The race to claim the empire spirals out of control. Angus Jackson directs Shakespeare’s epic political tragedy.
All-conquering Caesar returns from war. But mutiny is rumbling through the corridors of power.
The Rome season in the Royal Shakespeare Theatre opens with the politics of spin and betrayal turning to violence. Following his sell-out productions of Tom Morton-Smith’s Oppenheimer (2014) and James Fenton’s adaptation of Don Quixote (2016), season director Angus Jackson steers the thrilling action.
Iqbal Khan (Othello, Much Ado About Nothing) returns to the RSC to direct Shakespeare’s tragedy, which follows on from Julius Caesar.
After Caesar’s assassination, Mark Antony reached the heights of power. Now he is neglecting his empire for a life of decadent seduction with his mistress, Cleopatra, Queen of Egypt. As he is torn between love and duty, Antony’s military brilliance deserts him, and his passion leads the lovers to their tragic end.
A full-throttle war play that revels in the sweat of the battlefield, Coriolanus transports us back to the emergence of the republic of Rome.
Caius Martius Coriolanus is a fearless soldier but a reluctant leader. His ambitious mother attempts to carve him a path to political power, but he struggles to change his nature and do what is required to achieve greatness. In this new city state struggling to find its feet, where the gap between rich and poor is widening every day, Coriolanus must decide who he really is and where his allegiances lie.
Rome Season Director, Angus Jackson, completes the Royal Shakespeare Company’s collection of Shakespeare’s Roman plays with a visceral production which sees Sope Dirisu (One Night in Miami, Donmar Warehouse, 2016) take on the title role.
'I am all the daughters of my father's house,
And all the brothers too.'
Twelfth Night is a tale of unrequited love – hilarious and heartbreaking. Two twins are separated in a shipwreck, and forced to fend for themselves in a strange land. The first twin, Viola, falls in love with Orsino, who dotes on OIivia, who falls for Viola but is idolised by Malvolio. Enter Sebastian, who is the spitting image of his twin sister...
Christopher Luscombe, Director of the ‘glorious’ (Daily Telegraph) Love’s Labour’s Lost and Much Ado About Nothing (2014 and 2016), returns to the Royal Shakespeare Company to tackle Shakespeare’s greatest comedy, a brilliantly bittersweet account of "the whirligig of time".