We are using cookies to remember if you are logged in to this website and if you have dismissed this message. Cookies are files stored in your browser and by continuing to use our website without changing the settings on your computer you are agreeing to our use of cookies.
Director: Christopher Nolan.
Starring: Fionn Whitehead, Harry Styles, Cillian Murphy, Mark Rylance, Tom Hardy. Netherlands/UK/France/USA 2017. 106 mins.
The mass evacuation of more than 330,000 Allied troops from the beaches of Dunkirk in May 1940 was one of the most dramatic and pivotal episodes of the Second World War. In his latest feature, director Christopher Nolan (Interstellar, The Dark Knight trilogy) plunges viewers into the thick of it with what he describes as “the most visceral experiential two hours that audiences can hope for”.
Told from three points of view – land, sea and air – Dunkirk unfolds with a palpable sense of dread and tension, evoking the very human and immediate desire to survive.
With cinematography from Hoyte van Hoytema (Interstellar), a score from Hans Zimmer, and an all-star supporting cast that includes Tom Hardy, Cillian Murphy and Mark Rylance, this is the must-see spectacle of the summer.
18.20HOH Subtitled: This screening has subtitles for people with hearing loss
Audio Described: Everyone welcome. Audio Description is available for this film, and is undetectable to anyone not wearing a headset
America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell.
Andrew Garfield (Silence, Hacksaw Ridge) plays Prior Walter along with a cast including Denise Gough (People, Places and Things), Nathan Lane (The Producers), James McArdle (Star Wars: The Force Awakens) and Russell Tovey (The Pass).
This new staging of Tony Kushner’s multi-award winning two-part play is directed by Olivier and Tony award winning director Marianne Elliott (The Curious Incident of the Dog in the Night-Time and War Horse). Part One: Millennium Approaches was first performed at the National Theatre in 1992 and was followed by Part Two: Perestroika the following year.
Part One: Millennium Approaches will be broadcast live on 20 July 2017.
Director: Sofia Coppola.
Starring: Nicole Kidman, Colin Farrell, Kirsten Dunst, Elle Fanning. USA 2017. 94 mins.
Academy Award-winner Sofia Coppola is one of those rare directors whose films feel like an event not to be missed. Her latest, a seductive drama with an all-star cast, is no different. A new adaptation of Thomas P. Cullinan’s Southern Gothic novel, A Painted Devil, the story unfolds at an all-girls boarding school in rural Virginia during the American Civil War. When the headmistress (Kidman) agrees to provide temporary refuge for a wounded Union soldier (Farrell), his sudden presence stirs up sexual tensions in the remote mansion. As each of the women falls for his charms, their tight-knit sisterhood buckles under the weight of deceit and jealousy, and taboos are broken in a dark and unexpected turn of events.
Director: Matt Reeves.
Starring: Andy Serkis, Woody Harrelson, Judy Greer, Steve Zahn. USA 2017. 140 mins.
In the third instalment of the rebooted Planet Of The Apes franchise, a new threat looms over the peaceful simian civilisation built among the redwood trees: an army of humans led by the ruthless Colonel (Harrelson), who believes he is mankind’s last hope. After a battle in which the apes suffer devastating losses, Caesar (Serkis), their noble, hyper-intelligent leader, fears he may have to abandon the path of mercy he has so far shown to humans. Wrestling with his darker instincts, Caesar embarks on a quest to avenge his kind that brings him face to face with the Colonel in the ultimate battle for dominion over Earth. Director Matt Reeves raises the stakes with his second film in the critically acclaimed franchise, blending spectacular graphics and emotion to thrilling effect.
Director: Michael Showalter.
Starring: Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano, Anupam Kher. USA 2017. 119 mins.
Based on the true story of the film’s writers (and real-life couple), Emily V. Gordon and Kumail Nanjiani, this modern culture clash shows how Pakistan-born Kumail and his American girlfriend, Emily, have to overcome the expectations of his family and their 1,400-year-old traditions. As his parents relentlessly set him up with potential brides for an arranged marriage, Kumail navigates treacherous waters in the worlds of both dating and stand-up comedy.
Produced by Judd Apatow, The Big Sick features a sterling collection of comedy talent in front of and behind the camera, with Michael Showalter directing the hilariously insightful film that shrewdly puts the spotlight on its writer/star Kumail Nanjiani (HBO’s Silicon Valley). A revered comedian, Nanjiani shines in the lead role, bringing his singular voice to center stage. Mining his personal stories for comedy gold, he shares his experiences that are uniquely Pakistani but will resonate for everyone who has ever fallen in love.
“The Big Sick is scoring points on familiar rom-com territory, so when it suddenly morphs into a completely different film — a bracingly sophisticated one — you’ll want to cry with happiness.” - Time Out ★★★★★
Director: Christopher Nolan.
Starring: Fionn Whitehead, Harry Styles, Cillian Murphy, Mark Rylance, Tom Hardy. Netherlands/UK/France/USA 2017. 106 mins.
The mass evacuation of more than 330,000 Allied troops from the beaches of Dunkirk in May 1940 was one of the most dramatic and pivotal episodes of the Second World War. In his latest feature, director Christopher Nolan (Interstellar, The Dark Knight trilogy) plunges viewers into the thick of it with what he describes as “the most visceral experiential two hours that audiences can hope for”.
Told from three points of view – land, sea and air – Dunkirk unfolds with a palpable sense of dread and tension, evoking the very human and immediate desire to survive.
With cinematography from Hoyte van Hoytema (Interstellar), a score from Hans Zimmer, and an all-star supporting cast that includes Tom Hardy, Cillian Murphy and Mark Rylance, this is the must-see spectacle of the summer.
Director: Edgar Wright.
Starring: Ansel Elgort, Lily James, Kevin Spacey. USA 2017. 113 mins.
Young getaway driver Baby (Elgort) relies on the beat of his personal soundtrack to be the best in the game. After he meets the girl of his dreams, he sees a chance to leave his criminal life behind. But one last heist puts his love, life and freedom on the line. With an eclectic soundtrack ranging from Queen and Martha Reeves to The Beach Boys, Edgar Wright’s musical crime caper rolls out one terrific tune after the other.
Director: Michael Showalter.
Starring: Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano, Anupam Kher. USA 2017. 119 mins.
Based on the true story of the film’s writers (and real-life couple), Emily V. Gordon and Kumail Nanjiani, this modern culture clash shows how Pakistan-born Kumail and his American girlfriend, Emily, have to overcome the expectations of his family and their 1,400-year-old traditions. As his parents relentlessly set him up with potential brides for an arranged marriage, Kumail navigates treacherous waters in the worlds of both dating and stand-up comedy.
Produced by Judd Apatow, The Big Sick features a sterling collection of comedy talent in front of and behind the camera, with Michael Showalter directing the hilariously insightful film that shrewdly puts the spotlight on its writer/star Kumail Nanjiani (HBO’s Silicon Valley). A revered comedian, Nanjiani shines in the lead role, bringing his singular voice to center stage. Mining his personal stories for comedy gold, he shares his experiences that are uniquely Pakistani but will resonate for everyone who has ever fallen in love.
“The Big Sick is scoring points on familiar rom-com territory, so when it suddenly morphs into a completely different film — a bracingly sophisticated one — you’ll want to cry with happiness.” - Time Out ★★★★★
Director: Christopher Nolan.
Starring: Fionn Whitehead, Harry Styles, Cillian Murphy, Mark Rylance, Tom Hardy. Netherlands/UK/France/USA 2017. 106 mins.
The mass evacuation of more than 330,000 Allied troops from the beaches of Dunkirk in May 1940 was one of the most dramatic and pivotal episodes of the Second World War. In his latest feature, director Christopher Nolan (Interstellar, The Dark Knight trilogy) plunges viewers into the thick of it with what he describes as “the most visceral experiential two hours that audiences can hope for”.
Told from three points of view – land, sea and air – Dunkirk unfolds with a palpable sense of dread and tension, evoking the very human and immediate desire to survive.
With cinematography from Hoyte van Hoytema (Interstellar), a score from Hans Zimmer, and an all-star supporting cast that includes Tom Hardy, Cillian Murphy and Mark Rylance, this is the must-see spectacle of the summer.
Director: Edgar Wright.
Starring: Ansel Elgort, Lily James, Kevin Spacey. USA 2017. 113 mins.
Young getaway driver Baby (Elgort) relies on the beat of his personal soundtrack to be the best in the game. After he meets the girl of his dreams, he sees a chance to leave his criminal life behind. But one last heist puts his love, life and freedom on the line. With an eclectic soundtrack ranging from Queen and Martha Reeves to The Beach Boys, Edgar Wright’s musical crime caper rolls out one terrific tune after the other.
Director: Michael Showalter.
Starring: Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano, Anupam Kher. USA 2017. 119 mins.
Based on the true story of the film’s writers (and real-life couple), Emily V. Gordon and Kumail Nanjiani, this modern culture clash shows how Pakistan-born Kumail and his American girlfriend, Emily, have to overcome the expectations of his family and their 1,400-year-old traditions. As his parents relentlessly set him up with potential brides for an arranged marriage, Kumail navigates treacherous waters in the worlds of both dating and stand-up comedy.
Produced by Judd Apatow, The Big Sick features a sterling collection of comedy talent in front of and behind the camera, with Michael Showalter directing the hilariously insightful film that shrewdly puts the spotlight on its writer/star Kumail Nanjiani (HBO’s Silicon Valley). A revered comedian, Nanjiani shines in the lead role, bringing his singular voice to center stage. Mining his personal stories for comedy gold, he shares his experiences that are uniquely Pakistani but will resonate for everyone who has ever fallen in love.
“The Big Sick is scoring points on familiar rom-com territory, so when it suddenly morphs into a completely different film — a bracingly sophisticated one — you’ll want to cry with happiness.” - Time Out ★★★★★
Director: Christopher Nolan.
Starring: Fionn Whitehead, Harry Styles, Cillian Murphy, Mark Rylance, Tom Hardy. Netherlands/UK/France/USA 2017. 106 mins.
The mass evacuation of more than 330,000 Allied troops from the beaches of Dunkirk in May 1940 was one of the most dramatic and pivotal episodes of the Second World War. In his latest feature, director Christopher Nolan (Interstellar, The Dark Knight trilogy) plunges viewers into the thick of it with what he describes as “the most visceral experiential two hours that audiences can hope for”.
Told from three points of view – land, sea and air – Dunkirk unfolds with a palpable sense of dread and tension, evoking the very human and immediate desire to survive.
With cinematography from Hoyte van Hoytema (Interstellar), a score from Hans Zimmer, and an all-star supporting cast that includes Tom Hardy, Cillian Murphy and Mark Rylance, this is the must-see spectacle of the summer.
Director: Edgar Wright.
Starring: Ansel Elgort, Lily James, Kevin Spacey. USA 2017. 113 mins.
Young getaway driver Baby (Elgort) relies on the beat of his personal soundtrack to be the best in the game. After he meets the girl of his dreams, he sees a chance to leave his criminal life behind. But one last heist puts his love, life and freedom on the line. With an eclectic soundtrack ranging from Queen and Martha Reeves to The Beach Boys, Edgar Wright’s musical crime caper rolls out one terrific tune after the other.
Director: Lewis Gilbert.
Starring: Roger Moore, Barbara Bach, Curt Jurgens, Richard Kiel. UK, 1977. 125 mins.
The Bond film that created, in its day, the largest indoor set ever created for a UK produced film, The Spy Who Loved Me is a typically thrilling cinema experience that runs the full gamut of the hugely successful Bond franchise. Roger Moore delivers another finely tuned and suave performance as 007 with Curt Jurgens committing to celluloid one of the more memorably cunning and devious villains, Karl Stromberg.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
My Summer Of Love
Director: Pawel Pawlikowski. Starring: Emily Blunt, Natalie Press. UK 2004. 86 mins.
Pawel Pawlikowski's BAFTA-winning drama, a potent depiction of girlhood, young love and endless summers, finally returns to the big screen. A young Emily Blunt shines as bored rich kid Tamsin, who seduces working class Mona, to the dismay of the Christian community in their small Yorkshire village.
Director: Michael Showalter.
Starring: Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano, Anupam Kher. USA 2017. 119 mins.
Based on the true story of the film’s writers (and real-life couple), Emily V. Gordon and Kumail Nanjiani, this modern culture clash shows how Pakistan-born Kumail and his American girlfriend, Emily, have to overcome the expectations of his family and their 1,400-year-old traditions. As his parents relentlessly set him up with potential brides for an arranged marriage, Kumail navigates treacherous waters in the worlds of both dating and stand-up comedy.
Produced by Judd Apatow, The Big Sick features a sterling collection of comedy talent in front of and behind the camera, with Michael Showalter directing the hilariously insightful film that shrewdly puts the spotlight on its writer/star Kumail Nanjiani (HBO’s Silicon Valley). A revered comedian, Nanjiani shines in the lead role, bringing his singular voice to center stage. Mining his personal stories for comedy gold, he shares his experiences that are uniquely Pakistani but will resonate for everyone who has ever fallen in love.
“The Big Sick is scoring points on familiar rom-com territory, so when it suddenly morphs into a completely different film — a bracingly sophisticated one — you’ll want to cry with happiness.” - Time Out ★★★★★
Director: Christopher Nolan.
Starring: Fionn Whitehead, Harry Styles, Cillian Murphy, Mark Rylance, Tom Hardy. Netherlands/UK/France/USA 2017. 106 mins.
The mass evacuation of more than 330,000 Allied troops from the beaches of Dunkirk in May 1940 was one of the most dramatic and pivotal episodes of the Second World War. In his latest feature, director Christopher Nolan (Interstellar, The Dark Knight trilogy) plunges viewers into the thick of it with what he describes as “the most visceral experiential two hours that audiences can hope for”.
Told from three points of view – land, sea and air – Dunkirk unfolds with a palpable sense of dread and tension, evoking the very human and immediate desire to survive.
With cinematography from Hoyte van Hoytema (Interstellar), a score from Hans Zimmer, and an all-star supporting cast that includes Tom Hardy, Cillian Murphy and Mark Rylance, this is the must-see spectacle of the summer.
Director: Edgar Wright.
Starring: Ansel Elgort, Lily James, Kevin Spacey. USA 2017. 113 mins.
Young getaway driver Baby (Elgort) relies on the beat of his personal soundtrack to be the best in the game. After he meets the girl of his dreams, he sees a chance to leave his criminal life behind. But one last heist puts his love, life and freedom on the line. With an eclectic soundtrack ranging from Queen and Martha Reeves to The Beach Boys, Edgar Wright’s musical crime caper rolls out one terrific tune after the other.
Directors: Stanley Donen and Gene Kelly
Starring: Gene Kelly, Frank Sinatra, Jules Munshin, Ann Miller. USA 1949. 98 mins.
Producer Arthur Freed turned New York into a giant sound stage for this hectic 'sailors on leave' romantic comedy, which is notable not only for the superb Leonard Bernstein score but also for the musical numbers shot on location. Few dance sequences in film are as fresh, exhilarating and imaginative as the ballet on top of the Empire State Building.
13.00Dementia-Friendly Screening: Open to all but especially for people with dementia and their family, friends and carers. Join us for free tea, coffee and biscuits and a chance to socialise for 30 minutes before the film. The film will start at the time stated.
Director: Michael Showalter.
Starring: Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano, Anupam Kher. USA 2017. 119 mins.
Based on the true story of the film’s writers (and real-life couple), Emily V. Gordon and Kumail Nanjiani, this modern culture clash shows how Pakistan-born Kumail and his American girlfriend, Emily, have to overcome the expectations of his family and their 1,400-year-old traditions. As his parents relentlessly set him up with potential brides for an arranged marriage, Kumail navigates treacherous waters in the worlds of both dating and stand-up comedy.
Produced by Judd Apatow, The Big Sick features a sterling collection of comedy talent in front of and behind the camera, with Michael Showalter directing the hilariously insightful film that shrewdly puts the spotlight on its writer/star Kumail Nanjiani (HBO’s Silicon Valley). A revered comedian, Nanjiani shines in the lead role, bringing his singular voice to center stage. Mining his personal stories for comedy gold, he shares his experiences that are uniquely Pakistani but will resonate for everyone who has ever fallen in love.
“The Big Sick is scoring points on familiar rom-com territory, so when it suddenly morphs into a completely different film — a bracingly sophisticated one — you’ll want to cry with happiness.” - Time Out ★★★★★
12.50Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
15.30Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Director: Christopher Nolan.
Starring: Fionn Whitehead, Harry Styles, Cillian Murphy, Mark Rylance, Tom Hardy. Netherlands/UK/France/USA 2017. 106 mins.
The mass evacuation of more than 330,000 Allied troops from the beaches of Dunkirk in May 1940 was one of the most dramatic and pivotal episodes of the Second World War. In his latest feature, director Christopher Nolan (Interstellar, The Dark Knight trilogy) plunges viewers into the thick of it with what he describes as “the most visceral experiential two hours that audiences can hope for”.
Told from three points of view – land, sea and air – Dunkirk unfolds with a palpable sense of dread and tension, evoking the very human and immediate desire to survive.
With cinematography from Hoyte van Hoytema (Interstellar), a score from Hans Zimmer, and an all-star supporting cast that includes Tom Hardy, Cillian Murphy and Mark Rylance, this is the must-see spectacle of the summer.
13.15Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
15.40Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Director: Edgar Wright.
Starring: Ansel Elgort, Lily James, Kevin Spacey. USA 2017. 113 mins.
Young getaway driver Baby (Elgort) relies on the beat of his personal soundtrack to be the best in the game. After he meets the girl of his dreams, he sees a chance to leave his criminal life behind. But one last heist puts his love, life and freedom on the line. With an eclectic soundtrack ranging from Queen and Martha Reeves to The Beach Boys, Edgar Wright’s musical crime caper rolls out one terrific tune after the other.
12.35Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Select:
15.15Silver Screen: Aged over 60? Join the Silver Screen Club for discounted tickets and a free tea or coffee at these shows. Usual ticket prices apply to non-Members.
Director: Hope Dickson Leach. Starring: Ellie Kendrick, David Troughton, Joe Blakemore. UK 2016. 84mins.
The 2014 flood that hit the Somerset Levels provides the backdrop for writer-director Hope Dickson Leach’s highly assured debut The Levelling, which features a superb central performance from Game Of Thrones’ Ellie Kendrick. After the mysterious death of her brother Harry (Blakemore), veterinary student Clover (Kendrick) returns to the Somerset family farm where she grew up. Against the backdrop of the floods that devastated her home, Clover confronts her estranged father, Aubrey (Troughton), in an attempt to uncover the truth. Troughton gives a finely tempered performance, perfectly matched by Kendrick’s extraordinary presence in the breakout role of the year. Dickson Leach gives the talented duo a complex, finely crafted script to work with, offering a drama that works on many different levels.
18.00Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
Director: Michael Showalter.
Starring: Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano, Anupam Kher. USA 2017. 119 mins.
Based on the true story of the film’s writers (and real-life couple), Emily V. Gordon and Kumail Nanjiani, this modern culture clash shows how Pakistan-born Kumail and his American girlfriend, Emily, have to overcome the expectations of his family and their 1,400-year-old traditions. As his parents relentlessly set him up with potential brides for an arranged marriage, Kumail navigates treacherous waters in the worlds of both dating and stand-up comedy.
Produced by Judd Apatow, The Big Sick features a sterling collection of comedy talent in front of and behind the camera, with Michael Showalter directing the hilariously insightful film that shrewdly puts the spotlight on its writer/star Kumail Nanjiani (HBO’s Silicon Valley). A revered comedian, Nanjiani shines in the lead role, bringing his singular voice to center stage. Mining his personal stories for comedy gold, he shares his experiences that are uniquely Pakistani but will resonate for everyone who has ever fallen in love.
“The Big Sick is scoring points on familiar rom-com territory, so when it suddenly morphs into a completely different film — a bracingly sophisticated one — you’ll want to cry with happiness.” - Time Out ★★★★★
12.30HOH Subtitled: This screening has subtitles for people with hearing loss
Audio Described: Everyone welcome. Audio Description is available for this film, and is undetectable to anyone not wearing a headset
Director: Christopher Nolan.
Starring: Fionn Whitehead, Harry Styles, Cillian Murphy, Mark Rylance, Tom Hardy. Netherlands/UK/France/USA 2017. 106 mins.
The mass evacuation of more than 330,000 Allied troops from the beaches of Dunkirk in May 1940 was one of the most dramatic and pivotal episodes of the Second World War. In his latest feature, director Christopher Nolan (Interstellar, The Dark Knight trilogy) plunges viewers into the thick of it with what he describes as “the most visceral experiential two hours that audiences can hope for”.
Told from three points of view – land, sea and air – Dunkirk unfolds with a palpable sense of dread and tension, evoking the very human and immediate desire to survive.
With cinematography from Hoyte van Hoytema (Interstellar), a score from Hans Zimmer, and an all-star supporting cast that includes Tom Hardy, Cillian Murphy and Mark Rylance, this is the must-see spectacle of the summer.
Director: Edgar Wright.
Starring: Ansel Elgort, Lily James, Kevin Spacey. USA 2017. 113 mins.
Young getaway driver Baby (Elgort) relies on the beat of his personal soundtrack to be the best in the game. After he meets the girl of his dreams, he sees a chance to leave his criminal life behind. But one last heist puts his love, life and freedom on the line. With an eclectic soundtrack ranging from Queen and Martha Reeves to The Beach Boys, Edgar Wright’s musical crime caper rolls out one terrific tune after the other.
Director: Michael Showalter.
Starring: Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano, Anupam Kher. USA 2017. 119 mins.
Based on the true story of the film’s writers (and real-life couple), Emily V. Gordon and Kumail Nanjiani, this modern culture clash shows how Pakistan-born Kumail and his American girlfriend, Emily, have to overcome the expectations of his family and their 1,400-year-old traditions. As his parents relentlessly set him up with potential brides for an arranged marriage, Kumail navigates treacherous waters in the worlds of both dating and stand-up comedy.
Produced by Judd Apatow, The Big Sick features a sterling collection of comedy talent in front of and behind the camera, with Michael Showalter directing the hilariously insightful film that shrewdly puts the spotlight on its writer/star Kumail Nanjiani (HBO’s Silicon Valley). A revered comedian, Nanjiani shines in the lead role, bringing his singular voice to center stage. Mining his personal stories for comedy gold, he shares his experiences that are uniquely Pakistani but will resonate for everyone who has ever fallen in love.
“The Big Sick is scoring points on familiar rom-com territory, so when it suddenly morphs into a completely different film — a bracingly sophisticated one — you’ll want to cry with happiness.” - Time Out ★★★★★
18.20HOH Subtitled: This screening has subtitles for people with hearing loss
Audio Described: Everyone welcome. Audio Description is available for this film, and is undetectable to anyone not wearing a headset
Director: Christopher Nolan.
Starring: Fionn Whitehead, Harry Styles, Cillian Murphy, Mark Rylance, Tom Hardy. Netherlands/UK/France/USA 2017. 106 mins.
The mass evacuation of more than 330,000 Allied troops from the beaches of Dunkirk in May 1940 was one of the most dramatic and pivotal episodes of the Second World War. In his latest feature, director Christopher Nolan (Interstellar, The Dark Knight trilogy) plunges viewers into the thick of it with what he describes as “the most visceral experiential two hours that audiences can hope for”.
Told from three points of view – land, sea and air – Dunkirk unfolds with a palpable sense of dread and tension, evoking the very human and immediate desire to survive.
With cinematography from Hoyte van Hoytema (Interstellar), a score from Hans Zimmer, and an all-star supporting cast that includes Tom Hardy, Cillian Murphy and Mark Rylance, this is the must-see spectacle of the summer.
Director: Edgar Wright.
Starring: Ansel Elgort, Lily James, Kevin Spacey. USA 2017. 113 mins.
Young getaway driver Baby (Elgort) relies on the beat of his personal soundtrack to be the best in the game. After he meets the girl of his dreams, he sees a chance to leave his criminal life behind. But one last heist puts his love, life and freedom on the line. With an eclectic soundtrack ranging from Queen and Martha Reeves to The Beach Boys, Edgar Wright’s musical crime caper rolls out one terrific tune after the other.
Director: Richard Thorpe. Starring: Elvis Presley, Judy Tyler, Mickey Shaughnessy, Vaughn Taylor. USA 1957. 95 mins.
One of the best of Elvis Presley's pre-Army films, Jailhouse Rock offers us the sensual, ‘dangerous’ Elvis that won the hearts of the kids and earned the animosity of their elders. Presley plays Vince Everett, a young buck who accidentally kills a man while protecting the honour of a woman. He is thrown into prison, and following his performance in the prison show, where ol' swivel-hips score a hit, he decides to stay in showbiz after his release. He sets up his own record company but success goes to his head, and he is deserted by his flunkeys and hangers-on. Everett learns the value of friendship and slowly rebuilds his reputation and career. Seldom would Elvis be so well showcased in the future.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show.
The Hungarian Uprising of 1956 against the USSR, which led to one of the largest refugee crises of the century, was fought to begin with from the cinema in Corvin, Budapest. In a live commentary screening of a comedy about football, scheduled to premiere at the cinema the week of the revolt, Deborah Pearson unlocks a surprisingly personal story. The performance runs the length of, and is timed alongside, the film, using interviews with the filmmakers, including the exiled screenwriter. It looks at themes of repression and immigration, and at links with history. This is a show for lovers of film, and for anyone who has stared at pictures of their ancestors a little too long. With dramaturgy by Daniel Kitson, and outside-eye work by Tania El Khoury and Laura Dannequin.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show.
The Hungarian Uprising of 1956 against the USSR, which led to one of the largest refugee crises of the century, was fought to begin with from the cinema in Corvin, Budapest. In a live commentary screening of a comedy about football, scheduled to premiere at the cinema the week of the revolt, Deborah Pearson unlocks a surprisingly personal story. The performance runs the length of, and is timed alongside, the film, using interviews with the filmmakers, including the exiled screenwriter. It looks at themes of repression and immigration, and at links with history. This is a show for lovers of film, and for anyone who has stared at pictures of their ancestors a little too long. With dramaturgy by Daniel Kitson, and outside-eye work by Tania El Khoury and Laura Dannequin.
Hundreds of thousands of cats roam the metropolis of Istanbul freely. For thousands of years they’ve wandered in and out of people’s lives, becoming an essential part of the communities that make the city so rich. Claiming no owners, these animals live between two worlds, neither wild nor tame – and they bring joy and purpose to those people they choose to adopt. In Istanbul, cats are the mirrors to the people, allowing them to reflect on their lives in ways nothing else could.
18.00Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show.
The Hungarian Uprising of 1956 against the USSR, which led to one of the largest refugee crises of the century, was fought to begin with from the cinema in Corvin, Budapest. In a live commentary screening of a comedy about football, scheduled to premiere at the cinema the week of the revolt, Deborah Pearson unlocks a surprisingly personal story. The performance runs the length of, and is timed alongside, the film, using interviews with the filmmakers, including the exiled screenwriter. It looks at themes of repression and immigration, and at links with history. This is a show for lovers of film, and for anyone who has stared at pictures of their ancestors a little too long. With dramaturgy by Daniel Kitson, and outside-eye work by Tania El Khoury and Laura Dannequin.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
Prick Up Your Ears
Director: Stephen Frears. Starring: Gary Oldman, Alfred Molina. UK 1987. 110 mins.
Stephen Frears and screenwriter Alan Bennett depict the realities of gay life in ’60s London in this classic ’80s drama. Gary Oldman and Alfred Molina star as controversial playwright Joe Orton and his partner Kenneth Halliwell. As Orton scales literary heights and Halliwell struggles to keep up, they descend into an increasingly tumultuous relationship, with devastating consequences.
The decay of Rome reaches violent depths in Shakespeare’s bloodiest play. Blanche McIntyre (The Two Noble Kinsmen) returns to the RSC to direct Shakespeare’s brutal revenge tragedy.
Titus is a ruler exhausted by war and loss. He relinquishes power, but leaves Rome in disorder. Rape, cannibalism and mutilation fill the moral void at the heart of this corrupt society.
Shakespeare presents us with murder as entertainment and, as the body count rises, poses questions about sexuality, family, class and society.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show.
The Hungarian Uprising of 1956 against the USSR, which led to one of the largest refugee crises of the century, was fought to begin with from the cinema in Corvin, Budapest. In a live commentary screening of a comedy about football, scheduled to premiere at the cinema the week of the revolt, Deborah Pearson unlocks a surprisingly personal story. The performance runs the length of, and is timed alongside, the film, using interviews with the filmmakers, including the exiled screenwriter. It looks at themes of repression and immigration, and at links with history. This is a show for lovers of film, and for anyone who has stared at pictures of their ancestors a little too long. With dramaturgy by Daniel Kitson, and outside-eye work by Tania El Khoury and Laura Dannequin.
Directors: Hideaki Anno, Shinji Higuchi, Cris George.
Japan 2016. Japanese with English subtitles.
A god incarnate. A city doomed. Shin Godzilla is a refreshing and entertaining return to the kaiju’s creature-feature roots. One peaceful day in Japan, a strange fountain of water erupts in the bay, causing panic to spread among government officials. At first they suspect only volcanic activity, but one young executive dares to wonder if it may be something different... something alive. His worst nightmare comes to life when a massive gilled monster emerges from the deep and begins tearing through the city, leaving nothing but destruction in its wake. As the government scrambles to save its citizens, a rag-tag team of volunteers cuts through a web of red tape to uncover the monster’s weakness – and its mysterious ties to a foreign superpower.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show.
The Hungarian Uprising of 1956 against the USSR, which led to one of the largest refugee crises of the century, was fought to begin with from the cinema in Corvin, Budapest. In a live commentary screening of a comedy about football, scheduled to premiere at the cinema the week of the revolt, Deborah Pearson unlocks a surprisingly personal story. The performance runs the length of, and is timed alongside, the film, using interviews with the filmmakers, including the exiled screenwriter. It looks at themes of repression and immigration, and at links with history. This is a show for lovers of film, and for anyone who has stared at pictures of their ancestors a little too long. With dramaturgy by Daniel Kitson, and outside-eye work by Tania El Khoury and Laura Dannequin.
Sixteen-year-old Billie’s (Cobham-Hervey) reluctant path to independence is accelerated when her mother reveals plans for gender transition. Billie is obliged to live with her father (Beau Travis Williams), and sees her mother just once a week on the titular Tuesdays; 52 Tuesdays – itself filmed once a week, every Tuesday for a year – unfolds in realist time and almost documentary style.
Initially shocked by her mother’s revelation, Billie begins to reflect on and explore her own sexuality, alternating between meetings with her mother and rendezvous with two fellow teens in a disused building. Boasting heartfelt central performances from its non-professional cast, this unique and at times provocative film tells an emotionally charged story of desire, responsibility and transformation.
Directors: Bonni Cohen, Jon Shenk.
Featuring: Al Gore, Barack Obama, Donald Trump. USA 2017. 98 mins.
Ten years after his original Inconvenient Truth, Al Gore remains deeply committed to publicising the oncoming perils of climate change and, as this movie demonstrates, doing something practical about it. Taking over from original director Davis Guggenheim, directors Bonnie Cohen and Jon Shenk follow Gore as he travels the globe tutoring eco-activists as well as demonstrating to his global warming-denying critics that his original, dour predictions are already proving correct – Miami Beach’s regular floods, Hurricane Sandy putting Manhattan’s Ground Zero underwater, anybody? Footage of Barack Obama and Donald Trump’s efforts conversely to address and refute the fact of climate change are equally chilling, which is ironic considering that the fifteen hottest years on record have occurred since 2001. Sobering and heartening in equal measure.
19.15Al Gore Live in Conversation: Al Gore will be appearing in conversation, live via satellite, followed by a special preview of An Inconvenient Sequel: Truth to Power.
A programme of award-winning and highly creative short films from South Australia, including stop-motion animation After All; a documentary about Australian Indigenous diggers with Coming Home; a young boy with a wild imagination in Upside Down Feeling; an amazing birthday present with unexpected results in My Best Friend is Stuck on the Ceiling; and a dinner party unlike any other in What We Know.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show.
This is goodbye, for now. Forest Fringe is leaving the Edinburgh Festival to try out some new adventures elsewhere. This is our goodbye party and in the spirit of the last ten years we hope it will be big, free, eclectic, eccentric, frequently chaotic and occasionally, unexpectedly, very beautiful. Come for film, music, performance, drinks and weirdness with artists including Double Pussy Clit F*ck, Foxy & Husk, Ira Brand, Julia Taudevin, H Giles, Louise Orwin, Richard DeDomenici, Ryan Van Winkle, Tim Etchells and Tom Parkinson, with more to be announced very soon.
Just as importantly, this event is our attempt to raise some money for another group of artists to create their own space at the festival, just as we did over a decade ago. A passing of the torch. A long drawn-out goodbye and a hope for the beginning of something very new.
A well renowned family favourite, Storm Boy holds a special place in the hearts of generations of South Australians. With plans for a re-telling to be shot in South Australia later this year staring Geoffrey Rush and Jai Courtney, there has never been a better time to re-visit this family friendly tale. Shot in the stunning Coorong Region, Storm Boy is the story of a young boy living a lonely existence with his reclusive fisherman father who befriends a pelican before meeting a young Aboriginal who educates him in the ways of nature. The film stars David Gulpilil, one of Australia’s finest actors, whose legacy spans iconic Australian films including Walkabout (1971), Crocodile Dundee (1986) and Australia (2008). Gulpilil’s incredible talent was recognised at the 2014 Cannes Film Festival when he was awarded the Best Actor, Un Certain Regard for his performance in Charlie’s Country. Storm Boy is a wondrous coming-of-age film about preservation and empathy of the environment.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show
The Foley Explosion is an immersive audio experience using Foley sound effects and looping technology to tell stories that link Britain and Russia. The sound effects are created live in a bravura solo performance, made up of seven linking theatrical ‘tracks’, given by Julie Rose Bower. Episodes features cameos from Edward Snowden, Rasputin, Guy Fawkes and a chorus of Geiger counters in memory of Alexander Litvinenko. The sound effects are made using everyday objects – a sandbag, a balloon - and are repurposed to narrate extraordinary incidents set around Bower’s personal experience of a breaking news story in Russia. Intriguingly, layers of sound invoke the cinematic language of Foley sound where origins and destinations of the sounds are often wildly different. This innovative and playful performance creates surprise and unexpected humour.
One of Merchant Ivory"s undisputed masterpieces, this adaptation of E.M. Forster"s classic 1910 novel is a saga of class relations and changing times in Edwardian England. Margaret Schlegel (Emma Thompson) and her sister Helen (Helena Bonham Carter) become involved with two couples: a wealthy, conservative industrialist (Anthony Hopkins) and his wife (Vanessa Redgrave), and a working-class man (Samuel West) and his mistress (Niccola Duffet). The interwoven fates and misfortunes of these three families and the diverging trajectories of the two sisters" lives are connected to the ownership of HOWARD"S END, a beloved country home. A compelling, brilliantly acted study of one woman"s struggle to maintain her ideals and integrity in the face of Edwardian society"s moribund conformist values.
South Australia’s reputation for creative collaboration is presented in full force on the big screen in the dynamic production of Girl Asleep. Based on the critically acclaimed production of the same name by Windmill Theatre and developed through Adelaide Film Festival’s HIVE Lab, Girl Asleep is a journey into the absurd, scary and beautiful heart of the teenage mind.
On the cusp of turning fifteen, Greta Driscoll feels the world is closing in on her. She can’t bear to leave her childhood behind for it contains all the things that give her comfort in this incomprehensible new world. She floats in a bubble of loserdom with her only friend Elliott, until her parents throw her a surprise 15th birthday party. Flung into a parallel world that’s weirdly erotic, a little bit violent and thoroughly ludicrous – Greta finds she lands in a place in which she just might find herself.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show
The Foley Explosion is an immersive audio experience using Foley sound effects and looping technology to tell stories that link Britain and Russia. The sound effects are created live in a bravura solo performance, made up of seven linking theatrical ‘tracks’, given by Julie Rose Bower. Episodes features cameos from Edward Snowden, Rasputin, Guy Fawkes and a chorus of Geiger counters in memory of Alexander Litvinenko. The sound effects are made using everyday objects – a sandbag, a balloon - and are repurposed to narrate extraordinary incidents set around Bower’s personal experience of a breaking news story in Russia. Intriguingly, layers of sound invoke the cinematic language of Foley sound where origins and destinations of the sounds are often wildly different. This innovative and playful performance creates surprise and unexpected humour.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show
The Foley Explosion is an immersive audio experience using Foley sound effects and looping technology to tell stories that link Britain and Russia. The sound effects are created live in a bravura solo performance, made up of seven linking theatrical ‘tracks’, given by Julie Rose Bower. Episodes features cameos from Edward Snowden, Rasputin, Guy Fawkes and a chorus of Geiger counters in memory of Alexander Litvinenko. The sound effects are made using everyday objects – a sandbag, a balloon - and are repurposed to narrate extraordinary incidents set around Bower’s personal experience of a breaking news story in Russia. Intriguingly, layers of sound invoke the cinematic language of Foley sound where origins and destinations of the sounds are often wildly different. This innovative and playful performance creates surprise and unexpected humour.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
Early ’60s London, and gay men across the city are being blackmailed, threatening exposure at a time when consensual homosexual acts could still result in imprisonment. Basil Dearden’s classic thriller stars Dirk Bogarde in his most daring role, as a gay lawyer fighting back against the blackmailers who dare to target him.
18.00Criminal Acts: A Charged Past: A season to mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales.
Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show
The Foley Explosion is an immersive audio experience using Foley sound effects and looping technology to tell stories that link Britain and Russia. The sound effects are created live in a bravura solo performance, made up of seven linking theatrical ‘tracks’, given by Julie Rose Bower. Episodes features cameos from Edward Snowden, Rasputin, Guy Fawkes and a chorus of Geiger counters in memory of Alexander Litvinenko. The sound effects are made using everyday objects – a sandbag, a balloon - and are repurposed to narrate extraordinary incidents set around Bower’s personal experience of a breaking news story in Russia. Intriguingly, layers of sound invoke the cinematic language of Foley sound where origins and destinations of the sounds are often wildly different. This innovative and playful performance creates surprise and unexpected humour.
This fender and genre-bending film takes us into the not-too-distant machine-driven future. Kokone should be diligently studying for her university entrance exams, but she just can’t seem to stay awake. Aside from stealing precious study time, her napping is even more distracting, as it brings on strange dreams with warring machines that hint at family secrets that have been dormant for years. She can’t ask her father, a hipster mechanic more talented and artful than his job requires, as he’s always busy modifying motorcycles and cars in flights of fancy. What are these visions that lead Kokone at once closer to and further away from her family?
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show.
Sporting a projector and a screen around his head, performance maker and theatre designer Mamoru Iriguchi turns himself into a mobile cinema. He then performs with a host of Hollywood film stars by dint of black and white classic film clips, with especial focus on Marlene Dietrich. 4D Cinema is a performance piece that explores what is live, and what is recorded and so fixed eternally on film. Iriguchi investigates what it is that films mean to us in an age where new technology blurs actual and virtual realities?
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show
The Foley Explosion is an immersive audio experience using Foley sound effects and looping technology to tell stories that link Britain and Russia. The sound effects are created live in a bravura solo performance, made up of seven linking theatrical ‘tracks’, given by Julie Rose Bower. Episodes features cameos from Edward Snowden, Rasputin, Guy Fawkes and a chorus of Geiger counters in memory of Alexander Litvinenko. The sound effects are made using everyday objects – a sandbag, a balloon - and are repurposed to narrate extraordinary incidents set around Bower’s personal experience of a breaking news story in Russia. Intriguingly, layers of sound invoke the cinematic language of Foley sound where origins and destinations of the sounds are often wildly different. This innovative and playful performance creates surprise and unexpected humour.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show.
Sporting a projector and a screen around his head, performance maker and theatre designer Mamoru Iriguchi turns himself into a mobile cinema. He then performs with a host of Hollywood film stars by dint of black and white classic film clips, with especial focus on Marlene Dietrich. 4D Cinema is a performance piece that explores what is live, and what is recorded and so fixed eternally on film. Iriguchi investigates what it is that films mean to us in an age where new technology blurs actual and virtual realities?
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show.
Sporting a projector and a screen around his head, performance maker and theatre designer Mamoru Iriguchi turns himself into a mobile cinema. He then performs with a host of Hollywood film stars by dint of black and white classic film clips, with especial focus on Marlene Dietrich. 4D Cinema is a performance piece that explores what is live, and what is recorded and so fixed eternally on film. Iriguchi investigates what it is that films mean to us in an age where new technology blurs actual and virtual realities?
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show.
Sporting a projector and a screen around his head, performance maker and theatre designer Mamoru Iriguchi turns himself into a mobile cinema. He then performs with a host of Hollywood film stars by dint of black and white classic film clips, with especial focus on Marlene Dietrich. 4D Cinema is a performance piece that explores what is live, and what is recorded and so fixed eternally on film. Iriguchi investigates what it is that films mean to us in an age where new technology blurs actual and virtual realities?
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show.
We can’t help living in the future - booking flights for holidays, organizing birthday parties, writing applications, sending out invitations, producing T-shirts for tours. But all of this is merely supposition. When the time comes, these things may happen according to plan, or they may not. Life is entirely unpredictable. But what if we could rewrite history? What if we could imagine that things had turned out differently even if they had not? What if we could anticipate all roads to the future, so that we could be prepared for any possible scenario? Portuguese theatre company Mala Voadora and writer and performer Chris Thorpe collaborate in Your Best Guess to investigate this unpredictability. They explore more concrete phenomena such as undetonated bombs, goodbye letters, ghost cities, amulets. And, intrigued by the way we bet on the future, they will locate that exact point of consciousness at which things either work out as planned or awry.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show.
We can’t help living in the future - booking flights for holidays, organizing birthday parties, writing applications, sending out invitations, producing T-shirts for tours. But all of this is merely supposition. When the time comes, these things may happen according to plan, or they may not. Life is entirely unpredictable. But what if we could rewrite history? What if we could imagine that things had turned out differently even if they had not? What if we could anticipate all roads to the future, so that we could be prepared for any possible scenario? Portuguese theatre company Mala Voadora and writer and performer Chris Thorpe collaborate in Your Best Guess to investigate this unpredictability. They explore more concrete phenomena such as undetonated bombs, goodbye letters, ghost cities, amulets. And, intrigued by the way we bet on the future, they will locate that exact point of consciousness at which things either work out as planned or awry.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show.
We can’t help living in the future - booking flights for holidays, organizing birthday parties, writing applications, sending out invitations, producing T-shirts for tours. But all of this is merely supposition. When the time comes, these things may happen according to plan, or they may not. Life is entirely unpredictable. But what if we could rewrite history? What if we could imagine that things had turned out differently even if they had not? What if we could anticipate all roads to the future, so that we could be prepared for any possible scenario? Portuguese theatre company Mala Voadora and writer and performer Chris Thorpe collaborate in Your Best Guess to investigate this unpredictability. They explore more concrete phenomena such as undetonated bombs, goodbye letters, ghost cities, amulets. And, intrigued by the way we bet on the future, they will locate that exact point of consciousness at which things either work out as planned or awry.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show.
We can’t help living in the future - booking flights for holidays, organizing birthday parties, writing applications, sending out invitations, producing T-shirts for tours. But all of this is merely supposition. When the time comes, these things may happen according to plan, or they may not. Life is entirely unpredictable. But what if we could rewrite history? What if we could imagine that things had turned out differently even if they had not? What if we could anticipate all roads to the future, so that we could be prepared for any possible scenario? Portuguese theatre company Mala Voadora and writer and performer Chris Thorpe collaborate in Your Best Guess to investigate this unpredictability. They explore more concrete phenomena such as undetonated bombs, goodbye letters, ghost cities, amulets. And, intrigued by the way we bet on the future, they will locate that exact point of consciousness at which things either work out as planned or awry.
This is a live performance, tickets are free and the artist will be collecting donations on a pay as you wish basis at the end of the show.
We can’t help living in the future - booking flights for holidays, organizing birthday parties, writing applications, sending out invitations, producing T-shirts for tours. But all of this is merely supposition. When the time comes, these things may happen according to plan, or they may not. Life is entirely unpredictable. But what if we could rewrite history? What if we could imagine that things had turned out differently even if they had not? What if we could anticipate all roads to the future, so that we could be prepared for any possible scenario? Portuguese theatre company Mala Voadora and writer and performer Chris Thorpe collaborate in Your Best Guess to investigate this unpredictability. They explore more concrete phenomena such as undetonated bombs, goodbye letters, ghost cities, amulets. And, intrigued by the way we bet on the future, they will locate that exact point of consciousness at which things either work out as planned or awry.
Director: Wolfgang Reitherman. USA. 1967. 77 mins.
Abandoned after an accident, baby Mowgli is taken and raised by a family of wolves. As the boy grows older, the wise panther Bagheera realizes he must be returned to his own kind in the nearby man-village. Baloo the bear however thinks differently taking the young Mowgli under his wing and teaching that living in the jungle is the best life there is. Bagheera realizes that Mowgli is in danger, particularly from Shere Khan the tiger who hates all people. When Baloo finally comes around, Mowgli runs off into the jungle where he survives a second encounter with Kaa the snake and finally, with Shere Khan. It's the sight of a pretty girl however that gets Mowgli to go the nearby man-village.
13.00Dementia-Friendly Screening: Open to all but especially for people with dementia and their family, friends and carers. Join us for free tea, coffee and biscuits and a chance to socialise for 30 minutes before the film. The film will start at the time stated.
Director: James Cameron.
Starring: Arnold Schwarzenegger, Linda Hamilton, Robert Patrick, Edward Furlong. USA/France 2017. TBC mins.
He’s only gone and done it. James Cameron has talked about converting T2: Judgement Day into 3D for years, and now he’s given his 1991 masterpiece – one of the greatest action films of all time –the 21st century treatment. Digitally restored before conversion to 3D, this re-release brings the battle for tomorrow to life in spectacular fashion.
10 years after the events of The Terminator, Sarah Connor’s ordeal is only just beginning. A new cyborg, the T-1000, has been sent back to eliminate her now ten-year-old son, John, the future leader of the human resistance. The T-1000 is more advanced and powerful than its predecessor, but Sarah and John won’t face this new terror alone…
A forgotten European song contest singer, fading away in a pate factory, falls in love with a young aspiring boxer. Together they decide to attempt her comeback.
18.00Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
The incredible Billie Piper (Penny Dreadful, Great Britain) returns in her Evening Standard Best Actress award-winning role. A young woman is driven to the unthinkable by her desperate desire to have a child in Simon Stone’s radical production of Lorca’s achingly powerful masterpiece. The unmissable theatre phenomenon sold out at the Young Vic and critics call it “an extraordinary theatrical triumph” (The Times) and “stunning, searing, unmissable” (Mail on Sunday). Billie Piper’s lead performance is described as “spellbinding” (The Evening Standard), “astonishing” (iNews) and “devastatingly powerful” (The Daily Telegraph). Set in contemporary London, Piper’s portrayal of a woman in her thirties desperate to conceive builds with elemental force to a staggering, shocking, climax. Please note that this broadcast does not have an interval.
★★★★★
“Brutal yet ferociously funny” - Metro
★★★★★
“Billie Piper makes a shattering Yerma in Simon Stone’s inspired reworking of Lorca” - The Observer
★★★★★
“A shatteringly powerful reinvention of a familiar classic” - The Independent
The incredible Billie Piper (Penny Dreadful, Great Britain) returns in her Evening Standard Best Actress award-winning role. A young woman is driven to the unthinkable by her desperate desire to have a child in Simon Stone’s radical production of Lorca’s achingly powerful masterpiece. The unmissable theatre phenomenon sold out at the Young Vic and critics call it “an extraordinary theatrical triumph” (The Times) and “stunning, searing, unmissable” (Mail on Sunday). Billie Piper’s lead performance is described as “spellbinding” (The Evening Standard), “astonishing” (iNews) and “devastatingly powerful” (The Daily Telegraph). Set in contemporary London, Piper’s portrayal of a woman in her thirties desperate to conceive builds with elemental force to a staggering, shocking, climax. Please note that this broadcast does not have an interval.
★★★★★
“Brutal yet ferociously funny” - Metro
★★★★★
“Billie Piper makes a shattering Yerma in Simon Stone’s inspired reworking of Lorca” - The Observer
★★★★★
“A shatteringly powerful reinvention of a familiar classic” - The Independent
In aid of Médecins Sans Frontières / Doctors without Borders (MSF)
7 September 2017
Join us for a unique celebration of John le Carré’s work as he discusses the full breadth of his career – from his extraordinary Cold War novels to his powerful descriptions of the arms trade and the war on terror – and reflects on the continuing story of his most famous creation, the tubby, bespectacled spy, George Smiley.
Featuring readings from his new novel A Legacy Of Spies, and a rare Q&A session, this will be an unmissable opportunity to experience the author direct and in his own words.
The event will be broadcast live to cinemas across the UK and Europe from London’s Royal Festival Hall.
In support of MSF, the leading emergency medical humanitarian aid organisation, John le Carré is donating his speaker’s fee, and the producers of the live cinema broadcast, The Ink Factory, are donating their share of the profits to the charity.
45 years after Pink Floyd’s David Gilmour filmed ‘Live At Pompeii’ in the legendary Roman Amphitheatre there, he returned for two spectacular shows, part of his year-long tour in support of his No.1 album ‘Rattle That Lock’. The performances were the first-ever rock concerts for an audience in the stone Roman amphitheatre, and, for two nights only, the 2,600 strong crowd stood exactly where gladiators would have fought in the first century AD.
‘David Gilmour Live At Pompeii’ is an audio-visual spectacle, featuring lasers, pyrotechnics and a huge circular screen on which specially-created films complement selected songs, but paramount above all is the astonishing music and stellar performances from an all-star band. The show includes songs from throughout David's career, as well as many Pink Floyd classics, including 'One Of These Days', the only song that was also performed at the band’s 1971 show.
Both concerts also saw very special performances of 'The Great Gig In The Sky' from 'The Dark Side Of The Moon', which David rarely plays as a solo artist. This concert performance film includes highlights from both shows, filmed in 4k by director Gavin Elder . ‘David Gilmour Live At Pompeii’ shows an artist at the top of his artistic game, performing incredible material with his world-class band, in a unique setting, on one very special occasion.
Songs include the title tracks of his two most recent No. 1 solo albums: Rattle That Lock and On An Island, as well as other solo and Pink Floyd classics, including Wish You Were Here and Comfortably Numb.
After the screening we'll be joined for a Q&A with director Paul Sng.
For some people, a housing crisis means not getting planning permission for a loft conversion. For others it means, quite simply, losing their home. Dispossession: The Great Social Housing Swindle is a feature documentary directed by Paul Sng (Sleaford Mods – Invisible Britain) and narrated by Maxine Peake, exploring the catastrophic failures that have led to a chronic shortage of social housing in Britain. The film focuses on the neglect, demolition and regeneration of council estates across the UK and investigates how the state works with the private sector to demolish council estates to build on the land they stand on, making properties that are unaffordable to the majority of people. Dispossession is the story of people fighting for their communities, of people who know the difference between a house and a home, and who believe that housing is a human right, not an expensive luxury.
EXHIBITION ON SCREEN open its fifth season with Canaletto & the Art of Venice, an immersive journey into the life and art of Venice’s famous view-painter. No artist better captures the essence and allure of Venice than Giovanni Antonio Canal, better known as Canaletto.
The remarkable group of over 200 paintings, drawings and prints on display offer unparalleled insight into the artistry of Canaletto and his contemporaries, and the city he became a master at capturing. The film also offers the chance to step inside two official royal residences - Buckingham Palace and Windsor Castle – to learn more about the artist, and Joseph Smith, the man who introduced Canaletto to Britain.
Cinema-goers will embark on their very own 21st century Grand Tour, visiting the sites enjoyed by their 18th century counterparts and immortalised in Canaletto’s views - from the Rialto Bridge to the Piazza San Marco, and the Palazzo Ducale to the Church of Santi Giovanni e Paolo. Guided by Royal Collection Trust curators and the world’s leading experts in Venetian history, the film is not only a wonderful way to see the exhibition, but an opportunity to get closer to Canaletto and the city that inspired him.
EXHIBITION ON SCREEN open its fifth season with Canaletto & the Art of Venice, an immersive journey into the life and art of Venice’s famous view-painter. No artist better captures the essence and allure of Venice than Giovanni Antonio Canal, better known as Canaletto.
The remarkable group of over 200 paintings, drawings and prints on display offer unparalleled insight into the artistry of Canaletto and his contemporaries, and the city he became a master at capturing. The film also offers the chance to step inside two official royal residences - Buckingham Palace and Windsor Castle – to learn more about the artist, and Joseph Smith, the man who introduced Canaletto to Britain.
Cinema-goers will embark on their very own 21st century Grand Tour, visiting the sites enjoyed by their 18th century counterparts and immortalised in Canaletto’s views - from the Rialto Bridge to the Piazza San Marco, and the Palazzo Ducale to the Church of Santi Giovanni e Paolo. Guided by Royal Collection Trust curators and the world’s leading experts in Venetian history, the film is not only a wonderful way to see the exhibition, but an opportunity to get closer to Canaletto and the city that inspired him.
Academy Award® nominee Benedict Cumberbatch (BBC’s Sherlock, The Imitation Game, Frankenstein at the National Theatre) takes on the title role of Shakespeare’s great tragedy.
Directed by Lyndsey Turner (Posh, Chimerica) and produced by Sonia Friedman Productions, National Theatre Live will broadcast this eagerly awaited production live to cinemas.
As a country arms itself for war, a family tears itself apart. Forced to avenge his father’s death but paralysed by the task ahead, Hamlet rages against the impossibility of his predicament, threatening both his sanity and the security of the state.
Bellini’s masterpiece boasts one of the most famous arias in all of opera, the beautiful “Casta diva”. Directed by Sir David McVicar, this evocative new production sets the action deep in a Druid forest, where nature and ancient ritual rule. The priestess Norma is torn between loyalty to her oppressed people and love for a Roman soldier. On the eve of a Druid revolt, she must choose between two agonising betrayals – only to learn that she herself has already been betrayed. Sondra Radvanovsky as Norma and Joyce DiDonato as her rival Adalgisa lead a cast of bel canto heavyweights, with Joseph Calleja as Norma’s unfaithful lover, Pollione, and British favourite Matthew Rose returning to the Met as Norma’s father, Oroveso.
Bellini’s masterpiece boasts one of the most famous arias in all of opera, the beautiful “Casta diva”. Directed by Sir David McVicar, this evocative new production sets the action deep in a Druid forest, where nature and ancient ritual rule. The priestess Norma is torn between loyalty to her oppressed people and love for a Roman soldier. On the eve of a Druid revolt, she must choose between two agonising betrayals – only to learn that she herself has already been betrayed. Sondra Radvanovsky as Norma and Joyce DiDonato as her rival Adalgisa lead a cast of bel canto heavyweights, with Joseph Calleja as Norma’s unfaithful lover, Pollione, and British favourite Matthew Rose returning to the Met as Norma’s father, Oroveso.
A full-throttle war play that revels in the sweat of the battlefield, Coriolanus transports us back to the emergence of the republic of Rome.
Caius Martius Coriolanus is a fearless soldier but a reluctant leader. His ambitious mother attempts to carve him a path to political power, but he struggles to change his nature and do what is required to achieve greatness. In this new city state struggling to find its feet, where the gap between rich and poor is widening every day, Coriolanus must decide who he really is and where his allegiances lie.
Rome Season Director, Angus Jackson, completes the Royal Shakespeare Company’s collection of Shakespeare’s Roman plays with a visceral production which sees Sope Dirisu (One Night in Miami, Donmar Warehouse, 2016) take on the title role.
Experience Mozart’s irresistible fantasy in all its glory! Will brave Prince Tamino rescue Princess Pamina from the clutches of the evil Sarastro, and will Papageno the foolish bird catcher learn wisdom enough to help him? The Queen of the Night’s aria, with its stratospheric high notes, is just one of the countless highlights in this tale of love and magic, mysterious secrets, and whimsical fantasy. Julie Taymor’s (The Lion King) enchanting production captures both the opera’s earthy comedy and its enlightened nobility. Met Music Director Emeritus James Levine conducts a cast of rising young stars.
Experience Mozart’s irresistible fantasy in all its glory! Will brave Prince Tamino rescue Princess Pamina from the clutches of the evil Sarastro, and will Papageno the foolish bird catcher learn wisdom enough to help him? The Queen of the Night’s aria, with its stratospheric high notes, is just one of the countless highlights in this tale of love and magic, mysterious secrets, and whimsical fantasy. Julie Taymor’s (The Lion King) enchanting production captures both the opera’s earthy comedy and its enlightened nobility. Met Music Director Emeritus James Levine conducts a cast of rising young stars.
Amidst a bustling market, the pirate Conrad falls in love at first sight with the beautiful Medora, the ward of the slave merchant Lankedem’s bazaar. Conrad kidnaps Medora when Lanquedem decides to sell her to the Pasha.
Inspired by Lord Byron’s epic poem and reworked by Alexei Ratmansky from Petipa’s exotic 19th century classic, this miracle of the repertoire is one of the Bolshoi’s most lavish productions. Complete with a magnificent awe-inspring shipwreck and dramatic scenery, this grand romance allows enough dancing for nearly the entire company and made especially for those who seek miracles in theatre.
Grace Jones: Bloodlight & Bami - Live with Friends promises to be thrilling and enlightening evening with the inimitable icon, as she discusses her life and work with some of her closest collaborators from the worlds of music, fashion, art and film. The discussion follows an exclusive preview of Sophie Fiennes’ highly anticipated new film Grace Jones: Bloodlight And Bami.
Grace Jones: Bloodlight And Bami takes the viewer on an intimate and electrifying journey that moves between four cinematic layers – performance, family, artist and gypsy – to explore the fascinating world of a pop-culture phenomenon. Here we see the daughter, mother, sister and grandmother behind the mask, and she takes to the stage for a specially commissioned performance that showcases legendary hits like Pull Up To The Bumper and Slave To The Rhythm. Larger than life, bordering on cartoon, wild, scary and androgynous – Grace Jones plays all these parts.
Leaving the world of J-pop behind her, Mima Kirigoe begins life as an actress on a crime drama show called Double Blind. When offered a lead role in the show as a rape victim, Mima accepts in spite of her manager’s reservations. However, the backlash from fans over her career change and a strange website called ‘Mima's Room’, written by a fake Mima, begin to worry her. When a stalker appears and people involved in Double Blind begin turning up dead, with all the evidence pointing to her, Mima is thrown into a state of confusion, madness and paranoia.
Baptista struggles to marry off his tempestuous daughter Katharina, a shrew who denies that any man could possibly be her match. However when she meets Petruchio, who is as ill-tempered as she, the two forces of nature ignite an unexpected and explosive encounter.
Acclaimed choreographer Jean-Christophe Maillot brings out the wit, fast-paced athleticism and vibrancy from the Bolshoi Ballet dancers in Shakespeare’s rowdy comedy. Principals Ekaterina Krysanova and Vladislav Lantratov clash, challenge and eventually give themselves to one another in a wonderfully entertaining production that can only be seen at the Bolshoi!
Stephen Sondheim’s legendary musical is staged for the first time at the National Theatre and broadcast live to cinemas. New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves. Tracie Bennett, Janie Dee and Imelda Staunton play the magnificent Follies in this dazzling new production. Featuring a cast of 37 and an orchestra of 21, it’s directed by Dominic Cooke (The Comedy of Errors). Winner of Academy, Tony, Grammy and Olivier awards, Sondheim’s previous work includes A Little Night Music, Sweeney Todd and Sunday in the Park with George.
Take a seat at the strangest dinner party of your life. The servants have absconded; the ragout is all over the floor; there’s a bear in the garden; your fellow guests are rapidly descending into savagery; and most mysteriously of all, no one seems able to leave. British composer Thomas Adès (The Tempest) conducts the American premiere of his latest opera. Co-commissioned by the Met and sung in English, this black comedy, with shades of JG Ballard/Ben Wheatley’s High-Rise, is based on the screenplay of Luis Buñuel’s 1962 surrealist film. The cast is filled with established British names including Sally Matthews, Sophie Bevan, Alice Coote, Christine Rice, Ieystn Davies and John Tomlinson. “Inventive and audacious… a major event” (New York Times).
Take a seat at the strangest dinner party of your life. The servants have absconded; the ragout is all over the floor; there’s a bear in the garden; your fellow guests are rapidly descending into savagery; and most mysteriously of all, no one seems able to leave. British composer Thomas Adès (The Tempest) conducts the American premiere of his latest opera. Co-commissioned by the Met and sung in English, this black comedy, with shades of JG Ballard/Ben Wheatley’s High-Rise, is based on the screenplay of Luis Buñuel’s 1962 surrealist film. The cast is filled with established British names including Sally Matthews, Sophie Bevan, Alice Coote, Christine Rice, Ieystn Davies and John Tomlinson. “Inventive and audacious… a major event” (New York Times).
Widely considered Britain’s most popular artist, David Hockney is a global sensation with exhibitions in London, New York, Paris and beyond, attracting millions of visitors worldwide.
Now entering his 9th decade, Hockney shows absolutely no evidence of slowing down or losing his trademark boldness.
Featuring intimate and in-depth interviews with Hockney, this revealing film focuses on two blockbuster exhibitions held in 2012 and 2016 at the Royal Academy of Art in London.
Widely considered Britain’s most popular artist, David Hockney is a global sensation with exhibitions in London, New York, Paris and beyond, attracting millions of visitors worldwide.
Now entering his 9th decade, Hockney shows absolutely no evidence of slowing down or losing his trademark boldness.
Featuring intimate and in-depth interviews with Hockney, this revealing film focuses on two blockbuster exhibitions held in 2012 and 2016 at the Royal Academy of Art in London.
As the clock strikes midnight on Christmas Eve, Marie’s wooden nutcracker doll comes to life and transforms into a prince! Soon joined by her other toys that have also come to life, Marie and her prince embark on a dreamy unforgettable adventure.
A holiday tradition for the whole family, The Nutcracker sweeps the Bolshoi stage for two hours of enchantment and magic. Along with Tchaikovsky’s cherished score and and some of the Bolshoi’s greatest artists, The Nutcracker remains a treasure not to be missed!
Rory Kinnear (The Threepenny Opera, Penny Dreadful, Othello) is Marx and Oliver Chris (Twelfth Night, Green Wing) is Engels, in this new comedy written by Richard Bean and Clive Coleman. Broadcast live from The Bridge Theatre, London, the production is directed by Nicholas Hytner and reunites the creative team behind Broadway and West End hit comedy One Man, Two Guvnors.
1850, and Europe’s most feared terrorist is hiding in Dean Street, Soho. Broke, restless and horny, the thirty-two-year-old revolutionary is a frothing combination of intellectual brilliance, invective, satiric wit, and child-like emotional illiteracy.
Creditors, spies, rival revolutionary factions and prospective seducers of his beautiful wife all circle like vultures. His writing blocked, his marriage dying, his friend Engels in despair at his wasted genius, his only hope is a job on the railway. But there’s still no one in the capital who can show you a better night on the piss than Karl Heinrich Marx.
In Verona, Romeo and Juliet fall madly in love while their respective families, the Montagues and the Capulets, are caught in a bitter rivalry ending in heart-wrenching tragedy…
Alexei Ratmansky, former artistic director of the Bolshoi Ballet, stages the company’s premiere of his production with dramatic urgency and a fresh re-telling of Shakespeare’s beloved classic. His brilliant and detailed adaptation set to Prokofiev’s romantic and cinematic score, reignites the story of literature’s most celebrated star-crossed lovers like no other classical ballet choreographer today.
Puccini’s thrilling Tosca is a story of love, terror, the abuse of power, and the unquenchable longing for freedom. When an escaped political prisoner takes refuge in a church, an opera singer and a painter are drawn into a twisting plot that puts them at the mercy of the secret police and its network of torturers and spies. Rivalling the splendour of Franco Zeffirelli’s Napoleonic-era sets and costumes, Sir David McVicar’s ravishing new production offers a splendid backdrop for extraordinary singing. Kristine Opolais stars as the titular prima donna, alongside Vittorio Grigolo as her artist lover and Bryn Terfel as the villainous police chief – one of his signature roles. Andris Nelsons conducts.
EXHIBITION ON SCREEN is thrilled to present one of the most talked-about exhibitions of the year. Dedicated to the portrait work of Paul Cézanne, the exhibition opens in Paris before traveling to London and Washington.
One can’t appreciate 20th century art without understanding the significance and genius of Paul Cézanne. Featuring interviews with curators and experts from the National Portrait Gallery London, MoMA New York, National Gallery of Art Washington, and Musée d’Orsay Paris, and correspondence from the artist himself, the film takes audiences beyond the exhibition to the places Cézanne lived and worked and sheds light on an artist who is perhaps the least-known of all the impressionists – until now.
EXHIBITION ON SCREEN is thrilled to present one of the most talked-about exhibitions of the year. Dedicated to the portrait work of Paul Cézanne, the exhibition opens in Paris before traveling to London and Washington.
One can’t appreciate 20th century art without understanding the significance and genius of Paul Cézanne. Featuring interviews with curators and experts from the National Portrait Gallery London, MoMA New York, National Gallery of Art Washington, and Musée d’Orsay Paris, and correspondence from the artist himself, the film takes audiences beyond the exhibition to the places Cézanne lived and worked and sheds light on an artist who is perhaps the least-known of all the impressionists – until now.
Puccini’s thrilling Tosca is a story of love, terror, the abuse of power, and the unquenchable longing for freedom. When an escaped political prisoner takes refuge in a church, an opera singer and a painter are drawn into a twisting plot that puts them at the mercy of the secret police and its network of torturers and spies. Rivalling the splendour of Franco Zeffirelli’s Napoleonic-era sets and costumes, Sir David McVicar’s ravishing new production offers a splendid backdrop for extraordinary singing. Kristine Opolais stars as the titular prima donna, alongside Vittorio Grigolo as her artist lover and Bryn Terfel as the villainous police chief – one of his signature roles. Andris Nelsons conducts.
As he arrives in Paris for the first time, the young and naive Armand is utterly captivated after meeting the ravishing and most desirable courtesan Marguerite Gautier. Their encounter gives birth to a passionate yet doomed love…
Alexandre Dumas fils’s novel comes to life on the Bolshoi stage, with prima Svetlana Zakharova as the ailing Marguerite seeking love and redemption from her life as a courtesan. The Bolshoi brings choreographer John Neumeier’s work of rare beauty and tragic depth to new emotional heights, accompanied by Chopin’s romantic piano score.
The poor country boy Nemorino is in love with Adina, a confident landowner, but she is way out of his league – financially and otherwise. But when he buys a “love potion” from a travelling quack, the results are rather more than he bargained for. Charmingly staged by Bartlett Sher, Donizetti’s beloved masterpiece combines deft comic timing with touching emotional depth. The production stars Matthew Polenzani, who enthralled Met audiences as Nemorino in 2013 with his moving “Una furtiva lagrima.” Rising South African soprano Pretty Yende is the spirited Adina, Davide Luciano makes his Met debut as the arrogant soldier Belcore, and Ildebrando D’Arcangelo is the potion-peddling Doctor Dulcamara. Domingo Hindoyan conducts.
The poor country boy Nemorino is in love with Adina, a confident landowner, but she is way out of his league – financially and otherwise. But when he buys a “love potion” from a travelling quack, the results are rather more than he bargained for. Charmingly staged by Bartlett Sher, Donizetti’s beloved masterpiece combines deft comic timing with touching emotional depth. The production stars Matthew Polenzani, who enthralled Met audiences as Nemorino in 2013 with his moving “Una furtiva lagrima.” Rising South African soprano Pretty Yende is the spirited Adina, Davide Luciano makes his Met debut as the arrogant soldier Belcore, and Ildebrando D’Arcangelo is the potion-peddling Doctor Dulcamara. Domingo Hindoyan conducts.
'I am all the daughters of my father's house,
And all the brothers too.'
Twelfth Night is a tale of unrequited love – hilarious and heartbreaking. Two twins are separated in a shipwreck, and forced to fend for themselves in a strange land. The first twin, Viola, falls in love with Orsino, who dotes on OIivia, who falls for Viola but is idolised by Malvolio. Enter Sebastian, who is the spitting image of his twin sister...
Christopher Luscombe, Director of the ‘glorious’ (Daily Telegraph) Love’s Labour’s Lost and Much Ado About Nothing (2014 and 2016), returns to the Royal Shakespeare Company to tackle Shakespeare’s greatest comedy, a brilliantly bittersweet account of "the whirligig of time".
The world’s most popular opera returns with an exciting young cast in Franco Zeffirelli’s legendary production. Poverty-stricken poet Rodolfo and his artist friends eke out a precarious existence in bohemian Paris, alternately practising their art, laughing, quarrelling, dodging the landlord, and living it up in their local cafe. When Rodolfo meets the delicate Mimì, the pair instantly fall in love. But Mimì is ill, Rodolfo is jealous, and their romance is doomed from the start. Opera superstars Sonya Yoncheva and Michael Fabiano play the heart-breaking couple, singing two sublime Puccini favourites – “Sì, mi chiamano Mimì” and “Che gelida manina.” Zeffirelli’s stupendous onstage recreations of 19th-century Paris are sure to take your breath away.
The world’s most popular opera returns with an exciting young cast in Franco Zeffirelli’s legendary production. Poverty-stricken poet Rodolfo and his artist friends eke out a precarious existence in bohemian Paris, alternately practising their art, laughing, quarrelling, dodging the landlord, and living it up in their local cafe. When Rodolfo meets the delicate Mimì, the pair instantly fall in love. But Mimì is ill, Rodolfo is jealous, and their romance is doomed from the start. Opera superstars Sonya Yoncheva and Michael Fabiano play the heart-breaking couple, singing two sublime Puccini favourites – “Sì, mi chiamano Mimì” and “Che gelida manina.” Zeffirelli’s stupendous onstage recreations of 19th-century Paris are sure to take your breath away.
In the era of the French Revolution, Jeanne and her brother Jérôme leave Marseille for Paris in support of the revolutionary effort that is taking over the capital. While fighting for freedom, they both encounter love along the way…
Very few ballets can properly depict the Bolshoi’s overflowing energy and fiery passion as can Alexei Ratmansky’s captivating revival of Vasily Vainonen’s The Flames of Paris. With powerful virtuosity and some of the most stunning pas de deux, the Bolshoi Ballet displays an exuberance almost too enormous for the Moscow stage.
Against the backdrop of the Hanging Gardens, Semiramide, Queen of Babylon, defies bad omens and supernatural threats in her quest to find a worthy successor to her late husband. But she harbours more than one dark secret, and whoever gains the throne may find that he has lost more than he has won. Based on a story by Voltaire, this rarely performed tragic opera reveals The Barber of Seville composer Giaochino Rossini in a whole new light. The title role – composed for Rossini’s wife, Isabella Colbran – features some of the most demanding vocal music he ever wrote. Angela Meade takes on the challenging vocal fireworks in this revival of a production last seen at the Met 25 years ago.
Against the backdrop of the Hanging Gardens, Semiramide, Queen of Babylon, defies bad omens and supernatural threats in her quest to find a worthy successor to her late husband. But she harbours more than one dark secret, and whoever gains the throne may find that he has lost more than he has won. Based on a story by Voltaire, this rarely performed tragic opera reveals The Barber of Seville composer Giaochino Rossini in a whole new light. The title role – composed for Rossini’s wife, Isabella Colbran – features some of the most demanding vocal music he ever wrote. Angela Meade takes on the challenging vocal fireworks in this revival of a production last seen at the Met 25 years ago.
Perhaps more than any other artist, Van Gogh’s life has long captured the imagination of storytellers. Delving deep into his fascinating and sometimes deeply troubled world comes this definitive, award-winning documentary directed by David Bickerstaff.
Showcasing Van Gogh’s iconic works like never before and featuring exclusive interviews with the curatorial team at the Van Gogh Museum, this EXHIBITION ON SCREEN favourite from Season 2 makes a welcome return to the big screen.
Goaded by their cynical friend Don Alfonso, soldiers Ferrando and Guglielmo decide to test their fiancées’ fidelity. Pretending to leave with their regiment, they return in disguise and pay court to each other’s lover. Will the young women succumb to the charms of these two handsome ‘foreigners’? A co-production with English National Opera, this clever vision of the battle of the sexes is set in a carnivalesque environment inspired by 1950s Coney Island. The cast features Amanda Majeski and Serena Malfi as the sisters put to the test, with Broadway star Kelli O’Hara as their feisty maid, Ben Bliss and Adam Plachetka as their fiancés, and Christopher Maltman as Don Alfonso. David Robertson conducts Mozart’s delightful score.
Goaded by their cynical friend Don Alfonso, soldiers Ferrando and Guglielmo decide to test their fiancées’ fidelity. Pretending to leave with their regiment, they return in disguise and pay court to each other’s lover. Will the young women succumb to the charms of these two handsome ‘foreigners’? A co-production with English National Opera, this clever vision of the battle of the sexes is set in a carnivalesque environment inspired by 1950s Coney Island. The cast features Amanda Majeski and Serena Malfi as the sisters put to the test, with Broadway star Kelli O’Hara as their feisty maid, Ben Bliss and Adam Plachetka as their fiancés, and Christopher Maltman as Don Alfonso. David Robertson conducts Mozart’s delightful score.
When Giselle learns that her beloved Albrecht is promised to another woman, she dies of a broken heart in his arms. While Albrecht grieves, she returns from the dead as a Wili, a vengeful spirit meant to make unfaithful men dance until death…
Prima ballerina Svetlana Zakharova personifies this ultimate ballerina role in the classical repertoire, alongside the sensational Sergei Polunin as Albrecht, in this chilling, yet luminous ballet that continues to captivate audiences for over 150 years at the Bolshoi.
James Levine and Plácido Domingo add yet another chapter to their legendary Met collaboration with this rarely performed Verdi gem, a heart-wrenching tragedy based on Friedrich Schiller’s novel Intrigue and Love. The young maiden Luisa loves Rodolfo, unaware that he is actually the son of the local lord. An unscrupulous rival for her affections tells her father of Rodolfo’s true identity, turning the old man against him. Jealousy, suspicion, and betrayal tear the lovers apart, but Luisa remains loyal to her father to the last. In the first Met performances of the opera in more than ten years, Sonya Yoncheva sings the title role opposite Piotr Beczała as Rodolfo, with Domingo as Luisa’s stern-yet-loving father.
James Levine and Plácido Domingo add yet another chapter to their legendary Met collaboration with this rarely performed Verdi gem, a heart-wrenching tragedy based on Friedrich Schiller’s novel Intrigue and Love. The young maiden Luisa loves Rodolfo, unaware that he is actually the son of the local lord. An unscrupulous rival for her affections tells her father of Rodolfo’s true identity, turning the old man against him. Jealousy, suspicion, and betrayal tear the lovers apart, but Luisa remains loyal to her father to the last. In the first Met performances of the opera in more than ten years, Sonya Yoncheva sings the title role opposite Piotr Beczała as Rodolfo, with Domingo as Luisa’s stern-yet-loving father.
A fairy godmother, a glass slipper, an opulent ball, an enchanted forest, and a Prince Charming who loves her – did all that really happen, or was it just a dream? Long-suffering Cendrillon lives a life of drudgery with her good-natured father and his imperious wife, until fate, romance, and a touch of fairy magic intervene. For the first time ever, Massenet’s sumptuous version of the Cinderella story comes to the Met in this imaginative storybook production directed by Laurent Pelly. Superstar Joyce DiDonato sings the title role, alongside British mezzo-soprano Alice Coote in the trouser role of Prince Charming, Kathleen Kim as the Fairy Godmother, and Stephanie Blythe as the archetypal wicked stepmother.
A fairy godmother, a glass slipper, an opulent ball, an enchanted forest, and a Prince Charming who loves her – did all that really happen, or was it just a dream? Long-suffering Cendrillon lives a life of drudgery with her good-natured father and his imperious wife, until fate, romance, and a touch of fairy magic intervene. For the first time ever, Massenet’s sumptuous version of the Cinderella story comes to the Met in this imaginative storybook production directed by Laurent Pelly. Superstar Joyce DiDonato sings the title role, alongside British mezzo-soprano Alice Coote in the trouser role of Prince Charming, Kathleen Kim as the Fairy Godmother, and Stephanie Blythe as the archetypal wicked stepmother.
“My head is bursting – I want to paint it all.” Award-winning director Phil Grabsky presents a fresh new look at arguably the world’s favourite artist, Claude Monet, using the painter’s own words.
Based on letters and other private writings, I, Claude Monet provides new insight into the man who not only painted the picture that gave birth to Impressionism, but who was perhaps the most influential and successful painter of the 19th and early 20th centuries.
In spite of this, and perhaps because of it, Monet’s life is a gripping tale of a man who, behind his sun-dazzled canvases, suffered from bouts of depression, loneliness and even suicidal thoughts. Then, as his art developed and his love of nature led to the glories of his garden at Giverny, his letters reveal his humour, insight and love of life.
Swanhilda notices her fiancee Franz is infatuated with the beautiful Coppélia who sits reading on her balcony each day. Nearly breaking up the two sweethearts, Coppelia is not what she seems and Swanhilda decides to teach Franz a lesson…
The Bolshoi’s unique version of Coppélia exhibits a fascinating reconstruction of the original 19th century choreography of this ebullient comedy involving a feisty heroine, a boyish fiancee with a wandering eye, and an old dollmaker. The company’s stunning corps de ballet shines in the divertissements and famous “dance of the hours,” and its principals abound in youthful energy and irresistible humor in this effervescent production.
