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Director: Mike Nichols. Starring: Dustin Hoffman, Anne Bancroft, Katharine Ross. USA 1967. 105 mins.
This archly hilarious observation of smug, middle-class American mores remains a delight half a century after its release, as callow college graduate Dustin Hoffman is seduced by Mrs Robinson (Bancroft). Bancroft’s career-defining role is perfectly matched by Katharine Ross as her daughter, who ultimately takes Benjamin’s fancy. The Graduate confirmed director Mike Nichols’ talent for socially astute storytelling, with fabulous performances from some of his generation’s finest actors.
Director: Jonathan Teplitzky.
Starring: Brian Cox, Miranda Richardson, John Slattery. UK 2017. 98 mins.
June 1944. Allied forces stand on the brink of invasion, but one man stands in their way: Winston Churchill. Exhausted by years of war, Churchill (Cox) fears that history will remember him as an architect of slaughter if the landings fail. Churchill is the untold story of the haunted frailty of Britain’s most celebrated leader, revealing his vital relationship with his wife Clementine (Richardson), the confidant who inspired him to greatness.
Director: Mark Webb.
Starring: Chris Evans, McKenna Grace, Lindsay Duncan. USA 2017. 101 mins.
Gifted is a moving story about choices, compassion and family, all underscored by a wicked sense of humour. Frank Adler (Evans) is a single man raising a child prodigy – his spirited young niece Mary (Grace) – in a coastal town in Florida. Frank’s plans for a normal school life for Mary are foiled when her mathematical abilities come to the attention of Frank’s formidable mother, Evelyn (Duncan), whose plans for her granddaughter threaten to separate Frank and Mary.
Directors: Nick Broomfield, Rudi Dolezal, 2017, USA/UK, 105min.
Whitney Houston was the epitome of superstar, an “American Princess,” the most awarded female artist ever. Even though Whitney had made millions of dollars, had more consecutive number ones than The Beatles, and became recognized as having one of the greatest voice of all time, she still wasn’t free to be herself and died at just 48 years old. WHITNEY "Can I Be Me" tells Whitney Houston’s incredible and poignant life story with insights from those closest to her.
Director: Roger Michell. Starring: Rachel Weisz, Sam Claflin, Iain Glen. USA/UK 2017. 106 mins.
After health problems determine that he must spend his winters in warmer climates, Ambrose (Glen), a wealthy landowner and guardian to his orphaned cousin Philip (Claflin), heads to Italy. Years later, Philip receives a letter from Ambrose announcing that he has fallen in love with and married a distant relation, the eponymous Rachel (Weisz). Soon after, Philip learns that his guardian is dangerously ill, but by the time he arrives in Italy, Ambrose is dead and Rachel has left for England, bound for her deceased husband’s estate in Cornwall. Racked by suspicion, Philip confronts Rachel, but he too soon finds himself under her beguiling spell. What is she? A femme fatale? A gold-digger? A tease? Thanks to skilled direction and first-rate performances, Roger Michell’s enticing period drama keeps the audience guessing throughout.
Swiss director Claude Barras’s debut feature is a beautifully rendered, stop-motion animation, adapted by the gifted screenwriter Céline Sciamma (Girlhood, Tomboy) from Giles Paris’s eponymous novel. The improbably nicknamed Courgette (Schlatter) is a shy, bug-eyed kid, consigned to an orphanage after his alcoholic mother’s sudden death. However, Courgette’s unhappiness is tempered by the kindly policeman who escorts him to his new home and adventures with the other misfit children – a football-loving tomboy, shy Alice and an introverted dinosaur fan – are cleverly wrought to show how lessons learnt can shape a child’s character and prepare them for adult life. The story of the growing pains of youngsters is lovingly told, the animation and colouring terrific - all brilliantly befitting the narrative of a film that’s much more than simply kids’ entertainment.
Director: Stanley Donen.
Starring: Howard Keel, Jane Powell. USA 1954. 102 mins.
When backwoodsman Adam brings his new bride home to his farm, his six unruly brothers decide they would like to get married too. But as Milly sets about turning the unwashed louts into gentlemen, Adam advises the boys to kidnap the objects of their affections rather than woo them.
13.00Dementia-Friendly Screening: Open to all but especially for people with dementia and their family, friends and carers. Join us for free tea, coffee and biscuits and a chance to socialise for 30 minutes before the film. The film will start at the time stated.
Director: Michaël Dudok De Wit. France/Belgium/Japan 2015. 81 mins.
Renowned Japanese animation giant Studio Ghibli’s first-ever international co-production is a perfect collaboration with Oscar-winning Dutch animator Michaël Dudok De Wit. The Red Turtle, almost a decade in the making, is a dialogue-free fable about a castaway on a desert island, and a touching ode to the cycle of life and the resilience of family. Presented with an elegant simplicity, the sublime visuals pack a real emotional punch. Described by critics as a ‘quiet little masterpiece’ and a ‘wordless wonder’, The Red Turtle won the Special Jury Prize in the Un Certain Regard section at this year’s Cannes. Michaël Dudok De Wit previously made the Oscar-winning animated short Father And Daughter in 2000.
Director: Michael Mann.
Starring: Al Pacino, Robert De Niro, Val Kilmer, Tom Sizemore, Jon Voight, Diana Venora, Amy Brenneman, Ashley Judd, Natalie Portman. USA 1995. 171 mins.
Two of America’s finest, most charismatic film actors came together for the first time on screen in Michael Mann’s highly intelligent, stylish, violent thriller – and the result is electrifying. An absorbing duel between two men – one the icy cool mastermind of a criminal gang specialising in high-risk, high-yield heists (De Niro), the other the dogged detective assigned to his case (Pacino) – plays out on the battleground of contemporary LA, a moody, ever shifting city of twisted morals and crumbling relationships. Beautifully crafted, superbly paced and boasting a superlative heist gone wrong among several unforgettable sequences, Heat brought Michael Mann the recognition he long deserved as one of America's most talented directors.
The story has been told before, but never like this. An occupied desert nation. A radical from the wilderness on hunger strike. A girl whose mysterious dance will change the course of the world.
This charged retelling turns the infamous biblical tale on its head, placing the girl we call Salomé at the centre of a revolution.
Internationally acclaimed theatre director Yaël Farber (Les Blancs) draws on multiple accounts to create her urgent, hypnotic production, which will be broadcast live from the stage of the National Theatre.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
Love Is The Devil
Director: John Maybury. Starring: Derek Jacobi, Daniel Craig, Tilda Swinton. UK 1998. 90 mins.
John Maybury’s daring art biopic stars Derek Jacobi as Francis Bacon and Daniel Craig as his muse, a small-time thief drawn into the painter’s bohemian circle. Tilda Swinton gives a standout performance as the foul-mouthed proprietress of the legendary Colony Room, the Soho club that served as a hub for the group, which also included photographer John Deakin and artist Isabel Rawsthorne.
18.00Criminal Acts: A Charged Past: A season to mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales.
Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
Director: Mike Nichols. Starring: Dustin Hoffman, Anne Bancroft, Katharine Ross. USA 1967. 105 mins.
This archly hilarious observation of smug, middle-class American mores remains a delight half a century after its release, as callow college graduate Dustin Hoffman is seduced by Mrs Robinson (Bancroft). Bancroft’s career-defining role is perfectly matched by Katharine Ross as her daughter, who ultimately takes Benjamin’s fancy. The Graduate confirmed director Mike Nichols’ talent for socially astute storytelling, with fabulous performances from some of his generation’s finest actors.
15.40Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Director: Jonathan Teplitzky.
Starring: Brian Cox, Miranda Richardson, John Slattery. UK 2017. 98 mins.
June 1944. Allied forces stand on the brink of invasion, but one man stands in their way: Winston Churchill. Exhausted by years of war, Churchill (Cox) fears that history will remember him as an architect of slaughter if the landings fail. Churchill is the untold story of the haunted frailty of Britain’s most celebrated leader, revealing his vital relationship with his wife Clementine (Richardson), the confidant who inspired him to greatness.
15.45Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Director: Mark Webb.
Starring: Chris Evans, McKenna Grace, Lindsay Duncan. USA 2017. 101 mins.
Gifted is a moving story about choices, compassion and family, all underscored by a wicked sense of humour. Frank Adler (Evans) is a single man raising a child prodigy – his spirited young niece Mary (Grace) – in a coastal town in Florida. Frank’s plans for a normal school life for Mary are foiled when her mathematical abilities come to the attention of Frank’s formidable mother, Evelyn (Duncan), whose plans for her granddaughter threaten to separate Frank and Mary.
13.30Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Directors: Nick Broomfield, Rudi Dolezal, 2017, USA/UK, 105min.
Whitney Houston was the epitome of superstar, an “American Princess,” the most awarded female artist ever. Even though Whitney had made millions of dollars, had more consecutive number ones than The Beatles, and became recognized as having one of the greatest voice of all time, she still wasn’t free to be herself and died at just 48 years old. WHITNEY "Can I Be Me" tells Whitney Houston’s incredible and poignant life story with insights from those closest to her.
Director: Roger Michell. Starring: Rachel Weisz, Sam Claflin, Iain Glen. USA/UK 2017. 106 mins.
After health problems determine that he must spend his winters in warmer climates, Ambrose (Glen), a wealthy landowner and guardian to his orphaned cousin Philip (Claflin), heads to Italy. Years later, Philip receives a letter from Ambrose announcing that he has fallen in love with and married a distant relation, the eponymous Rachel (Weisz). Soon after, Philip learns that his guardian is dangerously ill, but by the time he arrives in Italy, Ambrose is dead and Rachel has left for England, bound for her deceased husband’s estate in Cornwall. Racked by suspicion, Philip confronts Rachel, but he too soon finds himself under her beguiling spell. What is she? A femme fatale? A gold-digger? A tease? Thanks to skilled direction and first-rate performances, Roger Michell’s enticing period drama keeps the audience guessing throughout.
Swiss director Claude Barras’s debut feature is a beautifully rendered, stop-motion animation, adapted by the gifted screenwriter Céline Sciamma (Girlhood, Tomboy) from Giles Paris’s eponymous novel. The improbably nicknamed Courgette (Schlatter) is a shy, bug-eyed kid, consigned to an orphanage after his alcoholic mother’s sudden death. However, Courgette’s unhappiness is tempered by the kindly policeman who escorts him to his new home and adventures with the other misfit children – a football-loving tomboy, shy Alice and an introverted dinosaur fan – are cleverly wrought to show how lessons learnt can shape a child’s character and prepare them for adult life. The story of the growing pains of youngsters is lovingly told, the animation and colouring terrific - all brilliantly befitting the narrative of a film that’s much more than simply kids’ entertainment.
13.20English-language version.
Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Director: Michaël Dudok De Wit. France/Belgium/Japan 2015. 81 mins.
Renowned Japanese animation giant Studio Ghibli’s first-ever international co-production is a perfect collaboration with Oscar-winning Dutch animator Michaël Dudok De Wit. The Red Turtle, almost a decade in the making, is a dialogue-free fable about a castaway on a desert island, and a touching ode to the cycle of life and the resilience of family. Presented with an elegant simplicity, the sublime visuals pack a real emotional punch. Described by critics as a ‘quiet little masterpiece’ and a ‘wordless wonder’, The Red Turtle won the Special Jury Prize in the Un Certain Regard section at this year’s Cannes. Michaël Dudok De Wit previously made the Oscar-winning animated short Father And Daughter in 2000.
15.05Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Director: Edgar Wright.
Starring: Ansel Elgort, Lily James, Kevin Spacey. USA 2017. 113 mins.
Young getaway driver Baby (Elgort) relies on the beat of his personal soundtrack to be the best in the game. After he meets the girl of his dreams, he sees a chance to leave his criminal life behind. But one last heist puts his love, life and freedom on the line. With an eclectic soundtrack ranging from Queen and Martha Reeves to The Beach Boys, Edgar Wright’s musical crime caper rolls out one terrific tune after the other.
Director: Sunao Katabuchi.
Voices: Non, Yoshimasa Hosoya, Minori Omi. Japan 2016. 130 mins. Japanese with English subtitles.
This award-winning story follows a young girl named Suzu (Non), who in 1944 moves to the small town of Kure in Hiroshima, where she marries a young clerk at the local naval base. Living with his family, Suzu becomes essential to the running of the household. In 1945, intense bombings by the US military bring hardship and suffering to the area. Suzu's life is changed irrevocably, but through perseverance and courage, she manages to live it to the fullest.
World-famous tenor Jonas Kaufmann makes his role debut as Otello in Verdi's passionate retelling of Shakespeare's great tragedy of jealousy, deception and murder. Soprano Maria Agresta will be his Desdemona and baritone Marco Vratogna his nemesis Iago in a new production by Olivier Awardwinning director Keith Warner.
A major work of the opera repertory, Verdi's Otello draws on the full forces of the Orchestra of the Royal Opera House, the Royal Opera Chorus and this stellar line-up of principal singers, with exquisite duets, emotionally potent solo numbers and thrilling choruses.
Particular highlights include Otello and Desdemona's rapturous love duet and Desdemona's poignant 'Willow Song'. Royal Opera Music Director Antonio Pappano conducts this Italian masterpiece.
Director: Mike Nichols. Starring: Dustin Hoffman, Anne Bancroft, Katharine Ross. USA 1967. 105 mins.
This archly hilarious observation of smug, middle-class American mores remains a delight half a century after its release, as callow college graduate Dustin Hoffman is seduced by Mrs Robinson (Bancroft). Bancroft’s career-defining role is perfectly matched by Katharine Ross as her daughter, who ultimately takes Benjamin’s fancy. The Graduate confirmed director Mike Nichols’ talent for socially astute storytelling, with fabulous performances from some of his generation’s finest actors.
Director: Jonathan Teplitzky.
Starring: Brian Cox, Miranda Richardson, John Slattery. UK 2017. 98 mins.
June 1944. Allied forces stand on the brink of invasion, but one man stands in their way: Winston Churchill. Exhausted by years of war, Churchill (Cox) fears that history will remember him as an architect of slaughter if the landings fail. Churchill is the untold story of the haunted frailty of Britain’s most celebrated leader, revealing his vital relationship with his wife Clementine (Richardson), the confidant who inspired him to greatness.
Directors: Nick Broomfield, Rudi Dolezal, 2017, USA/UK, 105min.
Whitney Houston was the epitome of superstar, an “American Princess,” the most awarded female artist ever. Even though Whitney had made millions of dollars, had more consecutive number ones than The Beatles, and became recognized as having one of the greatest voice of all time, she still wasn’t free to be herself and died at just 48 years old. WHITNEY "Can I Be Me" tells Whitney Houston’s incredible and poignant life story with insights from those closest to her.
13.25Picturehouse Docs: Bringing you the best in new and topical documentaries covering issues around the world.
HOH Subtitled: This screening has subtitles for people with hearing loss
Audio Described: Everyone welcome. Audio Description is available for this film, and is undetectable to anyone not wearing a headset
Swiss director Claude Barras’s debut feature is a beautifully rendered, stop-motion animation, adapted by the gifted screenwriter Céline Sciamma (Girlhood, Tomboy) from Giles Paris’s eponymous novel. The improbably nicknamed Courgette (Schlatter) is a shy, bug-eyed kid, consigned to an orphanage after his alcoholic mother’s sudden death. However, Courgette’s unhappiness is tempered by the kindly policeman who escorts him to his new home and adventures with the other misfit children – a football-loving tomboy, shy Alice and an introverted dinosaur fan – are cleverly wrought to show how lessons learnt can shape a child’s character and prepare them for adult life. The story of the growing pains of youngsters is lovingly told, the animation and colouring terrific - all brilliantly befitting the narrative of a film that’s much more than simply kids’ entertainment.
Director: Michaël Dudok De Wit. France/Belgium/Japan 2015. 81 mins.
Renowned Japanese animation giant Studio Ghibli’s first-ever international co-production is a perfect collaboration with Oscar-winning Dutch animator Michaël Dudok De Wit. The Red Turtle, almost a decade in the making, is a dialogue-free fable about a castaway on a desert island, and a touching ode to the cycle of life and the resilience of family. Presented with an elegant simplicity, the sublime visuals pack a real emotional punch. Described by critics as a ‘quiet little masterpiece’ and a ‘wordless wonder’, The Red Turtle won the Special Jury Prize in the Un Certain Regard section at this year’s Cannes. Michaël Dudok De Wit previously made the Oscar-winning animated short Father And Daughter in 2000.
Director: Edgar Wright.
Starring: Ansel Elgort, Lily James, Kevin Spacey. USA 2017. 113 mins.
Young getaway driver Baby (Elgort) relies on the beat of his personal soundtrack to be the best in the game. After he meets the girl of his dreams, he sees a chance to leave his criminal life behind. But one last heist puts his love, life and freedom on the line. With an eclectic soundtrack ranging from Queen and Martha Reeves to The Beach Boys, Edgar Wright’s musical crime caper rolls out one terrific tune after the other.
Director: Andew J. Cohen. Starring: Will Ferrell, Amy Poehler, Allison Tolman. USA 2017. 88mins.
After Scott and Kate Johansen (Will Ferrell and Amy Poehler) lose their daughter Alex’s college fund, they become desperate to earn it back so she can pursue her dream of attending a university. With the help of their neighbor Frank (Jason Mantzoukas), they decide to start an illegal casino in his house.
Director: Mike Nichols. Starring: Dustin Hoffman, Anne Bancroft, Katharine Ross. USA 1967. 105 mins.
This archly hilarious observation of smug, middle-class American mores remains a delight half a century after its release, as callow college graduate Dustin Hoffman is seduced by Mrs Robinson (Bancroft). Bancroft’s career-defining role is perfectly matched by Katharine Ross as her daughter, who ultimately takes Benjamin’s fancy. The Graduate confirmed director Mike Nichols’ talent for socially astute storytelling, with fabulous performances from some of his generation’s finest actors.
Director: Jonathan Teplitzky.
Starring: Brian Cox, Miranda Richardson, John Slattery. UK 2017. 98 mins.
June 1944. Allied forces stand on the brink of invasion, but one man stands in their way: Winston Churchill. Exhausted by years of war, Churchill (Cox) fears that history will remember him as an architect of slaughter if the landings fail. Churchill is the untold story of the haunted frailty of Britain’s most celebrated leader, revealing his vital relationship with his wife Clementine (Richardson), the confidant who inspired him to greatness.
Director: Mark Webb.
Starring: Chris Evans, McKenna Grace, Lindsay Duncan. USA 2017. 101 mins.
Gifted is a moving story about choices, compassion and family, all underscored by a wicked sense of humour. Frank Adler (Evans) is a single man raising a child prodigy – his spirited young niece Mary (Grace) – in a coastal town in Florida. Frank’s plans for a normal school life for Mary are foiled when her mathematical abilities come to the attention of Frank’s formidable mother, Evelyn (Duncan), whose plans for her granddaughter threaten to separate Frank and Mary.
Director: Roger Michell. Starring: Rachel Weisz, Sam Claflin, Iain Glen. USA/UK 2017. 106 mins.
After health problems determine that he must spend his winters in warmer climates, Ambrose (Glen), a wealthy landowner and guardian to his orphaned cousin Philip (Claflin), heads to Italy. Years later, Philip receives a letter from Ambrose announcing that he has fallen in love with and married a distant relation, the eponymous Rachel (Weisz). Soon after, Philip learns that his guardian is dangerously ill, but by the time he arrives in Italy, Ambrose is dead and Rachel has left for England, bound for her deceased husband’s estate in Cornwall. Racked by suspicion, Philip confronts Rachel, but he too soon finds himself under her beguiling spell. What is she? A femme fatale? A gold-digger? A tease? Thanks to skilled direction and first-rate performances, Roger Michell’s enticing period drama keeps the audience guessing throughout.
18.35HOH Subtitled: This screening has subtitles for people with hearing loss
Audio Described: Everyone welcome. Audio Description is available for this film, and is undetectable to anyone not wearing a headset
Swiss director Claude Barras’s debut feature is a beautifully rendered, stop-motion animation, adapted by the gifted screenwriter Céline Sciamma (Girlhood, Tomboy) from Giles Paris’s eponymous novel. The improbably nicknamed Courgette (Schlatter) is a shy, bug-eyed kid, consigned to an orphanage after his alcoholic mother’s sudden death. However, Courgette’s unhappiness is tempered by the kindly policeman who escorts him to his new home and adventures with the other misfit children – a football-loving tomboy, shy Alice and an introverted dinosaur fan – are cleverly wrought to show how lessons learnt can shape a child’s character and prepare them for adult life. The story of the growing pains of youngsters is lovingly told, the animation and colouring terrific - all brilliantly befitting the narrative of a film that’s much more than simply kids’ entertainment.
Director: Michaël Dudok De Wit. France/Belgium/Japan 2015. 81 mins.
Renowned Japanese animation giant Studio Ghibli’s first-ever international co-production is a perfect collaboration with Oscar-winning Dutch animator Michaël Dudok De Wit. The Red Turtle, almost a decade in the making, is a dialogue-free fable about a castaway on a desert island, and a touching ode to the cycle of life and the resilience of family. Presented with an elegant simplicity, the sublime visuals pack a real emotional punch. Described by critics as a ‘quiet little masterpiece’ and a ‘wordless wonder’, The Red Turtle won the Special Jury Prize in the Un Certain Regard section at this year’s Cannes. Michaël Dudok De Wit previously made the Oscar-winning animated short Father And Daughter in 2000.
Director: Edgar Wright.
Starring: Ansel Elgort, Lily James, Kevin Spacey. USA 2017. 113 mins.
Young getaway driver Baby (Elgort) relies on the beat of his personal soundtrack to be the best in the game. After he meets the girl of his dreams, he sees a chance to leave his criminal life behind. But one last heist puts his love, life and freedom on the line. With an eclectic soundtrack ranging from Queen and Martha Reeves to The Beach Boys, Edgar Wright’s musical crime caper rolls out one terrific tune after the other.
Director: Edgar Wright.
Starring: Ansel Elgort, Lily James, Kevin Spacey. USA 2017. 113 mins.
Young getaway driver Baby (Elgort) relies on the beat of his personal soundtrack to be the best in the game. After he meets the girl of his dreams, he sees a chance to leave his criminal life behind. But one last heist puts his love, life and freedom on the line. With an eclectic soundtrack ranging from Queen and Martha Reeves to The Beach Boys, Edgar Wright’s musical crime caper rolls out one terrific tune after the other.
Director: Edgar Wright.
Starring: Ansel Elgort, Lily James, Kevin Spacey. USA 2017. 113 mins.
Young getaway driver Baby (Elgort) relies on the beat of his personal soundtrack to be the best in the game. After he meets the girl of his dreams, he sees a chance to leave his criminal life behind. But one last heist puts his love, life and freedom on the line. With an eclectic soundtrack ranging from Queen and Martha Reeves to The Beach Boys, Edgar Wright’s musical crime caper rolls out one terrific tune after the other.
The fairy tale-inspired Disney classic is back on the big screen.
Set in a French village in the heart of a majestic forest, it tells the story of wholesome bookworm Belle (O'Hara, ENCHANTED), who sets out to rescue her father Maurice after he stumbles into the castle of the eponymous hirsute prince one fateful snowy night.
After making her way to the castle Belle offers to take her father's place as the Beast's prisoner, prompting a rescue mission led by egotistical local hunter Gaston, who wishes to make Belle his bride.
Having more than stood the test of time, BEAUTY AND THE BEAST remains one of the most captivating animated features of the past few decades.
Director: Edgar Wright.
Starring: Ansel Elgort, Lily James, Kevin Spacey. USA 2017. 113 mins.
Young getaway driver Baby (Elgort) relies on the beat of his personal soundtrack to be the best in the game. After he meets the girl of his dreams, he sees a chance to leave his criminal life behind. But one last heist puts his love, life and freedom on the line. With an eclectic soundtrack ranging from Queen and Martha Reeves to The Beach Boys, Edgar Wright’s musical crime caper rolls out one terrific tune after the other.
Director: Edgar Wright.
Starring: Ansel Elgort, Lily James, Kevin Spacey. USA 2017. 113 mins.
Young getaway driver Baby (Elgort) relies on the beat of his personal soundtrack to be the best in the game. After he meets the girl of his dreams, he sees a chance to leave his criminal life behind. But one last heist puts his love, life and freedom on the line. With an eclectic soundtrack ranging from Queen and Martha Reeves to The Beach Boys, Edgar Wright’s musical crime caper rolls out one terrific tune after the other.
13.15Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
15.50Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
To coincide with a glorious new exhibition at the National Gallery of London, this film offers a full and fresh biography of Michelangelo who, with Leonardo, is considered one of the greatest artists of the Renaissance – and perhaps of all time. This film explores his relationship with his contemporaries and his immense artistic practice which included painting, sculpture and architecture. Among the works explored are the universally adored David in Florence, the Sistine Chapel in Rome and the Manchester Madonna (today in the National Gallery).
A major new film which gets to the very heart of this tempestuous, passionate giant.
Director: Edgar Wright.
Starring: Ansel Elgort, Lily James, Kevin Spacey. USA 2017. 113 mins.
Young getaway driver Baby (Elgort) relies on the beat of his personal soundtrack to be the best in the game. After he meets the girl of his dreams, he sees a chance to leave his criminal life behind. But one last heist puts his love, life and freedom on the line. With an eclectic soundtrack ranging from Queen and Martha Reeves to The Beach Boys, Edgar Wright’s musical crime caper rolls out one terrific tune after the other.
Director: Edgar Wright.
Starring: Ansel Elgort, Lily James, Kevin Spacey. USA 2017. 113 mins.
Young getaway driver Baby (Elgort) relies on the beat of his personal soundtrack to be the best in the game. After he meets the girl of his dreams, he sees a chance to leave his criminal life behind. But one last heist puts his love, life and freedom on the line. With an eclectic soundtrack ranging from Queen and Martha Reeves to The Beach Boys, Edgar Wright’s musical crime caper rolls out one terrific tune after the other.
Director: Sofia Coppola.
Starring: Nicole Kidman, Colin Farrell, Kirsten Dunst, Elle Fanning. USA 2017. 94 mins.
Academy Award-winner Sofia Coppola is one of those rare directors whose films feel like an event not to be missed. Her latest, a seductive drama with an all-star cast, is no different. A new adaptation of Thomas P. Cullinan’s Southern Gothic novel, A Painted Devil, the story unfolds at an all-girls boarding school in rural Virginia during the American Civil War. When the headmistress (Kidman) agrees to provide temporary refuge for a wounded Union soldier (Farrell), his sudden presence stirs up sexual tensions in the remote mansion. As each of the women falls for his charms, their tight-knit sisterhood buckles under the weight of deceit and jealousy, and taboos are broken in a dark and unexpected turn of events.
A collaboration between American film-maker Sofia Coppola and Italian haute couture king Valentino comes in the form of a revival of Giuseppe Verdi’s classic opera, LA TRAVIATA.
Violetta Valéry is a well-known courtesan in Paris whose life appears to be glamorous, but who also suffers from a serious illness. She lives on the money given to her by her male patrons. But when she meets Alfredo Germont, a young man from a good family, they fall in love and move to the country. Alfredo’s father disapproves of their relationship and comes to tell Violetta that her involvement with Alfredo will ruin his family’s reputation. Out of her love for Alfredo, Violetta agrees to leave him and returns to Paris. Thinking she has betrayed him, Alfredo is heartbroken. He follows her to a party and publicly insults her. A few months later, Violetta is close to death. Alfredo, who has learned why Violetta left him, returns to her. He is shocked by her weakness as she strains to get to her feet. They vow to be together forever, but she soon collapses and breathes her last.
Director: Mike Nichols. Starring: Dustin Hoffman, Anne Bancroft, Katharine Ross. USA 1967. 105 mins.
This archly hilarious observation of smug, middle-class American mores remains a delight half a century after its release, as callow college graduate Dustin Hoffman is seduced by Mrs Robinson (Bancroft). Bancroft’s career-defining role is perfectly matched by Katharine Ross as her daughter, who ultimately takes Benjamin’s fancy. The Graduate confirmed director Mike Nichols’ talent for socially astute storytelling, with fabulous performances from some of his generation’s finest actors.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
Nighthawks
Director: Ron Peck, Paul Hallam. Starring: Ken Robertson. UK 1978. 114 mins.
Often seen as Britain's first major gay film, Nighthawks is a vivid account of the London gay scene soon after decriminalisation, where, newly freed from the threat of imprisonment, men are able to seek love and sex in the dark confines of Soho clubs.
Sarah And Duck follows seven-year-old Sarah and her endearing best friend Duck. During each episode, the pair embarks on simple but exciting adventures. Whether they are trying to reach a rainbow or help an umbrella to stay dry, Sarah and Duck explore everyday moments in an engaging, imaginative way.
Director: Mamoru Hosada.
Voices: Kōji Yakusho, Aoi Miyazaki, Shōta Sometani, Suzu Hirose. Japan 2015. Japanese with English subtitles.
When Kyuta, a young orphan living on the streets of Shibuya, stumbles into a fantastic world of beasts, he’s taken in by Kumatetsu, a gruff, rough-around-the-edges warrior beast who’s been searching for the perfect apprentice. Despite their constant bickering, Kyuta and Kumatetsu begin training together and slowly form a bond as surrogate father and son. But when a deep darkness threatens to throw the human and beast worlds into chaos, the strong bond between this unlikely family is put to the ultimate test – a final showdown that will only be won if the two can work together and combine their strength and courage.
The Donmar Warehouse presents the first part of Phyllida Lloyd's Shakespeare Trilogy in cinemas, which has been described by The Observer as “one of the most important theatrical events of the last twenty years”.
Julius Caesar depicts the catastrophic consequences of a political leader's extension of his powers beyond the remit of the constitution. As Brutus (Harriet Walter) wrestles with his moral conscience over the assassination of Julius Caesar (Jackie Clune), Mark Antony (Jade Anouka) manipulates the crowd through his subtle and incendiary rhetoric to frenzied mob violence.
“Lloyd's account of Julius Caesar seethes with menace, and here the prison setting makes perfect sense” ***** EVENING STANDARD
Phyllida Lloyd transforms her tense, arresting production of Shakespeare’s famous discourse on power, loyalty and tragic idealism into a gripping version for screen.
Everything’s Rosie is an animated series for toddlers created by Victoria Corner for V&S Entertainment Ltd. It follows the adventures of a little girl named Rosie and her friends Will, Holly, Big Bear, Oakley the ancient oak tree and Raggles the rabbit. This programme features the episodes: The Licky Sticky Friend, Blooming Lovely and Zip Zap Zip.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
Weekend
Director: Andrew Haigh. Starring: Tom Cullen, Chris New. UK 2011. 97 mins.
Andrew Haigh’s modern classic, a breakout hit and a milestone in British cinema, sees two young men find a one-night-stand turning into something far more serious. As their relationship deepens, they debate their daily struggles in an overwhelmingly straight world, and come to realise that despite almost half a century of progress, the fight for social equality is far from over.
18.00Criminal Acts: A Charged Past: A season to mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales.
Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell.
Andrew Garfield (Silence, Hacksaw Ridge) plays Prior Walter along with a cast including Denise Gough (People, Places and Things), Nathan Lane (The Producers), James McArdle (Star Wars: The Force Awakens) and Russell Tovey (The Pass).
This new staging of Tony Kushner’s multi-award winning two-part play is directed by Olivier and Tony award winning director Marianne Elliott (The Curious Incident of the Dog in the Night-Time and War Horse). Part One: Millennium Approaches was first performed at the National Theatre in 1992 and was followed by Part Two: Perestroika the following year.
Part One: Millennium Approaches will be broadcast live on 20 July 2017.
Rob Reiner's classic 1987 fairytale with a healthy dose of tongue-in-cheek humour, THE PRINCESS BRIDE remains as fresh and as entertaining today as when it was first released.
All the standard fairytale characters are here - the handsome prince, the beautiful princess, the ugly but good-hearted ogre, the evil king and the wise old man with a knack for potion making - but holding it all together is the inimitable humour of its creators William Goldman (novel and screenplay), Mel Brooks (producer) and of course Rob Reiner at the helm.
THE PRINCESS BRIDE will have you rolling about with laughter and by the time it's finished you'll want to repeat the journey all over again.
America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell.
Andrew Garfield (Silence, Hacksaw Ridge) plays Prior Walter along with a cast including Denise Gough (People, Places and Things), Nathan Lane (The Producers), James McArdle (Star Wars: The Force Awakens) and Russell Tovey (The Pass).
This new staging of Tony Kushner’s multi-award winning two-part play is directed by Olivier and Tony award winning director Marianne Elliott (The Curious Incident of the Dog in the Night-Time and War Horse). Part One: Millennium Approaches was first performed at the National Theatre in 1992 and was followed by Part Two: Perestroika the following year.
Part One: Millennium Approaches will be broadcast live on 20 July 2017.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
My Summer Of Love
Director: Pawel Pawlikowski. Starring: Emily Blunt, Natalie Press. UK 2004. 86 mins.
Pawel Pawlikowski's BAFTA-winning drama, a potent depiction of girlhood, young love and endless summers, finally returns to the big screen. A young Emily Blunt shines as bored rich kid Tamsin, who seduces working class Mona, to the dismay of the Christian community in their small Yorkshire village.
Directors: Stanley Donen and Gene Kelly
Starring: Gene Kelly, Frank Sinatra, Jules Munshin, Ann Miller. USA 1949. 98 mins.
Producer Arthur Freed turned New York into a giant sound stage for this hectic 'sailors on leave' romantic comedy, which is notable not only for the superb Leonard Bernstein score but also for the musical numbers shot on location. Few dance sequences in film are as fresh, exhilarating and imaginative as the ballet on top of the Empire State Building.
13.00Dementia-Friendly Screening: Open to all but especially for people with dementia and their family, friends and carers. Join us for free tea, coffee and biscuits and a chance to socialise for 30 minutes before the film. The film will start at the time stated.
Director: Richard Thorpe. Starring: Elvis Presley, Judy Tyler, Mickey Shaughnessy, Vaughn Taylor. USA 1957. 95 mins.
One of the best of Elvis Presley's pre-Army films, Jailhouse Rock offers us the sensual, ‘dangerous’ Elvis that won the hearts of the kids and earned the animosity of their elders. Presley plays Vince Everett, a young buck who accidentally kills a man while protecting the honour of a woman. He is thrown into prison, and following his performance in the prison show, where ol' swivel-hips score a hit, he decides to stay in showbiz after his release. He sets up his own record company but success goes to his head, and he is deserted by his flunkeys and hangers-on. Everett learns the value of friendship and slowly rebuilds his reputation and career. Seldom would Elvis be so well showcased in the future.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show.
The Hungarian Uprising of 1956 against the USSR, which led to one of the largest refugee crises of the century, was fought to begin with from the cinema in Corvin, Budapest. In a live commentary screening of a comedy about football, scheduled to premiere at the cinema the week of the revolt, Deborah Pearson unlocks a surprisingly personal story. The performance runs the length of, and is timed alongside, the film, using interviews with the filmmakers, including the exiled screenwriter. It looks at themes of repression and immigration, and at links with history. This is a show for lovers of film, and for anyone who has stared at pictures of their ancestors a little too long. With dramaturgy by Daniel Kitson, and outside-eye work by Tania El Khoury and Laura Dannequin.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show.
The Hungarian Uprising of 1956 against the USSR, which led to one of the largest refugee crises of the century, was fought to begin with from the cinema in Corvin, Budapest. In a live commentary screening of a comedy about football, scheduled to premiere at the cinema the week of the revolt, Deborah Pearson unlocks a surprisingly personal story. The performance runs the length of, and is timed alongside, the film, using interviews with the filmmakers, including the exiled screenwriter. It looks at themes of repression and immigration, and at links with history. This is a show for lovers of film, and for anyone who has stared at pictures of their ancestors a little too long. With dramaturgy by Daniel Kitson, and outside-eye work by Tania El Khoury and Laura Dannequin.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show.
The Hungarian Uprising of 1956 against the USSR, which led to one of the largest refugee crises of the century, was fought to begin with from the cinema in Corvin, Budapest. In a live commentary screening of a comedy about football, scheduled to premiere at the cinema the week of the revolt, Deborah Pearson unlocks a surprisingly personal story. The performance runs the length of, and is timed alongside, the film, using interviews with the filmmakers, including the exiled screenwriter. It looks at themes of repression and immigration, and at links with history. This is a show for lovers of film, and for anyone who has stared at pictures of their ancestors a little too long. With dramaturgy by Daniel Kitson, and outside-eye work by Tania El Khoury and Laura Dannequin.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
Prick Up Your Ears
Director: Stephen Frears. Starring: Gary Oldman, Alfred Molina. UK 1987. 110 mins.
Stephen Frears and screenwriter Alan Bennett depict the realities of gay life in ’60s London in this classic ’80s drama. Gary Oldman and Alfred Molina star as controversial playwright Joe Orton and his partner Kenneth Halliwell. As Orton scales literary heights and Halliwell struggles to keep up, they descend into an increasingly tumultuous relationship, with devastating consequences.
The decay of Rome reaches violent depths in Shakespeare’s bloodiest play. Blanche McIntyre (The Two Noble Kinsmen) returns to the RSC to direct Shakespeare’s brutal revenge tragedy.
Titus is a ruler exhausted by war and loss. He relinquishes power, but leaves Rome in disorder. Rape, cannibalism and mutilation fill the moral void at the heart of this corrupt society.
Shakespeare presents us with murder as entertainment and, as the body count rises, poses questions about sexuality, family, class and society.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show.
The Hungarian Uprising of 1956 against the USSR, which led to one of the largest refugee crises of the century, was fought to begin with from the cinema in Corvin, Budapest. In a live commentary screening of a comedy about football, scheduled to premiere at the cinema the week of the revolt, Deborah Pearson unlocks a surprisingly personal story. The performance runs the length of, and is timed alongside, the film, using interviews with the filmmakers, including the exiled screenwriter. It looks at themes of repression and immigration, and at links with history. This is a show for lovers of film, and for anyone who has stared at pictures of their ancestors a little too long. With dramaturgy by Daniel Kitson, and outside-eye work by Tania El Khoury and Laura Dannequin.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show.
The Hungarian Uprising of 1956 against the USSR, which led to one of the largest refugee crises of the century, was fought to begin with from the cinema in Corvin, Budapest. In a live commentary screening of a comedy about football, scheduled to premiere at the cinema the week of the revolt, Deborah Pearson unlocks a surprisingly personal story. The performance runs the length of, and is timed alongside, the film, using interviews with the filmmakers, including the exiled screenwriter. It looks at themes of repression and immigration, and at links with history. This is a show for lovers of film, and for anyone who has stared at pictures of their ancestors a little too long. With dramaturgy by Daniel Kitson, and outside-eye work by Tania El Khoury and Laura Dannequin.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show.
Cameo Live will host an epic cabaret fundraiser from Fringe favourites Forest Fringe. This is Forest Fringe’s only event at this year’s festival. Involving artists of all kinds, in person and on film, it promises to be a truly memorable night at the Fringe.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show
The Foley Explosion is an immersive audio experience using Foley sound effects and looping technology to tell stories that link Britain and Russia. The sound effects are created live in a bravura solo performance, made up of seven linking theatrical ‘tracks’, given by Julie Rose Bower. Episodes features cameos from Edward Snowden, Rasputin, Guy Fawkes and a chorus of Geiger counters in memory of Alexander Litvinenko. The sound effects are made using everyday objects – a sandbag, a balloon - and are repurposed to narrate extraordinary incidents set around Bower’s personal experience of a breaking news story in Russia. Intriguingly, layers of sound invoke the cinematic language of Foley sound where origins and destinations of the sounds are often wildly different. This innovative and playful performance creates surprise and unexpected humour.
One of Merchant Ivory"s undisputed masterpieces, this adaptation of E.M. Forster"s classic 1910 novel is a saga of class relations and changing times in Edwardian England. Margaret Schlegel (Emma Thompson) and her sister Helen (Helena Bonham Carter) become involved with two couples: a wealthy, conservative industrialist (Anthony Hopkins) and his wife (Vanessa Redgrave), and a working-class man (Samuel West) and his mistress (Niccola Duffet). The interwoven fates and misfortunes of these three families and the diverging trajectories of the two sisters" lives are connected to the ownership of HOWARD"S END, a beloved country home. A compelling, brilliantly acted study of one woman"s struggle to maintain her ideals and integrity in the face of Edwardian society"s moribund conformist values.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show
The Foley Explosion is an immersive audio experience using Foley sound effects and looping technology to tell stories that link Britain and Russia. The sound effects are created live in a bravura solo performance, made up of seven linking theatrical ‘tracks’, given by Julie Rose Bower. Episodes features cameos from Edward Snowden, Rasputin, Guy Fawkes and a chorus of Geiger counters in memory of Alexander Litvinenko. The sound effects are made using everyday objects – a sandbag, a balloon - and are repurposed to narrate extraordinary incidents set around Bower’s personal experience of a breaking news story in Russia. Intriguingly, layers of sound invoke the cinematic language of Foley sound where origins and destinations of the sounds are often wildly different. This innovative and playful performance creates surprise and unexpected humour.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show
The Foley Explosion is an immersive audio experience using Foley sound effects and looping technology to tell stories that link Britain and Russia. The sound effects are created live in a bravura solo performance, made up of seven linking theatrical ‘tracks’, given by Julie Rose Bower. Episodes features cameos from Edward Snowden, Rasputin, Guy Fawkes and a chorus of Geiger counters in memory of Alexander Litvinenko. The sound effects are made using everyday objects – a sandbag, a balloon - and are repurposed to narrate extraordinary incidents set around Bower’s personal experience of a breaking news story in Russia. Intriguingly, layers of sound invoke the cinematic language of Foley sound where origins and destinations of the sounds are often wildly different. This innovative and playful performance creates surprise and unexpected humour.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
Early ’60s London, and gay men across the city are being blackmailed, threatening exposure at a time when consensual homosexual acts could still result in imprisonment. Basil Dearden’s classic thriller stars Dirk Bogarde in his most daring role, as a gay lawyer fighting back against the blackmailers who dare to target him.
18.00Criminal Acts: A Charged Past: A season to mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales.
Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show
The Foley Explosion is an immersive audio experience using Foley sound effects and looping technology to tell stories that link Britain and Russia. The sound effects are created live in a bravura solo performance, made up of seven linking theatrical ‘tracks’, given by Julie Rose Bower. Episodes features cameos from Edward Snowden, Rasputin, Guy Fawkes and a chorus of Geiger counters in memory of Alexander Litvinenko. The sound effects are made using everyday objects – a sandbag, a balloon - and are repurposed to narrate extraordinary incidents set around Bower’s personal experience of a breaking news story in Russia. Intriguingly, layers of sound invoke the cinematic language of Foley sound where origins and destinations of the sounds are often wildly different. This innovative and playful performance creates surprise and unexpected humour.
This fender and genre-bending film takes us into the not-too-distant machine-driven future. Kokone should be diligently studying for her university entrance exams, but she just can’t seem to stay awake. Aside from stealing precious study time, her napping is even more distracting, as it brings on strange dreams with warring machines that hint at family secrets that have been dormant for years. She can’t ask her father, a hipster mechanic more talented and artful than his job requires, as he’s always busy modifying motorcycles and cars in flights of fancy. What are these visions that lead Kokone at once closer to and further away from her family?
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show
The Foley Explosion is an immersive audio experience using Foley sound effects and looping technology to tell stories that link Britain and Russia. The sound effects are created live in a bravura solo performance, made up of seven linking theatrical ‘tracks’, given by Julie Rose Bower. Episodes features cameos from Edward Snowden, Rasputin, Guy Fawkes and a chorus of Geiger counters in memory of Alexander Litvinenko. The sound effects are made using everyday objects – a sandbag, a balloon - and are repurposed to narrate extraordinary incidents set around Bower’s personal experience of a breaking news story in Russia. Intriguingly, layers of sound invoke the cinematic language of Foley sound where origins and destinations of the sounds are often wildly different. This innovative and playful performance creates surprise and unexpected humour.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show.
Sporting a projector and a screen around his head, performance maker and theatre designer Mamoru Iriguchi turns himself into a mobile cinema. He then performs with a host of Hollywood film stars by dint of black and white classic film clips, with especial focus on Marlene Dietrich. 4D Cinema is a performance piece that explores what is live, and what is recorded and so fixed eternally on film. Iriguchi investigates what it is that films mean to us in an age where new technology blurs actual and virtual realities?
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show.
Sporting a projector and a screen around his head, performance maker and theatre designer Mamoru Iriguchi turns himself into a mobile cinema. He then performs with a host of Hollywood film stars by dint of black and white classic film clips, with especial focus on Marlene Dietrich. 4D Cinema is a performance piece that explores what is live, and what is recorded and so fixed eternally on film. Iriguchi investigates what it is that films mean to us in an age where new technology blurs actual and virtual realities?
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show.
Sporting a projector and a screen around his head, performance maker and theatre designer Mamoru Iriguchi turns himself into a mobile cinema. He then performs with a host of Hollywood film stars by dint of black and white classic film clips, with especial focus on Marlene Dietrich. 4D Cinema is a performance piece that explores what is live, and what is recorded and so fixed eternally on film. Iriguchi investigates what it is that films mean to us in an age where new technology blurs actual and virtual realities?
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show.
We can’t help living in the future - booking flights for holidays, organizing birthday parties, writing applications, sending out invitations, producing T-shirts for tours. But all of this is merely supposition. When the time comes, these things may happen according to plan, or they may not. Life is entirely unpredictable. But what if we could rewrite history? What if we could imagine that things had turned out differently even if they had not? What if we could anticipate all roads to the future, so that we could be prepared for any possible scenario? Portuguese theatre company Mala Voadora and writer and performer Chris Thorpe collaborate in Your Best Guess to investigate this unpredictability. They explore more concrete phenomena such as undetonated bombs, goodbye letters, ghost cities, amulets. And, intrigued by the way we bet on the future, they will locate that exact point of consciousness at which things either work out as planned or awry.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show.
We can’t help living in the future - booking flights for holidays, organizing birthday parties, writing applications, sending out invitations, producing T-shirts for tours. But all of this is merely supposition. When the time comes, these things may happen according to plan, or they may not. Life is entirely unpredictable. But what if we could rewrite history? What if we could imagine that things had turned out differently even if they had not? What if we could anticipate all roads to the future, so that we could be prepared for any possible scenario? Portuguese theatre company Mala Voadora and writer and performer Chris Thorpe collaborate in Your Best Guess to investigate this unpredictability. They explore more concrete phenomena such as undetonated bombs, goodbye letters, ghost cities, amulets. And, intrigued by the way we bet on the future, they will locate that exact point of consciousness at which things either work out as planned or awry.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show.
We can’t help living in the future - booking flights for holidays, organizing birthday parties, writing applications, sending out invitations, producing T-shirts for tours. But all of this is merely supposition. When the time comes, these things may happen according to plan, or they may not. Life is entirely unpredictable. But what if we could rewrite history? What if we could imagine that things had turned out differently even if they had not? What if we could anticipate all roads to the future, so that we could be prepared for any possible scenario? Portuguese theatre company Mala Voadora and writer and performer Chris Thorpe collaborate in Your Best Guess to investigate this unpredictability. They explore more concrete phenomena such as undetonated bombs, goodbye letters, ghost cities, amulets. And, intrigued by the way we bet on the future, they will locate that exact point of consciousness at which things either work out as planned or awry.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show.
We can’t help living in the future - booking flights for holidays, organizing birthday parties, writing applications, sending out invitations, producing T-shirts for tours. But all of this is merely supposition. When the time comes, these things may happen according to plan, or they may not. Life is entirely unpredictable. But what if we could rewrite history? What if we could imagine that things had turned out differently even if they had not? What if we could anticipate all roads to the future, so that we could be prepared for any possible scenario? Portuguese theatre company Mala Voadora and writer and performer Chris Thorpe collaborate in Your Best Guess to investigate this unpredictability. They explore more concrete phenomena such as undetonated bombs, goodbye letters, ghost cities, amulets. And, intrigued by the way we bet on the future, they will locate that exact point of consciousness at which things either work out as planned or awry.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show.
We can’t help living in the future - booking flights for holidays, organizing birthday parties, writing applications, sending out invitations, producing T-shirts for tours. But all of this is merely supposition. When the time comes, these things may happen according to plan, or they may not. Life is entirely unpredictable. But what if we could rewrite history? What if we could imagine that things had turned out differently even if they had not? What if we could anticipate all roads to the future, so that we could be prepared for any possible scenario? Portuguese theatre company Mala Voadora and writer and performer Chris Thorpe collaborate in Your Best Guess to investigate this unpredictability. They explore more concrete phenomena such as undetonated bombs, goodbye letters, ghost cities, amulets. And, intrigued by the way we bet on the future, they will locate that exact point of consciousness at which things either work out as planned or awry.
Director: Wolfgang Reitherman. USA. 1967. 77 mins.
Abandoned after an accident, baby Mowgli is taken and raised by a family of wolves. As the boy grows older, the wise panther Bagheera realizes he must be returned to his own kind in the nearby man-village. Baloo the bear however thinks differently taking the young Mowgli under his wing and teaching that living in the jungle is the best life there is. Bagheera realizes that Mowgli is in danger, particularly from Shere Khan the tiger who hates all people. When Baloo finally comes around, Mowgli runs off into the jungle where he survives a second encounter with Kaa the snake and finally, with Shere Khan. It's the sight of a pretty girl however that gets Mowgli to go the nearby man-village.
13.00Dementia-Friendly Screening: Open to all but especially for people with dementia and their family, friends and carers. Join us for free tea, coffee and biscuits and a chance to socialise for 30 minutes before the film. The film will start at the time stated.
The incredible Billie Piper (Penny Dreadful, Great Britain) returns in her Evening Standard Best Actress award-winning role. A young woman is driven to the unthinkable by her desperate desire to have a child in Simon Stone’s radical production of Lorca’s achingly powerful masterpiece. The unmissable theatre phenomenon sold out at the Young Vic and critics call it “an extraordinary theatrical triumph” (The Times) and “stunning, searing, unmissable” (Mail on Sunday). Billie Piper’s lead performance is described as “spellbinding” (The Evening Standard), “astonishing” (iNews) and “devastatingly powerful” (The Daily Telegraph). Set in contemporary London, Piper’s portrayal of a woman in her thirties desperate to conceive builds with elemental force to a staggering, shocking, climax. Please note that this broadcast does not have an interval.
★★★★★
“Brutal yet ferociously funny” - Metro
★★★★★
“Billie Piper makes a shattering Yerma in Simon Stone’s inspired reworking of Lorca” - The Observer
★★★★★
“A shatteringly powerful reinvention of a familiar classic” - The Independent
The incredible Billie Piper (Penny Dreadful, Great Britain) returns in her Evening Standard Best Actress award-winning role. A young woman is driven to the unthinkable by her desperate desire to have a child in Simon Stone’s radical production of Lorca’s achingly powerful masterpiece. The unmissable theatre phenomenon sold out at the Young Vic and critics call it “an extraordinary theatrical triumph” (The Times) and “stunning, searing, unmissable” (Mail on Sunday). Billie Piper’s lead performance is described as “spellbinding” (The Evening Standard), “astonishing” (iNews) and “devastatingly powerful” (The Daily Telegraph). Set in contemporary London, Piper’s portrayal of a woman in her thirties desperate to conceive builds with elemental force to a staggering, shocking, climax. Please note that this broadcast does not have an interval.
★★★★★
“Brutal yet ferociously funny” - Metro
★★★★★
“Billie Piper makes a shattering Yerma in Simon Stone’s inspired reworking of Lorca” - The Observer
★★★★★
“A shatteringly powerful reinvention of a familiar classic” - The Independent
In aid of Médecins Sans Frontières / Doctors without Borders (MSF)
7 September 2017
Join us for a unique celebration of John le Carré’s work as he discusses the full breadth of his career – from his extraordinary Cold War novels to his powerful descriptions of the arms trade and the war on terror – and reflects on the continuing story of his most famous creation, the tubby, bespectacled spy, George Smiley.
Featuring readings from his new novel A Legacy Of Spies, and a rare Q&A session, this will be an unmissable opportunity to experience the author direct and in his own words.
The event will be broadcast live to cinemas across the UK and Europe from London’s Royal Festival Hall.
In support of MSF, the leading emergency medical humanitarian aid organisation, John le Carré is donating his speaker’s fee, and the producers of the live cinema broadcast, The Ink Factory, are donating their share of the profits to the charity.
45 years after Pink Floyd’s David Gilmour filmed ‘Live At Pompeii’ in the legendary Roman Amphitheatre there, he returned for two spectacular shows, part of his year-long tour in support of his No.1 album ‘Rattle That Lock’. The performances were the first-ever rock concerts for an audience in the stone Roman amphitheatre, and, for two nights only, the 2,600 strong crowd stood exactly where gladiators would have fought in the first century AD.
‘David Gilmour Live At Pompeii’ is an audio-visual spectacle, featuring lasers, pyrotechnics and a huge circular screen on which specially-created films complement selected songs, but paramount above all is the astonishing music and stellar performances from an all-star band. The show includes songs from throughout David's career, as well as many Pink Floyd classics, including 'One Of These Days', the only song that was also performed at the band’s 1971 show.
Both concerts also saw very special performances of 'The Great Gig In The Sky' from 'The Dark Side Of The Moon', which David rarely plays as a solo artist. This concert performance film includes highlights from both shows, filmed in 4k by director Gavin Elder . ‘David Gilmour Live At Pompeii’ shows an artist at the top of his artistic game, performing incredible material with his world-class band, in a unique setting, on one very special occasion.
Songs include the title tracks of his two most recent No. 1 solo albums: Rattle That Lock and On An Island, as well as other solo and Pink Floyd classics, including Wish You Were Here and Comfortably Numb.
Bellini’s masterpiece boasts one of the most famous arias in all of opera, the beautiful “Casta diva”. Directed by Sir David McVicar, this evocative new production sets the action deep in a Druid forest, where nature and ancient ritual rule. The priestess Norma is torn between loyalty to her oppressed people and love for a Roman soldier. On the eve of a Druid revolt, she must choose between two agonising betrayals – only to learn that she herself has already been betrayed. Sondra Radvanovsky as Norma and Joyce DiDonato as her rival Adalgisa lead a cast of bel canto heavyweights, with Joseph Calleja as Norma’s unfaithful lover, Pollione, and British favourite Matthew Rose returning to the Met as Norma’s father, Oroveso.
Bellini’s masterpiece boasts one of the most famous arias in all of opera, the beautiful “Casta diva”. Directed by Sir David McVicar, this evocative new production sets the action deep in a Druid forest, where nature and ancient ritual rule. The priestess Norma is torn between loyalty to her oppressed people and love for a Roman soldier. On the eve of a Druid revolt, she must choose between two agonising betrayals – only to learn that she herself has already been betrayed. Sondra Radvanovsky as Norma and Joyce DiDonato as her rival Adalgisa lead a cast of bel canto heavyweights, with Joseph Calleja as Norma’s unfaithful lover, Pollione, and British favourite Matthew Rose returning to the Met as Norma’s father, Oroveso.
A full-throttle war play that revels in the sweat of the battlefield, Coriolanus transports us back to the emergence of the republic of Rome.
Caius Martius Coriolanus is a fearless soldier but a reluctant leader. His ambitious mother attempts to carve him a path to political power, but he struggles to change his nature and do what is required to achieve greatness. In this new city state struggling to find its feet, where the gap between rich and poor is widening every day, Coriolanus must decide who he really is and where his allegiances lie.
Rome Season Director, Angus Jackson, completes the Royal Shakespeare Company’s collection of Shakespeare’s Roman plays with a visceral production which sees Sope Dirisu (One Night in Miami, Donmar Warehouse, 2016) take on the title role.
Experience Mozart’s irresistible fantasy in all its glory! Will brave Prince Tamino rescue Princess Pamina from the clutches of the evil Sarastro, and will Papageno the foolish bird catcher learn wisdom enough to help him? The Queen of the Night’s aria, with its stratospheric high notes, is just one of the countless highlights in this tale of love and magic, mysterious secrets, and whimsical fantasy. Julie Taymor’s (The Lion King) enchanting production captures both the opera’s earthy comedy and its enlightened nobility. Met Music Director Emeritus James Levine conducts a cast of rising young stars.
Experience Mozart’s irresistible fantasy in all its glory! Will brave Prince Tamino rescue Princess Pamina from the clutches of the evil Sarastro, and will Papageno the foolish bird catcher learn wisdom enough to help him? The Queen of the Night’s aria, with its stratospheric high notes, is just one of the countless highlights in this tale of love and magic, mysterious secrets, and whimsical fantasy. Julie Taymor’s (The Lion King) enchanting production captures both the opera’s earthy comedy and its enlightened nobility. Met Music Director Emeritus James Levine conducts a cast of rising young stars.
Amidst a bustling market, the pirate Conrad falls in love at first sight with the beautiful Medora, the ward of the slave merchant Lankedem’s bazaar. Conrad kidnaps Medora when Lanquedem decides to sell her to the Pasha.
Inspired by Lord Byron’s epic poem and reworked by Alexei Ratmansky from Petipa’s exotic 19th century classic, this miracle of the repertoire is one of the Bolshoi’s most lavish productions. Complete with a magnificent awe-inspring shipwreck and dramatic scenery, this grand romance allows enough dancing for nearly the entire company and made especially for those who seek miracles in theatre.
Leaving the world of J-pop behind her, Mima Kirigoe begins life as an actress on a crime drama show called Double Blind. When offered a lead role in the show as a rape victim, Mima accepts in spite of her manager’s reservations. However, the backlash from fans over her career change and a strange website called ‘Mima's Room’, written by a fake Mima, begin to worry her. When a stalker appears and people involved in Double Blind begin turning up dead, with all the evidence pointing to her, Mima is thrown into a state of confusion, madness and paranoia.
Baptista struggles to marry off his tempestuous daughter Katharina, a shrew who denies that any man could possibly be her match. However when she meets Petruchio, who is as ill-tempered as she, the two forces of nature ignite an unexpected and explosive encounter.
Acclaimed choreographer Jean-Christophe Maillot brings out the wit, fast-paced athleticism and vibrancy from the Bolshoi Ballet dancers in Shakespeare’s rowdy comedy. Principals Ekaterina Krysanova and Vladislav Lantratov clash, challenge and eventually give themselves to one another in a wonderfully entertaining production that can only be seen at the Bolshoi!
Take a seat at the strangest dinner party of your life. The servants have absconded; the ragout is all over the floor; there’s a bear in the garden; your fellow guests are rapidly descending into savagery; and most mysteriously of all, no one seems able to leave. British composer Thomas Adès (The Tempest) conducts the American premiere of his latest opera. Co-commissioned by the Met and sung in English, this black comedy, with shades of JG Ballard/Ben Wheatley’s High-Rise, is based on the screenplay of Luis Buñuel’s 1962 surrealist film. The cast is filled with established British names including Sally Matthews, Sophie Bevan, Alice Coote, Christine Rice, Ieystn Davies and John Tomlinson. “Inventive and audacious… a major event” (New York Times).
Take a seat at the strangest dinner party of your life. The servants have absconded; the ragout is all over the floor; there’s a bear in the garden; your fellow guests are rapidly descending into savagery; and most mysteriously of all, no one seems able to leave. British composer Thomas Adès (The Tempest) conducts the American premiere of his latest opera. Co-commissioned by the Met and sung in English, this black comedy, with shades of JG Ballard/Ben Wheatley’s High-Rise, is based on the screenplay of Luis Buñuel’s 1962 surrealist film. The cast is filled with established British names including Sally Matthews, Sophie Bevan, Alice Coote, Christine Rice, Ieystn Davies and John Tomlinson. “Inventive and audacious… a major event” (New York Times).
As the clock strikes midnight on Christmas Eve, Marie’s wooden nutcracker doll comes to life and transforms into a prince! Soon joined by her other toys that have also come to life, Marie and her prince embark on a dreamy unforgettable adventure.
A holiday tradition for the whole family, The Nutcracker sweeps the Bolshoi stage for two hours of enchantment and magic. Along with Tchaikovsky’s cherished score and and some of the Bolshoi’s greatest artists, The Nutcracker remains a treasure not to be missed!
In Verona, Romeo and Juliet fall madly in love while their respective families, the Montagues and the Capulets, are caught in a bitter rivalry ending in heart-wrenching tragedy…
Alexei Ratmansky, former artistic director of the Bolshoi Ballet, stages the company’s premiere of his production with dramatic urgency and a fresh re-telling of Shakespeare’s beloved classic. His brilliant and detailed adaptation set to Prokofiev’s romantic and cinematic score, reignites the story of literature’s most celebrated star-crossed lovers like no other classical ballet choreographer today.
Puccini’s thrilling Tosca is a story of love, terror, the abuse of power, and the unquenchable longing for freedom. When an escaped political prisoner takes refuge in a church, an opera singer and a painter are drawn into a twisting plot that puts them at the mercy of the secret police and its network of torturers and spies. Rivalling the splendour of Franco Zeffirelli’s Napoleonic-era sets and costumes, Sir David McVicar’s ravishing new production offers a splendid backdrop for extraordinary singing. Kristine Opolais stars as the titular prima donna, alongside Vittorio Grigolo as her artist lover and Bryn Terfel as the villainous police chief – one of his signature roles. Andris Nelsons conducts.
Puccini’s thrilling Tosca is a story of love, terror, the abuse of power, and the unquenchable longing for freedom. When an escaped political prisoner takes refuge in a church, an opera singer and a painter are drawn into a twisting plot that puts them at the mercy of the secret police and its network of torturers and spies. Rivalling the splendour of Franco Zeffirelli’s Napoleonic-era sets and costumes, Sir David McVicar’s ravishing new production offers a splendid backdrop for extraordinary singing. Kristine Opolais stars as the titular prima donna, alongside Vittorio Grigolo as her artist lover and Bryn Terfel as the villainous police chief – one of his signature roles. Andris Nelsons conducts.
As he arrives in Paris for the first time, the young and naive Armand is utterly captivated after meeting the ravishing and most desirable courtesan Marguerite Gautier. Their encounter gives birth to a passionate yet doomed love…
Alexandre Dumas fils’s novel comes to life on the Bolshoi stage, with prima Svetlana Zakharova as the ailing Marguerite seeking love and redemption from her life as a courtesan. The Bolshoi brings choreographer John Neumeier’s work of rare beauty and tragic depth to new emotional heights, accompanied by Chopin’s romantic piano score.
The poor country boy Nemorino is in love with Adina, a confident landowner, but she is way out of his league – financially and otherwise. But when he buys a “love potion” from a travelling quack, the results are rather more than he bargained for. Charmingly staged by Bartlett Sher, Donizetti’s beloved masterpiece combines deft comic timing with touching emotional depth. The production stars Matthew Polenzani, who enthralled Met audiences as Nemorino in 2013 with his moving “Una furtiva lagrima.” Rising South African soprano Pretty Yende is the spirited Adina, Davide Luciano makes his Met debut as the arrogant soldier Belcore, and Ildebrando D’Arcangelo is the potion-peddling Doctor Dulcamara. Domingo Hindoyan conducts.
The poor country boy Nemorino is in love with Adina, a confident landowner, but she is way out of his league – financially and otherwise. But when he buys a “love potion” from a travelling quack, the results are rather more than he bargained for. Charmingly staged by Bartlett Sher, Donizetti’s beloved masterpiece combines deft comic timing with touching emotional depth. The production stars Matthew Polenzani, who enthralled Met audiences as Nemorino in 2013 with his moving “Una furtiva lagrima.” Rising South African soprano Pretty Yende is the spirited Adina, Davide Luciano makes his Met debut as the arrogant soldier Belcore, and Ildebrando D’Arcangelo is the potion-peddling Doctor Dulcamara. Domingo Hindoyan conducts.
'I am all the daughters of my father's house,
And all the brothers too.'
Twelfth Night is a tale of unrequited love – hilarious and heartbreaking. Two twins are separated in a shipwreck, and forced to fend for themselves in a strange land. The first twin, Viola, falls in love with Orsino, who dotes on OIivia, who falls for Viola but is idolised by Malvolio. Enter Sebastian, who is the spitting image of his twin sister...
Christopher Luscombe, Director of the ‘glorious’ (Daily Telegraph) Love’s Labour’s Lost and Much Ado About Nothing (2014 and 2016), returns to the Royal Shakespeare Company to tackle Shakespeare’s greatest comedy, a brilliantly bittersweet account of "the whirligig of time".
The world’s most popular opera returns with an exciting young cast in Franco Zeffirelli’s legendary production. Poverty-stricken poet Rodolfo and his artist friends eke out a precarious existence in bohemian Paris, alternately practising their art, laughing, quarrelling, dodging the landlord, and living it up in their local cafe. When Rodolfo meets the delicate Mimì, the pair instantly fall in love. But Mimì is ill, Rodolfo is jealous, and their romance is doomed from the start. Opera superstars Sonya Yoncheva and Michael Fabiano play the heart-breaking couple, singing two sublime Puccini favourites – “Sì, mi chiamano Mimì” and “Che gelida manina.” Zeffirelli’s stupendous onstage recreations of 19th-century Paris are sure to take your breath away.
The world’s most popular opera returns with an exciting young cast in Franco Zeffirelli’s legendary production. Poverty-stricken poet Rodolfo and his artist friends eke out a precarious existence in bohemian Paris, alternately practising their art, laughing, quarrelling, dodging the landlord, and living it up in their local cafe. When Rodolfo meets the delicate Mimì, the pair instantly fall in love. But Mimì is ill, Rodolfo is jealous, and their romance is doomed from the start. Opera superstars Sonya Yoncheva and Michael Fabiano play the heart-breaking couple, singing two sublime Puccini favourites – “Sì, mi chiamano Mimì” and “Che gelida manina.” Zeffirelli’s stupendous onstage recreations of 19th-century Paris are sure to take your breath away.
In the era of the French Revolution, Jeanne and her brother Jérôme leave Marseille for Paris in support of the revolutionary effort that is taking over the capital. While fighting for freedom, they both encounter love along the way…
Very few ballets can properly depict the Bolshoi’s overflowing energy and fiery passion as can Alexei Ratmansky’s captivating revival of Vasily Vainonen’s The Flames of Paris. With powerful virtuosity and some of the most stunning pas de deux, the Bolshoi Ballet displays an exuberance almost too enormous for the Moscow stage.
Against the backdrop of the Hanging Gardens, Semiramide, Queen of Babylon, defies bad omens and supernatural threats in her quest to find a worthy successor to her late husband. But she harbours more than one dark secret, and whoever gains the throne may find that he has lost more than he has won. Based on a story by Voltaire, this rarely performed tragic opera reveals The Barber of Seville composer Giaochino Rossini in a whole new light. The title role – composed for Rossini’s wife, Isabella Colbran – features some of the most demanding vocal music he ever wrote. Angela Meade takes on the challenging vocal fireworks in this revival of a production last seen at the Met 25 years ago.
Against the backdrop of the Hanging Gardens, Semiramide, Queen of Babylon, defies bad omens and supernatural threats in her quest to find a worthy successor to her late husband. But she harbours more than one dark secret, and whoever gains the throne may find that he has lost more than he has won. Based on a story by Voltaire, this rarely performed tragic opera reveals The Barber of Seville composer Giaochino Rossini in a whole new light. The title role – composed for Rossini’s wife, Isabella Colbran – features some of the most demanding vocal music he ever wrote. Angela Meade takes on the challenging vocal fireworks in this revival of a production last seen at the Met 25 years ago.
Goaded by their cynical friend Don Alfonso, soldiers Ferrando and Guglielmo decide to test their fiancées’ fidelity. Pretending to leave with their regiment, they return in disguise and pay court to each other’s lover. Will the young women succumb to the charms of these two handsome ‘foreigners’? A co-production with English National Opera, this clever vision of the battle of the sexes is set in a carnivalesque environment inspired by 1950s Coney Island. The cast features Amanda Majeski and Serena Malfi as the sisters put to the test, with Broadway star Kelli O’Hara as their feisty maid, Ben Bliss and Adam Plachetka as their fiancés, and Christopher Maltman as Don Alfonso. David Robertson conducts Mozart’s delightful score.
Goaded by their cynical friend Don Alfonso, soldiers Ferrando and Guglielmo decide to test their fiancées’ fidelity. Pretending to leave with their regiment, they return in disguise and pay court to each other’s lover. Will the young women succumb to the charms of these two handsome ‘foreigners’? A co-production with English National Opera, this clever vision of the battle of the sexes is set in a carnivalesque environment inspired by 1950s Coney Island. The cast features Amanda Majeski and Serena Malfi as the sisters put to the test, with Broadway star Kelli O’Hara as their feisty maid, Ben Bliss and Adam Plachetka as their fiancés, and Christopher Maltman as Don Alfonso. David Robertson conducts Mozart’s delightful score.
When Giselle learns that her beloved Albrecht is promised to another woman, she dies of a broken heart in his arms. While Albrecht grieves, she returns from the dead as a Wili, a vengeful spirit meant to make unfaithful men dance until death…
Prima ballerina Svetlana Zakharova personifies this ultimate ballerina role in the classical repertoire, alongside the sensational Sergei Polunin as Albrecht, in this chilling, yet luminous ballet that continues to captivate audiences for over 150 years at the Bolshoi.
James Levine and Plácido Domingo add yet another chapter to their legendary Met collaboration with this rarely performed Verdi gem, a heart-wrenching tragedy based on Friedrich Schiller’s novel Intrigue and Love. The young maiden Luisa loves Rodolfo, unaware that he is actually the son of the local lord. An unscrupulous rival for her affections tells her father of Rodolfo’s true identity, turning the old man against him. Jealousy, suspicion, and betrayal tear the lovers apart, but Luisa remains loyal to her father to the last. In the first Met performances of the opera in more than ten years, Sonya Yoncheva sings the title role opposite Piotr Beczała as Rodolfo, with Domingo as Luisa’s stern-yet-loving father.
James Levine and Plácido Domingo add yet another chapter to their legendary Met collaboration with this rarely performed Verdi gem, a heart-wrenching tragedy based on Friedrich Schiller’s novel Intrigue and Love. The young maiden Luisa loves Rodolfo, unaware that he is actually the son of the local lord. An unscrupulous rival for her affections tells her father of Rodolfo’s true identity, turning the old man against him. Jealousy, suspicion, and betrayal tear the lovers apart, but Luisa remains loyal to her father to the last. In the first Met performances of the opera in more than ten years, Sonya Yoncheva sings the title role opposite Piotr Beczała as Rodolfo, with Domingo as Luisa’s stern-yet-loving father.
A fairy godmother, a glass slipper, an opulent ball, an enchanted forest, and a Prince Charming who loves her – did all that really happen, or was it just a dream? Long-suffering Cendrillon lives a life of drudgery with her good-natured father and his imperious wife, until fate, romance, and a touch of fairy magic intervene. For the first time ever, Massenet’s sumptuous version of the Cinderella story comes to the Met in this imaginative storybook production directed by Laurent Pelly. Superstar Joyce DiDonato sings the title role, alongside British mezzo-soprano Alice Coote in the trouser role of Prince Charming, Kathleen Kim as the Fairy Godmother, and Stephanie Blythe as the archetypal wicked stepmother.
A fairy godmother, a glass slipper, an opulent ball, an enchanted forest, and a Prince Charming who loves her – did all that really happen, or was it just a dream? Long-suffering Cendrillon lives a life of drudgery with her good-natured father and his imperious wife, until fate, romance, and a touch of fairy magic intervene. For the first time ever, Massenet’s sumptuous version of the Cinderella story comes to the Met in this imaginative storybook production directed by Laurent Pelly. Superstar Joyce DiDonato sings the title role, alongside British mezzo-soprano Alice Coote in the trouser role of Prince Charming, Kathleen Kim as the Fairy Godmother, and Stephanie Blythe as the archetypal wicked stepmother.
Swanhilda notices her fiancee Franz is infatuated with the beautiful Coppélia who sits reading on her balcony each day. Nearly breaking up the two sweethearts, Coppelia is not what she seems and Swanhilda decides to teach Franz a lesson…
The Bolshoi’s unique version of Coppélia exhibits a fascinating reconstruction of the original 19th century choreography of this ebullient comedy involving a feisty heroine, a boyish fiancee with a wandering eye, and an old dollmaker. The company’s stunning corps de ballet shines in the divertissements and famous “dance of the hours,” and its principals abound in youthful energy and irresistible humor in this effervescent production.
