We are using cookies to remember if you are logged in to this website and if you have dismissed this message. Cookies are files stored in your browser and by continuing to use our website without changing the settings on your computer you are agreeing to our use of cookies.
Director: Michael Mann.
Starring: Al Pacino, Robert De Niro, Val Kilmer, Tom Sizemore, Jon Voight, Diana Venora, Amy Brenneman, Ashley Judd, Natalie Portman. USA 1995. 171 mins.
Two of America’s finest, most charismatic film actors came together for the first time on screen in Michael Mann’s highly intelligent, stylish, violent thriller – and the result is electrifying. An absorbing duel between two men – one the icy cool mastermind of a criminal gang specialising in high-risk, high-yield heists (De Niro), the other the dogged detective assigned to his case (Pacino) – plays out on the battleground of contemporary LA, a moody, ever shifting city of twisted morals and crumbling relationships. Beautifully crafted, superbly paced and boasting a superlative heist gone wrong among several unforgettable sequences, Heat brought Michael Mann the recognition he long deserved as one of America's most talented directors.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
Love Is The Devil
Director: John Maybury. Starring: Derek Jacobi, Daniel Craig, Tilda Swinton. UK 1998. 90 mins.
John Maybury’s daring art biopic stars Derek Jacobi as Francis Bacon and Daniel Craig as his muse, a small-time thief drawn into the painter’s bohemian circle. Tilda Swinton gives a standout performance as the foul-mouthed proprietress of the legendary Colony Room, the Soho club that served as a hub for the group, which also included photographer John Deakin and artist Isabel Rawsthorne.
18.30Criminal Acts: A Charged Past: A season to mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales.
Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
Directors: Nick Broomfield, Rudi Dolezal, 2017, USA/UK, 105min.
Whitney Houston was the epitome of superstar, an “American Princess,” the most awarded female artist ever. Even though Whitney had made millions of dollars, had more consecutive number ones than The Beatles, and became recognized as having one of the greatest voice of all time, she still wasn’t free to be herself and died at just 48 years old. WHITNEY "Can I Be Me" tells Whitney Houston’s incredible and poignant life story with insights from those closest to her.
Director: Sunao Katabuchi.
Voices: Non, Yoshimasa Hosoya, Minori Omi. Japan 2016. 130 mins. Japanese with English subtitles.
This award-winning story follows a young girl named Suzu (Non), who in 1944 moves to the small town of Kure in Hiroshima, where she marries a young clerk at the local naval base. Living with his family, Suzu becomes essential to the running of the household. In 1945, intense bombings by the US military bring hardship and suffering to the area. Suzu's life is changed irrevocably, but through perseverance and courage, she manages to live it to the fullest.
Directors: Nick Broomfield, Rudi Dolezal, 2017, USA/UK, 105min.
Whitney Houston was the epitome of superstar, an “American Princess,” the most awarded female artist ever. Even though Whitney had made millions of dollars, had more consecutive number ones than The Beatles, and became recognized as having one of the greatest voice of all time, she still wasn’t free to be herself and died at just 48 years old. WHITNEY "Can I Be Me" tells Whitney Houston’s incredible and poignant life story with insights from those closest to her.
Directors: Nick Broomfield, Rudi Dolezal, 2017, USA/UK, 105min.
Whitney Houston was the epitome of superstar, an “American Princess,” the most awarded female artist ever. Even though Whitney had made millions of dollars, had more consecutive number ones than The Beatles, and became recognized as having one of the greatest voice of all time, she still wasn’t free to be herself and died at just 48 years old. WHITNEY "Can I Be Me" tells Whitney Houston’s incredible and poignant life story with insights from those closest to her.
The fairy tale-inspired Disney classic is back on the big screen.
Set in a French village in the heart of a majestic forest, it tells the story of wholesome bookworm Belle (O'Hara, ENCHANTED), who sets out to rescue her father Maurice after he stumbles into the castle of the eponymous hirsute prince one fateful snowy night.
After making her way to the castle Belle offers to take her father's place as the Beast's prisoner, prompting a rescue mission led by egotistical local hunter Gaston, who wishes to make Belle his bride.
Having more than stood the test of time, BEAUTY AND THE BEAST remains one of the most captivating animated features of the past few decades.
Directors: Nick Broomfield, Rudi Dolezal, 2017, USA/UK, 105min.
Whitney Houston was the epitome of superstar, an “American Princess,” the most awarded female artist ever. Even though Whitney had made millions of dollars, had more consecutive number ones than The Beatles, and became recognized as having one of the greatest voice of all time, she still wasn’t free to be herself and died at just 48 years old. WHITNEY "Can I Be Me" tells Whitney Houston’s incredible and poignant life story with insights from those closest to her.
Prolific Russian film and theatre director Kirill Serebrennikov explores blind compliance to overarching doctrines in this provocative yet timely tale about a student in the coastal town of Kaliningrad whose religious awakening spirals out of control.
An obsessive reader of the Bible, high-school student Venya (Skvortsov) urges both fellow pupils and his teachers to take the scriptures quite literally, even to the extent of successfully outlawing the clothing he considers provocative and forcing creationism into the curriculum. Venya’s fevered proselytism increasingly vexes his atheist biology teacher (Isakova) and overbearing mother (Aug), and as his fanatical embrace of Christian doctrine intensifies, chaos ensues.
Adapted from Marius von Mayenburg’s controversial play, Martyr, The Student is a beautifully shot bout of moral wrestling and a scathing satire on fundamentalism.
18.30Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
Director: Mike Nichols. Starring: Dustin Hoffman, Anne Bancroft, Katharine Ross. USA 1967. 105 mins.
This archly hilarious observation of smug, middle-class American mores remains a delight half a century after its release, as callow college graduate Dustin Hoffman is seduced by Mrs Robinson (Bancroft). Bancroft’s career-defining role is perfectly matched by Katharine Ross as her daughter, who ultimately takes Benjamin’s fancy. The Graduate confirmed director Mike Nichols’ talent for socially astute storytelling, with fabulous performances from some of his generation’s finest actors.
Director: Mamoru Hosada.
Voices: Kōji Yakusho, Aoi Miyazaki, Shōta Sometani, Suzu Hirose. Japan 2015. Japanese with English subtitles.
When Kyuta, a young orphan living on the streets of Shibuya, stumbles into a fantastic world of beasts, he’s taken in by Kumatetsu, a gruff, rough-around-the-edges warrior beast who’s been searching for the perfect apprentice. Despite their constant bickering, Kyuta and Kumatetsu begin training together and slowly form a bond as surrogate father and son. But when a deep darkness threatens to throw the human and beast worlds into chaos, the strong bond between this unlikely family is put to the ultimate test – a final showdown that will only be won if the two can work together and combine their strength and courage.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
Weekend
Director: Andrew Haigh. Starring: Tom Cullen, Chris New. UK 2011. 97 mins.
Andrew Haigh’s modern classic, a breakout hit and a milestone in British cinema, sees two young men find a one-night-stand turning into something far more serious. As their relationship deepens, they debate their daily struggles in an overwhelmingly straight world, and come to realise that despite almost half a century of progress, the fight for social equality is far from over.
18.30Criminal Acts: A Charged Past: A season to mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales.
Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
Rob Reiner's classic 1987 fairytale with a healthy dose of tongue-in-cheek humour, THE PRINCESS BRIDE remains as fresh and as entertaining today as when it was first released.
All the standard fairytale characters are here - the handsome prince, the beautiful princess, the ugly but good-hearted ogre, the evil king and the wise old man with a knack for potion making - but holding it all together is the inimitable humour of its creators William Goldman (novel and screenplay), Mel Brooks (producer) and of course Rob Reiner at the helm.
THE PRINCESS BRIDE will have you rolling about with laughter and by the time it's finished you'll want to repeat the journey all over again.
Director: Richard Thorpe. Starring: Elvis Presley, Judy Tyler, Mickey Shaughnessy, Vaughn Taylor. USA 1957. 95 mins.
One of the best of Elvis Presley's pre-Army films, Jailhouse Rock offers us the sensual, ‘dangerous’ Elvis that won the hearts of the kids and earned the animosity of their elders. Presley plays Vince Everett, a young buck who accidentally kills a man while protecting the honour of a woman. He is thrown into prison, and following his performance in the prison show, where ol' swivel-hips score a hit, he decides to stay in showbiz after his release. He sets up his own record company but success goes to his head, and he is deserted by his flunkeys and hangers-on. Everett learns the value of friendship and slowly rebuilds his reputation and career. Seldom would Elvis be so well showcased in the future.
One of Merchant Ivory"s undisputed masterpieces, this adaptation of E.M. Forster"s classic 1910 novel is a saga of class relations and changing times in Edwardian England. Margaret Schlegel (Emma Thompson) and her sister Helen (Helena Bonham Carter) become involved with two couples: a wealthy, conservative industrialist (Anthony Hopkins) and his wife (Vanessa Redgrave), and a working-class man (Samuel West) and his mistress (Niccola Duffet). The interwoven fates and misfortunes of these three families and the diverging trajectories of the two sisters" lives are connected to the ownership of HOWARD"S END, a beloved country home. A compelling, brilliantly acted study of one woman"s struggle to maintain her ideals and integrity in the face of Edwardian society"s moribund conformist values.
To mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales, we’re exploring our collective past through a season of exceptional British movies.
Early ’60s London, and gay men across the city are being blackmailed, threatening exposure at a time when consensual homosexual acts could still result in imprisonment. Basil Dearden’s classic thriller stars Dirk Bogarde in his most daring role, as a gay lawyer fighting back against the blackmailers who dare to target him.
18.30Criminal Acts: A Charged Past: A season to mark the 50th anniversary of the partial decriminalisation of homosexuality in England and Wales.
Discover Tuesdays: Discover stunning cinema. Whether it's a cult classic, an art-house gem or a riveting documentary, there will always be a chance to see something different and brilliant in our weekly slot.
This fender and genre-bending film takes us into the not-too-distant machine-driven future. Kokone should be diligently studying for her university entrance exams, but she just can’t seem to stay awake. Aside from stealing precious study time, her napping is even more distracting, as it brings on strange dreams with warring machines that hint at family secrets that have been dormant for years. She can’t ask her father, a hipster mechanic more talented and artful than his job requires, as he’s always busy modifying motorcycles and cars in flights of fancy. What are these visions that lead Kokone at once closer to and further away from her family?
Leaving the world of J-pop behind her, Mima Kirigoe begins life as an actress on a crime drama show called Double Blind. When offered a lead role in the show as a rape victim, Mima accepts in spite of her manager’s reservations. However, the backlash from fans over her career change and a strange website called ‘Mima's Room’, written by a fake Mima, begin to worry her. When a stalker appears and people involved in Double Blind begin turning up dead, with all the evidence pointing to her, Mima is thrown into a state of confusion, madness and paranoia.
