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THE OLD MAN & THE GUN is based on the true story of Forrest Tucker (Robert Redford), from his audacious escape from San Quentin at the age of 70 to an unprecedented string of heists that confounded authorities and enchanted the public. Wrapped up in the pursuit are detective John Hunt (Casey Affleck), who becomes captivated with Forrest"s commitment to his craft, and a woman (Sissy Spacek), who loves him in spite of his chosen profession.
From Chilean director Sebastián Lelio (A Fantastic Woman), Disobedience is a rare glimpse into prohibited love in a world of unremitting dedication to faith.
Estranged daughter Ronit (Weisz) returns home to north London and an Orthodox Jewish community, following the death of her elderly father, Rabbi Krushka. As soon as she steps foot inside the house of Dovid Kuperman (Nivola), her father's chosen disciple, it's clear her defiant nature doesn't go unjudged. But an attraction to a childhood friend, Esti (McAdams) – Dovid's wife – ignites a secret love affair that transgresses all boundaries and exposes the tight grasp faith holds on sexuality. Through charged silences and stolen glances, Ronit and Esti delve deeper into forbidden territory in search of their lesbian identity. A powerful love story based on Naomi Alderman’s novel.
Things aren’t going brilliantly for Cassius Green (Lakeith Stanfield). He’s living out of his uncle’s garage and the only job he can find, as a low-level telemarketer, he isn’t particularly good at. That is, until an older black colleague gives him one simple piece of advice: speak in a “white voice”. This proves to be the key to immediate professional success and Cassius begins to shoot up the corporate ladder.
Written and directed by rapper Boots Riley, Sorry to Bother You is a fierce and very funny satire, bursting with ideas. Announcing a major new talent, and perhaps the most stridently anti-capitalist film ever to come out of Hollywood, this is radical, dazzling and unmissable.
After one of their shoplifting sessions, Osamu and his son come across a little girl in the freezing cold. At first reluctant to shelter the girl, Osamu’s wife agrees to take care of her after learning of the hardships she faces. Although the family is poor, and barely makes enough money through petty crime to survive, they seem to live happily together, until an unforeseen incident reveals hidden secrets and shakes the bonds that unite them. Full of emotion and characters of unassuming depth, this superb family drama from Kore-eda (Nobody Knows) won the Palme d’Or at Cannes in 2018.
FREE SOLO + Satellite Q&A with Alex Honnold and filmmakers
To celebrate International Mountain Day on 11 December, join us for a live event of FREE SOLO followed by Q&A with Alex Honnold and directors Elizabeth Chai Vasarhelyi & Jimmy Chin. The screening and Q&A will be broadcast live across the UK and Ireland via satellite.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
Need proof that life is stranger than fiction? Look right this way. Tim Wardle’s acclaimed documentary might just be the most incredible true story ever told.
The film begins with the stuff of fairy tales: three identical triplets, separated at birth and adopted by three different families, are reunited two decades later by astonishing coincidence.
It’s a jaw-dropping slice of feel-good that made headlines around the world. But the reunion also set in motion a series of events that unearthed an unimaginable secret – a secret with radical repercussions for us all.
Winner of Sundance Film Festival’s Special Jury Award, Three Identical Strangers is an exuberant celebration of family that transforms into a thriller with colossal implications.
Contains suicide references.
Brooklyn teen Miles Morales (Moore) thinks he’s the one and only Spider-Man. But when he’s hurled through a portal into a parallel dimension, he discovers his world is just a small slice of the Spider-Verse, where more than one can wear the mask.
Developed by The Lego Movie masterminds Phil Lord and Christopher Miller, who wanted the film to feel like ‘walking inside a comic book’, the freshest Spider-Man story yet blends humour, action and gorgeous, groundbreaking animation.
Director Lars Von Trier talks about his career and THE HOUSE THAT JACK BUILT in an exclusive interview featurette featuring appearances by Matt Dillon and Uma Thurman.
Lars von Trier returns to the director’s chair to present the world with his most daring and provocative work to date. This time the topic of discussion is violence and art, and violence as art.
Matt Dillon plays failed architect turned serial killer Jack, who leads us through his thought processes behind his increasingly depraved acts of murder which he names “incidents”. As he retells his crimes to Verge (Ganz) as if they were works of art in themselves, the audience is invited to question the nature of artistry. Where do its limits lie? How far is too far? With pitch-black humour and undeniable cinematic vision, von Trier delights in taking us there.
Based on Charles Dickens’s own performance adaptation, Simon Callow and director Tom Cairns have created a one-man theatrical extravaganza of festive storytelling that is both heart-warming and deeply moving. Following critically acclaimed, sold-out theatre seasons in 2011, 2012 and again in 2016, Simon Callow (Four Weddings and a Funeral, Shakespeare in Love) returns to wow audiences with this tour de force performance, reimagined especially for cinema. A Christmas must see!
THE OLD MAN & THE GUN is based on the true story of Forrest Tucker (Robert Redford), from his audacious escape from San Quentin at the age of 70 to an unprecedented string of heists that confounded authorities and enchanted the public. Wrapped up in the pursuit are detective John Hunt (Casey Affleck), who becomes captivated with Forrest"s commitment to his craft, and a woman (Sissy Spacek), who loves him in spite of his chosen profession.
13.30Audio Described: Everyone welcome. Audio Description is available for this film, and is undetectable to anyone not wearing a headset
Cameo Wednesday Specials: £4 tickets for concessions. You may be asked for proof of age or to show a valid photo student ID.
HOH Subtitled: This screening has subtitles for people with hearing loss
From Chilean director Sebastián Lelio (A Fantastic Woman), Disobedience is a rare glimpse into prohibited love in a world of unremitting dedication to faith.
Estranged daughter Ronit (Weisz) returns home to north London and an Orthodox Jewish community, following the death of her elderly father, Rabbi Krushka. As soon as she steps foot inside the house of Dovid Kuperman (Nivola), her father's chosen disciple, it's clear her defiant nature doesn't go unjudged. But an attraction to a childhood friend, Esti (McAdams) – Dovid's wife – ignites a secret love affair that transgresses all boundaries and exposes the tight grasp faith holds on sexuality. Through charged silences and stolen glances, Ronit and Esti delve deeper into forbidden territory in search of their lesbian identity. A powerful love story based on Naomi Alderman’s novel.
Things aren’t going brilliantly for Cassius Green (Lakeith Stanfield). He’s living out of his uncle’s garage and the only job he can find, as a low-level telemarketer, he isn’t particularly good at. That is, until an older black colleague gives him one simple piece of advice: speak in a “white voice”. This proves to be the key to immediate professional success and Cassius begins to shoot up the corporate ladder.
Written and directed by rapper Boots Riley, Sorry to Bother You is a fierce and very funny satire, bursting with ideas. Announcing a major new talent, and perhaps the most stridently anti-capitalist film ever to come out of Hollywood, this is radical, dazzling and unmissable.
After one of their shoplifting sessions, Osamu and his son come across a little girl in the freezing cold. At first reluctant to shelter the girl, Osamu’s wife agrees to take care of her after learning of the hardships she faces. Although the family is poor, and barely makes enough money through petty crime to survive, they seem to live happily together, until an unforeseen incident reveals hidden secrets and shakes the bonds that unite them. Full of emotion and characters of unassuming depth, this superb family drama from Kore-eda (Nobody Knows) won the Palme d’Or at Cannes in 2018.
Need proof that life is stranger than fiction? Look right this way. Tim Wardle’s acclaimed documentary might just be the most incredible true story ever told.
The film begins with the stuff of fairy tales: three identical triplets, separated at birth and adopted by three different families, are reunited two decades later by astonishing coincidence.
It’s a jaw-dropping slice of feel-good that made headlines around the world. But the reunion also set in motion a series of events that unearthed an unimaginable secret – a secret with radical repercussions for us all.
Winner of Sundance Film Festival’s Special Jury Award, Three Identical Strangers is an exuberant celebration of family that transforms into a thriller with colossal implications.
Contains suicide references.
Brooklyn teen Miles Morales (Moore) thinks he’s the one and only Spider-Man. But when he’s hurled through a portal into a parallel dimension, he discovers his world is just a small slice of the Spider-Verse, where more than one can wear the mask.
Developed by The Lego Movie masterminds Phil Lord and Christopher Miller, who wanted the film to feel like ‘walking inside a comic book’, the freshest Spider-Man story yet blends humour, action and gorgeous, groundbreaking animation.
THE OLD MAN & THE GUN is based on the true story of Forrest Tucker (Robert Redford), from his audacious escape from San Quentin at the age of 70 to an unprecedented string of heists that confounded authorities and enchanted the public. Wrapped up in the pursuit are detective John Hunt (Casey Affleck), who becomes captivated with Forrest"s commitment to his craft, and a woman (Sissy Spacek), who loves him in spite of his chosen profession.
Things aren’t going brilliantly for Cassius Green (Lakeith Stanfield). He’s living out of his uncle’s garage and the only job he can find, as a low-level telemarketer, he isn’t particularly good at. That is, until an older black colleague gives him one simple piece of advice: speak in a “white voice”. This proves to be the key to immediate professional success and Cassius begins to shoot up the corporate ladder.
Written and directed by rapper Boots Riley, Sorry to Bother You is a fierce and very funny satire, bursting with ideas. Announcing a major new talent, and perhaps the most stridently anti-capitalist film ever to come out of Hollywood, this is radical, dazzling and unmissable.
17.50Audio Described: Everyone welcome. Audio Description is available for this film, and is undetectable to anyone not wearing a headset
HOH Subtitled: This screening has subtitles for people with hearing loss
After one of their shoplifting sessions, Osamu and his son come across a little girl in the freezing cold. At first reluctant to shelter the girl, Osamu’s wife agrees to take care of her after learning of the hardships she faces. Although the family is poor, and barely makes enough money through petty crime to survive, they seem to live happily together, until an unforeseen incident reveals hidden secrets and shakes the bonds that unite them. Full of emotion and characters of unassuming depth, this superb family drama from Kore-eda (Nobody Knows) won the Palme d’Or at Cannes in 2018.
FREE SOLO + Recorded Q&A with Alex Honnold and filmmakers .
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
Need proof that life is stranger than fiction? Look right this way. Tim Wardle’s acclaimed documentary might just be the most incredible true story ever told.
The film begins with the stuff of fairy tales: three identical triplets, separated at birth and adopted by three different families, are reunited two decades later by astonishing coincidence.
It’s a jaw-dropping slice of feel-good that made headlines around the world. But the reunion also set in motion a series of events that unearthed an unimaginable secret – a secret with radical repercussions for us all.
Winner of Sundance Film Festival’s Special Jury Award, Three Identical Strangers is an exuberant celebration of family that transforms into a thriller with colossal implications.
Contains suicide references.
In atmospheric 1950s New York, the titular Carol (Blanchett) is marooned in an unhappy marriage to rich businessman Harge Aird (Kyle Chandler, Zero Dark Thirty) when a chance meeting with dreamy shop assistant Therese (Mara, The Girl With The Dragon Tattoo) sparks a slow-burning romance between the two women.
This prompts much soul-searching and subterfuge on their part, and a bitter custody battle with Harge over Carol’s only child, Rindy (winning newcomer K. K. Heim).
Paired again with Todd Haynes, the maverick director of I’m Not There, Blanchett gives a devastating performance that should be an Oscar shoo-in, with Mara not far behind; their on-screen chemistry fully exploits Phyllis Nagy’s emotionally muscular, pitch-perfect adaptation of Patricia Highsmith’s landmark novel.
Lizzie is a psychological thriller that reveals many layers of the strange and fragile Lizzie Borden, who stood accused of the infamous 1892 axe murder of her family in Fall River, Massachusetts.
An unmarried woman of 32 and a social outcast, Lizzie (Sevigny) lives a claustrophobic life under her father’s cold and domineering control. When Bridget Sullivan (Stewart), a young maid, comes to work for the family, Lizzie finds a sympathetic, kindred spirit, and their secret intimacy soon blossoms into a wicked plan.
Brooklyn teen Miles Morales (Moore) thinks he’s the one and only Spider-Man. But when he’s hurled through a portal into a parallel dimension, he discovers his world is just a small slice of the Spider-Verse, where more than one can wear the mask.
Developed by The Lego Movie masterminds Phil Lord and Christopher Miller, who wanted the film to feel like ‘walking inside a comic book’, the freshest Spider-Man story yet blends humour, action and gorgeous, groundbreaking animation.
Lars von Trier returns to the director’s chair to present the world with his most daring and provocative work to date. This time the topic of discussion is violence and art, and violence as art.
Matt Dillon plays failed architect turned serial killer Jack, who leads us through his thought processes behind his increasingly depraved acts of murder which he names “incidents”. As he retells his crimes to Verge (Ganz) as if they were works of art in themselves, the audience is invited to question the nature of artistry. Where do its limits lie? How far is too far? With pitch-black humour and undeniable cinematic vision, von Trier delights in taking us there.
This screening includes a short introduction from the director, Lars Von Trier.
DIE HARD is surely the ultimate alternative Christmas flick. New York City cop John McClane (Willis) travels to LA to spend Christmas with his estranged wife (Bedelia).
His first stop is the office Christmas party at Nakatomi Plaza, where his wife works. But terrorist Hans Gruber (an impeccable performance from Rickman) turns up with some hard-core mayhem in mind, leaving McClane alone in a vest, sans shoes, to save the day.
What follows is some of the best and most iconic action cinema ever to have come out of Hollywood, and will send you off into the night with a very unique Christmassy feeling. Yippee-ki-yay, Father Christmas!
Things aren’t going brilliantly for Cassius Green (Lakeith Stanfield). He’s living out of his uncle’s garage and the only job he can find, as a low-level telemarketer, he isn’t particularly good at. That is, until an older black colleague gives him one simple piece of advice: speak in a “white voice”. This proves to be the key to immediate professional success and Cassius begins to shoot up the corporate ladder.
Written and directed by rapper Boots Riley, Sorry to Bother You is a fierce and very funny satire, bursting with ideas. Announcing a major new talent, and perhaps the most stridently anti-capitalist film ever to come out of Hollywood, this is radical, dazzling and unmissable.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
FREE SOLO + Recorded Q&A with Alex Honnold and filmmakers .
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
Need proof that life is stranger than fiction? Look right this way. Tim Wardle’s acclaimed documentary might just be the most incredible true story ever told.
The film begins with the stuff of fairy tales: three identical triplets, separated at birth and adopted by three different families, are reunited two decades later by astonishing coincidence.
It’s a jaw-dropping slice of feel-good that made headlines around the world. But the reunion also set in motion a series of events that unearthed an unimaginable secret – a secret with radical repercussions for us all.
Winner of Sundance Film Festival’s Special Jury Award, Three Identical Strangers is an exuberant celebration of family that transforms into a thriller with colossal implications.
Contains suicide references.
One of the most popular and enduring films ever made, Frank Capra's IT'S A WONDERFUL LIFE is a gloriously sentimental testament to homely small-town moral values.
Masterfully crafted, the film opens with angels discussing George Bailey (James Stewart), a man so beset with problems that he contemplates a Christmas-time suicide. As George prepares to jump from a bridge his guardian angel Clarence Oddbody intervenes and shows him how badly Bedford Falls would have turned out without his good deeds. Filled with a renewed joy of life George returns to his family for Christmas.
James Stewart gives one of his finest, most affecting performances and the film looks better than ever in its new restoration.
This winter, join in the fun and enjoy your favourite Christmas show in the cinema for the first time ever! The much anticipated annual CBeebies Christmas Show is coming to the big screen for a family-friendly cinema experience. The makers of Alice in Wonderland, A Christmas Carol and Snow Queen will delight audiences this year with the classic tale of Thumbelina.
This CBeebies Christmas Show recreates on the big screen the live Thumbelina performance and includes an exclusive, additional show made for cinema audiences only starring the much-loved Justin Fletcher (Something Special) in "Justin’s Countdown to Christmas". This holiday season, laugh and sing along with your favourite CBeebies Stars and be part of a fabulous interactive show for all the family.
Lizzie is a psychological thriller that reveals many layers of the strange and fragile Lizzie Borden, who stood accused of the infamous 1892 axe murder of her family in Fall River, Massachusetts.
An unmarried woman of 32 and a social outcast, Lizzie (Sevigny) lives a claustrophobic life under her father’s cold and domineering control. When Bridget Sullivan (Stewart), a young maid, comes to work for the family, Lizzie finds a sympathetic, kindred spirit, and their secret intimacy soon blossoms into a wicked plan.
New Met Music Director Yannick Nézet-Séguin launches his tenure by conducting Verdi’s timeless tragedy. Worldly courtesan Violetta, sung by soprano Diana Damrau, has grown tired of her dissolute life. When the pure-hearted Alfredo—tenor Juan Diego Flórez—declares his love for her, she leaves everything behind to live with him. But his family’s reputation is ruined by his association with her, and Violetta is torn between her feelings for Alfredo and her desire to protect him from scandal. Urged by the young man’s father, she tears herself away and returns to her old life. Alfredo, not knowing the real reason for her apparent betrayal, is heartbroken – and bent on revenge. Directed by Michael Mayer, this new production features a dazzling eighteenth-century setting that changes with the seasons.
Brooklyn teen Miles Morales (Moore) thinks he’s the one and only Spider-Man. But when he’s hurled through a portal into a parallel dimension, he discovers his world is just a small slice of the Spider-Verse, where more than one can wear the mask.
Developed by The Lego Movie masterminds Phil Lord and Christopher Miller, who wanted the film to feel like ‘walking inside a comic book’, the freshest Spider-Man story yet blends humour, action and gorgeous, groundbreaking animation.
Lars von Trier returns to the director’s chair to present the world with his most daring and provocative work to date. This time the topic of discussion is violence and art, and violence as art.
Matt Dillon plays failed architect turned serial killer Jack, who leads us through his thought processes behind his increasingly depraved acts of murder which he names “incidents”. As he retells his crimes to Verge (Ganz) as if they were works of art in themselves, the audience is invited to question the nature of artistry. Where do its limits lie? How far is too far? With pitch-black humour and undeniable cinematic vision, von Trier delights in taking us there.
This screening includes a short introduction from the director, Lars Von Trier.
Things aren’t going brilliantly for Cassius Green (Lakeith Stanfield). He’s living out of his uncle’s garage and the only job he can find, as a low-level telemarketer, he isn’t particularly good at. That is, until an older black colleague gives him one simple piece of advice: speak in a “white voice”. This proves to be the key to immediate professional success and Cassius begins to shoot up the corporate ladder.
Written and directed by rapper Boots Riley, Sorry to Bother You is a fierce and very funny satire, bursting with ideas. Announcing a major new talent, and perhaps the most stridently anti-capitalist film ever to come out of Hollywood, this is radical, dazzling and unmissable.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
Combining archive footage, interviews and drama, Rudeboy is a film about the love affair between Jamaican and British youth culture, told through the prism of one of the most iconic labels in the history of black music, Trojan Records. Rudeboy tells the story of the label by placing it at the heart of a cultural revolution that unfolded in the council estates and dancefloors of late 60s and early 70s England, as immigration and innovation transformed popular music and culture. A cast of legendary artists including Lee “Scratch” Perry, Toots Hibbert, Ken Boothe, Neville Staple, Marcia Griffiths, Dave Barker, Dandy Livingstone, Lloyd Coxsone, Pauline Black, Derrick Morgan and more bring the sounds, stars and stories to life.
The screening will be followed by a Q&A hosted by BBC Scotland’s Vic Galloway, featuring Doug Paine from Mungo’s Hi-Fi and Chris Knight from Wee Dub Festival, long-term frontrunners in Scotland’s sound system scene. The panel will chat all things reggae and how Trojan influenced their own musical journeys.
One of the most popular and enduring films ever made, Frank Capra's IT'S A WONDERFUL LIFE is a gloriously sentimental testament to homely small-town moral values.
Masterfully crafted, the film opens with angels discussing George Bailey (James Stewart), a man so beset with problems that he contemplates a Christmas-time suicide. As George prepares to jump from a bridge his guardian angel Clarence Oddbody intervenes and shows him how badly Bedford Falls would have turned out without his good deeds. Filled with a renewed joy of life George returns to his family for Christmas.
James Stewart gives one of his finest, most affecting performances and the film looks better than ever in its new restoration.
Lizzie is a psychological thriller that reveals many layers of the strange and fragile Lizzie Borden, who stood accused of the infamous 1892 axe murder of her family in Fall River, Massachusetts.
An unmarried woman of 32 and a social outcast, Lizzie (Sevigny) lives a claustrophobic life under her father’s cold and domineering control. When Bridget Sullivan (Stewart), a young maid, comes to work for the family, Lizzie finds a sympathetic, kindred spirit, and their secret intimacy soon blossoms into a wicked plan.
Brooklyn teen Miles Morales (Moore) thinks he’s the one and only Spider-Man. But when he’s hurled through a portal into a parallel dimension, he discovers his world is just a small slice of the Spider-Verse, where more than one can wear the mask.
Developed by The Lego Movie masterminds Phil Lord and Christopher Miller, who wanted the film to feel like ‘walking inside a comic book’, the freshest Spider-Man story yet blends humour, action and gorgeous, groundbreaking animation.
Lars von Trier returns to the director’s chair to present the world with his most daring and provocative work to date. This time the topic of discussion is violence and art, and violence as art.
Matt Dillon plays failed architect turned serial killer Jack, who leads us through his thought processes behind his increasingly depraved acts of murder which he names “incidents”. As he retells his crimes to Verge (Ganz) as if they were works of art in themselves, the audience is invited to question the nature of artistry. Where do its limits lie? How far is too far? With pitch-black humour and undeniable cinematic vision, von Trier delights in taking us there.
This screening includes a short introduction from the director, Lars Von Trier.
Home Alone is the beloved family comedy about a young boy named Kevin (Macaulay Culkin) who is accidentally left behind when his family takes off for a vacation in France over the holiday season. Once he realises they've left him home alone, he learns to fend for himself and, eventually has to protect his house against two bumbling burglars (Joe Pesci, Daniel Stern) who are planning to rob every house in Kevin's suburban Chicago neighborhood.
Things aren’t going brilliantly for Cassius Green (Lakeith Stanfield). He’s living out of his uncle’s garage and the only job he can find, as a low-level telemarketer, he isn’t particularly good at. That is, until an older black colleague gives him one simple piece of advice: speak in a “white voice”. This proves to be the key to immediate professional success and Cassius begins to shoot up the corporate ladder.
Written and directed by rapper Boots Riley, Sorry to Bother You is a fierce and very funny satire, bursting with ideas. Announcing a major new talent, and perhaps the most stridently anti-capitalist film ever to come out of Hollywood, this is radical, dazzling and unmissable.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
FREE SOLO + Recorded Q&A with Alex Honnold and filmmakers .
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
This special print features all the lyrics to the stunning soundtrack written by Academy Award and Tony Award winners Benj Pasek and Justin Paul (La La Land). Come in all your finery and sing along with your family and friends!
Curtains up, hit the lights – it’s showtime! Broadway veteran Hugh Jackman returns to his song-and-dance roots in a dazzling feel-good musical about taking risks and chasing your dreams. Inspired by the life of show-business pioneer P. T. Barnum, The Greatest Showman charts one man’s rise from nothing to create a circus spectacle that would become a worldwide sensation – ‘The Greatest Show On Earth’. Jackman stars as the down-on-his-luck Barnum, who gathers a motley troupe of extraordinary performers and changes the face of entertainment for ever. Strutting their stuff alongside him in this rags-to-riches tale are the likes of Michelle Williams, Zac Efron and singer Zendaya, performing catchy original music penned by La La Land duo Benj Pasek and Justin Paul.
One of the most popular and enduring films ever made, Frank Capra's IT'S A WONDERFUL LIFE is a gloriously sentimental testament to homely small-town moral values.
Masterfully crafted, the film opens with angels discussing George Bailey (James Stewart), a man so beset with problems that he contemplates a Christmas-time suicide. As George prepares to jump from a bridge his guardian angel Clarence Oddbody intervenes and shows him how badly Bedford Falls would have turned out without his good deeds. Filled with a renewed joy of life George returns to his family for Christmas.
James Stewart gives one of his finest, most affecting performances and the film looks better than ever in its new restoration.
Based on the critically acclaimed 2008 memoir Beautiful Boy: A Father’s Journey Through His Son’s Addiction by David Sheff, Beautiful Boy is a harrowing film about a father’s torment at witnessing his son’s downward spiral, succumbing to the effects of crystal meth and heroin. Actors Steve Carell and Timothée Chalamet excel in the roles of David and his son Nic, delivering a marvellously sensitive, largely quiet tour de force, as they take us on a journey of love, pain and hope, navigating through moments of happiness and of utter despair, moments of rehab and relapse. A truly inspiring story of survival and recovery as a family copes with addiction over many years.
Lizzie is a psychological thriller that reveals many layers of the strange and fragile Lizzie Borden, who stood accused of the infamous 1892 axe murder of her family in Fall River, Massachusetts.
An unmarried woman of 32 and a social outcast, Lizzie (Sevigny) lives a claustrophobic life under her father’s cold and domineering control. When Bridget Sullivan (Stewart), a young maid, comes to work for the family, Lizzie finds a sympathetic, kindred spirit, and their secret intimacy soon blossoms into a wicked plan.
Brooklyn teen Miles Morales (Moore) thinks he’s the one and only Spider-Man. But when he’s hurled through a portal into a parallel dimension, he discovers his world is just a small slice of the Spider-Verse, where more than one can wear the mask.
Developed by The Lego Movie masterminds Phil Lord and Christopher Miller, who wanted the film to feel like ‘walking inside a comic book’, the freshest Spider-Man story yet blends humour, action and gorgeous, groundbreaking animation.
DIE HARD is surely the ultimate alternative Christmas flick. New York City cop John McClane (Willis) travels to LA to spend Christmas with his estranged wife (Bedelia).
His first stop is the office Christmas party at Nakatomi Plaza, where his wife works. But terrorist Hans Gruber (an impeccable performance from Rickman) turns up with some hard-core mayhem in mind, leaving McClane alone in a vest, sans shoes, to save the day.
What follows is some of the best and most iconic action cinema ever to have come out of Hollywood, and will send you off into the night with a very unique Christmassy feeling. Yippee-ki-yay, Father Christmas!
Things aren’t going brilliantly for Cassius Green (Lakeith Stanfield). He’s living out of his uncle’s garage and the only job he can find, as a low-level telemarketer, he isn’t particularly good at. That is, until an older black colleague gives him one simple piece of advice: speak in a “white voice”. This proves to be the key to immediate professional success and Cassius begins to shoot up the corporate ladder.
Written and directed by rapper Boots Riley, Sorry to Bother You is a fierce and very funny satire, bursting with ideas. Announcing a major new talent, and perhaps the most stridently anti-capitalist film ever to come out of Hollywood, this is radical, dazzling and unmissable.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
Need proof that life is stranger than fiction? Look right this way. Tim Wardle’s acclaimed documentary might just be the most incredible true story ever told.
The film begins with the stuff of fairy tales: three identical triplets, separated at birth and adopted by three different families, are reunited two decades later by astonishing coincidence.
It’s a jaw-dropping slice of feel-good that made headlines around the world. But the reunion also set in motion a series of events that unearthed an unimaginable secret – a secret with radical repercussions for us all.
Winner of Sundance Film Festival’s Special Jury Award, Three Identical Strangers is an exuberant celebration of family that transforms into a thriller with colossal implications.
Contains suicide references.
When a tornado rips through Kansas, Dorothy (Judy Garland) and her dog, Toto, are whisked away in their house to the magical land of Oz. They follow the Yellow Brick Road toward the Emerald City to meet the Wizard, and en route they meet a Scarecrow (Ray Bolger) that needs a brain, a Tin Man (Jack Haley) missing a heart, and a Cowardly Lion (Bert Lahr) who wants courage. The wizard asks the group to bring him the broom of the Wicked Witch of the West (Margaret Hamilton) to earn his help.
11.00Dementia-Friendly Screening: Open to all but especially for people with dementia and their family, friends and carers. Join us for free tea, coffee and biscuits and a chance to socialise for 30 minutes before the film. The film will start at the time stated.
One of the most popular and enduring films ever made, Frank Capra's IT'S A WONDERFUL LIFE is a gloriously sentimental testament to homely small-town moral values.
Masterfully crafted, the film opens with angels discussing George Bailey (James Stewart), a man so beset with problems that he contemplates a Christmas-time suicide. As George prepares to jump from a bridge his guardian angel Clarence Oddbody intervenes and shows him how badly Bedford Falls would have turned out without his good deeds. Filled with a renewed joy of life George returns to his family for Christmas.
James Stewart gives one of his finest, most affecting performances and the film looks better than ever in its new restoration.
Lizzie is a psychological thriller that reveals many layers of the strange and fragile Lizzie Borden, who stood accused of the infamous 1892 axe murder of her family in Fall River, Massachusetts.
An unmarried woman of 32 and a social outcast, Lizzie (Sevigny) lives a claustrophobic life under her father’s cold and domineering control. When Bridget Sullivan (Stewart), a young maid, comes to work for the family, Lizzie finds a sympathetic, kindred spirit, and their secret intimacy soon blossoms into a wicked plan.
12.00Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
New Met Music Director Yannick Nézet-Séguin launches his tenure by conducting Verdi’s timeless tragedy. Worldly courtesan Violetta, sung by soprano Diana Damrau, has grown tired of her dissolute life. When the pure-hearted Alfredo—tenor Juan Diego Flórez—declares his love for her, she leaves everything behind to live with him. But his family’s reputation is ruined by his association with her, and Violetta is torn between her feelings for Alfredo and her desire to protect him from scandal. Urged by the young man’s father, she tears herself away and returns to her old life. Alfredo, not knowing the real reason for her apparent betrayal, is heartbroken – and bent on revenge. Directed by Michael Mayer, this new production features a dazzling eighteenth-century setting that changes with the seasons.
Brooklyn teen Miles Morales (Moore) thinks he’s the one and only Spider-Man. But when he’s hurled through a portal into a parallel dimension, he discovers his world is just a small slice of the Spider-Verse, where more than one can wear the mask.
Developed by The Lego Movie masterminds Phil Lord and Christopher Miller, who wanted the film to feel like ‘walking inside a comic book’, the freshest Spider-Man story yet blends humour, action and gorgeous, groundbreaking animation.
14.55Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Lars von Trier returns to the director’s chair to present the world with his most daring and provocative work to date. This time the topic of discussion is violence and art, and violence as art.
Matt Dillon plays failed architect turned serial killer Jack, who leads us through his thought processes behind his increasingly depraved acts of murder which he names “incidents”. As he retells his crimes to Verge (Ganz) as if they were works of art in themselves, the audience is invited to question the nature of artistry. Where do its limits lie? How far is too far? With pitch-black humour and undeniable cinematic vision, von Trier delights in taking us there.
This screening includes a short introduction from the director, Lars Von Trier.
From Chilean director Sebastián Lelio (A Fantastic Woman), Disobedience is a rare glimpse into prohibited love in a world of unremitting dedication to faith.
Estranged daughter Ronit (Weisz) returns home to north London and an Orthodox Jewish community, following the death of her elderly father, Rabbi Krushka. As soon as she steps foot inside the house of Dovid Kuperman (Nivola), her father's chosen disciple, it's clear her defiant nature doesn't go unjudged. But an attraction to a childhood friend, Esti (McAdams) – Dovid's wife – ignites a secret love affair that transgresses all boundaries and exposes the tight grasp faith holds on sexuality. Through charged silences and stolen glances, Ronit and Esti delve deeper into forbidden territory in search of their lesbian identity. A powerful love story based on Naomi Alderman’s novel.
14.30Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
This sublime, lyrical opus from Nuri Bilge Ceylan (Winter Sleep) follows the homecoming of a young would-be writer, who returns from his studies to find funding for his book, but finds himself at odds with his hometown, his family, and what the future holds. The film premiered to critical acclaim at Cannes in 2018.
Things aren’t going brilliantly for Cassius Green (Lakeith Stanfield). He’s living out of his uncle’s garage and the only job he can find, as a low-level telemarketer, he isn’t particularly good at. That is, until an older black colleague gives him one simple piece of advice: speak in a “white voice”. This proves to be the key to immediate professional success and Cassius begins to shoot up the corporate ladder.
Written and directed by rapper Boots Riley, Sorry to Bother You is a fierce and very funny satire, bursting with ideas. Announcing a major new talent, and perhaps the most stridently anti-capitalist film ever to come out of Hollywood, this is radical, dazzling and unmissable.
12.25Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
15.50Picturehouse Docs: Bringing you the best in new and topical documentaries covering issues around the world.
Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
18.10Picturehouse Docs: Bringing you the best in new and topical documentaries covering issues around the world.
One of the most popular and enduring films ever made, Frank Capra's IT'S A WONDERFUL LIFE is a gloriously sentimental testament to homely small-town moral values.
Masterfully crafted, the film opens with angels discussing George Bailey (James Stewart), a man so beset with problems that he contemplates a Christmas-time suicide. As George prepares to jump from a bridge his guardian angel Clarence Oddbody intervenes and shows him how badly Bedford Falls would have turned out without his good deeds. Filled with a renewed joy of life George returns to his family for Christmas.
James Stewart gives one of his finest, most affecting performances and the film looks better than ever in its new restoration.
Can Christmas be saved? Bored with the same old scare-and-scream routine, Jack Skellington, the Pumpkin King of Halloween Town, longs to spread the joy of Christmas. But his merry mission puts Santa in jeopardy and creates a nightmare for good little boys and girls everywhere!
Lizzie is a psychological thriller that reveals many layers of the strange and fragile Lizzie Borden, who stood accused of the infamous 1892 axe murder of her family in Fall River, Massachusetts.
An unmarried woman of 32 and a social outcast, Lizzie (Sevigny) lives a claustrophobic life under her father’s cold and domineering control. When Bridget Sullivan (Stewart), a young maid, comes to work for the family, Lizzie finds a sympathetic, kindred spirit, and their secret intimacy soon blossoms into a wicked plan.
Brooklyn teen Miles Morales (Moore) thinks he’s the one and only Spider-Man. But when he’s hurled through a portal into a parallel dimension, he discovers his world is just a small slice of the Spider-Verse, where more than one can wear the mask.
Developed by The Lego Movie masterminds Phil Lord and Christopher Miller, who wanted the film to feel like ‘walking inside a comic book’, the freshest Spider-Man story yet blends humour, action and gorgeous, groundbreaking animation.
Things aren’t going brilliantly for Cassius Green (Lakeith Stanfield). He’s living out of his uncle’s garage and the only job he can find, as a low-level telemarketer, he isn’t particularly good at. That is, until an older black colleague gives him one simple piece of advice: speak in a “white voice”. This proves to be the key to immediate professional success and Cassius begins to shoot up the corporate ladder.
Written and directed by rapper Boots Riley, Sorry to Bother You is a fierce and very funny satire, bursting with ideas. Announcing a major new talent, and perhaps the most stridently anti-capitalist film ever to come out of Hollywood, this is radical, dazzling and unmissable.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
Need proof that life is stranger than fiction? Look right this way. Tim Wardle’s acclaimed documentary might just be the most incredible true story ever told.
The film begins with the stuff of fairy tales: three identical triplets, separated at birth and adopted by three different families, are reunited two decades later by astonishing coincidence.
It’s a jaw-dropping slice of feel-good that made headlines around the world. But the reunion also set in motion a series of events that unearthed an unimaginable secret – a secret with radical repercussions for us all.
Winner of Sundance Film Festival’s Special Jury Award, Three Identical Strangers is an exuberant celebration of family that transforms into a thriller with colossal implications.
Contains suicide references.
One of the most popular and enduring films ever made, Frank Capra's IT'S A WONDERFUL LIFE is a gloriously sentimental testament to homely small-town moral values.
Masterfully crafted, the film opens with angels discussing George Bailey (James Stewart), a man so beset with problems that he contemplates a Christmas-time suicide. As George prepares to jump from a bridge his guardian angel Clarence Oddbody intervenes and shows him how badly Bedford Falls would have turned out without his good deeds. Filled with a renewed joy of life George returns to his family for Christmas.
James Stewart gives one of his finest, most affecting performances and the film looks better than ever in its new restoration.
12.4512 Days Of Christmas: A selection of festive favourites to spread the Christmas cheer
Cameo Wednesday Specials: £4 tickets for concessions. You may be asked for proof of age or to show a valid photo student ID.
Lizzie is a psychological thriller that reveals many layers of the strange and fragile Lizzie Borden, who stood accused of the infamous 1892 axe murder of her family in Fall River, Massachusetts.
An unmarried woman of 32 and a social outcast, Lizzie (Sevigny) lives a claustrophobic life under her father’s cold and domineering control. When Bridget Sullivan (Stewart), a young maid, comes to work for the family, Lizzie finds a sympathetic, kindred spirit, and their secret intimacy soon blossoms into a wicked plan.
Brooklyn teen Miles Morales (Moore) thinks he’s the one and only Spider-Man. But when he’s hurled through a portal into a parallel dimension, he discovers his world is just a small slice of the Spider-Verse, where more than one can wear the mask.
Developed by The Lego Movie masterminds Phil Lord and Christopher Miller, who wanted the film to feel like ‘walking inside a comic book’, the freshest Spider-Man story yet blends humour, action and gorgeous, groundbreaking animation.
Lars von Trier returns to the director’s chair to present the world with his most daring and provocative work to date. This time the topic of discussion is violence and art, and violence as art.
Matt Dillon plays failed architect turned serial killer Jack, who leads us through his thought processes behind his increasingly depraved acts of murder which he names “incidents”. As he retells his crimes to Verge (Ganz) as if they were works of art in themselves, the audience is invited to question the nature of artistry. Where do its limits lie? How far is too far? With pitch-black humour and undeniable cinematic vision, von Trier delights in taking us there.
This screening includes a short introduction from the director, Lars Von Trier.
An encore screening of the live broadcast from the National Theatre, Ralph Fiennes and Sophie Okonedo play Shakespeare’s famous fated couple in his great tragedy of politics, passion and power.
Caesar and his assassins are dead. General Mark Antony now rules alongside his fellow defenders of Rome. But at the fringes of a war-torn empire the Egyptian Queen Cleopatra and Mark Antony have fallen fiercely in love. In a tragic fight between devotion and duty, obsession becomes a catalyst for war.
Director Simon Godwin returns to National Theatre Live screens with this hotly anticipated production, following broadcasts of Twelfth Night, Man and Superman and The Beaux’ Stratagem.
Things aren’t going brilliantly for Cassius Green (Lakeith Stanfield). He’s living out of his uncle’s garage and the only job he can find, as a low-level telemarketer, he isn’t particularly good at. That is, until an older black colleague gives him one simple piece of advice: speak in a “white voice”. This proves to be the key to immediate professional success and Cassius begins to shoot up the corporate ladder.
Written and directed by rapper Boots Riley, Sorry to Bother You is a fierce and very funny satire, bursting with ideas. Announcing a major new talent, and perhaps the most stridently anti-capitalist film ever to come out of Hollywood, this is radical, dazzling and unmissable.
From award-winning documentary filmmaker E. Chai Vasarhelyi and world-renowned photographer and mountaineer Jimmy Chin, the directors of MERU, comes FREE SOLO, a stunning, intimate and unflinching portrait of free soloist climber Alex Honnold,as he prepares to achieve his lifelong dream: climbing the face of the world’s most famous rock ... the 3,200-foot El Capitan in Yosemite National Park ... without a rope. Celebrated as one of the greatest athletic feats of any kind, Honnold’s climb set the ultimate standard: perfection or death. Succeeding in this challenge places his story in the annals of human achievement.
Need proof that life is stranger than fiction? Look right this way. Tim Wardle’s acclaimed documentary might just be the most incredible true story ever told.
The film begins with the stuff of fairy tales: three identical triplets, separated at birth and adopted by three different families, are reunited two decades later by astonishing coincidence.
It’s a jaw-dropping slice of feel-good that made headlines around the world. But the reunion also set in motion a series of events that unearthed an unimaginable secret – a secret with radical repercussions for us all.
Winner of Sundance Film Festival’s Special Jury Award, Three Identical Strangers is an exuberant celebration of family that transforms into a thriller with colossal implications.
Contains suicide references.
One of the most popular and enduring films ever made, Frank Capra's IT'S A WONDERFUL LIFE is a gloriously sentimental testament to homely small-town moral values.
Masterfully crafted, the film opens with angels discussing George Bailey (James Stewart), a man so beset with problems that he contemplates a Christmas-time suicide. As George prepares to jump from a bridge his guardian angel Clarence Oddbody intervenes and shows him how badly Bedford Falls would have turned out without his good deeds. Filled with a renewed joy of life George returns to his family for Christmas.
James Stewart gives one of his finest, most affecting performances and the film looks better than ever in its new restoration.
Nearly three decades after her first visit to London, the enigmatic Mary Poppins (Blunt) soars back into the capital to look after the Banks children in their time of need.
The now grown-up Jane (Mortimer) and Michael Banks (Whishaw) are living in the same house on Cherry Tree Lane, along with Michael’s three children and their housekeeper Ellen (Walters).
The family are in danger of losing their home, and Michael is struggling after a personal loss, but the practically perfect nanny returns just in time to rekindle the fun and wonder missing from their lives – with a little help from street lamplighter Jack (Miranda) and her eccentric cousin Topsy (Streep).
Boasting wonderful songs, classic 2D animation and cameos from some familiar faces, this is a delightful reunion for all to enjoy, whether you grew up with the magic or are discovering it for the first time.
At the age of 84, U.S. Supreme Court Justice Ruth Bader Ginsburg has developed a breathtaking legal legacy while becoming an unexpected pop culture icon. But without a definitive Ginsburg biography, the unique personal journey of this diminutive, quiet warrior's rise to the nation's highest court has been largely unknown, even to some of her biggest fans – until now. RBG is a revelatory documentary exploring Ginsburg 's exceptional life and career from Betsy West and Julie Cohen, and co-produced by Storyville Films and CNN Films.
The screening will be followed by a panel discussion with industry experts.
This screening starts with Laurel and Hardy’s classic short film The Music Box, which depicts the pair trying (and failing hilariously) to move a piano up a large flight of steps.
Steve Coogan and John C. Reilly are brilliant as legendary movie icons Laurel and Hardy in Stan & Ollie, the charming and touching story of what would become the triumphant swansong of Hollywood’s greatest comedy double act.
Eager to reignite their film careers, they embark on a gruelling variety hall tour of Britain and Ireland. With the support of their wives Lucille (Henderson) and Ida (Arianda) – a formidable double act in their own right – the duo reaffirm their love of performing, and for each other, as they secure their place in the hearts of the adoring public.
20.3012 Days Of Christmas: A selection of festive favourites to spread the Christmas cheer
Preview: We're pleased to present exclusive previews of this film at Picturehouse Cinemas, prior to its general release.
Nearly three decades after her first visit to London, the enigmatic Mary Poppins (Blunt) soars back into the capital to look after the Banks children in their time of need.
The now grown-up Jane (Mortimer) and Michael Banks (Whishaw) are living in the same house on Cherry Tree Lane, along with Michael’s three children and their housekeeper Ellen (Walters).
The family are in danger of losing their home, and Michael is struggling after a personal loss, but the practically perfect nanny returns just in time to rekindle the fun and wonder missing from their lives – with a little help from street lamplighter Jack (Miranda) and her eccentric cousin Topsy (Streep).
Boasting wonderful songs, classic 2D animation and cameos from some familiar faces, this is a delightful reunion for all to enjoy, whether you grew up with the magic or are discovering it for the first time.
Music: Pyotr Ilyich Tchaikovsky
Choreography: Yuri Grigorovich
Libretto: Yuri Grigorovich
Cast: The Bolshoi Principals, Soloists and Corps de Ballet
On Christmas Eve, Marie’s Nutcracker doll magically transforms into a prince and their wonderful adventure begins. The holiday classic returns to the majestic Bolshoi stage for a live broadcast of a timeless story, The Nutcracker, taking audiences of all ages on a magical journey through a world of enchantment complete with dancing snowflakes and dolls that have come to life, accompanied by Tchaikovsky’s beloved score.
Nearly three decades after her first visit to London, the enigmatic Mary Poppins (Blunt) soars back into the capital to look after the Banks children in their time of need.
The now grown-up Jane (Mortimer) and Michael Banks (Whishaw) are living in the same house on Cherry Tree Lane, along with Michael’s three children and their housekeeper Ellen (Walters).
The family are in danger of losing their home, and Michael is struggling after a personal loss, but the practically perfect nanny returns just in time to rekindle the fun and wonder missing from their lives – with a little help from street lamplighter Jack (Miranda) and her eccentric cousin Topsy (Streep).
Boasting wonderful songs, classic 2D animation and cameos from some familiar faces, this is a delightful reunion for all to enjoy, whether you grew up with the magic or are discovering it for the first time.
Nearly three decades after her first visit to London, the enigmatic Mary Poppins (Blunt) soars back into the capital to look after the Banks children in their time of need.
The now grown-up Jane (Mortimer) and Michael Banks (Whishaw) are living in the same house on Cherry Tree Lane, along with Michael’s three children and their housekeeper Ellen (Walters).
The family are in danger of losing their home, and Michael is struggling after a personal loss, but the practically perfect nanny returns just in time to rekindle the fun and wonder missing from their lives – with a little help from street lamplighter Jack (Miranda) and her eccentric cousin Topsy (Streep).
Boasting wonderful songs, classic 2D animation and cameos from some familiar faces, this is a delightful reunion for all to enjoy, whether you grew up with the magic or are discovering it for the first time.
One of the most popular and enduring films ever made, Frank Capra's IT'S A WONDERFUL LIFE is a gloriously sentimental testament to homely small-town moral values.
Masterfully crafted, the film opens with angels discussing George Bailey (James Stewart), a man so beset with problems that he contemplates a Christmas-time suicide. As George prepares to jump from a bridge his guardian angel Clarence Oddbody intervenes and shows him how badly Bedford Falls would have turned out without his good deeds. Filled with a renewed joy of life George returns to his family for Christmas.
James Stewart gives one of his finest, most affecting performances and the film looks better than ever in its new restoration.
Nearly three decades after her first visit to London, the enigmatic Mary Poppins (Blunt) soars back into the capital to look after the Banks children in their time of need.
The now grown-up Jane (Mortimer) and Michael Banks (Whishaw) are living in the same house on Cherry Tree Lane, along with Michael’s three children and their housekeeper Ellen (Walters).
The family are in danger of losing their home, and Michael is struggling after a personal loss, but the practically perfect nanny returns just in time to rekindle the fun and wonder missing from their lives – with a little help from street lamplighter Jack (Miranda) and her eccentric cousin Topsy (Streep).
Boasting wonderful songs, classic 2D animation and cameos from some familiar faces, this is a delightful reunion for all to enjoy, whether you grew up with the magic or are discovering it for the first time.
Recent winner of the top prize at Toronto International Film Festival, Green Book is the uplifting true story of an unlikely friendship that transcended race and class.
Set in 1962, Italian-American Tony Lip (Viggo Mortensen) is hired to chauffeur African-American pianist Dr. Don Shirley (Mahershala Ali) on a concert tour through the Deep South. Don is aware of the troubles that he might face in different locations due to the colour of his skin and requires someone to act as both driver and bouncer. They must rely on The Green Book, a guide to the few establishments that are safe for African-Americans and embark on a journey that will change both of their lives.
With strong performances from Ali (following his Oscar-winning turn in Moonlight) and Mortensen (A History of Violence), there is also a great chemistry between the leads. Director Peter Farrelly, best known for his crowd-pleasing comedies Dumb and Dumber and There’s Something About Mary, succeeds brilliantly in making the vital subject of racial division in the 1960s America into a smart and charming film.
Nearly three decades after her first visit to London, the enigmatic Mary Poppins (Blunt) soars back into the capital to look after the Banks children in their time of need.
The now grown-up Jane (Mortimer) and Michael Banks (Whishaw) are living in the same house on Cherry Tree Lane, along with Michael’s three children and their housekeeper Ellen (Walters).
The family are in danger of losing their home, and Michael is struggling after a personal loss, but the practically perfect nanny returns just in time to rekindle the fun and wonder missing from their lives – with a little help from street lamplighter Jack (Miranda) and her eccentric cousin Topsy (Streep).
Boasting wonderful songs, classic 2D animation and cameos from some familiar faces, this is a delightful reunion for all to enjoy, whether you grew up with the magic or are discovering it for the first time.
Nearly three decades after her first visit to London, the enigmatic Mary Poppins (Blunt) soars back into the capital to look after the Banks children in their time of need.
The now grown-up Jane (Mortimer) and Michael Banks (Whishaw) are living in the same house on Cherry Tree Lane, along with Michael’s three children and their housekeeper Ellen (Walters).
The family are in danger of losing their home, and Michael is struggling after a personal loss, but the practically perfect nanny returns just in time to rekindle the fun and wonder missing from their lives – with a little help from street lamplighter Jack (Miranda) and her eccentric cousin Topsy (Streep).
Boasting wonderful songs, classic 2D animation and cameos from some familiar faces, this is a delightful reunion for all to enjoy, whether you grew up with the magic or are discovering it for the first time.
Nearly three decades after her first visit to London, the enigmatic Mary Poppins (Blunt) soars back into the capital to look after the Banks children in their time of need.
The now grown-up Jane (Mortimer) and Michael Banks (Whishaw) are living in the same house on Cherry Tree Lane, along with Michael’s three children and their housekeeper Ellen (Walters).
The family are in danger of losing their home, and Michael is struggling after a personal loss, but the practically perfect nanny returns just in time to rekindle the fun and wonder missing from their lives – with a little help from street lamplighter Jack (Miranda) and her eccentric cousin Topsy (Streep).
Boasting wonderful songs, classic 2D animation and cameos from some familiar faces, this is a delightful reunion for all to enjoy, whether you grew up with the magic or are discovering it for the first time.
We are happy for you to bring your dog along to this special dog-friendly screening (you're welcome without a dog too). Before the screening there are a few things to consider:
If you attend this screening with a dog, you'll be issued with a fleece blanket to cover the seat used by the dog or to use as a rug if the dog sits on the floor. During the screenings, we will provide bowls of water around the screen. We will leave lighting levels a little higher than usual during the screening and lower the volume of the soundtrack.
Please be aware that we reduce capacity when offering ‘dog-friendly’ screenings, so there may be fewer tickets than usual. We limit dogs to: one dog to one adult. For further information, see dog-friendly screening policy in our cinema.
Nearly three decades after her first visit to London, the enigmatic Mary Poppins (Blunt) soars back into the capital to look after the Banks children in their time of need.
The now grown-up Jane (Mortimer) and Michael Banks (Whishaw) are living in the same house on Cherry Tree Lane, along with Michael’s three children and their housekeeper Ellen (Walters).
The family are in danger of losing their home, and Michael is struggling after a personal loss, but the practically perfect nanny returns just in time to rekindle the fun and wonder missing from their lives – with a little help from street lamplighter Jack (Miranda) and her eccentric cousin Topsy (Streep).
Boasting wonderful songs, classic 2D animation and cameos from some familiar faces, this is a delightful reunion for all to enjoy, whether you grew up with the magic or are discovering it for the first time.
11.00Dog-Friendly: Customers are welcome to bring their well behaved dogs into the cinema for this special screening. Read our Dog-friendly policy before you book at picturehouses.com/dogs
Nearly three decades after her first visit to London, the enigmatic Mary Poppins (Blunt) soars back into the capital to look after the Banks children in their time of need.
The now grown-up Jane (Mortimer) and Michael Banks (Whishaw) are living in the same house on Cherry Tree Lane, along with Michael’s three children and their housekeeper Ellen (Walters).
The family are in danger of losing their home, and Michael is struggling after a personal loss, but the practically perfect nanny returns just in time to rekindle the fun and wonder missing from their lives – with a little help from street lamplighter Jack (Miranda) and her eccentric cousin Topsy (Streep).
Boasting wonderful songs, classic 2D animation and cameos from some familiar faces, this is a delightful reunion for all to enjoy, whether you grew up with the magic or are discovering it for the first time.
The conductor of this New Year’s Eve concert is Daniel Barenboim, one of the Berliner Philharmoniker’s oldest friends. He also takes on the role of soloist in Mozart’s Piano Concerto No. 26 – a work of sparkling beauty and nuanced expression. There are also four famous works by Maurice Ravel, which create an impressive synthesis of elegance and originality. The final highlight is the Boléro, perhaps the most stunning crescendo in music history.
Nearly three decades after her first visit to London, the enigmatic Mary Poppins (Blunt) soars back into the capital to look after the Banks children in their time of need.
The now grown-up Jane (Mortimer) and Michael Banks (Whishaw) are living in the same house on Cherry Tree Lane, along with Michael’s three children and their housekeeper Ellen (Walters).
The family are in danger of losing their home, and Michael is struggling after a personal loss, but the practically perfect nanny returns just in time to rekindle the fun and wonder missing from their lives – with a little help from street lamplighter Jack (Miranda) and her eccentric cousin Topsy (Streep).
Boasting wonderful songs, classic 2D animation and cameos from some familiar faces, this is a delightful reunion for all to enjoy, whether you grew up with the magic or are discovering it for the first time.
Nearly three decades after her first visit to London, the enigmatic Mary Poppins (Blunt) soars back into the capital to look after the Banks children in their time of need.
The now grown-up Jane (Mortimer) and Michael Banks (Whishaw) are living in the same house on Cherry Tree Lane, along with Michael’s three children and their housekeeper Ellen (Walters).
The family are in danger of losing their home, and Michael is struggling after a personal loss, but the practically perfect nanny returns just in time to rekindle the fun and wonder missing from their lives – with a little help from street lamplighter Jack (Miranda) and her eccentric cousin Topsy (Streep).
Boasting wonderful songs, classic 2D animation and cameos from some familiar faces, this is a delightful reunion for all to enjoy, whether you grew up with the magic or are discovering it for the first time.
Nearly three decades after her first visit to London, the enigmatic Mary Poppins (Blunt) soars back into the capital to look after the Banks children in their time of need.
The now grown-up Jane (Mortimer) and Michael Banks (Whishaw) are living in the same house on Cherry Tree Lane, along with Michael’s three children and their housekeeper Ellen (Walters).
The family are in danger of losing their home, and Michael is struggling after a personal loss, but the practically perfect nanny returns just in time to rekindle the fun and wonder missing from their lives – with a little help from street lamplighter Jack (Miranda) and her eccentric cousin Topsy (Streep).
Boasting wonderful songs, classic 2D animation and cameos from some familiar faces, this is a delightful reunion for all to enjoy, whether you grew up with the magic or are discovering it for the first time.
Nearly three decades after her first visit to London, the enigmatic Mary Poppins (Blunt) soars back into the capital to look after the Banks children in their time of need.
The now grown-up Jane (Mortimer) and Michael Banks (Whishaw) are living in the same house on Cherry Tree Lane, along with Michael’s three children and their housekeeper Ellen (Walters).
The family are in danger of losing their home, and Michael is struggling after a personal loss, but the practically perfect nanny returns just in time to rekindle the fun and wonder missing from their lives – with a little help from street lamplighter Jack (Miranda) and her eccentric cousin Topsy (Streep).
Boasting wonderful songs, classic 2D animation and cameos from some familiar faces, this is a delightful reunion for all to enjoy, whether you grew up with the magic or are discovering it for the first time.
Join the King of Waltz and his stellar supporting cast for a magical evening of music and dance, captured live at the iconic Town Hall in Sydney, Australia. Featuring show tunes, classical music, festive fun and plenty of surprises, it promises to be a great way to start the New Year.
Enjoy backstage access, interviews with Andre and his special guests, musical favourites and much, much more, all from the comfort of your front row cinema seat.
The evening will be hosted by ITV’s Charlotte Hawkins, a familiar face for all those who enjoy Andre’s annual Maastricht concert each July.
At the age of 84, U.S. Supreme Court Justice Ruth Bader Ginsburg has developed a breathtaking legal legacy while becoming an unexpected pop culture icon. But without a definitive Ginsburg biography, the unique personal journey of this diminutive, quiet warrior's rise to the nation's highest court has been largely unknown, even to some of her biggest fans – until now. RBG is a revelatory documentary exploring Ginsburg 's exceptional life and career from Betsy West and Julie Cohen, and co-produced by Storyville Films and CNN Films.
For the first time at the Met, soprano Anna Netrebko sings the role of Adriana Lecouvreur, the eighteenth-century actress whose real-life intrigues inspired Cilea’s tragic opera. Adriana is adored by many but loves only Maurizio, sung by tenor (Piotr Beczała), who adores her in return. Maurizio desperately tries to extricate himself from his previous lover, the Princess deof Bouillon— mezzo-soprano (Anita Rachvelishvili). When the princess discovers that Adriana is her rival, she takes desperate measures of her own. In this new production directed by Sir David McVicar, the action is partially set in a working replica of a baroque theatre. Gianandrea Noseda conducts the riveting score.
A tale of heads of state falling from power, opportunists, powerbrokers and propagandists. Shakespeare’s Richard II is a monarch ordained by God to lead his people. But he is also a man and a weak one at that. His reckless policies include burdening his citizens with taxes, and confiscating the land and wealth of noblemen. His vanity threatens to divide the great houses of England and drag his people into a dynastic civil war that will last 100 years, while he paves the way for his own deposition by Henry Bolingbroke. This visceral new production, staged at the Almeida Theatre, London, stars Simon Russell Beale as Shakespeare’s narcissistic, arbitrary king. The play is subversively reimagined and directed by Joe Hill-Gibbins (Little Revolution, Absolute Hell). With designs by ULTZ.
For the first time at the Met, soprano Anna Netrebko sings the role of Adriana Lecouvreur, the eighteenth-century actress whose real-life intrigues inspired Cilea’s tragic opera. Adriana is adored by many but loves only Maurizio, sung by tenor (Piotr Beczała), who adores her in return. Maurizio desperately tries to extricate himself from his previous lover, the Princess deof Bouillon— mezzo-soprano (Anita Rachvelishvili). When the princess discovers that Adriana is her rival, she takes desperate measures of her own. In this new production directed by Sir David McVicar, the action is partially set in a working replica of a baroque theatre. Gianandrea Noseda conducts the riveting score.
Music: Léon Minkus
Choreography: Yuri Grigorovich
Libretto after Marius Petipa and Sergei Khudekov
Cast: The Bolshoi Principals, Soloists and Corps de Ballet
The temple dancer Nikiya and the warrior Solor fall deeply in love, giving way to heated passions, and murderous intrigues when the Rajah and his daughter Gamzatti discover their forbidden love. La Bayadere is one of the greatest works classical ballet history – a story of love, death and vengeful judgement set in India. Dazzling sets, costumes, and one of the most iconic scenes in ballet, the “Kingdom of the Shades,” illuminate the tragic tale of the temple dancer Nikiya’s doomed love for the warrior Solor, and their ulimate redemption. A must-see!
Director: Dir. Stanley Donen and Gene Kelly. USA. 1952. 102 mins.
Hollywood’s troubled transition from silent to talking pictures at the end of the 1920s provided the inspiration for perhaps the greatest of movie musicals.
“The most enduring film musical to have come out of Hollywood. In all these years not a frame of it has dated; it still retains all its freshness and sparkle.”
Clive Hirschhorn, Gene Kelly: A Biography, 1984
To follow the acclaim for An American in Paris, which won him the 1951 Oscar for best picture, songwriter-turned-producer Arthur Freed charged screenwriters Betty Comden and Adolph Green with writing a musical based around some of his own most popular early songs. The result was a nostalgic tribute to the Hollywood of a bygone era starring Gene Kelly as Don Lockwood, the swashbuckling silent star at a film studio grappling with the coming of sound.
From the iconic scene in which Lockwood, smitten with young actress Kathy Selden (Debbie Reynolds), dances home during a downpour singing the title song, to the extended ballet sequence featuring Cyd Charisse in a parody of the gangster film, Singin’ in the Rain represents the musical genre at its most energetic and ambitious.
11.00Dementia-Friendly Screening: Open to all but especially for people with dementia and their family, friends and carers. Join us for free tea, coffee and biscuits and a chance to socialise for 30 minutes before the film. The film will start at the time stated.
I’m Not Running is an explosive new play by David Hare, premiering at the National Theatre and broadcast live to cinemas.
Pauline Gibson has spent her life as a doctor, the inspiring leader of a local health campaign. When she crosses paths with her old boyfriend, a stalwart loyalist in Labour Party politics, she’s faced with an agonising decision.
What’s involved in sacrificing your private life and your piece of mind for something more than a single issue? Does she dare?
Hare was recently described by The Washington Post as ‘the premiere political dramatist writing in English’. His other work includes Pravda and Skylight, broadcast by National Theatre Live in 2014.
Love is a wild bird… Don’t miss this revival of Sir Richard Eyre’s dynamic production. Mezzo-soprano Clémentine Margaine plays opera’s ultimate seductress, while Roberto Alagna returns to the role of Don José, the good-hearted soldier with whom she unleashes an uncontrollable passion. Don José breaks the law, goes to prison, deserts the army and loses everything to be with Carmen. But the capricious Carmen gypsy soon tires of him and takes up instead with the bullfighter Escamillo—bass (Alexander Vinogradov). She has ruined his life, but still, Don José adores her, with a fierceness that can only lead to catastrophe. Composer Bizet died just three months after Carmen’s disastrous premiere, never knowing that his creation would become one of the most popular operas of all time.
Love is a wild bird… Don’t miss this revival of Sir Richard Eyre’s dynamic production. Mezzo-soprano Clémentine Margaine plays opera’s ultimate seductress, while Roberto Alagna returns to the role of Don José, the good-hearted soldier with whom she unleashes an uncontrollable passion. Don José breaks the law, goes to prison, deserts the army and loses everything to be with Carmen. But the capricious Carmen gypsy soon tires of him and takes up instead with the bullfighter Escamillo—bass (Alexander Vinogradov). She has ruined his life, but still, Don José adores her, with a fierceness that can only lead to catastrophe. Composer Bizet died just three months after Carmen’s disastrous premiere, never knowing that his creation would become one of the most popular operas of all time.
A tale of heads of state falling from power, opportunists, powerbrokers and propagandists. Shakespeare’s Richard II is a monarch ordained by God to lead his people. But he is also a man and a weak one at that. His reckless policies include burdening his citizens with taxes, and confiscating the land and wealth of noblemen. His vanity threatens to divide the great houses of England and drag his people into a dynastic civil war that will last 100 years, while he paves the way for his own deposition by Henry Bolingbroke. This visceral new production, staged at the Almeida Theatre, London, stars Simon Russell Beale as Shakespeare’s narcissistic, arbitrary king. The play is subversively reimagined and directed by Joe Hill-Gibbins (Little Revolution, Absolute Hell). With designs by ULTZ.
Pablo Picasso is one of the greatest artists of all time - and right up until his death in 1973 he was the most prolific of artists. Many films have dealt with these later years - the art, the affairs and the wide circle of friends. But where did this all begin? What made Picasso in the first place? Too long ignored, it is time to look at the early years of Picasso; the upbringing and the learning that led to his extraordinary achievements.
Three cities play a key role: Malaga, Barcelona and Paris. Young Picasso visits each and explores their influence on Picasso, focusing on specific artworks from these early years. The film thus explains how this young artist acquired his craft. Looking carefully at two key early periods - the so-called Blue Period and Rose Period - the film takes us all the way to 1907 and the creation of a critical painting in the history of art - Les Demoiselles d'Avignon. It was a painting that shocked the art world but changed it irrevocably. Picasso was only 25 years old. Working closely with all three Picasso Museums in Malaga, Barcelona and Paris this film explains how he rose to great heights.
I’m Not Running is an explosive new play by David Hare, premiering at the National Theatre and broadcast live to cinemas.
Pauline Gibson has spent her life as a doctor, the inspiring leader of a local health campaign. When she crosses paths with her old boyfriend, a stalwart loyalist in Labour Party politics, she’s faced with an agonising decision.
What’s involved in sacrificing your private life and your piece of mind for something more than a single issue? Does she dare?
Hare was recently described by The Washington Post as ‘the premiere political dramatist writing in English’. His other work includes Pravda and Skylight, broadcast by National Theatre Live in 2014.
Donna (Meryl Streep), an independent hotelier in the Greek islands, is preparing for her daughter's wedding with the help of two old friends. Meanwhile Sophie, the spirited bride, has a plan. She secretly invites three men from her mother's past in hope of meeting her real father and having him escort her down the aisle on her big day.
11.00Dementia-Friendly Screening: Open to all but especially for people with dementia and their family, friends and carers. Join us for free tea, coffee and biscuits and a chance to socialise for 30 minutes before the film. The film will start at the time stated.
Full of wit and invention, Donizetti’s comic opera is a delight. The famous aria “Ah, Mes Amis,” with its nine high Cs, is known as the Mount Everest for tenors one of opera’s most show-stopping numbers. Bel canto stars Pretty Yende and Javier Camarena takes on the challenging vocal fireworks in this revival, a co-production with London’s Royal Opera House and the Wiener StaatsoperLaurent Pelly’s hilarious staging. Orphaned as a small child and raised by an entire army regiment, the spirited Marie has grown up as the regiment’s ‘daughter’, raising morale and spreading joy. Tonio, a local man, falls in love with her and even joins the army for her sake. But a chance encounter with a noblewoman sparks a sudden revelation, and a tale unfolds of secret identities, long-lost family, and murky pasts.
Full of wit and invention, Donizetti’s comic opera is a delight. The famous aria “Ah, Mes Amis,” with its nine high Cs, is known as the Mount Everest for tenors one of opera’s most show-stopping numbers. Bel canto stars Pretty Yende and Javier Camarena takes on the challenging vocal fireworks in this revival, a co-production with London’s Royal Opera House and the Wiener StaatsoperLaurent Pelly’s hilarious staging. Orphaned as a small child and raised by an entire army regiment, the spirited Marie has grown up as the regiment’s ‘daughter’, raising morale and spreading joy. Tonio, a local man, falls in love with her and even joins the army for her sake. But a chance encounter with a noblewoman sparks a sudden revelation, and a tale unfolds of secret identities, long-lost family, and murky pasts.
Music: Pyotr Ilyich Tchaikovsky
Choreography: Yuri Grigorovich
Libretto after Ivan Vsevolojski and Marius Petipa
Cast: Olga Smirnova (Princess Aurora), Semyon Chudin (Prince Désiré), Alexei Loparevich (The Evil Fairy Carabosse), Yulia Stepanova (The Lilac Fairy), Vitaly Biktimirov (Catalabutte), Artemy Belyakov (Bluebird), Anastasia Denisova (Princess Florine)
The Princess Aurora falls under the curse of the Evil Fairy Carabosse on her sixtenth birthday, falling into a deep slumber of one hundred years. Only the kiss of a prince could break the spell. A resplendent fairytale ballet perfomed by the Bolshoi, The Sleeping Beauty features scores of magical characters including fairies, the Little Red Riding Hood, Puss in Boots, and a beautiful young Princess Aurora performed by Olga Smirnova, a “truly extraordinary talent” (The Telegraph). This is classical ballet at its finest.
Captured live on Jan. 22, 2017
Four crazy 80s and 90s cult classics playing through the small hours of one unforgettable night! Featuring Runaway Train, Showgirls, RoboCop & Pieces - with all movies screening from vintage 35mm prints!
Featuring some of the most glorious music ever written—including, of course, the Ride of the Valkyries —Die Walküre is the second of the four operas that comprise Wagner’s Ring cycle, a story of monsters, gods, and humans on a superhuman scale. When twins Siegmund and Sieglinde find each other at last, Siegmund promises to release Sieglinde from her forced marriage by killing her husband, Hunding. The god Wotan instructs Valkyrie warrior Brünnhilde to defend Hunding. But, moved by the twins’ mutual devotion, Brünnhilde refuses to obey, forging an alliance with Sieglinde that has far-reaching consequences for them both. Soprano Christine Goerke sings Brünnhilde, tenor Stuart Skelton and soprano Eva-Maria Westbroek are the love-struck twins, and Ring cycle veteran Philippe Jordan conducts.
Featuring some of the most glorious music ever written—including, of course, the Ride of the Valkyries —Die Walküre is the second of the four operas that comprise Wagner’s Ring cycle, a story of monsters, gods, and humans on a superhuman scale. When twins Siegmund and Sieglinde find each other at last, Siegmund promises to release Sieglinde from her forced marriage by killing her husband, Hunding. The god Wotan instructs Valkyrie warrior Brünnhilde to defend Hunding. But, moved by the twins’ mutual devotion, Brünnhilde refuses to obey, forging an alliance with Sieglinde that has far-reaching consequences for them both. Soprano Christine Goerke sings Brünnhilde, tenor Stuart Skelton and soprano Eva-Maria Westbroek are the love-struck twins, and Ring cycle veteran Philippe Jordan conducts.
Music: Dmitri Shostakovich
Choreography: Yuri Grigorovich
Libretto Yuri Grigorovich and Isaak Glikman
Cast: Nina Kaptsova (Rita), Ruslan Skvortsov (Boris), Mikhail Lobukhin (Yashka) and Ekaterina Krysanova (Lyuska)
In the 1920’s, The Golden Age cabaret is a favorite nightly haunt. The young fisherman Boris falls in love with Rita. He follows her to the cabaret and realizes that she is the beautiful dancer “Mademoiselle Margot,”, but also the love interest of the local gangster Yashka… With its jazzy score by Shostakovich and its music-hall atmosphere featuring beautiful tangos, The Golden Age is a refreshing and colorful dive into the roaring 20’s. A historic ballet that can be seen only at the Bolshoi!
From the National Gallery, London and Rijksmuseum, Amsterdam
Every Rembrandt exhibition is eagerly anticipated but this major show hosted by London’s National Gallery and Amsterdam’s Rijksmuseum was an event like no other. Given privileged access to both galleries the film documents this landmark exhibition, whilst interweaving Rembrandt’s life story, with behind-the-scenes preparations at these world famous institutions. Exploring many of the exhibition’s key works, through contributions from specially invited guests including curators and leading art historians, this Exhibition on Screen favourite makes a welcome return to the big screen marking the 350th anniversary of Rembrandt's death. For many, Rembrandt is the greatest artist that ever lived and this deeply moving film seeks to explore the truth about the man behind the legend.
Come into the forest; dare to change your state of mind.
Rosalind is banished, wrestling with her heart and her head. With her cousin by her side, she journeys to a world of exile where barriers are broken down and all can discover their deeper selves.
Kimberley Sykes (Dido, Queen of Carthage) directs a riotous, exhilarating version of Shakespeare's romantic comedy.
Met Music Director Yannick Nézet-Séguin leads Poulenc’s masterpiece. As the French Revolution begins, shy Blanche, sung by mezzo-soprano Isabel Leonard, becomes a novice nun under an elderly prioress—Met legend Karita Mattila. Blanche’s aristocratic family flees the Terror, but she remains behind, struggling between her fear of the guillotine and her duty to the convent. When the nuns are expelled from the convent and threatened with death, Blanche must make an agonising decision. In the shattering final scene, the nuns walk towards the guillotine singing Salve Regina: Their voices are cut off, one by one, with each stroke of the blade, until all are silenced. Poulenc’s devastating portrayal of faith and martyrdom is live in HD for the first time.
Met Music Director Yannick Nézet-Séguin leads Poulenc’s masterpiece. As the French Revolution begins, shy Blanche, sung by mezzo-soprano Isabel Leonard, becomes a novice nun under an elderly prioress—Met legend Karita Mattila. Blanche’s aristocratic family flees the Terror, but she remains behind, struggling between her fear of the guillotine and her duty to the convent. When the nuns are expelled from the convent and threatened with death, Blanche must make an agonising decision. In the shattering final scene, the nuns walk towards the guillotine singing Salve Regina: Their voices are cut off, one by one, with each stroke of the blade, until all are silenced. Poulenc’s devastating portrayal of faith and martyrdom is live in HD for the first time.
Carmen Suite
Music: Georges Bizet and Rodion Shchedrin
Choreography: Alberto Alonso
Libretto Alberto Alonso after Carmen de Prosper Mérimée
Petrushka
Music: Igor Stravinsky
Choreography: Edward Clug
Cast: The Bolshoi Principals, Soloists and Corps de Ballet
Carmen is as passionate and free-spirited as ever as she finds herself caught in a love triangle. The passionate one act ballet by Cuban choreographer Alberto Alonso originally conceived for legendary Bolshoi prima ballerina Maya Plisetskaya will captivate audiences alongside Petrushka, a new creation for the Bolshoi by contemporary choreographer Edward Clug, in an evening encapsulating the soul of Russian Ballet
In a reimagined 1590, England is a matriarchy.
Baptista Minola is seeking to sell off her son Katherine to the highest bidder. Cue an explosive battle of the sexes in this electrically charged love story.
Justin Audibert (Snow in Midsummer, The Jew of Malta) turns Shakespeare's fierce, energetic comedy of gender and materialism on its head to offer a fresh perspective on its portrayal of hierarchy and power.
"I envy the Japanese" Van Gogh wrote to his brother Theo. In the exhibition on which this film is based - VAN GOGH & JAPAN at the Van Gogh Museum in Amsterdam - one can see why. Though Vincent van Gogh never visited Japan it is the country that had the most profound influence on him and his art. One cannot understand Van Gogh without understanding how Japanese art arrived in Paris in the middle of the 19th century and the profound impact it had on artists like Monet, Degas and, above all, Van Gogh.
Visiting the new galleries of Japanese art in Paris and then creating his own image of Japan – through in-depth research, print collecting and detailed discussions with other artists – Van Gogh’s encounter with Japanese artworks gave his work a new and exciting direction. After leaving Paris for the south of France – to what he thought of as near to a kind of Japan as he could find - the productive and yet troubled years that followed must all be seen in the context of Van Gogh bending Japanese influences to his will and defining himself as a modern artist with clear Asian precursors. In this little known story of Van Gogh’s art we see just how important his study of Japan was. The film travels not only to France and the Netherlands but also to Japan to further explore the remarkable heritage that so affected Van Gogh and made him the artist we know of today.
"I envy the Japanese" Van Gogh wrote to his brother Theo. In the exhibition on which this film is based - VAN GOGH & JAPAN at the Van Gogh Museum in Amsterdam - one can see why. Though Vincent van Gogh never visited Japan it is the country that had the most profound influence on him and his art. One cannot understand Van Gogh without understanding how Japanese art arrived in Paris in the middle of the 19th century and the profound impact it had on artists like Monet, Degas and, above all, Van Gogh.
Visiting the new galleries of Japanese art in Paris and then creating his own image of Japan – through in-depth research, print collecting and detailed discussions with other artists – Van Gogh’s encounter with Japanese artworks gave his work a new and exciting direction. After leaving Paris for the south of France – to what he thought of as near to a kind of Japan as he could find - the productive and yet troubled years that followed must all be seen in the context of Van Gogh bending Japanese influences to his will and defining himself as a modern artist with clear Asian precursors. In this little known story of Van Gogh’s art we see just how important his study of Japan was. The film travels not only to France and the Netherlands but also to Japan to further explore the remarkable heritage that so affected Van Gogh and made him the artist we know of today.
'To whom should I complain?'
When a young novice nun is compromised by a corrupt official, who offers to save her brother from execution in return for sex, she has no idea where to turn for help. When she threatens to expose him, he tells her that no one would believe her.
Shakespeare wrote this play in the early 1600s, yet it remains astonishingly resonant today. Artistic Director Gregory Doran directs this new production.
