London. Gwendoline Christie (Game of Thrones), Oliver Chris (Green Wing, NT Live: Young Marx), David Moorst (NT Live: Allelujah!) and Hammed Animashaun (The Barber Shop Chronicles) lead the cast as Titania, Oberon, Puck and Bottom.
Directed by Nicholas Hytner, this production of A Midsummer Night’s Dream will build on the success of his immersive staging of Julius Caesar (NT Live 2018). The Bridge Theatre will become a forest – a dream world of flying fairies, contagious fogs and moonlight revels, surrounded by a roving audience following the action on foot.
Music: Alexander Glazuno
Choerography: Yuri Grigorovich (after Marius Petipa)
Libretto: Yuri Grigorovich (after Lidia Pashkova)
Cast: The Bolshoi Principals, Soloists and Corps de Ballet
Synopsis: Raymondais betrothed to Jean de Brienne, a gallant knight who pledged to go on a crusade led by the King of Hungary. When her beloved leaves, Abderakhman, a foreign knight, makes a bid for the hand of Raymonda and threatens her fate when she rejects him...
The ballet: Raymondais a must-see of the Bolshoi, a work of living dance history. Being one of legendary choreographer Marius Petipa’s final works, he fully armed this ballet with beautiful court scenes, romantic corps de ballet dances, Hungarian czardas and a title role suited for the most outstanding ballerina.
Leonardo da Vinci is acclaimed as the world’s favourite artist. Many TV shows and feature films have showcased his extraordinary genius, but often not examined closely enough is the most crucial element of all: his art.
Leonardo’s peerless paintings and drawings will be the focus of LEONARDO: THE WORKS, which presents every single attributed painting in Ultra HD quality – something never seen before on the big screen. Key works include ‘The Mona Lisa’, ‘The Last Supper’, ‘Lady with an Ermine’, ‘Ginevra de’ Benci’, ‘Madonna Litta’, ‘Virgin of the Rocks’ and more than a dozen others.
This film also looks afresh at Leonardo’s life – his inventiveness, his sculptural skills, his military foresight and his ability to navigate the treacherous politics of the day – through the prism of his art. To be released on the 500th anniversary of his death, this is the definitive film about Leonardo – the first to truly tell the whole story.
Hansard; noun
The official report of all parliamentary debates.
See two-time Olivier Award winners, Lindsay Duncan (Birdman, About Time) and Alex Jennings (The Lady in the Van, The Queen), in this brand-new play by Simon Wood, broadcast live from the National Theatre in London.
It’s a summer’s morning in 1988 and Tory politician Robin Hesketh has returned home to the idyllic Cotswold house he shares with his wife of 30 years, Diana. But all is not as blissful as it seems. Diana has a stinking hangover, a fox is destroying the garden, and secrets are being dug up all over the place. As the day draws on, what starts as gentle ribbing and the familiar rhythms of marital scrapping quickly turns to blood-sport.
Don’t miss this witty and devastating portrait of the governing class, directed by Simon Godwin (NT Live: Antony & Cleopatra, Twelfth Night) and part of National Theatre Live’s 10th birthday season.
Anthony Minghella’s vividly cinematic staging of Puccini’s tale of unrequited love returns to our screens featuring soprano Hui He in the devastating title role. One of the most frequently staged operas of our generation, Madama Butterfly tells the
story of a young Japanese girl, Cio-Cio San, who falls in love with Pinkerton, an American naval officer. Tragedy unfolds in this sweeping production, which is a perennial audience favourite.
Pier Giorgio Morandi conducts one of opera’s most beautiful and heartbreaking scores, and Plácido Domingo adds another role to his remarkable repertoire, singing ‘Sharpless’ for the first time. The cast also includes tenor Piero Pretti as Pinkerton and mezzosoprano Elizabeth DeShong as Suzuki.
Anthony Minghella’s vividly cinematic staging of Puccini’s tale of unrequited love returns to our screens featuring soprano Hui He in the devastating title role. One of the most frequently staged operas of our generation, Madama Butterfly tells the
story of a young Japanese girl, Cio-Cio San, who falls in love with Pinkerton, an American naval officer. Tragedy unfolds in this sweeping production, which is a perennial audience favourite.
Pier Giorgio Morandi conducts one of opera’s most beautiful and heartbreaking scores, and Plácido Domingo adds another role to his remarkable repertoire, singing ‘Sharpless’ for the first time. The cast also includes tenor Piero Pretti as Pinkerton and mezzosoprano Elizabeth DeShong as Suzuki.
Leonardo da Vinci is acclaimed as the world’s favourite artist. Many TV shows and feature films have showcased his extraordinary genius, but often not examined closely enough is the most crucial element of all: his art.
Leonardo’s peerless paintings and drawings will be the focus of LEONARDO: THE WORKS, which presents every single attributed painting in Ultra HD quality – something never seen before on the big screen. Key works include ‘The Mona Lisa’, ‘The Last Supper’, ‘Lady with an Ermine’, ‘Ginevra de’ Benci’, ‘Madonna Litta’, ‘Virgin of the Rocks’ and more than a dozen others.
This film also looks afresh at Leonardo’s life – his inventiveness, his sculptural skills, his military foresight and his ability to navigate the treacherous politics of the day – through the prism of his art. To be released on the 500th anniversary of his death, this is the definitive film about Leonardo – the first to truly tell the whole story.
Music: Adolphe Adam
Choerography: Alexei Ratmansky
Libretto: Jules Henri Vernoy deSaint-Georges and Joseph Mazilier (edited by Marius Petipa)
Cast: Ekaterina Krysanova (Medora), Igor Tsvirko (Conrad), Denis Savin (Birbanto), Nelli Kobakhidze (Zulmea), Denis Rodkin (“Grand pas des éventails” Soloist), and the Corps de Ballet
Synopsis: On the bazaar square of Andrinopolis, the Pachais struck by the beauty of Medora and tries to buy her, but the lovely young woman is not for sale. As the transaction is about to come to a close, Medora is kidnaped by Conrad, a charming corsair who catches her eye...
The ballet: Bolshoi Prima Ballerina,the “mesmerizing” Ekaterina Krysanova and Leading Soloist Igor Tsvirko ignite Medora and Conrad’s passion with undeniable intensity. Le Corsaireremains a breathtaking production reworked by Alexei Ratmansky, who has created enough dancing for nearly the entire troupe, along with luxurious cinematic sets and a shipwreck, bringing the magic of this company to life.
Music: Adolphe Adam
Choerography: Alexei Ratmansky
Libretto: Jules Henri Vernoy deSaint-Georges and Joseph Mazilier (edited by Marius Petipa)
Cast: Ekaterina Krysanova (Medora), Igor Tsvirko (Conrad), Denis Savin (Birbanto), Nelli Kobakhidze (Zulmea), Denis Rodkin (“Grand pas des éventails” Soloist), and the Corps de Ballet
Synopsis: On the bazaar square of Andrinopolis, the Pachais struck by the beauty of Medora and tries to buy her, but the lovely young woman is not for sale. As the transaction is about to come to a close, Medora is kidnaped by Conrad, a charming corsair who catches her eye...
The ballet: Bolshoi Prima Ballerina,the “mesmerizing” Ekaterina Krysanova and Leading Soloist Igor Tsvirko ignite Medora and Conrad’s passion with undeniable intensity. Le Corsaireremains a breathtaking production reworked by Alexei Ratmansky, who has created enough dancing for nearly the entire troupe, along with luxurious cinematic sets and a shipwreck, bringing the magic of this company to life.
Star countertenor Anthony Roth Costanzo headlines as the revolutionary Pharaoh who transformed ancient Egypt. Director Phelim McDermott, whose productions include the hugely successful Satyagraha by Philip Glass, returns to the Met to bring this contemporary production to life, with a virtuosic company and dramatic staging that features acrobatics and juggling. The striking soprano J’Nai Bridges makes her Met debut as Nefertiti. Karen Kamensek conducts Glass’s ritualistic and hypnotic score.
Star countertenor Anthony Roth Costanzo headlines as the revolutionary Pharaoh who transformed ancient Egypt. Director Phelim McDermott, whose productions include the hugely successful Satyagraha by Philip Glass, returns to the Met to bring this contemporary production to life, with a virtuosic company and dramatic staging that features acrobatics and juggling. The striking soprano J’Nai Bridges makes her Met debut as Nefertiti. Karen Kamensek conducts Glass’s ritualistic and hypnotic score.
Hansard; noun
The official report of all parliamentary debates.
See two-time Olivier Award winners, Lindsay Duncan (Birdman, About Time) and Alex Jennings (The Lady in the Van, The Queen), in this brand-new play by Simon Wood, broadcast live from the National Theatre in London.
It’s a summer’s morning in 1988 and Tory politician Robin Hesketh has returned home to the idyllic Cotswold house he shares with his wife of 30 years, Diana. But all is not as blissful as it seems. Diana has a stinking hangover, a fox is destroying the garden, and secrets are being dug up all over the place. As the day draws on, what starts as gentle ribbing and the familiar rhythms of marital scrapping quickly turns to blood-sport.
Don’t miss this witty and devastating portrait of the governing class, directed by Simon Godwin (NT Live: Antony & Cleopatra, Twelfth Night) and part of National Theatre Live’s 10th birthday season.
Matthew Warchus directs Andrew Scott (BBC’s Sherlock, Fleabag) in Noël Coward’s provocative comedy Present Laughter.
As he prepares to embark on an overseas tour, star actor Garry Essendine’s colourful life is in danger of spiralling out of control. Engulfed by an escalating identity crisis as his many and various relationships compete for his attention, Garry’s few remaining days at home are a chaotic whirlwind of love, sex, panic and soul-searching.
Captured live from The Old Vic in London, Present Laughter is a giddy and surprisingly modern reflection on fame, desire and loneliness.
Matthew Warchus directs Andrew Scott (BBC’s Sherlock, Fleabag) in Noël Coward’s provocative comedy Present Laughter.
As he prepares to embark on an overseas tour, star actor Garry Essendine’s colourful life is in danger of spiralling out of control. Engulfed by an escalating identity crisis as his many and various relationships compete for his attention, Garry’s few remaining days at home are a chaotic whirlwind of love, sex, panic and soul-searching.
Captured live from The Old Vic in London, Present Laughter is a giddy and surprisingly modern reflection on fame, desire and loneliness.
Music: Pyotr Ilyich Tchaikovsky
Choerography: Yuri Grigorovich
Libretto: Yuri Grigorovich (after E.T.A. Hoffmann and Marius Petipa)
Cast: Margarita Shrainer (Marie), Semyon Chudin (The Nutcracker), Denis Savin (Drosselmeyer), Alexandre Vodopetov (The Mouse King), and the Corps de Ballet
Synopsis: On Christmas Eve, the mysterious Drosselmeyer brings a Nutcracker doll as a gift for his goddaughter Marie. At midnight, the doll comes to life and finds himself in a battle against the Mouse King, determined to save Marie from him.
The ballet: In this timeless story accompanied by Tchaikovsky’s beloved score, rising star Soloist Margarita Shrainer perfectly embodies Marie’s innocence and enchantment along with the supremely elegant Principal Dancer Semyon Chudin as The Nutcracker, captivating audiences of all ages and bringing them on an otherworldly journey.
Music: Pyotr Ilyich Tchaikovsky
Choerography: Yuri Grigorovich
Libretto: Yuri Grigorovich (after E.T.A. Hoffmann and Marius Petipa)
Cast: Margarita Shrainer (Marie), Semyon Chudin (The Nutcracker), Denis Savin (Drosselmeyer), Alexandre Vodopetov (The Mouse King), and the Corps de Ballet
Synopsis: On Christmas Eve, the mysterious Drosselmeyer brings a Nutcracker doll as a gift for his goddaughter Marie. At midnight, the doll comes to life and finds himself in a battle against the Mouse King, determined to save Marie from him.
The ballet: In this timeless story accompanied by Tchaikovsky’s beloved score, rising star Soloist Margarita Shrainer perfectly embodies Marie’s innocence and enchantment along with the supremely elegant Principal Dancer Semyon Chudin as The Nutcracker, captivating audiences of all ages and bringing them on an otherworldly journey.
After wowing audiences with his astounding production of Lulu in 2015, South African artist William Kentridge now focuses his extraordinary imagination on a new production of Berg’s other operatic masterpiece, which is set in an apocalyptic pre-First World War environment.
Met Music Director Yannick Nézet-Séguin is on the podium for this important event, while baritone Peter Mattei makes his highly anticipated role debut as Wozzeck. Soprano Elza van den Heever is Wozzeck’s unfaithful mate, and the commanding cast also includes tenor Christopher Ventris as the Drum-Major, bass-baritone Christian Van Horn as the Doctor, and tenor Gerhard Siegel as the Captain.
After wowing audiences with his astounding production of Lulu in 2015, South African artist William Kentridge now focuses his extraordinary imagination on a new production of Berg’s other operatic masterpiece, which is set in an apocalyptic pre-First World War environment.
Met Music Director Yannick Nézet-Séguin is on the podium for this important event, while baritone Peter Mattei makes his highly anticipated role debut as Wozzeck. Soprano Elza van den Heever is Wozzeck’s unfaithful mate, and the commanding cast also includes tenor Christopher Ventris as the Drum-Major, bass-baritone Christian Van Horn as the Doctor, and tenor Gerhard Siegel as the Captain.
For the first time in history, the Royal Academy of Arts in London, in collaboration with the Museum of Fine Arts in Boston, is bringing together Lucian Freud’s self-portraits. This intensely compelling exhibition will display more than 50 paintings, prints and drawings in which this modern master of British art turned his unflinching eye firmly on himself.
One of the most celebrated painters of our time, Lucian Freud is also one of very few twentieth-century artists who portrayed themselves with such consistency. Spanning nearly seven decades, his self-portraits give a fascinating insight into both his psyche and his development as a painter, from his earliest portrait painted in 1939 to the final one executed 64 years later. When seen together, his works represent an engrossing study of the dynamic of ageing and the process of self-representation.
Music: Adolphe Adam
Choerography: Alexei Ratmansky
Libretto: Théophile Gautier and Jean-Henry Saint-Georges
Cast: The Bolshoi Principals, Soloists and Corps de Ballet
Synopsis: The young peasant girl Giselle dies when she learns that the man she loves, Albrecht, has betrayed her. Against her own will, she joins the Wilis, vengeful spirits of jilted brides who condemn Albrecht to dance until he dies of exhaustion...
The ballet: Giselle touches upon great and universal romantic themes. In this brand new production, renowned choreographer Alexei Ratmansky brings a fresh perspective to one of the oldest and greatest works of classical dance, giving the audience an opportunity to discover this iconic ballet anew.
For the first time in history, the Royal Academy of Arts in London, in collaboration with the Museum of Fine Arts in Boston, is bringing together Lucian Freud’s self-portraits. This intensely compelling exhibition will display more than 50 paintings, prints and drawings in which this modern master of British art turned his unflinching eye firmly on himself.
One of the most celebrated painters of our time, Lucian Freud is also one of very few twentieth-century artists who portrayed themselves with such consistency. Spanning nearly seven decades, his self-portraits give a fascinating insight into both his psyche and his development as a painter, from his earliest portrait painted in 1939 to the final one executed 64 years later. When seen together, his works represent an engrossing study of the dynamic of ageing and the process of self-representation.
Music: Adolphe Adam
Choerography: Alexei Ratmansky
Libretto: Théophile Gautier and Jean-Henry Saint-Georges
Cast: The Bolshoi Principals, Soloists and Corps de Ballet
Synopsis: The young peasant girl Giselle dies when she learns that the man she loves, Albrecht, has betrayed her. Against her own will, she joins the Wilis, vengeful spirits of jilted brides who condemn Albrecht to dance until he dies of exhaustion...
The ballet: Giselle touches upon great and universal romantic themes. In this brand new production, renowned choreographer Alexei Ratmansky brings a fresh perspective to one of the oldest and greatest works of classical dance, giving the audience an opportunity to discover this iconic ballet anew.
The final stage work of George Gershwin, Porgy and Bess is largely regarded as one of the greatest American operas of the twentieth century. It returns for its first Met performances in almost three decades, starring bass-baritone Eric Owens and soprano Angel Blue in the title roles.
This new co-production with the English National Opera and Dutch National Opera was hailed as a triumph at its premiere in London earlier this year. Featuring the much-loved arias ‘Summertime’ and ‘I Got Plenty o’ Nuttin’, director James Robinson’s stylish production transports audiences to Catfish Row, a setting vibrant with the music, dancing, emotion and heartbreak of its inhabitants.
The final stage work of George Gershwin, Porgy and Bess is largely regarded as one of the greatest American operas of the twentieth century. It returns for its first Met performances in almost three decades, starring bass-baritone Eric Owens and soprano Angel Blue in the title roles.
This new co-production with the English National Opera and Dutch National Opera was hailed as a triumph at its premiere in London earlier this year. Featuring the much-loved arias ‘Summertime’ and ‘I Got Plenty o’ Nuttin’, director James Robinson’s stylish production transports audiences to Catfish Row, a setting vibrant with the music, dancing, emotion and heartbreak of its inhabitants.
Music: Pyotr Ilyich Tchaikovsky
Choerography: Yuri Grigorovich
Libretto: Yuri Grigorovich
Cast: The Bolshoi Principals, Soloists and Corps de Ballet
Synopsis: Prince Siegfried is summoned by his parents to choose a bride. However, he encounters a mysterious swan-woman by the lake, Odette, and is captivated by her. His vow of eternal love to her will have irreversible consequences.
The ballet: Tchaikovsky’s essential masterpiece returns with a new cast for the most beloved ballet in the classical canon. Technically challenging and filled with vibrant emotion, with a stunning and world-famous corps de ballet in perfect unison, the legendary love story between Prince Siegfried and the dual personalities Odette/Odile, born at the Bolshoi Theatre, is a must-see.
In Ancient Rome, Agrippina plots the downfall of Emperor Claudius to secure the throne for her son Nero. Mezzo-soprano Joyce DiDonato leads as the imperious empress in the Met’s first-ever performance of Handel’s first operatic triumph, a tale of deception and deceit. Harry Bicket conducts Sir David McVicar’s wry new production, which gives this Baroque black comedy a politically charged, modern updating.
In Ancient Rome, Agrippina plots the downfall of Emperor Claudius to secure the throne for her son Nero. Mezzo-soprano Joyce DiDonato leads as the imperious empress in the Met’s first-ever performance of Handel’s first operatic triumph, a tale of deception and deceit. Harry Bicket conducts Sir David McVicar’s wry new production, which gives this Baroque black comedy a politically charged, modern updating.
The award-winning Sir Bryn Terfel CBE returns to the Met for the first time since 2012 as the mysterious seafarer searching for salvation. Condemned to sail the seas for eternity on his ghostly ship, the Captain is offered a chance of redemption by true love. François Girard, whose mesmerising staging of Parsifal recently wowed Met audiences, directs Wagner’s eerie early masterwork in this co-production with Puccini L’Opéra de Québec and Amsterdam’s Dutch National Opera.
The award-winning Sir Bryn Terfel CBE returns to the Met for the first time since 2012 as the mysterious seafarer searching for salvation. Condemned to sail the seas for eternity on his ghostly ship, the Captain is offered a chance of redemption by true love. François Girard, whose mesmerising staging of Parsifal recently wowed Met audiences, directs Wagner’s eerie early masterwork in this co-production with Puccini L’Opéra de Québec and Amsterdam’s Dutch National Opera.
Music: Sergei Prokofiev
Choerography: Alexei Ratmansky
Libretto: Sergei Prokofiev, Sergei Radlov and Adrian Piotrovsky (afte rWilliam Shakespeare)
Cast: Ekaterina Krysanova (Juliet), Vladislav Lantratov (Romeo), Igor Tsvirko (Mercutio), Dmitry Dorokhov (Benvolio), Vitaly Biktimirov (Tybalt), and the Corps de Ballet
Synopsis: In spite of each of their families being merciless enemies, Romeo and Juliet are deeply in love. The rivalry between the Capulets and the Montagues will cost Mercutio’s life, causing Romeo a desire of vengeance for the loss of his friend...
The ballet: The star-crossed lovers’ tragic fate inspired Prokofiev a remarkable cinematic score, from the delicate theme of Juliet to the ominous Dance of the Knights.Bolshoi stars Ekaterina Krysanova and Vladislav Lantratov wholly embody the two eternal lovers in Alexei Ratmansky’s stunning evocation of love at first sight.
Music: Sergei Prokofiev
Choerography: Alexei Ratmansky
Libretto: Sergei Prokofiev, Sergei Radlov and Adrian Piotrovsky (afte rWilliam Shakespeare)
Cast: Ekaterina Krysanova (Juliet), Vladislav Lantratov (Romeo), Igor Tsvirko (Mercutio), Dmitry Dorokhov (Benvolio), Vitaly Biktimirov (Tybalt), and the Corps de Ballet
Synopsis: In spite of each of their families being merciless enemies, Romeo and Juliet are deeply in love. The rivalry between the Capulets and the Montagues will cost Mercutio’s life, causing Romeo a desire of vengeance for the loss of his friend...
The ballet: The star-crossed lovers’ tragic fate inspired Prokofiev a remarkable cinematic score, from the delicate theme of Juliet to the ominous Dance of the Knights.Bolshoi stars Ekaterina Krysanova and Vladislav Lantratov wholly embody the two eternal lovers in Alexei Ratmansky’s stunning evocation of love at first sight.
The story of Christ’s death and resurrection has dominated western culture for the past 2000 years. It’s perhaps the most significant historical event of all time, as recounted by the gospels but, equally, as depicted by the greatest artists in history. From the triumphant to the savage, the ethereal to the tactile, some of western civilisation’s greatest artworks focus on this pivotal moment. This beautifully crafted film explores the Easter story as depicted in art, from the time of the early Christians to the present day. Shot on location in Jerusalem, United States and throughout Europe, it explores the different ways artists have depicted the Easter story through the ages and thus depicts the history of us all.
Superstar soprano Anna Netrebko returns in the title role as the explosive diva in Puccini’s best-loved operatic thriller. Set in Rome during the Napoleonic wars, this tragic tale of passion, murder, lust and love, set to a famously romantic score, is an enduring classic. Bertrand de Billy conducts Sir David McVicar’s evocative production, with tenor Brian Jagde as Tosca’s impassioned lover, Cavaradossi, and baritone Michael Volle as the sinister Scarpia.
The story of Christ’s death and resurrection has dominated western culture for the past 2000 years. It’s perhaps the most significant historical event of all time, as recounted by the gospels but, equally, as depicted by the greatest artists in history. From the triumphant to the savage, the ethereal to the tactile, some of western civilisation’s greatest artworks focus on this pivotal moment. This beautifully crafted film explores the Easter story as depicted in art, from the time of the early Christians to the present day. Shot on location in Jerusalem, United States and throughout Europe, it explores the different ways artists have depicted the Easter story through the ages and thus depicts the history of us all.
Superstar soprano Anna Netrebko returns in the title role as the explosive diva in Puccini’s best-loved operatic thriller. Set in Rome during the Napoleonic wars, this tragic tale of passion, murder, lust and love, set to a famously romantic score, is an enduring classic. Bertrand de Billy conducts Sir David McVicar’s evocative production, with tenor Brian Jagde as Tosca’s impassioned lover, Cavaradossi, and baritone Michael Volle as the sinister Scarpia.
Music: Gabriel Fauré, Igor Stravinsky, Pyotr Ilyich Tchaikovsky
Choerography: George Balanchine
Cast: The Bolshoi Principals, Soloists and Corps de Ballet
Synopsis
This opulent triptych was inspired by Balanchine’s visit to the famous jeweler Van Cleef & Arpels on New York’s Fifth Avenue, celebrating the cities and dance schools of Paris, New York and St. Petersburg, each bound to its own precious stone: emerald, ruby and diamond.
The ballet
Balanchine built an homage of captivating beauty to the three dance schools that had forged his style, each represented by a contrasting gemstone. Jewels offers a unique occasion to enjoy the genius of choreographer’s visually captivating work performed by some of the world’s most dazzling dancers.
Set in sixteenth-century Britain, Donizetti’s thrilling historical drama follows Mary, Queen of Scots and her bitter rivalry with the cousin responsible for imprisoning her, Queen Elizabeth I. Soprano Diana Damrau and mezzo-soprano Jamie Barton square off as two of history’s most formidable monarchs, and Maurizio Benini conducts.
Set in sixteenth-century Britain, Donizetti’s thrilling historical drama follows Mary, Queen of Scots and her bitter rivalry with the cousin responsible for imprisoning her, Queen Elizabeth I. Soprano Diana Damrau and mezzo-soprano Jamie Barton square off as two of history’s most formidable monarchs, and Maurizio Benini conducts.
