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As charming and funny as it is thought-provoking, Hail Satan? traces the extraordinary rise of one of the most colourful and controversial religious movements in American history.
When media-savvy members of the Satanic Temple organise a series of public actions designed to advocate religious freedom and challenge corrupt authority, they prove that, with little more than a clever idea, a mischievous sense of humour and a few rebellious friends, you can speak truth to power in some truly profound ways.
Director Penny Lane strikes a cunning balance between cheeky, brazen entertainment and serious storytelling in this wickedly topical documentary. It’s a timely look at a group of oft-misunderstood outsiders whose commitment to social and political justice has empowered thousands of people around the world.
In Almodóvar’s deeply personal and tender new drama, a film director reflects on the choices he’s made in life as past and present come crashing down around him. Salvador Mallo (Antonio Banderas, who deservedly won Best Actor at Cannes Film Festival for his performance), an ageing Madrid-based auteur, is retreating into himself, facing ill health, depression and the decline of his powers. After a chance meeting reunites him with an actor from his past, a wild new chapter begins, sparking a series of reconciliations and reveries in which Salvador revisits old emotional wounds and tries to piece together the puzzle of his life and his art.
The ninth film from writer-director Quentin Tarantino is a sprawling fairy-tale tribute to the final moments of Hollywood’s golden age. The year is 1969, and fading actor Rick Dalton (Leonardo DiCaprio) and his long-time stunt double Cliff Booth (Brad Pitt) are struggling to keep up with the changing times. When Rick’s western TV show ‘Bounty Law’ is cancelled, the former teenage heartthrob sees his career and youth slipping away. The changing of the guard seems to have no effect on Cliff, but the same can’t be said for his counterpart. This is until Rick notices he has a very famous new next-door neighbour: Sharon Tate (Margot Robbie). Charles Manson’s cult of followers serves as a worrying backdrop for ONCE UPON A TIME…IN HOLLYWOOD – one that Los Angeles will never forget.
In 1987 during the austere days of Thatcher's Britain, a teenager learns to live life, understand his family and find his own voice through the music of Bruce Springsteen.
A portrait of a group of pioneering reggae musicians, 'Inna De Yard' captures the ongoing relevance of reggae and its social values, and the music's passion to revitalize an older generation while passing it on to younger listeners.
As charming and funny as it is thought-provoking, Hail Satan? traces the extraordinary rise of one of the most colourful and controversial religious movements in American history.
When media-savvy members of the Satanic Temple organise a series of public actions designed to advocate religious freedom and challenge corrupt authority, they prove that, with little more than a clever idea, a mischievous sense of humour and a few rebellious friends, you can speak truth to power in some truly profound ways.
Director Penny Lane strikes a cunning balance between cheeky, brazen entertainment and serious storytelling in this wickedly topical documentary. It’s a timely look at a group of oft-misunderstood outsiders whose commitment to social and political justice has empowered thousands of people around the world.
In Almodóvar’s deeply personal and tender new drama, a film director reflects on the choices he’s made in life as past and present come crashing down around him. Salvador Mallo (Antonio Banderas, who deservedly won Best Actor at Cannes Film Festival for his performance), an ageing Madrid-based auteur, is retreating into himself, facing ill health, depression and the decline of his powers. After a chance meeting reunites him with an actor from his past, a wild new chapter begins, sparking a series of reconciliations and reveries in which Salvador revisits old emotional wounds and tries to piece together the puzzle of his life and his art.
The ninth film from writer-director Quentin Tarantino is a sprawling fairy-tale tribute to the final moments of Hollywood’s golden age. The year is 1969, and fading actor Rick Dalton (Leonardo DiCaprio) and his long-time stunt double Cliff Booth (Brad Pitt) are struggling to keep up with the changing times. When Rick’s western TV show ‘Bounty Law’ is cancelled, the former teenage heartthrob sees his career and youth slipping away. The changing of the guard seems to have no effect on Cliff, but the same can’t be said for his counterpart. This is until Rick notices he has a very famous new next-door neighbour: Sharon Tate (Margot Robbie). Charles Manson’s cult of followers serves as a worrying backdrop for ONCE UPON A TIME…IN HOLLYWOOD – one that Los Angeles will never forget.
In 1987 during the austere days of Thatcher's Britain, a teenager learns to live life, understand his family and find his own voice through the music of Bruce Springsteen.
Inspired by the serialised matinee action films Steven Spielberg loved as a child, RAIDERS OF THE LOST ARK became one of the defining action/adventure films of its day and remains a hugely enjoyable movie experience.
Harrison Ford, fresh from his propulsion to super-stardom through the STAR WARS series, embodied the reluctant yet capable adventurer Indiana Jones, a serious and scholarly archaeology professor who is hired by the US government to track down the Ark of the Covenant ahead of their Nazi rivals.
The action set-pieces, tongue-in-cheek humour, impressive production values and a sheer love of cinema make RAIDERS OF THE LOST ARK an irresistibly enjoyable big-screen treat.
As charming and funny as it is thought-provoking, Hail Satan? traces the extraordinary rise of one of the most colourful and controversial religious movements in American history.
When media-savvy members of the Satanic Temple organise a series of public actions designed to advocate religious freedom and challenge corrupt authority, they prove that, with little more than a clever idea, a mischievous sense of humour and a few rebellious friends, you can speak truth to power in some truly profound ways.
Director Penny Lane strikes a cunning balance between cheeky, brazen entertainment and serious storytelling in this wickedly topical documentary. It’s a timely look at a group of oft-misunderstood outsiders whose commitment to social and political justice has empowered thousands of people around the world.
In Almodóvar’s deeply personal and tender new drama, a film director reflects on the choices he’s made in life as past and present come crashing down around him. Salvador Mallo (Antonio Banderas, who deservedly won Best Actor at Cannes Film Festival for his performance), an ageing Madrid-based auteur, is retreating into himself, facing ill health, depression and the decline of his powers. After a chance meeting reunites him with an actor from his past, a wild new chapter begins, sparking a series of reconciliations and reveries in which Salvador revisits old emotional wounds and tries to piece together the puzzle of his life and his art.
The ninth film from writer-director Quentin Tarantino is a sprawling fairy-tale tribute to the final moments of Hollywood’s golden age. The year is 1969, and fading actor Rick Dalton (Leonardo DiCaprio) and his long-time stunt double Cliff Booth (Brad Pitt) are struggling to keep up with the changing times. When Rick’s western TV show ‘Bounty Law’ is cancelled, the former teenage heartthrob sees his career and youth slipping away. The changing of the guard seems to have no effect on Cliff, but the same can’t be said for his counterpart. This is until Rick notices he has a very famous new next-door neighbour: Sharon Tate (Margot Robbie). Charles Manson’s cult of followers serves as a worrying backdrop for ONCE UPON A TIME…IN HOLLYWOOD – one that Los Angeles will never forget.
In 1987 during the austere days of Thatcher's Britain, a teenager learns to live life, understand his family and find his own voice through the music of Bruce Springsteen.
Marianne & Leonard: Words Of Love is the beautiful yet tragic love story of Leonard Cohen and his Norwegian muse, Marianne Ihlen. Their love began on the idyllic Greek island of Hydra in 1960 as part of a bohemian community of foreign artists, writers and musicians. The film follows their relationship from the early days on Hydra, a humble time of ‘free love’ and open marriage, to how their love evolved when Leonard became a successful musician.
It was on Hydra in 1968 that director Nick Broomfield, then aged 20, first met Marianne Ihlen. Marianne introduced him to Leonard Cohen’s music and also encouraged Broomfield to make his first film. She was an enormous influence on him.
Marianne and Leonard’s was a love story that would continue for the rest of their lives. Along the way we learn of the tragedy that befell those that could not survive the beauty of Hydra, the highs and lows of Leonard’s career, and the inspirational power that Marianne possessed.
Contains drug references, moderate sex references and infrequent strong language.
Good girl Sandy and greaser Danny fell in love over the summer. But when they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance?
11.00Dementia-Friendly Screening: Open to all but especially for people with dementia and their family, friends and carers. Join us for free tea, coffee and biscuits and a chance to socialise for 30 minutes before the film. The film will start at the time stated.
Matthias Schoenaerts gives a quietly devastating performance in this powerful first feature from actress turned writer-director Laure de Clermont-Tonnerre. In a prison compound in the state of Nevada, repeat violent offender Roman Coleman (Schoenaerts) is doing time for brutally attacking and injuring his wife. His psychologist (Connie Britton) prescribes an unorthodox method of rehabilitation: a state-mandated therapy programme in which prisoners are taught to tame mustangs – wild horses which live on the plains. Helped by fellow inmate Henry (Mitchell) and no-nonsense rancher Myles (Dern), the seemingly intransigent Roman makes progress as he discovers his own humanity through his relationship with the mercurial mustang. A vivid reexploration of the American West and a moving redemption story.
20.45Discover Preview: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot. This week's selection is a special preview screening.
Iconic British artist L. S. Lowry (Spall) lived most of his life with his over-bearing mother (Redgrave). Bed-ridden and unhappy, she tried to dissuade her son from pursuing his artistic ambitions. But Lowry was inspired by the urban life around him, and persisted in painting long into the night. Anchored by excellent performances from Spall and Redgrave, this powerful yet humorous story imagines the impact this obsessive mother-and-son relationship had on the great artist.
This screening is followed by an exclusive gallery talk from The Lowry Centre in Salford, where Timothy Spall will discuss L. S. Lowry’s life and art with gallery curator Claire Stewart.
As charming and funny as it is thought-provoking, Hail Satan? traces the extraordinary rise of one of the most colourful and controversial religious movements in American history.
When media-savvy members of the Satanic Temple organise a series of public actions designed to advocate religious freedom and challenge corrupt authority, they prove that, with little more than a clever idea, a mischievous sense of humour and a few rebellious friends, you can speak truth to power in some truly profound ways.
Director Penny Lane strikes a cunning balance between cheeky, brazen entertainment and serious storytelling in this wickedly topical documentary. It’s a timely look at a group of oft-misunderstood outsiders whose commitment to social and political justice has empowered thousands of people around the world.
In Almodóvar’s deeply personal and tender new drama, a film director reflects on the choices he’s made in life as past and present come crashing down around him. Salvador Mallo (Antonio Banderas, who deservedly won Best Actor at Cannes Film Festival for his performance), an ageing Madrid-based auteur, is retreating into himself, facing ill health, depression and the decline of his powers. After a chance meeting reunites him with an actor from his past, a wild new chapter begins, sparking a series of reconciliations and reveries in which Salvador revisits old emotional wounds and tries to piece together the puzzle of his life and his art.
The ninth film from writer-director Quentin Tarantino is a sprawling fairy-tale tribute to the final moments of Hollywood’s golden age. The year is 1969, and fading actor Rick Dalton (Leonardo DiCaprio) and his long-time stunt double Cliff Booth (Brad Pitt) are struggling to keep up with the changing times. When Rick’s western TV show ‘Bounty Law’ is cancelled, the former teenage heartthrob sees his career and youth slipping away. The changing of the guard seems to have no effect on Cliff, but the same can’t be said for his counterpart. This is until Rick notices he has a very famous new next-door neighbour: Sharon Tate (Margot Robbie). Charles Manson’s cult of followers serves as a worrying backdrop for ONCE UPON A TIME…IN HOLLYWOOD – one that Los Angeles will never forget.
12.30AD: Everyone welcome. Audio Description is available for this film, and is undetectable to anyone not wearing a headset
Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
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16.0035mm: Playing from a 35mm print
Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
In 1987 during the austere days of Thatcher's Britain, a teenager learns to live life, understand his family and find his own voice through the music of Bruce Springsteen.
As charming and funny as it is thought-provoking, Hail Satan? traces the extraordinary rise of one of the most colourful and controversial religious movements in American history.
When media-savvy members of the Satanic Temple organise a series of public actions designed to advocate religious freedom and challenge corrupt authority, they prove that, with little more than a clever idea, a mischievous sense of humour and a few rebellious friends, you can speak truth to power in some truly profound ways.
Director Penny Lane strikes a cunning balance between cheeky, brazen entertainment and serious storytelling in this wickedly topical documentary. It’s a timely look at a group of oft-misunderstood outsiders whose commitment to social and political justice has empowered thousands of people around the world.
In Almodóvar’s deeply personal and tender new drama, a film director reflects on the choices he’s made in life as past and present come crashing down around him. Salvador Mallo (Antonio Banderas, who deservedly won Best Actor at Cannes Film Festival for his performance), an ageing Madrid-based auteur, is retreating into himself, facing ill health, depression and the decline of his powers. After a chance meeting reunites him with an actor from his past, a wild new chapter begins, sparking a series of reconciliations and reveries in which Salvador revisits old emotional wounds and tries to piece together the puzzle of his life and his art.
13.20Cameo Wednesday Specials: £4 tickets for concessions. You may be asked for proof of age or to show a valid photo student ID.
Subtitled: This show is in the original language and will have English subtitles
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14.40Subtitled: This show is in the original language and will have English subtitles
Select:
17.20Subtitled: This show is in the original language and will have English subtitles
Select:
20.00Subtitled: This show is in the original language and will have English subtitles
The ninth film from writer-director Quentin Tarantino is a sprawling fairy-tale tribute to the final moments of Hollywood’s golden age. The year is 1969, and fading actor Rick Dalton (Leonardo DiCaprio) and his long-time stunt double Cliff Booth (Brad Pitt) are struggling to keep up with the changing times. When Rick’s western TV show ‘Bounty Law’ is cancelled, the former teenage heartthrob sees his career and youth slipping away. The changing of the guard seems to have no effect on Cliff, but the same can’t be said for his counterpart. This is until Rick notices he has a very famous new next-door neighbour: Sharon Tate (Margot Robbie). Charles Manson’s cult of followers serves as a worrying backdrop for ONCE UPON A TIME…IN HOLLYWOOD – one that Los Angeles will never forget.
12.00AD: Everyone welcome. Audio Description is available for this film, and is undetectable to anyone not wearing a headset
Cameo Wednesday Specials: £4 tickets for concessions. You may be asked for proof of age or to show a valid photo student ID.
In 1987 during the austere days of Thatcher's Britain, a teenager learns to live life, understand his family and find his own voice through the music of Bruce Springsteen.
Marianne & Leonard: Words Of Love is the beautiful yet tragic love story of Leonard Cohen and his Norwegian muse, Marianne Ihlen. Their love began on the idyllic Greek island of Hydra in 1960 as part of a bohemian community of foreign artists, writers and musicians. The film follows their relationship from the early days on Hydra, a humble time of ‘free love’ and open marriage, to how their love evolved when Leonard became a successful musician.
It was on Hydra in 1968 that director Nick Broomfield, then aged 20, first met Marianne Ihlen. Marianne introduced him to Leonard Cohen’s music and also encouraged Broomfield to make his first film. She was an enormous influence on him.
Marianne and Leonard’s was a love story that would continue for the rest of their lives. Along the way we learn of the tragedy that befell those that could not survive the beauty of Hydra, the highs and lows of Leonard’s career, and the inspirational power that Marianne possessed.
Contains drug references, moderate sex references and infrequent strong language.
As charming and funny as it is thought-provoking, Hail Satan? traces the extraordinary rise of one of the most colourful and controversial religious movements in American history.
When media-savvy members of the Satanic Temple organise a series of public actions designed to advocate religious freedom and challenge corrupt authority, they prove that, with little more than a clever idea, a mischievous sense of humour and a few rebellious friends, you can speak truth to power in some truly profound ways.
Director Penny Lane strikes a cunning balance between cheeky, brazen entertainment and serious storytelling in this wickedly topical documentary. It’s a timely look at a group of oft-misunderstood outsiders whose commitment to social and political justice has empowered thousands of people around the world.
In Almodóvar’s deeply personal and tender new drama, a film director reflects on the choices he’s made in life as past and present come crashing down around him. Salvador Mallo (Antonio Banderas, who deservedly won Best Actor at Cannes Film Festival for his performance), an ageing Madrid-based auteur, is retreating into himself, facing ill health, depression and the decline of his powers. After a chance meeting reunites him with an actor from his past, a wild new chapter begins, sparking a series of reconciliations and reveries in which Salvador revisits old emotional wounds and tries to piece together the puzzle of his life and his art.
The ninth film from writer-director Quentin Tarantino is a sprawling fairy-tale tribute to the final moments of Hollywood’s golden age. The year is 1969, and fading actor Rick Dalton (Leonardo DiCaprio) and his long-time stunt double Cliff Booth (Brad Pitt) are struggling to keep up with the changing times. When Rick’s western TV show ‘Bounty Law’ is cancelled, the former teenage heartthrob sees his career and youth slipping away. The changing of the guard seems to have no effect on Cliff, but the same can’t be said for his counterpart. This is until Rick notices he has a very famous new next-door neighbour: Sharon Tate (Margot Robbie). Charles Manson’s cult of followers serves as a worrying backdrop for ONCE UPON A TIME…IN HOLLYWOOD – one that Los Angeles will never forget.
In 1987 during the austere days of Thatcher's Britain, a teenager learns to live life, understand his family and find his own voice through the music of Bruce Springsteen.
Marianne & Leonard: Words Of Love is the beautiful yet tragic love story of Leonard Cohen and his Norwegian muse, Marianne Ihlen. Their love began on the idyllic Greek island of Hydra in 1960 as part of a bohemian community of foreign artists, writers and musicians. The film follows their relationship from the early days on Hydra, a humble time of ‘free love’ and open marriage, to how their love evolved when Leonard became a successful musician.
It was on Hydra in 1968 that director Nick Broomfield, then aged 20, first met Marianne Ihlen. Marianne introduced him to Leonard Cohen’s music and also encouraged Broomfield to make his first film. She was an enormous influence on him.
Marianne and Leonard’s was a love story that would continue for the rest of their lives. Along the way we learn of the tragedy that befell those that could not survive the beauty of Hydra, the highs and lows of Leonard’s career, and the inspirational power that Marianne possessed.
Contains drug references, moderate sex references and infrequent strong language.
Don’t let her small stature fool you. Standing at less than five feet tall, Dr Ruth Westheimer is a force. A pioneer in the field of sex therapy, she became a household name in the ’80s and ’90s. At 90 years old, she hasn’t stopped working – and still promises the best sex you’ve ever had if you listen to her. Filmmaker Ryan White captures Dr Ruth’s exuberant and snappy personality as she travels from speaking engagements to TV and radio appearances. Her infectious energy is coloured with an almost arresting openness that is joyous and non-judgmental, and the affable rapport between filmmaker and subject is a welcome source of laughter. Running alongside her optimism, however, are storybook-like animations that bring Dr Ruth’s childhood as an orphan of the Holocaust to life. Being separated from her parents and never seeing them again shaped how she would embrace the world. The film is an inspiring and entertaining portrait of a trailblazer that reveals the darkness she emerged from to bring light to so many people.
18.00True Stories: - A season of films exploring true stories: from individuals challenging society’s dominant cultural and political stories, no matter the risk to their own liberty; looking in from the outside at those seeking to sow stories of fear; artists telling stories on film, canvas and landscapes; and stories of death-defying courage in acts from the pioneering to the everyday. Playing across all Picturehouse cinemas from June to September.
Paul thomas Anderson reunites with several of his Boogie Nights stars in this ensemble drama comprised of six interwoven stories dealing with parents, children, love and lonliness. An epic mosaic of several interrelated characters in search of happiness, forgiveness, and meaning in the San Fernando Valley.
From the 2018–19 season
Soprano Anna Netrebko and mezzo-soprano Anita Rachvelishvili offer blazing performances in Verdi's grand drama of ancient Egypt, seen in a stunning production by Sonja Frisell. Nicola Luisotti conducts.
After the tragic death of her son, a woman returns to her native Barcelona to start a new life and tell the boy’s transgender father about the son he never knew he had. Enriched with emotional maturity and depth, this riveting melodrama is an exploration of strong women, probing ideas of motherhood, female solidarity and the very notion of being a woman. Bursting with superb performances, moving insight, a genuinely witty script and splendid visuals, it confirmed Almodóvar as one of the world's foremost directors.
18.00Discover: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
Float down to Picturehouse for a double bill of both parts of Andy Muschietti’s IT story.
Released in 2017, CHAPTER ONE became the highest-grossing horror movie of all time. A winning mixture of small-town ’80s Spielbergia and superbly orchestrated scares, the film follows a gang of misfit kids – known as the Losers’ Club – who confront an ancient, shape-shifting demon on a killing spree in their hometown of Derry, Maine.
In CHAPTER TWO, nearly three decades after the events of the first, a devastating phone call brings the Losers’ Club back to Derry to destroy the supernatural evil once and for all. But to succeed, they’ll first have to conquer a few deep-set demons of their own.
(Because five hours is a heck of a long time to sit in a cinema seat, there’ll be a brief interval between the films for a comfort break, a leg-stretch, and, if necessary, a change of underwear.)
Freddy is 30 and yearns to start a family but for him this ordinary desire comes with unique challenges. He is a gay transgender man.
Deciding to carry his own baby took years of soul searching, but nothing could prepare him for the reality of pregnancy, as both a physical experience and one that challenges society's fundamental understanding of gender, parenthood and family. He quickly realises that what to him feels pragmatic, to others feels deeply confusing and confronting; this was not part of his plan.
Against a backdrop of increasing hostility towards trans people the world over, Freddy is forced to confront his own naivety, mine unknown depths of courage and lean on every friend and family member who will stand by him.
Made with unprecedented access and collaboration over three years, the film follows Freddy from preparing to conceive right through to birth. It is an intimate, audacious and lyrical story for the cinema about conception, pregnancy, birth and what makes us who we are.
A Grain Media Production for BBC TWO In association with Glimmer Films and The Guardian. A film by Jeanie Finlay.
www.seahorsefilm.com
18.00True Stories: - A season of films exploring true stories: from individuals challenging society’s dominant cultural and political stories, no matter the risk to their own liberty; looking in from the outside at those seeking to sow stories of fear; artists telling stories on film, canvas and landscapes; and stories of death-defying courage in acts from the pioneering to the everyday. Playing across all Picturehouse cinemas from June to September.
The much anticipated conclusion to Muschietti’s supernatural clown nightmare, based on the novel by Stephen King. After the Losers’ Club defeated the shape-shifting, child-devouring Pennywise all those years ago, the group of childhood friends have drifted apart, away from Derry and the terrible memories the town holds. Only Mike never left. Despite Pennywise’s banishment, an evil presence lurks, and there are unexplained and reoccurring hate crimes in the town. Then, after 27 years, the creature remerges in shocking fashion and children of Derry start to disappear once more. To fulfil its pledge, the Losers’ Club must now regroup and destroy the clown, and it falls to Mike to summon his former colleagues. But IT has returned stronger and more sinister, and it waits and watches for a chance to exact its horrifying, wrathful vengeance.
A mystery preview of an upcoming new release. Details will only be revealed as the opening credits roll.
Tickets are just £8 general admission and £5 for Picturehouse Members.
The much anticipated conclusion to Muschietti’s supernatural clown nightmare, based on the novel by Stephen King. After the Losers’ Club defeated the shape-shifting, child-devouring Pennywise all those years ago, the group of childhood friends have drifted apart, away from Derry and the terrible memories the town holds. Only Mike never left. Despite Pennywise’s banishment, an evil presence lurks, and there are unexplained and reoccurring hate crimes in the town. Then, after 27 years, the creature remerges in shocking fashion and children of Derry start to disappear once more. To fulfil its pledge, the Losers’ Club must now regroup and destroy the clown, and it falls to Mike to summon his former colleagues. But IT has returned stronger and more sinister, and it waits and watches for a chance to exact its horrifying, wrathful vengeance.
The much anticipated conclusion to Muschietti’s supernatural clown nightmare, based on the novel by Stephen King. After the Losers’ Club defeated the shape-shifting, child-devouring Pennywise all those years ago, the group of childhood friends have drifted apart, away from Derry and the terrible memories the town holds. Only Mike never left. Despite Pennywise’s banishment, an evil presence lurks, and there are unexplained and reoccurring hate crimes in the town. Then, after 27 years, the creature remerges in shocking fashion and children of Derry start to disappear once more. To fulfil its pledge, the Losers’ Club must now regroup and destroy the clown, and it falls to Mike to summon his former colleagues. But IT has returned stronger and more sinister, and it waits and watches for a chance to exact its horrifying, wrathful vengeance.
Insurance man Walter Neff schemes the perfect murder with the beautiful wife of one of his clients: kill her husband and make off with the insurance money. But Walter's colleague - a shrewd insurance investigator - has a feeling that not all is as it seems with the widow's claim. A classic Film Noir thriller and a template for the genre.
The much anticipated conclusion to Muschietti’s supernatural clown nightmare, based on the novel by Stephen King. After the Losers’ Club defeated the shape-shifting, child-devouring Pennywise all those years ago, the group of childhood friends have drifted apart, away from Derry and the terrible memories the town holds. Only Mike never left. Despite Pennywise’s banishment, an evil presence lurks, and there are unexplained and reoccurring hate crimes in the town. Then, after 27 years, the creature remerges in shocking fashion and children of Derry start to disappear once more. To fulfil its pledge, the Losers’ Club must now regroup and destroy the clown, and it falls to Mike to summon his former colleagues. But IT has returned stronger and more sinister, and it waits and watches for a chance to exact its horrifying, wrathful vengeance.
Director: Martin Scorsese.
Starring: Robert De Niro, Jodie Foster, Cybill Shepherd, Harvey Keitel. USA 1976. 114 mins.
Nursing various resentments, probably fuelled by a fear of social and sexual failure, Travis Bickle's (De Niro) attention turns to Iris (Foster), a 14-year-old prostitute, and he makes it his mission to save her.
The film's expressionist images eloquently mirror Bickle's sense of the impoverished, tawdry, sometimes menacing New York of the mid-70s as a hell on earth. Scorsese's Palme d'Or winner remains one of the defining American movies of that decade, not only for its bravura flair, but also for the way it points to the troubled urban mood of those times by locating Bickle's psychotic rage in his ill-concealed racism, misogyny and anxieties concerning all-round impotence.
On Tuesday 10 September, Fane Productions present an evening with the Canadian novelist, poet, literary critic and inventor Margaret Atwood to mark the release of The Testaments, Atwood’s highly anticipated sequel to The Handmaid’s Tale. The event will be broadcast live via satellite from the National Theatre in London.
The publication of The Handmaid’s Tale in 1985 and the current, Emmy Award-winning television series have created a cultural phenomenon, as handmaids have become a symbol of women’s rights and a protest against misogyny and oppression.
Atwood will be interviewed by broadcaster and author Samira Ahmed in a conversation spanning the length of Atwood’s remarkable career, her diverse range of works, and why she has returned to her seminal handmaid story, 34 years later.
“Dear Readers: Everything you've ever asked me about Gilead and its inner workings is the inspiration for this book. Well, almost everything! The other inspiration is the world we've been living in.”
With exclusive readings from the new book by special guests, this will be an unmissable and intimate event with Atwood, spotlighting her signature insight, humour and intellect.
The much anticipated conclusion to Muschietti’s supernatural clown nightmare, based on the novel by Stephen King. After the Losers’ Club defeated the shape-shifting, child-devouring Pennywise all those years ago, the group of childhood friends have drifted apart, away from Derry and the terrible memories the town holds. Only Mike never left. Despite Pennywise’s banishment, an evil presence lurks, and there are unexplained and reoccurring hate crimes in the town. Then, after 27 years, the creature remerges in shocking fashion and children of Derry start to disappear once more. To fulfil its pledge, the Losers’ Club must now regroup and destroy the clown, and it falls to Mike to summon his former colleagues. But IT has returned stronger and more sinister, and it waits and watches for a chance to exact its horrifying, wrathful vengeance.
The much anticipated conclusion to Muschietti’s supernatural clown nightmare, based on the novel by Stephen King. After the Losers’ Club defeated the shape-shifting, child-devouring Pennywise all those years ago, the group of childhood friends have drifted apart, away from Derry and the terrible memories the town holds. Only Mike never left. Despite Pennywise’s banishment, an evil presence lurks, and there are unexplained and reoccurring hate crimes in the town. Then, after 27 years, the creature remerges in shocking fashion and children of Derry start to disappear once more. To fulfil its pledge, the Losers’ Club must now regroup and destroy the clown, and it falls to Mike to summon his former colleagues. But IT has returned stronger and more sinister, and it waits and watches for a chance to exact its horrifying, wrathful vengeance.
The Holy Trinity of Rock returns to the big screen this August for the first ‘Annual Exercise in Fan Indulgence’, Cinema Strangiato. Featuring a screening of Rush’s new film R40+, this global fan event will give audiences a special look into some of the best performances from R40 LIVE, including songs such as ‘Closer to the Heart’, ‘Subdivisions’, ‘Tom Sawyer’ and more, as well as unreleased backstage moments and candid footage left on the cutting room floor.
R40+ also includes unseen soundcheck performances of the fan-favourite ‘Jacob’s Ladder’, exclusive new interviews with Tom Morello, Billy Corgan, Taylor Hawkins, producer Nick Raskulinecz, violinist Jonathan Dinklage, and more. As a special bonus, fans will get a glimpse into the madness and passion that went in to the making of Geddy Lee’s new book, Geddy Lee’s Big Beautiful Book of Bass – including a brand new interview from the man himself.
This moving tale of loss, loneliness and regret centres on a private clinic where two men fortuitously meet and form an unlikely friendship.
Male nurse Benigno (Javier Cámara) becomes infatuated with a complete stranger when he watches dancer Alicia (Leonor Watling) practicing from the anonymity of his apartment. After being injured in a car accident, Alicia is brought to a nearby hospital, where Benigno serendipitously happens to be her caregiver. When wounded bullfighter Lydia (Rosario Flores) is brought into the same ward, her companion, writer Marco (Darío Grandinetti), begins to bond with Benigno.
Directed with characteristic brio and style, Talk To Her showcases Almodovar’s ability to craft strong female characters and win the confidence of his actors, who, as ever, oblige with deft performances. It’s a valuable and gently optimistic contribution to Almodovar’s impressive canon.
18.00Discover: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
See the award-winning one-woman show that inspired the BBC’s hit TV series Fleabag, broadcast live to cinemas from London’s West End.
Written and performed by Phoebe Waller-Bridge (TV's Fleabag, Killing Eve) and directed by Vicky Jones, Fleabag is a rip-roaring look at some sort of woman living her sort of life.
Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that’s just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose.
★★★★★ “Witty, filthy and supreme.” – The Guardian
Encore screenings are available for this popular show. Please check cinema listings for details.
The much anticipated conclusion to Muschietti’s supernatural clown nightmare, based on the novel by Stephen King. After the Losers’ Club defeated the shape-shifting, child-devouring Pennywise all those years ago, the group of childhood friends have drifted apart, away from Derry and the terrible memories the town holds. Only Mike never left. Despite Pennywise’s banishment, an evil presence lurks, and there are unexplained and reoccurring hate crimes in the town. Then, after 27 years, the creature remerges in shocking fashion and children of Derry start to disappear once more. To fulfil its pledge, the Losers’ Club must now regroup and destroy the clown, and it falls to Mike to summon his former colleagues. But IT has returned stronger and more sinister, and it waits and watches for a chance to exact its horrifying, wrathful vengeance.
Set in the Pakistani community of London, the film follows the fortunes of handsome young Omar who, together with his English friend Johnny, takes over a run-down laundrette given to him by his rich uncle. Together they transform it into a gaudy, neon-lit palace complete with muzac and video screens. Against a background of racial tension and poverty in the rough London suburb, their own relationship, portrayed with tenderness and passion, blossoms to love.
Intrigue, pageantry, romance, skulduggery, zingers from Maggie Smith ¬– the big screen bow of Downton Abbey takes all the things you love about the TV show and rolls them out on a much grander scale.
The beloved upstairs-downstairs story continues in 1927, as the Crawleys and their intrepid staff prepare for the most important moment of their lives: a royal visit. Naturally the impending arrival of King George V and Queen Mary causes quite the stir in the community, and prompts a flurry of silver-polishing, meal-planning and spring-cleaning in the household to ensure everything is in ship-shape.
But with the Great Depression looming and fewer servants to run the estate, all hands on deck might not be enough. Faced with the exacting demands of the overbearing royal butler and his staff, Lady Mary (Michelle Dockery) reaches out to the now-retired butler Carson (Jim Carter) to help restore a little sense of Downton’s former glory.
Intrigue, pageantry, romance, skulduggery, zingers from Maggie Smith ¬– the big screen bow of Downton Abbey takes all the things you love about the TV show and rolls them out on a much grander scale.
The beloved upstairs-downstairs story continues in 1927, as the Crawleys and their intrepid staff prepare for the most important moment of their lives: a royal visit. Naturally the impending arrival of King George V and Queen Mary causes quite the stir in the community, and prompts a flurry of silver-polishing, meal-planning and spring-cleaning in the household to ensure everything is in ship-shape.
But with the Great Depression looming and fewer servants to run the estate, all hands on deck might not be enough. Faced with the exacting demands of the overbearing royal butler and his staff, Lady Mary (Michelle Dockery) reaches out to the now-retired butler Carson (Jim Carter) to help restore a little sense of Downton’s former glory.
Intrigue, pageantry, romance, skulduggery, zingers from Maggie Smith ¬– the big screen bow of Downton Abbey takes all the things you love about the TV show and rolls them out on a much grander scale.
The beloved upstairs-downstairs story continues in 1927, as the Crawleys and their intrepid staff prepare for the most important moment of their lives: a royal visit. Naturally the impending arrival of King George V and Queen Mary causes quite the stir in the community, and prompts a flurry of silver-polishing, meal-planning and spring-cleaning in the household to ensure everything is in ship-shape.
But with the Great Depression looming and fewer servants to run the estate, all hands on deck might not be enough. Faced with the exacting demands of the overbearing royal butler and his staff, Lady Mary (Michelle Dockery) reaches out to the now-retired butler Carson (Jim Carter) to help restore a little sense of Downton’s former glory.
Dixon Steele, a moody, volatile Hollywood screenwriter who's had his heyday, is accused of murdering a coat check girl from a showbiz restaurant. Laurel, an actress who lives in Dixon's apartment complex, provides an alibi for her neighbour when questioned by the police, and the pair start a relationship. But the chief of police is unconvinced of Dixon’s innocence and, after learning of his violent past, Laurel begins to question if she is putting herself in danger by staying with him.
Intrigue, pageantry, romance, skulduggery, zingers from Maggie Smith ¬– the big screen bow of Downton Abbey takes all the things you love about the TV show and rolls them out on a much grander scale.
The beloved upstairs-downstairs story continues in 1927, as the Crawleys and their intrepid staff prepare for the most important moment of their lives: a royal visit. Naturally the impending arrival of King George V and Queen Mary causes quite the stir in the community, and prompts a flurry of silver-polishing, meal-planning and spring-cleaning in the household to ensure everything is in ship-shape.
But with the Great Depression looming and fewer servants to run the estate, all hands on deck might not be enough. Faced with the exacting demands of the overbearing royal butler and his staff, Lady Mary (Michelle Dockery) reaches out to the now-retired butler Carson (Jim Carter) to help restore a little sense of Downton’s former glory.
From the 2019 Bregenz Festival in Austria comes one of Giuseppe Verdi’s masterpieces, the tragic RIGOLETTO. Compelling, blood-curdling and beautiful, the work is being performed on the huge Bregenz stage which juts out over Lake Constance in front of an audience of some 7,000. RIGOLETTO is an unforgettable tale of a sacrifice and revenge, of a father's rage and a daughter's shame. It features several of opera's best-known arias-including Rigoletto's passionate denouncement ‘Cortigiani, Vil Razza Dannata’, Gilda's dreamy ‘Caro Nome’ and the Duke's ‘La Donna E Mobile’. Directed and designed by Philip Stölzl, this spectacular production features a 14-meter high jester’s head with moving eyes and mouth, and singers at times performing on trapezes, hanging out of balloons or lying in hammocks 30 meters up. Stunning playing from the Wiener Symphoniker conducted by Enrique Mazzola.
Intrigue, pageantry, romance, skulduggery, zingers from Maggie Smith ¬– the big screen bow of Downton Abbey takes all the things you love about the TV show and rolls them out on a much grander scale.
The beloved upstairs-downstairs story continues in 1927, as the Crawleys and their intrepid staff prepare for the most important moment of their lives: a royal visit. Naturally the impending arrival of King George V and Queen Mary causes quite the stir in the community, and prompts a flurry of silver-polishing, meal-planning and spring-cleaning in the household to ensure everything is in ship-shape.
But with the Great Depression looming and fewer servants to run the estate, all hands on deck might not be enough. Faced with the exacting demands of the overbearing royal butler and his staff, Lady Mary (Michelle Dockery) reaches out to the now-retired butler Carson (Jim Carter) to help restore a little sense of Downton’s former glory.
Intrigue, pageantry, romance, skulduggery, zingers from Maggie Smith ¬– the big screen bow of Downton Abbey takes all the things you love about the TV show and rolls them out on a much grander scale.
The beloved upstairs-downstairs story continues in 1927, as the Crawleys and their intrepid staff prepare for the most important moment of their lives: a royal visit. Naturally the impending arrival of King George V and Queen Mary causes quite the stir in the community, and prompts a flurry of silver-polishing, meal-planning and spring-cleaning in the household to ensure everything is in ship-shape.
But with the Great Depression looming and fewer servants to run the estate, all hands on deck might not be enough. Faced with the exacting demands of the overbearing royal butler and his staff, Lady Mary (Michelle Dockery) reaches out to the now-retired butler Carson (Jim Carter) to help restore a little sense of Downton’s former glory.
When an old friend brings filmmaker Enrique Goded (Fele Martínez) a semi-autobiographical script chronicling their adolescence, Enrique is forced to relive his youth spent at a Catholic boarding school. Weaving through past and present, the script follows a transvestite performer (Gael García Bernal) who reconnects with a grade school sweetheart. Spurred on by this chance encounter, the character reflects on her childhood sexual victimisation and the trauma of closeting her sexual orientation.
18.00Discover: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
Mixing groundbreaking science with cinematic stories of struggle and triumph, this revelatory documentary traces the explosive rise of plant-based eating in professional sport. James Wilks, elite special-forces trainer and mixed martial artist, travels the world in search of the truth about meat, protein and strength. Showcasing elite athletes, soldiers and visionary scientists, his journey exposes outdated myths about food that not only affect human performance, but also the health of the global population. The film features some of the strongest, fastest and toughest sportsmen on the planet, and it’s backed by them too: Lewis Hamilton, Novak Djokovic and Chris Paul rank among its executive producers, alongside James Cameron, Arnold Schwarzenegger and Jackie Chan. Eye-opening stuff.
Intrigue, pageantry, romance, skulduggery, zingers from Maggie Smith ¬– the big screen bow of Downton Abbey takes all the things you love about the TV show and rolls them out on a much grander scale.
The beloved upstairs-downstairs story continues in 1927, as the Crawleys and their intrepid staff prepare for the most important moment of their lives: a royal visit. Naturally the impending arrival of King George V and Queen Mary causes quite the stir in the community, and prompts a flurry of silver-polishing, meal-planning and spring-cleaning in the household to ensure everything is in ship-shape.
But with the Great Depression looming and fewer servants to run the estate, all hands on deck might not be enough. Faced with the exacting demands of the overbearing royal butler and his staff, Lady Mary (Michelle Dockery) reaches out to the now-retired butler Carson (Jim Carter) to help restore a little sense of Downton’s former glory.
The Empire Podcast, the award-winning-but-mostly-losing-but-who’s-counting audio arm of the world’s biggest film magazine, is coming to the Edinburgh International Magazine Festival 2019! Come along to see the colleagues of such lethal cunning – Chris Hewitt, Helen O’Hara, James Dyer, and Terri White — discuss the latest movie news, chew the fat over the week’s newest releases, answer audience questions, and generally indulge in all sorts of film-related fun. And maybe, justmaybe, we’ll learn a lesson or two along the way.
To find out more about the Edinburgh International Magazine Festival, see edmagfest.co.uk. Join the conversation on social media #EIMF19.
For a special one-off evening, our crack team of podcasters will escape the confines of their regular pod booth and record an episode live, in a cinema in front of an audience of enthusiastic Empire readers and cinemagoers. The tried-and-tested format will go unchanged: a panel of Empire writers answering readers' question with the utmost seriousness (maybe), dissecting the week’s movie news, reviewing the latest releases, and welcoming a celebrity guest or two. Expect in-depth movie geekery, terrible puns, and ‘bangily-bangs’ galore.
See the award-winning one-woman show that inspired the BBC’s hit TV series Fleabag.
Written and performed by Phoebe Waller-Bridge (TV's Fleabag, Killing Eve) and directed by Vicky Jones, Fleabag is a rip-roaring look at some sort of woman living her sort of life.
Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that’s just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose.
★★★★★ “Witty, filthy and supreme.” – The Guardian
This encore show is a recording of the performance broadcast live to cinemas on 12 September from London’s West End.
See the award-winning one-woman show that inspired the BBC’s hit TV series Fleabag.
Written and performed by Phoebe Waller-Bridge (TV's Fleabag, Killing Eve) and directed by Vicky Jones, Fleabag is a rip-roaring look at some sort of woman living her sort of life.
Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that’s just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose.
★★★★★ “Witty, filthy and supreme.” – The Guardian
This encore show is a recording of the performance broadcast live to cinemas on 12 September from London’s West End.
Top-notch film noir, adapted from Hemingway's short story of robbery and betrayal. Two hit men walk into a diner asking for a man called "the Swede" (Burt Lancaster). When the killers find the Swede, he's expecting them and doesn't put up a fight. Since the Swede had a life insurance policy, an investigator (Edmond O'Brien), on a hunch, decides to look into the murder. As the Swede's past is laid bare, it comes to light that he was in love with a beautiful woman (Ava Gardner) who may have lured him into pulling off a bank robbery overseen by another man (Albert Dekker).
A brilliant synthesis of love story, melodrama, ghost story and thriller, Volver stands as a towering achievement even amid Almodóvar’s superb body of work. Calling the film “the deepest return to my roots”, the director goes back to his birthplace, La Mancha, to tell the story of a group of women, all inspired by women from his own childhood. Three generations survive fire, insanity and even death by means of goodness, lies and boundless vitality. They are Raimunda (Penelope Cruz), married with a teenage daughter, Sole (Lola Dueñas), her sister, and their mother (Carmen Maura), who died in a fire, but who appears to Sole. The film is visually sumptuous, and the performances equally strong.
18.00Discover: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
See the award-winning one-woman show that inspired the BBC’s hit TV series Fleabag.
Written and performed by Phoebe Waller-Bridge (TV's Fleabag, Killing Eve) and directed by Vicky Jones, Fleabag is a rip-roaring look at some sort of woman living her sort of life.
Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that’s just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose.
★★★★★ “Witty, filthy and supreme.” – The Guardian
This encore show is a recording of the performance broadcast live to cinemas on 12 September from London’s West End.
Featuring a Tony Award-winning performance from host of the The Late Late Show, James Corden, the hilarious West End and Broadway hit One Man, Two Guvnors returns to cinemas to mark National Theatre Live’s 10th birthday.
Fired from his skiffle band, Francis Henshall becomes minder to Roscoe Crabbe, a small time East End hood, now in Brighton to collect £6,000 from his fiancée’s dad. But Roscoe is really his sister Rachel posing as her own dead brother, who’s been killed by her boyfriend Stanley Stubbers.
Holed up at The Cricketers’ Arms, the permanently ravenous Francis spots the chance of an extra meal ticket and takes a second job with one Stanley Stubbers, who is hiding from the police and waiting to be re-united with Rachel. To prevent discovery, Francis must keep his two guvnors apart. Simple.
The Vinyl Revival explores the renaissance in all things vinyl. We hear from passionate new record shops owners as well the established die-hards still going and thriving. We speak with musicians and music industry pundits, experts on culture and music history. The film discusses the importance of the record shop and vinyl as a whole. We answer the why’s of vinyl’s revival, the human need for belonging, the love of history, and the stories of how the humble little record shop has shaped so many lives.
Contributors include: Philip Selway (Radiohead), Jen Otter Bikerdike (Rock and Roll Historian), Nick Mason (Pink Floyd) and Ade Utley (Portishead)
Each screening will be followed by a Q&A.
See the award-winning one-woman show that inspired the BBC’s hit TV series Fleabag.
Written and performed by Phoebe Waller-Bridge (TV's Fleabag, Killing Eve) and directed by Vicky Jones, Fleabag is a rip-roaring look at some sort of woman living her sort of life.
Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that’s just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose.
★★★★★ “Witty, filthy and supreme.” – The Guardian
This encore show is a recording of the performance broadcast live to cinemas on 12 September from London’s West End.
Beginning with perhaps the most celebrated tracking shot in history, Orson Welles’s bravura film noir is a shadowy tale of murder, malevolence and police corruption.
When a car bomb explodes on the US-Mexican border, Mike Vargas (Heston), a Mexican official investigating drug trafficking, is drawn into the case. Vargas is convinced that American cop Hank Quinlan (Welles) is planting evidence to incriminate the prime suspect, and he becomes obsessed with exposing Quinlan as a rotten apple. Quinlan then seeks revenge by conspiring with gangsters, who terrorise Vargas’s wife Susan (Leigh).
Welles gives a stunning performance as a man increasingly depleted of humanity, and his deliriously daring thriller with a dark emotional core is one of the greatest of its genre.
Nearly three decades after her first visit to London, the enigmatic Mary Poppins (Blunt) soars back into the capital to look after the Banks children in their time of need.
The now grown-up Jane (Mortimer) and Michael Banks (Whishaw) are living in the same house on Cherry Tree Lane, along with Michael’s three children and their housekeeper Ellen (Walters).
The family are in danger of losing their home, and Michael is struggling after a personal loss, but the practically perfect nanny returns just in time to rekindle the fun and wonder missing from their lives – with a little help from street lamplighter Jack (Miranda) and her eccentric cousin Topsy (Streep).
Boasting wonderful songs, classic 2D animation and cameos from some familiar faces, this is a delightful reunion for all to enjoy, whether you grew up with the magic or are discovering it for the first time.
11.00Dementia-Friendly Screening: Open to all but especially for people with dementia and their family, friends and carers. Join us for free tea, coffee and biscuits and a chance to socialise for 30 minutes before the film. The film will start at the time stated.
Roger Waters, co-founder, creative force and songwriter behind Pink Floyd, presents his highly anticipated concert film, Us + Them, which features state-of-the-art visual production and breathtaking sound.
Filmed in Amsterdam on the European leg of his 2017-18 Us + Them tour, on which Waters performed to over two million people worldwide, the film features songs from his legendary Pink Floyd albums (The Dark Side Of The Moon,The Wall, Animals, Wish You Were Here) and from his last album, Is This The Life We Really Want?
Waters’ second collaboration with Sean Evans, visionary director of the highly acclaimed movie Roger Waters The Wall, this pioneering film is an inspiring showcase for the tour’s powerful music and message of human rights, liberty and love.
See the award-winning one-woman show that inspired the BBC’s hit TV series Fleabag.
Written and performed by Phoebe Waller-Bridge (TV's Fleabag, Killing Eve) and directed by Vicky Jones, Fleabag is a rip-roaring look at some sort of woman living her sort of life.
Fleabag may seem oversexed, emotionally unfiltered and self-obsessed, but that’s just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose.
★★★★★ “Witty, filthy and supreme.” – The Guardian
This encore show is a recording of the performance broadcast live to cinemas on 12 September from London’s West End.
Multi-award-winning director Emma Rice brings her unique, exuberantly impish vision to Angela Carter’s great last novel in this brand-new theatre production. A big, bawdy tangle of theatrical joy and heartbreak, Wise Children is a celebration of show business, family, forgiveness and hope, with a generous dash of Shakespeare, scandal and mischief, taking the audience on a rollercoaster ride of emotion.
In Brixton, Nora and Dora Chance – twin chorus girls born and bred south of the river – are celebrating their 75th birthday. Over the river in Chelsea, their father – and the greatest actor of his generation – Melchior Hazard turns 100 on the same day. As does his twin brother Peregrine. If, in fact, he’s still alive. And if, in truth, Melchior is their real father after all...
Performed by a talented ensemble cast, this entertaining, all-singing and dancing show opened to a raft of four and five-star reviews at London’s Old Vic in 2018. Adapted and directed by Emma Rice, the former Artistic Director of Kneehigh and Shakespeare’s Globe, it was filmed for the cinema screen at York Theatre Royal.
Gloria Swanson as Norma Desmond, an aging silent film queen, and William Holden as the struggling writer who is held in thrall by her madness, created two of the screen's most memorable characters in Sunset Boulevard.
Winner of three Academy Awards., director Billy Wilder's orchestration of the bizarre tale is a true cinematic classic. From the unforgettable opening sequence through the inevitable unfolding of tragic destiny, the film is the definitive statement on the dark and desperate side of Hollywood. Erich von Stroheim as Desmond's discoverer, ex-husband and butler, and Nancy Olson as the bright spot in unrelenting ominousness, are equally celebrated for their masterful performances.
When a tornado rips through Kansas, Dorothy (Judy Garland) and her dog, Toto, are whisked away in their house to the magical land of Oz. They follow the Yellow Brick Road toward the Emerald City to meet the Wizard, and en route they meet a Scarecrow (Ray Bolger) that needs a brain, a Tin Man (Jack Haley) missing a heart, and a Cowardly Lion (Bert Lahr) who wants courage. The wizard asks the group to bring him the broom of the Wicked Witch of the West (Margaret Hamilton) to earn his help.
Featuring a Tony Award-winning performance from host of the The Late Late Show, James Corden, the hilarious West End and Broadway hit One Man, Two Guvnors returns to cinemas to mark National Theatre Live’s 10th birthday.
Fired from his skiffle band, Francis Henshall becomes minder to Roscoe Crabbe, a small time East End hood, now in Brighton to collect £6,000 from his fiancée’s dad. But Roscoe is really his sister Rachel posing as her own dead brother, who’s been killed by her boyfriend Stanley Stubbers.
Holed up at The Cricketers’ Arms, the permanently ravenous Francis spots the chance of an extra meal ticket and takes a second job with one Stanley Stubbers, who is hiding from the police and waiting to be re-united with Rachel. To prevent discovery, Francis must keep his two guvnors apart. Simple.
Hailed as the UK’s most influential comedian of all time, legendary Scot Billy Connolly is coming to cinemas with this brilliant show from his final stand-up tour. Recorded in 2015 during the Australian leg, this whipsmart routine is a riotous journey filled with outrageous tales and blistering observations of everyday absurdities. This one-night-only event also includes a cinema-exclusive interview with Connolly, who muses upon his career, life and legacy.
Before retiring in 2016 following his diagnosis with Parkinson’s Disease, Connolly toured continuously for 50 years, performing to a combined audience of over ten million people. The Sex Life Of Bandages is a big-screen tribute to an iconic funny-man whose sharp wit and anarchic storytelling remains as hilarious as ever.
★★★★ ‘Can he still hold an audience in his thrall - warm us, cheer us, tickle us? Abso - Billy - lutely!' - The Telegraph
★★★★ 'Beautifully funny' - The Guardian
★★★★ 'Connolly has still got his funny bones' - The Evening Standard
Multi-award-winning director Emma Rice brings her unique, exuberantly impish vision to Angela Carter’s great last novel in this brand-new theatre production. A big, bawdy tangle of theatrical joy and heartbreak, Wise Children is a celebration of show business, family, forgiveness and hope, with a generous dash of Shakespeare, scandal and mischief, taking the audience on a rollercoaster ride of emotion.
In Brixton, Nora and Dora Chance – twin chorus girls born and bred south of the river – are celebrating their 75th birthday. Over the river in Chelsea, their father – and the greatest actor of his generation – Melchior Hazard turns 100 on the same day. As does his twin brother Peregrine. If, in fact, he’s still alive. And if, in truth, Melchior is their real father after all...
Performed by a talented ensemble cast, this entertaining, all-singing and dancing show opened to a raft of four and five-star reviews at London’s Old Vic in 2018. Adapted and directed by Emma Rice, the former Artistic Director of Kneehigh and Shakespeare’s Globe, it was filmed for the cinema screen at York Theatre Royal.
Hailed as the UK’s most influential comedian of all time, legendary Scot Billy Connolly is coming to cinemas with this brilliant show from his final stand-up tour. Recorded in 2015 during the Australian leg, this whipsmart routine is a riotous journey filled with outrageous tales and blistering observations of everyday absurdities. This one-night-only event also includes a cinema-exclusive interview with Connolly, who muses upon his career, life and legacy.
Before retiring in 2016 following his diagnosis with Parkinson’s Disease, Connolly toured continuously for 50 years, performing to a combined audience of over ten million people. The Sex Life Of Bandages is a big-screen tribute to an iconic funny-man whose sharp wit and anarchic storytelling remains as hilarious as ever.
★★★★ ‘Can he still hold an audience in his thrall - warm us, cheer us, tickle us? Abso - Billy - lutely!' - The Telegraph
★★★★ 'Beautifully funny' - The Guardian
★★★★ 'Connolly has still got his funny bones' - The Evening Standard
Yannick Nézet-Séguin, the Met’s Music Director, conducts this powerful production of love, loss and loyalty. Franco Zeffirelli’s spectacular staging returns to cinemas with powerhouse soprano Christine Goerke as the icy princess who has sworn never to be possessed by a man. But the unknown suitor Calaf, played by tenor Roberto Aronica, who sings the famed aria ‘Nessun dorma’, is love-struck, and risks his life by attempting to answer the challenging three riddles that promise to unlock her heart.
Roger Waters, co-founder, creative force and songwriter behind Pink Floyd, presents his highly anticipated concert film, Us + Them, which features state-of-the-art visual production and breathtaking sound.
Filmed in Amsterdam on the European leg of his 2017-18 Us + Them tour, on which Waters performed to over two million people worldwide, the film features songs from his legendary Pink Floyd albums (The Dark Side Of The Moon,The Wall, Animals, Wish You Were Here) and from his last album, Is This The Life We Really Want?
Waters’ second collaboration with Sean Evans, visionary director of the highly acclaimed movie Roger Waters The Wall, this pioneering film is an inspiring showcase for the tour’s powerful music and message of human rights, liberty and love.
On the hottest day of the year on a street in the Bedford-Stuyvesant section of Brooklyn, everyone's hate and bigotry smolders and builds until it explodes into violence.
On October 9, 2019, Trafalgar Releasing presents S&M2, a must-see celebration of the 20th anniversary of Metallica’s groundbreaking S&M concerts and album recorded with the San Francisco Symphony. See them once again perform with the Symphony as legendary conductor Michael Tilson Thomas leads a portion of the show, kicking off his final season in San Francisco. Recorded live on September 6th and 8th, the shows also commemorate the opening of the state-of-the-art Chase Center, a historic addition to the city’s waterfront.
Including several tracks from the original '99 S&M release as well as symphonic versions of new songs released since then, this theatrical release gives millions of fans around the world the chance to eclipse time and experience the show as a modern-day big screen concert.
This fascinating cinema event opens with a brand-new documentary about the life and work of Paul Gauguin, one of the world’s most popular and important artists. Filmed in Tahiti, France, the Marquesas Islands and the UK, this cinematic film will explore Gauguin’s extraordinary – and at times controversial – artistic achievement, with commentary from his descendants, artists and world experts. It will be followed by an exclusive private view of the National Gallery exhibition Gauguin Portraits, just after it opens in London. Exhibition curators and guest contributors will take cinema audiences on a lively and engaging guided tour, bringing this first ever exhibition of Gauguin’s portraits to the big screen with stunning close-ups and illuminating insights.
Yannick Nézet-Séguin, the Met’s Music Director, conducts this powerful production of love, loss and loyalty. Franco Zeffirelli’s spectacular staging returns to cinemas with powerhouse soprano Christine Goerke as the icy princess who has sworn never to be possessed by a man. But the unknown suitor Calaf, played by tenor Roberto Aronica, who sings the famed aria ‘Nessun dorma’, is love-struck, and risks his life by attempting to answer the challenging three riddles that promise to unlock her heart.
This fascinating cinema event opens with a brand-new documentary about the life and work of Paul Gauguin, one of the world’s most popular and important artists. Filmed in Tahiti, France, the Marquesas Islands and the UK, this cinematic film will explore Gauguin’s extraordinary – and at times controversial – artistic achievement, with commentary from his descendants, artists and world experts. It will be followed by an exclusive private view of the National Gallery exhibition Gauguin Portraits, just after it opens in London. Exhibition curators and guest contributors will take cinema audiences on a lively and engaging guided tour, bringing this first ever exhibition of Gauguin’s portraits to the big screen with stunning close-ups and illuminating insights.
'The course of true love never did run smooth.’
A feuding fairy King and Queen of the forest cross paths with four runaway lovers and a troupe of actors trying to rehearse a play. As their dispute grows, the magical royal couple meddle with mortal lives leading to love triangles, mistaken identities and transformations… with hilarious, but dark consequences.
Shakespeare’s most famous romantic comedy will be captured live from the Bridge Theatre in London. Gwendoline Christie (Game of Thrones), Oliver Chris (Green Wing, NT Live: Young Marx), David Moorst (NT Live: Allelujah!) and Hammed Animashaun (The Barber Shop Chronicles) lead the cast as Titania, Oberon, Puck and Bottom.
Directed by Nicholas Hytner, this production of A Midsummer Night’s Dream will build on the success of his immersive staging of Julius Caesar (NT Live 2018). The Bridge Theatre will become a forest – a dream world of flying fairies, contagious fogs and moonlight revels, surrounded by a roving audience following the action on foot.
Robert Mulligan's classic adaptation of Harper Lee's Pulitzer Prize-winning novel set in the racially charged atmosphere of Macon County, Alabama in the 1930s, TO KILL A MOCKINGBIRD is a poignant coming-of-age story. It is told from the perspective of a young girl nicknamed Scout (Mary Badham) whose widowed father Atticus Finch (Peck), an attorney, decides to defend a black man (Brock Peters) charged with raping a white woman. But the bigoted townspeople would rather lynch the accused than try him, and they make life hellish for the lawyer, his daughter and his son Jem. While their father is in the throes of the trial, his bright, inquisitive children learn a hard and unforgettable lesson in justice, morality and prejudice, part of which requires overcoming their unfounded fear of their mysterious neighbour Boo Radley (a very young Robert Duvall).
The screening will be followed by a filmmaker Q&A.
A Second Chance is a campaigning feature-length documentary that casts a spotlight onto one of the most marginalised groups in today’s society: Former prisoners.
Over 90,000 people are currently in UK prisons. Almost two thirds of those released are convicted of another crime within 12 months if they fail to find work – 50 per cent more than those who do find a job. And yet the vast majority of employers openly admit they will not employ an ex-offender.
A Second Chance confronts stereotypes and public perceptions by presenting both serving and ex-prisoners as real people with real problems. We meet inmate Tracey, horrifically abused as a child, she was brought up by the care system and has faced violence throughout her life. And David, playboy drug-dealer and part-time DJ, serving his third prison sentence. Both are on the cusp of release, and both have a unique opportunity to enter Timpson’s pioneering prison training programme that offers genuine employment at the point of release.
This is a film about hope. It is about the transformative power of work for those that genuinely want to change, and how employment can dramatically reduce the rate of reoffending for society as a whole.
18.30True Stories: - A season of films exploring true stories: from individuals challenging society’s dominant cultural and political stories, no matter the risk to their own liberty; looking in from the outside at those seeking to sow stories of fear; artists telling stories on film, canvas and landscapes; and stories of death-defying courage in acts from the pioneering to the everyday. Playing across all Picturehouse cinemas from June to September.
Matthew Bourne’s Romeo and Juliet has been hailed as ‘the single most eagerly awaited dance show for 2019’ by The Daily Telegraph. This passionate and contemporary re-imagining of Shakespeare’s classic story of love and conflict is set in the not too distant future in ‘The Verona Institute’. Here ‘difficult’ young people are mysteriously confined by a society that seeks to divide and crush their youthful spirit and individuality. Our two young lovers must follow their hearts as they risk everything to be together. A timeless story of forbidden love, repressed emotions and teenage discovery, filmed live at Sadler’s Wells in London especially for cinemas.
Bursting with youth, vitality and Matthew Bourne’s trademark storytelling, the UK’s brightest young dance talent join the New Adventures company, with direction and choreography by Matthew Bourne, design by Lez Brotherston, lighting by Paule Constable, sound by Paul Groothuis and new orchestrations of the Prokofiev score by Terry Davies, played live by the New Adventures Orchestra conducted by Brett Morris.
Matthew Bourne’s Romeo and Juliet has been hailed as ‘the single most eagerly awaited dance show for 2019’ by The Daily Telegraph. This passionate and contemporary re-imagining of Shakespeare’s classic story of love and conflict is set in the not too distant future in ‘The Verona Institute’. Here ‘difficult’ young people are mysteriously confined by a society that seeks to divide and crush their youthful spirit and individuality. Our two young lovers must follow their hearts as they risk everything to be together. A timeless story of forbidden love, repressed emotions and teenage discovery, filmed live at Sadler’s Wells in London especially for cinemas.
Bursting with youth, vitality and Matthew Bourne’s trademark storytelling, the UK’s brightest young dance talent join the New Adventures company, with direction and choreography by Matthew Bourne, design by Lez Brotherston, lighting by Paule Constable, sound by Paul Groothuis and new orchestrations of the Prokofiev score by Terry Davies, played live by the New Adventures Orchestra conducted by Brett Morris.
Laurent Pelly’s enchanting production, starring soprano Lisette Oropesa in the effervescent title role, explores the devastating consequences when excess and passion collide. Tenor Michael Fabiano is the besotted Chevalier des Grieux, whose desperate love for Manon proves to be the undoing for both of them. Maurizio Benini conducts Massenet’s sensual score.
Music: Alexander Glazuno
Choerography: Yuri Grigorovich (after Marius Petipa)
Libretto: Yuri Grigorovich (after Lidia Pashkova)
Cast: The Bolshoi Principals, Soloists and Corps de Ballet
Synopsis: Raymondais betrothed to Jean de Brienne, a gallant knight who pledged to go on a crusade led by the King of Hungary. When her beloved leaves, Abderakhman, a foreign knight, makes a bid for the hand of Raymonda and threatens her fate when she rejects him...
The ballet: Raymondais a must-see of the Bolshoi, a work of living dance history. Being one of legendary choreographer Marius Petipa’s final works, he fully armed this ballet with beautiful court scenes, romantic corps de ballet dances, Hungarian czardas and a title role suited for the most outstanding ballerina.
A slow-burning masterwork of the early 1990s, this third feature by Charles Burnett is a singular piece of American mythmaking. In a towering performance, Danny Glover plays the enigmatic southern drifter Harry, a devilish charmer who turns up out of the blue on the South Central Los Angeles doorstep of his old friends. In short order, Harry’s presence seems to cast a chaotic spell on what appeared to be a peaceful household, exposing smoldering tensions between parents and children, tradition and change, virtue and temptation. Interweaving evocative strains of gospel and blues with rich, poetic-realist images, To Sleep with Anger is a sublimely stirring film from an autonomous artistic sensibility, a portrait of family resilience steeped in the traditions of African American mysticism and folklore.
Fassbinder was fascinated by strong, smart women using their wiles to navigate a man’s world; Hawks’ gorgeous musical about two showgirls sailing for Paris while checking out suitably moneyed males fits the bill perfectly. Monroe and Russell are terrific, the musical numbers are simultaneously sumptuous and ironic, and the colour and costumes are ravishing.
11.00Dementia-Friendly Screening: Open to all but especially for people with dementia and their family, friends and carers. Join us for free tea, coffee and biscuits and a chance to socialise for 30 minutes before the film. The film will start at the time stated.
Laurent Pelly’s enchanting production, starring soprano Lisette Oropesa in the effervescent title role, explores the devastating consequences when excess and passion collide. Tenor Michael Fabiano is the besotted Chevalier des Grieux, whose desperate love for Manon proves to be the undoing for both of them. Maurizio Benini conducts Massenet’s sensual score.
We’re thrilled to welcome producer Frederick Marx for a live post-screening Q&A to celebrate the 25th anniversary of this seminal film.
Of the 500,000 kids who play basketball in American high school every year, about 25 will make the grade to play one season professionally. Steven James’ extraordinary and entertaining HOOP DREAMS documents the lives and dreams of two real-life hopefuls growing up in a deprived Chicago suburb, charting an odyssey that begins when two teenagers are spotted by recruiters for St. Joseph’s, a Catholic ‘public school’ and powerhouse of basketball prowess, to the time, four-and-a half years later, when they’re on the threshold of uncertain careers.
More than a sports-documentary, HOOP DREAMS captures the gut-wrenching tension of vocational sport but devotes equal concern to adolescent uncertainties, family pressures and the bleak realities of inner city life.
The late Roger Ebert was famously an early advocate for this film and said in an October 1994 review, “A film like Hoop Dreams is what the movies are for. It takes us, shakes us, and makes us think in new ways about the world around us. It gives us the impression of having touched life itself… It is one of the great movie-going experiences of my lifetime.”
'The course of true love never did run smooth.’
A feuding fairy King and Queen of the forest cross paths with four runaway lovers and a troupe of actors trying to rehearse a play. As their dispute grows, the magical royal couple meddle with mortal lives leading to love triangles, mistaken identities and transformations… with hilarious, but dark consequences.
Shakespeare’s most famous romantic comedy will be captured live from the Bridge Theatre in London. Gwendoline Christie (Game of Thrones), Oliver Chris (Green Wing, NT Live: Young Marx), David Moorst (NT Live: Allelujah!) and Hammed Animashaun (The Barber Shop Chronicles) lead the cast as Titania, Oberon, Puck and Bottom.
Directed by Nicholas Hytner, this production of A Midsummer Night’s Dream will build on the success of his immersive staging of Julius Caesar (NT Live 2018). The Bridge Theatre will become a forest – a dream world of flying fairies, contagious fogs and moonlight revels, surrounded by a roving audience following the action on foot.
Music: Alexander Glazuno
Choerography: Yuri Grigorovich (after Marius Petipa)
Libretto: Yuri Grigorovich (after Lidia Pashkova)
Cast: The Bolshoi Principals, Soloists and Corps de Ballet
Synopsis: Raymondais betrothed to Jean de Brienne, a gallant knight who pledged to go on a crusade led by the King of Hungary. When her beloved leaves, Abderakhman, a foreign knight, makes a bid for the hand of Raymonda and threatens her fate when she rejects him...
The ballet: Raymondais a must-see of the Bolshoi, a work of living dance history. Being one of legendary choreographer Marius Petipa’s final works, he fully armed this ballet with beautiful court scenes, romantic corps de ballet dances, Hungarian czardas and a title role suited for the most outstanding ballerina.
When all-American couple Janet and Brad’s car breaks down outside an Old Dark House, they’re in for a night of frights and frolics at the hands of Dr Frank N. Furter and all manner of kinky Transylvanians in this cult musical comedy.
Contains moderate sex and one use of strong language.
Miyazaki’s superbly animated tale is considered to be one of the best-loved family films of all time. The story follows Satsuki (Hidaka) and Mei (Sakamoto), two young girls who find their new home is by a mystical forest inhabited by a menagerie of fantastical creatures called Totoros. They befriend O-Totoro, the biggest and eldest of them, and king of the forest. While the girls' mother lies sick in hospital, O-Totoro takes them on a magical adventure and helps them to understand the realities of life. Containing a powerful ecological theme, this is a lovingly crafted work of depth, import and beauty.
Leonardo da Vinci is acclaimed as the world’s favourite artist. Many TV shows and feature films have showcased his extraordinary genius, but often not examined closely enough is the most crucial element of all: his art.
Leonardo’s peerless paintings and drawings will be the focus of LEONARDO: THE WORKS, which presents every single attributed painting in Ultra HD quality – something never seen before on the big screen. Key works include ‘The Mona Lisa’, ‘The Last Supper’, ‘Lady with an Ermine’, ‘Ginevra de’ Benci’, ‘Madonna Litta’, ‘Virgin of the Rocks’ and more than a dozen others.
This film also looks afresh at Leonardo’s life – his inventiveness, his sculptural skills, his military foresight and his ability to navigate the treacherous politics of the day – through the prism of his art. To be released on the 500th anniversary of his death, this is the definitive film about Leonardo – the first to truly tell the whole story.
Hansard; noun
The official report of all parliamentary debates.
See two-time Olivier Award winners, Lindsay Duncan (Birdman, About Time) and Alex Jennings (The Lady in the Van, The Queen), in this brand-new play by Simon Wood, broadcast live from the National Theatre in London.
It’s a summer’s morning in 1988 and Tory politician Robin Hesketh has returned home to the idyllic Cotswold house he shares with his wife of 30 years, Diana. But all is not as blissful as it seems. Diana has a stinking hangover, a fox is destroying the garden, and secrets are being dug up all over the place. As the day draws on, what starts as gentle ribbing and the familiar rhythms of marital scrapping quickly turns to blood-sport.
Don’t miss this witty and devastating portrait of the governing class, directed by Simon Godwin (NT Live: Antony & Cleopatra, Twelfth Night) and part of National Theatre Live’s 10th birthday season.
Anthony Minghella’s vividly cinematic staging of Puccini’s tale of unrequited love returns to our screens featuring soprano Hui He in the devastating title role. One of the most frequently staged operas of our generation, Madama Butterfly tells the
story of a young Japanese girl, Cio-Cio San, who falls in love with Pinkerton, an American naval officer. Tragedy unfolds in this sweeping production, which is a perennial audience favourite.
Pier Giorgio Morandi conducts one of opera’s most beautiful and heartbreaking scores, and Plácido Domingo adds another role to his remarkable repertoire, singing ‘Sharpless’ for the first time. The cast also includes tenor Piero Pretti as Pinkerton and mezzosoprano Elizabeth DeShong as Suzuki.
The Broadway 1980 musical filmed live at the West End revival in 2018. 42nd Street tells the story of Peggy Sawyer, a talented young dancer in New York fresh off the bus from small-town America and just another face in the chorus line in Broadway’s newest show. But when the leading lady is injured, Peggy has the opportunity she’s always dreamt of. Starring Clare Halse, Bonnie Langford and Ashley Day, and featuring classic numbers such as ‘We’re In The Money’ and ‘Lullaby Of Broadway’.
★★★★★ “Glorious” – Express
★★★★★ “Utterly moreish extravaganza of glitz” – The Times
★★★★★ “Achingly beautiful revival of an American classic” – The Telegraph
A fantasy adventure film unlike any other, Spirited Away tells the story of Chihiro, a capricious 10-year-old girl who believes the entire world should submit to her every whim. While en route to a new home, Chihiro and her parents stumble upon a mysterious tunnel, which leads them to a ghostly town. There, Chihiro’s parents greedily devour the buffet in an abandoned restaurant and unceremoniously turn into pigs as she looks on. They have unwittingly strayed into the Land of the Spirits, a world inhabited by ancient gods and magical beings, who holiday at a giant bath house run by the demonic sorceress, Yubaba. Chihiro finds an ally in the enigmatic Haku, who explains that in order to survive this strange and perilous world, Chihiro must make herself useful by working hard at the bath house. Chihiro renounces her laziness, her reason, her memories, even her name… This visionary work from legendary animator Miyazaki is a surreal fable and an enchanting fairytale.
From the opening sequence, Orson Welles' first film – the most famous debut in all cinema – is replete with stylistic tropes and flourishes which evoke the German cinema of the '20s and '30s. Long recognised as the ancestor of the modern sound film, the fragmented biography of an American newspaper magnate is as sophisticated in the aural as the visual dimension, marking the most striking technical and stylistic advances since Fritz Lang's M. We present this landmark film in a restored version.
The Broadway 1980 musical filmed live at the West End revival in 2018. 42nd Street tells the story of Peggy Sawyer, a talented young dancer in New York fresh off the bus from small-town America and just another face in the chorus line in Broadway’s newest show. But when the leading lady is injured, Peggy has the opportunity she’s always dreamt of. Starring Clare Halse, Bonnie Langford and Ashley Day, and featuring classic numbers such as ‘We’re In The Money’ and ‘Lullaby Of Broadway’.
★★★★★ “Glorious” – Express
★★★★★ “Utterly moreish extravaganza of glitz” – The Times
★★★★★ “Achingly beautiful revival of an American classic” – The Telegraph
Anthony Minghella’s vividly cinematic staging of Puccini’s tale of unrequited love returns to our screens featuring soprano Hui He in the devastating title role. One of the most frequently staged operas of our generation, Madama Butterfly tells the
story of a young Japanese girl, Cio-Cio San, who falls in love with Pinkerton, an American naval officer. Tragedy unfolds in this sweeping production, which is a perennial audience favourite.
Pier Giorgio Morandi conducts one of opera’s most beautiful and heartbreaking scores, and Plácido Domingo adds another role to his remarkable repertoire, singing ‘Sharpless’ for the first time. The cast also includes tenor Piero Pretti as Pinkerton and mezzosoprano Elizabeth DeShong as Suzuki.
Leonardo da Vinci is acclaimed as the world’s favourite artist. Many TV shows and feature films have showcased his extraordinary genius, but often not examined closely enough is the most crucial element of all: his art.
Leonardo’s peerless paintings and drawings will be the focus of LEONARDO: THE WORKS, which presents every single attributed painting in Ultra HD quality – something never seen before on the big screen. Key works include ‘The Mona Lisa’, ‘The Last Supper’, ‘Lady with an Ermine’, ‘Ginevra de’ Benci’, ‘Madonna Litta’, ‘Virgin of the Rocks’ and more than a dozen others.
This film also looks afresh at Leonardo’s life – his inventiveness, his sculptural skills, his military foresight and his ability to navigate the treacherous politics of the day – through the prism of his art. To be released on the 500th anniversary of his death, this is the definitive film about Leonardo – the first to truly tell the whole story.
Music: Adolphe Adam
Choerography: Alexei Ratmansky
Libretto: Jules Henri Vernoy deSaint-Georges and Joseph Mazilier (edited by Marius Petipa)
Cast: Ekaterina Krysanova (Medora), Igor Tsvirko (Conrad), Denis Savin (Birbanto), Nelli Kobakhidze (Zulmea), Denis Rodkin (“Grand pas des éventails” Soloist), and the Corps de Ballet
Synopsis: On the bazaar square of Andrinopolis, the Pachais struck by the beauty of Medora and tries to buy her, but the lovely young woman is not for sale. As the transaction is about to come to a close, Medora is kidnaped by Conrad, a charming corsair who catches her eye...
The ballet: Bolshoi Prima Ballerina,the “mesmerizing” Ekaterina Krysanova and Leading Soloist Igor Tsvirko ignite Medora and Conrad’s passion with undeniable intensity. Le Corsaireremains a breathtaking production reworked by Alexei Ratmansky, who has created enough dancing for nearly the entire troupe, along with luxurious cinematic sets and a shipwreck, bringing the magic of this company to life.
Miyazaki’s eagerly awaited follow-up to SPIRITED AWAY is a freestyle adaptation of Diana Wynne Jones’s novel and a delight for all fans of the Japanese animators, Studio Ghibli. Cursed by the Witch of the Waste to take on the form of a 90-year-old woman, but unable to explain her predicament, Sophie soldiers on undeterred. She finds a job as a cleaner in a clanking walking castle with huge chicken legs, smokestacks and wings. Within, dandified wizard, Howl, his assistant and a talking fire-sprite use their sorcery as a military weapon, outwitting warmongering factions and battling inner demons. As if conceived by Hieronymous Bosch himself, the intricate castle design is the centrepiece of an enchanting animation that is brimming with imaginative treats from start to finish.
Shakespeare’s bleakly comic tragedy about money, status, friendship and falsehood. Lady Timon is a celebrated rich philanthropist, generous and popular. She doles out money and gifts to all in need. But when her money runs out, she quickly discovers that her admirers were largely fair-weather sycophants. Quite alone, she flees her home city of Athens to take a hermit’s refuge in the woods. This bracingly subversive 2017 production from the RSC is directed by Simon Godwin and stars Kathryn Hunter in the gender-flipped lead role.
Music: Adolphe Adam
Choerography: Alexei Ratmansky
Libretto: Jules Henri Vernoy deSaint-Georges and Joseph Mazilier (edited by Marius Petipa)
Cast: Ekaterina Krysanova (Medora), Igor Tsvirko (Conrad), Denis Savin (Birbanto), Nelli Kobakhidze (Zulmea), Denis Rodkin (“Grand pas des éventails” Soloist), and the Corps de Ballet
Synopsis: On the bazaar square of Andrinopolis, the Pachais struck by the beauty of Medora and tries to buy her, but the lovely young woman is not for sale. As the transaction is about to come to a close, Medora is kidnaped by Conrad, a charming corsair who catches her eye...
The ballet: Bolshoi Prima Ballerina,the “mesmerizing” Ekaterina Krysanova and Leading Soloist Igor Tsvirko ignite Medora and Conrad’s passion with undeniable intensity. Le Corsaireremains a breathtaking production reworked by Alexei Ratmansky, who has created enough dancing for nearly the entire troupe, along with luxurious cinematic sets and a shipwreck, bringing the magic of this company to life.
Star countertenor Anthony Roth Costanzo headlines as the revolutionary Pharaoh who transformed ancient Egypt. Director Phelim McDermott, whose productions include the hugely successful Satyagraha by Philip Glass, returns to the Met to bring this contemporary production to life, with a virtuosic company and dramatic staging that features acrobatics and juggling. The striking soprano J’Nai Bridges makes her Met debut as Nefertiti. Karen Kamensek conducts Glass’s ritualistic and hypnotic score.
When Prince Ashitaka slays a raging boar god, he is wounded and becomes infected with the sickness that had sent the beast berserk, a malady stemming from humankind’s disharmony with nature. Set at the time of Japan’s transition from the Middle Ages to the modern era, Princess Mononoke is a morally complex tale that blends a fantasy quest with social comment for our times.
Star countertenor Anthony Roth Costanzo headlines as the revolutionary Pharaoh who transformed ancient Egypt. Director Phelim McDermott, whose productions include the hugely successful Satyagraha by Philip Glass, returns to the Met to bring this contemporary production to life, with a virtuosic company and dramatic staging that features acrobatics and juggling. The striking soprano J’Nai Bridges makes her Met debut as Nefertiti. Karen Kamensek conducts Glass’s ritualistic and hypnotic score.
Hansard; noun
The official report of all parliamentary debates.
See two-time Olivier Award winners, Lindsay Duncan (Birdman, About Time) and Alex Jennings (The Lady in the Van, The Queen), in this brand-new play by Simon Wood, broadcast live from the National Theatre in London.
It’s a summer’s morning in 1988 and Tory politician Robin Hesketh has returned home to the idyllic Cotswold house he shares with his wife of 30 years, Diana. But all is not as blissful as it seems. Diana has a stinking hangover, a fox is destroying the garden, and secrets are being dug up all over the place. As the day draws on, what starts as gentle ribbing and the familiar rhythms of marital scrapping quickly turns to blood-sport.
Don’t miss this witty and devastating portrait of the governing class, directed by Simon Godwin (NT Live: Antony & Cleopatra, Twelfth Night) and part of National Theatre Live’s 10th birthday season.
Matthew Warchus directs Andrew Scott (BBC’s Sherlock, Fleabag) in Noël Coward’s provocative comedy Present Laughter.
As he prepares to embark on an overseas tour, star actor Garry Essendine’s colourful life is in danger of spiralling out of control. Engulfed by an escalating identity crisis as his many and various relationships compete for his attention, Garry’s few remaining days at home are a chaotic whirlwind of love, sex, panic and soul-searching.
Captured live from The Old Vic in London, Present Laughter is a giddy and surprisingly modern reflection on fame, desire and loneliness.
Matthew Warchus directs Andrew Scott (BBC’s Sherlock, Fleabag) in Noël Coward’s provocative comedy Present Laughter.
As he prepares to embark on an overseas tour, star actor Garry Essendine’s colourful life is in danger of spiralling out of control. Engulfed by an escalating identity crisis as his many and various relationships compete for his attention, Garry’s few remaining days at home are a chaotic whirlwind of love, sex, panic and soul-searching.
Captured live from The Old Vic in London, Present Laughter is a giddy and surprisingly modern reflection on fame, desire and loneliness.
Music: Pyotr Ilyich Tchaikovsky
Choerography: Yuri Grigorovich
Libretto: Yuri Grigorovich (after E.T.A. Hoffmann and Marius Petipa)
Cast: Margarita Shrainer (Marie), Semyon Chudin (The Nutcracker), Denis Savin (Drosselmeyer), Alexandre Vodopetov (The Mouse King), and the Corps de Ballet
Synopsis: On Christmas Eve, the mysterious Drosselmeyer brings a Nutcracker doll as a gift for his goddaughter Marie. At midnight, the doll comes to life and finds himself in a battle against the Mouse King, determined to save Marie from him.
The ballet: In this timeless story accompanied by Tchaikovsky’s beloved score, rising star Soloist Margarita Shrainer perfectly embodies Marie’s innocence and enchantment along with the supremely elegant Principal Dancer Semyon Chudin as The Nutcracker, captivating audiences of all ages and bringing them on an otherworldly journey.
Music: Pyotr Ilyich Tchaikovsky
Choerography: Yuri Grigorovich
Libretto: Yuri Grigorovich (after E.T.A. Hoffmann and Marius Petipa)
Cast: Margarita Shrainer (Marie), Semyon Chudin (The Nutcracker), Denis Savin (Drosselmeyer), Alexandre Vodopetov (The Mouse King), and the Corps de Ballet
Synopsis: On Christmas Eve, the mysterious Drosselmeyer brings a Nutcracker doll as a gift for his goddaughter Marie. At midnight, the doll comes to life and finds himself in a battle against the Mouse King, determined to save Marie from him.
The ballet: In this timeless story accompanied by Tchaikovsky’s beloved score, rising star Soloist Margarita Shrainer perfectly embodies Marie’s innocence and enchantment along with the supremely elegant Principal Dancer Semyon Chudin as The Nutcracker, captivating audiences of all ages and bringing them on an otherworldly journey.
With the partnership between the Berlin Philharmonikier and their new conductor Kirill Petrenko just beginning, you can look forward to getting to know the orchestra all over again, from new perspectives. Their 2019 New Year’s Eve concert will feature George Gershwin’s An American In Paris, Leonard Bernstein’s ‘Symphonic Dances’ from West Side Story, and works by Cole Porter, Carl Loewe and Kurt Weill. Guest soloist soprano Diana Damau stars. So, join the Berliner Philharmoniker as they enter the Petrenko era!
After wowing audiences with his astounding production of Lulu in 2015, South African artist William Kentridge now focuses his extraordinary imagination on a new production of Berg’s other operatic masterpiece, which is set in an apocalyptic pre-First World War environment.
Met Music Director Yannick Nézet-Séguin is on the podium for this important event, while baritone Peter Mattei makes his highly anticipated role debut as Wozzeck. Soprano Elza van den Heever is Wozzeck’s unfaithful mate, and the commanding cast also includes tenor Christopher Ventris as the Drum-Major, bass-baritone Christian Van Horn as the Doctor, and tenor Gerhard Siegel as the Captain.
After wowing audiences with his astounding production of Lulu in 2015, South African artist William Kentridge now focuses his extraordinary imagination on a new production of Berg’s other operatic masterpiece, which is set in an apocalyptic pre-First World War environment.
Met Music Director Yannick Nézet-Séguin is on the podium for this important event, while baritone Peter Mattei makes his highly anticipated role debut as Wozzeck. Soprano Elza van den Heever is Wozzeck’s unfaithful mate, and the commanding cast also includes tenor Christopher Ventris as the Drum-Major, bass-baritone Christian Van Horn as the Doctor, and tenor Gerhard Siegel as the Captain.
For the first time in history, the Royal Academy of Arts in London, in collaboration with the Museum of Fine Arts in Boston, is bringing together Lucian Freud’s self-portraits. This intensely compelling exhibition will display more than 50 paintings, prints and drawings in which this modern master of British art turned his unflinching eye firmly on himself.
One of the most celebrated painters of our time, Lucian Freud is also one of very few twentieth-century artists who portrayed themselves with such consistency. Spanning nearly seven decades, his self-portraits give a fascinating insight into both his psyche and his development as a painter, from his earliest portrait painted in 1939 to the final one executed 64 years later. When seen together, his works represent an engrossing study of the dynamic of ageing and the process of self-representation.
Music: Adolphe Adam
Choerography: Alexei Ratmansky
Libretto: Théophile Gautier and Jean-Henry Saint-Georges
Cast: The Bolshoi Principals, Soloists and Corps de Ballet
Synopsis: The young peasant girl Giselle dies when she learns that the man she loves, Albrecht, has betrayed her. Against her own will, she joins the Wilis, vengeful spirits of jilted brides who condemn Albrecht to dance until he dies of exhaustion...
The ballet: Giselle touches upon great and universal romantic themes. In this brand new production, renowned choreographer Alexei Ratmansky brings a fresh perspective to one of the oldest and greatest works of classical dance, giving the audience an opportunity to discover this iconic ballet anew.
For the first time in history, the Royal Academy of Arts in London, in collaboration with the Museum of Fine Arts in Boston, is bringing together Lucian Freud’s self-portraits. This intensely compelling exhibition will display more than 50 paintings, prints and drawings in which this modern master of British art turned his unflinching eye firmly on himself.
One of the most celebrated painters of our time, Lucian Freud is also one of very few twentieth-century artists who portrayed themselves with such consistency. Spanning nearly seven decades, his self-portraits give a fascinating insight into both his psyche and his development as a painter, from his earliest portrait painted in 1939 to the final one executed 64 years later. When seen together, his works represent an engrossing study of the dynamic of ageing and the process of self-representation.
Music: Adolphe Adam
Choerography: Alexei Ratmansky
Libretto: Théophile Gautier and Jean-Henry Saint-Georges
Cast: The Bolshoi Principals, Soloists and Corps de Ballet
Synopsis: The young peasant girl Giselle dies when she learns that the man she loves, Albrecht, has betrayed her. Against her own will, she joins the Wilis, vengeful spirits of jilted brides who condemn Albrecht to dance until he dies of exhaustion...
The ballet: Giselle touches upon great and universal romantic themes. In this brand new production, renowned choreographer Alexei Ratmansky brings a fresh perspective to one of the oldest and greatest works of classical dance, giving the audience an opportunity to discover this iconic ballet anew.
The final stage work of George Gershwin, Porgy and Bess is largely regarded as one of the greatest American operas of the twentieth century. It returns for its first Met performances in almost three decades, starring bass-baritone Eric Owens and soprano Angel Blue in the title roles.
This new co-production with the English National Opera and Dutch National Opera was hailed as a triumph at its premiere in London earlier this year. Featuring the much-loved arias ‘Summertime’ and ‘I Got Plenty o’ Nuttin’, director James Robinson’s stylish production transports audiences to Catfish Row, a setting vibrant with the music, dancing, emotion and heartbreak of its inhabitants.
The final stage work of George Gershwin, Porgy and Bess is largely regarded as one of the greatest American operas of the twentieth century. It returns for its first Met performances in almost three decades, starring bass-baritone Eric Owens and soprano Angel Blue in the title roles.
This new co-production with the English National Opera and Dutch National Opera was hailed as a triumph at its premiere in London earlier this year. Featuring the much-loved arias ‘Summertime’ and ‘I Got Plenty o’ Nuttin’, director James Robinson’s stylish production transports audiences to Catfish Row, a setting vibrant with the music, dancing, emotion and heartbreak of its inhabitants.
Music: Pyotr Ilyich Tchaikovsky
Choerography: Yuri Grigorovich
Libretto: Yuri Grigorovich
Cast: The Bolshoi Principals, Soloists and Corps de Ballet
Synopsis: Prince Siegfried is summoned by his parents to choose a bride. However, he encounters a mysterious swan-woman by the lake, Odette, and is captivated by her. His vow of eternal love to her will have irreversible consequences.
The ballet: Tchaikovsky’s essential masterpiece returns with a new cast for the most beloved ballet in the classical canon. Technically challenging and filled with vibrant emotion, with a stunning and world-famous corps de ballet in perfect unison, the legendary love story between Prince Siegfried and the dual personalities Odette/Odile, born at the Bolshoi Theatre, is a must-see.
In Ancient Rome, Agrippina plots the downfall of Emperor Claudius to secure the throne for her son Nero. Mezzo-soprano Joyce DiDonato leads as the imperious empress in the Met’s first-ever performance of Handel’s first operatic triumph, a tale of deception and deceit. Harry Bicket conducts Sir David McVicar’s wry new production, which gives this Baroque black comedy a politically charged, modern updating.
In Ancient Rome, Agrippina plots the downfall of Emperor Claudius to secure the throne for her son Nero. Mezzo-soprano Joyce DiDonato leads as the imperious empress in the Met’s first-ever performance of Handel’s first operatic triumph, a tale of deception and deceit. Harry Bicket conducts Sir David McVicar’s wry new production, which gives this Baroque black comedy a politically charged, modern updating.
The award-winning Sir Bryn Terfel CBE returns to the Met for the first time since 2012 as the mysterious seafarer searching for salvation. Condemned to sail the seas for eternity on his ghostly ship, the Captain is offered a chance of redemption by true love. François Girard, whose mesmerising staging of Parsifal recently wowed Met audiences, directs Wagner’s eerie early masterwork in this co-production with Puccini L’Opéra de Québec and Amsterdam’s Dutch National Opera.
The award-winning Sir Bryn Terfel CBE returns to the Met for the first time since 2012 as the mysterious seafarer searching for salvation. Condemned to sail the seas for eternity on his ghostly ship, the Captain is offered a chance of redemption by true love. François Girard, whose mesmerising staging of Parsifal recently wowed Met audiences, directs Wagner’s eerie early masterwork in this co-production with Puccini L’Opéra de Québec and Amsterdam’s Dutch National Opera.
Music: Sergei Prokofiev
Choerography: Alexei Ratmansky
Libretto: Sergei Prokofiev, Sergei Radlov and Adrian Piotrovsky (afte rWilliam Shakespeare)
Cast: Ekaterina Krysanova (Juliet), Vladislav Lantratov (Romeo), Igor Tsvirko (Mercutio), Dmitry Dorokhov (Benvolio), Vitaly Biktimirov (Tybalt), and the Corps de Ballet
Synopsis: In spite of each of their families being merciless enemies, Romeo and Juliet are deeply in love. The rivalry between the Capulets and the Montagues will cost Mercutio’s life, causing Romeo a desire of vengeance for the loss of his friend...
The ballet: The star-crossed lovers’ tragic fate inspired Prokofiev a remarkable cinematic score, from the delicate theme of Juliet to the ominous Dance of the Knights.Bolshoi stars Ekaterina Krysanova and Vladislav Lantratov wholly embody the two eternal lovers in Alexei Ratmansky’s stunning evocation of love at first sight.
Music: Sergei Prokofiev
Choerography: Alexei Ratmansky
Libretto: Sergei Prokofiev, Sergei Radlov and Adrian Piotrovsky (afte rWilliam Shakespeare)
Cast: Ekaterina Krysanova (Juliet), Vladislav Lantratov (Romeo), Igor Tsvirko (Mercutio), Dmitry Dorokhov (Benvolio), Vitaly Biktimirov (Tybalt), and the Corps de Ballet
Synopsis: In spite of each of their families being merciless enemies, Romeo and Juliet are deeply in love. The rivalry between the Capulets and the Montagues will cost Mercutio’s life, causing Romeo a desire of vengeance for the loss of his friend...
The ballet: The star-crossed lovers’ tragic fate inspired Prokofiev a remarkable cinematic score, from the delicate theme of Juliet to the ominous Dance of the Knights.Bolshoi stars Ekaterina Krysanova and Vladislav Lantratov wholly embody the two eternal lovers in Alexei Ratmansky’s stunning evocation of love at first sight.
The story of Christ’s death and resurrection has dominated western culture for the past 2000 years. It’s perhaps the most significant historical event of all time, as recounted by the gospels but, equally, as depicted by the greatest artists in history. From the triumphant to the savage, the ethereal to the tactile, some of western civilisation’s greatest artworks focus on this pivotal moment. This beautifully crafted film explores the Easter story as depicted in art, from the time of the early Christians to the present day. Shot on location in Jerusalem, United States and throughout Europe, it explores the different ways artists have depicted the Easter story through the ages and thus depicts the history of us all.
Superstar soprano Anna Netrebko returns in the title role as the explosive diva in Puccini’s best-loved operatic thriller. Set in Rome during the Napoleonic wars, this tragic tale of passion, murder, lust and love, set to a famously romantic score, is an enduring classic. Bertrand de Billy conducts Sir David McVicar’s evocative production, with tenor Brian Jagde as Tosca’s impassioned lover, Cavaradossi, and baritone Michael Volle as the sinister Scarpia.
The story of Christ’s death and resurrection has dominated western culture for the past 2000 years. It’s perhaps the most significant historical event of all time, as recounted by the gospels but, equally, as depicted by the greatest artists in history. From the triumphant to the savage, the ethereal to the tactile, some of western civilisation’s greatest artworks focus on this pivotal moment. This beautifully crafted film explores the Easter story as depicted in art, from the time of the early Christians to the present day. Shot on location in Jerusalem, United States and throughout Europe, it explores the different ways artists have depicted the Easter story through the ages and thus depicts the history of us all.
Superstar soprano Anna Netrebko returns in the title role as the explosive diva in Puccini’s best-loved operatic thriller. Set in Rome during the Napoleonic wars, this tragic tale of passion, murder, lust and love, set to a famously romantic score, is an enduring classic. Bertrand de Billy conducts Sir David McVicar’s evocative production, with tenor Brian Jagde as Tosca’s impassioned lover, Cavaradossi, and baritone Michael Volle as the sinister Scarpia.
Music: Gabriel Fauré, Igor Stravinsky, Pyotr Ilyich Tchaikovsky
Choerography: George Balanchine
Cast: The Bolshoi Principals, Soloists and Corps de Ballet
Synopsis
This opulent triptych was inspired by Balanchine’s visit to the famous jeweler Van Cleef & Arpels on New York’s Fifth Avenue, celebrating the cities and dance schools of Paris, New York and St. Petersburg, each bound to its own precious stone: emerald, ruby and diamond.
The ballet
Balanchine built an homage of captivating beauty to the three dance schools that had forged his style, each represented by a contrasting gemstone. Jewels offers a unique occasion to enjoy the genius of choreographer’s visually captivating work performed by some of the world’s most dazzling dancers.
Set in sixteenth-century Britain, Donizetti’s thrilling historical drama follows Mary, Queen of Scots and her bitter rivalry with the cousin responsible for imprisoning her, Queen Elizabeth I. Soprano Diana Damrau and mezzo-soprano Jamie Barton square off as two of history’s most formidable monarchs, and Maurizio Benini conducts.
Set in sixteenth-century Britain, Donizetti’s thrilling historical drama follows Mary, Queen of Scots and her bitter rivalry with the cousin responsible for imprisoning her, Queen Elizabeth I. Soprano Diana Damrau and mezzo-soprano Jamie Barton square off as two of history’s most formidable monarchs, and Maurizio Benini conducts.
“I never paint dreams or nightmares. I paint my own reality”
We might think we already know Frida Kahlo – the image of floral crowns, big brows and folk style clothing have made her a muse to generations – but what lies beneath the surface of this intensely passionate woman?
This highly engaging film takes us on a journey through the life of one of the most prevalent female icons. Kahlo was a prolific self-portraitist, using the canvas as a mirror through all stages of her turbulent and, at times, tragic life. Guided by interview, commentary and the artist’s own words, Exhibition On Screen uncovers that this, however, was not a life defined by tragedy.
Featuring key exhibitions and interviews with world-renowned Kahlo curators, this personal and intimate film explores the extraordinary symbolism and themes in these personal canvases to seek a deeper understanding of the real Frida. Displaying a treasure trove of colour and a feast of vibrancy on screen, it offers privileged access to her works and highlights the source of her feverish creativity, her resilience and her unmatched lust for life, men, women, politics and her cultural heritage.
“I never paint dreams or nightmares. I paint my own reality”
We might think we already know Frida Kahlo – the image of floral crowns, big brows and folk style clothing have made her a muse to generations – but what lies beneath the surface of this intensely passionate woman?
This highly engaging film takes us on a journey through the life of one of the most prevalent female icons. Kahlo was a prolific self-portraitist, using the canvas as a mirror through all stages of her turbulent and, at times, tragic life. Guided by interview, commentary and the artist’s own words, Exhibition On Screen uncovers that this, however, was not a life defined by tragedy.
Featuring key exhibitions and interviews with world-renowned Kahlo curators, this personal and intimate film explores the extraordinary symbolism and themes in these personal canvases to seek a deeper understanding of the real Frida. Displaying a treasure trove of colour and a feast of vibrancy on screen, it offers privileged access to her works and highlights the source of her feverish creativity, her resilience and her unmatched lust for life, men, women, politics and her cultural heritage.
