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In this new stage version of All About Eve, Gillian Anderson (X-Files, A Streetcar Named Desire) stars as Margo Channing, the role immortalised by Bette Davis in Joseph Mankiewicz’s 1950 film. Margo Channing, grande dame of the theatre, is a star actress at the peak of fame, worshipped by her fans but haunted by insecurity about ageing and a terror of the abyss. She finds her life invaded by the ingénue Eve Harrington (Lily James) who barely conceals her own ambition to usurp the star on her pedestal. One of the world’s most innovative and sought-after directors, Ivo van Hove (A View From The Bridge) delves into the ambition, jealousy, egocentricity and cynicism within the entertainment industry and asks what is it with our seeming never-ending obsession with youth and celebrity. With original music by P. J. Harvey.
Met Music Director Yannick Nézet-Séguin leads Poulenc’s masterpiece. As the French Revolution begins, shy Blanche, sung by mezzo-soprano Isabel Leonard, becomes a novice nun under an elderly prioress—Met legend Karita Mattila. Blanche’s aristocratic family flees the Terror, but she remains behind, struggling between her fear of the guillotine and her duty to the convent. When the nuns are expelled from the convent and threatened with death, Blanche must make an agonising decision. In the shattering final scene, the nuns walk towards the guillotine singing Salve Regina: Their voices are cut off, one by one, with each stroke of the blade, until all are silenced. Poulenc’s devastating portrayal of faith and martyrdom is live in HD for the first time.
Academy Award winner Sally Field (Steel Magnolias, Brothers & Sisters) and Bill Pullman (The Sinner, Independence Day) star in Arthur Miller’s blistering drama All My Sons, broadcast live from The Old Vic in London.
America, 1947. Despite hard choices and even harder knocks, Joe and Kate Keller are a success story. They’ve built a home, raised two sons and established a thriving business. But nothing lasts forever and their contented lives, already shadowed by the loss of their eldest boy to war, are about to shatter. Long-buried truths are forced to the surface by the return of a figure from the past, and the price of their American dream is laid bare.
Jeremy Herrin (NT Live: This House) directs the cast, which also includes Jenna Coleman (Victoria), and Colin Morgan (Merlin) alongside Bessie Carter, Oliver Johnstone, Kayla Meikle and Sule Rimi.
Met Music Director Yannick Nézet-Séguin leads Poulenc’s masterpiece. As the French Revolution begins, shy Blanche, sung by mezzo-soprano Isabel Leonard, becomes a novice nun under an elderly prioress—Met legend Karita Mattila. Blanche’s aristocratic family flees the Terror, but she remains behind, struggling between her fear of the guillotine and her duty to the convent. When the nuns are expelled from the convent and threatened with death, Blanche must make an agonising decision. In the shattering final scene, the nuns walk towards the guillotine singing Salve Regina: Their voices are cut off, one by one, with each stroke of the blade, until all are silenced. Poulenc’s devastating portrayal of faith and martyrdom is live in HD for the first time.
This breathtakingly beautiful Tony® Award-winning Broadway musical, inspired by the Oscar® winning MGM film, tells the impassioned story of discovering love in the ‘City of Light’.
Featuring the gorgeous music and lyrics of George and Ira Gershwin (including the classic hits ‘S Wonderful and I Got Rhythm), stunning designs, and show-stopping choreography. With a record-setting 28 five-star reviews from critics, An American in Paris is coming from London’s West End to a cinema near you.
Jerry Mulligan is an American GI striving to make it as a painter in a city suddenly bursting with hope and possibility. Following a chance encounter with a beautiful young dancer named Lise, the streets of Paris become the backdrop to a sensuous, modern romance of art, friendship and love in the aftermath of war...
Experience this “truly ravishing” (The Guardian) production in the comfort of your local cinema.
Carmen Suite
Music: Georges Bizet and Rodion Shchedrin
Choreography: Alberto Alonso
Libretto Alberto Alonso after Carmen de Prosper Mérimée
Petrushka
Music: Igor Stravinsky
Choreography: Edward Clug
Cast: The Bolshoi Principals, Soloists and Corps de Ballet
Carmen is as passionate and free-spirited as ever as she finds herself caught in a love triangle. The passionate one act ballet by Cuban choreographer Alberto Alonso originally conceived for legendary Bolshoi prima ballerina Maya Plisetskaya will captivate audiences alongside Petrushka, a new creation for the Bolshoi by contemporary choreographer Edward Clug, in an evening encapsulating the soul of Russian Ballet
Matthew Bourne’s bold and beautiful Swan Lake replaces the traditional female corps de ballet with a male ensemble which, when it was first performed in 1995, took the dance world by storm. No longer the dainty, sinuous swans of the original story but instead hissing, stamping birds, unpredictable, sometimes dangerous. Danced to Tchaikovsky’s spellbinding score, Bourne’s contemporary adaptation subverts the conventional tale of Odette, Prince Siegfried and the evil Baron von Rothbart, omitting some of the characters and twists of plot. Instead, his passionate story of male love tells of a lonely and repressed Prince Siegfried who is dominated by his regal mother and her Machiavellian press secretary. The Swan is everything the Prince needs and can’t have. Twenty-three years on, as vibrant as ever, Bourne’s Swan Lake comes to cinemas, re-imagined for the twenty-first century. Retaining Lez Brotherson’s award-winning designs, this new production was filmed last year at Sadler’s Wells in London.
Carmen Suite
Music: Georges Bizet and Rodion Shchedrin
Choreography: Alberto Alonso
Libretto Alberto Alonso after Carmen de Prosper Mérimée
Petrushka
Music: Igor Stravinsky
Choreography: Edward Clug
Cast: The Bolshoi Principals, Soloists and Corps de Ballet
Carmen is as passionate and free-spirited as ever as she finds herself caught in a love triangle. The passionate one act ballet by Cuban choreographer Alberto Alonso originally conceived for legendary Bolshoi prima ballerina Maya Plisetskaya will captivate audiences alongside Petrushka, a new creation for the Bolshoi by contemporary choreographer Edward Clug, in an evening encapsulating the soul of Russian Ballet
Matthew Bourne’s bold and beautiful Swan Lake replaces the traditional female corps de ballet with a male ensemble which, when it was first performed in 1995, took the dance world by storm. No longer the dainty, sinuous swans of the original story but instead hissing, stamping birds, unpredictable, sometimes dangerous. Danced to Tchaikovsky’s spellbinding score, Bourne’s contemporary adaptation subverts the conventional tale of Odette, Prince Siegfried and the evil Baron von Rothbart, omitting some of the characters and twists of plot. Instead, his passionate story of male love tells of a lonely and repressed Prince Siegfried who is dominated by his regal mother and her Machiavellian press secretary. The Swan is everything the Prince needs and can’t have. Twenty-three years on, as vibrant as ever, Bourne’s Swan Lake comes to cinemas, re-imagined for the twenty-first century. Retaining Lez Brotherson’s award-winning designs, this new production was filmed last year at Sadler’s Wells in London.
Academy Award winner Sally Field (Steel Magnolias, Brothers & Sisters) and Bill Pullman (The Sinner, Independence Day) star in Arthur Miller’s blistering drama All My Sons, broadcast live from The Old Vic in London.
America, 1947. Despite hard choices and even harder knocks, Joe and Kate Keller are a success story. They’ve built a home, raised two sons and established a thriving business. But nothing lasts forever and their contented lives, already shadowed by the loss of their eldest boy to war, are about to shatter. Long-buried truths are forced to the surface by the return of a figure from the past, and the price of their American dream is laid bare.
Jeremy Herrin (NT Live: This House) directs the cast, which also includes Jenna Coleman (Victoria), and Colin Morgan (Merlin) alongside Bessie Carter, Oliver Johnstone, Kayla Meikle and Sule Rimi.
In a reimagined 1590, England is a matriarchy.
Baptista Minola is seeking to sell off her son Katherine to the highest bidder. Cue an explosive battle of the sexes in this electrically charged love story.
Justin Audibert (Snow in Midsummer, The Jew of Malta) turns Shakespeare's fierce, energetic comedy of gender and materialism on its head to offer a fresh perspective on its portrayal of hierarchy and power.
"I envy the Japanese" Van Gogh wrote to his brother Theo. In the exhibition on which this film is based - VAN GOGH & JAPAN at the Van Gogh Museum in Amsterdam - one can see why. Though Vincent van Gogh never visited Japan it is the country that had the most profound influence on him and his art. One cannot understand Van Gogh without understanding how Japanese art arrived in Paris in the middle of the 19th century and the profound impact it had on artists like Monet, Degas and, above all, Van Gogh.
Visiting the new galleries of Japanese art in Paris and then creating his own image of Japan – through in-depth research, print collecting and detailed discussions with other artists – Van Gogh’s encounter with Japanese artworks gave his work a new and exciting direction. After leaving Paris for the south of France – to what he thought of as near to a kind of Japan as he could find - the productive and yet troubled years that followed must all be seen in the context of Van Gogh bending Japanese influences to his will and defining himself as a modern artist with clear Asian precursors. In this little known story of Van Gogh’s art we see just how important his study of Japan was. The film travels not only to France and the Netherlands but also to Japan to further explore the remarkable heritage that so affected Van Gogh and made him the artist we know of today.
"I envy the Japanese" Van Gogh wrote to his brother Theo. In the exhibition on which this film is based - VAN GOGH & JAPAN at the Van Gogh Museum in Amsterdam - one can see why. Though Vincent van Gogh never visited Japan it is the country that had the most profound influence on him and his art. One cannot understand Van Gogh without understanding how Japanese art arrived in Paris in the middle of the 19th century and the profound impact it had on artists like Monet, Degas and, above all, Van Gogh.
Visiting the new galleries of Japanese art in Paris and then creating his own image of Japan – through in-depth research, print collecting and detailed discussions with other artists – Van Gogh’s encounter with Japanese artworks gave his work a new and exciting direction. After leaving Paris for the south of France – to what he thought of as near to a kind of Japan as he could find - the productive and yet troubled years that followed must all be seen in the context of Van Gogh bending Japanese influences to his will and defining himself as a modern artist with clear Asian precursors. In this little known story of Van Gogh’s art we see just how important his study of Japan was. The film travels not only to France and the Netherlands but also to Japan to further explore the remarkable heritage that so affected Van Gogh and made him the artist we know of today.
Inspired by a true story, Everybody’s Talking About Jamie is the new award-winning five-star hit musical for today. Jamie New is sixteen and lives on a council estate in Sheffield. Jamie doesn’t quite fit in. Jamie is terrified about the future. He is going to be a sensation. Supported by his brilliant loving mum and surrounded by his friends, Jamie overcomes prejudice, beats the bullies and steps out of the darkness, into the spotlight.
John McCrea, Josie Walker, Tamsin Carroll, Lucie Shorthouse and Phil Nichol lead a twenty-four strong company and an eight-piece band that will ‘sweep you away on a tide of mischief, warmth and exuberance’ (Financial Times). With ‘songs that have the wow factor’ (The Times) by lead singer-songwriter of The Feeling, Dan Gillespie Sells, and ‘hilarious’ book and lyrics ‘with delightful punch’ (Whatsonstage), by writer Tom MacRae, this funny, fabulous, feel-good, musical sensation has been thrilling audiences and critics alike.
Winner of 3 WhatsOnStage Awards including Best New Musical and nominated for 5 Olivier Awards, Everybody’s Talking About Jamie (Encore) is screened from a captured broadcast from the Apollo Theatre in London’s Shaftesbury Avenue.
Directed by Mike Leigh (Palme d’Or winner and five-time Oscar nominee), Gilbert & Sullivan’s popular comic opera features much-loved favourites including ‘A Policeman’s Lot is not a Happy One’ and ‘I am the Very Model of a Modern Major General’.
‘Precise and pricelessly funny production’ ***** The Stage
‘A jolly good show’ ***** The Telegraph
‘A delightful surprise’ **** The Times
Double-meanings, disguises and dirty laundry abound in The Merry Wives of Windsor as Sir John Falstaff sets about improving his financial situation by wooing Mistress Page and Mistress Ford. But the 'Merry Wives' quickly cotton on to his tricks and decide to have a bit of fun of their own at Falstaff's expense...The Merry Wives of Windsor is the only comedy that Shakespeare set in his native land, and with its witty mix of verbal and physical humour, the play celebrates a tradition that reaches right down to the contemporary English sitcom. Directed by Nicole Charles and Elle While, and staged at the beautiful and iconic Globe Theatre in London, a reconstruction of an open-air Elizabethan playhouse on the bank of the River Thames, this new production of The Merry Wives of Windsor will be broadcast live to cinemas and will feature exclusive behind-the-scenes insights into the play.
This expressive new work, created for Northern Ballet, tells the story of Queen Victoria from the perspective of her youngest daughter and lifelong companion, Princess Beatrice. In a multi-layered narrative ballet, choreographer Cathy Marston (the acclaimed Jane Eyre, also for Northern Ballet) traces the life of the queen/wife/mother through chapters of passion and tragedy as Beatrice transcribes her mother’s intimate diaries. Going back in time from Victoria’s deathbed, the princess relives her memories of her mother as a secluded widow before discovering her anew through her challenging relationship with her own mother, the Princess Victoria of Saxe-Coburg-Saalfeld. Beatrice also discovers the truth about her parents’ marriage and her mother’s ambiguous relationship with John Brown as well as revisiting political events such as the Opium Wars and the Great Exhibition. The ballet has a score commissioned from Philip Feeney and is a co-production between Northern Ballet and The National Ballet of Canada.
Andrea Levy’s Orange Prize-winning novel Small Island comes to life in an epic new theatre adaptation. Experience the play in cinemas, filmed live on stage as part of National Theatre Live’s 10th birthday.
Small Island embarks on a journey from Jamaica to Britain, through the Second World War to 1948 – the year the HMT Empire Windrush docked at Tilbury.
The play follows three intricately connected stories. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots. Hope and humanity meet stubborn reality as the play traces the tangled history of Jamaica and the UK.
A company of 40 actors take to the stage of the National Theatre in this timely and moving story.
The story of Cinderella to Jules Massenet’s sensuous and lavish score in a new production, directed by Fiona Shaw (The Rape Of Lucretia). With its enchanting love story and broad, burlesque comedy, Cendrillon is one of the great operatic fairy tales. Massenet’s beautiful, lyrical music brings the familiar characters from Perrault’s story to life – a loving, yet hapless father, a jovially villainous stepmother, the lonely prince and a fairy godmother. The gently courageous Cendrillon, never quite sure whether she is dreaming or awake, is perhaps the most bewitching of all Cinderellas. The opera is full of wonderful music, from the impassioned love duet for Cendrillon and her Prince to the coloratura effervescence of the Fairy Godmother and the brilliantly scored ‘Marche Des Princesses’. Glyndebourne favourite Danielle de Niese sings the lead role in this performance, conducted by John Wilson.
Set in an ever-so English 1930s seaside hotel, ENO’s iconic production of THE MIKADO is a popular hit with audiences of all ages. Experience Gilbert and Sullivan’s irresistible combination of virtuosic wit, memorable melodies and hilarious antics in this much-loved production from Jonathan Miller.
‘A glorious production of Gilbert & Sullivan’s best comic opera’ **** Daily Express
‘Bright and Sharp. The pace never really lets up’ ***** The Guardian
‘Hilariously funny’’ ***** Bachtrack
The story of Cinderella to Jules Massenet’s sensuous and lavish score in a new production, directed by Fiona Shaw (The Rape Of Lucretia). With its enchanting love story and broad, burlesque comedy, Cendrillon is one of the great operatic fairy tales. Massenet’s beautiful, lyrical music brings the familiar characters from Perrault’s story to life – a loving, yet hapless father, a jovially villainous stepmother, the lonely prince and a fairy godmother. The gently courageous Cendrillon, never quite sure whether she is dreaming or awake, is perhaps the most bewitching of all Cinderellas. The opera is full of wonderful music, from the impassioned love duet for Cendrillon and her Prince to the coloratura effervescence of the Fairy Godmother and the brilliantly scored ‘Marche Des Princesses’. Glyndebourne favourite Danielle de Niese sings the lead role in this performance, conducted by John Wilson.
Andrea Levy’s Orange Prize-winning novel Small Island comes to life in an epic new theatre adaptation. Experience the play in cinemas, filmed live on stage as part of National Theatre Live’s 10th birthday.
Small Island embarks on a journey from Jamaica to Britain, through the Second World War to 1948 – the year the HMT Empire Windrush docked at Tilbury.
The play follows three intricately connected stories. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots. Hope and humanity meet stubborn reality as the play traces the tangled history of Jamaica and the UK.
A company of 40 actors take to the stage of the National Theatre in this timely and moving story.
Award-winning director Ron Howard and the team behind THE BEATLES: EIGHT DAYS A WEEK celebrate the life of beloved opera star Luciano Pavarotti, who sold over 100 million records in his lifetime and brought opera to the people. Using footage from concerts, interviews and the Pavarotti family archives, Howard goes beyond the iconic public figure to reveal the man himself. Charting his rise from humble beginnings in Northern Italy through to superstardom, PAVAROTTI lifts the curtain on the great tenor as a husband and father, a committed philanthropist, and a fragile artist who had a complex relationship with his unique talents.
Rossini’s celebrated opera ‘buffa’ is a perfect marriage of wit, energy and musical invention. When Count Almaviva falls in love with Rosina, he enlists the help of his Mr-Fix-It barber, the irrepressible Figaro, to help him outwit Rosina’s guardian Bartolo. But Bartolo plans to marry Rosina himself, and a comic and fast-paced battle of wills ensues. Rossini’s masterpiece was completed, legend has it, in just 13 days. His score fizzes with virtuosic brilliance , from the stunning, ubiquitously known Overture to the bravura solo arias – including the immortal ‘Una Voce Poco Fa’ and Figaro’s ‘Largo Al Factotum’ - while breathtaking, intricate ensemble singing weaves together the strands of the comic tale. In this revival of Annabel Arden’s 2016 production for Glyndebourne, Danielle de Niese stars as Rosina. Opera’s greatest comedy, filled with its greatest hits. A treat for all.
Rossini’s celebrated opera ‘buffa’ is a perfect marriage of wit, energy and musical invention. When Count Almaviva falls in love with Rosina, he enlists the help of his Mr-Fix-It barber, the irrepressible Figaro, to help him outwit Rosina’s guardian Bartolo. But Bartolo plans to marry Rosina himself, and a comic and fast-paced battle of wills ensues. Rossini’s masterpiece was completed, legend has it, in just 13 days. His score fizzes with virtuosic brilliance , from the stunning, ubiquitously known Overture to the bravura solo arias – including the immortal ‘Una Voce Poco Fa’ and Figaro’s ‘Largo Al Factotum’ - while breathtaking, intricate ensemble singing weaves together the strands of the comic tale. In this revival of Annabel Arden’s 2016 production for Glyndebourne, Danielle de Niese stars as Rosina. Opera’s greatest comedy, filled with its greatest hits. A treat for all.
The story of a family and a company that changed the world, told in three parts on a single evening.
Academy Award-winner Sam Mendes (Skyfall, The Ferryman) directs Simon Russell Beale, Adam Godley and Ben Miles who play the Lehman Brothers, their sons and grandsons.
On a cold September morning in 1844 a young man from Bavaria stands on a New York dockside. Dreaming of a new life in the new world. He is joined by his two brothers and an American epic begins.
163 years later, the firm they establish – Lehman Brothers – spectacularly collapses into bankruptcy, and triggers the largest financial crisis in history.
This critically acclaimed and five-time Olivier Award nominated play features stunning set design from Es Devlin (NT Live: Hamlet) and will be broadcast live from London’s West End as part of National Theatre Live’s 10th Birthday season.
'To whom should I complain?'
When a young novice nun is compromised by a corrupt official, who offers to save her brother from execution in return for sex, she has no idea where to turn for help. When she threatens to expose him, he tells her that no one would believe her.
Shakespeare wrote this play in the early 1600s, yet it remains astonishingly resonant today. Artistic Director Gregory Doran directs this new production.
Enchantment meets the politics of the Enlightenment in Mozart’s fairy-tale opera, Die Zauberflöte. Prince Tamino is on a quest to rescue Princess Pamina, daughter of the Queen of the Night, who has been kidnapped by her father, the evil Sarastro. With the help of the foolish bird-catcher Papageno, Tamino must brave not only dragons and the forces of darkness, but trials of fire and water in order to arrive at the truth and win Pamina as his bride. Composed just months before Mozart’s death, Die Zauberflöte is a heady blend of knock-about comedy and fantasy, its beautiful melodies woven into an allegory of wicked queens, noble princes, ancient Egyptian mythology and the lore of the Freemasons. In this new production by Barbe & Doucet, Antonello Manacorda conducts the Orchestra of the Age of Enlightenment and a cast that includes Sofia Fomina, Björn Bürger and Caroline Wettergreen.
Enchantment meets the politics of the Enlightenment in Mozart’s fairy-tale opera, Die Zauberflöte. Prince Tamino is on a quest to rescue Princess Pamina, daughter of the Queen of the Night, who has been kidnapped by her father, the evil Sarastro. With the help of the foolish bird-catcher Papageno, Tamino must brave not only dragons and the forces of darkness, but trials of fire and water in order to arrive at the truth and win Pamina as his bride. Composed just months before Mozart’s death, Die Zauberflöte is a heady blend of knock-about comedy and fantasy, its beautiful melodies woven into an allegory of wicked queens, noble princes, ancient Egyptian mythology and the lore of the Freemasons. In this new production by Barbe & Doucet, Antonello Manacorda conducts the Orchestra of the Age of Enlightenment and a cast that includes Sofia Fomina, Björn Bürger and Caroline Wettergreen.
The story of a family and a company that changed the world, told in three parts on a single evening.
Academy Award-winner Sam Mendes (Skyfall, The Ferryman) directs Simon Russell Beale, Adam Godley and Ben Miles who play the Lehman Brothers, their sons and grandsons.
On a cold September morning in 1844 a young man from Bavaria stands on a New York dockside. Dreaming of a new life in the new world. He is joined by his two brothers and an American epic begins.
163 years later, the firm they establish – Lehman Brothers – spectacularly collapses into bankruptcy, and triggers the largest financial crisis in history.
This critically acclaimed and five-time Olivier Award nominated play features stunning set design from Es Devlin (NT Live: Hamlet) and will be broadcast live from London’s West End as part of National Theatre Live’s 10th Birthday season.
Featuring a Tony Award-winning performance from host of the The Late Late Show, James Corden, the hilarious West End and Broadway hit One Man, Two Guvnors returns to cinemas to mark National Theatre Live’s 10th birthday.
Fired from his skiffle band, Francis Henshall becomes minder to Roscoe Crabbe, a small time East End hood, now in Brighton to collect £6,000 from his fiancée’s dad. But Roscoe is really his sister Rachel posing as her own dead brother, who’s been killed by her boyfriend Stanley Stubbers.
Holed up at The Cricketers’ Arms, the permanently ravenous Francis spots the chance of an extra meal ticket and takes a second job with one Stanley Stubbers, who is hiding from the police and waiting to be re-united with Rachel. To prevent discovery, Francis must keep his two guvnors apart. Simple.
Featuring a Tony Award-winning performance from host of the The Late Late Show, James Corden, the hilarious West End and Broadway hit One Man, Two Guvnors returns to cinemas to mark National Theatre Live’s 10th birthday.
Fired from his skiffle band, Francis Henshall becomes minder to Roscoe Crabbe, a small time East End hood, now in Brighton to collect £6,000 from his fiancée’s dad. But Roscoe is really his sister Rachel posing as her own dead brother, who’s been killed by her boyfriend Stanley Stubbers.
Holed up at The Cricketers’ Arms, the permanently ravenous Francis spots the chance of an extra meal ticket and takes a second job with one Stanley Stubbers, who is hiding from the police and waiting to be re-united with Rachel. To prevent discovery, Francis must keep his two guvnors apart. Simple.
