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It’s back – the jewel in Pixar’s crown and the story that changed cinema forever. The adventures of Woody, Buzz and the gang continue in another rollercoaster of a movie, which promises to pull on the heartstrings and tickle the funny bones of kids and grown-ups alike. Woody (Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s prized but reluctant new toy, a disposable spork called Forky (Tony Hale), runs away during a family vacation, Woody and friends begin a quest to bring him back where he belongs. On their ensuing road-trip adventure alongside new faces and old friends, the charismatic pull-string cowboy learns just how big the world can be for a toy. Enter our Toy Story 4 Book-To-Win competition

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Chris Hemsworth (Marvel’s Thor) and Tessa Thompson (Creed, TV’s Westworld) bring charm, chemistry and charisma to a London-based refresh of the iconic sci-fi comedy series. In this new adventure, the MIB’s UK branch pairs its top agent (Hemsworth) with its newest recruit (Thompson) to investigate a series of attacks by mysterious shape-shifting aliens. As they track their targets around the globe, they uncover an even bigger threat: a mole in the MIB organisation.

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Katherine Newbury (Thompson) is a pioneer and legendary host on the late-night talk-show circuit. When she’s accused of being a “woman who hates women”, she puts affirmative action on the to-do list, and – presto! ¬– Molly (Kaling) is hired as the one woman in Katherine’s all-male writers’ room. But Molly might be too little too late, as the formidable Katherine also faces the reality of low ratings and a network that wants to replace her. Molly, wanting to prove she’s not simply a diversity hire who’s disrupting the comfort of the brotherhood, is determined to help Katherine by revitalising her show and career – and possibly effect even bigger change at the same time. Thompson brings pathos and amusingly severe charm to the pantsuit-clad Katherine. Smartly written by Kaling and snappily directed by Nisha Ganatra, LATE NIGHT takes on white privilege, entitlement and a culture veering toward crassness and conservatism. Questioning how women in power are ‘supposed’ to act, it delivers a winsome, sophisticated comedy about the times in which we live.

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Hedonism before high school ends is the subject of actress Olivia Wilde’s joyous directorial debut, a fresh and modern coming-of-age comedy with superb turns from Feldstein (LADY BIRD) and Dever. On the eve of graduation, two bookish BFFs realise they should have worked less and played more. Throwing in the textbooks and shedding their sensible personas, the girls set out on a mission to cram four years of fun into one crazy night.

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Having never won a major tournament, ailing football giant SSC Napoli had criminally underachieved. Their fanatical support was unequalled in both passion and size. None were more feared, but they longed for success. On 5 July 1984, Diego Maradona arrived in Naples for a world-record fee, and for seven years all hell broke loose. It was a perfect match: the world’s most celebrated footballer, blessed on the field but cursed off it, and the most dysfunctional city in Europe. The charismatic Argentine quickly led the club to their first-ever title. In the sprawling chaos of Naples, where the devil would have needed bodyguards, Maradona became bigger than God himself. But there was a price: Diego could do as he pleased while performing miracles on the pitch, but when the magic faded he became almost a prisoner of the city. Made by the award-winning team behind SENNA and AMY, using over 500 hours of never-before-seen footage from Maradona’s personal archive, this is the wild and unforgettable story of God-given talent, glory, despair and betrayal, of corruption and ultimately redemption. Contains infrequent strong language, nudity, bloody detail and drug references.

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ROCKETMAN is an epic musical fantasy about the breakthrough years of larger-than-life superstar Elton John (Taron Egerton). Set to John’s most beloved songs (performed by Egerton), it tells the uncensored human story of how small-town boy and shy piano prodigy Reginald Dwight became one of the most iconic figures in pop culture. ROCKETMAN also stars Jamie Bell as John’s longtime lyricist and writing partner Bernie Taupin, Richard Madden as John’s first manager, John Reid, and Bryce Dallas Howard as John’s mother Sheila Farebrother. Dexter Fletcher, who took over directorial duties for the smash hit musical biopic BOHEMIAN RHAPSODY, is at the helm.

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In the aftermath of ENDGAME, Peter Parker (Holland) just wants things to return to some sort of normality after five years of chaos. So he plans to leave the heroics behind for a few weeks and go to Europe on vacation with his friends. But Nick Fury (Jackson) has other ideas, roping Parker into tackling the mystery of several elemental creature attacks across the continent. In the absence of Iron Man, the webslinger must step up and take on new threats in a world that has changed forever.

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NASA’s vaults open for the first time to reveal exquisite audio and vivid film footage of its most celebrated mission: the one that first put men on the moon. The meandering cameras in Cape Canaveral capture a dreamy-eyed portrait of America as it steps into the future. From inside the Apollo 11 spacecraft, the amazingly jocular conversation of the astronauts punctuates each stage of the mission with lightness and charm. The crowds watching the rocket, however, are oblivious to the enormous pressure mission control is under to succeed. Director Todd Miller takes you straight to the heart of this intense scientific and human endeavour, sharing the atmosphere and action from every stage of the mission. The footage is so clean and vibrant, it’s as if you’re there standing at the base of the rocket. Painstakingly crafted and realised, this jaw-dropping immersive experience offers a new look into one of humanity’s greatest achievements. Enter our Apollo 11 book-to-win competition!

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From Danny Boyle and Richard Curtis comes a British musical comedy about dreams of stardom and unexplained phenomena. Aspiring singer-songwriter Jack Malik (Patel) is struggling with his career. He’s just a man with big dreams and a guitar, loved and supported by his childhood best friend, Ellie (James); and he’s far from famous. Until one day, during a mysterious global blackout, a car hits him and he comes round to find that nobody remembers The Beatles – apart from him! Feeling obliged to bring the legendary melodies of the Fab Four back to life, and with a little help from his steely American agent (McKinnon), Jack rises to global stardom faster than you can say, ‘I believe in yesterday.’ But he may have taken on more than he can handle.

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It’s back – the jewel in Pixar’s crown and the story that changed cinema forever. The adventures of Woody, Buzz and the gang continue in another rollercoaster of a movie, which promises to pull on the heartstrings and tickle the funny bones of kids and grown-ups alike. Woody (Tom Hanks) has always been confident about his place in the world, and that his priority is taking care of his kid, whether that’s Andy or Bonnie. So when Bonnie’s prized but reluctant new toy, a disposable spork called Forky (Tony Hale), runs away during a family vacation, Woody and friends begin a quest to bring him back where he belongs. On their ensuing road-trip adventure alongside new faces and old friends, the charismatic pull-string cowboy learns just how big the world can be for a toy. Enter our Toy Story 4 Book-To-Win competition

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Katherine Newbury (Thompson) is a pioneer and legendary host on the late-night talk-show circuit. When she’s accused of being a “woman who hates women”, she puts affirmative action on the to-do list, and – presto! ¬– Molly (Kaling) is hired as the one woman in Katherine’s all-male writers’ room. But Molly might be too little too late, as the formidable Katherine also faces the reality of low ratings and a network that wants to replace her. Molly, wanting to prove she’s not simply a diversity hire who’s disrupting the comfort of the brotherhood, is determined to help Katherine by revitalising her show and career – and possibly effect even bigger change at the same time. Thompson brings pathos and amusingly severe charm to the pantsuit-clad Katherine. Smartly written by Kaling and snappily directed by Nisha Ganatra, LATE NIGHT takes on white privilege, entitlement and a culture veering toward crassness and conservatism. Questioning how women in power are ‘supposed’ to act, it delivers a winsome, sophisticated comedy about the times in which we live.

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Hedonism before high school ends is the subject of actress Olivia Wilde’s joyous directorial debut, a fresh and modern coming-of-age comedy with superb turns from Feldstein (LADY BIRD) and Dever. On the eve of graduation, two bookish BFFs realise they should have worked less and played more. Throwing in the textbooks and shedding their sensible personas, the girls set out on a mission to cram four years of fun into one crazy night.

More details

Description

ROCKETMAN is an epic musical fantasy about the breakthrough years of larger-than-life superstar Elton John (Taron Egerton). Set to John’s most beloved songs (performed by Egerton), it tells the uncensored human story of how small-town boy and shy piano prodigy Reginald Dwight became one of the most iconic figures in pop culture. ROCKETMAN also stars Jamie Bell as John’s longtime lyricist and writing partner Bernie Taupin, Richard Madden as John’s first manager, John Reid, and Bryce Dallas Howard as John’s mother Sheila Farebrother. Dexter Fletcher, who took over directorial duties for the smash hit musical biopic BOHEMIAN RHAPSODY, is at the helm.

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Eye-poppingly realistic CGI brings to life Disney’s cherished animation about a lion cub’s brave journey from pride outcast to proud king. Jon Favreau’s immersive vision gathers a majestic cast on the African savannah to honour all the seminal moments and iconic songs of the original film. James Earl Jones reprises his role as the wise and just King Mufasa, while Donald Glover is Simba, the young prince who takes his royal destiny to heart. Chiwetel Ejiofor lends his voice to Scar, the king’s scheming brother, who forms his own plans to take the throne.

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