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Director: Janus Metz Pedersen.
Starring: Sverrir Gudnason, Shia LaBeouf, Stellan Skarsgård, Tuva Novotny. Sweden 2017. 108 mins. English and Swedish with English subtitles.
Björn Borg (Gudnason) has the tennis world at his feet. Ranked number one and playing at the top of his game, the calm, ascetic Swede is on the verge of a record-breaking fifth consecutive Wimbledon Championship. Only one man stands in his way – John McEnroe (LaBeouf), a young American firebrand with a swagger brazen enough to unsettle even Borg’s icy composure. As the final approaches, both men delve into their formative memories to find the strength and answers they’ll need to triumph on the hallowed turf of SW19. As much a character study as a sports movie, Borg Vs. McEnroe reveals the personalities and inner demons that would shape one of the sporting world’s most riveting dramas – the thrilling high point of a compelling rivalry.
Director: Darren Aronofsky.
Starring: Jennifer Lawrence, Javier Bardem, Ed Harris, Michelle Pfeiffer. USA 2017. 121 mins.
Revisiting the psycho-chiller genre he mined so vividly in his 1998 feature debut Pi and 2010’s Oscar-winning Black Swan, writer-director Darren Aronofsky’s latest, exceedingly dark drama catapults Jennifer Lawrence into wildly different territory to her Hunger Games, X-Men and David Russell-directed roles (Joy, American Hustle). Lawrence plays one half of an apparently happy young couple – Javier Bardem being the slightly sinister other – whose tranquil existence is disrupted in terrifying fashion by some unexpected visitors (a spookily passive-aggressive Ed Harris and, continuing her impressive return to big screen stardom, Michelle Pfeiffer). Unlocking dark secrets is Aronofsky’s speciality, and with regular cinematographer Matthew Libatique and Hunger Games’ brilliant production designer Philip Messina on board, Mother! delivers plenty more of the same.
Director: Francis Lee.
Starring: Josh O’Connor, Alec Secareanu, Gemma Jones, Ian Hart. UK 2017. 105 mins.
Johnny Saxby (O’Connor) works long hours on his family’s remote farm in the north of England. He numbs the daily frustration of his lonely existence with nightly binge drinking at the local pub and casual sex. But when a handsome Romanian migrant worker (Secareanu) arrives to take up temporary work on the family farm, Johnny suddenly finds himself dealing with emotions he has never felt before. As they begin working closely together during lambing season, an intense relationship forms – one that could change Johnny’s life forever. Captivating and broodingly beautiful, God’s Own Country is the award-winning debut feature from writer-director Francis Lee. Set in the heart of rural Yorkshire, this is a bracingly openhearted romantic story marked by stunning lead performances.
Director: Juan Carlos Medina. Starring: Bill Nighy, Olivia Cooke, Sam Reid. UK 2016. 109 mins.
Set in London’s East End in the late 1800s, The Limehouse Golem follows John Kildare (Nighy), an erudite detective whose career is going nowhere. To make matters worse, he’s assigned a case he can’t crack: a series of murders so brutal the locals believe it could only be the work of a mythical creature. But when rising music hall star Lizzie Cree (Cooke) is accused of murdering her husband, Kildare suspects clearing her name will bring him closer to the truth. Told in flashbacks chronicling Lizzie’s picaresque rise through the seamier habitats of showbiz, this Victorian murder-mystery keeps us guessing throughout. Look out for some wonderful cameos from the likes of Eddie Marsan (Their Finest), Douglas Booth (The Riot Club) and fêted Spanish actress Maria Valverde.
Seymour, a shy young man working for a tyrannical florist, finds a vehicle for private and public success in the form of a maneating plant from outer space. The carniverous shrub helps him to become a celebrity, gets rid of his boss and clears the way for him to woo the girl of his dreams. However, its cannibalistic eating habits become insatiable and it's up to Seymour to cut it down to size. This comedy musical is based on the stage version of the cult movie, and features a memorable cameo performance from Steve Martin as a sadistic dentist.
Director: Janus Metz Pedersen.
Starring: Sverrir Gudnason, Shia LaBeouf, Stellan Skarsgård, Tuva Novotny. Sweden 2017. 108 mins. English and Swedish with English subtitles.
Björn Borg (Gudnason) has the tennis world at his feet. Ranked number one and playing at the top of his game, the calm, ascetic Swede is on the verge of a record-breaking fifth consecutive Wimbledon Championship. Only one man stands in his way – John McEnroe (LaBeouf), a young American firebrand with a swagger brazen enough to unsettle even Borg’s icy composure. As the final approaches, both men delve into their formative memories to find the strength and answers they’ll need to triumph on the hallowed turf of SW19. As much a character study as a sports movie, Borg Vs. McEnroe reveals the personalities and inner demons that would shape one of the sporting world’s most riveting dramas – the thrilling high point of a compelling rivalry.
Director: Darren Aronofsky.
Starring: Jennifer Lawrence, Javier Bardem, Ed Harris, Michelle Pfeiffer. USA 2017. 121 mins.
Revisiting the psycho-chiller genre he mined so vividly in his 1998 feature debut Pi and 2010’s Oscar-winning Black Swan, writer-director Darren Aronofsky’s latest, exceedingly dark drama catapults Jennifer Lawrence into wildly different territory to her Hunger Games, X-Men and David Russell-directed roles (Joy, American Hustle). Lawrence plays one half of an apparently happy young couple – Javier Bardem being the slightly sinister other – whose tranquil existence is disrupted in terrifying fashion by some unexpected visitors (a spookily passive-aggressive Ed Harris and, continuing her impressive return to big screen stardom, Michelle Pfeiffer). Unlocking dark secrets is Aronofsky’s speciality, and with regular cinematographer Matthew Libatique and Hunger Games’ brilliant production designer Philip Messina on board, Mother! delivers plenty more of the same.
Director: Francis Lee.
Starring: Josh O’Connor, Alec Secareanu, Gemma Jones, Ian Hart. UK 2017. 105 mins.
Johnny Saxby (O’Connor) works long hours on his family’s remote farm in the north of England. He numbs the daily frustration of his lonely existence with nightly binge drinking at the local pub and casual sex. But when a handsome Romanian migrant worker (Secareanu) arrives to take up temporary work on the family farm, Johnny suddenly finds himself dealing with emotions he has never felt before. As they begin working closely together during lambing season, an intense relationship forms – one that could change Johnny’s life forever. Captivating and broodingly beautiful, God’s Own Country is the award-winning debut feature from writer-director Francis Lee. Set in the heart of rural Yorkshire, this is a bracingly openhearted romantic story marked by stunning lead performances.
Director: Juan Carlos Medina. Starring: Bill Nighy, Olivia Cooke, Sam Reid. UK 2016. 109 mins.
Set in London’s East End in the late 1800s, The Limehouse Golem follows John Kildare (Nighy), an erudite detective whose career is going nowhere. To make matters worse, he’s assigned a case he can’t crack: a series of murders so brutal the locals believe it could only be the work of a mythical creature. But when rising music hall star Lizzie Cree (Cooke) is accused of murdering her husband, Kildare suspects clearing her name will bring him closer to the truth. Told in flashbacks chronicling Lizzie’s picaresque rise through the seamier habitats of showbiz, this Victorian murder-mystery keeps us guessing throughout. Look out for some wonderful cameos from the likes of Eddie Marsan (Their Finest), Douglas Booth (The Riot Club) and fêted Spanish actress Maria Valverde.
Director: Richard Thorpe. Starring: Elvis Presley, Judy Tyler, Mickey Shaughnessy, Vaughn Taylor. USA 1957. 95 mins.
One of the best of Elvis Presley's pre-Army films, Jailhouse Rock offers us the sensual, ‘dangerous’ Elvis that won the hearts of the kids and earned the animosity of their elders. Presley plays Vince Everett, a young buck who accidentally kills a man while protecting the honour of a woman. He is thrown into prison, and following his performance in the prison show, where ol' swivel-hips score a hit, he decides to stay in showbiz after his release. He sets up his own record company but success goes to his head, and he is deserted by his flunkeys and hangers-on. Everett learns the value of friendship and slowly rebuilds his reputation and career. Seldom would Elvis be so well showcased in the future.
13.00Dementia-Friendly Screening: Open to all but especially for people with dementia and their family, friends and carers. Join us for free tea, coffee and biscuits and a chance to socialise for 30 minutes before the film. The film will start at the time stated.
Director: James Mangold.
Starring: Hugh Jackman, Patrick Stewart, Dafne Keen. USA 2017. 137 mins.
In 2029, mutants have been all but wiped out. The world-weary Logan has gone into hiding. But when a young girl with similar powers to his own appears, with a sinister organisation not far behind, he reluctantly agrees to take her to a refuge near the Canadian border. It’s a long road to safety, but one that brings deliverance for both of them.
Not since The Dark Knight has a superhero film subverted the genre code as powerfully as Logan. Director James Mangold shuns the capes and CGI for something altogether more human: a gritty, neo-Western road movie that slowly sinks its claws into the heartstrings and doesn’t let go.
In the new black-and-white cut, Logan’s noir and Western qualities shine. The monochrome visuals are fitting for a film with such a strong nostalgic undertow, and that’s why Logan Noir is a perfect companion piece to the colour release that won over audiences earlier this year.
Stick Man lives in the family tree with his Stick Lady Love and their stick children three, and he's heading on an epic adventure across the seasons. Will he get back to his family in time for Christmas?
This wonderful animation made by Magic Light, creators of The Gruffalo, The Gruffalos Child and Room On The Broom comes to Toddler Time for the first time.
Don't miss your chance to see it on the big screen.
Director: Janus Metz Pedersen.
Starring: Sverrir Gudnason, Shia LaBeouf, Stellan Skarsgård, Tuva Novotny. Sweden 2017. 108 mins. English and Swedish with English subtitles.
Björn Borg (Gudnason) has the tennis world at his feet. Ranked number one and playing at the top of his game, the calm, ascetic Swede is on the verge of a record-breaking fifth consecutive Wimbledon Championship. Only one man stands in his way – John McEnroe (LaBeouf), a young American firebrand with a swagger brazen enough to unsettle even Borg’s icy composure. As the final approaches, both men delve into their formative memories to find the strength and answers they’ll need to triumph on the hallowed turf of SW19. As much a character study as a sports movie, Borg Vs. McEnroe reveals the personalities and inner demons that would shape one of the sporting world’s most riveting dramas – the thrilling high point of a compelling rivalry.
13.30Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
16.00Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Director: Darren Aronofsky.
Starring: Jennifer Lawrence, Javier Bardem, Ed Harris, Michelle Pfeiffer. USA 2017. 121 mins.
Revisiting the psycho-chiller genre he mined so vividly in his 1998 feature debut Pi and 2010’s Oscar-winning Black Swan, writer-director Darren Aronofsky’s latest, exceedingly dark drama catapults Jennifer Lawrence into wildly different territory to her Hunger Games, X-Men and David Russell-directed roles (Joy, American Hustle). Lawrence plays one half of an apparently happy young couple – Javier Bardem being the slightly sinister other – whose tranquil existence is disrupted in terrifying fashion by some unexpected visitors (a spookily passive-aggressive Ed Harris and, continuing her impressive return to big screen stardom, Michelle Pfeiffer). Unlocking dark secrets is Aronofsky’s speciality, and with regular cinematographer Matthew Libatique and Hunger Games’ brilliant production designer Philip Messina on board, Mother! delivers plenty more of the same.
15.25Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Director: Francis Lee.
Starring: Josh O’Connor, Alec Secareanu, Gemma Jones, Ian Hart. UK 2017. 105 mins.
Johnny Saxby (O’Connor) works long hours on his family’s remote farm in the north of England. He numbs the daily frustration of his lonely existence with nightly binge drinking at the local pub and casual sex. But when a handsome Romanian migrant worker (Secareanu) arrives to take up temporary work on the family farm, Johnny suddenly finds himself dealing with emotions he has never felt before. As they begin working closely together during lambing season, an intense relationship forms – one that could change Johnny’s life forever. Captivating and broodingly beautiful, God’s Own Country is the award-winning debut feature from writer-director Francis Lee. Set in the heart of rural Yorkshire, this is a bracingly openhearted romantic story marked by stunning lead performances.
13.15Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
15.35Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Director: Juan Carlos Medina. Starring: Bill Nighy, Olivia Cooke, Sam Reid. UK 2016. 109 mins.
Set in London’s East End in the late 1800s, The Limehouse Golem follows John Kildare (Nighy), an erudite detective whose career is going nowhere. To make matters worse, he’s assigned a case he can’t crack: a series of murders so brutal the locals believe it could only be the work of a mythical creature. But when rising music hall star Lizzie Cree (Cooke) is accused of murdering her husband, Kildare suspects clearing her name will bring him closer to the truth. Told in flashbacks chronicling Lizzie’s picaresque rise through the seamier habitats of showbiz, this Victorian murder-mystery keeps us guessing throughout. Look out for some wonderful cameos from the likes of Eddie Marsan (Their Finest), Douglas Booth (The Riot Club) and fêted Spanish actress Maria Valverde.
12.55Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Step is the real-life story of a girls’ high-school step team set against the backdrop of social unrest in the troubled city of Baltimore. These young women learn to laugh, love and thrive – on and off the stage – even when the world seems to work against them. Empowered by their teachers, teammates, counsellors, coaches and families, they chase their ultimate dreams – to win a step championship and to be accepted into college. This all-female school is reshaping the futures of its students’ lives: they’ve made it their goal to have every senior student graduate from college, many of whom will be the first in their family to do so. Deeply insightful and emotionally inspiring, Step embodies the true meaning of sisterhood through a story of courageous young women worth cheering for.
The Discover Tuesdays screening on Sept 26 will screen accompanied by a Random Acts short.
Sapeur Showdown
Two rival sapeur factions favour fashion over violence in this vibrant dance short.
18.00Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
Director: Janus Metz Pedersen.
Starring: Sverrir Gudnason, Shia LaBeouf, Stellan Skarsgård, Tuva Novotny. Sweden 2017. 108 mins. English and Swedish with English subtitles.
Björn Borg (Gudnason) has the tennis world at his feet. Ranked number one and playing at the top of his game, the calm, ascetic Swede is on the verge of a record-breaking fifth consecutive Wimbledon Championship. Only one man stands in his way – John McEnroe (LaBeouf), a young American firebrand with a swagger brazen enough to unsettle even Borg’s icy composure. As the final approaches, both men delve into their formative memories to find the strength and answers they’ll need to triumph on the hallowed turf of SW19. As much a character study as a sports movie, Borg Vs. McEnroe reveals the personalities and inner demons that would shape one of the sporting world’s most riveting dramas – the thrilling high point of a compelling rivalry.
Director: Darren Aronofsky.
Starring: Jennifer Lawrence, Javier Bardem, Ed Harris, Michelle Pfeiffer. USA 2017. 121 mins.
Revisiting the psycho-chiller genre he mined so vividly in his 1998 feature debut Pi and 2010’s Oscar-winning Black Swan, writer-director Darren Aronofsky’s latest, exceedingly dark drama catapults Jennifer Lawrence into wildly different territory to her Hunger Games, X-Men and David Russell-directed roles (Joy, American Hustle). Lawrence plays one half of an apparently happy young couple – Javier Bardem being the slightly sinister other – whose tranquil existence is disrupted in terrifying fashion by some unexpected visitors (a spookily passive-aggressive Ed Harris and, continuing her impressive return to big screen stardom, Michelle Pfeiffer). Unlocking dark secrets is Aronofsky’s speciality, and with regular cinematographer Matthew Libatique and Hunger Games’ brilliant production designer Philip Messina on board, Mother! delivers plenty more of the same.
Director: Francis Lee.
Starring: Josh O’Connor, Alec Secareanu, Gemma Jones, Ian Hart. UK 2017. 105 mins.
Johnny Saxby (O’Connor) works long hours on his family’s remote farm in the north of England. He numbs the daily frustration of his lonely existence with nightly binge drinking at the local pub and casual sex. But when a handsome Romanian migrant worker (Secareanu) arrives to take up temporary work on the family farm, Johnny suddenly finds himself dealing with emotions he has never felt before. As they begin working closely together during lambing season, an intense relationship forms – one that could change Johnny’s life forever. Captivating and broodingly beautiful, God’s Own Country is the award-winning debut feature from writer-director Francis Lee. Set in the heart of rural Yorkshire, this is a bracingly openhearted romantic story marked by stunning lead performances.
Director: Juan Carlos Medina. Starring: Bill Nighy, Olivia Cooke, Sam Reid. UK 2016. 109 mins.
Set in London’s East End in the late 1800s, The Limehouse Golem follows John Kildare (Nighy), an erudite detective whose career is going nowhere. To make matters worse, he’s assigned a case he can’t crack: a series of murders so brutal the locals believe it could only be the work of a mythical creature. But when rising music hall star Lizzie Cree (Cooke) is accused of murdering her husband, Kildare suspects clearing her name will bring him closer to the truth. Told in flashbacks chronicling Lizzie’s picaresque rise through the seamier habitats of showbiz, this Victorian murder-mystery keeps us guessing throughout. Look out for some wonderful cameos from the likes of Eddie Marsan (Their Finest), Douglas Booth (The Riot Club) and fêted Spanish actress Maria Valverde.
The End of The End chronicles the final tour from the band who forged the sound of metal - Black Sabbath. After nearly 50 years together, the Birmingham band took to the stage for the last time in their home city, bringing down the curtain on their final tour ever. They performed generation-spanning songs that have defined a genre in front of a sold-out arena and, in exclusive new interviews, the band themselves tell it how they lived it. After half a century, this is your chance to hear the final word from the greatest metal band of all time.
Director: Janus Metz Pedersen.
Starring: Sverrir Gudnason, Shia LaBeouf, Stellan Skarsgård, Tuva Novotny. Sweden 2017. 108 mins. English and Swedish with English subtitles.
Björn Borg (Gudnason) has the tennis world at his feet. Ranked number one and playing at the top of his game, the calm, ascetic Swede is on the verge of a record-breaking fifth consecutive Wimbledon Championship. Only one man stands in his way – John McEnroe (LaBeouf), a young American firebrand with a swagger brazen enough to unsettle even Borg’s icy composure. As the final approaches, both men delve into their formative memories to find the strength and answers they’ll need to triumph on the hallowed turf of SW19. As much a character study as a sports movie, Borg Vs. McEnroe reveals the personalities and inner demons that would shape one of the sporting world’s most riveting dramas – the thrilling high point of a compelling rivalry.
Director: Darren Aronofsky.
Starring: Jennifer Lawrence, Javier Bardem, Ed Harris, Michelle Pfeiffer. USA 2017. 121 mins.
Revisiting the psycho-chiller genre he mined so vividly in his 1998 feature debut Pi and 2010’s Oscar-winning Black Swan, writer-director Darren Aronofsky’s latest, exceedingly dark drama catapults Jennifer Lawrence into wildly different territory to her Hunger Games, X-Men and David Russell-directed roles (Joy, American Hustle). Lawrence plays one half of an apparently happy young couple – Javier Bardem being the slightly sinister other – whose tranquil existence is disrupted in terrifying fashion by some unexpected visitors (a spookily passive-aggressive Ed Harris and, continuing her impressive return to big screen stardom, Michelle Pfeiffer). Unlocking dark secrets is Aronofsky’s speciality, and with regular cinematographer Matthew Libatique and Hunger Games’ brilliant production designer Philip Messina on board, Mother! delivers plenty more of the same.
Director: Francis Lee.
Starring: Josh O’Connor, Alec Secareanu, Gemma Jones, Ian Hart. UK 2017. 105 mins.
Johnny Saxby (O’Connor) works long hours on his family’s remote farm in the north of England. He numbs the daily frustration of his lonely existence with nightly binge drinking at the local pub and casual sex. But when a handsome Romanian migrant worker (Secareanu) arrives to take up temporary work on the family farm, Johnny suddenly finds himself dealing with emotions he has never felt before. As they begin working closely together during lambing season, an intense relationship forms – one that could change Johnny’s life forever. Captivating and broodingly beautiful, God’s Own Country is the award-winning debut feature from writer-director Francis Lee. Set in the heart of rural Yorkshire, this is a bracingly openhearted romantic story marked by stunning lead performances.
Director: Juan Carlos Medina. Starring: Bill Nighy, Olivia Cooke, Sam Reid. UK 2016. 109 mins.
Set in London’s East End in the late 1800s, The Limehouse Golem follows John Kildare (Nighy), an erudite detective whose career is going nowhere. To make matters worse, he’s assigned a case he can’t crack: a series of murders so brutal the locals believe it could only be the work of a mythical creature. But when rising music hall star Lizzie Cree (Cooke) is accused of murdering her husband, Kildare suspects clearing her name will bring him closer to the truth. Told in flashbacks chronicling Lizzie’s picaresque rise through the seamier habitats of showbiz, this Victorian murder-mystery keeps us guessing throughout. Look out for some wonderful cameos from the likes of Eddie Marsan (Their Finest), Douglas Booth (The Riot Club) and fêted Spanish actress Maria Valverde.
Step is the real-life story of a girls’ high-school step team set against the backdrop of social unrest in the troubled city of Baltimore. These young women learn to laugh, love and thrive – on and off the stage – even when the world seems to work against them. Empowered by their teachers, teammates, counsellors, coaches and families, they chase their ultimate dreams – to win a step championship and to be accepted into college. This all-female school is reshaping the futures of its students’ lives: they’ve made it their goal to have every senior student graduate from college, many of whom will be the first in their family to do so. Deeply insightful and emotionally inspiring, Step embodies the true meaning of sisterhood through a story of courageous young women worth cheering for.
The Discover Tuesdays screening on Sept 26 will screen accompanied by a Random Acts short.
Sapeur Showdown
Two rival sapeur factions favour fashion over violence in this vibrant dance short.
In Ridley Scott’s brooding, doom-laden thriller set in a spectacularly imagined future Los Angeles, a hired killer named Deckard (Ford) tracks down a group of renegade androids who have escaped from slavery on a colonised planet. Loosely based on Philip K. Dick’s paranoid masterpiece Do Androids Dream of Electric Sheep?, and undoubtedly one of the most influential sci-fi movies of all time, BLADE RUNNER was famously butchered in previous studio versions, including a so-called director’s cut that was nothing of the sort.
This ‘final cut’ is the only version over which Scott had full artistic control, and with its intense atmosphere, breath-taking visuals and lavishly eerie soundtrack by Vangelis, it’s an unforgettable big-screen experience.
When five very different high-school students are forced to spend a Saturday together in detention, they find themselves interacting with and understanding each other for the first time.
A jock (Emilio Estevez), a criminal (Judd Nelson), a princess (Molly Ringwald), a basket case (Ally Sheedy) and a brain (Anthony Michael Hall) talk about everything, from parental tensions to sex to peer pressure and hurtful stereotypes, while serving time.
Ultimately, the five find that they may have more in common than they ever imagined and learn more about themselves as well as each other. The only question is, will they still speak to each other when they return to classes?
Director and writer John Hughes, along with the stellar cast, makes this a memorable, moving film filled with believable dialogue, intelligent humour, and a generous dose of high jinks. A true teen classic with timeless appeal.
13.00We ♥ John Hughes: Brain, athlete, basket case, princess or criminal - revisit your misspent youth in 2017 with our We ♥ John Hughes season
Vintage Sundays: Classic films back on the big screen where they belong.
EXHIBITION ON SCREEN open its fifth season with Canaletto & the Art of Venice, an immersive journey into the life and art of Venice’s famous view-painter. No artist better captures the essence and allure of Venice than Giovanni Antonio Canal, better known as Canaletto.
The remarkable group of over 200 paintings, drawings and prints on display offer unparalleled insight into the artistry of Canaletto and his contemporaries, and the city he became a master at capturing. The film also offers the chance to step inside two official royal residences - Buckingham Palace and Windsor Castle – to learn more about the artist, and Joseph Smith, the man who introduced Canaletto to Britain.
Cinema-goers will embark on their very own 21st century Grand Tour, visiting the sites enjoyed by their 18th century counterparts and immortalised in Canaletto’s views - from the Rialto Bridge to the Piazza San Marco, and the Palazzo Ducale to the Church of Santi Giovanni e Paolo. Guided by Royal Collection Trust curators and the world’s leading experts in Venetian history, the film is not only a wonderful way to see the exhibition, but an opportunity to get closer to Canaletto and the city that inspired him.
EXHIBITION ON SCREEN open its fifth season with Canaletto & the Art of Venice, an immersive journey into the life and art of Venice’s famous view-painter. No artist better captures the essence and allure of Venice than Giovanni Antonio Canal, better known as Canaletto.
The remarkable group of over 200 paintings, drawings and prints on display offer unparalleled insight into the artistry of Canaletto and his contemporaries, and the city he became a master at capturing. The film also offers the chance to step inside two official royal residences - Buckingham Palace and Windsor Castle – to learn more about the artist, and Joseph Smith, the man who introduced Canaletto to Britain.
Cinema-goers will embark on their very own 21st century Grand Tour, visiting the sites enjoyed by their 18th century counterparts and immortalised in Canaletto’s views - from the Rialto Bridge to the Piazza San Marco, and the Palazzo Ducale to the Church of Santi Giovanni e Paolo. Guided by Royal Collection Trust curators and the world’s leading experts in Venetian history, the film is not only a wonderful way to see the exhibition, but an opportunity to get closer to Canaletto and the city that inspired him.
18.00Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
Director: David Bruckner.
Starring: Rafe Spall, Robert James-Collier, Arsher Ali . UK 2017. 94 mins.
After the violent death of one of their group, four old college friends decide to take a hiking trip deep in the Swedish wilderness in order to bond and reminisce about old times. However, the inexperienced hikers soon find themselves hopelessly lost in the dense woods and, as night closes in and tempers start to fray they take shelter in an abandoned shack. But they are not alone. Someone, or something, malevolent is watching them, intent on making them face their deepest fears and ensuring they never leave.
Academy Award® nominee Benedict Cumberbatch (BBC’s Sherlock, The Imitation Game) takes on the title role of Shakespeare’s great tragedy.
Now seen by over 750,000 people worldwide, the original 2015 NT Live broadcast returns to cinemas.
As a country arms itself for war, a family tears itself apart. Forced to avenge his father’s death but paralysed by the task ahead, Hamlet rages against the impossibility of his predicament, threatening both his sanity and the security of the state. Directed by Lyndsey Turner (Posh, Chimerica) and produced by Sonia Friedman Productions.
Director: Denus Villeneuve.
Starring: Harrison Ford, Ryan Gosling, Ana de Armas, Jared Leto. USA 2017. 164 mins.
One of the decade’s most anticipated films, the sequel to Ridley Scott’s seminal 1982 neo-noir, Blade Runner, is finally upon us. Scott himself returns as producer, freeing up the director’s chair for the supremely talented Denis Villeneuve (Arrival, Sicario), while Harrison Ford reprises his role as Rick Deckard. In 2049, a new blade runner, LAPD Officer K (Gosling), uncovers a terrible secret that could throw what’s left of an already broken society into terminal chaos. His discovery leads him on a quest to find former replicant hunter Deckard, who has been missing for 30 years. In true Blade Runner style, K wants to ask him some questions – the answers to which may have a lot to do with a chilling creator of ‘disposable workforces’, Niander Wallace (Leto).
Director: Denus Villeneuve.
Starring: Harrison Ford, Ryan Gosling, Ana de Armas, Jared Leto. USA 2017. 164 mins.
One of the decade’s most anticipated films, the sequel to Ridley Scott’s seminal 1982 neo-noir, Blade Runner, is finally upon us. Scott himself returns as producer, freeing up the director’s chair for the supremely talented Denis Villeneuve (Arrival, Sicario), while Harrison Ford reprises his role as Rick Deckard. In 2049, a new blade runner, LAPD Officer K (Gosling), uncovers a terrible secret that could throw what’s left of an already broken society into terminal chaos. His discovery leads him on a quest to find former replicant hunter Deckard, who has been missing for 30 years. In true Blade Runner style, K wants to ask him some questions – the answers to which may have a lot to do with a chilling creator of ‘disposable workforces’, Niander Wallace (Leto).
Bellini’s masterpiece boasts one of the most famous arias in all of opera, the beautiful “Casta diva”. Directed by Sir David McVicar, this evocative new production sets the action deep in a Druid forest, where nature and ancient ritual rule. The priestess Norma is torn between loyalty to her oppressed people and love for a Roman soldier. On the eve of a Druid revolt, she must choose between two agonising betrayals – only to learn that she herself has already been betrayed. Sondra Radvanovsky as Norma and Joyce DiDonato as her rival Adalgisa lead a cast of bel canto heavyweights, with Joseph Calleja as Norma’s unfaithful lover, Pollione, and British favourite Matthew Rose returning to the Met as Norma’s father, Oroveso.
Director: Denus Villeneuve.
Starring: Harrison Ford, Ryan Gosling, Ana de Armas, Jared Leto. USA 2017. 164 mins.
One of the decade’s most anticipated films, the sequel to Ridley Scott’s seminal 1982 neo-noir, Blade Runner, is finally upon us. Scott himself returns as producer, freeing up the director’s chair for the supremely talented Denis Villeneuve (Arrival, Sicario), while Harrison Ford reprises his role as Rick Deckard. In 2049, a new blade runner, LAPD Officer K (Gosling), uncovers a terrible secret that could throw what’s left of an already broken society into terminal chaos. His discovery leads him on a quest to find former replicant hunter Deckard, who has been missing for 30 years. In true Blade Runner style, K wants to ask him some questions – the answers to which may have a lot to do with a chilling creator of ‘disposable workforces’, Niander Wallace (Leto).
Life sucks for Samantha Baker. The boy she likes doesn’t know she exists, and nobody in her family has remembered her birthday. In this hilarious romp through the perils of adolescence, her ‘sweet sixteenth’ is anything but.
13.15We ♥ John Hughes: Brain, athlete, basket case, princess or criminal - revisit your misspent youth in 2017 with our We ♥ John Hughes season
Vintage Sundays: Classic films back on the big screen where they belong.
For one night only, experience the film premiere plus Q&A with special guests. Broadcast live from the National Gallery presented by BFI London Film Festival.
Directors: Hugh Welchman, Dorota Kobiela.
Starring: Douglas Booth, Saoirse Ronan, Chris O'Dowd.
The life and controversial death of Vincent van Gogh as told by his paintings and by the characters that inhabit them. Beginning a year after his demise, this portrait of the artist is built via a series of interviews conducted by Armand Roulin (Douglas Booth) – a regular model for the artist’s portraits – who becomes obsessed with van Gogh’s death, caused by a bullet wound to the stomach. Was it an accident? Was it suicide? LOVING VINCENT sets out to explore one of art’s great mysteries.
Loving Vincent stars Douglas Booth, Jerome Flynn, Chris O’Dowd, Oscar-nominee Saoirse Ronan, Aidan Turner, Helen McCrory, Eleanor Tomlinson and John Sessions.
Loving Vincent is the world’s first fully oil painted feature film, with 125 professional oil-painters painting the 65,000 frames that make up the film.
Director: Denus Villeneuve.
Starring: Harrison Ford, Ryan Gosling, Ana de Armas, Jared Leto. USA 2017. 164 mins.
One of the decade’s most anticipated films, the sequel to Ridley Scott’s seminal 1982 neo-noir, Blade Runner, is finally upon us. Scott himself returns as producer, freeing up the director’s chair for the supremely talented Denis Villeneuve (Arrival, Sicario), while Harrison Ford reprises his role as Rick Deckard. In 2049, a new blade runner, LAPD Officer K (Gosling), uncovers a terrible secret that could throw what’s left of an already broken society into terminal chaos. His discovery leads him on a quest to find former replicant hunter Deckard, who has been missing for 30 years. In true Blade Runner style, K wants to ask him some questions – the answers to which may have a lot to do with a chilling creator of ‘disposable workforces’, Niander Wallace (Leto).
Director: Denus Villeneuve.
Starring: Harrison Ford, Ryan Gosling, Ana de Armas, Jared Leto. USA 2017. 164 mins.
One of the decade’s most anticipated films, the sequel to Ridley Scott’s seminal 1982 neo-noir, Blade Runner, is finally upon us. Scott himself returns as producer, freeing up the director’s chair for the supremely talented Denis Villeneuve (Arrival, Sicario), while Harrison Ford reprises his role as Rick Deckard. In 2049, a new blade runner, LAPD Officer K (Gosling), uncovers a terrible secret that could throw what’s left of an already broken society into terminal chaos. His discovery leads him on a quest to find former replicant hunter Deckard, who has been missing for 30 years. In true Blade Runner style, K wants to ask him some questions – the answers to which may have a lot to do with a chilling creator of ‘disposable workforces’, Niander Wallace (Leto).
12.00Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
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15.25Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Bellini’s masterpiece boasts one of the most famous arias in all of opera, the beautiful “Casta diva”. Directed by Sir David McVicar, this evocative new production sets the action deep in a Druid forest, where nature and ancient ritual rule. The priestess Norma is torn between loyalty to her oppressed people and love for a Roman soldier. On the eve of a Druid revolt, she must choose between two agonising betrayals – only to learn that she herself has already been betrayed. Sondra Radvanovsky as Norma and Joyce DiDonato as her rival Adalgisa lead a cast of bel canto heavyweights, with Joseph Calleja as Norma’s unfaithful lover, Pollione, and British favourite Matthew Rose returning to the Met as Norma’s father, Oroveso.
Director: Slavko Martinov. New Zealand 2017. 88mins.
Join members of the 148-year-old Christchurch Poultry, Bantam and Pigeon Club in this documentary about the lead up to the 2015 New Zealand National Poultry Show. Fierce rivalries, infighting, irregular judging and temperamental birds abound as enthusiastic breeders compete in their quest for the top prize, united only in their passion for chickens. A hilarious, unique and heart-warming slice of Kiwiana which is sure to delight and surprise audiences of all ages.
18.00Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
Director: Denus Villeneuve.
Starring: Harrison Ford, Ryan Gosling, Ana de Armas, Jared Leto. USA 2017. 164 mins.
One of the decade’s most anticipated films, the sequel to Ridley Scott’s seminal 1982 neo-noir, Blade Runner, is finally upon us. Scott himself returns as producer, freeing up the director’s chair for the supremely talented Denis Villeneuve (Arrival, Sicario), while Harrison Ford reprises his role as Rick Deckard. In 2049, a new blade runner, LAPD Officer K (Gosling), uncovers a terrible secret that could throw what’s left of an already broken society into terminal chaos. His discovery leads him on a quest to find former replicant hunter Deckard, who has been missing for 30 years. In true Blade Runner style, K wants to ask him some questions – the answers to which may have a lot to do with a chilling creator of ‘disposable workforces’, Niander Wallace (Leto).
A full-throttle war play that revels in the sweat of the battlefield, Coriolanus transports us back to the emergence of the republic of Rome.
Caius Martius Coriolanus is a fearless soldier but a reluctant leader. His ambitious mother attempts to carve him a path to political power, but he struggles to change his nature and do what is required to achieve greatness. In this new city state struggling to find its feet, where the gap between rich and poor is widening every day, Coriolanus must decide who he really is and where his allegiances lie.
Rome Season Director, Angus Jackson, completes the Royal Shakespeare Company’s collection of Shakespeare’s Roman plays with a visceral production which sees Sope Dirisu (One Night in Miami, Donmar Warehouse, 2016) take on the title role.
Director: Denus Villeneuve.
Starring: Harrison Ford, Ryan Gosling, Ana de Armas, Jared Leto. USA 2017. 164 mins.
One of the decade’s most anticipated films, the sequel to Ridley Scott’s seminal 1982 neo-noir, Blade Runner, is finally upon us. Scott himself returns as producer, freeing up the director’s chair for the supremely talented Denis Villeneuve (Arrival, Sicario), while Harrison Ford reprises his role as Rick Deckard. In 2049, a new blade runner, LAPD Officer K (Gosling), uncovers a terrible secret that could throw what’s left of an already broken society into terminal chaos. His discovery leads him on a quest to find former replicant hunter Deckard, who has been missing for 30 years. In true Blade Runner style, K wants to ask him some questions – the answers to which may have a lot to do with a chilling creator of ‘disposable workforces’, Niander Wallace (Leto).
Experience Mozart’s irresistible fantasy in all its glory! Will brave Prince Tamino rescue Princess Pamina from the clutches of the evil Sarastro, and will Papageno the foolish bird catcher learn wisdom enough to help him? The Queen of the Night’s aria, with its stratospheric high notes, is just one of the countless highlights in this tale of love and magic, mysterious secrets, and whimsical fantasy. Julie Taymor’s (The Lion King) enchanting production captures both the opera’s earthy comedy and its enlightened nobility. Met Music Director Emeritus James Levine conducts a cast of rising young stars.
All Neal Page (Steve Martin) wanted was to spend Thanksgiving with his family. What he got was three torturous days on the road with just a blabbermouth shower-curtain-ring salesman (John Candy) for company.
13.00We ♥ John Hughes: Brain, athlete, basket case, princess or criminal - revisit your misspent youth in 2017 with our We ♥ John Hughes season
Vintage Sundays: Classic films back on the big screen where they belong.
Experience Mozart’s irresistible fantasy in all its glory! Will brave Prince Tamino rescue Princess Pamina from the clutches of the evil Sarastro, and will Papageno the foolish bird catcher learn wisdom enough to help him? The Queen of the Night’s aria, with its stratospheric high notes, is just one of the countless highlights in this tale of love and magic, mysterious secrets, and whimsical fantasy. Julie Taymor’s (The Lion King) enchanting production captures both the opera’s earthy comedy and its enlightened nobility. Met Music Director Emeritus James Levine conducts a cast of rising young stars.
Director: Armando Iannucci. Starring: Steve Buscemi, Andrea Riseborough, Jeffrey Tambor. UK, 2017. 104 mins
The internal political landscape of 1950’s Soviet Russia takes on darkly comic form in a new film by Emmy award-winning and Oscar-nominated writer/director Armando Iannucci. In the days following Stalin’s collapse, his core team of ministers tussle for control; some want positive change in the Soviet Union, others have more sinister motives. Their one common trait? They’re all just desperately trying to remain alive. A film that combines comedy, drama, pathos and political manoeuvring, The Death of Stalin is a Quad and Main Journey production, directed by Armando Iannucci, and produced by Yann Zenou, Kevin Loader, Nicolas Duval Assakovsky, and Laurent Zeitoun. The script is written by Iannucci, David Schneider and Ian Martin, with additional material by Peter Fellows.
Amidst a bustling market, the pirate Conrad falls in love at first sight with the beautiful Medora, the ward of the slave merchant Lankedem’s bazaar. Conrad kidnaps Medora when Lanquedem decides to sell her to the Pasha.
Inspired by Lord Byron’s epic poem and reworked by Alexei Ratmansky from Petipa’s exotic 19th century classic, this miracle of the repertoire is one of the Bolshoi’s most lavish productions. Complete with a magnificent awe-inspring shipwreck and dramatic scenery, this grand romance allows enough dancing for nearly the entire company and made especially for those who seek miracles in theatre.
Andie (Ringwald) is one of the not-so-popular girls in high school, with her weird punk makeup and clothes. She usually hangs out with her geek friends Iona and Duckie, but with the prom coming up, she has to choose between them and the popular set when she falls for new rich guy Blane. Will she sell out or will she stay true to her wrong-side-of-the-tracks roots?
This seminal '80s brat-pack movie transcends the teen-flick genre with a set of spot-on performances, great '80s pop and a heart-rending finale at the prom.
13.00We ♥ John Hughes: Brain, athlete, basket case, princess or criminal - revisit your misspent youth in 2017 with our We ♥ John Hughes season
Vintage Sundays: Classic films back on the big screen where they belong.
Rob Reiner's classic 1987 fairytale with a healthy dose of tongue-in-cheek humour, THE PRINCESS BRIDE remains as fresh and as entertaining today as when it was first released.
Grace Jones: Bloodlight & Bami - Live with Friends promises to be thrilling and enlightening evening with the inimitable icon, as she discusses her life and work with some of her closest collaborators from the worlds of music, fashion, art and film. The discussion follows an exclusive preview of Sophie Fiennes’ highly anticipated new film Grace Jones: Bloodlight And Bami.
Grace Jones: Bloodlight And Bami takes the viewer on an intimate and electrifying journey that moves between four cinematic layers – performance, family, artist and gypsy – to explore the fascinating world of a pop-culture phenomenon. Here we see the daughter, mother, sister and grandmother behind the mask, and she takes to the stage for a specially commissioned performance that showcases legendary hits like Pull Up To The Bumper and Slave To The Rhythm. Larger than life, bordering on cartoon, wild, scary and androgynous – Grace Jones plays all these parts.
Can’t get a date? Make one! Rejected by their peers and desperate to be liked, two misfit teens design their ideal woman on a computer – and then accidentally bring her to life.
13.00We ♥ John Hughes: Brain, athlete, basket case, princess or criminal - revisit your misspent youth in 2017 with our We ♥ John Hughes season
Vintage Sundays: Classic films back on the big screen where they belong.
13.00Dementia-Friendly Screening: Open to all but especially for people with dementia and their family, friends and carers. Join us for free tea, coffee and biscuits and a chance to socialise for 30 minutes before the film. The film will start at the time stated.
Leaving the world of J-pop behind her, Mima Kirigoe begins life as an actress on a crime drama show called Double Blind. When offered a lead role in the show as a rape victim, Mima accepts in spite of her manager’s reservations. However, the backlash from fans over her career change and a strange website called ‘Mima's Room’, written by a fake Mima, begin to worry her. When a stalker appears and people involved in Double Blind begin turning up dead, with all the evidence pointing to her, Mima is thrown into a state of confusion, madness and paranoia.
Public House tells the story of the Ivy House Pub in Peckham. Slated to be sold to property developers in 2012, the local community triumphantly came together to save the pub from closure. This documentary is an inspirational story of social resilience and the power of communities working together.
Made in collaboration with some of the many users of the pub, the film features their voices, poems and performances, as well as key moments in the community takeover which led the Ivy House to become one of the UK’s first co-operatively owned pubs and the country’s first‘asset of community value’. Through dance, poetry and song the film builds into an exhilarating participatory opera of multi-layered voices telling a tale of social resilience in the face of creeping gentrification.
It culminates with director Sarah Turner’s own playful reimagining of William Blake’s vision of angels on Peckham Rye, as the Ivy House community take to the streets in a communal celebration of human creativity and resilience.
Originally premiered at the London Film Festival, Public House was nominated for the prestigious Grierson Award in 2016.
Director: John Hughes
Starring: Matthew Broderick, Mia Sara, Alan Ruck USA 1986 103 mins
Ferris is a boy who gets anything he wants, screws over anyone who gets in his way, and gets patted on the back for doing so. Gathering his best friend (Ruck) and his best girlfriend (Sara), he skips school for a day out in Chicago.
13.00We ♥ John Hughes: Brain, athlete, basket case, princess or criminal - revisit your misspent youth in 2017 with our We ♥ John Hughes season
Vintage Sundays: Classic films back on the big screen where they belong.
Baptista struggles to marry off his tempestuous daughter Katharina, a shrew who denies that any man could possibly be her match. However when she meets Petruchio, who is as ill-tempered as she, the two forces of nature ignite an unexpected and explosive encounter.
Acclaimed choreographer Jean-Christophe Maillot brings out the wit, fast-paced athleticism and vibrancy from the Bolshoi Ballet dancers in Shakespeare’s rowdy comedy. Principals Ekaterina Krysanova and Vladislav Lantratov clash, challenge and eventually give themselves to one another in a wonderfully entertaining production that can only be seen at the Bolshoi!
Stephen Sondheim’s legendary musical is staged for the first time at the National Theatre and broadcast live to cinemas. New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves. Tracie Bennett, Janie Dee and Imelda Staunton play the magnificent Follies in this dazzling new production. Featuring a cast of 37 and an orchestra of 21, it’s directed by Dominic Cooke (The Comedy of Errors). Winner of Academy, Tony, Grammy and Olivier awards, Sondheim’s previous work includes A Little Night Music, Sweeney Todd and Sunday in the Park with George.
Take a seat at the strangest dinner party of your life. The servants have absconded; the ragout is all over the floor; there’s a bear in the garden; your fellow guests are rapidly descending into savagery; and most mysteriously of all, no one seems able to leave. British composer Thomas Adès (The Tempest) conducts the American premiere of his latest opera. Co-commissioned by the Met and sung in English, this black comedy, with shades of JG Ballard/Ben Wheatley’s High-Rise, is based on the screenplay of Luis Buñuel’s 1962 surrealist film. The cast is filled with established British names including Sally Matthews, Sophie Bevan, Alice Coote, Christine Rice, Ieystn Davies and John Tomlinson. “Inventive and audacious… a major event” (New York Times).
Take a seat at the strangest dinner party of your life. The servants have absconded; the ragout is all over the floor; there’s a bear in the garden; your fellow guests are rapidly descending into savagery; and most mysteriously of all, no one seems able to leave. British composer Thomas Adès (The Tempest) conducts the American premiere of his latest opera. Co-commissioned by the Met and sung in English, this black comedy, with shades of JG Ballard/Ben Wheatley’s High-Rise, is based on the screenplay of Luis Buñuel’s 1962 surrealist film. The cast is filled with established British names including Sally Matthews, Sophie Bevan, Alice Coote, Christine Rice, Ieystn Davies and John Tomlinson. “Inventive and audacious… a major event” (New York Times).
Widely considered Britain’s most popular artist, David Hockney is a global sensation with exhibitions in London, New York, Paris and beyond, attracting millions of visitors worldwide.
Now entering his 9th decade, Hockney shows absolutely no evidence of slowing down or losing his trademark boldness.
Featuring intimate and in-depth interviews with Hockney, this revealing film focuses on two blockbuster exhibitions held in 2012 and 2016 at the Royal Academy of Art in London.
Chauffeur's daughter Sabrina (Audrey Hepburn) returns home from two years in Paris a beautiful young woman, and immediately catches the attention of David (William Holden), the playboy son of her father's rich employers. David woos and wins Sabrina, who has always been in love with him, however their romance is threatened by David's serious older brother, Linus (Humphrey Bogart), who runs the family business and is relying on David to marry an heiress in order for a crucial merger to take place.
13.00Dementia-Friendly Screening: Open to all but especially for people with dementia and their family, friends and carers. Join us for free tea, coffee and biscuits and a chance to socialise for 30 minutes before the film. The film will start at the time stated.
Widely considered Britain’s most popular artist, David Hockney is a global sensation with exhibitions in London, New York, Paris and beyond, attracting millions of visitors worldwide.
Now entering his 9th decade, Hockney shows absolutely no evidence of slowing down or losing his trademark boldness.
Featuring intimate and in-depth interviews with Hockney, this revealing film focuses on two blockbuster exhibitions held in 2012 and 2016 at the Royal Academy of Art in London.
USA/1971/100mins/U. Dir: Mel Stuart With: Gene Wilder, Jack Albertson, Peter Ostrum
Enter a world of pure imagination and taste your way through the classic Willy Wonka and The Chocolate Factory. Our local experts from The Chocolate Tree in Bruntsfield will provide a multi-sensory chocolate experience as you enjoy Gene Wilder's iconic portrayal of Roald Dahl's much loved character.
As the clock strikes midnight on Christmas Eve, Marie’s wooden nutcracker doll comes to life and transforms into a prince! Soon joined by her other toys that have also come to life, Marie and her prince embark on a dreamy unforgettable adventure.
A holiday tradition for the whole family, The Nutcracker sweeps the Bolshoi stage for two hours of enchantment and magic. Along with Tchaikovsky’s cherished score and and some of the Bolshoi’s greatest artists, The Nutcracker remains a treasure not to be missed!
Director: Michael Curtiz.
Starring: Bing Crosby, Danny Kaye, Rosemary Clooney, Vera-Ellen. USA 1954. 120 mins.
WHITE CHRISTMAS is a treasure trove of Irving Berlin classics, among them ‘Count Your Blessings Instead of Sheep’, ‘Sisters’, ‘Blue Skies’, and the beloved ‘White Christmas’. Two talented song-and-dance men (Crosby and Kaye) team up after the war to become one of the hottest acts in show business.
One winter, they join forces with a sister act (Clooney and Vera-Ellen) and travel to Vermont for a white Christmas. Of course, there’s the requisite fun with the ladies, but the real adventure starts when Crosby and Kaye discover that the inn is run by their old army general who’s now in financial trouble. And the result is the stuff dreams are made of. A perennial festive favourite, the film is presented in a stunning restoration.
WHITE CHRISTMAS is a treasure trove of Irving Berlin classics, among them ‘Count Your Blessings Instead of Sheep’, ‘Sisters’, ‘Blue Skies’, and the beloved ‘White Christmas’. A perennial festive favourite, the film is presented in a stunning restoration.
Rory Kinnear (The Threepenny Opera, Penny Dreadful, Othello) is Marx and Oliver Chris (Twelfth Night, Green Wing) is Engels, in this new comedy written by Richard Bean and Clive Coleman. Broadcast live from The Bridge Theatre, London, the production is directed by Nicholas Hytner and reunites the creative team behind Broadway and West End hit comedy One Man, Two Guvnors.
1850, and Europe’s most feared terrorist is hiding in Dean Street, Soho. Broke, restless and horny, the thirty-two-year-old revolutionary is a frothing combination of intellectual brilliance, invective, satiric wit, and child-like emotional illiteracy. Creditors, spies, rival revolutionary factions and prospective seducers of his beautiful wife all circle like vultures. His writing blocked, his marriage dying, his friend Engels in despair at his wasted genius, his only hope is a job on the railway. But there’s still no one in the capital who can show you a better night on the piss than Karl Heinrich Marx.
In Verona, Romeo and Juliet fall madly in love while their respective families, the Montagues and the Capulets, are caught in a bitter rivalry ending in heart-wrenching tragedy…
Alexei Ratmansky, former artistic director of the Bolshoi Ballet, stages the company’s premiere of his production with dramatic urgency and a fresh re-telling of Shakespeare’s beloved classic. His brilliant and detailed adaptation set to Prokofiev’s romantic and cinematic score, reignites the story of literature’s most celebrated star-crossed lovers like no other classical ballet choreographer today.
Puccini’s thrilling Tosca is a story of love, terror, the abuse of power, and the unquenchable longing for freedom. When an escaped political prisoner takes refuge in a church, an opera singer and a painter are drawn into a twisting plot that puts them at the mercy of the secret police and its network of torturers and spies. Rivalling the splendour of Franco Zeffirelli’s Napoleonic-era sets and costumes, Sir David McVicar’s ravishing new production offers a splendid backdrop for extraordinary singing. Kristine Opolais stars as the titular prima donna, alongside Vittorio Grigolo as her artist lover and Bryn Terfel as the villainous police chief – one of his signature roles. Andris Nelsons conducts.
EXHIBITION ON SCREEN is thrilled to present one of the most talked-about exhibitions of the year. Dedicated to the portrait work of Paul Cézanne, the exhibition opens in Paris before traveling to London and Washington.
One can’t appreciate 20th century art without understanding the significance and genius of Paul Cézanne. Featuring interviews with curators and experts from the National Portrait Gallery London, MoMA New York, National Gallery of Art Washington, and Musée d’Orsay Paris, and correspondence from the artist himself, the film takes audiences beyond the exhibition to the places Cézanne lived and worked and sheds light on an artist who is perhaps the least-known of all the impressionists – until now.
EXHIBITION ON SCREEN is thrilled to present one of the most talked-about exhibitions of the year. Dedicated to the portrait work of Paul Cézanne, the exhibition opens in Paris before traveling to London and Washington.
One can’t appreciate 20th century art without understanding the significance and genius of Paul Cézanne. Featuring interviews with curators and experts from the National Portrait Gallery London, MoMA New York, National Gallery of Art Washington, and Musée d’Orsay Paris, and correspondence from the artist himself, the film takes audiences beyond the exhibition to the places Cézanne lived and worked and sheds light on an artist who is perhaps the least-known of all the impressionists – until now.
Puccini’s thrilling Tosca is a story of love, terror, the abuse of power, and the unquenchable longing for freedom. When an escaped political prisoner takes refuge in a church, an opera singer and a painter are drawn into a twisting plot that puts them at the mercy of the secret police and its network of torturers and spies. Rivalling the splendour of Franco Zeffirelli’s Napoleonic-era sets and costumes, Sir David McVicar’s ravishing new production offers a splendid backdrop for extraordinary singing. Kristine Opolais stars as the titular prima donna, alongside Vittorio Grigolo as her artist lover and Bryn Terfel as the villainous police chief – one of his signature roles. Andris Nelsons conducts.
As he arrives in Paris for the first time, the young and naive Armand is utterly captivated after meeting the ravishing and most desirable courtesan Marguerite Gautier. Their encounter gives birth to a passionate yet doomed love…
Alexandre Dumas fils’s novel comes to life on the Bolshoi stage, with prima Svetlana Zakharova as the ailing Marguerite seeking love and redemption from her life as a courtesan. The Bolshoi brings choreographer John Neumeier’s work of rare beauty and tragic depth to new emotional heights, accompanied by Chopin’s romantic piano score.
The poor country boy Nemorino is in love with Adina, a confident landowner, but she is way out of his league – financially and otherwise. But when he buys a “love potion” from a travelling quack, the results are rather more than he bargained for. Charmingly staged by Bartlett Sher, Donizetti’s beloved masterpiece combines deft comic timing with touching emotional depth. The production stars Matthew Polenzani, who enthralled Met audiences as Nemorino in 2013 with his moving “Una furtiva lagrima.” Rising South African soprano Pretty Yende is the spirited Adina, Davide Luciano makes his Met debut as the arrogant soldier Belcore, and Ildebrando D’Arcangelo is the potion-peddling Doctor Dulcamara. Domingo Hindoyan conducts.
The poor country boy Nemorino is in love with Adina, a confident landowner, but she is way out of his league – financially and otherwise. But when he buys a “love potion” from a travelling quack, the results are rather more than he bargained for. Charmingly staged by Bartlett Sher, Donizetti’s beloved masterpiece combines deft comic timing with touching emotional depth. The production stars Matthew Polenzani, who enthralled Met audiences as Nemorino in 2013 with his moving “Una furtiva lagrima.” Rising South African soprano Pretty Yende is the spirited Adina, Davide Luciano makes his Met debut as the arrogant soldier Belcore, and Ildebrando D’Arcangelo is the potion-peddling Doctor Dulcamara. Domingo Hindoyan conducts.
'I am all the daughters of my father's house,
And all the brothers too.'
Twelfth Night is a tale of unrequited love – hilarious and heartbreaking. Two twins are separated in a shipwreck, and forced to fend for themselves in a strange land. The first twin, Viola, falls in love with Orsino, who dotes on OIivia, who falls for Viola but is idolised by Malvolio. Enter Sebastian, who is the spitting image of his twin sister...
Christopher Luscombe, Director of the ‘glorious’ (Daily Telegraph) Love’s Labour’s Lost and Much Ado About Nothing (2014 and 2016), returns to the Royal Shakespeare Company to tackle Shakespeare’s greatest comedy, a brilliantly bittersweet account of "the whirligig of time".
Tennessee Williams’ twentieth century masterpiece Cat on a Hot Tin Roof played a strictly limited season in London’s West End in 2017. Following his smash hit production of A Streetcar Named Desire, Benedict Andrews’ ‘thrilling revival’ (New York Times) starred Sienna Miller alongside, Jack O’Connell and Colm Meaney.
On a steamy night in Mississippi, a Southern family gather at their cotton plantation to celebrate Big Daddy’s birthday. The scorching heat is almost as oppressive as the lies they tell. Brick and Maggie dance round the secrets and sexual tensions that threaten to destroy their marriage. With the future of the family at stake, which version of the truth is real – and which will win out?
Captured live on stage, Cat on a Hot Tin Roof will screen in cinemas around the world from 22 February 2018.
The world’s most popular opera returns with an exciting young cast in Franco Zeffirelli’s legendary production. Poverty-stricken poet Rodolfo and his artist friends eke out a precarious existence in bohemian Paris, alternately practising their art, laughing, quarrelling, dodging the landlord, and living it up in their local cafe. When Rodolfo meets the delicate Mimì, the pair instantly fall in love. But Mimì is ill, Rodolfo is jealous, and their romance is doomed from the start. Opera superstars Sonya Yoncheva and Michael Fabiano play the heart-breaking couple, singing two sublime Puccini favourites – “Sì, mi chiamano Mimì” and “Che gelida manina.” Zeffirelli’s stupendous onstage recreations of 19th-century Paris are sure to take your breath away.
The world’s most popular opera returns with an exciting young cast in Franco Zeffirelli’s legendary production. Poverty-stricken poet Rodolfo and his artist friends eke out a precarious existence in bohemian Paris, alternately practising their art, laughing, quarrelling, dodging the landlord, and living it up in their local cafe. When Rodolfo meets the delicate Mimì, the pair instantly fall in love. But Mimì is ill, Rodolfo is jealous, and their romance is doomed from the start. Opera superstars Sonya Yoncheva and Michael Fabiano play the heart-breaking couple, singing two sublime Puccini favourites – “Sì, mi chiamano Mimì” and “Che gelida manina.” Zeffirelli’s stupendous onstage recreations of 19th-century Paris are sure to take your breath away.
In the era of the French Revolution, Jeanne and her brother Jérôme leave Marseille for Paris in support of the revolutionary effort that is taking over the capital. While fighting for freedom, they both encounter love along the way…
Very few ballets can properly depict the Bolshoi’s overflowing energy and fiery passion as can Alexei Ratmansky’s captivating revival of Vasily Vainonen’s The Flames of Paris. With powerful virtuosity and some of the most stunning pas de deux, the Bolshoi Ballet displays an exuberance almost too enormous for the Moscow stage.
Tennessee Williams’ twentieth century masterpiece Cat on a Hot Tin Roof played a strictly limited season in London’s West End in 2017. Following his smash hit production of A Streetcar Named Desire, Benedict Andrews’ ‘thrilling revival’ (New York Times) starred Sienna Miller alongside, Jack O’Connell and Colm Meaney.
On a steamy night in Mississippi, a Southern family gather at their cotton plantation to celebrate Big Daddy’s birthday. The scorching heat is almost as oppressive as the lies they tell. Brick and Maggie dance round the secrets and sexual tensions that threaten to destroy their marriage. With the future of the family at stake, which version of the truth is real – and which will win out?
Captured live on stage, Cat on a Hot Tin Roof will screen in cinemas around the world from 22 February 2018.
Against the backdrop of the Hanging Gardens, Semiramide, Queen of Babylon, defies bad omens and supernatural threats in her quest to find a worthy successor to her late husband. But she harbours more than one dark secret, and whoever gains the throne may find that he has lost more than he has won. Based on a story by Voltaire, this rarely performed tragic opera reveals The Barber of Seville composer Giaochino Rossini in a whole new light. The title role – composed for Rossini’s wife, Isabella Colbran – features some of the most demanding vocal music he ever wrote. Angela Meade takes on the challenging vocal fireworks in this revival of a production last seen at the Met 25 years ago.
Against the backdrop of the Hanging Gardens, Semiramide, Queen of Babylon, defies bad omens and supernatural threats in her quest to find a worthy successor to her late husband. But she harbours more than one dark secret, and whoever gains the throne may find that he has lost more than he has won. Based on a story by Voltaire, this rarely performed tragic opera reveals The Barber of Seville composer Giaochino Rossini in a whole new light. The title role – composed for Rossini’s wife, Isabella Colbran – features some of the most demanding vocal music he ever wrote. Angela Meade takes on the challenging vocal fireworks in this revival of a production last seen at the Met 25 years ago.
Ben Whishaw (The Danish Girl, Skyfall, Hamlet) and Michelle Fairley (Fortitude, Game of Thrones) play Brutus and Cassius, David Calder (The Lost City of Z, The Hatton Garden Job) plays Caesar and David Morrissey (The Missing, Hangmen, The Walking Dead) is Mark Antony. Broadcast live from The Bridge Theatre, London.
Caesar returns in triumph to Rome and the people pour out of their homes to celebrate. Alarmed by the autocrat’s popularity, the educated élite conspire to bring him down. After his assassination, civil war erupts on the streets of the capital.
Nicholas Hytner’s production will thrust the audience into the street party that greets Caesar’s return, the congress that witnesses his murder, the rally that assembles for his funeral and the chaos that explodes in its wake.
Perhaps more than any other artist, Van Gogh’s life has long captured the imagination of storytellers. Delving deep into his fascinating and sometimes deeply troubled world comes this definitive, award-winning documentary directed by David Bickerstaff.
Showcasing Van Gogh’s iconic works like never before and featuring exclusive interviews with the curatorial team at the Van Gogh Museum, this EXHIBITION ON SCREEN favourite from Season 2 makes a welcome return to the big screen.
Goaded by their cynical friend Don Alfonso, soldiers Ferrando and Guglielmo decide to test their fiancées’ fidelity. Pretending to leave with their regiment, they return in disguise and pay court to each other’s lover. Will the young women succumb to the charms of these two handsome ‘foreigners’? A co-production with English National Opera, this clever vision of the battle of the sexes is set in a carnivalesque environment inspired by 1950s Coney Island. The cast features Amanda Majeski and Serena Malfi as the sisters put to the test, with Broadway star Kelli O’Hara as their feisty maid, Ben Bliss and Adam Plachetka as their fiancés, and Christopher Maltman as Don Alfonso. David Robertson conducts Mozart’s delightful score.
Goaded by their cynical friend Don Alfonso, soldiers Ferrando and Guglielmo decide to test their fiancées’ fidelity. Pretending to leave with their regiment, they return in disguise and pay court to each other’s lover. Will the young women succumb to the charms of these two handsome ‘foreigners’? A co-production with English National Opera, this clever vision of the battle of the sexes is set in a carnivalesque environment inspired by 1950s Coney Island. The cast features Amanda Majeski and Serena Malfi as the sisters put to the test, with Broadway star Kelli O’Hara as their feisty maid, Ben Bliss and Adam Plachetka as their fiancés, and Christopher Maltman as Don Alfonso. David Robertson conducts Mozart’s delightful score.
When Giselle learns that her beloved Albrecht is promised to another woman, she dies of a broken heart in his arms. While Albrecht grieves, she returns from the dead as a Wili, a vengeful spirit meant to make unfaithful men dance until death…
Prima ballerina Svetlana Zakharova personifies this ultimate ballerina role in the classical repertoire, alongside the sensational Sergei Polunin as Albrecht, in this chilling, yet luminous ballet that continues to captivate audiences for over 150 years at the Bolshoi.
Ben Whishaw (The Danish Girl, Skyfall, Hamlet) and Michelle Fairley (Fortitude, Game of Thrones) play Brutus and Cassius, David Calder (The Lost City of Z, The Hatton Garden Job) plays Caesar and David Morrissey (The Missing, Hangmen, The Walking Dead) is Mark Antony. Broadcast live from The Bridge Theatre, London.
Caesar returns in triumph to Rome and the people pour out of their homes to celebrate. Alarmed by the autocrat’s popularity, the educated élite conspire to bring him down. After his assassination, civil war erupts on the streets of the capital.
Nicholas Hytner’s production will thrust the audience into the street party that greets Caesar’s return, the congress that witnesses his murder, the rally that assembles for his funeral and the chaos that explodes in its wake.
James Levine and Plácido Domingo add yet another chapter to their legendary Met collaboration with this rarely performed Verdi gem, a heart-wrenching tragedy based on Friedrich Schiller’s novel Intrigue and Love. The young maiden Luisa loves Rodolfo, unaware that he is actually the son of the local lord. An unscrupulous rival for her affections tells her father of Rodolfo’s true identity, turning the old man against him. Jealousy, suspicion, and betrayal tear the lovers apart, but Luisa remains loyal to her father to the last. In the first Met performances of the opera in more than ten years, Sonya Yoncheva sings the title role opposite Piotr Beczała as Rodolfo, with Domingo as Luisa’s stern-yet-loving father.
James Levine and Plácido Domingo add yet another chapter to their legendary Met collaboration with this rarely performed Verdi gem, a heart-wrenching tragedy based on Friedrich Schiller’s novel Intrigue and Love. The young maiden Luisa loves Rodolfo, unaware that he is actually the son of the local lord. An unscrupulous rival for her affections tells her father of Rodolfo’s true identity, turning the old man against him. Jealousy, suspicion, and betrayal tear the lovers apart, but Luisa remains loyal to her father to the last. In the first Met performances of the opera in more than ten years, Sonya Yoncheva sings the title role opposite Piotr Beczała as Rodolfo, with Domingo as Luisa’s stern-yet-loving father.
A fairy godmother, a glass slipper, an opulent ball, an enchanted forest, and a Prince Charming who loves her – did all that really happen, or was it just a dream? Long-suffering Cendrillon lives a life of drudgery with her good-natured father and his imperious wife, until fate, romance, and a touch of fairy magic intervene. For the first time ever, Massenet’s sumptuous version of the Cinderella story comes to the Met in this imaginative storybook production directed by Laurent Pelly. Superstar Joyce DiDonato sings the title role, alongside British mezzo-soprano Alice Coote in the trouser role of Prince Charming, Kathleen Kim as the Fairy Godmother, and Stephanie Blythe as the archetypal wicked stepmother.
A fairy godmother, a glass slipper, an opulent ball, an enchanted forest, and a Prince Charming who loves her – did all that really happen, or was it just a dream? Long-suffering Cendrillon lives a life of drudgery with her good-natured father and his imperious wife, until fate, romance, and a touch of fairy magic intervene. For the first time ever, Massenet’s sumptuous version of the Cinderella story comes to the Met in this imaginative storybook production directed by Laurent Pelly. Superstar Joyce DiDonato sings the title role, alongside British mezzo-soprano Alice Coote in the trouser role of Prince Charming, Kathleen Kim as the Fairy Godmother, and Stephanie Blythe as the archetypal wicked stepmother.
“My head is bursting – I want to paint it all.” Award-winning director Phil Grabsky presents a fresh new look at arguably the world’s favourite artist, Claude Monet, using the painter’s own words.
Based on letters and other private writings, I, Claude Monet provides new insight into the man who not only painted the picture that gave birth to Impressionism, but who was perhaps the most influential and successful painter of the 19th and early 20th centuries.
In spite of this, and perhaps because of it, Monet’s life is a gripping tale of a man who, behind his sun-dazzled canvases, suffered from bouts of depression, loneliness and even suicidal thoughts. Then, as his art developed and his love of nature led to the glories of his garden at Giverny, his letters reveal his humour, insight and love of life.
Swanhilda notices her fiancee Franz is infatuated with the beautiful Coppélia who sits reading on her balcony each day. Nearly breaking up the two sweethearts, Coppelia is not what she seems and Swanhilda decides to teach Franz a lesson…
The Bolshoi’s unique version of Coppélia exhibits a fascinating reconstruction of the original 19th century choreography of this ebullient comedy involving a feisty heroine, a boyish fiancee with a wandering eye, and an old dollmaker. The company’s stunning corps de ballet shines in the divertissements and famous “dance of the hours,” and its principals abound in youthful energy and irresistible humor in this effervescent production.
