We are using cookies to remember if you are logged in to this website and if you have dismissed this message. Cookies are files stored in your browser and by continuing to use our website without changing the settings on your computer you are agreeing to our use of cookies.
Menu
What's on at Exeter Picturehouse - Royal Opera House Live
Sexual intrigue, jealousy, wit, anger… and retribution! The new Royal Opera Season begins with Mozart’s engaging masterpiece, which follows Don Giovanni, the women he serially seduces, and the vengeance that finally catches up with him. The opera is renowned for its ever-shifting portrayals of complex characters, fast-moving action and mix of the comic and the heartfelt. A cast of international singers – both familiar and making Royal Opera debuts – under conductor Hartmut Haenchen perform the glorious arias and ensembles of this opera favourite.
Co-production with Israeli Opera, Gran Teatre del Liceu, Barcelona, and Houston Grand Opera
Music: Wolfgang Amadeus Mozart
Libretto: Lorenzo da Ponte
Conductor: Hartmut Haenchen
Director: Kasper Holten
Set designer: Es Devlin
Video designer: Luke Halls
Costume designer: Anja Vang Kragh
Lighting designer: Bruno Poet
Choreography: Signe Fabricius
Don Giovanni: Erwin Schrott
Leporello: Roberto Tagliavini
Donna Anna: Malin Byström
Donna Elvira: Christine Rice
Don Ottavio: Daniel Behle
Zerlina: Louise Alder
Commendatore: Lars Woldt
Masetto: Leon Košavić
Royal Opera Chorus
Orchestra of the Royal Opera House
Sexual intrigue, jealousy, wit, anger… and retribution! The new Royal Opera Season begins with Mozart’s engaging masterpiece, which follows Don Giovanni, the women he serially seduces, and the vengeance that finally catches up with him. The opera is renowned for its ever-shifting portrayals of complex characters, fast-moving action and mix of the comic and the heartfelt. A cast of international singers – both familiar and making Royal Opera debuts – under conductor Hartmut Haenchen perform the glorious arias and ensembles of this opera favourite.
Co-production with Israeli Opera, Gran Teatre del Liceu, Barcelona, and Houston Grand Opera
Music: Wolfgang Amadeus Mozart
Libretto: Lorenzo da Ponte
Conductor: Hartmut Haenchen
Director: Kasper Holten
Set designer: Es Devlin
Video designer: Luke Halls
Costume designer: Anja Vang Kragh
Lighting designer: Bruno Poet
Choreography: Signe Fabricius
Don Giovanni: Erwin Schrott
Leporello: Roberto Tagliavini
Donna Anna: Malin Byström
Donna Elvira: Christine Rice
Don Ottavio: Daniel Behle
Zerlina: Louise Alder
Commendatore: Lars Woldt
Masetto: Leon Košavić
Royal Opera Chorus
Orchestra of the Royal Opera House
Royal Opera favourite Bryn Terfel heads the cast for this new production of Donizetti’s comedy of domestic drama across two generations. The witty story of a middle-aged man whose supposed young wife runs rings around him – with her own ulterior romantic purpose in mind – has long delighted and surprised audiences, not least as presented with the sparkle of its music and the virtuoso skill of its performers. Damiano Michieletto’s exhilarating production shows how contemporary the characters still are and how immediate and touching the story remains.
Co-production with Opéra national de Paris and Teatro Massimo, Palermo
Music: Gaetano Donizetti
Lighting designer: Alessandro Carletti
Video designer: rocafilm
Libretto: Giovanni Ruffini and Gaetano Donizetti
Conductor: Evelino Pidò
Director: Damiano Michieletto
Set designer: Paolo Fantin
Costume designer: Agostino Cavalca
Don Pasquale: Bryn Terfel
Norina: Olga Peretyatko
Ernesto: Ioan Hotea
Malatesta: Mariusz Kwiecień
Royal Opera Chorus
Orchestra of the Royal Opera House
Royal Opera favourite Bryn Terfel heads the cast for this new production of Donizetti’s comedy of domestic drama across two generations. The witty story of a middle-aged man whose supposed young wife runs rings around him – with her own ulterior romantic purpose in mind – has long delighted and surprised audiences, not least as presented with the sparkle of its music and the virtuoso skill of its performers. Damiano Michieletto’s exhilarating production shows how contemporary the characters still are and how immediate and touching the story remains.
Co-production with Opéra national de Paris and Teatro Massimo, Palermo
Music: Gaetano Donizetti
Lighting designer: Alessandro Carletti
Video designer: rocafilm
Libretto: Giovanni Ruffini and Gaetano Donizetti
Conductor: Evelino Pidò
Director: Damiano Michieletto
Set designer: Paolo Fantin
Costume designer: Agostino Cavalca
Don Pasquale: Bryn Terfel
Norina: Olga Peretyatko
Ernesto: Ioan Hotea
Malatesta: Mariusz Kwiecień
Royal Opera Chorus
Orchestra of the Royal Opera House
From The Royal Ballet’s classical origins in the works of Marius Petipa, to the homegrown choreographers who put British ballet on the world stage, this mixed programme highlights the versatility of the Company. Petipa’s Raymonda Act III is Russian classical ballet summarised in one act, full of sparkle and precise technique, while Ashton’s Enigma Variations is quintessentially British in every way – from its score by Elgar and period designs by Julia Trevelyan Oman, to Ashton’s signature style, the essence of British ballet. Concerto, MacMillan’s fusion of classical technique with a contemporary mind, completes a programme that shows the breadth of The Royal Ballet’s heritage.
From The Royal Ballet’s classical origins in the works of Marius Petipa, to the homegrown choreographers who put British ballet on the world stage, this mixed programme highlights the versatility of the Company. Petipa’s Raymonda Act III is Russian classical ballet summarised in one act, full of sparkle and precise technique, while Ashton’s Enigma Variations is quintessentially British in every way – from its score by Elgar and period designs by Julia Trevelyan Oman, to Ashton’s signature style, the essence of British ballet. Concerto, MacMillan’s fusion of classical technique with a contemporary mind, completes a programme that shows the breadth of The Royal Ballet’s heritage.
A classic returns to The Royal Ballet repertory with Ninette de Valois’ charming and funny Coppélia – a story of love, mischief and mechanical dolls. The intricate choreography is set to Delibes’ delightful score and shows off the technical precision and comedic timing of the whole Company. Osbert Lancaster’s designs bring a colourful storybook world to life in this Christmas treat for the whole family.
Choreography: Ninette de Valois, after Lev Ivanov and Enrico Cecchetti
Music: Léo Delibes
Scenario: Charles Nuitter and Arthur Saint-Léon, after E.T.A. Hoffmann
Designer: Osbert Lancaster
Lighting designer: John B. Read
Conductor: Barry Wordsworth
Orchestra of the Royal Opera House
A classic returns to The Royal Ballet repertory with Ninette de Valois’ charming and funny Coppélia – a story of love, mischief and mechanical dolls. The intricate choreography is set to Delibes’ delightful score and shows off the technical precision and comedic timing of the whole Company. Osbert Lancaster’s designs bring a colourful storybook world to life in this Christmas treat for the whole family.
Choreography: Ninette de Valois, after Lev Ivanov and Enrico Cecchetti
Music: Léo Delibes
Scenario: Charles Nuitter and Arthur Saint-Léon, after E.T.A. Hoffmann
Designer: Osbert Lancaster
Lighting designer: John B. Read
Conductor: Barry Wordsworth
Orchestra of the Royal Opera House
The Royal Ballet's glorious production of The Nutcracker, created by Peter Wright in 1984, is the production par excellence of an all-time ballet favourite. On Christmas Eve, Herr Drosselmeyer the magician sweeps young Clara away on a fantasy adventure in which time is suspended, the family
living-room becomes a great battlefield, and a magical journey takes them through the Land of Snow to the Kingdom of Sweets. Tchaikovsky's glittering score, the gorgeous festive stage designs, and The Royal Ballet's captivating dancing including an exquisite pas de deux between the Sugar Plum Fairy and her Prince, make this Nutcracker the quintessential Christmas experience.
RECORDED LIVE AT THE ROYAL OPERA HOUSE
Thursday 8 December 2016
Choreography: Peter Wright after Lev Ivanov
Music: Pyotr Il’yich Tchaikovsky
Original scenario: Marius Petipa after E.T.A.Hoffmann
Production and scenario: Peter Wright
Designer: Julia Trevelyan Oman
Lighting designer: Mark Henderson
Staging: Christopher Carr
Conductor: Boris Gruzin
The Sugar Plum Fairy: Lauren Cuthbertson
The Prince: Federico Bonelli
Clara: Francesca Hayward
Hans-Peter/The Nutcracker: Alexander Campbell
Herr Drosselmeyer: Gary Avis
Orchestra of the Royal Opera House
The Royal Ballet's glorious production of The Nutcracker, created by Peter Wright in 1984, is the production par excellence of an all-time ballet favourite. On Christmas Eve, Herr Drosselmeyer the magician sweeps young Clara away on a fantasy adventure in which time is suspended, the family
living-room becomes a great battlefield, and a magical journey takes them through the Land of Snow to the Kingdom of Sweets. Tchaikovsky's glittering score, the gorgeous festive stage designs, and The Royal Ballet's captivating dancing including an exquisite pas de deux between the Sugar Plum Fairy and her Prince, make this Nutcracker the quintessential Christmas experience.
RECORDED LIVE AT THE ROYAL OPERA HOUSE
Thursday 8 December 2016
Choreography: Peter Wright after Lev Ivanov
Music: Pyotr Il’yich Tchaikovsky
Original scenario: Marius Petipa after E.T.A.Hoffmann
Production and scenario: Peter Wright
Designer: Julia Trevelyan Oman
Lighting designer: Mark Henderson
Staging: Christopher Carr
Conductor: Boris Gruzin
The Sugar Plum Fairy: Lauren Cuthbertson
The Prince: Federico Bonelli
Clara: Francesca Hayward
Hans-Peter/The Nutcracker: Alexander Campbell
Herr Drosselmeyer: Gary Avis
Orchestra of the Royal Opera House
This production of The Sleeping Beauty has delighted audiences in Covent Garden since 1946. A classic of Russian ballet, it established The Royal Ballet both in its new home after the Second World War and as a world-class company. Sixty years later, in 2006, the original staging was revived, returning Oliver Messel’s wonderful designs and glittering costumes to the stage. Pyotr Il’yich Tchaikovsky’s enchanting score and Marius Petipa’s original choreography beautifully combine with sections created for The Royal Ballet by Frederick Ashton, Anthony Dowell and Christopher Wheeldon. This ballet is sure to cast its spell over anyone who sees it.
Choreography: Marius Petipa
Music: Pyotr Il’yich Tchaikovsky
Additional choreography: Frederick Ashton, Anthony Dowell, Christopher Wheeldon
Production: Monica Mason and Christopher Newton after Ninette de Valois and Nicholas Sergeyev
Original designs: Oliver Messel
Additional designs: Peter Farmer
Lighting designer: Mark Jonathan
Conductor: Simon Hewett
This production of The Sleeping Beauty has delighted audiences in Covent Garden since 1946. A classic of Russian ballet, it established The Royal Ballet both in its new home after the Second World War and as a world-class company. Sixty years later, in 2006, the original staging was revived, returning Oliver Messel’s wonderful designs and glittering costumes to the stage. Pyotr Il’yich Tchaikovsky’s enchanting score and Marius Petipa’s original choreography beautifully combine with sections created for The Royal Ballet by Frederick Ashton, Anthony Dowell and Christopher Wheeldon. This ballet is sure to cast its spell over anyone who sees it.
Choreography: Marius Petipa
Music: Pyotr Il’yich Tchaikovsky
Additional choreography: Frederick Ashton, Anthony Dowell, Christopher Wheeldon
Production: Monica Mason and Christopher Newton after Ninette de Valois and Nicholas Sergeyev
Original designs: Oliver Messel
Additional designs: Peter Farmer
Lighting designer: Mark Jonathan
Conductor: Simon Hewett
Puccini’s opera of young love in 19th-century Paris is packed with beautiful music, including lyrical arias, celebratory choruses for Act II’s evocation of Christmas Eve in the Latin Quarter, and a poignant final scene over which the composer himself wept. Richard Jones’s character-led production perfectly captures La bohème’s mixture of comedy, romance and tragedy, with striking designs by Stewart Laing. The cast features some of the greatest interpreters of Puccini’s bohemian lovers performing today, as well as former members of The Royal Opera’s Jette Parker Young Artists Programme.
Co-production with Teatro Real, Madrid and Lyric Opera of Chicago
Music: Giacomo Puccini
Libretto: Giuseppe Giacosa and Luigi Illica
Conductor: Emmanuel Villaume
Director: Richard Jones
Designer: Stewart Laing
Lighting designer: Mimi Jordan Sherin
Movement director: Sarah Fahie
Mimì: Sonya Yoncheva
Rodolfo: Charles Castronovo
Marcello: Andrzej Filończyk
Musetta: Aida Garifullina
Schaunard: Gyula Nagy
Colline: Peter Kellner
Royal Opera Chorus
Orchestra of the Royal Opera House
Puccini’s opera of young love in 19th-century Paris is packed with beautiful music, including lyrical arias, celebratory choruses for Act II’s evocation of Christmas Eve in the Latin Quarter, and a poignant final scene over which the composer himself wept. Richard Jones’s character-led production perfectly captures La bohème’s mixture of comedy, romance and tragedy, with striking designs by Stewart Laing. The cast features some of the greatest interpreters of Puccini’s bohemian lovers performing today, as well as former members of The Royal Opera’s Jette Parker Young Artists Programme.
Co-production with Teatro Real, Madrid and Lyric Opera of Chicago
Music: Giacomo Puccini
Libretto: Giuseppe Giacosa and Luigi Illica
Conductor: Emmanuel Villaume
Director: Richard Jones
Designer: Stewart Laing
Lighting designer: Mimi Jordan Sherin
Movement director: Sarah Fahie
Mimì: Sonya Yoncheva
Rodolfo: Charles Castronovo
Marcello: Andrzej Filończyk
Musetta: Aida Garifullina
Schaunard: Gyula Nagy
Colline: Peter Kellner
Royal Opera Chorus
Orchestra of the Royal Opera House
Choreographer Cathy Marston is previously an Associate Artist of the Royal Opera House and Director of Bern Ballett, and much in demand internationally. The inspiration for her first work for The Royal Ballet Main Stage is the momentous life and career of the cellist Jacqueline du Pré. A new work by Liam Scarlett, The Royal Ballet’s Artist in Residence, provides the second part of the programme.
NEW CATHY MARSTON
Choreography: Cathy Marston
Music: Philip Feeney
Scenario: Cathy Marston and Edward Kemp
Set designer: Hildegard Bechtler
Costume designer: Bregje van Balen
Lighting designer: Jon Clark
Conductor: Andrea Molino
NEW LIAM SCARLETT
Choreographer: Liam Scarlett
Choreographer Cathy Marston is previously an Associate Artist of the Royal Opera House and Director of Bern Ballett, and much in demand internationally. The inspiration for her first work for The Royal Ballet Main Stage is the momentous life and career of the cellist Jacqueline du Pré. A new work by Liam Scarlett, The Royal Ballet’s Artist in Residence, provides the second part of the programme.
NEW CATHY MARSTON
Choreography: Cathy Marston
Music: Philip Feeney
Scenario: Cathy Marston and Edward Kemp
Set designer: Hildegard Bechtler
Costume designer: Bregje van Balen
Lighting designer: Jon Clark
Conductor: Andrea Molino
NEW LIAM SCARLETT
Choreographer: Liam Scarlett
Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, Jonas Kaufmann plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime. The music is transcendent throughout and includes the famous Act I Quartet, the Prisoners’ Chorus and Florestan’s impassioned Act II cry in the darkness and vision of hope. Tobias Kratzer’s new staging brings together the dark reality of the French Revolutionary ‘Terror’ and our own time to illuminate Fidelio’s inspiring message of shared humanity.
Music: Ludwig van Beethoven
Libretto: Joseph Sonnleithner, Stephan von Breuning and George Friedrich Treitschke
Conductor: Antonio Pappano
Director: Tobias Kratzer
Set and costume designer: Rainer Sellmaier
Lighting designer: Michael Bauer
Video designer: Manuel Braun
Dramaturg: Bettina Bartz
Leonore (Fidelio): Lise Davidsen
Florestan: Jonas Kaufmann
Rocco: Georg Zeppenfeld
Don Pizarro: Simon Neal
Marzelline: Amanda Forsythe
Royal Opera Chorus
Orchestra of the Royal Opera House
Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, Jonas Kaufmann plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime. The music is transcendent throughout and includes the famous Act I Quartet, the Prisoners’ Chorus and Florestan’s impassioned Act II cry in the darkness and vision of hope. Tobias Kratzer’s new staging brings together the dark reality of the French Revolutionary ‘Terror’ and our own time to illuminate Fidelio’s inspiring message of shared humanity.
Music: Ludwig van Beethoven
Libretto: Joseph Sonnleithner, Stephan von Breuning and George Friedrich Treitschke
Conductor: Antonio Pappano
Director: Tobias Kratzer
Set and costume designer: Rainer Sellmaier
Lighting designer: Michael Bauer
Video designer: Manuel Braun
Dramaturg: Bettina Bartz
Leonore (Fidelio): Lise Davidsen
Florestan: Jonas Kaufmann
Rocco: Georg Zeppenfeld
Don Pizarro: Simon Neal
Marzelline: Amanda Forsythe
Royal Opera Chorus
Orchestra of the Royal Opera House
Liam Scarlett’s glorious production of Swan Lake, new in 2018, returns for its first revival. While remaining faithful to the Marius Petipa/Lev Ivanov text, Scarlett’s additional choreography and John Macfarlane’s magnificent designs breathe new life into what is arguably the best-known and most-loved classical ballet. The entire Company shines in this eternal tale of doomed love, a masterpiece filled with iconic moments. Tchaikovsky’s first score for ballet soars with its symphonic sweep and combines perfectly with exquisite choreography from the grand pas de deux of Prince Siegfried and Odile to the swans at the lakeside. An intoxicating, irresistible mix of spectacle and intimate passion.
Choreography: Liam Scarlett after Marius Petipa and Lev Ivanov
Music: Pyotr Il’yich Tchaikovsky
Additional choreography:Frederick Ashton
Production: Liam Scarlett
Designer: John Macfarlane
Lighting designer: David Finn
Conductor: Koen Kessels
Liam Scarlett’s glorious production of Swan Lake, new in 2018, returns for its first revival. While remaining faithful to the Marius Petipa/Lev Ivanov text, Scarlett’s additional choreography and John Macfarlane’s magnificent designs breathe new life into what is arguably the best-known and most-loved classical ballet. The entire Company shines in this eternal tale of doomed love, a masterpiece filled with iconic moments. Tchaikovsky’s first score for ballet soars with its symphonic sweep and combines perfectly with exquisite choreography from the grand pas de deux of Prince Siegfried and Odile to the swans at the lakeside. An intoxicating, irresistible mix of spectacle and intimate passion.
Choreography: Liam Scarlett after Marius Petipa and Lev Ivanov
Music: Pyotr Il’yich Tchaikovsky
Additional choreography:Frederick Ashton
Production: Liam Scarlett
Designer: John Macfarlane
Lighting designer: David Finn
Conductor: Koen Kessels
Two opera classics are drawn together in this wonderfully observed re-creation of life in a south Italian village as a travelling theatre visits and emotions erupt. The award-winning production by Damiano Michieletto presents vividly the fast-moving and shocking events brought about by secret love and uncontrollable jealousy. The music is full of Italianate melody in the great choruses that bring the villagers together in celebration and revelry, alongside the solo arias and tense confrontations that provoke violence and tragedy. With thrilling singing and intense drama, ‘Cav and Pag’ distils into one wonderful night out, the enduring appeal of Italian opera in its most familiar form.
A co-production with Opera Australia, La Monnaie, Brussels, and the Göteborg Opera.
Conductor: Daniel Oren
Director: Damiano Michieletto
Set designer: Paolo Fantin
Costume designer: Carla Teti
Lighting designer: Alessandro Carletti
CAVALLERIA RUSTICANA
Music: Pietro Mascagni
Libretto: Giovanni Targioni-Tozzetti and Guido Menasci
Turiddu: Yonghoon Lee
Santuzza: Liudmyla Monastyrska
Alfio: Dimitri Platanias
Lola: Josè Maria Lo Monaco
PAGLIACCI
Music: Ruggero Leoncavallo
Libretto: Ruggero Leoncavallo
Canio: Roberto Alagna
Tonio: Dimitri Platanias
Nedda: Aleksandra Kurzak
Silvio: Bogdan Baciu
Beppe: Mikeldi Atxlandabaso
Two opera classics are drawn together in this wonderfully observed re-creation of life in a south Italian village as a travelling theatre visits and emotions erupt. The award-winning production by Damiano Michieletto presents vividly the fast-moving and shocking events brought about by secret love and uncontrollable jealousy. The music is full of Italianate melody in the great choruses that bring the villagers together in celebration and revelry, alongside the solo arias and tense confrontations that provoke violence and tragedy. With thrilling singing and intense drama, ‘Cav and Pag’ distils into one wonderful night out, the enduring appeal of Italian opera in its most familiar form.
A co-production with Opera Australia, La Monnaie, Brussels, and the Göteborg Opera.
Conductor: Daniel Oren
Director: Damiano Michieletto
Set designer: Paolo Fantin
Costume designer: Carla Teti
Lighting designer: Alessandro Carletti
CAVALLERIA RUSTICANA
Music: Pietro Mascagni
Libretto: Giovanni Targioni-Tozzetti and Guido Menasci
Turiddu: Yonghoon Lee
Santuzza: Liudmyla Monastyrska
Alfio: Dimitri Platanias
Lola: Josè Maria Lo Monaco
PAGLIACCI
Music Ruggero Leoncavallo
Libretto Ruggero Leoncavallo
Canio Roberto Alagna
Tonio Dimitri Platanias
Nedda Aleksandra Kurzak
Silvio Bogdan Baciu
Beppe Mikeldi Atxlandabaso
Dante’s Divine Comedy is an epic journey through the afterlife: it encompasses the horrifying drama of Inferno and its damned, the lyrical mysticism of pilgrims on mount Purgatorio and the dazzling spheres of Paradiso with their endless configurations of light. The poem was inspired by the agony of Dante’s own exile, and traces his path from crisis to revelation guided by his literary hero Virgil and his lost love Beatrice. In this new work, The Royal Ballet’s trailblazing Resident Choreographer Wayne McGregor collaborates with an award-winning team – contemporary composer Thomas Adès, artist Tacita Dean, lighting designer Lucy Carter and dramaturg Uzma Hameed – to bring us closer to Dante and his extraordinary vision.
A collaboration between Wayne McGregor, Thomas Adès, Tacita Dean, Lucy Carter
and Uzma Hameed
Choreography: Wayne McGregor
Music: Thomas Adès
Design: Tacita Dean
Lighting design (part one): Lucy Carter, Simon Bennison
Lighting design (parts two and three): Lucy Carter
Dramaturg: Uzma Hameed
Conductor: Koen Kessels
Dante’s Divine Comedy is an epic journey through the afterlife: it encompasses the horrifying drama of Inferno and its damned, the lyrical mysticism of pilgrims on mount Purgatorio and the dazzling spheres of Paradiso with their endless configurations of light. The poem was inspired by the agony of Dante’s own exile, and traces his path from crisis to revelation guided by his literary hero Virgil and his lost love Beatrice. In this new work, The Royal Ballet’s trailblazing Resident Choreographer Wayne McGregor collaborates with an award-winning team – contemporary composer Thomas Adès, artist Tacita Dean, lighting designer Lucy Carter and dramaturg Uzma Hameed – to bring us closer to Dante and his extraordinary vision.
A collaboration between Wayne McGregor, Thomas Adès, Tacita Dean, Lucy Carter
and Uzma Hameed
Choreography: Wayne McGregor
Music: Thomas Adès
Design: Tacita Dean
Lighting design (part one): Lucy Carter, Simon Bennison
Lighting design (parts two and three): Lucy Carter
Dramaturg: Uzma Hameed
Conductor: Koen Kessels
Strauss’s thrilling and audacious adaptation of Greek tragedy receives a new staging by the award-winning director Christof Loy. This uncompromising opera, about a daughter intent on bloody revenge and a mother driven to madness, has provoked critics to lively debate and both shocked and excited audiences since its 1909 premiere. Antonio Pappano conducts music that combines violence with moments of exquisite tenderness in his first Strauss interpretation for The Royal Opera since 2002. The outstanding cast includes Nina Stemme (Brünnhilde in last Season’s Der Ring des Nibelungen) in the title role, and Karita Mattila in her role debut as the haunted queen Klytämnestra.
Music: Richard Strauss
Libretto: Hugo von Hofmannsthal
Conductor: Antonio Pappano
Director: Christof Loy
Designer: Johannes Leiacker
Lighting designer: Olaf Winter
Elektra Nina: Stemme
Chrysothemis: Sara Jakubiak
Klytämnestra: Karita Mattila
Orest: Christof Fischesser
Ägisth: Joseph Kaiser
Royal Opera Chorus
Orchestra of the Royal Opera House
Strauss’s thrilling and audacious adaptation of Greek tragedy receives a new staging by the award-winning director Christof Loy. This uncompromising opera, about a daughter intent on bloody revenge and a mother driven to madness, has provoked critics to lively debate and both shocked and excited audiences since its 1909 premiere. Antonio Pappano conducts music that combines violence with moments of exquisite tenderness in his first Strauss interpretation for The Royal Opera since 2002. The outstanding cast includes Nina Stemme (Brünnhilde in last Season’s Der Ring des Nibelungen) in the title role, and Karita Mattila in her role debut as the haunted queen Klytämnestra.
Music: Richard Strauss
Libretto: Hugo von Hofmannsthal
Conductor: Antonio Pappano
Director: Christof Loy
Designer: Johannes Leiacker
Lighting designer: Olaf Winter
Elektra Nina: Stemme
Chrysothemis: Sara Jakubiak
Klytämnestra: Karita Mattila
Orest: Christof Fischesser
Ägisth: Joseph Kaiser
Royal Opera Chorus
Orchestra of the Royal Opera House
